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41 key
1. n1) ключ (від замка тощо)2) ел. важільний перемикач, кнопка4) визначник (рослин, тварин)5) роз'яснення; розгадка6) ключова позиція7) правильний шлях до чогосьkey to the heart — вірний шлях (ключ) до серця
8) тех. клин; шпонка; засув, чека9) архт. замок склепіння (арки)10) бот. крилатка11) муз. ключ; тональністьkey tone — тоніка, основний тон
12) клавіша; клапанthe keys of a pianoforte — клавіші (клавіатура) фортепіано
13) тон мови14) стиль мови15) жив. тон, відтінок (у барвах)16) заст. набережна17) заст. піщана мілинаkey actor — амер. провідний актор
key bed (groove, seat, way) — тех. шпоночна канавка
key lighting — кін. основне освітлення
key line — амер., розм. заголовок в один рядок; виноска, що пояснює умовні знаки
key man — незамінний (провідний) працівник; фахівець
key move — дебют; перший хід (у розв'язанні шахової задачі)
key signature — муз. ключовий знак
key word — ключове слово; колонтитул
to deliver one's keys — здаватися, визнавати себе переможеним
to give smb. the key of the street — виселити когось з квартири, викинути когось на вулицю
to hold the key of smth. — тримати щось під контролем, мати повну владу над чимсь
2. v1) замикати на ключ2) використовувати умовні позначки3) тех. заклинювати, закріпляти шпонкою4) тел., рад. працювати ключем5) муз. настроювати музичні інструментиkey up — збуджувати, накручувати, напружувати
* * *I [kiː] n1) ключ ( від замка); ключ (для заводу годинникового механізму, настроювання мyз. інструмента е т. п.); гайковий ключ; eл. ключ, кнопка, важільний перемикач2) ключ (до вправ, розв'язання задач); підрядковий переклад, дослівник; визначник (рослин, тварин); роз'яснення, розгадка3) ключова позиція (що забезпечують доступ, вхід, контроль) вірний шлях ( до чого-небудь), ключ4) тex. клин; шпонка; чека, засув5) бyд. клинчаста цегла; apxiт. замок, ключ склепіння або арки6) бoт. крилатка7) aмep. студент привілейованого університету ( за нагрудним значком у вигляді ключа)8) обч. клавішаgolden /silver/ key — хабар; підкуп
II [kiː] athe power of the keys — Папська влада; право відпущення гріхів
1) головний, основний, ведучий, провідний2) ключовий, опорний3) кiнo, фoтo основний4) cпeц. дескрипторний5) визначальний, розпізнавальнийIII [kiː] v2) використовувати умовні позначки, значки, символи3) тex. заклинити, закріпити шпонкою4) радіо, тeл. працювати ключемIV [kiː] n1) клавіша; клапан ( духового інструмента); pl клавіатура (рояля, комп'ютера)2) мyз. ключ, тональність3) тон мовиall in the same key — монотонно; стиль мови; тон, відтінок (кольору, фарби)
4) "ключ", тональність (фотознімка, кінокадру)V [kiː] v1) настроювати музичний інструмент (тж. key up)2) пристосовувати ( до чого-небудь); приводити у відповідність ( із чим-небудь)3) cпopт. (on) наглядати за відповідним номером команди супротивника; "опікувати" (супротивника; футбол, хокей)VI [kiː] n; амер.острівець, кораловий риф ( біля узбережжя Флориди е Вест-Індії)VII [kiː] n; сл.кілограм (особл. марихуани або героїну) -
42 EK
I) pers. pron. I;in poetry and old prose a pronominal k is suffixed to the verb, emk = em ek, vask = vas ek; sák = sá ek; mundak = munda ek; even if preceded by ek: ek sék, ek sitk; a preceding g becomes by assimilation k, hykk = hygg ek; the pronominal k is inserted between the suffixed negative, -a or -at, and the verb, sáka = sá ek-a, I saw not; veitka = veit ek-a, I know not.* * *pers. pron., mod. eg, proncd. ég or jeg; eg occurs as early as in MSS. of the 15th century, Arna-Magn. 556 A; jak, Fms. x. 287, cp. the mod. Swed. form and the mod. Icel. jeg; old poets make it rhyme with ek, as, Halldórr ok ek | höfum engi þrek, Korm. 154 (in a verse), cp. Ld. 108: [Ulf. ïk, but ek on the Golden horn and on the stone in Tune; A. S. ic; Engl. I; Germ. ich; old Swed. jak, mod. jag; Dan. jeg; cp. Lat. ego, Gr. ἐγώ]:—I, Nj. 10, 30, 132, etc.2. in poetry and old prose a pronominal ‘k or ‘g is suffixed to the verb; em’k búinn annan í at nefna, Grág. i. 103; ek em’k, 623. 56, Blas. 41, Mork. 89, 94, 99, 104, Vþm. 8, Ls. 14, Ad. 1, Post. 645. 33; jók’k, ‘I eked’ ( added), Íb. (pref.); vas’k þar fjórtán vetr, ch. 9; þá er ek var’k á bænum, Blas. 40, Hm. 12; ek bað’k, Post. 645. 54; ek kom’k, Skm. 18; ek sit’k, Mork. 168; ek finn’k, 141; ek nam’k, 73; sá’k, 75; ek sé’k ( video), 103, 168, Fms. xi. 110; mun’k-at ek, Mork. 50; svá ek vind’k, Hm. 156; ok rít’k á þessa lund, Skálda (Thorodd) 166; sjá’k ( sim), Mork. 183: g before k becomes by assimilation k, e. g. hyk’k = hygg’k, Skm. 5: the pronominal k is inserted between the suffixed negative and the verb, ek skal’k-a, hef’k-a, mon’k-a, sa’k-a, ma’k-a, veit’k-a, or skal’k-a ek, hef’k-a ek, etc.: even a double k after a diphthong, siá’kk ( sim), Mork. 89, 134, but chiefly in poetry with the suffixed negative, e. g. ek sé’kk-a: this form is obsolete, whereas the suffixed g (or k) in bisyllables or after a vowel is more freq.; svá at ek fæ’k eigi leyzt mik, Edda 20; er ek vilda’g helzt, Fms. xi. 146; eigi munda’k trúa, Edda 32; ef ek lifi ok mega’k ráða, 34; þá hafða’k bundit með gresjarni, id.; sem önga frægð muna’k af hljóta, 20; sýnda’k bæði þeim ok Sæmundi, Íb. (pref.); þá er ek var heima heyrða’k sagt, Edda 81; er ek aeva kenni’g, Hm. 164; draums ætli’g þér, Hdl. 7; þorða’g, Ad. 1; ræka’g, mætta’g, Stor. 8; sky’t ek ok ræ’k (ræ’g, v. l.), Fms. vi. 170 (in a verse); líkara at ek vitja’g hingat þessa heita, Eg. 319; næða’k (or næða’g), if I could reach, Eb. 70 (in a verse); at ek nemni þá menn alla ok beiði’g, Grág. ii. 317; vilja’k, I will, Ht. 1; þvíat ek ætla’g, Ó. H. 59; ok náða’k svá öllu ríki þeirra, 74; þvíat ek trúi’k yðr bezt, 88; ek setta’k, Mork. 62; flytta’k, 94; geri’k, heyrða’k, 36; mæli’g, 39; ek vetti’g, 175; tefli’g, 186; setta’g, lagða’g, id.; vilda’g, 193; vide Lex. Poët. and the word ‘-at’ [p. 2]: sometimes a double pronoun occurs, g and k, mátti’g-a’k, Og. 32; bjargi’g-a’k, Hm. 153; stöðvi’g-a’k, 151; hversu ek má’k, Fms. vi. 102; vide Lex. Poët. and Frump. 228 sqq.B. DAT. AND ACC. are from a different root:—dat. mér, [Ulf. mis; Germ. mir; lost in Dan.], Nj. 10, etc. etc.; acc. mik, mod. mig, which form occurs even in MSS. at the beginning of the 14th century, e. g. Hauks-bók: mek occurs now and then in MSS., e. g. O. H. L., N. G. L., Sks. B, else it is rare and obsolete, Al. 42, Ó. H. 107, [Ulf. mik; A. S. mec; Engl. me; Germ. mich; Dan. mig.] As the word is so common, we shall only mention the use of mik which is special to the Scandinavian tongue, viz. its use as a verbal suffix. The ancients had a double form for the reflexive; for 1st pers. -mk, i. e. mik suffixed to the plur. of the verb; for the 3rd pers. -sk, i. e. sik suffixed to sing. and plur. alike; thus, ek (vér) þykkjumk, I (we) seem to myself ( ourselves); but hann þykkisk, he seems to himself; þeir þykkjask, they seem to themselves: the -mk was later changed into -mz, or - mst of editions and mod. use; but this is a grammatical decay, as if both - mst and -st (þykjumst and þykist) arose from the same reflex. sik.1. the subject may be another person or thing (plur. or sing.) and the personal pronoun mik suffixed as object to the verb, a kind of middle voice found in very old poems, and where it occurs freq. it is a test of antiquity; in prose it is quite obsolete: jötna vegir stóðum’k yfir ok undir, the ways of giants (i. e. precipices) stood above and beneath me, Hm. 106; er lögðum’k arm yfir, the lass who laid her arms round me, 108; mögr hétum’k fögru, my son promised me fair, Egil; hilmir buðum’k löð (acc.), the king gave me leave, i. e. bade me, sing, Höfuðl. 