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21 Howard, David
1896-1941La verdadera carrera profesional de David Howard empieza con El valle de las sorpresas, primera de sus colaboraciones con el actor George O’Brien, de cuya filmografia se responsabilizara casi en su totalidad, en la Fox y luego en RKO. Llega a la direccion desde el escalon inferior de ayudante de direccion. Dirige, sobre todo, westerns, sin desviarse de los criterios imperantes en el genero en los anos treinta: peliculas de una hora de duracion, aproximadamente, interpretadas por alguna de las estrellas del western de serie B. En este caso, el privilegiado, como se ha dicho, es George O’Brien.El ultimo de los Vargas. 1930. 61 minutos. Blanco y negro. Fox. George J. Lewis, Luana Alcaniz.La gran jornada. Version en espanol de The Big Trail, pelicula dirigida por Raoul Walsh. Interpretada por George J. Lewis y Carmen Guerrero.The Rainbow Trail (El valle de las sorpresas). 1932. 60 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.Mystery Ranch (La hacienda misteriosa). 1932. 56 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.The Golden West (El dorado Oeste). 1932. 74 minutos. Blanco y Negro. Fox. George O’Brien, Janet Chandler.Robbers’ Roost (La cueva de los bandidos) (co-d.: Louis King). 1933. 64 minutos. Blanco y Negro. Fox. George O’Brien, Maureen O’Sullivan.Smoke Lightning (Justa retribucion). 1933. 63 minutos. Blanco y Negro. Fox. George O’Brien, Nell O’Day.In Old Santa Fe (En un rancho de Santa Fe). 1934. 64 minutos. Blanco y Negro. Mascot. Ken Maynard, Evalyn Knapp, George Hayes, Gene Autry, Smiley Burnette.Whispering Smith Speaks. 1935. 65 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.Thunder Mountain (El monte atronador). 1935. 1968 minutos. Blanco y Negro. Fox. George O’Brien, Barbara Fritchie.O’Malley of the Mounted. 1936. 59 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.The Mine with the Iron Door. 1936. 66 minutos. Blanco y Negro. Columbia. Richard Arlen, Cecilia Parker.The Border Patrolman. 1936. 60 minutos. Blanco y Negro. Fox. George O’Brien, Polly Ann Young.Daniel Boone. 1936. 77 minutos. Blanco y Negro. RKO. George O’Brien, Heather Angel.Park Avenue Logger. 1937. 67 minutos. Blanco y Negro. RKO. George O’Brien, Beatrice Roberts, Ward Bond.Gun Law. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Oehmen.Border G-Man. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.The Painted Desert. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day, Fred Kohler.The Renegade Ranger. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Hayworth, Tim Holt.Lawless Valley. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Kay Sutton, Fred Kohler.Arizona Legion. 1939. 58 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.Trouble in Sundown. 1939. 60 minutos. Blanco y Negro. RKO. George O’Brien, Cy Kendall, Rosalind Keith, Ward Bond.Timber Stampede. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Marjorie Reynolds, Chill Wills.The Marshal of Mesa City. 1939. 63 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.The Fighting Gringo. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Lupita Tovar.Legion of the Lawless. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Bullet Code. 1940. 58 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Prairie Law. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Triple Justice. 1940. 66 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Six-Gun Gold. 1941. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ray Whitley, Jan Clayton, Lee “Lasses” White.Dude Cowboy. 1941. 59 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Reynolds, Ray Whitley, Lee “Lasses” White. -
22 Kane, Joseph
1894-1975El nombre de Joseph Kane se asocia de forma indisoluble a una productora, Republic, de principio a fin. Kane habia dirigido en 1935 un serial para Mascot, que junto con otras pequenas productoras se asociaron para fundar Republic ese mismo ano. Desde esa fecha hasta 1958, en que la productora desaparece, Kane es uno de sus directores mas prolificos. Estamos ante uno de los grandes nombres del western, en cantidad, ya que no en calidad. Entre 1934 y 1975 trabaja en no menos de 120 peliculas, la inmensa mayoria de las cuales pertenecen al genero que nos ocupa. Trabaja con Gene Autry, John Wayne, Robert Livingston, Roy Rogers, Bill Elliott, en tre otros. Despues dirigira algunos episodios de se ries de television y otras cuatro peliculas. Sus mejores filmes son, sin duda, Titanes de la montana y Los indomables, ya al final de su carrera.Tumbling Tumbleweeds. 1935. 57 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Lucile Browne.Melody Trail. 1935, 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.The Sagebrush Troubadour. 1935. 54 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Barbara Pepper.The Lawless Nineties. 1936. 55 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.King of the Pecos. 1936. 54 minutos. Blanco y Negro. Republic. John Wayne, Muriel Evans.The Lonely Trail. 1936. 58 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.Oh, Susanna! 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.Ride Ranger Ride. 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Kay Hugues.Ghost-Town Gold. 1936. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Kay Hugues, Max Terhune.The Old Corral. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Hope Manning.Guns and Guitars. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Dorothy Dix.Git Along. Little Dogies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.Round-Up Time in Texas. 1937. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Maxine Doyle.Gunsmoke Ranch. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Julia Thayer, Max Terhune.Come On, Cowboys! 1937. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Maxine Doyle, Max Terhune.Yodelin’ Kid from Pine Ridge. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Betty Bronson.Public Cowboy No. 1. 1937. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.Heart of the Rockies. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Lynn Roberts, Max Terhune.Boots and Saddles. 1937. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.Springtime in the Rockies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Polly Rowles.The Old Barn Dance. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Helen Valkis.Arson Gang Busters. 1938. 65 minutos. Blanco y Negro. Republic. Robert Livingston, Rosalind Keith.Under Western Stars. 1938. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Smiley Burnette, Carol Hugues.Gold Mine in the Sky. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.The Man from Music Mountain. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hughes.Billy the Kid Returns. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Hart (Lynne Roberts).Come On, Rangers. 1938. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).Shine On, Harvest Moon. 1938. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Rough Riders’ Round-Up. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).Frontier Pony Express. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Southward Ho. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).In Old Caliente. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Wall Street Cowboy. 1939. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Ann Baldwyn, George Hayes, Raymond Hatton.In Old Monterey. 1939. 74 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.The Arizona Kid. 1939. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Dorothy Sebastian, George Hayes.Saga of Death Valley. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Doris Day, George Hayes.Days of Jesse James. 1939. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.Young Buffalo Bill. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.The Carson City Kid. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, Bob Steele.The Ranger and the Lady. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Julie Bishop, George Hayes.Colorado. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.Young Bill Hickcok. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.The Border Legion. 1940. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Hugues, George Hayes.Robin Hood of the Pecos. 1941. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Marjorie Reynolds, George Hayes.In Old Cheyenne. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Joan Woodbury, George Hayes.Sheriff of Tombstone. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Elyse Knox, George Hayes.Nevada City. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Bad Man of Deadwood. 1941. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Adams, George Hayes.Jesse James at Bay. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Gale Storm, Sally Payne, George Hayes.Red River Valley. 1941. 62 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Man from Cheyenne. 1942. 60 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.South of Santa Fe. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes.Sunset on the Desert. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Lynne Carver, George Hayes.Romance on the Range. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Sons of the Pioneers. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon, George Hayes.Sunset Serenade. 1942. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Helen Parrish, George Hayes.Heart of the Golden West. 1942. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, George Hayes, Smiley Burnette.Ridin’ Down the Canyon. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes, Bob Nolan.Idaho. 1943. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Virginia Grey, Smiley Burnette, Bob Nolan.King of the Cowboys. 1943. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Peggy Moran, Smiley Burnette, Bob Nolan.Song of Texas. 1943. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Sheila Ryan, Barton MacLane, Bob Nolan.Silver Spurs. 1943. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Phyllis Brooks, Smiley Burnette, Bob Nolan, John Carradine.The Man from Music Mountain. 1943. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Ferry, Bob Notan.Hands Across the Border (Cita en la frontera). 1944. 73 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, Bob Nolan.The Cowboy and the Senorita. 1944. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Lee, Dale Evans, Bob Nolan.The Yellow Rose of Texas. 1944. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Bob Nolan.Song of Nevada (La cancion de Nevada). 1944. 75 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Mary Lee, Bob Nolan.Flame of Barbary Coast (Algun dia volvere). 1945. 91 minutos. Blanco y Negro. Republic. John Wayne, Ann Dvorak.Dakota. 1945. 82 minutos. Blanco y Negro. Republic. John Wayne, Vera Ralston, Walter Brennan.In Old Sacramento. 1946. 89 minutos. Blanco y Negro. Republic. Bill Elliott, Constance MooreThe Plainsman and the Lady. 1946. 87 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, Andy Clyde.Wyoming. 1947. 84 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, George Hayes.In Old Los Angeles. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Catherine McLeod, Andy Devine.The Gallant Legion. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Adele Mara, Adrian Booth, Andy Devine.The Plunderers. 1948. 87 minutos. Trucolor. Republic. Rod Cameron, Ilona Massey, Adrian Booth.The Last Bandit. 1949. 80 minutos. Trucolor. Republic. Bill Elliott, Adrian Booth, Forrest Tucker, Andy Devine.Brimstone. 1949. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker, Walter Brennan.Rock Island Trail. 1950. 90 minutos. Trucolor. Republic. Forrest Tucker, Adele Mara, Adrian Booth.The Savage Horde. 1950. 90 minutos. Blanco y Negro. Republic. Bill Elliott, Adrian Booth, Grant Whiters, Noah Beery, Jr.California Passage. 1950. 90 minutos. Blanco y Negro. Republic. Forrest Tucker, Adele Mara, Jim Davis.Oh! Susanna. 1951. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker.Woman of the North Country. 1952. 92 minutos. Trucolor. Republic. Ruth Hussey, Rod Cameron, John Agar, Gale StormRide the Man Down. 1952. 90 minutos. Trucolor. Republic. Brian Donlevy, Rod Cameron, Ella Raines.San Antone (Los rebeldes de San Antonio). 1953. 90 min. Blanco y Negro. Republic. Rod Cameron, Arleen Whelan, Katy Jurado, Forrest Tucker.Jubilee Trail (Extrana aventura). 1954. 103 minutos. Trucolor. Republic. Vera Ralston, Forrest Tucker, Joan Leslie.Hell’s Outpost. 1954. 90 minutos. Blanco y Negro. Republic. Rod Cameron, Joan Leslie, John Russell.Timberjack (Titanes de la montana). 1955. 94 minutos. Trucolor. Republic. Sterling Hayden, Vera Ralston.The Road to Denver. 1955. 90 minutos. Trucolor. Republic. John Payne, Mona Freeman, Lee J. Cobb.The Vanishing American (El ocaso de una raza). 1955. 90 minutos. Blanco y Negro. Republic. Scott Brady, Audrey Totter, Forrest Tucker.The Maverick Queen (Los indomables). 1956. 92 minutos. Trucolor. Natu rama. Republic. Barbara Stanwyck, Barry Sullivan, Scott Brady.Thunder Over Arizona. 1956. 70 minutos. Trucolor. Naturama. Republic. Skip Homeier, Kristine Miller.Duel at Apache Wells. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Anna Maria Alberguetti, Ben Cooper, Jim Davis.Spoilers of the Forest. 1957. 68 minutos. Trucolor. Naturama. Republic. Rod Cameron, Vera Ralston.The Last Stagecoach West. 1957. 67 minutos. Blanco y Negro. Naturama. Republic. Jim Davis, Mary Castle.Gunfire at Indian Gap. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Vera Ralston, Anthony George.The Lawless Eighties. 1958. 70 minutos. Blanco y Negro. Naturama. Republic. Buster Crabbe, John Smith, Marilyn Saris.Smoke in the Wind (co-d.: Andy Brennan). 1975. 98 minutos. Color. Gamalex. John Ashely, John Russell, Susan Houston, Walter Brennan. -
