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1926-1932

  • 1 Prime Ministers since 1926

       ESTADO NOVO (SECOND REPUBLIC, 1926-1974)
       • José Mendes Cabeçadas (May-June 1926)
       • Manuel Gomes da Costa (June-July 1926)
       • Antonió Óscar de Fragoso Carmona (July 1926-January 1928)
       • Artur Ivens Ferraz (January1928-April 1928)
       • José Vicente de Freitas (April 1928-Nov. 1928)
       • José Vicente de Freitas (November 1928-July 1929)
       • Artur Ivens Ferraz (July 1929-January 1930)
       • Domingos da Costa Oliveira (January 1930-July 1932)
       • António de Oliveira Salazar (July 1932-September 1968)
       • Marcello Caetano (September 1968-April 1974)
       • Provisional Governments (1974-1976)
       • Adelino de Palma Carlos (May-July 1974)
       • Vasco Gonçalves (July 1974-September 1974)
       • Vasco Gonçalves (September 1974-March 1975)
       • Vasco Gonçalves (11 March -8 August 1975)
       • Vasco Gonçalves (8 August-19 September 1975)
       • Azevedo Pinheiro (19 September 1975-July 1976)
       • Constitutional Governments (1976-present)
       • Mário Soares (July 1976-January 1978)
       • Mário Soares (January 1978-August 1978)
       • Alfredo Nobre de Costa (August-November 1978)
       • Carlos Mota Pinto (November 1978-July 1979)
       • Maria de Lourdes Pintasilgo (July 1979-January 1980)
       • Francisco Sá Carneiro (January 1980-December 1980) (Sá Carneiro died in air crash 1 December 1980)
       • Francisco Pinto Balsemão (January 1981-September 1981)
       • Francisco Pinto Balsemão (September 1981-June 1983)
       • Mário Soares (June 1983-October 1985)
       • Aníbal Cavaco Silva (October 1985-July 1987)
       • Aníbal Cavaco Silva (July 1987-July 1991)
       • Aníbal Cavaco Silva (July 1991-October 1995)
       • António Guterres (October 1995-October 1999)
       • António Guterres (October 1999-March 2002)
       • José Durão Barroso (March 2002-July 2004)
       • Pedro Santana Lopes (July 2004-February 2005)
       • José Sócrates (February 2005-)

    Historical dictionary of Portugal > Prime Ministers since 1926

  • 2 Niamey

    Ниамей Столица Нигера, пристань на левом берегу р. Нигер. Ок. 392 тыс. жителей (1988). Международный аэропорт. Легкая, пищевая промышленность. Ремесла (выделка кож, изготовление изделий из серебра, золота). Университет. Национальный музей. В 1926-60 административный центр французского владения Нигер, с 1960 – столица Нигера.