2; úlfs bagi gáfum’k íþrótt, the wolf’s foe ( Odin) gave me the art ( poetry), Stor. 23; Ragnarr gáfum’k reiðar mána, R. gave me the shield, Bragi; þat erum’k sýnt, it is shewn to me, id.; stöndum’k ilmr fyrir yndi, the lass blights my joy, Kormak; hugr tjáðum’k, courage helped me, Egil; snertum’k harmr við hjarta, grief touches me to the heart, Landn.; stöndum’k til hjarta hjörr, the sword pierces me to the heart, Fm. i; feldr brennum’k, my cloak catches fire, Gm. 1; draum dreymðum’k, I dreamed a dream; grimt várum’k hlið, the gap ( breach) was terrible to me, Stor. 6; hálf ván féllum’k, half my hope failed me, Gráfeldar-drápa; heiðnir rekkar hnekðum’k, the heathen men turned me out, Sighvat; dísir hvöttum’k at, the ‘dísir’ hooted us, Hðm. 29; gumi görðum’k at vigi, the man made us fight, id.; lyst várum’k, it list me, Am. 74: very common is erum’k, ‘tis to me (us); erum’k van, I (we) have to expect; mjök erum’k tregt tungu at hræra, ‘tis hard for me to move the tongue, i. e. the tongue cleaves to my mouth, Stor. 1, 17, Ad. 16.2. sometimes oneself is the subject, freq. in prose and poetry, either in deponent verbs or as reflex. or recipr.; at vit skilim’k sáttir, Ó. H. 119; at vér komim’k, that we shall come, 85; finnum’k hér þá, 108; ef vér finnum’k, 111; ek skildum’k við Ólaf konung, 126; ef ek komum’k í braut, 140; sigrom’k, if I gain the victory, 206; æðrom’k, 214; ef ek öndum’k, if I die, Eg. 127; ek berum’k, I bear myself, Grág. ii. 57, Mork. passim; ek þykkjum’k, þóttum’k, ráðum’k, látum’k, setjum’k, bjóðum’k, skildum’k, kveljum’k, etc., = ek þykisk, þóttisk, ræðsk, lætsk, setsk, býðsk, skildisk, kvelsk, etc.: even at the present day the forms eg þykjumst, þóttumst are often used in writing; in other words the suffix - mst (-mk) is almost obsolete.β. the obsolete interjection er mik = I am; vel er mik, well is me (= ‘bless me!’), O. H. L. 71; æ er mik, ah me! 64; kendr er mik, I am known, 66: with a reflex. notion, hvat er mik at því, what is that to me? Skv. 1. 28; er mik þat undir frétt þeirri, that is my reason for asking, Grág. i. 19:—this ‘er mik’ is clearly the remains of the old erum’k.C. DUAL AND PLUR. also from a different root:1. dual vit, mod. við, a Norse form mit also occurs, Al. 170, 171, [cp. mi, Ivar Aasen]:—we two; gen. and dat. from a different root, okkar and okkr, [cp. Goth. ïggqis; A. S. inc and incer; O. H. G. inch and inchar; Ivar Aasen dikke and dykk]:—our.2. plur.:α. nom. vér and vær, the last form now obsolete, [Goth. veis; A. S. and Engl. we; Germ. wir; Dan. vi]:—we.β. gen. vár, mod. vor, Eg. 524, Fms. viii. 213, 398, etc.γ. dat. and acc. oss, [Goth. uns (acc.), unsis (dat.); A. S. us; Germ. uns; Swed. oss; Dan. os]:—us: it need only be noticed that in mod. familiar usage the dual—við, okkr, okkar—has taken the place of the plural, vér, oss; but that in written books the forms vér, oss are still in freq. use, except in light or familiar style; old writers, on the other hand, made a clear distinction both in speech and writing. -
43 giocare
1. v/i playd'azzardo, in Borsa gamble( scommettere) betgiocare a tennis, flipper playgiocare d'astuzia use cunning2. v/t play( ingannare) trick* * *giocare v. intr.1 to play: i bambini stanno giocando a nascondersi, the children are playing hide-and-seek; giocare con le bambole, to play with dolls; giocare alla palla, to play with a ball; giocare a carte, a scacchi, a tennis, to play cards, chess, tennis; a chi tocca giocare?, whose turn is it to play?; gioca bene a carte, he plays a good game of cards; giocare correttamente, scorrettamente, to play fair, foul; giocare per divertimento, per interesse, to play for fun, for money; giocare in casa, fuori casa, ( di squadra) to play at home, away (from home); con chi gioca la nostra squadra?, who is our team playing against? // a che gioco giochiamo?, what is your little game? // giocare sulla credulità di qlcu., to play on s.o.'s credulity3 ( scommettere) to bet*, giocare su un cavallo, to lay money (o to bet) on a horse // giocare sul sicuro, to make a safe bet4 ( in Borsa) to gamble on the stock exchange; to speculate: giocare al rialzo, to bull (o to speculate for a rise); giocare al ribasso, to bear // il giocare in Borsa, stockjobbing5 ( contare, aver peso) to count, to play a part: in queste cose gioca molto la fortuna, luck plays an important role in such matters; ha giocato molto la sua conoscenza delle lingue, his knowledge of languages played an important part (o counted strongly)◆ v.tr.1 to play: giocare una bella partita, to play a good game; avresti dovuto giocare l'asso di cuori, you should have played the ace of heart // giocare bene le proprie carte, (fig.) to play one's cards well // ha giocato tutte le sue carte, (fig.) he played every card he had (o all his cards)2 ( scommettere) to bet*, to stake; (puntare, numero o cavallo) to bet* on, to gamble on; ho giocato Golden Mist, I bet on Golden Mist; gioca 10 sterline sul numero 1, bet (o stake) 10 pounds on number 1; si è giocato una fortuna alla roulette, he gambled away a fortune at roulette; giochiamoci una cena, let's play for a dinner // mi sono giocato anche la camicia, I bet my shirt on it // mi giocherei la testa, I'd bet my life3 ( mettere a rischio, rischiare) to risk: ti stai giocando la carriera, you're risking your career; col tuo comportamento ti sei giocato la vacanza, your behaviour has cost you your holidays // si è giocato la vita stupidamente, he threw his life away foolishly4 ( ingannare) to fool, to make* a fool of (s.o.): penso proprio che siamo stati giocati, I really think we've been fooled (o hoodwinked).* * *[dʒo'kare]1) (gen) Sport to playgiocare a scacchi/ai soldatini/al pallone — to play (at) chess/soldiers/football
giocava con l'accendino — (trastullarsi) he was toying o playing with the lighter
giocare in Nazionale Calcio — to play for Italy
2) (scommettere), (anche: giocare d'azzardo) to gamblegiocare in Borsa — to speculate o gamble on the Stock Exchange
3) (intervenire: fattore) to matter, count, come into play4) (muoversi liberamente: meccanismo) to play freely5)a che gioco giochiamo? — what are you playing at?2. vt1) (partita, carta) to play2)giocare (su) Casinò — to stake (on), wager (on), Corse to bet (on)ormai è troppo tardi, ti sei giocato la carriera — it's too late now, your career is ruined
3) (imbrogliare) to deceive, trick, take in* * *[dʒo'kare] 1.verbo transitivo1) to play [partita, carta]; to gamble, to bet*, to stake [ soldi]2) (ingannare)2.giocare qcn. — to trick sb
1)giocare a — to play [carte, dama, nascondino, calcio, tennis]
a che gioco giocate? — what are you playing? fig. what are you playing at?
4) (speculare)giocare in borsa — to gamble on the Stock Exchange, to play the market
5) (influire) to play a part3.giocare a favore di qcn. — [ fattore] to work o weigh in sb.'s favour
* * *giocare/dʒo'kare/ [1]1 to play [partita, carta]; to gamble, to bet*, to stake [ soldi]2 (ingannare) giocare qcn. to trick sb.(aus. avere)1 giocare a to play [carte, dama, nascondino, calcio, tennis]; giocare con le bambole to play with one's dolls; a che gioco giocate? what are you playing? fig. what are you playing at?2 (gingillarsi) smetti di giocare con la penna! stop fiddling with your pen!4 (speculare) giocare in borsa to gamble on the Stock Exchange, to play the marketIII giocarsi verbo pronominaleto risk, to stake; - rsi la reputazione to gamble away one's reputation. -
44 oro zecchino
1)ori smpl — (oggetti d'oro) gold sg, (gioielli) jewellery sg Brit, jewelry sg Am, Carte suit in Neapolitan pack of cards
2)d'oro — (oggetto) gold, (colore, occasione) golden, (persona) wonderful, marvellous Brit, marvelous Am
3)nuotare nell'oro — to be rolling in money* * *oro zecchinopure gold.\→ zecchino————————oro zecchinopure o fine gold.\→ oro -
45 uccidere
kill* * *uccidere v.tr. to kill (anche fig.); ( assassinare) to murder; ( trucidare) to slay; ( massacrare) to massacre, to slaughter; ( macellare) to butcher, to slaughter; ( a pugnalate) to stab to death; ( con arma da fuoco) to shoot*: fu ucciso in un incidente di auto, he was killed in a car accident; furono uccisi in uno scontro a fuoco con la polizia, they were killed in a shoot-out (o gunfight) with the police; il freddo la uccise, the cold killed her; il dolore lo uccise, he died of a broken heart (o of sorrow); Lincoln fu ucciso da un fanatico, Lincoln was murdered by a fanatic; il macellaio uccide le bestie una volta alla settimana, the butcher slaughters once a week; uccidere qlcu. sparandogli alla testa, to shoot s.o. in the head.◘ uccidersi v.rifl.1 ( rimaner ucciso) to get* killed, to be killed: si è ucciso con l'auto, he was killed in a car crash2 ( suicidarsi) to kill oneself, to commit suicide, to take* one's own life: quel giovane si uccise per disperazione, that young man committed suicide in despair; si è ucciso con il gas, he gassed himself.* * *1. [ut'tʃidere]vb irreg vt2. vr (uccidersi)1) (uso reciproco) to kill each other2) (suicidarsi) to kill o.s.uccidersi col gas — to gas o.s.