23 Bibliography
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The making of memory: From molecules to mind. New York: Anchor Books. (Originally published in 1992)■ Roszak, T. (1994). The cult of information: A neo- Luddite treatise on high- tech, artificial intelligence, and the true art of thinking (2nd ed.). Berkeley: University of California Press.■ Royce, J. R., & W. W. Rozeboom (Eds.) (1972). The psychology of knowing. New York: Gordon & Breach.■ Rumelhart, D. E. (1977). Introduction to human information processing. New York: Wiley.■ Rumelhart, D. E. (1980). Schemata: The building blocks of cognition. In R. J. Spiro, B. Bruce & W. F. Brewer (Eds.), Theoretical issues in reading comprehension. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Rumelhart, D. E., & J. L. McClelland (1986). On learning the past tenses of English verbs. In J. L. McClelland & D. E. Rumelhart (Eds.), Parallel distributed processing: Explorations in the microstructure of cognition (Vol. 2). Cambridge, MA: MIT Press.■ Rumelhart, D. E., P. Smolensky, J. L. McClelland & G. E. Hinton (1986). Schemata and sequential thought processes in PDP models. In J. L. McClelland, D. E. Rumelhart & the PDP Research Group (Eds.), Parallel Distributed Processing (Vol. 2, pp. 7-57). Cambridge, MA: MIT Press.■ Russell, B. (1927). An outline of philosophy. London: G. Allen & Unwin.■ Russell, B. (1961). History of Western philosophy. London: George Allen & Unwin.■ Russell, B. (1965). How I write. In Portraits from memory and other essays. London: Allen & Unwin.■ Russell, B. (1992). In N. Griffin (Ed.), The selected letters of Bertrand Russell (Vol. 1), The private years, 1884- 1914. Boston: Houghton Mifflin. Ryecroft, C. (1966). Psychoanalysis observed. London: Constable.■ Sagan, C. (1978). The dragons of Eden: Speculations on the evolution of human intel ligence. New York: Ballantine Books.■ Salthouse, T. A. (1992). Expertise as the circumvention of human processing limitations. In K. A. Ericsson & J. Smith (Eds.), Toward a general theory of expertise: Prospects and limits (pp. 172-194). Cambridge: Cambridge University Press.■ Sanford, A. J. (1987). The mind of man: Models of human understanding. New Haven, CT: Yale University Press.■ Sapir, E. (1921). Language. New York: Harcourt, Brace, and World.■ Sapir, E. (1964). Culture, language, and personality. Berkeley: University of California Press. (Originally published in 1941.)■ Sapir, E. (1985). The status of linguistics as a science. In D. G. Mandelbaum (Ed.), Selected writings of Edward Sapir in language, culture and personality (pp. 160166). Berkeley: University of California Press. (Originally published in 1929).■ Scardmalia, M., & C. Bereiter (1992). Literate expertise. In K. A. Ericsson & J. Smith (Eds.), Toward a general theory of expertise: Prospects and limits (pp. 172-194). Cambridge: Cambridge University Press.■ Schafer, R. (1954). Psychoanalytic interpretation in Rorschach testing. New York: Grune & Stratten.■ Schank, R. 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Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
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24 Selander, Lesley
1900-1979Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard MartinSaddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana LorysFort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.English-Spanish dictionary of western films > Selander, Lesley
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25 Bretherton, Howard
1890-1969Uno mas de la larga lista de realizadores de peliculas baratas para consumo inmediato que empezo en el cine casi al mismo tiempo que lo hacia Hollywood, y que despues de ser montador de al menos cuatro peliculas entre 1922 y 1924, salto a la direccion en 1926 con Warner Bros. Al llegar el sonoro lo encontramos dedicado casi por completo al western de serie, en el que trabaja para casi todos, William Boyd (sobre todo), Charles Starrett, Buck Jones, Tim Holt, Don Barry, Bob Steele, Bill Elliott, Johnny Mack Brown, en peliculas con frecuencia intercambiables, de no ser por la personalidad de su protagonista. Segun cual fuera el actor protagonista, asi es la productora: Paramount, Columbia, Monogram, RKO o Republic.Hop-a-Long Cassidy (La cancion del vaquero). 1935. 62 min. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Paula Stone.The Eagle’s Brood. 1935. 59 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Dorothy Revier, Joan Woodbury.Bar 20 Rides Again. 1935. 65 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Jean Rouveral, George Hayes.Call of the Prairie (El ultimo testigo). 1936. 56 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans.Three on the Trail. 1936. 67 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans, George HayesHeart of the West. 1936. 60 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Lynn Gabriel, George Hayes.King of the Royal Mounted. 1936. 61 minutos. Blanco y Negro. Fox. Robert Kent, Rosalind Keith, Jack Luden.Wild Brian Kent. 1936. 60 minutos. Blanco y Negro. Principal/RKO. Ralph Bellamy, Mae Clarke.Secret Valley. 1937. 60 minutos. Blanco y Negro. Fox. Richard Arlen, Virginia Grey.It Happened Out West. 1937. 56 minutos. Blanco y Negro. Fox. Paul Kelly, Judith Allen.Western Gold. 1937. 57 minutos. Blanco y Negro. Fox. Smith Ballew, Heather Angel.The Showdown. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Britt Wood, Jane Clayton.In Old Colorado. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Margaret Hayes, Andy Clyde.Twilight on the Trail. 1941. 58 minutos. Blanco y Negro. Paramount. William Boyd, Andy Clyde, Wanda McKay, Brad King.Outlaws of the Desert. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Jean Phillips, Andy Clyde, Brad King.Riders of the Badlands. 1941. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Kay Hugues.West of Tombstone. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Marcella Martin.Below the Border. 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Linda Brent, Raymond Hatton.Ghost Town Law. 1942. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Virginia Carpenter, Raymond Hatton.Down Texas Way (La ley del norte). 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.Riders of the West. 1942. 58 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.West of the Law. 1942. 60 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Evelyn Cooke, Raymond Hatton.Pirates of the Prairie (El terror de Oklahoma). 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Cliff Edwards, Nell O’Day.Dawn of the Great Divide. 1942. 63 minutos. Blanco y Negro. Monogram. Buck Jones, Raymond Hatton, Mona Barrie.Carson City Cyclone. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Emmett Lynn.Santa Fe Scouts. 1943. 57 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lois Collier, Jimmie Dodd.Riders of the Rio Grande. 1943. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lorraine Miller, Jimmie Dodd.Fugitive from Sonora. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Wally Vernon.Beyond the Last Frontier. 1943. 57 minutos. Blanco y Negro. Republic. Eddie Dew, Smiley Burnette, Lorraine Miller.Bordertown Gun Fighters. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.The Man from the Rio Grande. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Nancy Gay, Wally Vernon.Wagon Tracks West. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Hidden Valley Outlaws. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Outlaws of Santa Fe. 1944. 56 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.The San Antonio Kid. 1944. 59 minutos. Blanco y Negro. Republic. Bill Elliott, Linda Stirling, Bob Blake.Law of the Valley. 1944. 52 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.The Navajo Trail. 1945. 60 minutos. Blanco y Negro Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.The Topeka Terror. 1945. 55 minutos. Blanco y Negro. Republic. Allan Lane, Linda Stirling, Roy Barcroft.Gun Smoke. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Renegades of the Rio Grande. 1945. 57 minutos. Blanco y Negro. Universal. Rod Cameron, Jennifer Holt, Fuzzy Knight.Ridin’ Down the Trail. 1947. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Beverly Jons.Where the North Begins. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.Trail of the Mounties. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.Triggerman. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Carroll.Night Raiders. 1952. 51 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Lois Hall.English-Spanish dictionary of western films > Bretherton, Howard
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26 GS
1) Компьютерная техника: Getting Started, Global Send, Global Service, Graphics And Sound2) Американизм: Gas Standard, General Standard, Government Sector3) Спорт: Game Shares, Game Spot, Gaming Surface, Gaming System, Goal Shooter, Grand Slam, Grand Sport, Great Shot4) Военный термин: General, General Staff, (2) General Support, Geological Survey, German Submarine, Ghost Soldiers, Gold Stripes, Good Shot, Government Civilian, Great Snipers, Great Soldiers, gasoline supply, general schedule, general service, general stores, grade system, ground speed, ground support, ground surveillance, guidance simulator, guidance station, guidance system, gunnery school, gunnery sergeant, gunnery support, Government Service (Federal Civil Service)5) Техника: Geological Society, gas chromatography, gas signal, gateway switch, general search, general shot, gland seal, gland steam system, glide slope receiver, gram per second, graphic system, gray scale, green strength, guidance section, gyrostabilizer6) Сельское хозяйство: growth stage (фаза роста и развития (растения), например GS30, GS21 to GS59)7) Шутливое выражение: Ghost Sweeper8) Химия: Gold And Silver9) Математика: Gauss Seidell, General Solution, Graph Substitution10) Юридический термин: Gang Suppression11) Биржевой термин: Got Savings, Growing Stock12) Ветеринария: German Shepherd13) Грубое выражение: Go Sexy, Goddamned Slow14) Металлургия: оцинкованная сталь в листах (galvanized sheets)15) Музыка: Group Sounds, Guitar Steel16) Радио: Ground State17) Телекоммуникации: Ground Start, Generic Standards18) Сокращение: General Secretary, General Staff, Glide Slope, Government Service, Grammar School, South Georgia & South Sandwich Islands, general support, government stock (s)19) Текстиль: Gallery Special, Girls Sandal, God Sized, Guy Special20) Университет: Graduate School, Graduate Student, Graduation Standard21) Физика: Gamma Stable, Glazed Surfaces22) Электроника: Game Sounds, Graphics Sound23) Вычислительная техника: general station, grayscale, General Standard (MIDI), генеральный стандарт, шкала серого цвета24) Нефть: gas show, Геологическое общество (США), газовая хроматография (gas chromatography), газопроявления (gas showings), признаки газа (gas showings), ГУ (групповая установка) (Gathering Station)25) Космонавтика: Geological Survey (USA)26) Картография: guard station27) Банковское дело: государственные облигации, государственные ценные бумаги (government stocks)28) Транспорт: Goes Slow, Grand Sports, Gravel Street, Great Sedan29) Пищевая промышленность: Green Stuffing30) Фирменный знак: Gas Station, Gentoo Stable, Gift Shop, Goldman Sachs, Graphical Solutions31) Экология: groundwater station32) Деловая лексика: General Satisfaction, Good Service, Guaranteed Service33) Бурение: газопроявление (gas show)34) Инвестиции: government stocks35) Сетевые технологии: Gateway Server, Global Server, Global Shared, ground station, group separator, разделитель групп36) Полимеры: German silver37) Океанография: Gulf Shelf38) Сахалин Ю: sour gas39) Сахалин А: gas chromatograph40) Макаров: gyroscope41) Расширение файла: Gofer script (Haskell language dialect)42) Нефть и газ: gas supply (m3/day), подача газа, поставка газа43) Строительные материалы: grade strength44) Электротехника: generator simulator45) Имена и фамилии: George Schmidt, George Stanford, Gordon Smith46) Компьютерные игры: Great sword47) Общественная организация: Guild Statistics48) Должность: Gender Studies, General Studies, Gun Smith49) Чат: Good And Slow, Good Seeing, Goto Sleep50) Правительство: Garden State, Golden State51) NYSE. Goldman Sachs Group, Inc.52) НАСА: Ground System -