    Англо-русский словарь географических названий > Niamey

  • 3 CULTURE, LITERATURE, AND LANGUAGE

       ■ Bell, Aubrey F. G. The Oxford Book of Portuguese Verse: XIIth Century-XXth Century. Oxford: Oxford University Press, 1925, 1952 (2nd edition, B. Vi-digal, ed.).
       ■. Portuguese Literature. Oxford: Oxford University Press, 1922, 1970 (2nd edition, B. Vidigal, ed.).
       ■ Bleiberg, German, Maureen Ihrie, and Janet Pérez, eds. Dictionary of the Literature of the Iberian Peninsula, 2 vols. Westport, Conn.: Greenwood, 1993.
       ■ Castro, Francisco Lyon de, ed. História da literatura portuguesa, 7 vols. Lisbon: Alfa, 2001-02.
       ■ Cidade, Hernani. Lições de Cultura e Literatura Portuguesa, 3 vols. Lisbon, 1960-62.
       ■ Cook, Manuela. Portuguese: A Complete Course for Beginners. London: Hodder and Stoughton, 1996. Figueiredo, Fidelino. História literária de Portugal. Coimbra, 1944. Gentile, Georges Le. La Littérature Portugaise. Rev. ed. Paris, 1951. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. Metuchen, N.J.: Scarecrow Press, 1994.
       ■ Longland, Jean. Contemporary Portuguese Poetry. A Bilingual Selection. Irvington-on-Hudson: Harvey House, 1966. Prado Coelho, Jacinto do. Dicionário das Literaturas Portuguesas, Galega e Brasileira, 3rd ed. Oporto, 1978. Rossi, Giuseppe C. Storia della letteratura portoghesa. Florence, 1953.
       ■ Santos, João Camilo dos. "Portuguese Contemporary Literature." In Antônio Costa Pinto, ed., Modern Portugal, 218-42. Palo Alto, Calif.: SPOSS, 1998.
       ■ Saraiva, Antônio José. História da cultura em Portugal, 3 vols. Lisbon, 1950-60.
       ■. História da Literatura Portuguesa. Lisbon, 1990 ed.
       ■, and Oscar Lopes. História da Literatura Portuguesa. Oporto and Coimbra, 1992 ed.
       ■ Seguier, Jaime de, ed. Dicionário Prático Ilustrado. Oporto: Lello, 1961 and later eds.
       ■ Simões, João Gaspar. História da poesia portuguesa, 2 vols. Lisbon, 1955-56 and later eds.
       ■. História da poesia portuguesa do século XX. Lisbon, 1959 and later eds.
       ■ Stern, Irwin, ed.-in-chief. Dictionary of Brazilian Literature. Westport, Conn.: Greenwood, 1988.
       ■ TRAVEL AND TOURIST GUIDES ON PORTUGAL
       ■ Adragão, José Victor. The Algarve: The Land, the Sea and Its People. Lisbon, 1988.
       ■ Ballard, Sam, and Jane Ballard. Pousadas of Portugal: Unique Lodgings in State-owned Castles, Palaces, Mansions and Hotels. Boston: Harvard Common, 1986.
       ■ Bridge, Ann, and Susan Lowndes Marques. The Selective Traveller in Portugal. London: Chatto & Windus, 1968.
       ■ Ellingham, Mark, et al. Portugal: The Rough Guide. London: Rough Guides, 2008 ed.
       ■ Hogg, Anthony. Travellers' Portugal. London: Solo Mio, 1983.
       ■ Kite, Cynthia, and Ralph Kite. Portuguese Country Inns & Pousadas. New York: Warner Books; Karen Brown's Country Inn Series, 1988.
       ■ Lowndes, Susan, ed. Fodor's Portugal 1991. New York: Fodor's, 1990.
       ■ Proença Raúl, and Sant'anna Dionísio, eds. Guía De Portugal. I. Generalidades. Lisboa E, Arredores. Lisbon: Fundação Calouste Gulbenkian, 1924; 1983.
       ■ Robertson, Ian. Portugal: Blue Guide. London: Benn; New York: Norton, 2000 and later eds.
       ■ Stoop, Anne de. Living in Portugal. Paris and New York: Flammarion, 1995. Wright, David, and Patrick Swift. Minho and North Portugal: A Portrait and Guide. New York: Scribners, 1968.
       ■. Lisbon: A Portrait and Guide. New York: Scribners, 1971.
       ■. Algarve: A Portrait and Guide. New York: Scribners, 1973.
       ■ HISTORY OF PORTUGAL Ancient and Medieval (2000 BCE-1415 CE)
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       ■ Baião, Antônio, Hernani Cidade, and Manuel Múrias, eds. História de Expansão Portuguesa no Mundo, 3 vols. Lisbon, 1937-40. Caetano, Marcello. Lições de História do Direito Português. Coimbra, 1962. Cortesão, Jaime. Os Factores Democráticos no Formação de Portugal. Lisbon, 1960.
       ■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999. Diffie, Bailey W. Prelude to Empire: Portugal Overseas before Henry the Navigator. Lincoln: University of Nebraska Press, 1960. Dutra, Francis A. "Portugal: To 1279." Dictionary of the Middle Ages. Vol. X: 35-48. New York: Scribners, 1987.
       ■. "Portugal: 1279-1481." Dictionary of the Middle Ages. Vol. X: 48-56. New York: Scribners, 1987. Gama Barros, Henrique de. História de Administração Pública em Portugal nos séculos XII à XV, 11 vols. Lisbon, 1945-51. Godinho, Vitorino Magalhães. A Economia dos Descobrimentos Henriquinos. Lisbon, 1962.
       ■ Gonzaga de Azevedo, Luís. História de Portugal, 6 vols. Lisbon, 1939-44.
       ■ Herculano, Alexandre. História de Portugal, 8 vols., 9th ed. Lisbon, 1940.
       ■ Kennedy, Hugh. Muslim Spain and Portugal: A Political History of al-Anda-lus. London: Longman, 1996.
       ■ Lencastre e Tavora, Luía Gonzaga. O Estudo da Sigilografia Medieval Portuguesa. Lisbon, 1990.
       ■ Livermore, H. V. The Origins of Spain and Portugal. London: Allen & Unwin, 1971.
       ■ Lopes, David. "Os Árabes nas obras de Alexandre Herculano." Boletim da Segunda Classe. Lisbon: Academia Real das Sciéncias, III (1909-10). MacKendrick, Paul. The Iberian Stones Speak. New York: Funk & Wagnalls, 1969.
       ■ Martinez, Pedro Soares. História Diplomática De Portugal [chapter I, 114315]. Lisbon, 1986.
       ■ Mattoso, José, ed. A Nobreza Medieval Portuguesa: A Família e o Poder. Lisbon: Estampa, 1981.
       ■. Religião e cultura na Idade Média Portuguesa. Lisbon: Imprensa Nacional, 1982.
       ■. Identificaçao de um país ( ensaio sobre as orígens de Portugal), 2 vols. Lisbon: Estampa, 1985.
       ■. Novos Ensaios de História Medieval Portuguesa. Lisbon: Edit. Presença, 1988.
       ■. Historia de Portugal. Vol. 2: A Monarquia Feudal ( 1096-1480). Lisbon: Estampa, 1993.
       ■ Oliveira Marques, A. H. de. Hansa e Portugal na Idade Média. Lisbon, 1959.
       ■. Daily Life in Portugal in the Middle Ages. Madison: University of Wisconsin Press, 1971.
       ■. "Introduçao à História da Cidade Medieval Portuguesa." Bracara Augusta XXV, 92-93 (January-December 1981): 367-87.
       ■. Guía do Estudante de História Medieval Portuguesa, 3rd ed. Lisbon, 1985.
       ■. Portugal Na Crise Dos Séculos XIV e XV-Vol. IV of Serrão and Oliveira Marques, Nova História de Portugal. Lisbon, 1987.
       ■ Peres, Damião de, ed. História de Portugal. Vols. I, II. Barcelos, 1928-29.
       ■ Rau, Virginia. Subsídios para o estudo das Feiras Medievais Portuguesas. Lisbon, 1943.
       ■. Sesma'rias Medievais Portuguesas. Lisbon, 1946.
       ■ Ribeiro, Orlando. "Portugal, formação de." Dicionário da História de Portugal. Vol. III, 432-51. Lisbon, 1966.
       ■ Rogers, Francis M. The Travels of the Infante Dom Pedro of Portugal. Cambridge, Mass.: Harvard University Press, 1961.
       ■ Russell, P. E. The English Intervention in Spain and Portugal in the Time of Edward III and Richard II. Oxford: Oxford University Press, 1955.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. New York: Thames and Hudson, 1968.
       ■ Silva, Armando Coelho Ferreira. A Cultura Castreja no Noroeste de Portugal. Pacos de Ferreira, 1986.
       ■ Varagnac, André. O Homem antes da Escrita ( Pre-história). Lisbon, 1963.
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       ■. Épocas de Portugal Económico. Lisbon, 1929.
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       ■. "Pombal." Dicionário de História de Portugal. Vol. III, 415-23. Lisbon, 1968.
       ■ Boxer, C. R. Four Centuries of Portuguese Expansion, 1415-1825: A Succinct Survey. Johannesburg, South Africa: Witwaterstrand University Press, 1961.
       ■. The Portuguese Seaborne Empire 1415-1825. London: Hutchinson, 1969.
       ■. João de Barros: Portuguese Humanist and Historian of Asia. New Delhi, India: Xavier Centre, 1981.
       ■ Cheke, Marcus. Dictator of Portugal: A Life of the Marquis of Pombal, 16991782. London: Sidgwick & Jackson, 1938.
       ■ Cunha, Luís da. Testamento Político. Lisbon, 1820.
       ■ Davidson, Lillias C. Catherine of Bragança. London: John Murray, 1908.
       ■ Dutra, Francis A. "Membership in the Order of Christ in the Seventeenth Century." The Americas 27 (1970): 3-25.
       ■ Eberlein, H. D., and R. W. Ramsdell. The Practical Book of Italian, Spanish and Portuguese Furniture. Philadelphia: Lippincott, 1927.
       ■ Ericeira, Luís de Meneses [Count of]. História de Portugal Restaurado, 4 vols. Oporto, 1945.
       ■ Fisher, H. E. S. "Anglo-Portuguese Trade, 1700-70." Economic History Review XVI, 2 (1963): 219-33.
       ■ Francis, A. D. The Methuens and Portugal: 1691-1708. Cambridge: Cambridge University Press, 1966.
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       ■ Roth, Cecil. "The Religion of the Marranos." Jewish Quarterly Review 22 (1931): 1-33.
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       ■, and Alex Macleod. Politics in Contemporary Portugal: Parties and the Consolidation of Democracy. Boulder, Colo.: Rienner, 1986.
       ■ Carvalho, Ortelo Saraiva de. Cinco Meses Mudaram Portugal. Lisbon, 1975.
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       ■ Cid, Augusto. PREC-Processo Revolucionário Eventualmente Chocante. Viseu, 1977.
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       ■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999.
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       ■ Graham, Lawrence S. The Decline and Collapse of an Authoritarian Order. Beverly Hills, Calif.: Sage, 1975.
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       ■ Green, Gil. Portugal's Revolution. New York: International, 1976.
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       ■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.
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       ■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.
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       ■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.
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       ■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).
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       ■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.
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       ■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA
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       ■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.
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       ■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.
       ■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.
       ■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.
       ■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.
       ■ ARCHAEOLOGY AND PREHISTORY
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       ■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.
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       ■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.
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       ■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.
       ■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS
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       ■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.
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       ■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.
       ■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.
       ■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.
       ■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.
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       ■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.
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       ■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.
       ■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.
       ■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.
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       ■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.
       ■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.
       ■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.
       ■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.
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       ■ ARTS, ARCHITECTURE, URBAN PLANNING, MUSIC
       ■ Almeida, Rodrigo Vicente de. História da Arte em Portugal: ( Segundo Estudo) Documentos lnéditos. Oporto, 1883. Almeida D'Eca, Admiral Vicente M. Castles of Portugal. Lisbon, 1925. Amaral, Francisco K. Lisboa: Uma Cidade em Transformação. Lisbon, 1969. Azevedo, Carlos de, and Chester Brummel. Churches of Portugal. New York: Scala Books, 1985.
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       ■ Leão, Joaquim de Sousa. "Decorative Art: The Azulejo." In H. V. Livermore, ed. Portugal and Brazil: An Introduction. Oxford: Oxford University Press, 1953.
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       ■ Queirós, José. Cerâmica Portuguesa, 2 vols. 2nd rev. ed. Lisbon, 1948.
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       ■ Santos, Reinaldo dos. A Escultura em Portugal, 2 vols. Lisbon, 1948-50.
       ■. História da Arte em Portugal. Oporto, 1953.
       ■ Sasportes, José. História da Dança em Portugal. Lisbon, 1970. Simões, J. M. dos Santos. "Azulejos in a Land of Many Colours." Connoisseur (London) CXXXVII, 551 (1956): 15-21.
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       ■. Palais et manoirs: Le Minho. Paris: Ed. du Seuil, 1995.
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       ■ Veiga de Oliveira, Ernesto. Instrumentos musicais populares portugueses. Lisbon, 1982.
       ■ Watson, Walter Crum. Portuguese Architecture. London: Constable, 1908. Wohl, Hellmut. "Carlos Mardel and His Lisbon Architecture." Apollo 97, 134 (April 1973): 350-59.
       ■ Andrade, Sergio de. "Presepios." In Dicionario de Arte Barroca em Portugal. Lisbon: Presenca, 1989. Barreira, Joao. Arte Portuguesa, Arquitectura e Escultura. Lisbon: Excelsior, n.d.
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       ■. Machado de Castro. Lisbon: Artis, 1958.
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       ■ Queiros, Jose. Ceramica Portuguesa. Lisbon: Presenca, 1998. Santos, Reinaldo dos. A Escultura em Portugal. Lisbon: Bertrand, 1951. Serrao, Vitor. Historia da Arte em Portugal IV-O Barroco. Lisbon: Presenca, 2003.
       ■ Smith, Robert C. The Art Of Portugal 1500-1800. New York: Meredith Press, 1968.
       ■ Sousa, Ernesto de. Presepios. Lisbon: Bertrand, 1998.
       ■ Cinema
       ■ Antunes, Joao and Jose de Matos-Cruz, Cinema Portugues 1896-1998. Lisbon: Lusomundo, 1997.
       ■ Bandeira, Jose Gomes. Porto: 100 anos de cinema portugues. Oporto: Camara Municipal do Porto, 1996. Duarte, Fernando. Primitivos do Cinema Portugues. Lisbon: Cinecultura, 1960.
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       ■. Documentarismo Portugues. Lisbon: IPC, 1977.
       ■. Panorama do Cinema Portugues. Lisbon: Terra Livre, 1978.
       ■. Historia do Cinema Portugues. Mem Martins: Europa-America, 1986.
       ■ Ribeiro, Felix. O Cinema Portugues antes do Sonoro. Esboco Historiconema Portugues. Lisbon: Terra Livre, 1978.
       ■. Panorama do Cinema Portugues. Lisbon: n.d.
       ■ Andresen, Sofia de Melo Breyner. A Fada Oriana. 9th ed. Lisbon: Figueiri-nhas, 1985.
       ■ Araújo, Matilde Rosa. A estrada fascinante. Lisbon: Livros Horizonte, 1988. Barreto, Garcia. Literatura Para Crianças E Jovens Em Portugal. Oporto:
       ■ Campo Das Letras, 1998. Bastos, Glória. A escrita para crianças em Portugal no seculo XIX. Lisbon:
       ■ Caminho da Educaçao, 1997. Cadet, Maria Rita Chiappe. Os Contos da Mamã. Lisbon: Lallement Freres, 1883.
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       ■ Gomes, Alice. A Nau Catrineta, 2nd ed. Lisbon: Portugália, 1973.
       ■. A literatura para a infância. Lisbon: Torres & Abreu, 1979.
       ■ Letria, José Jorge. Do sentimento mágico da vida. Lisbon: Escritor, 1994. Müller, Adolfo Simões. Historiazinha de Portugal, 6th ed. Oporto: Tavares Martins, 1983.
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       ■ Pires, Maria Laura Bettencourt. História da literatura infantil portuguesa. Lisbon: Vega, 1981. Ribeiro, Aquilino. Arca de Noé-III Classe. Lisbon, 1989. Rocha, Natércia. Breve História da Literatura para Crianças em Portugal. Lisbon: Instituto de Cultura e Língua Portuguesa, 1984.
       ■. Bibliografia geral da literatura portuguesa para crianças. Lisbon: Edit. Comunicação, 1987.
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       ■ Selfridge. John. Portugal. New York: Chelsea House, 1990. Vaz de Carvalho, Maria Amália. Contos para os Nossos Filhos, 11th ed. Oporto: Barreira, 1947.
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       ■ Lisbon, Capital City, in History and Literature
       ■ Castelo-Branco, Fernando. Lisboa Seiscentista, 3rd ed. Lisbon: 1969.
       ■ Castilho, Júlio de. Lisboa Antiga, 7 vols. Lisbon, 1935-45.
       ■ Couto, Dejanirah. Histoire de Lisbonne. Paris: Fayard, 2000.
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       ■ Dionísio, Sant'anna, ed. Guia de Portugal. Vol. I: Lisboa e Arredores. Lisbon: Biblioteca Nacional de Lisboa, 1924, orig. ed; reprint, Gulbenkian Foundation, 1979.
       ■ França, José-Augusto. Lisboa Pombalina e o Iluminismo. Lisbon: Bertrand, 1977.
       ■ Moita, Irisalva, ed. O Livro de Lisboa. Lisbon: Liv. Horizonte, 1994.
       ■ Neves, Orlando. Lisboa em Crónica. Lisbon: Author's Ed., 1968.
       ■ Pavão, Luís, and Mário Pereira. Tabernas de Lisboa. Lisbon: Assírio & Alvim, 1981.
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       ■ Queirós, José Maria Eça de. À Capital. Lisbon: Sá da Costa, 1960.
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       ■ Baião, António. A Inquisição em Portugal e no Brasil: Subsídios para a sua história. Lisbon: Arquivo Histórico Portugues, 1906. Bethencourt, Francisco. "Portugal: A Scrupulous Inquisition," In Bengt Ankarloo and Gustav Henningsen, eds., Early Modern Witchcraft: Centres and Peripheries, 403-22. Oxford: Clarendon Press, 1990.
       ■. "Os equilíbrios sociais do Poder." In José Mattoso, ed., Historia De Portugal, Vol. 3, No Alvorecer Da Modernidade ( 1480-1620). Lisbon: Estampa, 1993.
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       ■ Rego, Yvonne Cunha, ed. Feiticeiros, Profetas e Visionários: Textos Antigos Portugueses. Lisbon: Imprensa Nacional e Casa da Moeda, 1981.
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       ■ Literature in English Translation: Selection
       ■ Alcaforado, Mariana. The Letters of a Portuguese Nun ( Mariana Alcaforado). Edgar Prestage, trans. London: D. Nutt, 1893.
       ■ Andrade, Eugénio de. "White on White." Alexis Levitin, trans. Quarterly Review of Literature. Poetry Series VIII. Vol. 27. Princeton, N.J., 1987.
       ■. Another Name for Earth; O outro nome da terra. Alexis Levitin, trans. Ft. Bragg, Calif.: QED Press, 1997.
       ■ Andresen, Sophia de Mello Breyner. Marine Rose: Selected Poems. Ruth Fain-light, trans. Redding Ridge, Conn.: Swan Books, 1989.
       ■ Antunes, António Lobo. South of Nowhere. Elizabeth Lowe, trans. New York: Random House, 1983.
       ■. Fado Alexandrino. Gregory Rabassa, trans. New York: Grove Weidenfeld, 1990.
       ■. An Explanation of the Birds. Richard Zenith, trans. New York: Grove Weidenfeld, 1991.
       ■. Act of the Damned. New York: Grove Press, 1995.