3. vip (uccidersi)(perdere la vita) to be killed* * *[ut'tʃidere] 1.verbo transitivo to kill [persona, animale, pianta]; (con arma da fuoco) to shoot down, to shoot dead [ persona]uccidere qcn. a bastonate — to club sb. to death
2.questo caldo mi uccide — fig. this heat is killing me
verbo pronominale uccidersi1) (suicidarsi) to kill oneself2) (reciprocamente) to kill each other, to kill one another3) (morire) to get* killed••* * *uccidere/ut't∫idere/ [35]to kill [persona, animale, pianta]; (con arma da fuoco) to shoot down, to shoot dead [ persona]; uccidere qcn. a bastonate to club sb. to death; l'avrei ucciso! I could have killed him! questo caldo mi uccide fig. this heat is killing meII uccidersi verbo pronominale1 (suicidarsi) to kill oneself2 (reciprocamente) to kill each other, to kill one another3 (morire) to get* killeduccidere la gallina dalle uova d'oro to kill the golden goose; uccidere il vitello grasso to kill the fatted calf. -
46 gold
[gəʊld, Am goʊld] nto pan for \gold nach Gold schürfen;to strike \gold auf Gold stoßenPHRASES:to have a heart of \gold ein Herz aus Gold haben;to be worth one's weight in \gold sein Gewicht in Gold wert sein;to be [as] good as \gold mustergültig sein;\gold medal Goldmedaille f;\gold record goldene Schallplatte adj golden, Gold-;\gold braid Goldtresse f;\gold ink goldene Tinte;\gold paint Goldfarbe f -
47 _різне
aim at the stars, but keep your feet on the ground all are not thieves that dogs bark at all cats are grey in the dark all roads lead to Rome always lend a helping hand among the blind the one-eyed man is king as the days grow longer, the storms are stronger at a round table, there is no dispute of place a bad excuse is better than none a bad vessel is seldom broken be just before you're generous be just to all, but trust not all the best things come in small packages the best way to resist temptation is to give in to it better alone than in bad company better an empty house than a bad tenant better be the head of a dog than the tail of a lion better ride an ass that carries me than a horse that throws me better to beg than to steal, but better to work than to beg better a tooth out than always aching between two stools one goes to the ground a bird may be known by its flight a bird never flew on one wing a bit in the morning is better than nothing all day a bleating sheep loses a bite a blind man would be glad to see a blind man needs no looking glass bread always falls buttered side down a burden which one chooses is not felt butter to butter is no relish cast no dirt in the well that gives you water the chain is no stronger than its weakest link a change is as good as a rest Christmas comes but once a year circumstances after cases cleanliness is next to godliness the cobbler's wife is the worst shod a cold hand, a warm heart comparisons are odious consistency is a jewel consideration is half of conversation a creaking door hangs long on its hinges desperate diseases must have desperate remedies the devil looks after his own diamond cut diamond dirt shows the quickest on the cleanest cotton discontent is the first step in progress do as you would be done by dog does not eat dog a dog that will fetch a bone will carry a bone a dog will not cry if you beat him with a bone do not spoil the ship for a ha'porth of tar do not throw pearls before swine do your best and leave the rest with God do your duty and be afraid of none don't be a yes-man don't cut off your nose to spite your face don't drown yourself to save a drowning man don't look a gift horse in the mouth don't spur a willing horse don't strike a man when he is down don't swap the witch for the devil eagles don't catch flies eagles fly alone, but sheep flock together the English are a nation of shopkeepers even a stopped clock is right twice a day every cock sings in his own way every fish that escapes seems greater than it is every man is a pilot in a calm sea every medal has its reverse side every thing comes to a man who does not need it every tub smells of the wine it holds evil communications corrupt good manners the exception proves the rule exchange is no robbery extremes meet facts are stubborn things familiarity breeds contempt fast bind, fast find fields have eyes, and woods have ears fight fire with fire figure on the worst but hope for the best fingers were made before forks the fire which lights us at a distance will burn us when near the first shall be last and the last, first follow your own star forbearance is no acquittance the fox knows much, but more he that catches him from the day you were born till you ride in a hearse, there's nothing so bad but it might have been worse from the sweetest wine, the tartest vinegar fruit is golden in the morning, silver at noon, and lead at night gambling is the son of avarice and the father of despair the game is not worth the candles a gentleman never makes any noise the gift bringer always finds an open door the giver makes the gift precious a good horse cannot be of a bad colour a good tale is none the worse for being twice told good riddance to bad rubbish the greatest right in the world is the right to be wrong the half is more than the whole half a loaf is better than no bread half an orange tastes as sweet as a whole one hawk will not pick out hawk's eyes the heart has arguments with which the understanding is unacquainted he may well swim that is held up by the chin he that doesn't respect, isn't respected he that lies down with dogs must rise with fleas he that would live at peace and rest must hear and see and say the best he who is absent is always in the wrong he who follows is always behind the higher the climb, the broader the view history is a fable agreed upon hitch your wagon to a star the ideal we embrace is our better self if a bee didn't have a sting, he couldn't keep his honey if a sheep loops the dyke, all the rest will follow I fear Greeks even when bringing gifts if each would sweep before his own door, we should have a clean city if the cap fits, wear it if the mountain will not come to Mohammed, Mohammed must go to the mountain if you cannot bite, never show your teeth if you cannot have the best, make the best of what you have if you cannot speak well of a person, don't speak of him at all if you leave your umbrella at home, it is sure to rain if you wish to see the best in others, show the best of yourself ill news travels fast ill weeds grow apace an inch breaks no square it always pays to be a gentleman it costs nothing to ask it is easier to descend than ascend it is easier to pull down than to build up it is good fishing in troubled waters it is idle to swallow the cow and choke on the tail it is the last straw that breaks the camel's back it is sometimes best to burn your bridges behind you it is well to leave off playing when the game is at the best it is not clever to gamble, but to stop playing it's a small world it takes all sorts to make a world it takes a thief to catch a thief jealousy is a green-eyed monster jealousy is a proof of self-love keep a dress seven years and it will come back into style keep no more cats than will catch mice kindle not a fire that you cannot extinguish kissing goes by favor jam tomorrow and jam yesterday, but never jam today a joy that's shared is a joy made double justice is blind lay not the load on the lame horse learn to creep before you leap let the cock crow or not, the day will come the longest road is sometimes the shortest way home lookers-on see most of the game man does not live by bread alone many are called but few are chosen many go out for wool and come home shorn many stumble at a straw and leap over a block men cease to interest us when we find their limitations a misty morn may have a fine day the mob has many heads but no brains the moon is not seen when the sun shines the more the merrier mountain has brought forth a mouse much water runs by the mill that the miller knows not of name not a halter in his house that hanged himself the nearer the bone, the sweeter the meat never be the first by whom the new is tried nor yet the last to lay the old aside never do anything yourself you can get somebody else to do never is a long time never let your left hand know what your right hand is doing never make a bargain with the devil on a dark day never quarrel with your bread and butter never tell tales out of school a nod's as good as a wink to a blind horse no joy without alloy no man is a hero to his valet no mud can soil us but the mud we throw no names, no pack-drill no news good news no one but the wearer knows where the shoe pinches none is so blind as they who will not see none of us is perfect nothing is certain but the unforeseen nothing is easy to the unwilling nothing is so good but it might have been better nothing is stolen without hands nothing new under the sun nothing seems quite as good as new after being broken an old poacher makes the best keeper once is no rule one dog barks at nothing, the rest bark at him one good turn deserves another one half of the world does not know