27 Gs
1) Компьютерная техника: Getting Started, Global Send, Global Service, Graphics And Sound2) Американизм: Gas Standard, General Standard, Government Sector3) Спорт: Game Shares, Game Spot, Gaming Surface, Gaming System, Goal Shooter, Grand Slam, Grand Sport, Great Shot4) Военный термин: General, General Staff, (2) General Support, Geological Survey, German Submarine, Ghost Soldiers, Gold Stripes, Good Shot, Government Civilian, Great Snipers, Great Soldiers, gasoline supply, general schedule, general service, general stores, grade system, ground speed, ground support, ground surveillance, guidance simulator, guidance station, guidance system, gunnery school, gunnery sergeant, gunnery support, Government Service (Federal Civil Service)5) Техника: Geological Society, gas chromatography, gas signal, gateway switch, general search, general shot, gland seal, gland steam system, glide slope receiver, gram per second, graphic system, gray scale, green strength, guidance section, gyrostabilizer6) Сельское хозяйство: growth stage (фаза роста и развития (растения), например GS30, GS21 to GS59)7) Шутливое выражение: Ghost Sweeper8) Химия: Gold And Silver9) Математика: Gauss Seidell, General Solution, Graph Substitution10) Юридический термин: Gang Suppression11) Биржевой термин: Got Savings, Growing Stock12) Ветеринария: German Shepherd13) Грубое выражение: Go Sexy, Goddamned Slow14) Металлургия: оцинкованная сталь в листах (galvanized sheets)15) Музыка: Group Sounds, Guitar Steel16) Радио: Ground State17) Телекоммуникации: Ground Start, Generic Standards18) Сокращение: General Secretary, General Staff, Glide Slope, Government Service, Grammar School, South Georgia & South Sandwich Islands, general support, government stock (s)19) Текстиль: Gallery Special, Girls Sandal, God Sized, Guy Special20) Университет: Graduate School, Graduate Student, Graduation Standard21) Физика: Gamma Stable, Glazed Surfaces22) Электроника: Game Sounds, Graphics Sound23) Вычислительная техника: general station, grayscale, General Standard (MIDI), генеральный стандарт, шкала серого цвета24) Нефть: gas show, Геологическое общество (США), газовая хроматография (gas chromatography), газопроявления (gas showings), признаки газа (gas showings), ГУ (групповая установка) (Gathering Station)25) Космонавтика: Geological Survey (USA)26) Картография: guard station27) Банковское дело: государственные облигации, государственные ценные бумаги (government stocks)28) Транспорт: Goes Slow, Grand Sports, Gravel Street, Great Sedan29) Пищевая промышленность: Green Stuffing30) Фирменный знак: Gas Station, Gentoo Stable, Gift Shop, Goldman Sachs, Graphical Solutions31) Экология: groundwater station32) Деловая лексика: General Satisfaction, Good Service, Guaranteed Service33) Бурение: газопроявление (gas show)34) Инвестиции: government stocks35) Сетевые технологии: Gateway Server, Global Server, Global Shared, ground station, group separator, разделитель групп36) Полимеры: German silver37) Океанография: Gulf Shelf38) Сахалин Ю: sour gas39) Сахалин А: gas chromatograph40) Макаров: gyroscope41) Расширение файла: Gofer script (Haskell language dialect)42) Нефть и газ: gas supply (m3/day), подача газа, поставка газа43) Строительные материалы: grade strength44) Электротехника: generator simulator45) Имена и фамилии: George Schmidt, George Stanford, Gordon Smith46) Компьютерные игры: Great sword47) Общественная организация: Guild Statistics48) Должность: Gender Studies, General Studies, Gun Smith49) Чат: Good And Slow, Good Seeing, Goto Sleep50) Правительство: Garden State, Golden State51) NYSE. Goldman Sachs Group, Inc.52) НАСА: Ground System -
28 gs
1) Компьютерная техника: Getting Started, Global Send, Global Service, Graphics And Sound2) Американизм: Gas Standard, General Standard, Government Sector3) Спорт: Game Shares, Game Spot, Gaming Surface, Gaming System, Goal Shooter, Grand Slam, Grand Sport, Great Shot4) Военный термин: General, General Staff, (2) General Support, Geological Survey, German Submarine, Ghost Soldiers, Gold Stripes, Good Shot, Government Civilian, Great Snipers, Great Soldiers, gasoline supply, general schedule, general service, general stores, grade system, ground speed, ground support, ground surveillance, guidance simulator, guidance station, guidance system, gunnery school, gunnery sergeant, gunnery support, Government Service (Federal Civil Service)5) Техника: Geological Society, gas chromatography, gas signal, gateway switch, general search, general shot, gland seal, gland steam system, glide slope receiver, gram per second, graphic system, gray scale, green strength, guidance section, gyrostabilizer6) Сельское хозяйство: growth stage (фаза роста и развития (растения), например GS30, GS21 to GS59)7) Шутливое выражение: Ghost Sweeper8) Химия: Gold And Silver9) Математика: Gauss Seidell, General Solution, Graph Substitution10) Юридический термин: Gang Suppression11) Биржевой термин: Got Savings, Growing Stock12) Ветеринария: German Shepherd13) Грубое выражение: Go Sexy, Goddamned Slow14) Металлургия: оцинкованная сталь в листах (galvanized sheets)15) Музыка: Group Sounds, Guitar Steel16) Радио: Ground State17) Телекоммуникации: Ground Start, Generic Standards18) Сокращение: General Secretary, General Staff, Glide Slope, Government Service, Grammar School, South Georgia & South Sandwich Islands, general support, government stock (s)19) Текстиль: Gallery Special, Girls Sandal, God Sized, Guy Special20) Университет: Graduate School, Graduate Student, Graduation Standard21) Физика: Gamma Stable, Glazed Surfaces22) Электроника: Game Sounds, Graphics Sound23) Вычислительная техника: general station, grayscale, General Standard (MIDI), генеральный стандарт, шкала серого цвета24) Нефть: gas show, Геологическое общество (США), газовая хроматография (gas chromatography), газопроявления (gas showings), признаки газа (gas showings), ГУ (групповая установка) (Gathering Station)25) Космонавтика: Geological Survey (USA)26) Картография: guard station27) Банковское дело: государственные облигации, государственные ценные бумаги (government stocks)28) Транспорт: Goes Slow, Grand Sports, Gravel Street, Great Sedan29) Пищевая промышленность: Green Stuffing30) Фирменный знак: Gas Station, Gentoo Stable, Gift Shop, Goldman Sachs, Graphical Solutions31) Экология: groundwater station32) Деловая лексика: General Satisfaction, Good Service, Guaranteed Service33) Бурение: газопроявление (gas show)34) Инвестиции: government stocks35) Сетевые технологии: Gateway Server, Global Server, Global Shared, ground station, group separator, разделитель групп36) Полимеры: German silver37) Океанография: Gulf Shelf38) Сахалин Ю: sour gas39) Сахалин А: gas chromatograph40) Макаров: gyroscope41) Расширение файла: Gofer script (Haskell language dialect)42) Нефть и газ: gas supply (m3/day), подача газа, поставка газа43) Строительные материалы: grade strength44) Электротехника: generator simulator45) Имена и фамилии: George Schmidt, George Stanford, Gordon Smith46) Компьютерные игры: Great sword47) Общественная организация: Guild Statistics48) Должность: Gender Studies, General Studies, Gun Smith49) Чат: Good And Slow, Good Seeing, Goto Sleep50) Правительство: Garden State, Golden State51) NYSE. Goldman Sachs Group, Inc.52) НАСА: Ground System -
29 ♦ that
♦ that (1) /ðæt/a. e pron. dimostr. (pl. those)1 quello, quella; ciò; codesto, codesta; cotesto, cotesta: Give me that book, will you?, dammi quel libro, per piacere; Who are those people?, chi è quella gente?; I don't want this; I want that, non voglio questo; voglio quello; (spreg.) that George!, quel George!; DIALOGO → - Weather- Look at that sky!, guarda che cielo!; That isn't true at all!, ciò non è affatto vero!2 questo, questa: Has it come to that?, siamo giunti a questo (punto)?; siamo dunque a tanto?; That's what he said, questo è quello che disse3 (idiom.) Is that you, John?, sei tu, John?; Who was that on the phone?, chi era al telefono?; That's very like him, è tipico di lui; (cosa vuoi,) lui è fatto così; che altro ci si può aspettare da lui?; That's how I got it, ecco come l'ho avuto● That's all, ecco tutto!; tutto qui □ (fam.) That's a dear!, (che) bravo! □ (fam.) That's a good boy [girl]!, bravo [brava]!; che bravo ragazzo [brava ragazza] □ that is, cioè; vale a dire; ossia □ that one, quello, quella: I don't like this; I'll take that one, questo non mi piace; prendo quello □ that one over there, quello là □ That's right, giusto!; benissimo! □ That's it!, esatto!; giusto!; proprio così!; ( anche) ecco fatto!; basta!; DIALOGO → - In a sandwich bar- That's it, thanks, basta, grazie □ and (o and so) that's that!, ecco tutto!; tutto qui (o lì); ( anche) e basta; niente da fare; discorso chiuso!: I'm not giving you the money, and that's that, i soldi non te li do, e basta! □ and all that, e altro; e simili; eccetera eccetera; e così di seguito; e via dicendo □ (fam.) at that, a quel punto lì; tutto sommato; per giunta, inoltre: We left the matter at that, abbiamo lasciato la faccenda a quel punto; We had a lot of work, and painful work, at that, avevamo un sacco di lavoro, e faticoso, per giunta □ for all that, nonostante tutto ciò; con tutto ciò; ciononostante; nondimeno □ from that hour, da quel momento; da allora in poi □ like that, così; in questo (o quel) modo: Don't roll your eyes like that, non roteare gli occhi in quel modo!; He threw the ball like that, lanciò la palla così ( facendo seguire il gesto) □ on that, con ciò; al che □ talking of this and that, discorrendo del più e del meno □ There's that!, c'è anche questo (da dire); beh, anche questo è vero □ those who, coloro i quali (o le quali); quelli (o quelle) che □ What of that?, e con ciò?; che importa? □ ( facendo schioccare le dita) I wouldn't give that for it, non darei un soldo per averlo; non me ne importa un fico (fam.) □ (prov.) That's what it's all about, la vita è fatta di queste cose!♦ that (2) /ðæt, ðət/pron. relat.1 che; il quale, la quale; i quali, le quali: the dog that bit me, il cane che mi morse; those that don't believe me, coloro i quali non mi credono (o chi non mi crede); the boy [the film] ( that) we saw, il ragazzo [il film] che abbiamo visto ( that, se non è soggetto, di solito è sottinteso); No one ( that) I ever heard of could find the difference, nessuno, ch'io sappia, è mai riuscito a scoprire la differenza2 (in loc. temporali) in cui; che (fam.): the year that my son was born, l'anno che nacque mio figlio; the day ( that) I saw her, il giorno che la vidi● (fam.) Mrs Black, Ann Smith that was, la signora Black, da ragazza Ann Smith.♦ that (3) /ðæt, ðət/cong.1 ( spesso sottinteso) che: He promised ( that) he would go, ha promesso che ci sarebbe andato; There's no doubt ( that) they will come, non c'è dubbio che verranno; That he was ill can be proved, che fosse ammalato lo si può dimostrare; He was so tired ( that) he couldn't sleep, era così stanco che non riusciva a dormire2 (form.) perché; affinché; poiché: They gave their lives that we might live, diedero la vita affinché noi vivessimo3 che; poiché; per il motivo che: I'm glad ( that) you passed the exam, sono contento che tu abbia superato l'esame● but that, se non fosse (per il fatto) che □ (form.) in that, dacché; poiché □ now that, ora che; dal momento che; poiché □ so that, affinché; perché; poiché, cosicché (form.) □ Not that I have any objection, non che io ci trovi da ridire.♦ that (4) /ðæt/avv.(fam.) così; tanto; (fino) a tal punto: I can't work that hard, non ce la faccio a lavorare così intensamente; I will go that far and no further, arriverò fino a quel punto e non oltre; He's stingy, but not that stingy, è spilorcio, ma non fino a tal punto; DIALOGO → - Ordering food 2- I'm not that hungry, non ho così tanta fame● that much, tanto così ( facendo il gesto); ( di solito al neg.) molto; granché: I don't know that much about finance, non ne so granché di finanza □ (fam.) I was that tired I could drop, ero tanto stanco da non reggermi più in piedi. -
30 Ford, John