       ■. The Natural Order of Things. New York: Grove Press, 2000.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. The Three Marias: New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Bell, Aubrey F. G. Poems from the Portuguese ( with the Portuguese text). A.
       ■ Bell, trans. Oxford: Blackwell, 1913.
       ■ Camões, Luís de. The Lusiads of Luís de Camões. Leonard Bacon, trans. New York: Hispanic Society of America, 1950.
       ■. The Lusiads. William C. Atkinson, trans. Harmondsworth, U.K.: Penguin, 1952.
       ■. The Lusiads. Landeg White, trans. New York: Oxford University Press, 1997.
       ■ Castelo Branco, Camilo. Doomed Love ( A Family Memoir). Alice R. Clemente, trans Providence, R.I.: Gávea-Brown, 1995. Castro, José Maria Ferreira de. Emigrants. Dorothy Ball, trans. New York: Macmillan, 1962.
       ■. Jungle. Charles Duff, trans. New York: Viking, 1935.
       ■. The Mission. Ann Stevens, trans. London: Hamilton, 1963.
       ■ Dantas, Júlio. The Cardinals' Collation, 48th ed. A. Saintsbury, trans. London, 1962.
       ■ Dias de Melo. Dark Stones. Gregory McNab, trans. Providence, R.I.: Gávea-Brown, 1996.
       ■ Dinis, Júlio. The Fidalgos of Casa Mourisca. Rosanna Dabney, trans. Boston: D. Lothrop, 1891.
       ■ Garrett, Almeida. Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.
       ■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.
       ■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.
       ■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.
       ■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.
       ■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].
       ■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George
       ■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.
       ■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.
       ■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.
       ■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.
       ■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.
       ■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.
       ■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. Providence, R.I.: Gávea-Brown, 2000.
       ■ Paço D'Arcos, Joaquim. Memoirs of a Banknote. Robert Lyle, trans. London, 1968.
       ■ Pedroso, Consiglieri, comp. Portuguese Folk-Tales. Henriqueta Monteiro, trans. Reprint of orig. 1882 ed. New York: Benjamin Blom, 1969.
       ■ Pessoa, Fernando. Fernando Pessoa: Sixty Portuguese Poems. F. E. G. Quintanilha, ed. and trans. Cardiff: University of Wales Press, 1971.
       ■. Selected Poems: Fernando Pessoa. 2nd rev. ed. Jonathan Griffin, trans. Harmondsworth, U.K.: Penguin, 1982.
       ■. The Book of Disquiet. Alfred MacAdams, trans. New York: Pantheon, 1991.
       ■. Fernando Pessoa: Selected Poems. Peter Rickard, ed. and trans. Edinburgh, U.K.: Edinburgh University Press, 1991.
       ■. "The Mariner: A 'Static Drama' in One Act." In Translation: Portugal.
       ■ George Ritchie, et al., trans. The Journal of Literary Translation. Vol. XXV, 38-56. New York: Translation Center, Columbia University, 1991.
       ■. Message: Bilingual Edition. Jonathan Griffin, trans. London: Menard Press and King's College, 1992.
       ■ Pires, José Cardoso. Ballad of a Dog's Beach. Mary Fitton, trans. London: J. M. Dent, 1986.
       ■ Queirós, José Maria Eça de. Cousin Bazilio. Roy Campbell, trans. London: Max Reinhardt, 1953.
       ■. The Relic. Aubrey F. G. Bell, trans. London: Max Reinhardt, 1954.
       ■. The City and the Mountains. Roy Campbell, trans. London: Max Reinhardt, 1955.
       ■. The Sin of Father Amaro. Nan Flanagan, trans. London: Max Reinhardt, 1962.
       ■. The Maias. Patricia McGowan Pinheiro, trans. London: Bodley Head, 1965.
       ■. The Illustrious House of Ramires. Ann Stevens, trans. London: Bodley Head, 1968.
       ■. Letters from England. Ann Stevens, trans. London: Bodley Head, 1970.
       ■. To the Capital. John Vetch, trans. Manchester, U.K.: Carcanet, 1995.
       ■ Quental, Antero de. Sixty-four Sonnets. Edgar Prestage, trans. London: David Nutt, 1894.
       ■ Redol, Alves. The Man with Seven Names. L. L. Barrett, trans. New York: Knopf, 1964.
       ■ Resende, André de. André deResende's 'Poema Latina'/ 'Latinpoems.' J. C. R. Martyn, ed. and trans. Lewiston N.Y.: Lampeter and Edwin Mellen, 1998. Ribeiro, Aquilino. When the Wolves Howl. Patricia McGowan Pinheiro, trans. New York: Macmillan; London: Cape, 1963. Sá Carneiro, Mário de. The Great Shadow ( and Other Stories). Margaret Jull Costa, trans. Sawtry, U.K.: Dedalus, 1996. Santareno, Bernardo. The Promise. Nelson H. Vieira, trans. Providence, R.I.: Gávea-Brown, 1981.
       ■ Saramago, José. Baltasar and Blimunda. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1987.
       ■. The Stone Raft. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The Year of the Death of Ricardo Reis. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The History of the Siege of Lisbon. Giovanni Pontiero, trans. New York: Harcourt Brace, 1996.
       ■. Blindness. New York: Harcourt, Brace, 1999.
       ■. Tale of the Unknown Island. New York: Harcourt Brace, 2000.
       ■. All the Names. Margaret Jull Costa, trans. New York: Harcourt, 2000.
       ■. Journey to Portugal. New York: Harcourt Brace, 2001.
       ■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.
       ■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.
       ■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.
       ■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.
       ■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.
       ■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.
       ■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.
       ■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.
       ■ Portuguese and Portuguese-American Cooking: Cuisine
       ■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.
       ■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.
       ■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.
       ■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.
       ■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.
       ■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.
       ■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.
       ■ Ortiz, Elisabeth Lambert. The Food of Spain and Portugal. The Complete Iberian Cuisine. New York: Atheneum, 1989. Pinto, Elvira. La Bonne Cuisine Portugaise. Paris: Edicions Garanciere, 1985.
       ■ Robertson, Carol. Portuguese Cooking: The Authentic and Robust Cuisine of Portugal. Berkeley Calif.: North Atlantic, 1993. Schmaeling, Tony. The Cooking of Spain and Portugal. Ware, U.K.: Omega, 1983.
       ■ Vieira, Édite. The Taste of Portugal. London: Robinson, 1989.
       ■ Von Treskow, Maria. Zü Gast in Portugal: Eine Kulnarische Reise in Garten Europas. Weingarten: Kunstverlag, 1989. Wright, Carol. Portuguese Food. London: Dent, 1969.
       ■ Afonso, Simonetta Luz, and Angela Delaforce. Palace of Queluz The Gardens. Lisbon, 1989.
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       ■ Azeredo, Francisco de. Casas Senhoriais Portuguesas. Barcelos, 1986.
       ■ Binney, Marcus. Country Manors of Portugal. New York: Scala Books, 1987.
       ■ Bowe, Patrick, and Nicolas Sapieha. Gardens of Portugal. New York: Scala Books and Harper and Row, 1989.
       ■ Cane, Florence du. The Flowers and Gardens of Madeira. London, 1924.
       ■ Cardoso, Pedro Homem, and Helder Carita. Da Grandeza das Jardins em Portugal. Lisbon, 1987.
       ■ Carita, Helder, and Homem Cardoso. Portuguese Gardens. London: Antique Collector's Club, 1987.
       ■ Costa, António da, and Luís de O. Franquinho. Madeira: Plantas e Floras. Funchal, 1986.
       ■ Nichols, Rose Standish. Spanish and Portuguese Gardens. Boston, 1926.
       ■ Pereira, Arthur D. Sintra and Its Farm Manors. Sintra, 1983.
       ■ Sampaio, Gonçalo. Flora Portuguesa. Lisbon, 1946.
       ■ Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1945.
       ■ Underwood, John, and Pat Underwood. Landscapes of Madeira. London, 1980.
       ■ Vieira, Rui. Flowers of Madeira. Funchal, 1973.
       ■ Viterbo, Francisco Marques de Sousa. A Jardinagem em Portugal, 2 vols. Coimbra, 1906-9.
       ■ Education, Science, Health, and Medical History
       ■ Albuquerque, Luís de. Estudos de História, 3 vols. Coimbra, 1973-81.
       ■ Baião, Antônio. Episódios Dramáticos da Inquisição Portuguesa, 3 vols. Lisbon, 1936-55.
       ■ Cabreira, Antônio. Portugal nos mares e nas ciências. Lisbon, 1929. Carvalho, Rômulo de. A Astronomia em Portugal (séc. xviii). Lisbon, 1985. Fernandes, Barahona. Egas Moniz: Pioneiro de descobrimentos médicos. Lisbon, 1983.
       ■ Gaitonde, P. D. Portuguese Pioneers in India: Spotlight on Medicine. London: Sangam Books, 1983.
       ■ Hanson, Carl A. "Portuguese Cosmology in the Late Seventeenth Century." In Benjamin F. Taggie and Richard W. Clement, eds., Iberia & the Mediterranean, 75-85. Warrensburg: Central Missouri State University, 1989.
       ■ Higgins, Michael H., and Charles F. S. de Winton. Survey of Education in Portugal. London, 1942.
       ■ Hirsch, Elizabeth Feist. Damião de Góis: The Life and Thought of a Portuguese Humanist. The Hague, 1967.
       ■ Lemos, Maximiano. Arquivos de História da Medicina Portuguesa. Several vols. Lisbon, 1886-1923. Vol. I. História da Medicina em Portugal. Doutrina e Instituições. Lisbon, 1899.
       ■ Mira, Matias Ferreira de. História da Medicina Portuguesa. Lisbon, 1948.
       ■ Orta, Garcia de. Colóquios dos Simples e Drogas e Cousas Medicinais da India. Conde de Ficalho, ed., 2 vols. Lisbon, 1891-95.
       ■ Osório, J. Pereira. História e Desenvolvimento da Ciência em Portugal, 2 vols. Lisbon, 1986-89.
       ■ Pina, Luís de. "Uma prioridade portuguesa do século XVI. João de Barros e a Dactiloscópia Oriental." Arquivo da Repartição de Antropologia Criminal IV (1936).
       ■. "As Ciências na História do Império Colonial Português — Séculos XV a XIX." Anais de Faculdade de Ciências do Porto ( 1939-10).
       ■. "Os Portugueses Mestres de Ciência e Metras no Estrangeiro." Actas do Congresso do Mundo Português. Lisbon, 1940.
       ■. "A Ciência em Portugal (bosquejo Histórico)." In Secretariado Nacional da Informação, ed., Portugal: Breviário Da Pátria Para Os Portugueses Ausentes, 277-301. Lisbon, 1946.
       ■ Richards, Robert A. C., ed. Guide to World Science: Vol. 9: Spain and Portugal, 2nd ed. Guernsey, U.K.: F. H. Books, 1974.
       ■ Saraiva, António José. História da Cultura em Portugal, 3 vols. Lisbon, 1950-62.
       ■ ———. "João de Barros." In Serrao, ed., Dicionário de História de Portugal 1 (1963): 307-8.
       ■ Veiga-Pires, J. A., and Ronald G. Grainger, eds. Pioneers in Angiography: The Portuguese School ofAngiography. Lancaster, U.K.: MTP Press, 1982.
       ■ Walker, Timothy. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, History Department, Boston University, 2001.
       ■ Barbosa, Madelena. "Women in Portugal." Women's Studies International Quarterly 4 (1981): 477-80.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. Novas Cartas Portuguesas. Lisbon, 1972.
       ■ ———. The Three Marias. New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Brettell, Caroline B. We Have Already Cried Many Tears: The Stories of Three Portuguese Migrant Women. Cambridge, Mass.: Schenkman, 1982.
       ■ Ferreira, Virginia. "Engendering Portugal: Social Change, State Politics, and Women's Social Mobilization." In António Costa Pinto, ed., Modern Portugal, 162-88. Palo Alto, Calif.: SPOSS, 1998.
       ■ Goodwin, Mary. "Portuguese Feminism." Portuguese Studies Newsletter 17 (Spring-Summer 1987): 12-13.
       ■ Lamas, Maria. As Mulheres do Meu País. Lisbon, 1948.
       ■ "Mulheres Portuguesas e Feminismo." Análise Social [special number on Portuguese Women and Feminism] 22 (1986): 92-93.
       ■ Osório, Ana de Castro. As Mulheres Portuguesas. Lisbon, 1905.
       ■ Sadlier, Darlene J. The Question of How: Women Writers and New Portuguese Literature. Westport, Conn.: Greenwood; Contributions in Women's Studies, no. 109, 1989.
       ■ Silva, Manuela. The Employment of Women in Portugal. Luxembourg: Office for Official Publications, European Communities, 1984. Velho da Costa, Maria. Maina Mendes. Lisbon, 1974.
       ■ Vicente, Ana, and Maria Reynolds de Souza. Family Planning in Portugal. Lisbon, 1984.
       ■ Almeida, Fortunato de. História da Igreja em Portugal. 6 vols. Coimbra, 1910-24, and Oporto, 1967-72. Alonso, Joaquim Maria. The Secret of Fátima: Fact and Legend. Cambridge, Mass.: Ravengate Press, 1979. Alves, José da Felicidade, ed. Católicos e política de Humberto Delgado à Marcelo Caetano. Lisbon, 1969. Araújo, Miguel de, ed. Dicionario político; 1; Os Bispos e a revoluçao de Abril. Lisbon, 1976. Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.
       ■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.
       ■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.
       ■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.
       ■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.
       ■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.
       ■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.
       ■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.
       ■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.
       ■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.
       ■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.
       ■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.
       ■ Agriculture, Viticulture, and Fishing
       ■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.
       ■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.
       ■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.
       ■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.
       ■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.
       ■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.
       ■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.
       ■. Vinhas e Vinhos De Portugal. Lisbon, 1979.
       ■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.
       ■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.
       ■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.
       ■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.
       ■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.
       ■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.
       ■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.
       ■. Madeira. London: Putnam, 1961.
       ■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.
       ■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.
       ■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.
       ■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.
       ■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.
       ■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.
       ■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.
       ■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.
       ■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.
       ■ Moreira da Fonseca, A. Port Wine: Notes on Its History, Production and Technology. Oporto, 1981.
       ■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.
       ■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.
       ■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.
       ■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.
       ■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.
       ■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.
       ■ Robertson, George. Port. London: Faber & Faber, 1982 ed.
       ■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.
       ■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.
       ■ Simon, Andre L. Port. London: Constable, 1934.
       ■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.
       ■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.
       ■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.
       ■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.
       ■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.
       ■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.
       ■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.
       ■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.
       ■ ECONOMY, INDUSTRY, AND DEVELOPMENT
       ■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.
       ■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.
       ■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.
       ■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.
       ■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.
       ■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.
       ■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.
       ■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.
       ■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.
       ■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.
       ■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.
       ■. "Coming Home: A Survey of Portugal." (May 28, 1988).
       ■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.
       ■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.
       ■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.
       ■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.
       ■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.
       ■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.
       ■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.
       ■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.
       ■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.
       ■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.
       ■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].
       ■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.
       ■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.
       ■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.
       ■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.
       ■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.
       ■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.
       ■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.
       ■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.
       ■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.
       ■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.
       ■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.
       ■ PHOTOGRAPHY ON PORTUGAL
       ■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.
       ■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.
       ■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.
       ■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.
       ■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.
       ■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.
       ■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.
       ■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.
       ■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.
       ■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.
       ■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.
       ■ EQUESTRIANISM
       ■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.
       ■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.
       ■ Horsetalk Magazine. Published in New Zealand.
       ■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.
       ■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,
       ■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.
       ■ Websites of interest: www.equestrian.pt portugalweb.com