how the other half lives one hand washes the other one man's meat is another man's poison one picture is worth ten thousand words one volunteer is worth two pressed men one whip is good enough for a good horse; for a bad one, not a thousand opposites attract each other the orange that is squeezed too hard yields a bitter juice other people's burdens killed the ass out of the mire into the swamp painted flowers have no scent paper is patient: you can put anything on it people condemn what they do not understand pigs might fly the pitcher goes often to the well please ever; tease never plenty is no plague the porcupine, whom one must handle gloved, may be respected but is never loved the proof of the pudding is in the eating the remedy is worse than the disease reopen not the wounds once healed a rolling stone gathers no moss the rotten apple injures its neighbors scratch my back and I shall scratch yours the sea refuses no river seize what is highest and you will possess what is in between seldom seen, soon forgotten silence scandal by scandal the sharper the storm, the sooner it's over the sheep who talks peace with a wolf will soon be mutton since we cannot get what we like, let us like what we can get small faults indulged in are little thieves that let in greater solitude is at times the best society some people are too mean for heaven and too good for hell the soul of a man is a garden where, as he sows, so shall he reap sour grapes can never make sweet wine sow a thought and reap an act the sow loves bran better than roses a stick is quickly found to beat a dog with still waters run deep stoop low and it will save you many a bump through life a straw shows which way the wind blows a stream cannot rise above its source the style is the man the sun loses nothing by shining into a puddle the sun shines on all the world the sun will shine down our street too sunday plans never stand suspicion may be no fault, but showing it may be a great one sweetest nuts have the hardest shells the tail cannot shake the dog take things as they are, not as you'd have them tastes differ there are more ways of killing a dog than hanging it there is always room at the top there is life in the old dog yet there is no rose without a thorn there is small choice in rotten apples there is truth in wine there's as good fish in the sea as ever came out of it they need much whom nothing will content they that dance must pay the fiddler they walk with speed who walk alone those who hide can find three removals are as bad as a fire to the pure all things are pure to work hard, live hard, die hard, and go to hell after all would be hard indeed too far east is west translation is at best an echo a tree is known by its fruit a tree often transplanted neither grows nor thrives two can play at that game two dogs over one bone seldom agree venture a small fish to catch a great one the voice with a smile always wins wear my shoes and you'll know where they pitch we weep when we are born, not when we die what can you have of a cat but her skin what can't be cured must be endured what matters to a blind man that his father could see what you lose on the swings, you gain on the roundabouts when all you have is a hammer, everything looks like a nail when a dog is drowning, everyone offers him drink when in doubt, do nowt when interest is lost, memory is lost when a man lays the foundation of his own ruin, others will build on it when a river does not make a noise, it is either empty or very full when the devil is dead, he never lacks a chief mourner when two ride on one horse one must sit behind where bees are, there is honey where it is weakest, there the thread breaks who seeks what he should not finds what he would not why keep a dog and bark yourself? a wonder lasts but nine days the worth of a thing is best known by its want the world is a ladder for some to go up and some down would you persuade, speak of interest, not of reason you buy land, you buy stones; you buy meat, you buy bones you can take a horse to the water, but you cannot make him drink you can tell the day by the morning you cannot lose what you never had you cannot touch pitch and not be defiled you can't put new wine in old bottles you can't walk and look at the stars if you have a stone in your shoe your looking glass will tell you what none of your friends will zeal without knowledge is a runaway horse -
48 рука
ж.1) ( верхняя конечность) arm; ( кисть) handмаха́ть руко́й — wave one's hand
вести́ за́ руку (вн.) — lead (d) by the hand
бра́ться за́ руки — join hands, take each other's hand, link arms
брать на́ руки (вн.) — take (d) in one's arms
держа́ть на рука́х (вн.) — hold (d) in one's arms
носи́ть на рука́х (вн.; держать на руках) — carry (d) in one's arms
брать кого́-л по́д руку — take smb's arm
идти́ по́д руку с кем-л — walk arm in arm with smb; walk with smb on one's arm
подава́ть ру́ку (дт.) — hold out one's hand (to); offer one's hand (to) (тж. даме)
я ему́ руки́ не пода́м — I'll never hold out my hand to him
пожима́ть ру́ку (дт.), здоро́ваться за́ руку (с тв.) — shake hands (with)
протя́гивать ру́ку (дт.) — stretch out [extend] one's hand (to)
заложи́ть ру́ки за́ спину — put one's hands behind one's back
рука́ о́б руку — hand in hand
тро́гать рука́ми (вн.) — touch (d)
рука́ми не тро́гать! — please do not touch!
шить на рука́х — sew by hand
2) ( почерк) hand, handwritingэ́то не его́ рука́ — it is not his writing
3) тк. ед. разг. (блат, знакомство) protection, pull; a friend in high placesу него́ есть рука́ (в пр.) — he has a pull (in), he has a friend at court
••рука́ не дро́гнет у кого́-л (+ инф.) — smb will not hesitate / scruple (+ to inf)
рука́ не поднима́ется (+ инф.) — smb can't bring oneself (+ to inf)
рука́ ру́ку мо́ет погов. — ≈ you roll my log and I'll roll yours; it's a matter of give-and-take
руко́й пода́ть отку́да-л — it is but a step (from), it's a stone's throw (from)
брать по́д руку кого́-л — take smb by the arm, link arms with smb
брать / взять себя́ в ру́ки — pull oneself together, control oneself
быть в хоро́ших рука́х — be in good hands
быть в чьих-л рука́х — be in smb's hands
быть как без рук (без) — feel helpless (without), be lost (without)
быть на́ руку кому́-л — play into smb's hands; serve smb's purpose
быть пра́вой руко́й кого́-л — be smb's right hand
быть свя́занным по рука́м и нога́м — be bound hand and foot
в одни́ ру́ки (отпускать товар и т.п.) — per customer
в со́бственные ру́ки (надпись на конверте и т.п.) — personal; to be given into smb's own hands
взять в свои́ ру́ки (что-л) — take smth in hand, take smth into one's own hands
всё из рук ва́лится — см. валиться
выдава́ть на́ руки (вн. дт.) — hand (d i)
говори́ть по́д руку кому́-л — distract smb (while smb is doing something)
гуля́ть по́д руку с кем-л — walk arm in arm with smb
дава́ть во́лю рука́м разг. — = распуска́ть ру́ки (см. распускать)
дава́ть ру́ку на отсече́ние — ≈ stake one's life (on)
дать по рука́м кому́-л — give (i) a slap on the wrist
держа́ть в свои́х рука́х (вн.) — have (d) in one's hands, have (d) under one's thumb
знать что-л из ве́рных рук — know smth from a reliable source
игра́ть в четы́ре руки́ (с тв.) — play duets on the piano [pɪ'æ-] (with)
из пе́рвых [вторы́х] рук — at first [second] hand
из рук в ру́ки — from hand to hand
из рук вон пло́хо разг. — thoroughly bad
име́ть золоты́е ру́ки — have golden [great; a clever pair of] hands
как руко́й сня́ло разг. — it vanished as if by magic
лёгкая рука́ у кого́-л — 1) (о том, кто может принести удачу) he brings luck 2) (о том, кто умело делает что-л) he has a magic touch
лома́ть ру́ки — wring one's hands
мара́ть / па́чкать ру́ки (о вн.) — dirty / soil one's hands (on)
ма́стер на все ру́ки — Jack of all trades
он ма́стер на все ру́ки — he can turn his hand to anything; he is a Jack of all trades
махну́ть руко́й (на вн.) — give (d) up as lost / hopeless; give (d) up as a bad job, say goodbye (to) разг.
на рука́х — 1) (у кого́-л; на попечении) on smb's hands 2) (у кого́-л; при себе) on smb's person 3) (у кого́-л; во владении, в распоряжении у кого-л) in smb's possession 4) ( о библиотечной книге) be out on loan
на ско́рую ру́ку — off-hand; in rough-and-ready fashion
наби́ть ру́ку на чём-л — become a skilled hand at smth
наложи́ть на себя́ ру́ки — lay hands on oneself, take one's own life
не с руки́ (кому́-л + инф.) — 1) (неудобно, несподручно) it is uncomfortable for smb (+ to inf) 2) ( неприемлемо) it is inconvenient for smb (+ to inf) 3) ( не подобает) it is inappropriate for smb (+ to inf) 4) ( неудобно по времени) it's the wrong time for smb (+ to inf)
нечи́стый на́ руку — light-fingered
носи́ть на рука́х кого́-л — adore smb, put smb on a pedestal; неодобр. make a fuss over smb
отбива́ться рука́ми и нога́ми (от) — fight tooth and nail (against)
отда́ть в хоро́шие ру́ки (собаку и т.п.) — give (d) to a good home, find a good home (for)
передава́ть де́ло в чьи-л ру́ки — put the matter into smb's hands
перепи́сывать от руки́ (вн.) — copy (d) by hand
переходи́ть в други́е ру́ки — change hands
по рука́м! разг. — a bargain!; 'tis a bargain! / deal!, done!