1894-1973Sean Aloysius O’Fearna, Sean Aloysius O’Feeney, o John Martin Feeney, que con alguno de esos tres nombres figura en diversas biografias, nacio el primero de febrero de 1894, o de 1895 segun otros, en Cape Elizabeth, Maine, de padres irlandeses. En 1914, despues de sus estudios secundarios, se traslada a Hollywood, donde ya se encontraba su hermano Francis, actor y director, del que es ayudante hasta 1917, en que dirige su primera pelicula, The Tornado, como Jack Ford, nombre que en 1923 cambiaria por el de John Ford. Hay que tener en cuenta que el apellido Ford fue el que uso su hermano Francis desde el primer momento. Entre The Tor nado y Buenos amigos (Just Pals, 1920), primera de sus peliculas de la que se conservan copias, rueda un total de 37 filmes de dos, tres y cinco bobinas, siempre para Universal, como productora o, al me nos, distribuidora. Buenos amigos es, precisamente, la primera que realiza para Fox. En adelante, mientras duro el cine mudo, fue esta quien produjo o distribuyo los filmes de John Ford, de los que se conservan solo otros once.En total, dirige 67 peliculas mudas, de las que se conservan doce, tres de ellas westerns. Estos son: A prueba de balas (Straight Sho oting, 1917), la archifamosa El caballo de hierro (The Iron Horse, 1924), y Tres hombres malos (Three Bad Men, 1926). Lamentablemente ha desaparecido La fuerza de las circunstancias (Marked Men, 1919), version muda de uno de los westerns sonoros de Ford, Three God fathers. Se conservan, sin embargo, los sesenta filmes sonoros que dirigio, ademas de otro que abandono a poco de comenzar, El sonador rebelde (Young Cassidy, Jack Cardiff, 1965), algunos documentales para el Ejercito y unos pocos trabajos para television. De esos sesenta titulos, solo quince son westerns, y uno de ellos, La conquista del Oeste, es obra de Ford en una pequena parte de su metraje..Por que se dice, entonces, que John Ford es un di rector de westerns?.Por que lo dijo el mismo cuando, en una celebre reunion de directores de cine, durante el asunto aquel del Comite de Acti vidades Antinortea mericanas, al preguntarsele quien era, res pondio: “Soy John Ford. Hago westerns”? Sin duda porque la obra de John Ford no se en tenderia sin sus westerns. Es, sin discusion, uno de los reyes del genero, si no el rey maximo. El director mas admirado por una larga fila de cinefilos, aunque no dirigio tantos westerns sonoros como a primera vista podria parecer, convirtio cada uno de ellos en un espectaculo visual, en el sentido mas profundo del termino. El primero, La diligencia abre la puerta al western moderno, en un momento en el que la produccion del genero estaba mayoritariamente ocupada por filmes de serie de una hora de duracion, la llamada serie B, y seriales diversos. El ultimo, El gran combate, es un emocionante canto a la dignidad del ser humano. John Ford extrae todas las inmensas posibilidades que el genero ofrece como espejo en el que se mira la naturaleza de los seres racionales.Entre sus quince westerns sonoros se encuentra la que, sin duda alguna, es una de las diez o quince mejores peliculas de la historia del cine, Centauros del desierto que, junto con la llamada “trilogia de la caballeria” (Fort Apache, La legion invencible y Rio Grande) y la injustamente infravalorada y extraordi naria Dos cabalgan juntos, constituyen la cumbre de la obra de este inigualable realizador en el genero que nos ocupa.Stagecoach (La diligencia). 1939. 97 minutos. Blanco y Negro. Walter Wanger Productions (UA). John Wayne, Claire Trevor, John Carradine, Thomas Mitchell, Andy Devine, Louise Platt, Tim Holt, Donald Meek, George Bancroft.Drums Along the Mohawk (Corazones indomables). 1939. 103 minutos. Technicolor. Fox. Claudette Colbert, Henry Fonda, Edna May Oliver, Eddie Collins, John Carradine, Dorris Bowdon, Jessie Ralph.My Darling Clementine (Pasion de los fuertes). 1946. 97 minutos. Blanco y Negro. Fox. Henry Fonda, Linda Darnell, Victor Mature, Walter Brennan, Tim Holt, Ward Bond, Cathy Downs, John Ireland.Fort Apache (Fort Apache). 1948. 127 minutos. Blanco y negro. Argosy Pictures (RKO). John Wayne, Henry Fonda, Shirley Temple, John Agar, Ward Bond, George O’Brien, Victor McLaglen, Pedro Armendariz, Anna Lee.Three Godfathers. 1948. 106 minutos. Technicolor. Argosy Pictures (MGM). John Wayne, Pedro Armendariz, Harry Carey, Jr., Ward Bond, Mae Marsh.She Wore a Yellow Ribbon (La legion invencible). 1949. 103 minutos. Technicolor. Argosy Pictures (RKO). John Wayne, Joanne Dru, John Agar, Ben Johnson, Harry Carey, Jr., Victor McLaglen, George O’Brien.Wagonmaster. 1950. 86 minutos. Blanco y Negro. Argosy Pictures (RKO). Ben Johnson, Harry Carey, Jr., Joanne Dru, Ward Bond.Rio Grande (Rio Grande). 1950. 105 minutos. Blanco y Negro. Argosy Pictures (Republic). John Wayne, Maureen O’Hara, Ben Johnson, Harry Carey, Jr.,Chill Wills, J. Carrol Naish, Victor McLaglen.The Searchers (Centauros del desierto). 1956. 119 minutos. Technicolor. VistaVision. C.V. Whitney Pictures (WB). John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood.The Horse Soldiers (Mision de audaces). 1959. 119 minutos. Color DeLuxe. Mirisch Company (UA). John Wayne, William Holden, Constance Towers, Anna Lee.Sergeant Rutledge (El sargento negro). 1960. 111 minutos. Technicolor. Ford Productions (WB). Jeffrey Hunter, Constance Towers, Woody Strode, Willie Burke.Two Rode Together (Dos cabalgan juntos). 1961. 109 minutos. Eastmancolor. Shpetner Productions (Columbia). James Stewart, Richard Widmark, Shirley Jones, Linda Cristal, Andy Devine, John McIntire, Annelle Hayes.The Man Who Shot Liberty Valance (El hombre que mato a Liberty Valance). 1962. 122 minutos. Blanco y Negro. Ford Productions (Paramount). James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine.How the West Was Won (La conquista del Oeste) (co-d.: Henry Hathaway, George Marshall). Episodio: The Civil War (La guerra civil). 1962. 165 minutos (duracion total). Technicolor. Super Cinerama. MGM. George Peppard, Carroll Baker, Russ Tamblyn, John Wayne.Cheyenne Autumn (El gran combate). 1964. 159 minutos. Technicolor. Super-Panavision 70. John Ford Bernard Smith Production (WB). Richard Widmark, Carroll Baker, James Stewart, Edward G. Robinson, Karl Malden, Sal Mineo, Dolores del Rio, Ricardo Montalban, Gilbert Roland, Arthur Kennedy. -
31 Electronics and information technology
See also: INDEX BY SUBJECT AREA[br]Byron, Ada AugustaNapier, JohnRiche, Gaspard-Clair-François-MarieSchickhard, WilhelmBiographical history of technology > Electronics and information technology
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32 Ports and shipping
See also: INDEX BY SUBJECT AREA[br]Armstrong, Sir William GeorgeEgerton, FrancisLi GaoPeter the GreatShen GuaStanhope, Charles -
33 Castle, William
1914-1977Procedente de Broadway, donde llevo a cabo los mas dispares oficios, William Castle desembarca en Hollywood a los 23 anos, y seis mas tarde dirige su primera pelicula. Especialista en peliculas baratas de terror, de sarrollo diversos artilugios para el espectador, entre los que cabe citar la electrificacion de asientos para aumentar la tension en el espectador, y el diseno de esqueletos inflables que flotaban sobre la audiencia durante la proyeccion. No fue, a la vista de lo dicho, un especialista del western, pero rodo un punado de ellos, siempre con presupuestos ajustados y resultados artisticos mejores de lo que cabria suponer. En su curriculo hay que citar dos peliculas celebres, La dama de Shanghai (The Lady from Shanghai, Orson Welles,1947) y La semilla del diablo (Rosemary’s Ba by, Roman Polanski, 1968), de las que fue productor.Klondike Kate. 1943. 64 minutos. Blanco y Negro. Columbia. Anne Savage, Tom Neal, Glenda Farrell.Cave of Outlaws. 1951. 75 minutos. Technicolor. Universal. MacDonald Carey, Alexis Smith.Fort Ti (Fort Ti). 1953. 73 minutos. Technicolor. 3-D. Columbia. George Montgomery, Joan Vohs.Conquest of Cochise. 1953. 70 minutos. Technicolor. Columbia. John Hodiak, Robert Stack, Joy Page.The Battle of Rogue River. 1954. 71 minutos. Technicolor. Columbia. George Montgomery, Richard Denning, Martha Hyer.Jesse James Vs. The Daltons. 1954. 65 minutos. Technicolor. 3-D. Columbia. Brett King, Barbara Lawrence.The Law Vs. Billy the Kid. 1954. 73 minutos. Technicolor. Columbia. Scott Brady, Betta St. John.Masterson of Kansas. 1955. 73 minutos. Technicolor. Columbia. George Montgomery, Nancy Gates.The Americano (El americano). 1955. 85 minutos. Technicolor. RKO. Glenn Ford, Frank Lovejoy, Ursula Thiess.The Gun That Won the West. 1955. 71 minutos. Technicolor. Columbia. Dennis Morgan, Paula Raymond.English-Spanish dictionary of western films > Castle, William
-
34 Nigh, William
1881-1955Excelente profesional de la serie B, realiza un punado de peliculas de genero de factura sumamente correcta, especialmente thrillers y filmes de accion. Trabajo siempre para pequenas productoras. En el western, retoma al celebre personaje creado por O Henry, el Cisco Kid, ahora interpretado por Gilbert Roland, el penultimo actor que lo encarno.Fighting Thru (El heroe de la pradera). 1930. 61 minutos. B y N. Tiffany. Ken Maynard, Jeannette Loff, Wallace MacDonald, Carmelita Geraghty.Without Honors. 1932. 66 minutos. Blanco y Negro. Artclass. Harry Carey, Mae Busch, George Hayes, Gibson Gowland.Border Devils. 1932. 65 minutos. Blanco y Negro. Artclass. Harry Carey, Kathleen Collins, Al Smith, George Hayes.The Night Rider. 1932. 72 minutos. Blanco y Negro. Artclass. Harry Carey, Eleanor Fair, George Hayes, Bob Kartman.The Old Homestead. 1935. 73 minutos. Blanco y Negro. Liberty. Mary Carlisle, Lawrence Gray, Dorothy Lee, Willard Robertson.North of Nome. 1936. 63 minutos. Blanco y Negro. Columbia. Jack Holt, Evelyn Venable, Guinn Williams.The Law Commands. 1937. 58 minutos. Blanco y Negro. Crescent. Tom Keene, Budd Buster, Lorraine Hayes.Rose of the Rio Grande (El nuevo Zorro). 1938. 60 minutos. Blanco y Negro. Monogram. John Carroll, Movita, Lina Basquette, Antonio Moreno.The Gay Cavalier. 1946. 65 minutos. Blanco y Negro. Monogram. Gilbert Roland, Nacho Galindo, Ramsay Ames, Martin Galarraga.South of Monterrey. 1946. 63 minutos. Blanco y Negro. Monogram. Gilbert Roland, Marjorie Riordan, Iris Flores, Frank Yaconelli, Martin Galarraga.Beauty and the Bandit. 1946. 77 minutos. Blanco y Negro. Monogram. Gilbert Roland, Ramsay Ames, Frank Yaconelli, Vida Aldana, Martin Galarraga.Riding the California Trail. 1947. 59 minutos. Blanco y Negro. Monogram. Gilbert Roland, Teala Loring, Frank Yaconelli, Inez Cooper, Martin Galarraga. -
35 INTRODUCTION
For a small country perched on the edge of western Europe but with an early history that began more than 2,000 years ago, there is a vast bibliography extant in many languages. Since general reference works with bibliography on Portugal are few, both principal and minor works are included. In the first edition, works in English, and a variety of Portuguese language works that are counted as significant if not always classic, were included. In the second and third editions, more works in Portuguese are added.It is appropriate that most of the works cited in some sections of the bibliograpy are in English, but this pattern should be put in historical perspective. Since the late 1950s, the larger proportion of foreign-language works on Portugal and the Portuguese have been in English. But this was not the case before World War II. As a whole, there were more studies in French, with a smaller number in German, Italian, and Spanish, than in English. Most of the materials published today on all aspects of this topic continue to be in Portuguese, but English-language works have come to outnumber the other non-Portuguese language studies. In addition to books useful to a variety of students, a selection of classic works of use to the visitor, tourist, and foreign resident of Portugal, as well as to those interested in Portuguese communities overseas, have been included.Readers will note that publishers' names are omitted from some Portuguese citations as well as from a number of French works. There are several reasons for this. First, in many of the older sources, publishers no longer exist and are difficult to trace. Second, the names of the publishers have been changed in some cases and are also difficult to trace. Third, in many older books and periodicals, printers' names but not publishers were cited, and identifying the publishers is virtually impossible.Some recommended classic titles for beginners are in historical studies: José Hermano Saraiva, Portugal: A Companion History (1997); A. H. de Oliveira Marques, History of Portugal (1976 ed.), general country studies in two different historical eras: Sarah Bradford, Portugal (1973) and Marion