    Historical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE

  • 4 Naturdenkmal Bärenhöhle beim Winden am See

    n
    памятник природы "Медвежья пещера под Винденом-ам-Зее"
    пещера в Бургенланде, обнаружена в 1924. В 1926-1932 здесь проводились раскопки, среди находок - ископаемые остатки животных организмов

    Австрия. Лингвострановедческий словарь > Naturdenkmal Bärenhöhle beim Winden am See

  • 5 Historical Portugal

       Before Romans described western Iberia or Hispania as "Lusitania," ancient Iberians inhabited the land. Phoenician and Greek trading settlements grew up in the Tagus estuary area and nearby coasts. Beginning around 202 BCE, Romans invaded what is today southern Portugal. With Rome's defeat of Carthage, Romans proceeded to conquer and rule the western region north of the Tagus, which they named Roman "Lusitania." In the fourth century CE, as Rome's rule weakened, the area experienced yet another invasion—Germanic tribes, principally the Suevi, who eventually were Christianized. During the sixth century CE, the Suevi kingdom was superseded by yet another Germanic tribe—the Christian Visigoths.
       A major turning point in Portugal's history came in 711, as Muslim armies from North Africa, consisting of both Arab and Berber elements, invaded the Iberian Peninsula from across the Straits of Gibraltar. They entered what is now Portugal in 714, and proceeded to conquer most of the country except for the far north. For the next half a millennium, Islam and Muslim presence in Portugal left a significant mark upon the politics, government, language, and culture of the country.
       Islam, Reconquest, and Portugal Created, 714-1140
       The long frontier struggle between Muslim invaders and Christian communities in the north of the Iberian peninsula was called the Reconquista (Reconquest). It was during this struggle that the first dynasty of Portuguese kings (Burgundian) emerged and the independent monarchy of Portugal was established. Christian forces moved south from what is now the extreme north of Portugal and gradually defeated Muslim forces, besieging and capturing towns under Muslim sway. In the ninth century, as Christian forces slowly made their way southward, Christian elements were dominant only in the area between Minho province and the Douro River; this region became known as "territorium Portu-calense."
       In the 11th century, the advance of the Reconquest quickened as local Christian armies were reinforced by crusading knights from what is now France and England. Christian forces took Montemor (1034), at the Mondego River; Lamego (1058); Viseu (1058); and Coimbra (1064). In 1095, the king of Castile and Léon granted the country of "Portu-cale," what became northern Portugal, to a Burgundian count who had emigrated from France. This was the foundation of Portugal. In 1139, a descendant of this count, Afonso Henriques, proclaimed himself "King of Portugal." He was Portugal's first monarch, the "Founder," and the first of the Burgundian dynasty, which ruled until 1385.
       The emergence of Portugal in the 12th century as a separate monarchy in Iberia occurred before the Christian Reconquest of the peninsula. In the 1140s, the pope in Rome recognized Afonso Henriques as king of Portugal. In 1147, after a long, bloody siege, Muslim-occupied Lisbon fell to Afonso Henriques's army. Lisbon was the greatest prize of the 500-year war. Assisting this effort were English crusaders on their way to the Holy Land; the first bishop of Lisbon was an Englishman. When the Portuguese captured Faro and Silves in the Algarve province in 1248-50, the Reconquest of the extreme western portion of the Iberian peninsula was complete—significantly, more than two centuries before the Spanish crown completed the Reconquest of the eastern portion by capturing Granada in 1492.
       Consolidation and Independence of Burgundian Portugal, 1140-1385
       Two main themes of Portugal's early existence as a monarchy are the consolidation of control over the realm and the defeat of a Castil-ian threat from the east to its independence. At the end of this period came the birth of a new royal dynasty (Aviz), which prepared to carry the Christian Reconquest beyond continental Portugal across the straits of Gibraltar to North Africa. There was a variety of motives behind these developments. Portugal's independent existence was imperiled by threats from neighboring Iberian kingdoms to the north and east. Politics were dominated not only by efforts against the Muslims in
       Portugal (until 1250) and in nearby southern Spain (until 1492), but also by internecine warfare among the kingdoms of Castile, Léon, Aragon, and Portugal. A final comeback of Muslim forces was defeated at the battle of Salado (1340) by allied Castilian and Portuguese forces. In the emerging Kingdom of Portugal, the monarch gradually gained power over and neutralized the nobility and the Church.
       The historic and commonplace Portuguese saying "From Spain, neither a good wind nor a good marriage" was literally played out in diplomacy and war in the late 14th-century struggles for mastery in the peninsula. Larger, more populous Castile was pitted against smaller Portugal. Castile's Juan I intended to force a union between Castile and Portugal during this era of confusion and conflict. In late 1383, Portugal's King Fernando, the last king of the Burgundian dynasty, suddenly died prematurely at age 38, and the Master of Aviz, Portugal's most powerful nobleman, took up the cause of independence and resistance against Castile's invasion. The Master of Aviz, who became King João I of Portugal, was able to obtain foreign assistance. With the aid of English archers, Joao's armies defeated the Castilians in the crucial battle of Aljubarrota, on 14 August 1385, a victory that assured the independence of the Portuguese monarchy from its Castilian nemesis for several centuries.
       Aviz Dynasty and Portugal's First Overseas Empire, 1385-1580
       The results of the victory at Aljubarrota, much celebrated in Portugal's art and monuments, and the rise of the Aviz dynasty also helped to establish a new merchant class in Lisbon and Oporto, Portugal's second city. This group supported King João I's program of carrying the Reconquest to North Africa, since it was interested in expanding Portugal's foreign commerce and tapping into Muslim trade routes and resources in Africa. With the Reconquest against the Muslims completed in Portugal and the threat from Castile thwarted for the moment, the Aviz dynasty launched an era of overseas conquest, exploration, and trade. These efforts dominated Portugal's 15th and 16th centuries.
       The overseas empire and age of Discoveries began with Portugal's bold conquest in 1415 of the Moroccan city of Ceuta. One royal member of the 1415 expedition was young, 21-year-old Prince Henry, later known in history as "Prince Henry the Navigator." His part in the capture of Ceuta won Henry his knighthood and began Portugal's "Marvelous Century," during which the small kingdom was counted as a European and world power of consequence. Henry was the son of King João I and his English queen, Philippa of Lancaster, but he did not inherit the throne. Instead, he spent most of his life and his fortune, and that of the wealthy military Order of Christ, on various imperial ventures and on voyages of exploration down the African coast and into the Atlantic. While mythology has surrounded Henry's controversial role in the Discoveries, and this role has been exaggerated, there is no doubt that he played a vital part in the initiation of Portugal's first overseas empire and in encouraging exploration. He was naturally curious, had a sense of mission for Portugal, and was a strong leader. He also had wealth to expend; at least a third of the African voyages of the time were under his sponsorship. If Prince Henry himself knew little science, significant scientific advances in navigation were made in his day.
       What were Portugal's motives for this new imperial effort? The well-worn historical cliche of "God, Glory, and Gold" can only partly explain the motivation of a small kingdom with few natural resources and barely 1 million people, which was greatly outnumbered by the other powers it confronted. Among Portuguese objectives were the desire to exploit known North African trade routes and resources (gold, wheat, leather, weaponry, and other goods that were scarce in Iberia); the need to outflank the Muslim world in the Mediterranean by sailing around Africa, attacking Muslims en route; and the wish to ally with Christian kingdoms beyond Africa. This enterprise also involved a strategy of breaking the Venetian spice monopoly by trading directly with the East by means of discovering and exploiting a sea route around Africa to Asia. Besides the commercial motives, Portugal nurtured a strong crusading sense of Christian mission, and various classes in the kingdom saw an opportunity for fame and gain.
       By the time of Prince Henry's death in 1460, Portugal had gained control of the Atlantic archipelagos of the Azores and Madeiras, begun to colonize the Cape Verde Islands, failed to conquer the Canary Islands from Castile, captured various cities on Morocco's coast, and explored as far as Senegal, West Africa, down the African coast. By 1488, Bar-tolomeu Dias had rounded the Cape of Good Hope in South Africa and thereby discovered the way to the Indian Ocean.
       Portugal's largely coastal African empire and later its fragile Asian empire brought unexpected wealth but were purchased at a high price. Costs included wars of conquest and defense against rival powers, manning the far-flung navel and trade fleets and scattered castle-fortresses, and staffing its small but fierce armies, all of which entailed a loss of skills and population to maintain a scattered empire. Always short of capital, the monarchy became indebted to bankers. There were many defeats beginning in the 16th century at the hands of the larger imperial European monarchies (Spain, France, England, and Holland) and many attacks on Portugal and its strung-out empire. Typically, there was also the conflict that arose when a tenuously held world empire that rarely if ever paid its way demanded finance and manpower Portugal itself lacked.
       The first 80 years of the glorious imperial era, the golden age of Portugal's imperial power and world influence, was an African phase. During 1415-88, Portuguese navigators and explorers in small ships, some of them caravelas (caravels), explored the treacherous, disease-ridden coasts of Africa from Morocco to South Africa beyond the Cape of Good Hope. By the 1470s, the Portuguese had reached the Gulf of Guinea and, in the early 1480s, what is now Angola. Bartolomeu Dias's extraordinary voyage of 1487-88 to South Africa's coast and the edge of the Indian Ocean convinced Portugal that the best route to Asia's spices and Christians lay south, around the tip of southern Africa. Between 1488 and 1495, there was a hiatus caused in part by domestic conflict in Portugal, discussion of resources available for further conquests beyond Africa in Asia, and serious questions as to Portugal's capacity to reach beyond Africa. In 1495, King Manuel and his council decided to strike for Asia, whatever the consequences. In 1497-99, Vasco da Gama, under royal orders, made the epic two-year voyage that discovered the sea route to western India (Asia), outflanked Islam and Venice, and began Portugal's Asian empire. Within 50 years, Portugal had discovered and begun the exploitation of its largest colony, Brazil, and set up forts and trading posts from the Middle East (Aden and Ormuz), India (Calicut, Goa, etc.), Malacca, and Indonesia to Macau in China.
       By the 1550s, parts of its largely coastal, maritime trading post empire from Morocco to the Moluccas were under siege from various hostile forces, including Muslims, Christians, and Hindi. Although Moroccan forces expelled the Portuguese from the major coastal cities by 1550, the rival European monarchies of Castile (Spain), England, France, and later Holland began to seize portions of her undermanned, outgunned maritime empire.
       In 1580, Phillip II of Spain, whose mother was a Portuguese princess and who had a strong claim to the Portuguese throne, invaded Portugal, claimed the throne, and assumed control over the realm and, by extension, its African, Asian, and American empires. Phillip II filled the power vacuum that appeared in Portugal following the loss of most of Portugal's army and its young, headstrong King Sebastião in a disastrous war in Morocco. Sebastiao's death in battle (1578) and the lack of a natural heir to succeed him, as well as the weak leadership of the cardinal who briefly assumed control in Lisbon, led to a crisis that Spain's strong monarch exploited. As a result, Portugal lost its independence to Spain for a period of 60 years.
       Portugal under Spanish Rule, 1580-1640
       Despite the disastrous nature of Portugal's experience under Spanish rule, "The Babylonian Captivity" gave birth to modern Portuguese nationalism, its second overseas empire, and its modern alliance system with England. Although Spain allowed Portugal's weakened empire some autonomy, Spanish rule in Portugal became increasingly burdensome and unacceptable. Spain's ambitious imperial efforts in Europe and overseas had an impact on the Portuguese as Spain made greater and greater demands on its smaller neighbor for manpower and money. Portugal's culture underwent a controversial Castilianization, while its empire became hostage to Spain's fortunes. New rival powers England, France, and Holland attacked and took parts of Spain's empire and at the same time attacked Portugal's empire, as well as the mother country.
       Portugal's empire bore the consequences of being attacked by Spain's bitter enemies in what was a form of world war. Portuguese losses were heavy. By 1640, Portugal had lost most of its Moroccan cities as well as Ceylon, the Moluccas, and sections of India. With this, Portugal's Asian empire was gravely weakened. Only Goa, Damão, Diu, Bombay, Timor, and Macau remained and, in Brazil, Dutch forces occupied the northeast.
       On 1 December 1640, long commemorated as a national holiday, Portuguese rebels led by the duke of Braganza overthrew Spanish domination and took advantage of Spanish weakness following a more serious rebellion in Catalonia. Portugal regained independence from Spain, but at a price: dependence on foreign assistance to maintain its independence in the form of the renewal of the alliance with England.
       Restoration and Second Empire, 1640-1822
       Foreign affairs and empire dominated the restoration era and aftermath, and Portugal again briefly enjoyed greater European power and prestige. The Anglo-Portuguese Alliance was renewed and strengthened in treaties of 1642, 1654, and 1661, and Portugal's independence from Spain was underwritten by English pledges and armed assistance. In a Luso-Spanish treaty of 1668, Spain recognized Portugal's independence. Portugal's alliance with England was a marriage of convenience and necessity between two monarchies with important religious, cultural, and social differences. In return for legal, diplomatic, and trade privileges, as well as the use during war and peace of Portugal's great Lisbon harbor and colonial ports for England's navy, England pledged to protect Portugal and its scattered empire from any attack. The previously cited 17th-century alliance treaties were renewed later in the Treaty of Windsor, signed in London in 1899. On at least 10 different occasions after 1640, and during the next two centuries, England was central in helping prevent or repel foreign invasions of its ally, Portugal.
       Portugal's second empire (1640-1822) was largely Brazil-oriented. Portuguese colonization, exploitation of wealth, and emigration focused on Portuguese America, and imperial revenues came chiefly from Brazil. Between 1670 and 1740, Portugal's royalty and nobility grew wealthier on funds derived from Brazilian gold, diamonds, sugar, tobacco, and other crops, an enterprise supported by the Atlantic slave trade and the supply of African slave labor from West Africa and Angola. Visitors today can see where much of that wealth was invested: Portugal's rich legacy of monumental architecture. Meanwhile, the African slave trade took a toll in Angola and West Africa.
       In continental Portugal, absolutist monarchy dominated politics and government, and there was a struggle for position and power between the monarchy and other institutions, such as the Church and nobility. King José I's chief minister, usually known in history as the marquis of Pombal (ruled 1750-77), sharply suppressed the nobility and the
       Church (including the Inquisition, now a weak institution) and expelled the Jesuits. Pombal also made an effort to reduce economic dependence on England, Portugal's oldest ally. But his successes did not last much beyond his disputed time in office.
       Beginning in the late 18th century, the European-wide impact of the French Revolution and the rise of Napoleon placed Portugal in a vulnerable position. With the monarchy ineffectively led by an insane queen (Maria I) and her indecisive regent son (João VI), Portugal again became the focus of foreign ambition and aggression. With England unable to provide decisive assistance in time, France—with Spain's consent—invaded Portugal in 1807. As Napoleon's army under General Junot entered Lisbon meeting no resistance, Portugal's royal family fled on a British fleet to Brazil, where it remained in exile until 1821. In the meantime, Portugal's overseas empire was again under threat. There was a power vacuum as the monarch was absent, foreign armies were present, and new political notions of liberalism and constitutional monarchy were exciting various groups of citizens.
       Again England came to the rescue, this time in the form of the armies of the duke of Wellington. Three successive French invasions of Portugal were defeated and expelled, and Wellington succeeded in carrying the war against Napoleon across the Portuguese frontier into Spain. The presence of the English army, the new French-born liberal ideas, and the political vacuum combined to create revolutionary conditions. The French invasions and the peninsular wars, where Portuguese armed forces played a key role, marked the beginning of a new era in politics.
       Liberalism and Constitutional Monarchy, 1822-1910
       During 1807-22, foreign invasions, war, and civil strife over conflicting political ideas gravely damaged Portugal's commerce, economy, and novice industry. The next terrible blow was the loss of Brazil in 1822, the jewel in the imperial crown. Portugal's very independence seemed to be at risk. In vain, Portugal sought to resist Brazilian independence by force, but in 1825 it formally acknowledged Brazilian independence by treaty.
       Portugal's slow recovery from the destructive French invasions and the "war of independence" was complicated by civil strife over the form of constitutional monarchy that best suited Portugal. After struggles over these issues between 1820 and 1834, Portugal settled somewhat uncertainly into a moderate constitutional monarchy whose constitution (Charter of 1826) lent it strong political powers to exert a moderating influence between the executive and legislative branches of the government. It also featured a new upper middle class based on land ownership and commerce; a Catholic Church that, although still important, lived with reduced privileges and property; a largely African (third) empire to which Lisbon and Oporto devoted increasing spiritual and material resources, starting with the liberal imperial plans of 1836 and 1851, and continuing with the work of institutions like the Lisbon Society of Geography (established 1875); and a mass of rural peasants whose bonds to the land weakened after 1850 and who began to immigrate in increasing numbers to Brazil and North America.
       Chronic military intervention in national politics began in 19th-century Portugal. Such intervention, usually commencing with coups or pronunciamentos (military revolts), was a shortcut to the spoils of political office and could reflect popular discontent as well as the power of personalities. An early example of this was the 1817 golpe (coup) attempt of General Gomes Freire against British military rule in Portugal before the return of King João VI from Brazil. Except for a more stable period from 1851 to 1880, military intervention in politics, or the threat thereof, became a feature of the constitutional monarchy's political life, and it continued into the First Republic and the subsequent Estado Novo.
       Beginning with the Regeneration period (1851-80), Portugal experienced greater political stability and economic progress. Military intervention in politics virtually ceased; industrialization and construction of railroads, roads, and bridges proceeded; two political parties (Regenerators and Historicals) worked out a system of rotation in power; and leading intellectuals sparked a cultural revival in several fields. In 19th-century literature, there was a new golden age led by such figures as Alexandre Herculano (historian), Eça de Queirós (novelist), Almeida Garrett (playwright and essayist), Antero de Quental (poet), and Joaquim Oliveira Martins (historian and social scientist). In its third overseas empire, Portugal attempted to replace the slave trade and slavery with legitimate economic activities; to reform the administration; and to expand Portuguese holdings beyond coastal footholds deep into the African hinterlands in West, West Central, and East Africa. After 1841, to some extent, and especially after 1870, colonial affairs, combined with intense nationalism, pressures for economic profit in Africa, sentiment for national revival, and the drift of European affairs would make or break Lisbon governments.
       Beginning with the political crisis that arose out of the "English Ultimatum" affair of January 1890, the monarchy became discredtted and identified with the poorly functioning government, political parties splintered, and republicanism found more supporters. Portugal participated in the "Scramble for Africa," expanding its African holdings, but failed to annex territory connecting Angola and Mozambique. A growing foreign debt and state bankruptcy as of the early 1890s damaged the constitutional monarchy's reputation, despite the efforts of King Carlos in diplomacy, the renewal of the alliance in the Windsor Treaty of 1899, and the successful if bloody colonial wars in the empire (1880-97). Republicanism proclaimed that Portugal's weak economy and poor society were due to two historic institutions: the monarchy and the Catholic Church. A republic, its stalwarts claimed, would bring greater individual liberty; efficient, if more decentralized government; and a stronger colonial program while stripping the Church of its role in both society and education.
       As the monarchy lost support and republicans became more aggressive, violence increased in politics. King Carlos I and his heir Luís were murdered in Lisbon by anarchist-republicans on 1 February 1908. Following a military and civil insurrection and fighting between monarchist and republican forces, on 5 October 1910, King Manuel II fled Portugal and a republic was proclaimed.
       First Parliamentary Republic, 1910-26
       Portugal's first attempt at republican government was the most unstable, turbulent parliamentary republic in the history of 20th-century Western Europe. During a little under 16 years of the republic, there were 45 governments, a number of legislatures that did not complete normal terms, military coups, and only one president who completed his four-year term in office. Portuguese society was poorly prepared for this political experiment. Among the deadly legacies of the monarchy were a huge public debt; a largely rural, apolitical, and illiterate peasant population; conflict over the causes of the country's misfortunes; and lack of experience with a pluralist, democratic system.
       The republic had some talented leadership but lacked popular, institutional, and economic support. The 1911 republican constitution established only a limited democracy, as only a small portion of the adult male citizenry was eligible to vote. In a country where the majority was Catholic, the republic passed harshly anticlerical laws, and its institutions and supporters persecuted both the Church and its adherents. During its brief disjointed life, the First Republic drafted important reform plans in economic, social, and educational affairs; actively promoted development in the empire; and pursued a liberal, generous foreign policy. Following British requests for Portugal's assistance in World War I, Portugal entered the war on the Allied side in March 1916 and sent armies to Flanders and Portuguese Africa. Portugal's intervention in that conflict, however, was too costly in many respects, and the ultimate failure of the republic in part may be ascribed to Portugal's World War I activities.
       Unfortunately for the republic, its time coincided with new threats to Portugal's African possessions: World War I, social and political demands from various classes that could not be reconciled, excessive military intervention in politics, and, in particular, the worst economic and financial crisis Portugal had experienced since the 16th and 17th centuries. After the original Portuguese Republican Party (PRP, also known as the "Democrats") splintered into three warring groups in 1912, no true multiparty system emerged. The Democrats, except for only one or two elections, held an iron monopoly of electoral power, and political corruption became a major issue. As extreme right-wing dictatorships elsewhere in Europe began to take power in Italy (1922), neighboring Spain (1923), and Greece (1925), what scant popular support remained for the republic collapsed. Backed by a right-wing coalition of landowners from Alentejo, clergy, Coimbra University faculty and students, Catholic organizations, and big business, career military officers led by General Gomes da Costa executed a coup on 28 May 1926, turned out the last republican government, and established a military government.
       The Estado Novo (New State), 1926-74
       During the military phase (1926-32) of the Estado Novo, professional military officers, largely from the army, governed and administered Portugal and held key cabinet posts, but soon discovered that the military possessed no magic formula that could readily solve the problems inherited from the First Republic. Especially during the years 1926-31, the military dictatorship, even with its political repression of republican activities and institutions (military censorship of the press, political police action, and closure of the republic's rowdy parliament), was characterized by similar weaknesses: personalism and factionalism; military coups and political instability, including civil strife and loss of life; state debt and bankruptcy; and a weak economy. "Barracks parliamentarism" was not an acceptable alternative even to the "Nightmare Republic."
       Led by General Óscar Carmona, who had replaced and sent into exile General Gomes da Costa, the military dictatorship turned to a civilian expert in finance and economics to break the budget impasse and bring coherence to the disorganized system. Appointed minister of finance on 27 April 1928, the Coimbra University Law School professor of economics Antônio de Oliveira Salazar (1889-1970) first reformed finance, helped balance the budget, and then turned to other concerns as he garnered extraordinary governing powers. In 1930, he was appointed interim head of another key ministry (Colonies) and within a few years had become, in effect, a civilian dictator who, with the military hierarchy's support, provided the government with coherence, a program, and a set of policies.
       For nearly 40 years after he was appointed the first civilian prime minister in 1932, Salazar's personality dominated the government. Unlike extreme right-wing dictators elsewhere in Europe, Salazar was directly appointed by the army but was never endorsed by a popular political party, street militia, or voter base. The scholarly, reclusive former Coimbra University professor built up what became known after 1932 as the Estado Novo ("New State"), which at the time of its overthrow by another military coup in 1974, was the longest surviving authoritarian regime in Western Europe. The system of Salazar and the largely academic and technocratic ruling group he gathered in his cabinets was based on the central bureaucracy of the state, which was supported by the president of the republic—always a senior career military officer, General Óscar Carmona (1928-51), General Craveiro Lopes (1951-58), and Admiral Américo Tómaz (1958-74)—and the complicity of various institutions. These included a rubber-stamp legislature called the National Assembly (1935-74) and a political police known under various names: PVDE (1932-45), PIDE (1945-69),
       and DGS (1969-74). Other defenders of the Estado Novo security were paramilitary organizations such as the National Republican Guard (GNR); the Portuguese Legion (PL); and the Portuguese Youth [Movement]. In addition to censorship of the media, theater, and books, there was political repression and a deliberate policy of depoliticization. All political parties except for the approved movement of regime loyalists, the União Nacional or (National Union), were banned.
       The most vigorous and more popular period of the New State was 1932-44, when the basic structures were established. Never monolithic or entirely the work of one person (Salazar), the New State was constructed with the assistance of several dozen top associates who were mainly academics from law schools, some technocrats with specialized skills, and a handful of trusted career military officers. The 1933 Constitution declared Portugal to be a "unitary, corporative Republic," and pressures to restore the monarchy were resisted. Although some of the regime's followers were fascists and pseudofascists, many more were conservative Catholics, integralists, nationalists, and monarchists of different varieties, and even some reactionary republicans. If the New State was authoritarian, it was not totalitarian and, unlike fascism in Benito Mussolini's Italy or Adolf Hitler's Germany, it usually employed the minimum of violence necessary to defeat what remained a largely fractious, incoherent opposition.