по пра́вую [ле́вую] ру́ку — at the right [left] hand
под рука́ми — ready to hand
под руко́й — (near) at hand, within easy reach of one's hand
под горя́чую ру́ку — см. горячий
под пья́ную ру́ку — when drunk; under the influence
пода́ть ру́ку по́мощи (дт.) — lend / give (i) a helping hand
подня́ть ру́ку (на вн.) — raise one's hand (against)
пойти́ по рука́м (о женщине) — go from one man to another
положа́ ру́ку на́ сердце — with one's hand upon one's heart
получи́ть по рука́м — get one's wrist slapped
попа́сться в ру́ки кому́-л — fall into smb's hands
потира́ть ру́ки (от) — rub one's hands (with)
предлага́ть ру́ку кому́-л — 1) ( даме) offer smb one's hand 2) ( делать предложение) propose (marriage) to smb
прибра́ть к рука́м (кого́-л) — take smb in hand; ( что-л) appropriate smth, lay one's hands on smth; (украсть тж.) walk away with smth
приложи́ть ру́ку (к) — 1) ( принять участие) bear / take a hand (in); put one's hand (to) 2) уст. ( подписаться) sign (d), add one's signature (to)
проси́ть чьей-л руки́ уст. — seek smb's hand in marriage
пусти́ть по рука́м (вн.) — pass (d) from hand to hand
разводи́ть рука́ми — ≈ make a helpless gesture, lift one's hands (in dismay)
развяза́ть ру́ки кому́-л — untie smb's hands, give smb full scope
ру́ки не дохо́дят (до) — см. доходить
ру́ки опуска́ются у кого́-л — smb is losing heart
ру́ки прочь! — hands off!
ру́ки че́шутся у кого́-л (+ inf) — smb's fingers are itching (+ to inf)
с рука́ми оторва́ть (вн.) — snatch / grab (d) right up; be passed around
с пусты́ми рука́ми — empty-handed
с рук доло́й — off one's hands
сбыть с рук (вн.) — get (d) off one's hands
свои́ми (со́бственными) рука́ми — with one's own hands
свя́зывать / спу́тывать ру́ки кому́-л — tie smb's hands
сиде́ть сложа́ ру́ки разг. — be idle, sit by
сре́дней руки́ — ordinary, average
схвати́ть за́ руку кого́-л — catch smb red-handed; catch smb in the act
сходи́ть с рук: э́то ему́ не сойдёт с рук — he won't get away with it
твёрдая рука́ — a firm hand
тяжёлая рука́ у кого́-л (больно бьёт) — smb has a heavy hand
уда́рить по рука́м (прийти к соглашению) — strike hands, strike a bargain
уме́лые ру́ки — skillful hands
умыва́ть ру́ки — wash one's hands of it
ухвати́ться обе́ими рука́ми (за вн.) — 1) ( крепко держать) grab (d) 2) ( немедленно воспользоваться чем-л) jump (at), snatch (at)
ходи́ть по рука́м — 1) ( передаваться из рук в руки) pass from hand to hand 2) ( вести распутный образ жизни) go from one man to another
ходи́ть с протя́нутой руко́й — beg (in the streets); be panhandling
подвора́чиваться / попада́ться по́д руку — 1) ( оказываться поблизости - о предмете) come to hand; happen to be within reach 2) ( случайно встречаться - о человеке) happen along
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49 oro zecchino
1)ori smpl — (oggetti d'oro) gold sg, (gioielli) jewellery sg Brit, jewelry sg Am, Carte suit in Neapolitan pack of cards
2)d'oro — (oggetto) gold, (colore, occasione) golden, (persona) wonderful, marvellous Brit, marvelous Am
3)nuotare nell'oro — to be rolling in money -
50 nothing doing
разг.1) нет; нельзя; ничего нет (о работе и т. п.)But when they asked for an increase in wages to meet the increased cost of living before signing the new agreement, it was a case of nothing doing. (K. S. Prichard, ‘Golden Miles’, ch. 40) — И вот теперь, когда рабочие, прежде чем подписать новый договор, просят увеличить им жалованье, поскольку жизнь вздорожала, никто не желает пойти им навстречу.
‘I'll let you have the lot for fifty quid.’ ‘Nothing doing.’ ‘Thirty quid.’ ‘We wouldn't take it at any price.’ (A. Marshall, ‘In Mine Own Heart’, ch. 13) — - Я отдам партию кожи за пятьдесят фунтов. - Нам она ни к чему. - Тридцать фунтов. - Мы не возьмем ее даже даром.
2) дело не выгорело, не тут-то было; ничего не выйдет; ≈ номер не пройдётHe had, however, less intention even than before of moving for a meeting of the shareholders... No. Nothing doing - as they said nowadays. (J. Galsworthy, ‘The White Monkey’, part III, ch. VII) — Однако теперь у него было еще меньше желания созывать собрание пайщиков, чем раньше... Нет! Ничего не попишешь, как теперь говорят.
There was nothing doing as far as he was concerned, Dally said. He knew when he was well off if other blokes didn't. (K. S. Prichard, ‘Golden Miles’, ch. XIV) — Дэлли сказал, что с ним этот номер не пройдет. Он-то знает, что для него хорошо, а вот другие - это уж их дело.
Peter was blunt. ‘Nothing doing. He won't give a penny.’ (G. Vidal, ‘Washington, D. C.’, part V, ch. 1) — Питер предпочел говорить без обиняков. - Дело не выгорело. Мистер Кархарт не дает ни гроша на издание журнала.
Manuel passed the muleta in front of the bull's black muzzle. Nothing doing. You won't. All right. He stepped close and jammed the sharp peak of the muleta into the bull's damp muzzle. (E. Hemingway, ‘Men without Women’, ‘The Undefeated’) — Мануэль провел мулетой перед черной мордой быка. Никакого впечатления. Значит, не желаешь? Хорошо. Он подошел вплотную и ткнул острым концом мулеты во влажную морду быка.
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51 Kane, Joseph
1894-1975El nombre de Joseph Kane se asocia de forma indisoluble a una productora, Republic, de principio a fin. Kane habia dirigido en 1935 un serial para Mascot, que junto con otras pequenas productoras se asociaron para fundar Republic ese mismo ano. Desde esa fecha hasta 1958, en que la productora desaparece, Kane es uno de sus directores mas prolificos. Estamos ante uno de los grandes nombres del western, en cantidad, ya que no en calidad. Entre 1934 y 1975 trabaja en no menos de 120 peliculas, la inmensa mayoria de las cuales pertenecen al genero que nos ocupa. Trabaja con Gene Autry, John Wayne, Robert Livingston, Roy Rogers, Bill Elliott, en tre otros. Despues dirigira algunos episodios de se ries de television y otras cuatro peliculas. Sus mejores filmes son, sin duda, Titanes de la montana y Los indomables, ya al final de su carrera.Tumbling Tumbleweeds. 1935. 57 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Lucile Browne.Melody Trail. 1935, 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.The Sagebrush Troubadour. 1935. 54 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Barbara Pepper.The Lawless Nineties. 1936. 55 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.King of the Pecos. 1936. 54 minutos. Blanco y Negro. Republic. John Wayne, Muriel Evans.The Lonely Trail. 1936. 58 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.Oh, Susanna! 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.Ride Ranger Ride. 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Kay Hugues.Ghost-Town Gold. 1936. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Kay Hugues, Max Terhune.The Old Corral. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Hope Manning.Guns and Guitars. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Dorothy Dix.Git Along. Little Dogies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.Round-Up Time in Texas. 1937. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Maxine Doyle.Gunsmoke Ranch. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Julia Thayer, Max Terhune.Come On, Cowboys! 1937. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Maxine Doyle, Max Terhune.Yodelin’ Kid from Pine Ridge. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Betty Bronson.Public Cowboy No. 1. 1937. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.Heart of the Rockies. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Lynn Roberts, Max Terhune.Boots and Saddles. 1937. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.Springtime in the Rockies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Polly Rowles.The Old Barn Dance. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Helen Valkis.Arson Gang Busters. 1938. 65 minutos. Blanco y Negro. Republic. Robert Livingston, Rosalind Keith.Under Western Stars. 1938. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Smiley Burnette, Carol Hugues.Gold Mine in the Sky. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.The Man from Music Mountain. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hughes.Billy the Kid Returns. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Hart (Lynne Roberts).Come On, Rangers. 1938. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).Shine On, Harvest Moon. 1938. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Rough Riders’ Round-Up. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).Frontier Pony Express. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Southward Ho. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).In Old Caliente. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).Wall Street Cowboy. 1939. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Ann Baldwyn, George Hayes, Raymond Hatton.In Old Monterey. 1939. 74 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.The Arizona Kid. 1939. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Dorothy Sebastian, George Hayes.Saga of Death Valley. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Doris Day, George Hayes.Days of Jesse James. 1939. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.Young Buffalo Bill. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.The Carson City Kid. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, Bob Steele.The Ranger and the Lady. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Julie Bishop, George Hayes.Colorado. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.Young Bill Hickcok. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.The Border Legion. 1940. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Hugues, George Hayes.Robin Hood of the Pecos. 1941. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Marjorie Reynolds, George Hayes.In Old Cheyenne. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Joan Woodbury, George Hayes.Sheriff of Tombstone. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Elyse Knox, George Hayes.Nevada City. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Bad Man of Deadwood. 1941. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Adams, George Hayes.Jesse James at Bay. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Gale Storm, Sally Payne, George Hayes.Red River Valley. 1941. 62 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Man from Cheyenne. 1942. 60 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.South of Santa Fe. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes.Sunset on the Desert. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Lynne Carver, George Hayes.Romance on the Range. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.Sons of the Pioneers. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon, George Hayes.Sunset Serenade. 1942. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Helen Parrish, George Hayes.Heart of the Golden West. 1942. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, George Hayes, Smiley Burnette.Ridin’ Down the Canyon. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes, Bob Nolan.Idaho. 1943. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Virginia Grey, Smiley Burnette, Bob Nolan.King of the Cowboys. 1943. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Peggy Moran, Smiley Burnette, Bob Nolan.Song of Texas. 1943. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Sheila Ryan, Barton MacLane, Bob Nolan.Silver Spurs. 1943. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Phyllis Brooks, Smiley Burnette, Bob Nolan, John Carradine.The Man from Music Mountain. 1943. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Ferry, Bob Notan.Hands Across the Border (Cita en la frontera). 1944. 73 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, Bob Nolan.The Cowboy and the Senorita. 1944. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Lee, Dale Evans, Bob Nolan.The Yellow Rose of Texas. 1944. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Bob Nolan.Song of Nevada (La cancion de Nevada). 1944. 75 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Mary Lee, Bob Nolan.Flame of Barbary Coast (Algun dia volvere). 1945. 91 minutos. Blanco y Negro. Republic. John Wayne, Ann Dvorak.Dakota. 1945. 82 minutos. Blanco y Negro. Republic. John Wayne, Vera Ralston, Walter Brennan.In Old Sacramento. 1946. 89 minutos. Blanco y Negro. Republic. Bill Elliott, Constance MooreThe Plainsman and the Lady. 1946. 87 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, Andy Clyde.Wyoming. 1947. 84 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, George Hayes.In Old Los Angeles. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Catherine McLeod, Andy Devine.The Gallant Legion. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Adele Mara, Adrian Booth, Andy Devine.The Plunderers. 1948. 87 minutos. Trucolor. Republic. Rod Cameron, Ilona Massey, Adrian Booth.The Last Bandit. 1949. 80 minutos. Trucolor. Republic. Bill Elliott, Adrian Booth, Forrest Tucker, Andy Devine.Brimstone. 1949. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker, Walter Brennan.Rock Island Trail. 1950. 90 minutos. Trucolor. Republic. Forrest Tucker, Adele Mara, Adrian Booth.The Savage Horde. 1950. 90 minutos. Blanco y Negro. Republic. Bill Elliott, Adrian Booth, Grant Whiters, Noah Beery, Jr.California Passage. 1950. 90 minutos. Blanco y Negro. Republic. Forrest Tucker, Adele Mara, Jim Davis.Oh! Susanna. 1951. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker.Woman of the North Country. 1952. 92 minutos. Trucolor. Republic. Ruth Hussey, Rod Cameron, John Agar, Gale StormRide the Man Down. 1952. 90 minutos. Trucolor. Republic. Brian Donlevy, Rod Cameron, Ella Raines.San Antone (Los rebeldes de San Antonio). 1953. 90 min. Blanco y Negro. Republic. Rod Cameron, Arleen Whelan, Katy Jurado, Forrest Tucker.Jubilee Trail (Extrana aventura). 1954. 103 minutos. Trucolor. Republic. Vera Ralston, Forrest Tucker, Joan Leslie.Hell’s Outpost. 1954. 90 minutos. Blanco y Negro. Republic. Rod Cameron, Joan Leslie, John Russell.Timberjack (Titanes de la montana). 1955. 94 minutos. Trucolor. Republic. Sterling Hayden, Vera Ralston.The Road to Denver. 1955. 90 minutos. Trucolor. Republic. John Payne, Mona Freeman, Lee J. Cobb.The Vanishing American (El ocaso de una raza). 1955. 90 minutos. Blanco y Negro. Republic. Scott Brady, Audrey Totter, Forrest Tucker.The Maverick Queen (Los indomables). 1956. 92 minutos. Trucolor. Natu rama. Republic. Barbara Stanwyck, Barry Sullivan, Scott Brady.Thunder Over Arizona. 1956. 70 minutos. Trucolor. Naturama. Republic. Skip Homeier, Kristine Miller.Duel at Apache Wells. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Anna Maria Alberguetti, Ben Cooper, Jim Davis.Spoilers of the Forest. 1957. 68 minutos. Trucolor. Naturama. Republic. Rod Cameron, Vera Ralston.The Last Stagecoach West. 1957. 67 minutos. Blanco y Negro. Naturama. Republic. Jim Davis, Mary Castle.Gunfire at Indian Gap. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Vera Ralston, Anthony George.The Lawless Eighties. 1958. 70 minutos. Blanco y Negro. Naturama. Republic. Buster Crabbe, John Smith, Marilyn Saris.Smoke in the Wind (co-d.: Andy Brennan). 1975. 98 minutos. Color. Gamalex. John Ashely, John Russell, Susan Houston, Walter Brennan. -
52 Witney, William N.
1915-2002En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.English-Spanish dictionary of western films > Witney, William N.
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53 inside
dedans ⇒ 1 (a) à l'intérieur ⇒ 1 (a) au fond ⇒ 1 (d) à l'intérieur de ⇒ 2 (a) dans ⇒ 2 (a) en moins de ⇒ 2 (b) intérieur ⇒ 3 (a), 4 (a)(a) (within enclosed space) dedans, à l'intérieur;∎ there's nothing inside il n'y a rien dedans ou à l'intérieur;∎ it's hollow inside c'est creux à l'intérieur, l'intérieur est creux;∎ inside and out au dedans et au dehors, à l'intérieur et à l'extérieur∎ bring the chairs inside rentre les chaises;∎ she opened the door and went inside elle ouvrit la porte et entra;∎ go and play inside va jouer à l'intérieur;∎ come inside! entrez!;∎ move along inside there! avancez jusqu'au fond!∎ he's been inside il a fait de la taule(d) (in one's heart) au fond (de soi-même);∎ inside I was furious au fond de moi-même, j'étais furieux∎ inside the house à l'intérieur de la maison;∎ figurative what goes on inside his head? qu'est-ce qui se passe dans sa tête?;∎ familiar I'll be all right once I've got a few drinks inside me tout ira bien quand j'aurai descendu quelques verres;∎ familiar get this inside you avale ça;∎ a little voice inside me kept saying "no" une petite voix intérieure n'arrêtait pas de me dire "non";∎ it's just inside the limit c'est juste (dans) la limite;∎ the attack took place inside Turkey itself l'assaut a eu lieu sur le territoire turc même;∎ someone inside the company must have told them quelqu'un de l'entreprise a dû le leur dire(b) (in less than) en moins de;∎ I'll have it finished inside 6 days je l'aurai terminé en moins de 6 jours(a) (inner part) intérieur m;∎ the inside of the box l'intérieur de la boîte;∎ the door doesn't open from the inside la porte ne s'ouvre pas de l'intérieur;∎ she has a scar on the inside of her wrist elle a une cicatrice à l'intérieur du poignet(b) (of pavement, road)∎ walk on the inside marchez loin du bord;∎ Cars to overtake on the inside (driving on left) doubler à gauche; (driving on right) doubler à droite;∎ Horseracing coming up on the inside is Golden Boy Golden Boy remonte à la corde∎ only someone on the inside would know that seul quelqu'un de la maison saurait ça(a) (door, wall) intérieur; Building industry (measurement, stair etc) dans œuvre; (diameter) interne;∎ Horseracing to be on the inside track tenir la corde; figurative être bien placé∎ he has inside information il a quelqu'un dans la place qui le renseigne;∎ it looks like an inside job on dirait que c'est quelqu'un de la maison qui a fait le coup;∎ I speak with inside knowledge ce que je dis je le sais de bonne source;∎ find out the inside story essaie de découvrir les dessous de l'histoire∎ inside left/right inter m gauche/droit∎ to have pains in one's insides avoir mal au ventre(a) (in less than) en moins de□∎ your socks are on inside out tu as mis tes chaussettes à l'envers;∎ he turned his pockets inside out il a retourné ses poches;∎ figurative they turned the room inside out ils ont mis la pièce sens dessus dessous∎ he knows this town inside out il connaît cette ville comme sa poche;∎ she knows her job inside out elle connaît parfaitement son travail►► Press inside back cover troisième f de couverture;inside centre (in rugby) premier centre m;Cars inside door portière f côté trottoir;Football inside forward inter m, intérieur m;Press inside front cover deuxième f de couverture;the inside lane (in athletics) la corde, le couloir intérieur; (of road → driving on left) la voie de gauche; (→ driving on right) la voie de droite;inside leg (measurement) hauteur f de l'entrejambe;Typography inside margin marge f de reliure, (blanc m de) petit fond m;the inside pages (of newspaper) les pages fpl intérieures;inside toilet toilettes fpl à l'intérieur;∎ figurative to have the inside track être en position de force;Cars inside wheel roue f côté trottoir -