Kaplan, The Portuguese: The Land and Its People (2002 and later editions); political histories, Antônio de Figueiredo, Portugal: Fifty Years of Dictatorship (1975) and Douglas L. Wheeler, Republican Portugal: A Political History ( 1910-1926) (1978; 1998). On Portugal's Revolution of 25 April 1974 and contemporary history and politics: Kenneth Maxwell, The Making of Portuguese Democracy (1995); Phil Mailer, The Impossible Revolution (1977); Richard A. H. Robinson, Contemporary Portugal: A History (1979); Lawrence S. Graham and Douglas L. Wheeler (eds.), In Search of Modern Portugal: The Revolution and Its Consequences (1983); Lawrence S. Graham and Harry M. Makler (eds.), Contemporary Portugal: The Revolution and its Antecedents (1979). On contemporary Portuguese society, see Antonio Costa Pinto (ed.), Contemporary Portugal: Politics, Society, Culture (2003).Enduring works on the history of Portugal's overseas empire include: C. R. Boxer, The Portuguese Seaborne Empire, 1415-1825 (1969 and later editions); and Bailey W. Diffie and George Winius, The Foundations of the Portuguese Empire, 1415-1580 (1977); on Portugal and the Age of Discoveries: Charles Ley (ed.), Portuguese Voyages 1498-1663 (2003). For a new portrait of the country's most celebrated figure of the Age of Discoveries, see Peter Russell, Prince Henry 'The Navigator': A Life (2000). A still useful geographical study about a popular tourist region is Dan Stanislawski's Portugal's Other Kingdom: The Algarve (1963). A fine introduction to a region of rural southern Portugal is José Cutileiro's A Portuguese Rural Society (1971).Early travel account classics are Almeida Garrett, Travels in My Homeland (1987) and William Beckford, Recollections of an Excursion to the Monasteries of Alcobaca and Batalha (1969 and later editions). On travel and living in Portugal, see Susan Lowndes Marques and Ann Bridge, The Selective Traveller in Portugal (1968 and later editions); David Wright and Patrick Swift, Lisbon: A Portrait and Guide (1968 and later editions); Sam Ballard and Jane Ballard, Pousadas of Portugal (1986); Richard Hewitt, A Cottage in Portugal (1996);Ian Robertson, Portugal: The Blue Guide (1988 and later editions); and Anne de Stoop, Living in Portugal (1995). Fine reads on some colorful, foreign travellers in Portugal are found in Rose Macauley, They Went to Portugal (1946 and later editions) and They Went to Portugal Too (1990). An attractive blend of historical musing and current Portugal is found in Paul Hyland's, Backing Out of the Big World: Voyage to Portugal (1996); Datus Proper's The Last Old Place: A Search through Portugal (1992); and Portugal's 1998 Nobel Prize winner in Literature, José Sarmago, writes in Journey through Portugal (2001).For aspects of Portuguese literature in translation, see Aubrey F. G. Bell, The Oxford Book of Portuguese Verse (1952 edition by B. Vidigal); José Maria Eça de Queirós, The Maias (2007 and earlier editions); and José Sara-mago's Baltasar and Blimunda (1985 and later editions), as well as many other novels by this, Portugal's most celebrated living novelist. See also Landeg White's recent translation of the national 16th century epic of Luis de Camóes, The Lusiads (1997). A classic portrait of the arts in Portugal during the country's imperial age is Robert C. Smith's The Art of Portugal, 1500-1800 (1968).For those who plan to conduct research in Portugal, the premier collection of printed books, periodicals, and manuscripts is housed in the country's national library, the Biblioteca Nacional de Lisboa, in Lisbon. Other important collections are found in the libraries of the major universities in Coimbra, Lisbon, and Oporto, and in a number of foundations and societies. For the history of the former colonial empire, the best collection of printed materials remains in the library of Lisbon's historic Geography Society, the Sociedade de Geografia de Lisboa, Lisbon; and for documents there is the state-run colonial archives, the Arquivo Historico Ultramarino, in Restelo, near Lisbon. Other government records are deposited in official archives, such as those for foreign relations in the archives of the Ministry of Foreign Affairs, housed in Necessidades Palace, Lisbon.For researchers in North America, the best collections of printed materials on Portugal are housed in the Library of Congress, Washington, D.C.; New York Public Library, New York City; Newberry Library, Chicago, Illinois; and in university libraries including those of Harvard, Yale, Johns Hopkins, Brown, Indiana, Illinois, University of California at Los Angeles, University of California - Berkeley, University of California - Santa Barbara, Stanford, Florida State, Duke, University of New Hampshire, Durham, University of Toronto, University of Ottawa, McGill, and University of British Columbia. Records dealing with Portuguese affairs are found in U.S. government archives, including, for instance, those in the National Archives and Record Service (NARS), housed in Washington, D.C.BIBLIOGRAPHIES■ Academia Portuguesa de História. Guia Bibliográfica Histórica Portuguesa. Vol. I-?. Lisbon, 1954-.■ Anselmo, Antônio Joaquim. Bibliografia das bibliografias portuguesas. Lisbon: Biblioteca Nacional, 1923.■ Bell, Aubrey F. G. Portuguese Bibliography. Oxford: Oxford University Press, 1922.■ Borchardt, Paul. La Bibliographie de l'Angola, 1500-1900. Brussels, 1912. Chilcote, Ronald H., ed. and comp. The Portuguese Revolution of 25 April 1974. Annotated bibliography on the antecedents and aftermath. Coimbra: Centro de Documentação 25 de Abril, Universidade de Coimbra, 1987. Cintra, Maria Adelaide Valle. Bibliografia de textos medievais portugueses. Lisbon: Centro de Estudos Filolôgicos, 1960.■ Costa, Mário. Bibliografia Geral de Moçambique. Lisbon, 1945. Coutinho, Bernardo Xavier da Costa. Bibliographie franco-portugaise: Essai d'une bibliographie chronologique de livres français sur le Portugal. Oporto: Lopes da Silva, 1939.■ Diffie, Bailey W. "A Bibliography of the Principal Published Guides to Portuguese Archives and Libraries," Proceedings of the International Colloquium on Luso-Brazilian Studies. Nashville, Tenn., 1953. Gallagher, Tom. Dictatorial Portugal, 1926-1974: A Bibliography. Durham, N.H.: International Conference Group on Portugal, 1979.■ Gibson, Mary Jane. Portuguese Africa: A Guide to Official Publications. Washington, D.C.: Library of Congress, 1967. Greenlee, William B. "A Descriptive Bibliography of the History of Portugal." Hispanic American Historical Review XX (August 1940): 491-516. Gulbenkian, Fundação Calouste. Boletim Internacional de Bibliografia Luso-Brasileira. Vol. 1-15. Lisbon, 1960-74.■ Instituto Camoes. Faculdade de Letras da Universidade De Coimbra. Repertorio Bibliografico da Historiografia Portuguesa ( 1974-1994). Coimbra:■ Instituto Camoes; Universidade de Coimbra, 1995. Junta De Investigações Científicas Do Ultramar. Bibliografia Da Junta De Investigações Científicas Do Ultramar Sobre Ciências Humanas E Sociais. Lisbon: Junta de Investigações Científicas Do Ultramar, 1975. Kettenring, Norman E., comp. A Bibliography of Theses and Dissertations on Portuguese Topics Completed in the United States and Canada, 1861-1983.■ Durham, N.H.: International Conference Group on Portugal, 1984. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. Metuchen, N.J.: Scarecrow Press, 1994.■ Laidlar, John. Lisbon. World Bibliographical Series, Vol. 199. Oxford: ABC-Clio, 1997.. Portugal. World Bibliographical Series, Vol. 71, rev. ed. Oxford: ABC-Clio, 2000.■ Lomax, William. Revolution in Portugal: 1974-1976. A Bibliography. Durham, N.H.: International Conference Group on Portugal, 1978.■ McCarthy, Joseph M. Guinea-Bissau and Cape Verde Islands: A Comprehensive Bibliography. New York: Garland, 1977.■ Moniz, Miguel. Azores. World Bibliographical Series, Vol. 221. Oxford: ABC-Clio, 1999.■ Nunes, José Lúcio, and José Júlio Gonçalves. Bibliografia Histórico-Militar do Ultramar Portugües. Lisbon, 1956. Pélissier, René. Bibliographies sur l'Afrique Luso-Hispanophone 1800-1890.■ Orgeval, France: 1980. Portuguese Studies. London. 1984-. Annual.■ Portuguese Studies Newsletter. No. 1-23 (1976-90). Durham, N.H.: International Conference Group on Portugal. Semiannual.■ Portuguese Studies Review. Vols. 1-9 (1991-2001). Durham, N.H.: International Conference Group on Portugal. Semi-Annual.. Vols. 10- (2002-). Durham, N.H.: Trent University; Peterborough, Ontario, Canada.■ Rocha, Natércia. Bibliografia geral da Literatura Portuguesa para Crianças. Lisbon: Edit. Comunicação, 1987.■ Rogers, Francis Millet, and David T. Haberly. Brazil, Portugal and Other Portuguese-Speaking Lands: A List of Books Primarily in English. Cambridge, Mass.: Harvard University Press, 1968.■ Santos, Manuel dos. Bibliografia geral ou descrição bibliográfica de livros tantos de autores portugueses como brasileiros e muitos outras nacionalidades, impressos desde o século XV até à actualidade, 2 vols. Lisbon, 1914-25.■ Silva, J. Donald. A Bibliography on the Madeira Islands. Durham, N.H.: International Conference Group on Portugal, 1987.■ Teixeira, Carlos, and G. Lavigne. Os portugueses no Canadá: Uma bibliografia ( 1953-1996). Lisbon: Direção-Geral dos Assuntos Consulares e Comunidades Portuguesas, 1998.■ University of Coimbra, Faculty of Letters. Bibliografia Anual de História de Portugal. Vol. 1. [sources published beginning in 1989- ] Coimbra: Grupo de História; Faculdade de Letras; Universidade de Coimbra, 1992-.■ Unwin, P. T. H., comp. Portugal. World Bibliographical Series, Vol. 71. Oxford, U.K.: ABC-Clio Press, 1987.■ Viera, David J., et al., comp. The Portuguese in the United States ( Supplement to the 1976 Leo Pap Bibliography). Durham, N.H.: International Conference Group on Portugal, 1990.■ Welsh, Doris Varner, comp. A Catalogue of the William B. Greenlee Collection of Portuguese History and Literature and the Portuguese Materials in the Newberry Library. Chicago: Newberry Library, 1953.■ Wiarda, Iêda Siqueira, ed. The Handbook of Portuguese Studies. Washington, D.C.: Xlibris, 2000.■ Wilgus, A. Curtis. Latin America, Spain & Portugal: A Selected & Annotated Bibliographical Guide to Books Published 1954-1974. Metuchen, N.J.: Scarecrow Press, 1977.■ Winius, George. "Bibliographical Essay: A Treasury of Printed Source Materials Pertaining to the XV and XVI Centuries." In George Winius, ed., Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World, 1300-ca. 1600, 373-401. Madison, Wis.: Hispanic Seminary of Medieval Studies, 1995.■ PERIODICALS RELATING TO PORTUGAL■ Africana. Oporto. Semiannual.■ Africa Report. New York. Monthly or bimonthly.■ Africa Today. Denver, Colo. Quarterly.■ Agenda Cultural. Lisbon. Monthly.■ Almanaque do Exército. Lisbon, 1912-40.■ American Historical Review. Washington, D.C. Quarterly.■ Anais da Académia Portuguesa da História. Lisbon.■ Anais das Bibliotecas e Arquivos. Lisbon. Annual.■ Análise do sector público administrativo e empresarial. Lisbon. Quarterly. Análise Social. Lisbon. Quarterly.■ Anglo-Portuguese News. Monte Estoril and Lisbon. 1937-2003. Biweekly and weekly.■ Antropológicas. Oporto. 1998-. Semiannual. Anuário Católico de Portugal. Lisbon. Annual.■ Archipélago. Revista do Instituto Universitário dos Açores. Punta Delgado. Semiannual. Architectural Digest. New York. Monthly. Archivum. Paris. Quarterly. Arqueologia. Oporto. Annual.■ Arqueólogo Portugües, O. Lisbon. 1958-. Semiannual Arquivo das Colónias. Lisbon. 1917-33. Arquivo de Beja. Beja. Annual. Arquivo Histórico Portuguez. Lisbon.■ Arquivos da Memória. Lisbon. 1997-. Semiannual.■ Arquivos do Centro Cultural Portugües [Fundação Gulbenkian, Paris]. Paris. Annual.■ Boletim da Academia Internacional da Cultura Portuguesa. Lisbon. Boletim da Agência Geral das Colónias. Lisbon.■ Boletim da Sociedade de Geografia de Lisboa. Lisbon Quarterly; Bimonthly.■ Boletim da Sociedade Geológica de Portugal. Oporto. Annual.■ Boletim de Estudos Operários. Lisbon. Semiannual.■ Boletim do Arquivo Histórico Militar. Lisbon. Semiannual.■ Boletim do Instituto Histórico da Ilha Terceira. Angra do Heroismo, Terceira, Azores Islands. Semiannual. Boletim Geral do Ultramar. Lisbon. Bracara Augusta. Braga. Brigantia. Lisbon. 1990-. Semiannual.■ British Bulletin of Publications on Latin America... Portugal and Spain. London. 1949-. Semiannual. British Historical Society of Portugal. Annual Report and Review. Lisbon. Brotéria. Lisbon. Quarterly. Bulletin des Etudes Portugaises. Paris. Quarterly.■ Bulletin des Etudes Portugaises et de l'Institut Français au Portugal. Lisbon. Annual.■ Cadernos de Arqueologia. Braga. Semiannual and annual. Monographs.■ Cadernos do Noroeste. Braga, University of Minho. Semiannual.