       With the tumultuous Second Republic and the subsequent civil war in nearby Spain, the regime felt threatened and reinforced its defenses. During what Salazar rightly perceived as a time of foreign policy crisis for Portugal (1936-45), he assumed control of the Ministry of Foreign Affairs. From there, he pursued four basic foreign policy objectives: supporting the Nationalist rebels of General Francisco Franco in the Spanish Civil War (1936-39) and concluding defense treaties with a triumphant Franco; ensuring that General Franco in an exhausted Spain did not enter World War II on the Axis side; maintaining Portuguese neutrality in World War II with a post-1942 tilt toward the Allies, including granting Britain and the United States use of bases in the Azores Islands; and preserving and protecting Portugal's Atlantic Islands and its extensive, if poor, overseas empire in Africa and Asia.
       During the middle years of the New State (1944-58), many key Salazar associates in government either died or resigned, and there was greater social unrest in the form of unprecedented strikes and clandestine Communist activities, intensified opposition, and new threatening international pressures on Portugal's overseas empire. During the earlier phase of the Cold War (1947-60), Portugal became a steadfast, if weak, member of the US-dominated North Atlantic Treaty Organization alliance and, in 1955, with American support, Portugal joined the United Nations (UN). Colonial affairs remained a central concern of the regime. As of 1939, Portugal was the third largest colonial power in the world and possessed territories in tropical Africa (Angola, Mozambique, Guinea-Bissau, and São Tomé and Príncipe Islands) and the remnants of its 16th-century empire in Asia (Goa, Damão, Diu, East Timor, and Macau). Beginning in the early 1950s, following the independence of India in 1947, Portugal resisted Indian pressures to decolonize Portuguese India and used police forces to discourage internal opposition in its Asian and African colonies.
       The later years of the New State (1958-68) witnessed the aging of the increasingly isolated but feared Salazar and new threats both at home and overseas. Although the regime easily overcame the brief oppositionist threat from rival presidential candidate General Humberto Delgado in the spring of 1958, new developments in the African and Asian empires imperiled the authoritarian system. In February 1961, oppositionists hijacked the Portuguese ocean liner Santa Maria and, in following weeks, African insurgents in northern Angola, although they failed to expel the Portuguese, gained worldwide media attention, discredited the New State, and began the 13-year colonial war. After thwarting a dissident military coup against his continued leadership, Salazar and his ruling group mobilized military repression in Angola and attempted to develop the African colonies at a faster pace in order to ensure Portuguese control. Meanwhile, the other European colonial powers (Britain, France, Belgium, and Spain) rapidly granted political independence to their African territories.
       At the time of Salazar's removal from power in September 1968, following a stroke, Portugal's efforts to maintain control over its colonies appeared to be successful. President Americo Tomás appointed Dr. Marcello Caetano as Salazar's successor as prime minister. While maintaining the New State's basic structures, and continuing the regime's essential colonial policy, Caetano attempted wider reforms in colonial administration and some devolution of power from Lisbon, as well as more freedom of expression in Lisbon. Still, a great deal of the budget was devoted to supporting the wars against the insurgencies in Africa. Meanwhile in Asia, Portuguese India had fallen when the Indian army invaded in December 1961. The loss of Goa was a psychological blow to the leadership of the New State, and of the Asian empire only East Timor and Macau remained.
       The Caetano years (1968-74) were but a hiatus between the waning Salazar era and a new regime. There was greater political freedom and rapid economic growth (5-6 percent annually to late 1973), but Caetano's government was unable to reform the old system thoroughly and refused to consider new methods either at home or in the empire. In the end, regime change came from junior officers of the professional military who organized the Armed Forces Movement (MFA) against the Caetano government. It was this group of several hundred officers, mainly in the army and navy, which engineered a largely bloodless coup in Lisbon on 25 April 1974. Their unexpected action brought down the 48-year-old New State and made possible the eventual establishment and consolidation of democratic governance in Portugal, as well as a reorientation of the country away from the Atlantic toward Europe.
       Revolution of Carnations, 1974-76
       Following successful military operations of the Armed Forces Movement against the Caetano government, Portugal experienced what became known as the "Revolution of Carnations." It so happened that during the rainy week of the military golpe, Lisbon flower shops were featuring carnations, and the revolutionaries and their supporters adopted the red carnation as the common symbol of the event, as well as of the new freedom from dictatorship. The MFA, whose leaders at first were mostly little-known majors and captains, proclaimed a three-fold program of change for the new Portugal: democracy; decolonization of the overseas empire, after ending the colonial wars; and developing a backward economy in the spirit of opportunity and equality. During the first 24 months after the coup, there was civil strife, some anarchy, and a power struggle. With the passing of the Estado Novo, public euphoria burst forth as the new provisional military government proclaimed the freedoms of speech, press, and assembly, and abolished censorship, the political police, the Portuguese Legion, Portuguese Youth, and other New State organizations, including the National Union. Scores of political parties were born and joined the senior political party, the Portuguese Community Party (PCP), and the Socialist Party (PS), founded shortly before the coup.
       Portugal's Revolution of Carnations went through several phases. There was an attempt to take control by radical leftists, including the PCP and its allies. This was thwarted by moderate officers in the army, as well as by the efforts of two political parties: the PS and the Social Democrats (PPD, later PSD). The first phase was from April to September 1974. Provisional president General Antonio Spínola, whose 1974 book Portugal and the Future had helped prepare public opinion for the coup, met irresistible leftist pressures. After Spinola's efforts to avoid rapid decolonization of the African empire failed, he resigned in September 1974. During the second phase, from September 1974 to March 1975, radical military officers gained control, but a coup attempt by General Spínola and his supporters in Lisbon in March 1975 failed and Spínola fled to Spain.
       In the third phase of the Revolution, March-November 1975, a strong leftist reaction followed. Farm workers occupied and "nationalized" 1.1 million hectares of farmland in the Alentejo province, and radical military officers in the provisional government ordered the nationalization of Portuguese banks (foreign banks were exempted), utilities, and major industries, or about 60 percent of the economic system. There were power struggles among various political parties — a total of 50 emerged—and in the streets there was civil strife among labor, military, and law enforcement groups. A constituent assembly, elected on 25 April 1975, in Portugal's first free elections since 1926, drafted a democratic constitution. The Council of the Revolution (CR), briefly a revolutionary military watchdog committee, was entrenched as part of the government under the constitution, until a later revision. During the chaotic year of 1975, about 30 persons were killed in political frays while unstable provisional governments came and went. On 25 November 1975, moderate military forces led by Colonel Ramalho Eanes, who later was twice elected president of the republic (1976 and 1981), defeated radical, leftist military groups' revolutionary conspiracies.
       In the meantime, Portugal's scattered overseas empire experienced a precipitous and unprepared decolonization. One by one, the former colonies were granted and accepted independence—Guinea-Bissau (September 1974), Cape Verde Islands (July 1975), and Mozambique (July 1975). Portugal offered to turn over Macau to the People's Republic of China, but the offer was refused then and later negotiations led to the establishment of a formal decolonization or hand-over date of 1999. But in two former colonies, the process of decolonization had tragic results.
       In Angola, decolonization negotiations were greatly complicated by the fact that there were three rival nationalist movements in a struggle for power. The January 1975 Alvor Agreement signed by Portugal and these three parties was not effectively implemented. A bloody civil war broke out in Angola in the spring of 1975 and, when Portuguese armed forces withdrew and declared that Angola was independent on 11 November 1975, the bloodshed only increased. Meanwhile, most of the white Portuguese settlers from Angola and Mozambique fled during the course of 1975. Together with African refugees, more than 600,000 of these retornados ("returned ones") went by ship and air to Portugal and thousands more to Namibia, South Africa, Brazil, Canada, and the United States.
       The second major decolonization disaster was in Portugal's colony of East Timor in the Indonesian archipelago. Portugal's capacity to supervise and control a peaceful transition to independence in this isolated, neglected colony was limited by the strength of giant Indonesia, distance from Lisbon, and Portugal's revolutionary disorder and inability to defend Timor. In early December 1975, before Portugal granted formal independence and as one party, FRETILIN, unilaterally declared East Timor's independence, Indonesia's armed forces invaded, conquered, and annexed East Timor. Indonesian occupation encountered East Timorese resistance, and a heavy loss of life followed. The East Timor question remained a contentious international issue in the UN, as well as in Lisbon and Jakarta, for more than 20 years following Indonesia's invasion and annexation of the former colony of Portugal. Major changes occurred, beginning in 1998, after Indonesia underwent a political revolution and allowed a referendum in East Timor to decide that territory's political future in August 1999. Most East Timorese chose independence, but Indonesian forces resisted that verdict until
       UN intervention in September 1999. Following UN rule for several years, East Timor attained full independence on 20 May 2002.
       Consolidation of Democracy, 1976-2000
       After several free elections and record voter turnouts between 25 April 1975 and June 1976, civil war was averted and Portugal's second democratic republic began to stabilize. The MFA was dissolved, the military were returned to the barracks, and increasingly elected civilians took over the government of the country. The 1976 Constitution was revised several times beginning in 1982 and 1989, in order to reempha-size the principle of free enterprise in the economy while much of the large, nationalized sector was privatized. In June 1976, General Ram-alho Eanes was elected the first constitutional president of the republic (five-year term), and he appointed socialist leader Dr. Mário Soares as prime minister of the first constitutional government.
       From 1976 to 1985, Portugal's new system featured a weak economy and finances, labor unrest, and administrative and political instability. The difficult consolidation of democratic governance was eased in part by the strong currency and gold reserves inherited from the Estado Novo, but Lisbon seemed unable to cope with high unemployment, new debt, the complex impact of the refugees from Africa, world recession, and the agitation of political parties. Four major parties emerged from the maelstrom of 1974-75, except for the Communist Party, all newly founded. They were, from left to right, the Communists (PCP); the Socialists (PS), who managed to dominate governments and the legislature but not win a majority in the Assembly of the Republic; the Social Democrats (PSD); and the Christian Democrats (CDS). During this period, the annual growth rate was low (l-2 percent), and the nationalized sector of the economy stagnated.
       Enhanced economic growth, greater political stability, and more effective central government as of 1985, and especially 1987, were due to several developments. In 1977, Portugal applied for membership in the European Economic Community (EEC), now the European Union (EU) since 1993. In January 1986, with Spain, Portugal was granted membership, and economic and financial progress in the intervening years has been significantly influenced by the comparatively large investment, loans, technology, advice, and other assistance from the EEC. Low unemployment, high annual growth rates (5 percent), and moderate inflation have also been induced by the new political and administrative stability in Lisbon. Led by Prime Minister Cavaco Silva, an economist who was trained abroad, the PSD's strong organization, management, and electoral support since 1985 have assisted in encouraging economic recovery and development. In 1985, the PSD turned the PS out of office and won the general election, although they did not have an absolute majority of assembly seats. In 1986, Mário Soares was elected president of the republic, the first civilian to hold that office since the First Republic. In the elections of 1987 and 1991, however, the PSD was returned to power with clear majorities of over 50 percent of the vote.
       Although the PSD received 50.4 percent of the vote in the 1991 parliamentary elections and held a 42-seat majority in the Assembly of the Republic, the party began to lose public support following media revelations regarding corruption and complaints about Prime Minister Cavaco Silva's perceived arrogant leadership style. President Mário Soares voiced criticism of the PSD's seemingly untouchable majority and described a "tyranny of the majority." Economic growth slowed down. In the parliamentary elections of 1995 and the presidential election of 1996, the PSD's dominance ended for the time being. Prime Minister Antônio Guterres came to office when the PS won the October 1995 elections, and in the subsequent presidential contest, in January 1996, socialist Jorge Sampaio, the former mayor of Lisbon, was elected president of the republic, thus defeating Cavaco Silva's bid. Young and popular, Guterres moved the PS toward the center of the political spectrum. Under Guterres, the PS won the October 1999 parliamentary elections. The PS defeated the PSD but did not manage to win a clear, working majority of seats, and this made the PS dependent upon alliances with smaller parties, including the PCP.
       In the local elections in December 2001, the PSD's criticism of PS's heavy public spending allowed the PSD to take control of the key cities of Lisbon, Oporto, and Coimbra. Guterres resigned, and parliamentary elections were brought forward from 2004 to March 2002. The PSD won a narrow victory with 40 percent of the votes, and Jose Durão Barroso became prime minister. Having failed to win a majority of the seats in parliament forced the PSD to govern in coalition with the right-wing Popular Party (PP) led by Paulo Portas. Durão Barroso set about reducing government spending by cutting the budgets of local authorities, freezing civil service hiring, and reviving the economy by accelerating privatization of state-owned enterprises. These measures provoked a 24-hour strike by public-sector workers. Durão Barroso reacted with vows to press ahead with budget-cutting measures and imposed a wage freeze on all employees earning more than €1,000, which affected more than one-half of Portugal's work force.
       In June 2004, Durão Barroso was invited by Romano Prodi to succeed him as president of the European Commission. Durão Barroso accepted and resigned the prime ministership in July. Pedro Santana Lopes, the leader of the PSD, became prime minister. Already unpopular at the time of Durão Barroso's resignation, the PSD-led government became increasingly unpopular under Santana Lopes. A month-long delay in the start of the school year and confusion over his plan to cut taxes and raise public-sector salaries, eroded confidence even more. By November, Santana Lopes's government was so unpopular that President Jorge Sampaio was obliged to dissolve parliament and hold new elections, two years ahead of schedule.
       Parliamentary elections were held on 20 February 2005. The PS, which had promised the electorate disciplined and transparent governance, educational reform, the alleviation of poverty, and a boost in employment, won 45 percent of the vote and the majority of the seats in parliament. The leader of the PS, José Sôcrates became prime minister on 12 March 2005. In the regularly scheduled presidential elections held on 6 January 2006, the former leader of the PSD and prime minister, Aníbal Cavaco Silva, won a narrow victory and became president on 9 March 2006. With a mass protest, public teachers' strike, and street demonstrations in March 2008, Portugal's media, educational, and social systems experienced more severe pressures. With the spreading global recession beginning in September 2008, Portugal's economic and financial systems became more troubled.
       Owing to its geographic location on the southwestern most edge of continental Europe, Portugal has been historically in but not of Europe. Almost from the beginning of its existence in the 12th century as an independent monarchy, Portugal turned its back on Europe and oriented itself toward the Atlantic Ocean. After carving out a Christian kingdom on the western portion of the Iberian peninsula, Portuguese kings gradually built and maintained a vast seaborne global empire that became central to the way Portugal understood its individuality as a nation-state. While the creation of this empire allows Portugal to claim an unusual number of "firsts" or distinctions in world and Western history, it also retarded Portugal's economic, social, and political development. It can be reasonably argued that the Revolution of 25 April 1974 was the most decisive event in Portugal's long history because it finally ended Portugal's oceanic mission and view of itself as an imperial power. After the 1974 Revolution, Portugal turned away from its global mission and vigorously reoriented itself toward Europe. Contemporary Portugal is now both in and of Europe.
       The turn toward Europe began immediately after 25 April 1974. Portugal granted independence to its African colonies in 1975. It was admitted to the European Council and took the first steps toward accession to the European Economic Community (EEC) in 1976. On 28 March 1977, the Portuguese government officially applied for EEC membership. Because of Portugal's economic and social backwardness, which would require vast sums of EEC money to overcome, negotiations for membership were long and difficult. Finally, a treaty of accession was signed on 12 June 1985. Portugal officially joined the EEC (the European Union [EU] since 1993) on 1 January 1986. Since becoming a full-fledged member of the EU, Portugal has been steadily overcoming the economic and social underdevelopment caused by its imperial past and is becoming more like the rest of Europe.
       Membership in the EU has speeded up the structural transformation of Portugal's economy, which actually began during the Estado Novo. Investments made by the Estado Novo in Portugal's economy began to shift employment out of the agricultural sector, which, in 1950, accounted for 50 percent of Portugal's economically active population. Today, only 10 percent of the economically active population is employed in the agricultural sector (the highest among EU member states); 30 percent in the industrial sector (also the highest among EU member states); and 60 percent in the service sector (the lowest among EU member states). The economically active population numbers about 5,000,000 employed, 56 percent of whom are women. Women workers are the majority of the workforce in the agricultural and service sectors (the highest among the EU member states). The expansion of the service sector has been primarily in health care and education. Portugal has had the lowest unemployment rates among EU member states, with the overall rate never being more than 10 percent of the active population. Since joining the EU, the number of employers increased from 2.6 percent to 5.8 percent of the active population; self-employed from 16 to 19 percent; and employees from 65 to 70 percent. Twenty-six percent of the employers are women. Unemployment tends to hit younger workers in industry and transportation, women employed in domestic service, workers on short-term contracts, and poorly educated workers. Salaried workers earn only 63 percent of the EU average, and hourly workers only one-third to one-half of that earned by their EU counterparts. Despite having had the second highest growth of gross national product (GNP) per inhabitant (after Ireland) among EU member states, the above data suggest that while much has been accomplished in terms of modernizing the Portuguese economy, much remains to be done to bring Portugal's economy up to the level of the "average" EU member state.
       Membership in the EU has also speeded up changes in Portuguese society. Over the last 30 years, coastalization and urbanization have intensified. Fully 50 percent of Portuguese live in the coastal urban conurbations of Lisbon, Oporto, Braga, Aveiro, Coimbra, Viseu, Évora, and Faro. The Portuguese population is one of the oldest among EU member states (17.3 percent are 65 years of age or older) thanks to a considerable increase in life expectancy at birth (77.87 years for the total population, 74.6 years for men, 81.36 years for women) and one of the lowest birthrates (10.59 births/1,000) in Europe. Family size averages 2.8 persons per household, with the strict nuclear family (one or two generations) in which both parents work being typical. Common law marriages, cohabitating couples, and single-parent households are more and more common. The divorce rate has also increased. "Youth Culture" has developed. The young have their own meeting places, leisure-time activities, and nightlife (bars, clubs, and discos).
       All Portuguese citizens, whether they have contributed or not, have a right to an old-age pension, invalidity benefits, widowed persons' pension, as well as payments for disabilities, children, unemployment, and large families. There is a national minimum wage (€385 per month), which is low by EU standards. The rapid aging of Portugal's population has changed the ratio of contributors to pensioners to 1.7, the lowest in the EU. This has created deficits in Portugal's social security fund.
       The adult literacy rate is about 92 percent. Illiteracy is still found among the elderly. Although universal compulsory education up to grade 9 was achieved in 1980, only 21.2 percent of the population aged 25-64 had undergone secondary education, compared to an EU average of 65.7 percent. Portugal's higher education system currently consists of 14 state universities and 14 private universities, 15 state polytechnic institutions, one Catholic university, and one military academy. All in all, Portugal spends a greater percentage of its state budget on education than most EU member states. Despite this high level of expenditure, the troubled Portuguese education system does not perform well. Early leaving and repetition rates are among the highest among EU member states.
       After the Revolution of 25 April 1974, Portugal created a National Health Service, which today consists of 221 hospitals and 512 medical centers employing 33,751 doctors and 41,799 nurses. Like its education system, Portugal's medical system is inefficient. There are long waiting lists for appointments with specialists and for surgical procedures.
       Structural changes in Portugal's economy and society mean that social life in Portugal is not too different from that in other EU member states. A mass consumption society has been created. Televisions, telephones, refrigerators, cars, music equipment, mobile phones, and personal computers are commonplace. Sixty percent of Portuguese households possess at least one automobile, and 65 percent of Portuguese own their own home. Portuguese citizens are more aware of their legal rights than ever before. This has resulted in a trebling of the number of legal proceeding since 1960 and an eight-fold increase in the number of lawyers. In general, Portuguese society has become more permissive and secular; the Catholic Church and the armed forces are much less influential than in the past. Portugal's population is also much more culturally, religiously, and ethnically diverse, a consequence of the coming to Portugal of hundreds of thousands of immigrants, mainly from former African colonies.
       Portuguese are becoming more cosmopolitan and sophisticated through the impact of world media, the Internet, and the World Wide Web. A prime case in point came in the summer and early fall of 1999, with the extraordinary events in East Timor and the massive Portuguese popular responses. An internationally monitored referendum in East Timor, Portugal's former colony in the Indonesian archipelago and under Indonesian occupation from late 1975 to summer 1999, resulted in a vote of 78.5 percent for rejecting integration with Indonesia and for independence. When Indonesian prointegration gangs, aided by the Indonesian military, responded to the referendum with widespread brutality and threatened to reverse the verdict of the referendum, there was a spontaneous popular outpouring of protest in the cities and towns of Portugal. An avalanche of Portuguese e-mail fell on leaders and groups in the UN and in certain countries around the world as Portugal's diplomats, perhaps to compensate for the weak initial response to Indonesian armed aggression in 1975, called for the protection of East Timor as an independent state and for UN intervention to thwart Indonesian action. Using global communications networks, the Portuguese were able to mobilize UN and world public opinion against Indonesian actions and aided the eventual independence of East Timor on 20 May 2002.
       From the Revolution of 25 April 1974 until the 1990s, Portugal had a large number of political parties, one of the largest Communist parties in western Europe, frequent elections, and endemic cabinet instability. Since the 1990s, the number of political parties has been dramatically reduced and cabinet stability increased. Gradually, the Portuguese electorate has concentrated around two larger parties, the right-of-center Social Democrats (PSD) and the left-of-center Socialist (PS). In the 1980s, these two parties together garnered 65 percent of the vote and 70 percent of the seats in parliament. In 2005, these percentages had risen to 74 percent and 85 percent, respectively. In effect, Portugal is currently a two-party dominant system in which the two largest parties — PS and PSD—alternate in and out of power, not unlike the rotation of the two main political parties (the Regenerators and the Historicals) during the last decades (1850s to 1880s) of the liberal constitutional monarchy. As Portugal's democracy has consolidated, turnout rates for the eligible electorate have declined. In the 1970s, turnout was 85 percent. In Portugal's most recent parliamentary election (2005), turnout had fallen to 65 percent of the eligible electorate.
       Portugal has benefited greatly from membership in the EU, and whatever doubts remain about the price paid for membership, no Portuguese government in the near future can afford to sever this connection. The vast majority of Portuguese citizens see membership in the EU as a "good thing" and strongly believe that Portugal has benefited from membership. Only the Communist Party opposed membership because it reduces national sovereignty, serves the interests of capitalists not workers, and suffers from a democratic deficit. Despite the high level of support for the EU, Portuguese voters are increasingly not voting in elections for the European Parliament, however. Turnout for European Parliament elections fell from 40 percent of the eligible electorate in the 1999 elections to 38 percent in the 2004 elections.
       In sum, Portugal's turn toward Europe has done much to overcome its backwardness. However, despite the economic, social, and political progress made since 1986, Portugal has a long way to go before it can claim to be on a par with the level found even in Spain, much less the rest of western Europe. As Portugal struggles to move from underde-velopment, especially in the rural areas away from the coast, it must keep in mind the perils of too rapid modern development, which could damage two of its most precious assets: its scenery and environment. The growth and future prosperity of the economy will depend on the degree to which the government and the private sector will remain stewards of clean air, soil, water, and other finite resources on which the tourism industry depends and on which Portugal's world image as a unique place to visit rests. Currently, Portugal is investing heavily in renewable energy from solar, wind, and wave power in order to account for about 50 percent of its electricity needs by 2010. Portugal opened the world's largest solar power plant and the world's first commercial wave power farm in 2006.
       An American documentary film on Portugal produced in the 1970s described this little country as having "a Past in Search of a Future." In the years after the Revolution of 25 April 1974, it could be said that Portugal is now living in "a Present in Search of a Future." Increasingly, that future lies in Europe as an active and productive member of the EU.