54 תוחלת
תּוֹחֶלֶתf. (b. h.; יָחַל) 1) hope, expectation; that which may be looked for, good, use. Y.Pes.VI, beg.33a אפשר שיש ממנו ת׳ possibly something good can come from him (may be he can enlighten us), Ib. כבר אמרנו שיש ממך ת׳ we have said that a good thing may be expected of thee. Ib. כבר אמרנו אם יש ת׳ מבבלי we have said, can we expect anything of a Babylonian? Num. R. s. 215> אין הימנו ת׳וכ׳ nothing of consequence can come of him, he cannot beget Ib. וכי יש בו ת׳ is there any good in it (can the golden calf produce any effect)? Midr. Till. to Ps. 37:2 חציר הם תּוֹחַלְתָּם what good there is in them is mere grass (cmp. Is. 40:6). Yalk. Job 909; Gen. R. s. 27 (ref. to Gen. 6:5) משהיתה … לא היתה בהם ת׳ from sunrise to sunset they achieved nothing good; Yalk. ib. 47. Ib. 35, v. תּוֹעֶלֶת. Num. R. s. 208> אם יבוא … אין בו ת׳ if he (Balaam) will be ready to go with us, he will succeed, but if he should delay even one hour, he will be of no use; a. e. 2) (homilet.) prayer (as if from חָלָה). Ber.32b; 55a כל המאריך … שנ׳ ת׳וכ׳ he who makes long prayer and speculates on it (v. עוּן h.) comes to sickness of heart, for it is said (Prov. 13:12) a prolonged prayer makes the heart sick; Yalk. Prov. 950; Yalk. Deut. 854. -
55 תּוֹחֶלֶת
תּוֹחֶלֶתf. (b. h.; יָחַל) 1) hope, expectation; that which may be looked for, good, use. Y.Pes.VI, beg.33a אפשר שיש ממנו ת׳ possibly something good can come from him (may be he can enlighten us), Ib. כבר אמרנו שיש ממך ת׳ we have said that a good thing may be expected of thee. Ib. כבר אמרנו אם יש ת׳ מבבלי we have said, can we expect anything of a Babylonian? Num. R. s. 215> אין הימנו ת׳וכ׳ nothing of consequence can come of him, he cannot beget Ib. וכי יש בו ת׳ is there any good in it (can the golden calf produce any effect)? Midr. Till. to Ps. 37:2 חציר הם תּוֹחַלְתָּם what good there is in them is mere grass (cmp. Is. 40:6). Yalk. Job 909; Gen. R. s. 27 (ref. to Gen. 6:5) משהיתה … לא היתה בהם ת׳ from sunrise to sunset they achieved nothing good; Yalk. ib. 47. Ib. 35, v. תּוֹעֶלֶת. Num. R. s. 208> אם יבוא … אין בו ת׳ if he (Balaam) will be ready to go with us, he will succeed, but if he should delay even one hour, he will be of no use; a. e. 2) (homilet.) prayer (as if from חָלָה). Ber.32b; 55a כל המאריך … שנ׳ ת׳וכ׳ he who makes long prayer and speculates on it (v. עוּן h.) comes to sickness of heart, for it is said (Prov. 13:12) a prolonged prayer makes the heart sick; Yalk. Prov. 950; Yalk. Deut. 854. -
56 key
I1. [ki:] n1. 1) ключ ( от замка)skeleton /false/ key - отмычка
2) ключ (для завода часового механизма, настройки муз. инструмента и т. п.)3) гаечный ключ4) эл. ключ, кнопка, рычажный переключатель2. 1) ключ (к упражнениям, переводам, решению задач и т. п.); подстрочник2) определитель (растений, животных и т. п.)3) ключ (к решению, объяснению чего-л.); разъяснение, разгадкаkey to smb.'s success - разгадка чьего-л. успеха
it gives the key to his intentions - это даёт нам возможность понять его намерения
3. 1) ключ, ключевая позиция (обеспечивающая доступ, вход, господство и т. п.)to hold the key of smth. - держать что-л. под контролем, иметь полную власть над чем-л.
Calais served as a key to France - Кале служило входными воротами во Францию
2) верный путь (к чему-л.), ключkey to the heart - ключ /верный путь/ к сердцу
4. тех. клин; шпонка; чека, засовkey groove /way, bed, seat/ - шпоночная канавка
5. 1) стр. клинчатый кирпич2) архит. замок, ключ свода или арки6. бот. крылатка ( разновидность односемянки)8. вчт. клавиша♢
golden /silver/ key - взятка; подкупkeys of Saint Peter - ключи св. Петра ( эмблема папской власти)
the power of the keys - а) папская власть; б) право отпущения грехов
to deliver one's keys - сдаваться, признавать себя побеждённым
to give smb. the key of the street - выселить кого-л. из квартиры, выбросить на улицу, оставить без крова
to get /to have/ the key of the street - быть выставленным за дверь, остаться на ночь без крова
2. [ki:] a1. главный, основной, ведущийkey man - незаменимый /ведущий/ работник, специалист
key actor - амер. ведущий актёр
key issues - основные /жизненно важные/ вопросы
2. ключевойkey point - тактически важный пункт, опорный пункт
key light - основной /направленный/ свет, ключевой свет
4. спец. дескрипторныйkey file - картотека дескрипторов, дескрипторная картотека
5. определяющий, опознавательный3. [ki:] v1. запирать на ключ2. использовать условные обозначения, значки, символыinstructions keyed to accompanying drawings - пояснения к чертежам, легенда
3. тех. заклинить, закрепить шпонкой4. радио, тел. работать ключомII1. [ki:] n1. 1) клавиша; клапан ( духового инструмента)2) pl клавиатура (рояля, пишущей машинки и т. п.)to pound /to strike/ the keys of a typewriter - стучать на пишущей машинке
2. муз. ключ, тональностьmajor [minor] key - мажорная [минорная] тональность
3. 1) тон речиplaintive [sad, tender] key - жалобный [печальный, нежный] тон
to speak in a high [low] key - говорить громко /возбуждённо/ [тихо /сдержанно/]
2) стиль речи3) тон, оттенок (цвета, краски)picture painted in a low key - картина, написанная в тёмных тонах
4. «ключ», тональность (фотоснимка, кинокадра)2. [ki:] v1. настраивать музыкальный инструмент (тж. key up)2. приспосабливать (к чему-л.); приводить в соответствие (с чем-л.)to key smth. to smth. - приводить что-л. в соответствие с чем-л.
remarks keyd to the situation - замечания, приличествующие данной ситуации
to key one's speech to the level of the audience - строить своё выступление в соответствии с уровнем аудитории
3. (on) спорт. присматривать за соответствующим номером команды противника; «опекать» (противника; футбол, хоккей)II [ki:] n амер.островок, особ. коралловый риф ( у побережья Флориды и Вест-Индии)IV [ki:] n сл.килограмм (особ. марихуаны или героина) -
57 эрегированный пенис
Taboo: Ballarat (см. Lake Wendouree; Ballarat - один из центров золотодобывающей промышленности в Австралии), English sentry, Irish toothpick, bit of stiff, blue steeler, bolt, diamond cutter, golden rivet, guided missile, hard bit, hard-on, head, heart, live wire, pink steel, pit prop, red comb, rigid digit, rock python, scope, scrotum pole, stand, star-gazer, stonk, tent pole (особенно под одеялом), trouser rake, woodУниверсальный русско-английский словарь > эрегированный пенис
-
58 rule
ru:l
1. noun1) (government: under foreign rule.) gobierno2) (a regulation or order: school rules.) regla, norma, reglamento3) (what usually happens or is done; a general principle: He is an exception to the rule that fat people are usually happy.) regla4) (a general standard that guides one's actions: I make it a rule never to be late for appointments.) norma5) (a marked strip of wood, metal etc for measuring: He measured the windows with a rule.) regla
2. verb1) (to govern: The king ruled (the people) wisely.) reinar, gobernar2) (to decide officially: The judge ruled that the witness should be heard.) decidir, fallar (jurídico)3) (to draw (a straight line): He ruled a line across the page.) trazar (con una regla)•- ruled- ruler
- ruling
3. noun(an official decision: The judge gave his ruling.) fallo, decisión- rule off
- rule out
rule1 n1. regla / normayou can't do that, it's against the rules no puedes hacer eso, va en contra de las reglas / no puedes hacer eso, está prohibido2. gobierno / dominiorule2 vb gobernartr[rʊːl]1 (regulation) regla, norma2 (control) dominio3 (of monarch) reinado; (by government) gobierno4 (measure) regla2 (decree) decretar, dictaminar3 (draw) trazar2 (decree) decretar, dictaminar\SMALLIDIOMATIC EXPRESSION/SMALLas a rule por lo general, por regla generalto work to rule hacer una huelga de celoas a rule of thumb como regla general1) control, govern: gobernar (un país), controlar (las emociones)2) decide: decidir, fallarthe judge ruled that...: el juez falló que...3) draw: trazar con una reglarule vi1) govern: gobernar, reinar2) prevail: prevalecer, imperar3)to rule against : fallar en contra derule n1) regulation: regla f, norma f2) custom, habit: regla f generalas a rule: por lo general3) government: gobierno m, dominio m4) ruler: regla f (para medir)n.• arreglo s.m.• canon s.m.• código s.m.• dominación s.f.• dominio s.m.• estatuto s.m.• norma s.f.• precepto s.m.• regla s.f.• reglamento s.m.• señoría s.f.v.• decidir v.• dirigir v.• gobernar v.• imperar v.• rayar v.• regir v.• reinar v.ruːl
I
1) c (regulation, principle) regla f, norma fto bend o stretch the rules — apartarse un poco de las reglas
to work to rule — ( Lab Rel) hacer* huelga de celo, trabajar a reglamento (CS)
2) (general practice, habit) (no pl)as a rule — por lo general, generalmente
to be under foreign rule — estar* bajo dominio extranjero
the rule of law — el imperio de la ley; majority 1) a)
4) c ( measure) regla f
II
1.