■ Camões Center Quarterly. New York.■ Capital, A. Lisbon. Daily newspaper.■ Clio. Lisbon. 1996-. Annual.■ Clio-Arqueologia. Lisbon. 1983-. Annual.■ Conimbriga. Coimbra.■ Cultura. London. Quarterly.■ Democracia e Liberdade. Lisbon. Semiannual.■ Dia, O. Lisbon. Daily newspaper.■ Diário da Assembleia Nacional e Constituente. Lisbon. 1911.■ Diário da Câmara de Deputados. Lisbon. 1911-26.■ Diário de Lisboa. Lisbon. Daily newspaper.■ Diário de Notícias. Lisbon. Daily newspaper of record.■ Diário do Governo. Lisbon. 1910-74.■ Diário do Senado. Lisbon. 1911-26.■ Documentos. Centro de Documentação 25 de Abril. Coimbra. Quarterly.■ E-Journal of Portuguese History. Providence, R.I. Quarterly.■ Economia. Lisbon. Quarterly.■ Economia e Finanças. Lisbon. Semiannual.■ Economia e Sociologia. Lisbon. Quarterly.■ Estratégia Internacional. Lisbon.■ Estudos Contemporâneos. Lisbon.■ Estudos de economia. Lisbon. Semiannual.■ Estudos históricos e económicos. Oporto. Semiannual.■ Estudos Medievais. Lisbon. Semiannual.■ Estudos Orientais. Lisbon, 1990. Semiannual.■ Ethnologia. Lisbon. Semiannual.■ Ethnologie Française. Paris. Quarterly.■ Ethnos. Lisbon. Semiannual.■ European History Quarterly. Lancaster, U.K., 1970-. Quarterly.■ Expresso. Lisbon. 1973-. Weekly newspaper.■ Facts and Reports. Amsterdam. Collected press clippings.■ Financial Times. London. Daily; special supplements on Portugal.■ Finisterra. Lisbon. Quarterly.■ Flama. Lisbon. Monthly magazine.■ Garcia de Orta. Lisbon. Quarterly.■ Gaya. Oporto. Semiannual.■ Geographica: Revista da Sociedade de Geografia de Lisboa. Lisbon. Quarterly.■ Hispania. USA. Quarterly.■ Hispania Antiqua. Madrid. Semiannual.■ Hispanic American Historical Review. Chapel Hill, N.C. Quarterly. História. Lisbon. Monthly.■ Iberian Studies. Nottingham, U.K. Quarterly or Semiannual.■ Indicadores económicos. Lisbon. Bank of Portugal. Monthly. Ingenium. Revista da Ordem dos Engenheiros. Lisbon. Semiannual.■ International Journal of Iberian Studies. London and Glasgow, 1987-. Semiannual.■ Illustração Portugueza. Lisbon. 1911-1930s. Magazine. Instituto, O. Coimbra. Annual.■ Itinerário. Leiden (Netherlands). 1976-. Semiannual. Jornal, O. Lisbon. Weekly newspaper. Jornal de Letras, O. Lisbon. Weekly culture supplement. Jornal do Fundão. Fundão, Beira Alta. Weekly newspaper. Journal of European Economic History. Quarterly.■ Journal of Modern History. Chicago, Ill. Quarterly.■ Journal of Southern European Society & Politics. Athens, Greece. 1995-. Quarterly.■ Journal of the American Portuguese Culture Society. New York. 1966-81. Semiannual or annual. Ler História. Lisbon. Quarterly. Lisboa: Revista Municipal. Lisbon. Quarterly.■ Lusíada: Revista trimestral de ciência e cultura. Lisbon. 1989-. Three times a year.■ Lusitania Sacra. Lisbon. Quarterly.■ Luso-Americano, O. Newark, N.J. Weekly newspaper.■ Luso-Brazilian Review. Madison, Wisc. 1964-. Semiannual.■ Lusotopie. Paris. 1995-. Annual.■ Nova economia. Lisbon. Semiannual.■ Numismática. Lisbon. Semiannual.■ Oceanos. Lisbon. Bimonthly.■ Ocidente. Lisbon. Monthly.■ Olisipo. Lisbon. Semiannual.■ Ordem do Exército. Lisbon. 1926-74. Monthly.■ Penélope. Lisbon. Semiannual.■ Política Internacional. Lisbon. 1990-. Quarterly.■ Portugal. Annuário Estatístico do Ultramar. Lisbon. 1950-74.■ Portugal em Africa. Lisbon. 1894-1910. Bimonthly.■ Portugal socialista. Lisbon. Semiannual.■ Portugália. Lisbon. Semiannual.■ Portuguese & Colonial Bulletin. London. 1961-74. Quarterly. Portuguese Studies. London. 1985-. Annual.■ Portuguese Studies Newsletter. Durham, N.H. 1976-90. Semiannual.■ Portuguese Studies Review. Durham, N.H. 1991-2001; Trent, Ont. 2002-. Semiannual.■ Portuguese Times. New Bedford, Mass. Weekly newspaper.■ Povo Livre. Lisbon. Monthly.■ Primeiro do Janeiro. Oporto. Daily newspaper.■ Quaderni Portoghesi. Rome. 1974-. Semiannual.■ Race. A Journal of Race and Group Relations. London. Quarterly.■ Recherches en Anthropologie au Portugal. Paris. 1995-. Annual.■ República, A. Lisbon. Daily newspaper.■ Revista Crítica de Ciências Sociais. Coimbra. Quarterly.■ Revista da Biblioteca Nacional. Lisbon. Quarterly.■ Revista da Faculdade de Direito da Universidade de Lisboa. Lisbon. Quarterly.■ Revista da Faculdade de Letras. Lisbon. Quarterly. Revista da Faculdade de Letras. Oporto. Semiannual. Revista da Universidade de Coimbra. Coimbra. Quarterly. Revista de Ciência Política. Lisbon. Semiannual. Revista de Ciências Agrárias. Lisbon. Semiannual. Revista de Economia. Lisbon. 1953-. Three times a year. Revista de Estudos Anglo-Portugueses. Lisbon. Annual. Revista de Estudos Históricos. Rio de Janeiro. Semiannual. Revista de Guimarães. Guimarães. Semiannual. Revista de História. São Paulo, Brazil. Semiannual. Revista de História Económica e Social. Oporto. Semiannual. Revista de Infanteria. Lisbon. Quarterly.■ Revista Internacional de Estudos Africanos. Lisbon. Semiannual.■ Revista Lusitana. Lisbon. Quarterly.■ Revista Militar. Lisbon. Quarterly.■ Revista Portuguesa de História. Coimbra. Quarterly.■ Revue Geographique des Pyrenees et du Sud-Ouest. Paris. Semiannual.■ Sábado. Lisbon. Weekly news magazine.■ Seara Nova. Lisbon. 1921-. Bimonthly.■ Século, O. Lisbon. Daily Newspaper.■ Selecções do Readers Digest. Lisbon. Monthly.■ Semanário económico. Lisbon. Weekly.■ Setúbal arqueologica. Setúbal. Semiannual.■ Sigila. Paris. 1998-. Semiannual.■ Sintria. Sintra. Annual.■ Sociedade e Território. Revista de estudos urbanos e regionais. Oporto. 1986-. Quarterly.■ Studia. Lisbon. Quarterly.■ Studies in the History of Gardens and Designed Landscapes. New York. Quarterly.■ Studium Generale. Oporto. Quarterly.■ Tempo, O. 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36 name
neɪm
1. сущ.
1) а) имя (вообще) ;
имя (в отличие от фамилии, тж. Christian name, амер. given name, first name), фамилия (тж. family name, surname) ;
род, семья, фамилия to adopt, assume a name ≈ взять имя to give smb. a name ≈ называть кого-л., давать имя to immortalize smb.'s name ≈ обессмертить чье-л. имя to invoke God's name ≈ взывать к Богу to use a name ≈ называться (каким-либо именем) fancy name ≈ выдуманное имя by name put one's name down for know by name in name only in the name of under an assumed name under the name of without a name assumed name code name dirty name legal name maiden name married name - middle name personal name pet name proper name stage name - trade name vernacular name Syn: pseudonym;
family, clan, people б) коммерч. билет с именем покупателя акций, передается продавцу в особый день в) имя, название, наименование, обозначение, ярлык There is no name for such conduct. ≈ Нет слов, чтобы описать такое поведение. give it a name the name of the game in all but name Syn: title г) название, слово (как противопоставленное сути, сущности), пустой звук There is only the name of friendship between them. ≈ Их дружба - одно название. virtuous in name
2) а) грам. имя существительное common name Syn: noun б) грам. термин, слово geographic name ≈ географическое название professional name ≈ профессиональный термин
3) а) репутация, доброе ( или не очень) имя to besmirch, smear smb.'s (good) name ≈ запятнать чью-л. репутацию to clear one's name ≈ обелить кого-л. to make/win a good name for oneself ≈ завоевать доброе имя bad name ≈ плохая репутация people of name ≈ известные люди He has name for honesty. ≈ Он известен своей честностью. ill name ≈ плохая репутация Syn: fame, reputation, repute б) имя, личность, знаменитость the great names of history ≈ исторические личности
4) мн. брань (только в сочетаниях, см. ниже) call smb. names ∙ to take smb.'s name in vain ≈ клясться, божиться;
поминать имя всуе not to have a penny to one's name ≈ не иметь ни гроша за душой give a dog a bad name and hang him ≈ считать кого-л. плохим, потому что о нем идет дурная слава
2. гл.
1) называть, давать имя My mother insisted on naming me Horace. ≈ Моя мать настаивала на том, чтобы мне дали имя Гораций. name after name for name from Syn: call, christen, designate, dub
2) а) назначать, указывать Call Marty, tell him to name his price. ≈ Позвони Марти и скажи ему, чтобы он назвал свою цену. It's nearly thirty years since a journalist was jailed for refusing to name a source. ≈ Прошло почти тридцать лет с того момента, как журналист был осужден за отказ сообщить источник информации. you name it name the day б) назначать (на должность) Early in 1941 he was named commander of the African Corps. ≈ В начале 1941 года он был назначен командиром африканского корпуса. Syn: appoint, nominate, designate, assign, appoint в) называть кого-л. кем-л., что-л. как-л., давать характеристику Name them bishops, or name them not bishops, you will still have chief men. ≈ Зови их епископами, не зови их епископами, все одно - заправилы. г) обвинять члена Палаты Общин в недостойном поведении (прерогатива спикера) д) упоминать, называть;
цитировать, приводить в качестве примера Syn: mention, specify имя;
фамилия - Christian /first, given/ * имя - middle * второе имя (напр., May в Louise May Smith) ;
(разговорное) характерная черта - honesty is his middle * он воплощенная честность - family /last/ * фамилия - full * полное имя;
все имена и фамилия - maiden * девичья фамилия - married * фамилия по мужу - what is your *? как вас зовут? - Tom by * по имени Том - a tenant, John Jones by * арендатор по имени Джон Джонс - a person of /by/ the * of Smith человек по фамилии Смит - to know by * знать понаслышке;
знать по именам /фамилиям/, знать лично каждого - to know all the pupils by * знать всех учеников поименно - under the * of под именем;
под псевдонимом - to put one's * to smth. подписаться под чем-л.;
подписать что-л. (воззвание и т. п.) - to put one's * down for подписаться на (какую-л. сумму) ;
записаться на (билет и т. п.) ;
выставить свою кандидатуру на (какой-л. пост) - of no *, without a * безымянный;
не поддающийся описанию (о поступке) - to send in one's * записываться( на конкурс и т. п.) ;
велеть доложить о себе - what * shall I say? как о вас доложить? - I sent up my * я приказал доложить о себе - to change one's name of Higgins to Jones сменить фамилию Хиггинс на Джоунз - to use smb.'s * ссылаться на кого-л., использовать чье-л. имя как рекомендацию - in the * of smb., smth. во имя кого-л., чего-л.;
от чьего-л. имени;
именем кого-л., чего-л.;
(юридическое) от имени, по поручению кого-л.;
на имя кого-л., чего-л. (о вкладе и т. п.) - in the * of common sense во имя здравого смысла - in God's *!, in the * of heaven! боже!, во имя всего святого!;
- in the * of the law именем закона - in one's own * от своего имени название, наименование;
обозначение - place * географическое название - trade * название фирмы;
фирменное название (тж. proprietary *) - a popular * for smth. народное название чего-л. - in * (only) (только) номинально;
(только) по наванию - a mere *, only a * пустой звук, одно название - there is only the * of friendship between them их дружба - одно название - he is chief in * only он лишь номинальный начальник - the town derived it's * from... город получил название от... /назван в честь.../ (тк. в ед. ч.) репутация;
слава;
(доброе) имя - bad /ill/ * плохая репутация, дурная слава - to make a good * for oneself заслуживать доброе имя - to get /to make, to win/ oneself a * создать себе имя, получить известность - to perpetuate one's * увековечить себя, обессмертить свое имя - to have a * for honesty, to have the * of being honest славиться честностью - to bear /to carry/ the * (устаревшее) пользоваться заслуженной репутацией - he is not entitled to the * of scholar он недостоин называться ученым личность, человек (особ. выдающийся) - people of * люди с именем;
известные деятели;
знаменитости - the great *s of history великие люди /имена/, исторические личности - the greatest * in science величайший ученый род, фамилия - the last of his * последний из рода - an illustrious * знатный род pl брань, бранные слова - to call smb. *s поносить кого-л.;
обзывать кого-л. - he called me all *s он по всякому обзывал меня (грамматика) имя существительное - proper * имя собственное (логика) термин;
логическое понятие > their * is legion( библеизм) имя им легион > he hasn't a penny to his * у него ни гроша за душой > to keep one's * on the books оставаться членом клуба и т. п. > to keep smb.'s * off the books не допускать кого-л. в организацию, не принимать кого-л. в члены клуба и т. п. > to take smb.'s * off the books исключить кого-л. из организации, клуба, учебного заведения и т. п. > to lend one's * /the shelter of one's * / to smb. разрешить кому-л. воспользоваться своим именем, дать кому-л. рекомендацию, поддержать кого-л. своим авторитетом > give it a *! выбирайте, я плачу (при угощении) > the * of the game самое главное, суть > the * of the game is trust все дело в доверии > in fishing, patience is the * of the game на рыбалке самое главное - терпение именной - * tag именной жетон;