    Historical dictionary of Portugal > Historical Portugal

  • 6 БИБЛИОГРАФИЯ

    Мы приняли следующие сокращения для наиболее часто упоминаемых книг и журналов:
    IJP - International Journal of Psycho-analysis
    JAPA - Journal of the American Psychoanalytic Association
    SE - Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. James Strachey (London: Hogarth Press and the Institute of Psycho-Analysis, 1953—74.)
    PSOC - Psychoanalytic Study of the Child (New Haven: Yale University Press)
    PQ - Psychoanalytic Quarterly
    WAF - The Writings of Anna Freud, ed. Anna Freud (New York: International Universities Press, 1966—74)
    PMC - Psychoanalysis The Major Concepts ed. Burness E. Moore and Bernard D. Fine (New Haven: Yale University Press)
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    О словаре: _about - Psychoanalytic Terms and Concepts
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    1. Abend, S. M. Identity. PMC. Forthcoming.
    2. Abend, S. M. (1974) Problems of identity. PQ, 43.
    3. Abend, S. M., Porder, M. S. & Willick, M. S. (1983) Borderline Patients. New York: Int. Univ. Press.
    4. Abraham, K. (1916) The first pregenital stage of libido. Selected Papers. London, Hogarth Press, 1948.
    5. Abraham, K. (1917) Ejaculatio praecox. In: selected Papers. New York Basic Books.
    6. Abraham, K. (1921) Contributions to the theory of the anal character. Selected Papers. New York: Basic Books, 1953.
    7. Abraham, K. (1924) A Short study of the development of the libido, viewed in the light of mental disorders. In: Selected Papers. London: Hogarth Press, 1927.
    8. Abraham, K. (1924) Manic-depressive states and the pre-genital levels of the libido. In: Selected Papers. London: Hogarth Press, 1949.
    9. Abraham, K. (1924) Selected Papers. London: Hogarth Press, 1948.
    10. Abraham, K. (1924) The influence of oral erotism on character formation. Ibid.
    11. Abraham, K. (1925) The history of an impostor in the light of psychoanalytic knowledge. In: Clinical Papers and Essays on Psychoanalysis. New York: Basic Books, 1955, vol. 2.
    12. Abrams, S. (1971) The psychoanalytic unconsciousness. In: The Unconscious Today, ed. M. Kanzer. New York: Int. Univ. Press.
    13. Abrams, S. (1981) Insight. PSOC, 36.
    14. Abse, D W. (1985) The depressive character In Depressive States and their Treatment, ed. V. Volkan New York: Jason Aronson.
    15. Abse, D. W. (1985) Hysteria and Related Mental Disorders. Bristol: John Wright.
    16. Ackner, B. (1954) Depersonalization. J. Ment. Sci., 100.
    17. Adler, A. (1924) Individual Psychology. New York: Harcourt, Brace.
    18. Akhtar, S. (1984) The syndrome of identity diffusion. Amer. J. Psychiat., 141.
    19. Alexander, F. (1950) Psychosomatic Medicine. New York: Norton.
    20. Allen, D. W. (1974) The Feat- of Looking. Charlottesvill, Va: Univ. Press of Virginia.
    21. Allen, D. W. (1980) Psychoanalytic treatment of the exhibitionist. In: Exhibitionist, Description, Assessment, and Treatment, ed. D. Cox. New York: Garland STPM Press.
    22. Allport, G. (1937) Personality. New York: Henry Holt.
    23. Almansi, R. J. (1960) The face-breast equation. JAPA, 6.
    24. Almansi, R. J. (1979) Scopophilia and object loss. PQ, 47.
    25. Altman, L. Z. (1969) The Dream in Psychoanalysis. New York: Int. Univ. Press.
    26. Altman, L. Z. (1977) Some vicissitudes of love. JAPA, 25.
    27. American Psychiatric Association. (1987) Diagnostic and Statistical Manual of Mental Disorders, 3d ed. revised. Washington, D. C.
    28. Ansbacher, Z. & Ansbacher, R. (1956) The Individual Psychology of Alfred Adler. New York: Basic Books.
    29. Anthony, E. J. (1981) Shame, guilt, and the feminine self in psychoanalysis. In: Object and Self, ed. S. Tuttman, C. Kaye & M. Zimmerman. New York: Int. Univ. Press.
    30. Arlow. J. A. (1953) Masturbation and symptom formation. JAPA, 1.
    31. Arlow. J. A. (1959) The structure of the deja vu experience. JAPA, 7.
    32. Arlow. J. A. (1961) Ego psychology and the study of mythology. JAPA, 9.
    33. Arlow. J. A. (1963) Conflict, regression and symptom formation. IJP, 44.
    34. Arlow. J. A. (1966) Depersonalization and derealization. In: Psychoanalysis: A General Psychology, ed. R. M. Loewenstein, L. M. Newman, M. Schur & A. J. Solnit. New York: Int. Univ. Press.
    35. Arlow. J. A. (1969) Fantasy, memory and reality testing. PQ, 38.
    36. Arlow. J. A. (1969) Unconscious fantasy and disturbances of mental experience. PQ, 38.
    37. Arlow. J. A. (1970) The psychopathology of the psychoses. IJP, 51.
    38. Arlow. J. A. (1975) The structural hypothesis. PQ, 44.
    39. Arlow. J. A. (1977) Affects and the psychoanalytic situation. IJP, 58.
    40. Arlow. J. A. (1979) Metaphor and the psychoanalytic situation. PQ, 48.
    41. Arlow. J. A. (1979) The genesis of interpretation. JAPA, 27 (suppl.).
    42. Arlow. J. A. (1982) Problems of the superego concept. PSOC, 37.
    43. Arlow. J. A. (1984) Disturbances of the sense of time. PQ, 53.
    44. Arlow. J. A. (1985) Some technical problems of countertransference. PQ, 54.
    45. Arlow, J. A. & Brenner, C. (1963) Psychoanalytic Concepts and the Structural Theory, New York: Int. Univ. Press.
    46. Arlow, J. A. & Brenner, C. (1969) The psychopathology of the psychoses. IJP, 50.
    47. Asch, S. S. (1966) Depression. PSOC, 21.
    48. Asch, S. S. (1976) Varieties of negative therapeutic reactions and problems of technique. JAPA, 24.
    49. Atkins, N. (1970) The Oedipus myth. Adolescence, and the succession of generations. JAPA, 18.
    50. Atkinson, J. W. & Birch, D. (1970) The Dynamics of Action. New York: Wiley.
    51. Bachrach, H. M. & Leaff, L. A. (1978) Analyzability. JAPA, 26.
    52. Bacon, C. (1956) A developmental theory of female homosexuality. In: Perversions,ed, S. Lorand & M. Balint. New York: Gramercy.
    53. Bak, R. C. (1953) Fetishism. JAPA. 1.
    54. Bak, R. C. (1968) The phallic woman. PSOC, 23.
    55. Bak, R. C. & Stewart, W. A. (1974) Fetishism, transvestism, and voyeurism. An American Handbook of Psychiatry, ed. S. Arieti. New York: Basic Books, vol. 3.
    56. Balint, A. (1949) Love for mother and mother-love. IJP, 30.
    57. Balter, L., Lothane, Z. & Spencer, J. H. (1980) On the analyzing instrument, PQ, 49.
    58. Basch, M. F. (1973) Psychoanalysis and theory formation. Ann. Psychoanal., 1.
    59. Basch, M. F. (1976) The concept of affect. JAPA, 24.
    60. Basch, M. F. (1981) Selfobject disorders and psychoanalytic theory. JAPA, 29.
    61. Basch, M. F. (1983) Emphatic understanding. JAPA. 31.
    62. Balldry, F. Character. PMC. Forthcoming.
    63. Balldry, F. (1983) The evolution of the concept of character in Freud's writings. JAPA. 31.
    64. Begelman, D. A. (1971) Misnaming, metaphors, the medical model and some muddles. Psychiatry, 34.
    65. Behrends, R. S. & Blatt, E. J. (1985) Internalization and psychological development throughout the life cycle. PSOC, 40.
    66. Bell, A. (1961) Some observations on the role of the scrotal sac and testicles JAPA, 9.
    67. Benedeck, T. (1949) The psychosomatic implications of the primary unit. Amer. J. Orthopsychiat., 19.
    68. Beres, C. (1958) Vicissitudes of superego functions and superego precursors in childhood. FSOC, 13.
    69. Beres, D. Conflict. PMC. Forthcoming.
    70. Beres, D. (1956) Ego deviation and the concept of schizophrenia. PSOC, 11.
    71. Beres, D. (1960) Perception, imagination and reality. IJP, 41.
    72. Beres, D. (1960) The psychoanalytic psychology of imagination. JAPA, 8.
    73. Beres, D. & Joseph, E. D. (1965) Structure and function in psychoanalysis. IJP, 46.
    74. Beres, D. (1970) The concept of mental representation in psychoanalysis. IJP, 51.
    75. Berg, M D. (1977) The externalizing transference. IJP, 58.
    76. Bergeret, J. (1985) Reflection on the scientific responsi bilities of the International Psychoanalytical Association. Memorandum distributed at 34th IPA Congress, Humburg.
    77. Bergman, A. (1978) From mother to the world outside. In: Grolnick et. al. (1978).
    78. Bergmann, M. S. (1980) On the intrapsychic function of falling in love. PQ, 49.
    79. Berliner, B. (1966) Psychodynamics of the depressive character. Psychoanal. Forum, 1.
    80. Bernfeld, S. (1931) Zur Sublimierungslehre. Imago, 17.
    81. Bibring, E. (1937) On the theory of the therapeutic results of psychoanalysis. IJP, 18.
    82. Bibring, E. (1941) The conception of the repetition compulsion. PQ, 12.
    83. Bibring, E. (1953) The mechanism of depression. In: Affective Disorders, ed. P. Greenacre. New York: Int. Univ. Press.
    84. Bibring, E. (1954) Psychoanalysis and the dynamic psychotherapies. JAPA, 2.
    85. Binswanger, H. (1963) Positive aspects of the animus. Zьrich: Spring.
    86. Bion Francesca Abingdon: Fleetwood Press.
    87. Bion, W. R. (1952) Croup dynamics. IJP, 33.
    88. Bion, W. R. (1961) Experiences in Groups. London: Tavistock.
    89. Bion, W. R. (1962) A theory of thinking. IJP, 40.
    90. Bion, W. R. (1962) Learning from Experience. London: William Heinemann.
    91. Bion, W. R. (1963) Elements of Psychoanalysis. London: William Heinemann.
    92. Bion, W. R. (1965) Transformations. London: William Heinemann.
    93. Bion, W. R. (1970) Attention and Interpretation. London: Tavistock.
    94. Bion, W. R. (1985) All My Sins Remembered, ed. Francesca Bion. Adingdon: Fleetwood Press.
    95. Bird, B. (1972) Notes on transference. JAPA, 20.
    96. Blanck, G. & Blanck, R. (1974) Ego Psychology. New York: Columbia Univ. Press.
    97. Blatt, S. J. (1974) Levels of object representation in anaclitic and introjective depression. PSOC, 29.
    98. Blau, A. (1955) A unitary hypothesis of emotion. PQ, 24.
    99. Bleuler, E. (1911) Dementia Praecox or the Group of Schizophrenias. New York: Int. Univ. Press, 1951.
    100. Blos, P. (1954) Prolonged adolescence. Amer. J. Orthopsychiat., 24.
    101. Blos, P. (1962) On Adolescence. New York: Free Press.
    102. Blos, P. (1972) The epigenesia of the adult neurosis. 27.
    103. Blos, P. (1979) Modification in the traditional psychoanalytic theory of adolescent development. Adolescent Psychiat., 8.
    104. Blos, P. (1984) Son and father. JAPA_. 32.
    105. Blum, G. S. (1963) Prepuberty and adolescence, In Studies ed. R. E. Grinder. New York: McMillan.
    106. Blum, H. P. Symbolism. FMC. Forthcoming.
    107. Blum, H. P. (1976) Female Psychology. JAPA, 24 (suppl.).
    108. Blum, H. P. (1976) Masochism, the ego ideal and the psychology of women. JAPA, 24 (suppl.).
    109. Blum, H. P. (1980) The value of reconstruction in adult psychoanalysis. IJP, 61.
    110. Blum, H. P. (1981) Forbidden quest and the analytic ideal. PQ, 50.
    111. Blum, H. P. (1983) Defense and resistance. Foreword. JAFA, 31.
    112. Blum, H. P., Kramer, Y., Richards, A. K. & Richards, A. D., eds. (1988) Fantasy, Myth and Reality: Essays in Honor of Jacob A. Arlow. Madison, Conn.: Int. Univ. Press.
    113. Boehm, F. (1930) The femininity-complex In men. IJP,11.
    114. Boesky, D. Structural theory. PMC. Forthcoming.
    115. Boesky, D. (1973) Deja raconte as a screen defense. PQ, 42.
    116. Boesky, D. (1982) Acting out. IJP, 63.
    117. Boesky, D. (1986) Questions about Sublimation In Psychoanalysis the Science of Mental Conflict, ed. A. D. Richards & M. S. Willick. Hillsdale, N. J.: Analytic Press.
    118. Bornstein, B. (1935) Phobia in a 2 1/2-year-old child. PQ, 4.
    119. Bornstein, B. (1951) On latency. PSOC, 6.
    120. Bornstein, M., ed. (1983) Values and neutrality in psychoanalysis. Psychoanal. Inquiry, 3.
    121. Bowlby, J. (1960) Grief and morning in infancy and early childhood. PSOC. 15.
    122. Bowlby, J. (1961) Process of mourning. IJP. 42.
    123. Bowlby, J. (1980) Attachment and Loss, vol. 3. New York: Basic Books.
    124. Bradlow, P. A. (1973) Depersonalization, ego splitting, non-human fantasy and shame. IJP, 54.
    125. Brazelton, T. B., Kozlowsky, B. & Main, M. (1974) The early motherinfant interaction. In: The Effect of the Infant on Its Caregiver, ed. M. Lewis & L. Rosenblum New York Wiley.
    126. Brenner, C. (1957) The nature and development of the concept of repression in Freud's writings. PSOC, 12.
    127. Brenner, C. (1959) The masochistic character. JAPA, 7.
    128. Brenner, C. (1973) An Elementary Textbook of Psycho-analysis. New York Int. Univ. Press.
    129. Brenner, C. (1974) On the nature and development of affects PQ, 43.
    130. Brenner, C. (1976) Psychoanalytic Technique and Psychic Conflict. New York: Int. Univ. Press.
    131. Brenner, C. (1979) The Mind in Conflict. New York: Int. Univ. Press.
    132. Brenner, C. (1979) Working alliance, therapeutic alliance and transference. JAPA, 27.
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    905. Zetzel, E. R. (1956) Current concepts of transference. TJP, 37.

    Словарь психоаналитических терминов и понятий > БИБЛИОГРАФИЯ

  • 7 Poil de carotte

    1. (1926)
       1926 – Франция (108 мин)
         Произв. Majestic Film, Films Legrand
         Реж. ЖЮЛЬЕН ДЮВИВЬЕ
         Сцен. Жюльен Дювивье и Жак Фейдер по одноименным роману и пьесе Жюля Ренара
         Опер. Ганзли Вальтер, Андре Дантан
         В ролях Анри Кросс (мсье Лепик), Андре Эзе (Рыжик), Шарлотт Барбье-Кросс (мадам Лепик), Фабьен Азиза (Феликс), Сюзанн Тальба (Аннетт), Рене Жан (Эрнестина).
    2. (1932)
       1932 – Франция (91 мин)
         Произв. Vandal et Delac
         Реж. ЖЮЛЬЕН ДЮВИВЬЕ
         Сцен. Жюльен Дювивье по одноименным произведениям Жюля Ренара
         Опер. Арман Тирар и Эмиль Ж. Моннио
         Муз. Александр Тансман
         В ролях Арри Бор (мсье Лепик), Робер Линен (Рыжик), Катрин Фонтене (мадам Лепик), Кристин Дор (Аннетт), Колетт Сегаль (Матильда), Симона Обри (Эрнестина), Луи Готье (крестный отец), Макс Фромио (Феликс).
       Несчастная жизнь молодого Франсуа Лепика по прозвищу Рыжик, который оказался в незавидном положении: между злобной матерью, всячески его обижающей, молчаливым и усталым отцом, который считает, что сын его не любит, жадными и лицемерными братом и сестрой. Только молодая служанка Аннетт, добрая душа, принимает его сторону и помогает его отцу понять, насколько мальчик несчастен. Мсье Лепик в последний момент спасает Рыжика от самоубийства.
         С интервалом в 6 лет Жюльен Дювивье снимает 2 киноверсии шедевра Жюля Ренара. Природная суровость, пессимизм и мизантропия Дювивье делают его идеальным режиссером для экранизации Жюля Ренара, даже если в его творчестве, как правило, отсутствует жестокая ирония и черный юмор, характерные для писателя. Драматургическая фабула 2 фильмов довольно схожа; в обоих случаях она основана в гораздо большей степени на романе «Рыжик» (1894), чем на коротенькой пьесе, написанной Ренаром 6 лет спустя по мотивам первоисточника: речь идет, по сути, о наборе скетчей, объединенных под одним названием в достаточно необычной и неподвижной конструкции, совершенно типичной для Жюля Ренара. В звуковой версии Дювивье устраняет побочную линию собственного изобретения, без которой сюжет вполне мог обойтись (платоническая связь Феликса с певицей, пытающейся выманить из него деньги), и возвращает действие, в немой версии курьезным образом перенесенное в Верхнюю Савойю, туда, где оно происходило изначально, – в Ньевр. Оба фильма завершаются мелодраматической развязкой: отец спасает сына – и это тоже довольно банальное нововведение Дювивье.
       Немой фильм отличается чуть большим разнообразием в сценах, локациях и оптических приемах, нежели звуковой. Главным образом, он более суров, натуралистичен и жесток в карикатурном изображении героев (в частности, мадам Лепик предстает настоящим чудовищем в юбке, усатым и страшным на вид, совершенно омерзительным существом). В этом основное различие между 2 фильмами. Жестокость Рыжика, инстинктивные и зачастую извращенные поступки, которыми он реагирует на свое невыносимое положение, полностью устранены в обеих версиях. Тем не менее немой Рыжик (Андре Эзе) более груб и «простоват», чем персонаж Робера Линена: последний рисует своего героя в пастельных тонах, хоть и делает это талантливо и живо. Обе экранизации честны по отношению к первоисточнику, но не более того (причем немая версия чуть превосходит звуковую), и наглядно демонстрируют, насколько сложно перенести на экран эту великую книгу и добавить к ней что-либо, достойное восхищения. Как бы то ни было, созданного этими картинами отражения книги, пусть и подслащенного, оказалось достаточно, чтобы увлечь зрителей. Другие одноименные экранизации значительно уступают работе Дювивье: фильм Поля Менье (1952), ставший большой редкостью, с Реймоном Суплексом в роли мсье Лепика, посредственен, но приемлем; фильм Анри Грациани (1972) с Филиппом Нуаре ― полный провал.
       N.B. В своей знаменитой работе «Графическое, кинематографическое и музыкальное переложение произведений Жюля Ренара» (Léon Guichard, L'interprétation graphique, cinématographique et musicale des œuvres de Jules Renard, Nizet, 1936) Леон Гишар, специалист по Ренару, очень жестоко критикует немую версию, проявляя чуть большую снисходительность к звуковой версии. Свои гневные выпады он предваряет таким предупреждением: «Я не видел фильм 1926 г., но видел его программку, обильно иллюстрированную и содержащую пересказ сценария…» О, легкомыслие университетских ученых!

    Авторская энциклопедия фильмов Жака Лурселля > Poil de carotte

  • 8 Garbo, Greta

    (1905-1990) Гарбо, Грета
    Актриса. Настоящее имя - Грета Густафссон [Gustafsson, Greta]. По национальности шведка. С 1926 начала сниматься в Голливуде [ Hollywood] и вскоре стала одной из его легенд, чему в немалой степени способствовало ее амплуа загадочных роковых женщин и чрезвычайно замкнутый образ жизни, полный отказ от рекламы и упорное нежелание общаться с прессой. И все же "миф Гарбо" возник прежде всего благодаря ее актерскому таланту и магнетизму личности, неотразимой одухотворенности и обаянию созданных ею образов. В 1941 ушла из кино после неудачного выступления в фильме "Двуликая женщина" ["Two-Faced Woman"] (1941). Среди других фильмов с ее участием: "Поток" ["The Torrent"] (1926), "Плоть и дьявол" ["Flesh and the Devil"] (1927), "Божественная женщина" ["The Divine Woman"] (1928) - о Саре Бернар, "Дикие орхидеи" ["Wild Orchids"] (1929), "Мата Хари" ["Mata Hari"] (1932), "Гранд-отель" ["Grand Hotel"] (1932), "Королева Кристина" ["Queen Christina"] (1933), "Анна Каренина" ["Anna Karenina"] (1935), "Дама с камелиями" ["Camille"] (1936), "Ниночка" ["Ninotchka"] (1939). В 1954 получила специальную премию "Оскар" [ Oscar]

    English-Russian dictionary of regional studies > Garbo, Greta

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    Historical dictionary of quotations in cognitive science > Bibliography

  • 10 Carmona, António Óscar de Fragoso

    (1869-1951)
       Career army officer, one of the founders of the Estado Novo (1926-74), and the longest-serving president of the republic of that regime (1926-51). Born in Lisbon in 1869, the son of a career cavalry officer, Oscar Carmona entered the army in 1888 and became a lieutenant in 1894, in the same cavalry regiment in which his father had served. He rose rapidly, and became a general during the turbulent First Republic, briefly served as minister of war in 1923, and achieved public notoriety as prosecutor for the military in one of the famous trials of military personnel in an abortive 1925 coup. General Carmona was one of the key supporters of the 28 May 1926 military coup that overthrew the unstable republic and established the initially unstable military dictatorship (1926-33), which was the political system that founded the Estado Novo (1933-74).
       Carmona took power as president upon the ousting of the Twenty-eighth of May coup leader, General Gomes da Costa, and guided the military dictatorship through political and economic uncertainty until the regime settled upon empowering Antônio de Oliveira Salazar with extraordinary fiscal authority as minister of finance (April 1928). Elected in a managed election based on limited male suffrage in 1928, President Carmona served as the Dictatorship's president of the republic until his death in office in 1951 at age 81. In political creed a moderate republican not a monarchist, General (and later Marshal) Carmona played an essential role in the Dictatorship, which involved a division of labor between Dr. Salazar, who, as prime minister since July 1932 was responsible for the daily management of the government, and Carmona, who was responsible for managing civil-military relations in the system, maintaining smooth relations with Dr. Salazar, and keeping the armed forces officer corps in line and out of political intervention.
       Carmona's amiable personality and reputation for personal honesty, correctness, and hard work combined well with a friendly relationship with the civilian dictator Salazar. Especially in the period 1928-44, in his more vigorous years in the position, Carmona's role was vital in both the political and ceremonial aspects of his job. Car-mona's ability to balance the relationship with Salazar and the pressures and demands from a sometimes unhappy army officer corps that, following the civilianization of the regime in the early 1930s, could threaten military intervention in politics and government, was central to the operation of the regime.
       After 1944, however, Carmona was less effective in this role. His tiring ceremonial visits around Portugal, to the Atlantic Islands, and to the overseas empire became less frequent; younger generations of officers grew alienated from the regime; and Carmona suffered from the mental and physical ailments of old age. In the meantime, Salazar assumed the lion's share of political power and authority, all the while placing his own appointees in office. This, along with the regime's political police (PVDE or PIDE), Republican National Guard, and civil service, as well as a circle of political institutions that monopolized public office, privilege, and decision making, made Carmona's role as mediator-intermediary between the career military and the largely civilian-managed system significantly less important. Increasingly feeble and less aware of events around him, Carmona died in office in April 1951 and was replaced by Salazar's chosen appointee, General (and later Marshal) Francisco Craveiro Lopes, who was elected president of the republic in a regime-managed election.