1) (govern, control) \<\<country\>\> gobernar*, administrar; \<\<person\>\> dominar; \<\<emotion\>\> controlar2) ( pronounce) dictaminar3) ( draw) \<\<line\>\> trazar* con una reglaruled paper — papel m con renglones
2.
vi1)a) ( govern) gobernar*; \<\<monarch\>\> reinarto rule OVER somebody — gobernar* a alguien, reinar sobre alguien
b) (predominate, be current) imperar2) ( pronounce)to rule (ON something) — fallar or resolver* (en algo)
to rule against/in favor of somebody/something — fallar or resolver* en contra/a favor de alguien/algo
•Phrasal Verbs:- rule off- rule out[ruːl]1. N1) (=regulation) regla f, norma frules [of competition] bases fplit's the rules — son las reglas, esa es la norma
school rules — reglamento msing escolar
it's a rule that all guests must vacate their rooms by 10a.m. — por norma los clientes tienen que dejar la habitación antes de las 10 de la mañana
•
to break the rules — infringir las reglas or las normas or el reglamento•
to make the rules — dictar las normasin my job I'm allowed to make my own rules — en mi trabajo se me permite decidir cómo se hacen las cosas
•
to play by the rules — (fig) obedecer las reglas or las normasbend 2., 1), golden, ground, work 2., 1)•
I couldn't stand a life governed by rules and regulations — no soportaría una vida llena de reglas y normas2) (=guiding principle) regla fas a rule of thumb, a bottle of wine holds six glasses — por regla general, una botella de vino da para seis vasos
3) (=habit, custom) norma f•
as a (general) rule — por regla general, en general, normalmenteexception•
he makes it a rule to get up early — tiene por norma or por sistema levantarse temprano4) (=government) gobierno m ; (=reign) reinado mmilitary/one-party rule — gobierno m militar/unipartidista
•
under British rule — bajo el dominio británico5) (for measuring) regla f2. VT1) (=govern) gobernar- rule the roost2) (=dominate, control) controlar, dominarheart 1., 2)you shouldn't let work rule your life — no deberías permitir que el trabajo controlara or dominara tu vida
3) (esp Jur) (=declare) dictaminar3. VI1) (=govern) gobernar; [monarch] reinarrod•
to rule over sth/sb — gobernar algo/a algn2) (=prevail) reinarUnited rules OK — (in graffiti) ¡aúpa United!, ¡arriba United!
3) (=decide) [chairman, president] decidir, resolver; [judge, jury] fallar•
to rule against sth/sb — fallar or resolver en contra de algo/algn•
to rule in favour of sth/sb — fallar en or a favor de algo/algn, resolver en or a favor de algo/algn•
to rule on sth — fallar or resolver or decidir en algo4.CPDrule book N — reglamento m
we'll do it by or go by the rule book — lo haremos de acuerdo con las normas
rule of law N —
•
the rule of law — el estado de derecho- rule in- rule off- rule out* * *[ruːl]
I
1) c (regulation, principle) regla f, norma fto bend o stretch the rules — apartarse un poco de las reglas
to work to rule — ( Lab Rel) hacer* huelga de celo, trabajar a reglamento (CS)
2) (general practice, habit) (no pl)as a rule — por lo general, generalmente
to be under foreign rule — estar* bajo dominio extranjero
the rule of law — el imperio de la ley; majority 1) a)
4) c ( measure) regla f
II
1.
1) (govern, control) \<\<country\>\> gobernar*, administrar; \<\<person\>\> dominar; \<\<emotion\>\> controlar2) ( pronounce) dictaminar3) ( draw) \<\<line\>\> trazar* con una reglaruled paper — papel m con renglones
2.
vi1)a) ( govern) gobernar*; \<\<monarch\>\> reinarto rule OVER somebody — gobernar* a alguien, reinar sobre alguien
b) (predominate, be current) imperar2) ( pronounce)to rule (ON something) — fallar or resolver* (en algo)
to rule against/in favor of somebody/something — fallar or resolver* en contra/a favor de alguien/algo
•Phrasal Verbs:- rule off- rule out -
59 leaf
I бот.лист; покрываться листвой, одеваться листьямиin leaf — с распустившимися листьями; покрытый листвой
- abscissed leafto be in leaf; to come into leaf; to leaf out — покрываться листьями, распускаться
- acerose leaf
- acropetal leaf
- acuminate leaf
- alternate leaf
- amplexicaule leaf
- apical leaf
- basal leaf
- bijugate leaf
- binary leaf
- bipinnate leaf
- bipinnately compound leaf
- biternate leaf
- boot leaf
- bottom leaf
- cataphyllary leaf
- cauline leaf
- channeled leaf
- clasping leaf
- cleft leaf
- complete leaf
- compound leaf
- compound pinnate leaf
- concave leaf
- cordate leaf
- covering leaf
- crenate leaf
- crinkled leaf
- curled leaf
- cuspidate leaf
- cut leaf
- dead leaf
- deciduous leaf
- decurrent leaf
- dedalous leaf
- deltoid leaf
- dentate leaf
- digitate leaf
- digitinervate leaf
- dissected leaf
- divided leaf
- dotted leaf
- double-serrate leaf
- drooping leaf
- elliptical leaf
- emarginate leaf
- ensiform leaf
- entire leaf
- entire-kind leaf
- erect leaf
- evergreen leaf
- feather-nerved leaf
- feather-veined leaf
- finger-veined leaf
- fistulose leaf
- flag leaf
- fleshy leaf
- floating leaf
- golden leaf
- halberd-shaped leaf
- hastate leaf
- heart-shaped leaf
- hollow leaf
- imparipinnate leaf
- impressed leaf
- initial leaf
- interruptedly pinnate leaf
- isolateral leaf
- jacket leaf
- kidney-shaped leaf
- knobbed leaf
- lacerated leaf
- laciniated leaf
- laminal leaf leaf
- lanceolate leaf
- linear leaf
- linearly lanceolate leaf
- lobed leaf
- lyrate leaf
- moss leaf
- obcordate leaf
- oblanceolate leaf
- obovate leaf
- odd-pinnate leaf
- opposite leaf
- orbiculate leaf
- oval leaf
- ovate leaf
- palmate leaf
- palmately compound leaf
- palmately lobed leaf
- palmately parted leaf
- palmatilobate leaf
- palmatipartite leaf
- palmatisected leaf
- parallelinervate leaf
- parallel-veined leaf
- paripinnate leaf
- peltate leaf
- perfoliate leaf
- persistent leaf
- petiolate leaf
- pinnate leaf
- pinnately compound leaf
- pinnately decompound leaf
- pinnately veined leaf
- pinnatifid leaf
- pinnatilobate leaf
- pinnatipartite leaf
- pinnatisected leaf
- pitcher leaf
- plicate leaf
- primary leaf
- primordial leaf
- pseudocompound leaf
- radical leaf
- reniform leaf
- reticulate-veined leaf
- rhomboidal leaf
- ribby leaf
- root leaf
- sagittate leaf
- scabrous leaf
- scale leaf
- seed leaf
- semi-amplexicaul leaf
- seminal leaf
- serrate leaf
- sessile leaf
- setaceous leaf
- setulose leaf
- shade leaf
- sheathing leaf
- simple leaf
- sinuate leaf
- sleek leaf
- spatulate leaf
- spear-shaped leaf
- stem leaf
- submerged leaf
- subulate leaf
- summer leaf
- sun leaf
- tarnished leaf
- ternate leaf
- three-nerved leaf
- tomato yellow leaf
- transitional leaf
- tripinnately compound leaf
- umbrella leaf
- undulated leaf
- unifacial leaf
- unifoliolate leaf
- vanilla leaf
- variegated leaf
- verticillate leaf
- water leaf
- wedge-shaped leaf
- yellow leaf II сокр. от leaflet1) листочек; молодой лист2) листок, створка* * *• leaflet• игла• лист -
60 McCullers, Carson (Smith)
(1917-1967) Маккалерс, Карсон (Смит)Писательница, автор романов "Сердце - одинокий охотник" ["The Heart is a Lonely Hunter"] (1940), "Блики в золотом глазе" ["Reflections in a Golden Eye"] (1941) и "Часы без стрелок" ["Clock Without Hands"] (1961), повестей "Участница свадьбы" ["The Member of the Wedding"] (1946), "Баллада о невеселом кабачке" ["The Ballad of the Sad Cafe"] (1951), пьесы "Квадратный корень из чуда" ["The Square Root of Wonderful"] (1958) и сборника стихов для детей. Родом из г. Колумбуса, шт. Джорджия, принадлежала к "южной школе" писателей. В ее произведениях отражен быт, умонастроения и психологический климат Юга [ South] 30-50-х гг. Главная тема - разобщенность людей, одиночество ее героев, их стремление к любвиEnglish-Russian dictionary of regional studies > McCullers, Carson (Smith)
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