медальон с фамилией;
личный знак( военнослужащего) авторский - * entry( специальное) авторское описание, описание под именем автора ( в каталоге, списке) заглавный - * role /part/ заглавная роль - * story рассказ, давший название сборнику рассказов (американизм) (разговорное) известный;
с именем - * brand известная марка( товара) - * writers писатели с именем - * band оркестр под управлением знаменитого дирижера называть, давать имя - to * a child John назвать /наречь, окрестить/ ребенка Джоном - to * after /from, (американизм) for/ называть в честь - the child was *d after his father ребенка назвали в честь отца - cambric is so *d from its place of origin, Cambray ткань называется кембрик, потому что ее начали производить в Камбре - the college is *d for George Washinton колледжу присвоено имя Джорджа Вашингтона называть, перечислять поименно - to * all the flowers in the garden перечислить названия всех цветов в (этом) саду - to * the States of the Union назвать все штаты, входящие в состав США указывать, назначать - to * the day назначить день свадьбы (тк. о невесте) ;
принять предложение руки и сердца - to * one's price назначить (свою) цену назначать (на должность) - to * for duty назначить на дежурство - he has been *d consul его назначили консулом - Mr. X. has been *d for the directorship г-на Х. назначили на пост директора упоминать;
приводить (в качестве примера) - he was *d in the suit в иске было упомянуто его имя - the measures we have *d перечисленные /упомянутые/ нами мероприятия( парламентское) призвать к порядку - to * a member( канадское) удалить из зала( участника заседания) - he was *d by the Chairman and warned председатель призвал его к порядку и сделал ему предупреждение > not to be *d on /in/ the same day /breath/ with никакого сравнения быть не может > he is not to be *d on the same day with his brother смешно сравнивать его с братом > to * names упоминать фамилии (замешанных в чем-л.) > the witness threatened to * names свидетель угрожал тем, что он может кое-кого назвать argument ~ вчт. имя аргумента array ~ вчт. имя массива assumed ~ вымышленное имя assumed ~ вчт. псевдоним assumed ~ псевдоним assumed ~ фиктивное имя base ~ вчт. основное имя brand ~ название марки изделия brand ~ название торговой марки brand ~ торговое название brand ~ фабричная марка business ~ название торгово-промышленного предприятия business ~ название фирмы business ~ наименование предприятия ~ имя (тж. Christian name, амер. given name, first name) ;
фамилия (тж. family name, surname) ;
by name по имени by ~ по имени to know by ~ знать по имени;
by (или of, under) the name of под именем;
in name only только номинально command ~ вчт. имя команды commercial ~ торговое название ~ грам. имя существительное;
common name имя нарицательное company ~ название компании compound ~ вчт. составное имя corporate ~ наименование корпорации device ~ вчт. имя устройства device ~ вчт. номер устройства entry ~ вчт. имя входа external ~ вчт. внешнее имя false ~ вымышленное имя fictitious ~ вымышленное имя file ~ вчт. имя файла firm ~ название фирмы firm ~ фирменное наименование first ~ имя full ~ полное имя function ~ вчт. имя функции generic ~ вчт. родовое имя give a dog a bad ~ and hang him считать (кого-л.) плохим, потому что о нем идет дурная слава global ~ вчт. глобальное имя ~ великий человек;
the great names of history исторические личности group ~ вчт. групповое имя he has ~ for honesty он известен своей честностью;
people of name известные люди to know by ~ знать по имени;
by (или of, under) the name of под именем;
in name only только номинально in the ~ of от имени;
именем;
in the name of the law именем закона;
in one's own name от своего имени in the ~ of во имя;
in the name of common sense во имя здравого смысла in the ~ of от имени;
именем;
in the name of the law именем закона;
in one's own name от своего имени in the ~ of во имя;
in the name of common sense во имя здравого смысла in the ~ of от имени;
именем;
in the name of the law именем закона;
in one's own name от своего имени internal ~ вчт. внутреннее имя joint ~ общее название to know by ~ знать лично каждого to know by ~ знать по имени;
by (или of, under) the name of под именем;
in name only только номинально to know by ~ знать понаслышке ~ фамилия, род;
the last of his name последний из рода logical ~ вчт. логическое имя ~ репутация;
bad (или ill) name плохая репутация;
to make (или to win) a good name for oneself завоевать доброе имя menu ~ вчт. имя меню middle ~ второе имя name (обыкн. pl) брань;
to call names ругать(ся) ;
to take (smb.'s) name in vain клясться, божиться;
поминать имя всуе ~ великий человек;
the great names of history исторические личности ~ давать имя ~ именная записка, по которой производится передача акций ~ имя (тж. Christian name, амер. given name, first name) ;
фамилия (тж. family name, surname) ;
by name по имени ~ вчт. имя ~ имя ~ грам. имя существительное;
common name имя нарицательное ~ название, наименование, обозначение ~ название ~ назначать (на должность) ~ назначать цену ~ называть, давать имя;
to name after, амер. to name for (или from) называть в честь (кого-л.) ~ называть ~ наименование ~ обозначение ~ пустой звук;
there is only the name of friendship between them их дружба - одно название;
virtuous in name лицемер ~ репутация;
bad (или ill) name плохая репутация;
to make (или to win) a good name for oneself завоевать доброе имя ~ указывать, назначать;
to name the day назначать день( особ. свадьбы) ~ упоминать;
приводить в качестве примера ~ фамилия, род;
the last of his name последний из рода ~ фамилия ~ член страхового синдиката Ллойдса ~ называть, давать имя;
to name after, амер. to name for (или from) называть в честь (кого-л.) ~ называть, давать имя;
to name after, амер. to name for (или from) называть в честь (кого-л.) ~ of the company название компании ~ указывать, назначать;
to name the day назначать день (особ. свадьбы) nominee ~ подставное лицо not to have a penny to one's ~ не иметь ни гроша за душой partnership ~ название товарищества path ~ вчт. путь доступа, маршрут доступа he has ~ for honesty он известен своей честностью;
people of name известные люди program ~ вчт. имя программы psevdo-variable ~ вчт. имя псевдопеременной to put one's ~ down for выставить свою кандидатуру на (какой-л. пост) to put one's ~ down for принять участие в (сборе денег и т. п.) ;
подписаться под (воззванием и т. п.) qualified ~ вчт. составное имя salt ~ остроумное название товара (в рекламных целях) secondary ~ второе имя secondary ~ имя seed ~ название семян simple ~ вчт. простое имя straw ~ фиктивное имя straw ~ фиктивное название subsidiary ~ название филиала symbolic ~ вчт. символическое имя system ~ вчт. системное имя name (обыкн. pl) брань;
to call names ругать(ся) ;
to take (smb.'s) name in vain клясться, божиться;
поминать имя всуе vain: in ~ всуе;
to take (smb.'s) name in vain говорить( о ком-л.) без должного уважения;
to take God's name in vain богохульствовать ~ пустой звук;
there is only the name of friendship between them их дружба - одно название;
virtuous in name лицемер trade ~ название фирмы trade ~ торговая фирма;
наименование фирмы;
фирменное наименование trade ~ торговое название товара trade ~ фирменное название tree ~ вчт. составное имя unique ~ вчт. уникальное имя variable ~ вчт. имя переменной ~ пустой звук;
there is only the name of friendship between them их дружба - одно название;
virtuous in name лицемер without a ~ безымянный without a ~ не поддающийся описанию (о поступке) -
37 name
1. [neım] n1. имя; фамилияChristian /first, given/ name - имя
middle name - а) второе имя (напр., May в Louise May Smith); б) разг. характерная черта
family /last/ name - фамилия
full name - полное имя; все имена и фамилия
what is your name? - как вас зовут?
a tenant, John Jones by name - арендатор по имени Джон Джонс
a person of /by/ the name of Smith - человек по фамилии Смит
to know by name - а) знать понаслышке; б) знать по именам /фамилиям/, знать лично каждого
under the name of - под именем; под псевдонимом
to put one's name to smth. - подписаться под чем-л.; подписать что-л. (воззвание и т. п.)
to put one's name down for - а) подписаться на (какую-л. сумму); записаться на (билет и т. п.); б) выставить свою кандидатуру на (какой-л. пост)
of no name, without a name - а) безымянный; б) не поддающийся описанию ( о поступке)
to send in one's name - а) записываться (на конкурс и т. п.); б) велеть доложить о себе
what name shall I say? - как о вас доложить?
to change one's name of Higgins to Jones - сменить фамилию Хиггинс на Джоунз
to use smb.'s name - ссылаться на кого-л., использовать чьё-л. имя как рекомендацию
in the name of smb., smth. - а) во имя кого-л., чего-л.; in the name of common sense - во имя здравого смысла; in God's name!, in the name of heaven! - боже!, во имя всего святого!; б) от чьего-л. имени; именем кого-л., чего-л.; in the name of the law - именем закона; in one's own name - от своего имени; в) юр. от имени, по поручению кого-л.; г) на имя кого-л., чего-л. (о вкладе и т. п.)
2. название, наименование; обозначениеtrade name - а) название фирмы; б) фирменное название (тж. proprietary name)
a popular [playful] name for smth. - народное [шутливое] название чего-л.
in name (only) - (только) номинально; (только) по названию
a mere name, only a name - пустой звук, одно название
there is only the name of friendship between them - их дружба - одно название
the town derived it's name from... - город получил название от... /назван в честь.../
3. 1) тк. sing репутация; слава; (доброе) имяbad /ill/ name - плохая репутация, дурная слава
to get /to make, to win/ oneself a name - создать себе имя, получить известность
to perpetuate one's name - увековечить себя, обессмертить своё имя
to have a name for honesty [for generosity], to have the name of being honest [generous] - славиться честностью [щедростью]
to bear /to carry/ the name - уст. пользоваться заслуженной репутацией
he is not entitled to the name of scholar - он недостоин называться учёным
2) личность; человек (особ. выдающийся)people of name - люди с именем; известные деятели; знаменитости
the great names of history - великие люди /имена/, исторические личности
4. род, фамилия5. pl брань, бранные словаto call smb. names - поносить кого-л.; обзывать кого-л.
6. грам. имя существительное7. лог. термин; логическое понятие♢
their name is legion - библ. имя им легионto keep smb.'s name off the books - не допускать кого-л. в организацию, не принимать кого-л. в члены клуба и т. п.
to take smb.'s name off the books - исключить кого-л. из организации, клуба, учебного заведения и т. п.
to lend one's name /the shelter of one's name/ to smb. - разрешить кому-л. воспользоваться своим именем, дать кому-л. рекомендацию, поддержать кого-л. своим авторитетом
give it a name! - выбирайте, я плачу ( при угощении)
the name of the game - самое главное, суть
2. [neım] ain fishing, patience is the name of the game - на рыбалке самое главное - терпение
1. именнойname tag - именной жетон; медальон с фамилией; личный знак ( военнослужащего)
2. авторскийname entry - спец. авторское описание, описание под именем автора (в каталоге, списке)
3. заглавныйname role /part/ - заглавная роль
name story - рассказ, давший название сборнику рассказов
4. амер. разг. известный; с именем3. [neım] v1. 1) называть, давать имяto name a child John - назвать /наречь, окрестить/ ребёнка Джоном
to name after /from, амер. for/ - называть в честь
cambric is so named from its place of origin, Cambray - ткань называется кембрик, потому что её начали производить в Камбре
the college is named for George Washington - колледжу присвоено имя Джорджа Вашингтона
2) называть, перечислять поимённоto name all the flowers in the garden - перечислить названия всех цветов в (этом) саду
to name the States of the Union - назвать все штаты, входящие в состав США
2. указывать, назначатьto name the day - а) назначить день свадьбы (тк. о невесте); б) принять предложение руки и сердца
3. назначать ( на должность)Mr. X. has been named for the directorship - г-на X. назначили на пост директора
4. упоминать; приводить ( в качестве примера)the measures we have named - перечисленные /упомянутые/ нами мероприятия
5. парл. призвать к порядкуto name a member - канад. удалить из зала ( участника заседания)
he was named by the Chairman and warned - председатель призвал его к порядку и сделал ему предупреждение
♢
not to be named on /in/ the same day /breath/ with - ≅ никакого сравнения быть не можетhe is not to be named on the same day with his brother - смешно сравнивать его с братом
to name names - упоминать фамилии (замешанных в чём-л.)