    Historical dictionary of Portugal > Carmona, António Óscar de Fragoso

  • 11 Eason, B. Reeves

    1886-1956
       Neoyorquino de nacimiento, B. Eason Reeves es uno mas de la larga nomina de directores norteamericanos que se incorporaron a una naciente industria en Hollywood. Complementa su trabajo como director con los de ayudante de direccion y director de segunda unidad y, en sus primeros tiempos, actor. Tenia fama de rapido, realizo un buen punado de peliculas de serie y seriales, habitualmente en el terreno del western, y rodo, al parecer, la famosa escena de la carrera de cuadrigas del famoso Ben- Hur de Fred Niblo (1926).
        Roaring Ranch. 1930. 68 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Sally Eilers.
        Trigger Tricks. 1930. 61 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Sally Eilers.
        Spurs. 1930. 60 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Helen Wright.
        The Vanishing Legion (co-d.: Ford Beebe). 1931. 220 minutos. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Edwina Booth.
        The Sunset Trail. 1932. 62 minutos. Blanco y Negro. Tiffany. Ken Maynard, Ruth Hiatt, Frank Rice.
        The Last of the Mohicans (El ocaso de los mohicanos) (co-d.: Ford Beebe). 1932. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Hobarth Bosworth, Edwina Booth.
        Cornered (La risa del chacal). 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Shirley Grey.
        The Law of the Wild (Colmillos vengadores) (co-d.: Armand Schaefer). 1934. 225 minutos. 12 capitulos. Blanco y Negro. Mascot. Bob Custer, Lucile Browne.
        Mystery Mountain (La montana misteriosa) (co-d.: Otto Brower). 1934. 223 minutos. 12 capitulos. Blanco y Negro. Mascot. Ken Maynard, Verna Hillie.
        The Phantom Empire (El imperio fantasma) (co-d.: Otto Brower). 1935. 245 minutos. 12 capitulos. Blanco y Negro. Mascot. Gene Autry, Frankie Darro, Betsy King Ross, Dorothy Christie, Smiley Burnette.
        The Miracle Rider (El jinete alado) (co-d.: Armand Schaefer). 1935. 306 minutos. 15 capitulos. Blanco y Negro. Mascot. Tom Mix, Joan Gale.
        Red River Valley. 1936. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.
        Land Beyond the Law. 1937. 54 minutos. Blanco y Negro. WB. Dick Foran, Linda Perry.
        Empty Holsters. 1937. 58 minutos. Blanco y Negro. WB. Dick Foran, Glenn Strange.
        Prairie Thunder. 1937. 54 minutos. Blanco y Negro. WB. Dick Foran, Ellen Clancy.
        Call of the Yukon. 1938. 70 minutos. Blanco y Negro. Republic. Richard Arlen, Beverly Roberts, Lyle Talbot.
        Blue Montana Skies. 1939. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Mountain Rhythm. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Men with Steel Faces (co-d.: Otto Brower). 1940. 70 minutos. Blanco y Negro. Mascot. Gene Autry, Frankie Darro, Betsy King Ross, Dorothy Christie, Smiley Burnette.
        Black Arrow (Flecha negra) (co-d: Louis Friedlander). 1944. 15 capitulos. Blanco y Negro. Columbia. Robert Scott, Adele Jergens.
        Neath Canadian Skies. 1946. 41 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Inez Cooper.
        North of the Border. 1946. 40 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Inez Cooper.
        Rimfire. 1949. 64 minutos. Blanco y Negro. Screen Guid. James Millican, Mary Beth Hugues, Henry Hull.

    English-Spanish dictionary of western films > Eason, B. Reeves

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       ■ -. Portugal and Brazil: An Introduction. Oxford: Oxford University Press, 1953.
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       ■ -. Portugal. Englewood Cliffs, N.J.: Prentice-Hall, 1973.
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       ■ -. History of Portugal, 2 vols. New York: Columbia University Press, 1972; 1976 ed. in one volume.
       ■ -. Historia De Portugal. Lisbon: Imprensa Nacional-Casa da Moeda, 1991.
       ■ -. Breve Historia De Portugal. Lisbon: Presença, 1995.
       ■ Oliveira Martins, J. História de Portugal, 2 vols. Lisbon, 1880 and later editions.
       ■ Opello, Walter C., Jr. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991. Pajot, Lalé. Le Portugal. Paris: Pichon and Durand, 1971. Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.
       ■ Payne, Stanley G. A History of Spain and Portugal, 2 vols. Madison: University of Wisconsin Press, 1973.
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       ■ Saraiva, José Hermano. História Concisa de Portugal. Lisbon, 1978 and later eds.
       ■ -. História De Portugal, 4th ed. Mem Martins: Pub. Europa-América, 1993.
       ■ -. Portugal: A Companion History. Ed. and expanded by Ian Robertson and
       ■ L. C. Taylor. Manchester, U.K.: Carcanet, 1997.
       ■ Sayers, Raymond S., ed. Portugal and Brazil in Transition. Minneapolis: University of Minnesota Press, 1968.
       ■ Selvagem, Carlos. Portugal Militar. Lisbon, 1931.
       ■ Sérgio, Antônio. A Sketch of the History of Portugal. Lisbon, 1928.
       ■ Serrão, Joel, and A. H. de Oliveira Marques, eds. Nova História De Portugal, 10 vols. Lisbon, 1987-.
       ■ Silva, Manuela, coord. Portugal Contemporâneo: Problemas e perspectivas. Oeiras: Instituto Nacional de Administração, 1986.
       ■ Trend, J. B. Portugal. London: Ernest Benn, 1957.
       ■ Veríssimo Serrão, José. História De Portugal, 14 vols. Lisbon, 1980-97.
       ■ Vieira, Nelson H., ed. Roads to Today's Portugal: Essays on Contemporary Portuguese Literature, Art and Culture. Providence, R.I.: Gávea-Brown, 1983.
       ■ Wiarda, Iêda Siqueira, ed. The Handbook of Portuguese Studies. Washington, D.C.: Xlibris, 2000.
       ■ Historical Document Collections: Portugal Almeida, Manuel Lopes de, ed. Obras dos Príncipes de Avis. Oporto: Lello, 1981.
       ■ Andrade e Silva, José Justino da, ed. Collecção Chronologica da Legislação Portugueza ( 1603-1702), 10 vols. Lisbon De Souza, 1854-59.
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       ■ Academia Portuguesa de Histôria, 1940-62. Borges de Castro, José Ferreira, ed. Collecção dos Tratados, Convenções, Contratos e Actos Publicos Celebrados entre a Coroa de Portugal... desde 1640 até ao Presente, 30 vols. Lisbon: Imprensa Nacional, 1856-80. Boxer, C. R., ed. The Tragic History of the Sea, 1589-1622. Cambridge: Hakluyt Society, 2nd series, vol. 112. Cambridge University Press, 1959.
       ■. Further Selections from the Tragic History of the Sea. Cambridge: Hakluyt Society, 2nd series, vol. 132. Cambridge University Press, 1968. Coelho, Antônio Borges, ed. Portugal na Espanha Arabe, 4 vols. Lisbon, Seara Nova, 1972-75.
       ■ Cruz, Alfeu, ed. Colecção Anotada de Legislação da República Portuguesa. Lisbon, 1917.
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       ■ Dinis, Joaquim Dias, ed. Monumenta Henricina, 15 vols. Coimbra: Comissao Executiva das Comemorações do V Centenário da Morte do Infante D. Henrique, 1960-74.
       ■ Documentos para a História das Cortes gerais da Nação Portuguesa. Vol. I (1820-25) and later vols. Lisbon, 1889.
       ■ Duarte, Dom (King of Portugal). Leal Conselheiro. João Morais Barbosa, ed. Lisbon: Imprensa Nacional and Casa da Moeda, 1982.
       ■ Faye, Jean Pierre, ed. Portugal: The Revolution in the Labyrinth. Nottingham, U.K.: Spokesman, 1976.
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       ■ Fonseca, Luís Adão da. O essencial sobre O Tratado de Windsor [ 1386]. Lisbon: Imprensa Nacional and Casa da Moeda, 1986.
       ■ Fundação Gulbenkian. Ordenações manuelinas, 5 vols. Lisbon: Fund. Gulben-kian, 1984.
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       ■ Neves, Orlando, ed. Textos Históricos Da Revolução, 3 vols. Lisbon: Diabril, 1975-76.
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       ■ Oliveira Marques, A.H. de, ed. Antologia da Historiografia Portuguesa, 2 vols. Mem Martins: Europa-América, 1975. Pereira, Miriam Halpern, ed. Revolução, Finanças, Dependência Externa. Vol. I (de 1820 a convenção de Gramido). Lisbon: Sá da Costa, 1979.
       ■ Salazar, Antonio de Oliveira. Discursos e Notas Políticas, 6 vols. Coimbra: Coimbra Edit., 1932-67.
       ■ -. Entrevistas: 1960-1966. Coimbra: Coimbra Edit., 1967.
       ■ -. Salazar. Pensamento e doutrina política: Textos antológicos. Lisbon: Verbo, 1989.
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       ■ Serrão, Joel, ed. Antologia Do Pensamento Político Português/1. Liberalismo, Socialismo, Republicanismo. Oporto: Inova, 1970.
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       ■ Tomás, Manuel Fernandes. A Revolução de 1820. José Tengarrinha, ed. Lisbon, 1974.
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       ■ Historical Document Collections: Portuguese Empire
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       ■ Albuquerque, Afonso de. Albuquerque: Caesar of the East. T. F. Earle and John Villiers, trans., eds. Warminster, U.K.: Aris & Phillips, 1990.
       ■ Alexandre, Valentim, ed. Orígens do colonialismo portugües moderno ( 18221891). Lisbon: Sá da Costa, 1979.
       ■ Almada, José de, ed. Tratados Aplicáveis ao Ultramar, 8 vols. Lisbon: MNE, 1942-46.
       ■ Arquivo das Colonias, 5 vols. Lisbon: Ministério das Colônias, 1917-33. Arquivos de Angola, 19 vols. 1st series, Luanda: 1933-59; 16 vols., 2nd series, 1960-74.
       ■ Arquivos de Macau, 9 vols. Macau, 1929-74.
       ■ Barbosa, Duarte. The Book of Duarte Barbosa, 2 vols. London: Hakluyt Society: 2nd series, no. 44 (1918) and 49 (1921).
       ■ Bensaúde, Joaquim, ed. Histoire de la science nautiqueportugaise a l' epoque des grandes découvertes, 7 vols. Munich and Lisbon: Kuhn, 1914-24.
       ■ Biker, Júlio Firmino Júdice, ed. Collecção de tratados e concertos de pazes que o Estado da India fez com os Reis e Senhores com que teve relações nas partes da Asia e Africa desde o princípio até ao fim do século XVIII, 14 vols. Lisbon, 1881-87.
       ■ Bragança Pereira, A. B., ed. Arquivo Portugües Oriental, 11 vols. Bastora, Goa: Rangel, 1936-40.
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       ■ Carreira, Antônio. Documentos para a História das Ilhas de Cabo Verde e " Rios de Guiné." Lisbon: Ed. do Autor, 1983.
       ■ Centro de Estudos Histôricos Ultramarinos. Documentação Ultramarina Portuguesa. Lisbon: CEHU, 1960-74.
       ■ -. Documentos sobre os portugueses em Moçambique e na Africa Central, 1497-1840, 8 vols. Lisbon: National Archives of Rhodesia and Nyasaland and CEHU, 1962-80.
       ■ Cooper, Michael, ed. They Came to Japan: An Anthology of European Reports on Japan, 1543-1640. London: Thames and Hudson, 1963.
       ■ Cortesao, Armando, ed. The Suma Oriental of Tomé Pires... and the Book of Francisco Rodrigues, 2 vols. London: Hakluyt Society, 2nd series, vols. 89, 90: 1944.
       ■ Cortesão, Armando, and Avelino Teixeira da Mota, eds. Portugalia monumenta cartographica, 6 vols. Coimbra: CMIH, 1958-63. Cunha Rivara, J. H. da, ed. Arquivo Portuguez Oriental, 9 vols. Nova-Goa, 1857-76.
       ■ Documentos Históricos da Biblioteca Nacional do Rio de Janeiro, 135 vols. Rio de Janeiro, 1928-.
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       ■ Pina Rui de. Crónica d'El Rey D. Affonso V, 3 vols. Lisbon: Clássicos Portuguezes, 1901-2.
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       ■. Crónica d'El Rey D. Diniz. Oporto: Liv. Civilização, 1945.
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       ■ Zurara, Gomes Eanes de. The Chronicle of the Discovery and Conquest of Guinea, 2 vols. C. R. Beazley and Edgar Prestage, trans. London: Hakluyt Society, 1896-99.
       ■. Crónica da tomada de Ceuta. Lisbon, 1915.

    Historical dictionary of Portugal > GENERAL REFERENCES

  • 13 The Lodger

    1. (1926)
       1926 - Великобритания (74 мин)
         Произв. Gainsborough Pictures (Майкл Бэлкон, Карлайл Блэкуэлл)
         Реж. АЛФРЕД ХИЧКОК
         Сцен. Элиот Стэннард по одноименному роману миссис Беллок Лоундз (титры Айвор Монтегю)
         Опер. барон Гаэтано ди Вентимилья
         В ролях Айвор Новелло (Жилец), Мэри Олт (хозяйка квартиры миссис Бантинг), Артур Чесни (ее муж), Джун (их дочь Дэйзи), Малколм Кин (полицейский Джо Беттс).
       ± Подзаголовок фильма: Рассказ о лондонском тумане. В лондонском районе орудует неуловимый убийца, среди ночи нападающий на юных блондинок и оставляющий на трупах треугольный листок бумаги с подписью «Мститель». В скромном домике в этом районе появляется новый жилец, на вид очень нервный и беспокойный; из багажа при нем только маленький кожаный саквояж. У хозяйки квартиры есть дочь Дэйзи, юная манекенщица, за которой настойчиво ухаживает полицейский, расследующий убийства. Новый жилец ведет себя странно: просит убрать из его комнаты картины, изображающие молодых светловолосых женщин, часто уходит по ночам, пряча лицо под длинным шарфом. Судя по всему, он нравится Дэйзи, и полицейский ревнует. Хозяйка обеспокоена ночными прогулками жильца и делится своими подозрениями с мужем. Вскоре муж начинает их разделять, тем более что очередное убийство происходит недалеко от их дома.
       Муж хозяйки заставляет жильца забрать шикарное платье, которое тот подарил Дэйзи: она уже успела выйти в нем на показе мод. Жилец и Дэйзи гуляют ночью и садятся на скамейку. Вне себя от ревности, полицейский разлучает их: Дэйзи говорит, что не хочет больше его видеть. Полицейский проводит обыск в комнате жильца и находит в его саквояже револьвер, карту с помеченными местами убийств и портрет 1-й жертвы. Жилец утверждает, что это его сестра. Их мать, умирая, просила отомстить за нее. Несмотря на эти слова, полицейский арестовывает жильца и надевает на него наручники. Но жильцу удается сбежать. Дэйзи находит его на месте назначенного свидания, под уличным фонарем. Они идут в кафе, но жилец вынужден прятать руки под плащом, и это привлекает внимание других посетителей. Герои бегут, преследуемые толпой.
       Полицейский узнает, что настоящий убийца только что пойман. Но толпа уже приковала жильца наручниками к уличной решетке и вот-вот с ним расправится. Полицейскому удается отцепить его и спасти. Выйдя из больницы, жилец делает предложение Дэйзи и приглашает ее, а также будущих тестя и тещу в свое шикарное поместье.
        1-й значительный фильм Хичкока. Помимо виртуозности, богатства различных эффектов и заметного влияния немецких экспрессионистов (напр., сцена, когда мать Дэйзи обыскивает комнату жильца, где на стенах отражаются уличные огни, сильно напоминает один из 1-х планов Улицы, Die Strasse), Жилец содержит множество мотивов, которые часто будут встречаться в более поздних фильмах Хичкока. Это мотивы драматургические, нравственные (ложно обвиненный человек и его путь, показанные с христианской точки зрения - см. Подозрение, Suspicion и в особенности Не тот человек, The Wrong Man) и даже визуальные: напр., лестница, источник головокружения и страха, вокруг которой строится часть действия и ряд очень красивых кадров. (По своей конструкции, построенной вокруг центральной лестницы, дом в Жильце очень близок дому в Психопате, Psycho. Вертикальный план, где по руке героя на перилах мы понимаем, что он спускается по лестнице, пробуждает в памяти знаменитый кадр из Головокружения, Vertigo).
       Хичкок часто сожалел, что звездный статус Айвора Новелло вынудил его завершить фильм счастливой развязкой: жилец оказывается невиновен. Однако такая развязка нисколько не искажает смысл фильма, напротив, значительно обогащает его. Хотя Хичкок, в сущности, не разделяет концепции Жида «Не суди», он часто нашептывает зрителю: «Не суди второпях», и этот призыв слышен во многих его сюжетах. В этом фильме родители Дэйзи быстро приходят к выводу о виновности жильца лишь потому, что он для них - чужак, а его манеры, поведение и происхождение кажутся им подозрительными. А полицейский совершенно ослеплен ревностью и гневом. Виновность других людей, прежде всего, кроется в нас самих, таится в наших комплексах и предрассудках. С другой стороны, хотя жилец в финале оказывается невиновен, его нравственный облик неоднозначен: разве он не собирался убить Мстителя? Но надо признать, что подобная двусмысленность не свойственна природе Хичкока: каждый раз, по возможности, Хичкок будет избавлять от нее свои фильмы.
    2. (1944)
       1944 - США (84 мин)
         Произв. Fox (Роберт Басслер)
         Реж. ДЖОН БРАМ
         Сцен. Барре Линдон по одноименному роману Мари Беллок Лоундз
         Опер. Люсьен Бэллэрд
         Муз. Гуго Фридхофер
         В ролях Лэрд Кригар (Жилец), Мёрл Оберон (Китти), Джордж Сандерз (Джон Уорвик), сэр Седрик Хардуик (Роберт Бёртон), Сара Оллгуд (Эллен Бёртон), Обри Мэзер (Сазерленд), Хелена Пикард (Энн Роули).
       В ночь, когда Джек-Потрошитель совершает 4-е убийство в лондонском квартале Уайтчепл, некий человек снимает комнату по объявлению, данному пожилой супружеской парой Робертом и Эллен Бёртонами. Вместе с комнатой незнакомец снимает и мансарду. Он называется фамилией Слейд и добавляет, что работает патологоанатомом, а потому его график весьма необычен. Слейд восхищен спокойствием, царящим в доме Бёртонов: «Это место - словно надежное убежище», - говорит он. Принеся жильцу завтрак, миссис Бёртон обнаруживает, что Слейд развернул лицом к стене все портреты актрис в комнате. Племянница Бёртонов Китти - артистка мюзик-холла в «Королевском театре Пиккадилли». В день премьеры она пускает в свою гримерку бывшую актрису-неудачницу Энн Роули, выполняя ее настойчивую просьбу. Китти даже дает ей денег: Энн уходит счастливая, но в тот же вечер становится 5-й жертвой Джека-Потрошителя. Слейд часто уходит и возвращается по ночам, чем навлекает подозрения миссис Бёртон. Слейда знакомят с женихом Китти - инспектором полиции Джоном Уорвиком, которому поручено расследование убийств, совершенных Потрошителем. Подозрения миссис Бёртон крепнут, когда она узнает, что Слейд сжег свой кожаный саквояж - примету, указанную во всех газетах. Но мистер Бёртон настроен скептически: по его словам, Слейд сделал это, чтобы не попасть под следствие. Он и сам припрятал свой саквояж.
       Пока миссис Бёртон угощает Слейда чаем, тот рассказывает ей о своем брате - гениальном художнике, который, по его словам, не должен был умирать. Джек-Потрошитель убивает новую жертву: на этот раз он прячется в ее комнате. Полиция оцепляет квартал, но ей не удается поймать преступника. В эту же ночь Китти видит, как Слейд сжигает свое пальто: он объясняет это тем, что испачкал его ядовитыми веществами в лаборатории. Китти верит в его искренность и защищает его от подозрений тетушки. Оставшись наедине с Китти, Слейд подозрительно возбужденным голосом объясняет, что женская красота может быть губительной. Именно она сгубила его брата. Теперь и мистер Бёртон разделяет подозрения супруги; вдвоем они делятся ими с Уорвиком, и тот пытается проверить их, взяв у жильца отпечатки пальцев. Роясь в вещах Слейда, Уорвик находит портрет его брата и вспоминает, что видел точно такой же портрет в комнате 1-й жертвы. Тем временем в «Королевском театре Пиккадилли» Китти исполняет французский танец с группой девушек-танцовщиц. Слейд пришел в театр по приглашению Китти: он и зачарован, и возмущен этим зрелищем. После номера Китти обнаруживает его в своей гримерке. Слейд хватает ее за горло: «Я люблю вас и ненавижу то зло, что живет в вас», - восклицает он. Она кричит. Прибегает Уорвик и стреляет в Слейда. Слейд ранен. Он прячется в темных закоулках и снова пытается убить Китти. Зажатый в угол полицейскими, он бросается из окна в Темзу. Его тело так и не будет найдено.
        Самая знаменитая версия похождений Джека-Потрошителя по мотивам романа Мари Беллок Лоундз, при этом - гораздо менее авторская и технически совершенная, нежели версия Хичкока (Жилец, The Lodger), а по оригинальности значительно уступающая версии Уго Фрегонезе (Человек на чердаке, Man in the Attic). Джон Брам, немецкий кинорежиссер, уроженец Гамбурга, специалист по нагнетанию тревожной атмосферы, слегка тяготеющий к барокко, использует свой скромный талант, рисуя образ викторианского Лондона - образ то устаревший и перегруженный (где чувствуется отдаленное влияние экспрессионизма), то тревожный и до странности рафинированный (и тогда в нем ощущается влияние фильма Турнёра Кошачье племя, Cat People, см. сцену, когда миссис Бёртон дает воды жильцу, чтобы раздобыть отпечатки его пальцев). Джона Брама в 1-ю очередь интересует свет, и его он использует с гораздо большей тонкостью, нежели перипетии сценария или характеры персонажей. 2-е и главное достоинство фильма - участие Лэрда Кригара, одного из самых трогательных и талантливых «тяжеловесов» в голливудском кинематографе. Очевидно, что в этой картине он без труда выделяется на фоне прочих, донельзя банальных персонажей, среди которых фигурирует и Джордж Сандерз, где-то вдруг растерявший все свои способности. Лэрд Кригар воплощает довольно смутный образ Джека-Потрошителя; его переход от желания отомстить за брата к одержимому пуританству и женоненавистничеству так и остается без объяснений. Хотя творческий путь Лэрда Кригара оказался слишком коротким (он родился в 1916 г., а умер в 1944 г., а впервые снялся в кино в 1940 г.), он успел сыграть в 3 крайне удачных фильмах: Я просыпаюсь с криком, I Wake Up Screaming, 1941 - талантливом нуаре Брюса Хамберстоуна, где он играет детектива-убийцу; в Жильце и в фильме Площадь Похмелья, Hangover Square, 1945, вышедшем на экраны уже после его смерти. Площадь Похмелья также поставлена Джоном Ирамом по сценарию Барре Линдона, и действие его снова происходит в Лондоне; герой Лэрда Кригара, сумасшедший композитор, при резких звуках теряет память и чувствует неудержимый позыв убивать. Финальная сцена, где он исполняет концерт в охваченной пламенем зале, стала знаменитой и вошла в анналы «готической мелодрамы».
       N.В. Другие версии романа Мари Беллок Лоундз сняты Хичкоком (Великобритания, 1926), Морисом Элви (Великобритания, 1932) (в этом фильме Айвор Новелло вновь играет ту же роль, что и у Хичкока) и Уго Фрегонезе (Человек на чердаке). О Джеке-Потрошителе см. также фильм Роберта Бейкера и Монти Бермана Джек-Потрошитель (Jack the Ripper, Великобритания, 1960 - достаточно блеклое раскрытие темы, поданное с хирургической точки зрения) и довольно оригинальную вариацию Николаса Майера Во всякое время, Time After Time, США 1979, где наш герой (его роль играет Дэйвид Уорнер) использует машину времени Гёрберта Уэллса, чтобы попасть в современную Америку. Напомним, что, согласно последним исследованиям, знаменитым убийцей оказался не английский аристократ, принадлежащий к королевской фамилии, как долгое время считалось, а польский еврей, умерший в 23 года в приюте для душевнобольных (***).
       ***
       --- Имеется в виду человек, известный под именем Дэйвид Коэн - центральный персонаж книги-расследования Мартина Фидо «Преступления, обнаружение и смерть Джека-Потрошителя» (Martin Fido, The Crimes, Detection and Death of Jack the Ripper, 1987). Это лишь одна из версий. В настоящее время общее число подозреваемых превышает два десятка; среди них - Льюис Кэрролл и принц Алберт Виктор, внук королевы Виктории.