the witness threatened to name names - свидетель угрожал тем, что он может кое-кого назвать
-
38 for
fo:
1. preposition1) (to be given or sent to: This letter is for you.) para2) (towards; in the direction of: We set off for London.) para, hacia, en dirección a3) (through a certain time or distance: for three hours; for three miles.) durante4) (in order to have, get, be etc: He asked me for some money; Go for a walk.) (pedir dinero); (salir) a (pasear)5) (in return; as payment: He paid $2 for his ticket.) por6) (in order to be prepared: He's getting ready for the journey.) para7) (representing: He is the member of parliament for Hull.) por8) (on behalf of: Will you do it for me?) por9) (in favour of: Are you for or against the plan?) por, a favor de10) (because of: for this reason.) por, a causa de11) (having a particular purpose: She gave me money for the bus fare.) para12) (indicating an ability or an attitude to: a talent for baking; an ear for music.) para13) (as being: They mistook him for someone else.) por, para14) (considering what is used in the case of: It is quite warm for January (= considering that it is January when it is usually cold).) para15) (in spite of: For all his money, he didn't seem happy.) a pesar de
2. conjunction(because: It must be late, for I have been here a long time.) ya que, puesto quefor prep1. parais this the train for London? ¿es éste el tren que va a Londres?2. porI bought it for £12 lo compré por 12 libraswhat can I do for you? ¿qué puedo hacer por ti?3. desde hace4. durante5. de"T" for Tony "T" de Tonywhat's the word for "cheese" in Spanish? ¿cómo se dice "cheese" en español?6. a favor deare you for the plan, or against it? ¿estás a favor del plan, o en contra?tr[fɔːSMALLr/SMALL]1 (intended) para■ there's a phone call for Mr. Smith hay una llamada para el Sr. Smith2 (purpose) para■ what's this for? ¿para qué sirve esto?■ shall we meet for lunch? ¿quedamos para comer?3 (destination) para■ where do I catch the train for Newcastle? ¿dónde se coge el tren para Newcastle?4 (in order to help, on behalf of) por5 (because of, on account of) por, a causa de■ a meeting has been called for 10.00 se ha convocado una reunión para las 10.00■ I've lived here for 5 years hace 5 años que vivo aquí, vivo aquí desde hace 5 años■ it's the first accident here for a long time es el primer accidente que ocurre aquí desde hace mucho tiempo8 (in exchange, as replacement of) por■ I got it for £500 lo conseguí por 500 libras■ the record went for $50 el disco se vendió por 50 dólares9 (in favour of, in support of) por, a favor de■ who did you vote for? ¿a quién votaste?■ are you for or against the new laws? ¿estás a favor o en contra de las nuevas leyes?10 (despite) a pesar de, para; (considering, contrast) para■ I still love him, for all his faults lo quiero, a pesar de todos sus defectos11 (as) de, como, por■ what do they use for fuel? ¿qué utilizan de combustible?12 (in order to obtain) para■ for further details... para más información....13 (representing) por; (meaning) de■ I can't go to the meeting - will you go for me? no puedo asistir a la reunión - ¿quieres ir en mi lugar?■ what's the Spanish for "pool"? ¿cómo se dice "pool" en castellano?14 (as regards, concerning) por, en cuanto a■ for my part, he can do as he likes por mí, que haga lo que quiera■ as for him, who cares? en cuanto a él, ¿a quién le importa?■ luckily for us, it didn't rain afortunadamente para nosotros, no llovió15 (as part of, as being) por, para■ do you know that for a fact? ¿lo sabes a ciencia cierta?■ what do you want for dinner? ¿qué quieres para comer?1 para16 formal use literal ya que, puesto que\SMALLIDIOMATIC EXPRESSION/SMALLas for me por mi parte, en cuanto a mífor all I know que yo sepafor all that a pesar de todo, con todofor good para siemprefor the first time por primera vezfor the last time por última vezoh for...! ¡ojalá tuviera...!■ oh for a star to guide my way! ¡ojalá tuviera una estrella que me guiara los pasos!there's nothing for it but... no hay más remedio que...to be for it cargárselafor ['fɔr] conj: puesto que, porquefor prepclothes for children: ropa para niñosit's time for dinner: es la hora de comer2) because of: porfor fear of: por miedo dea gift for you: un regalo para tihe fought for his country: luchó por su patriaa cure for cancer: una cura para el cáncerfor your own good: por tu propio bienI bought it for $5: lo compré por $5a lot of trouble for nothing: mucha molestia para nada7) as for: para, con respecto ahe's going for two years: se va por dos añosI spoke for ten minutes: hablé (durante) diez minutosshe has known it for three months: lo sabe desde hace tres mesesconj.• para conj.• pues conj.• ya que conj.n.• por s.m.prep.• a causa de prep.• como prep.• de prep.• durante prep.• en honor de prep.• en lugar de prep.• para prep.• por prep.
I fɔːr, fɔː(r), weak form fər, fə(r)1) preposition2)a) ( intended for) parais there a letter for me? — ¿hay carta para mí?
clothes for men/women — ropa de hombre/mujer
is it for sale? — ¿está en venta?, ¿se vende?
b) ( on behalf of) porhe plays for England — forma parte de or juega en la selección inglesa
c) ( in favor of) a favor de3) ( indicating purpose)what's that for? — ¿para qué es eso?, ¿eso para qué sirve?
it's for trimming hedges — es or sirve para recortar setos
to go out for a meal — salir* a comer fuera
to be for it — (colloq)
here comes Dad, we're for it now! — ahí viene papá ahora sí que estamos listos or (Col tb) hechos or (CS tb) fritos! (fam)
4)a) (as)we're having chicken for dinner — vamos a cenar pollo or hay pollo para cenar
what's for dessert? — ¿qué hay de postre?
b) ( representing)what's (the) German for ``ice cream''? — ¿cómo se dice ``helado'' en alemán?
c) ( instead of) porcould you call him for me? — ¿podrías llamarlo tú?, ¿me harías el favor de llamarlo?
5) ( giving reason) porif it weren't for Joe... — si no fuera por Joe...
for one thing it's too costly and for another we don't need it — para empezar es muy caro y además no lo necesitamos
6)a) ( in exchange for) porI bought the book for $10 — compré el libro por 10 dólares
b) ( indicating proportion) porfor every one we find, there are 20 that get away — por cada uno que encontramos, se nos escapan 20
7)a) ( as concerns) para8)a) ( in spite of)for all her faults, she's been very kind to us — tendrá sus defectos, pero con nosotros ha sido muy buena
is there time for us to have a cup of coffee? — ¿tenemos tiempo de tomar un café?
9) ( in exclamations)oh, for some peace and quiet — qué (no) daría yo por un poco de paz y tranquilidad!
10) ( in the direction of) parathe plane/bus for New York — el avión/autobús para or de Nueva York
11)a) ( indicating duration)I've only been here for a day — sólo llevo un día aquí, hace sólo un día que estoy aquí
how long are you going for? — ¿por cuánto tiempo vas?, ¿cuánto tiempo te vas a quedar?
b) ( on the occasion of) parac) (by, before) para12) ( indicating distance)
II
conjunction (liter) pues (liter), puesto que (frml), porque[fɔː(r)] When for is part of a phrasal verb, eg look for, make for, stand for, look up the verb. When it is part of a set combination, eg as for, a gift for, for sale, eager for, look up the other word.1. PREPOSITION1) (=going to) parathe train for London — el tren para or de Londres
2) (=intended for) parais this for me? — ¿es para mí esto?
3) (to express purpose) parawe went to Tossa for our holidays — fuimos a pasar las vacaciones a Tossa, fuimos a Tossa para las vacaciones
•
what for? — ¿para qué?what's it for? — ¿para qué es or sirve?
what do you want it for? — ¿para qué lo quieres?
what did you do that for? — ¿por qué hiciste eso?
4) (employment) para5) (=on behalf of)"I can't iron this shirt" - "don't worry, I'll iron it for you" — -no puedo planchar esta camisa -no te preocupes, yo te la plancho
"I still haven't booked the ticket" - "I'll do it for you" — -no he reservado el billete todavía -ya lo haré yo
who is the representative for your group? — ¿quién es el representante de vuestro grupo?
6) (=as in) de7) (=in exchange for) porhe'll do it for £25 — lo hará por 25 libras
for every one who voted yes, 50 voted no — por cada persona que votó a favor, 50 votaron en contra
•
to pay 50 pence for a ticket — pagar 50 peniques por una entradathe government will match each donation pound for pound — el gobierno igualará cada donativo, libra a libra
•
I sold it for £5 — lo vendí por or en 5 libras8) (=to the value of)a cheque for £500 — un cheque or talón por valor de 500 libras
how much is the cheque for? — ¿por cuánto es el cheque?
a) (making comparisons) parahe's tall/mature for his age — es alto/maduro para su edad or para la edad que tiene
b) (specifying)it was too difficult for her — era demasiado difícil para ella, le era demasiado difícil
that's easy for you to say — para ti es fácil decirlo, a ti te es fácil decirlo
10) (=in favour of) a favor deanyone for a game of cards? — ¿alguien se apunta a una partida de cartas?
•
are you for or against the idea? — ¿estás a favor o en contra de la idea?are you for or against us? — ¿estás con nosotros o en contra?
•
I'm all for it — estoy completamente a favor•
the campaign for human rights — la campaña pro derechos humanos, la campaña en pro de los derechos humanos•
a collection for the poor — una colecta a beneficio de los pobres11) (=as, by way of)what's for dinner? — ¿qué hay para cenar?
12) (=because of) por•
for fear of being criticized — por miedo a la crítica, por temor a ser criticado13) (=in spite of) a pesar de•
for all his wealth — a pesar de su riquezafor all he promised to come, he didn't — a pesar de habérmelo prometido, no vino
a) (future/past duration)When translating for and a period of time, it is often unnecessary to translate for, as in the examples below where durante is optional:Alternatively, translate [for] using [durante], or, especially when talking about very short periods, [por]. Use [por] also with the verb [ir], although again it is often optional in this case:I'm going for three weeks — me voy tres semanas, estaré allí tres semanas
for a moment, he didn't know what to say — por un momento, no supo qué decir
Use hace... que and the present to describe actions and states that started in the past and are still going on. Alternatively use the present and desde hace. Another option is sometimes llevar and the gerund. Don't use the present perfect in Spanish to translate phrases like these, unless they are in the negative.he won't be back for a couple of hours/days — no regresará hasta dentro de un par de horas/días, tardará un par de horas/días en regresar
he has been learning French for two years — hace dos años que estudia francés, estudia francés desde hace dos años, lleva dos años estudiando francés
it has not rained for 3 weeks — hace 3 semanas que no llueve, no llueve or no ha llovido desde hace 3 semanas, lleva 3 semanas sin llover
I have known her for years — hace años que la conozco, la conozco desde hace años
Notice how the tenses change when talking about something that [had] happened or [had been] happening [for] a time:I haven't seen her for two years — hace dos años que no la veo, no la he visto desde hace dos años, no la veo desde hace dos años, llevo dos años sin verla
he had been learning French for two years — hacía dos años que estudiaba francés, estudiaba francés desde hacía dos años, llevaba dos años estudiando francés
I hadn't seen her for two years — hacía dos años que no la veía, no la había visto desde hacía dos años, no la veía desde hacía dos años, llevaba dos años sin verla
15) (=by, before) paracan you do it for tomorrow? — ¿lo puedes hacer para mañana?
when does he want it for? — ¿para cuándo lo quiere?
16) (=on the occasion of) parahe asked his daughter what she would like for her birthday — le preguntó a su hija qué le gustaría para su cumpleaños
17) (=for a distance of)you can see for miles from the top of the hill — desde lo alto de la colina se puede ver hasta muy lejos
for this to be possible... — para que esto sea posible...
it's not for me to tell him what to do — yo no soy quien para decirle or no me corresponde a mí decirle lo que tiene que hacer
•
it's bad for you to smoke so much — te perjudica fumar tanto•
it's best for you to go — es mejor que te vayas•
there is still time for you to do it — todavía tienes tiempo para hacerlowhat's the German for "hill"? — ¿cómo se dice "colina" en alemán?
oh for a cup of tea! — ¡lo que daría por una taza de té!
exampleI'll be for it if he catches me here! * — ¡me la voy a cargar si me pilla aquí! *
2.CONJUNCTION liter pues, puesto queshe avoided him, for he was rude and uncouth — lo eludía puesto que or pues era grosero y ordinario
* * *
I [fɔːr, fɔː(r)], weak form [fər, fə(r)]1) preposition2)a) ( intended for) parais there a letter for me? — ¿hay carta para mí?
clothes for men/women — ropa de hombre/mujer
is it for sale? — ¿está en venta?, ¿se vende?
b) ( on behalf of) porhe plays for England — forma parte de or juega en la selección inglesa
c) ( in favor of) a favor de3) ( indicating purpose)what's that for? — ¿para qué es eso?, ¿eso para qué sirve?
it's for trimming hedges — es or sirve para recortar setos
to go out for a meal — salir* a comer fuera
to be for it — (colloq)
here comes Dad, we're for it now! — ahí viene papá ahora sí que estamos listos or (Col tb) hechos or (CS tb) fritos! (fam)
4)a) (as)we're having chicken for dinner — vamos a cenar pollo or hay pollo para cenar
what's for dessert? — ¿qué hay de postre?
b) ( representing)what's (the) German for ``ice cream''? — ¿cómo se dice ``helado'' en alemán?
c) ( instead of) porcould you call him for me? — ¿podrías llamarlo tú?, ¿me harías el favor de llamarlo?
5) ( giving reason) porif it weren't for Joe... — si no fuera por Joe...
for one thing it's too costly and for another we don't need it — para empezar es muy caro y además no lo necesitamos
6)a) ( in exchange for) porI bought the book for $10 — compré el libro por 10 dólares
b) ( indicating proportion) porfor every one we find, there are 20 that get away — por cada uno que encontramos, se nos escapan 20
7)a) ( as concerns) para8)a) ( in spite of)for all her faults, she's been very kind to us — tendrá sus defectos, pero con nosotros ha sido muy buena
is there time for us to have a cup of coffee? — ¿tenemos tiempo de tomar un café?
9) ( in exclamations)oh, for some peace and quiet — qué (no) daría yo por un poco de paz y tranquilidad!
10) ( in the direction of) parathe plane/bus for New York — el avión/autobús para or de Nueva York
11)a) ( indicating duration)I've only been here for a day — sólo llevo un día aquí, hace sólo un día que estoy aquí
how long are you going for? — ¿por cuánto tiempo vas?, ¿cuánto tiempo te vas a quedar?
b) ( on the occasion of) parac) (by, before) para12) ( indicating distance)
II
conjunction (liter) pues (liter), puesto que (frml), porque -
39 Rex
subst. (flertall: reges) \/reks\/1) (britisk, latin) den regjerende kongen, kong2) (jus, i straffesaker) påtalemyndigheten -
40 Rex
См. также в других словарях:
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