    Авторская энциклопедия фильмов Жака Лурселля > The Lodger

  • 14 West, Mae

    (1893-1980) Уэст, Мей
    Актриса, сценарист. Легенда американской индустрии развлечений. Секс-символ 1930-х, получила прозвище Крошка-вамп ["Baby Vamp"]. Выступала в варьете, в бродвейских театрах [ Broadway], поставила несколько эпатажных пьес с откровенными сценами (ее пьесы "Секс" ["Sex"] (1926) и "Мужчина для удовольствий" ["Pleasure Man"] (1928) были сняты со сцены по цензурным соображениям, а за пьесу "Секс" в 1926 она на 10 дней попала в тюрьму "за непристойное поведение"). Автор ряда имевших широкое хождение двусмысленных изречений. Дебютировала в кино в фильме "Ночь за ночью" ["Night After Night"] (1932). Была автором сценариев ряда фильмов, в которых играла сама: "Она была к нему несправедлива" ["She Done Him Wrong"] (1933), "Мой маленький цыпленок" ["My Little Chickadee"] (1940) и др. В начале 1940-х ушла из кино. Снималась на телевидении, записывалась на пластинки, выступала на эстраде. В 1959 выпустила книгу воспоминаний "И никакой добродетели" ["Goodness Had Nothing to Do with It"]. В 1970 вновь снялась в кино в фильме "Майра Брекенридж" ["Myra Breckinridge"], а в 84-летнем возрасте - в фильме "Секстет" ["Sextette"] (1977). Ее именем военные летчики называют надувной спасательный жилет [ Mae West] (по ассоциации с пышным бюстом актрисы и по созвучию имени "Mae" с международным сигналом тревоги "Mayday", от франц "m'aidez", а фамилии со словом "vest" = "жилет")

    English-Russian dictionary of regional studies > West, Mae

  • 15 Salazar, Antônio de Oliveira

    (1889-1970)
       The Coimbra University professor of finance and economics and one of the founders of the Estado Novo, who came to dominate Western Europe's longest surviving authoritarian system. Salazar was born on 28 April 1889, in Vimieiro, Beira Alta province, the son of a peasant estate manager and a shopkeeper. Most of his first 39 years were spent as a student, and later as a teacher in a secondary school and a professor at Coimbra University's law school. Nine formative years were spent at Viseu's Catholic Seminary (1900-09), preparing for the Catholic priesthood, but the serious, studious Salazar decided to enter Coimbra University instead in 1910, the year the Braganza monarchy was overthrown and replaced by the First Republic. Salazar received some of the highest marks of his generation of students and, in 1918, was awarded a doctoral degree in finance and economics. Pleading inexperience, Salazar rejected an invitation in August 1918 to become finance minister in the "New Republic" government of President Sidónio Pais.
       As a celebrated academic who was deeply involved in Coimbra University politics, publishing works on the troubled finances of the besieged First Republic, and a leader of Catholic organizations, Sala-zar was not as modest, reclusive, or unknown as later official propaganda led the public to believe. In 1921, as a Catholic deputy, he briefly served in the First Republic's turbulent congress (parliament) but resigned shortly after witnessing but one stormy session. Salazar taught at Coimbra University as of 1916, and continued teaching until April 1928. When the military overthrew the First Republic in May 1926, Salazar was offered the Ministry of Finance and held office for several days. The ascetic academic, however, resigned his post when he discovered the degree of disorder in Lisbon's government and when his demands for budget authority were rejected.
       As the military dictatorship failed to reform finances in the following years, Salazar was reinvited to become minister of finances in April 1928. Since his conditions for acceptance—authority over all budget expenditures, among other powers—were accepted, Salazar entered the government. Using the Ministry of Finance as a power base, following several years of successful financial reforms, Salazar was named interim minister of colonies (1930) and soon garnered sufficient prestige and authority to become head of the entire government. In July 1932, Salazar was named prime minister, the first civilian to hold that post since the 1926 military coup.
       Salazar gathered around him a team of largely academic experts in the cabinet during the period 1930-33. His government featured several key policies: Portuguese nationalism, colonialism (rebuilding an empire in shambles), Catholicism, and conservative fiscal management. Salazar's government came to be called the Estado Novo. It went through three basic phases during Salazar's long tenure in office, and Salazar's role underwent changes as well. In the early years (1928-44), Salazar and the Estado Novo enjoyed greater vigor and popularity than later. During the middle years (1944—58), the regime's popularity waned, methods of repression increased and hardened, and Salazar grew more dogmatic in his policies and ways. During the late years (1958-68), the regime experienced its most serious colonial problems, ruling circles—including Salazar—aged and increasingly failed, and opposition burgeoned and grew bolder.
       Salazar's plans for stabilizing the economy and strengthening social and financial programs were shaken with the impact of the civil war (1936-39) in neighboring Spain. Salazar strongly supported General Francisco Franco's Nationalist rebels, the eventual victors in the war. But, as the civil war ended and World War II began in September 1939, Salazar's domestic plans had to be adjusted. As Salazar came to monopolize Lisbon's power and authority—indeed to embody the Estado Novo itself—during crises that threatened the future of the regime, he assumed ever more key cabinet posts. At various times between 1936 and 1944, he took over the Ministries of Foreign Affairs and of War (Defense), until the crises passed. At the end of the exhausting period of World War II, there were rumors that the former professor would resign from government and return to Coimbra University, but Salazar continued as the increasingly isolated, dominating "recluse of São Bento," that part of the parliament's buildings housing the prime minister's offices and residence.
       Salazar dominated the Estado Novo's government in several ways: in day-to-day governance, although this diminished as he delegated wider powers to others after 1944, and in long-range policy decisions, as well as in the spirit and image of the system. He also launched and dominated the single party, the União Nacional. A lifelong bachelor who had once stated that he could not leave for Lisbon because he had to care for his aged mother, Salazar never married, but lived with a beloved housekeeper from his Coimbra years and two adopted daughters. During his 36-year tenure as prime minister, Salazar engineered the important cabinet reshuffles that reflect the history of the Estado Novo and of Portugal.
       A number of times, in connection with significant events, Salazar decided on important cabinet officer changes: 11 April 1933 (the adoption of the Estado Novo's new 1933 Constitution); 18 January 1936 (the approach of civil war in Spain and the growing threat of international intervention in Iberian affairs during the unstable Second Spanish Republic of 1931-36); 4 September 1944 (the Allied invasion of Europe at Normandy and the increasing likelihood of a defeat of the Fascists by the Allies, which included the Soviet Union); 14 August 1958 (increased domestic dissent and opposition following the May-June 1958 presidential elections in which oppositionist and former regime stalwart-loyalist General Humberto Delgado garnered at least 25 percent of the national vote, but lost to regime candidate, Admiral Américo Tomás); 13 April 1961 (following the shock of anticolonial African insurgency in Portugal's colony of Angola in January-February 1961, the oppositionist hijacking of a Portuguese ocean liner off South America by Henrique Galvão, and an abortive military coup that failed to oust Salazar from office); and 19 August 1968 (the aging of key leaders in the government, including the now gravely ill Salazar, and the defection of key younger followers).
       In response to the 1961 crisis in Africa and to threats to Portuguese India from the Indian government, Salazar assumed the post of minister of defense (April 1961-December 1962). The failing leader, whose true state of health was kept from the public for as long as possible, appointed a group of younger cabinet officers in the 1960s, but no likely successors were groomed to take his place. Two of the older generation, Teotónio Pereira, who was in bad health, and Marcello Caetano, who preferred to remain at the University of Lisbon or in private law practice, remained in the political wilderness.
       As the colonial wars in three African territories grew more costly, Salazar became more isolated from reality. On 3 August 1968, while resting at his summer residence, the Fortress of São João do Estoril outside Lisbon, a deck chair collapsed beneath Salazar and his head struck the hard floor. Some weeks later, as a result, Salazar was incapacitated by a stroke and cerebral hemorrhage, was hospitalized, and became an invalid. While hesitating to fill the power vacuum that had unexpectedly appeared, President Tomás finally replaced Salazar as prime minister on 27 September 1968, with his former protégé and colleague, Marcello Caetano. Salazar was not informed that he no longer headed the government, but he never recovered his health. On 27 July 1970, Salazar died in Lisbon and was buried at Santa Comba Dão, Vimieiro, his village and place of birth.

    Historical dictionary of Portugal > Salazar, Antônio de Oliveira

  • 16 La Passion de Jeanne d'Arc

       1928 – Франция (оригинальная версия: 2210 м)
         Произв. Société Générale de Films
         Реж. КАРЛ ТЕОДОР ДРЕЙЕР
         Сцен. Карл Теодор Дрейер при участии Жозефа Дельтёя
         Опер. Рудольф Матэ
         Дек. Герман Г. Варм и Жан Юго
         Кост. Валентина Юго
         Оригинальная музыка Виктор Аликс и Лео Пугэ
         В ролях Рене Фальконетти (Жанна), Эжен Сильвен (епископ Кошон), Морис Шуц (Николя Луазелёр), Луи Раве (Жан Бопер), Андре Берлей (Жан д'Эстиве), Антонен Арто (Жан Массье), Жильбер Даллё (инквизитор Жан Леметр), Жан д'Ид (Николя де Упвилль), Поль Делозак (Мартен Ладвеню), Арман Люрвиль, Жак Арна, Александр Михалеску, Реймон Нарлей, Анри Майар, Мишель Симон, Жан Эйм, Леон Ларив, Поль Жорж (судьи).
       Процесс над Жанной д'Арк проходит в Руане 14 февраля 1431 г. Он начинается в помещении суда: судьи расспрашивают Жанну о ее жизни, призвании, о явлениях святого Михаила. На вопрос о том, зачем она носит мужское платье, Жанна отвечает, что снимет его, как только завершит свою миссию. Она надеется, что Бог спасет ее душу. Она не признает судей и просит отвести ее к Папе; в этом ей отказывают. Допрос продолжается в камере Жанны. Чтобы направить процесс в русло, угодное судьям, Николя Луазелёр пишет поддельное письмо от короля Карла, адресованное Жанне. Поскольку та не умеет читать, Николя читает ей письмо вслух. В этом письме король советует Жанне во всем полагаться на Луазелёра, ее покровителя и защитника. Теперь, прежде чем ответить на некоторые вопросы, она советуется с ним взглядом. Луазелёр подсказывает ей ответить утвердительно на вопрос, уверена ли она в своем прощении. На вопрос: «Пребываете ли вы в благодати?» – Луазелёр, желая погубить Жанну, не реагирует никак. Жанна отвечает: «Если пребываю, да поможет мне Господь сохранить ее; если не пребываю, да поможет мне Господь добиться ее». Она страстно желает выслушать мессу, но отказывается снять ради этого мужское платье.
       Готовят пытку. 3 стражника издеваются над Жанной: один силой снимает с нее кольцо, другой надевает ей на голову соломенную корону. Ее отводят в камеру пыток. Она отказывается письменно отречься от своих слов. Испугавшись вида пыточных инструментов, она заявляет, что даже если ее заставят говорить силой, позднее она откажется от сказанного. Она падает в обморок. Ее относят на койку. Ей делают кровопускание. Она просит, чтобы ей принесли причастие, при виде его очень радуется, но причастие у нее отнимают, когда она снова отказывается подписать отречение. Она называет судей посланниками дьявола. Для последнего допроса ее отводят на кладбище неподалеку от места казни. Она подписывает акт отречения. Ей говорят, что отныне она возвращается в лоно церкви, но будет приговорена к пожизненному заключению. Жанне остригают волосы. Она просит вновь созвать судей. «Я солгала, – говорит она. – Я отреклась от Господа, чтобы остаться в живых». По округе расходится весть о том, что Жанна отказалась от своих слов. Одетая в платье кающейся грешницы, она поднимается на костер. Ее привязывают к столбу. Огонь пожирает ее. Очевидец казни говорит: «Вы сожгли святую». Английским солдатам приходится подавлять бунт, охвативший Руан и окрестности.
        Как и в случае с Фрицем Лангом некоторое время спустя, короткое пребывание Дрейера во Франции выпало на период исканий и экспериментов, за которыми, как и у Ланга, без сомнения, кроется глубокая неуверенность в будущем направлении своей карьеры. В этот период появляются на свет 2 отрывочные и во многих отношениях парадоксальные картины – Страсти Жанны д'Арк и Вампир, Vampyr, 1932, – которые ждала невероятная слава: откровенно говоря, преувеличенная по сравнению с их подлинными достоинствами. В случае со Страстями Жанны д Арк очень частое использование крупного плана в процессе над Жанной, решающий стилистический элемент фильма, сперва вызвал удивление у публики, а затем помог картине завоевать огромный успех. Однако следует напомнить, что поначалу Дрейер намеревался снять звуковой фильм, и только техническая накладка (отсутствие подходящего оборудования на французских студиях) помешала ему этого добиться. Изобилие крупных планов, несомненно, показалось бы почти нормальным явлением в звуковой картине, но в немом фильме стало чрезвычайно зрелищным и заметным элементом, особенно когда к этим многочисленным крупным планам приклеили титры, разъясняющие их содержание. Крупные планы немедленно превратились в почти авангардистский прием, и Страсти Жанны д'Арк стали одним из немногих фильмов, которые обязаны местом в истории кино своему экспериментальному характеру (в данном случае – наполовину случайному).
       Надо сказать, что в самой концепции фильма заложена определенная фрагментарность, которая, возможно, напрашивалась на использование подобной специфической техники. В самом деле, рассмотреть фигуру Жанны д'Арк только в свете ее процесса и последних часов жизни означает заведомо отказаться от попыток создать цельный образ этой женщины и ее судьбы (разумеется, если не вводить в действие флэшбеки); образ, который был бы одновременно и аналитичен, и достоверно воплощен. Как мы понимаем, в этом ракурсе сотрудничество с Дельтёем ничего не дало. Если Дельтёй интересовался Жанной д'Арк и, по его собственным словам, «перевел ее через археологическую пустыню» (см. его предисловие к книге «Жанна д'Арк» [Joseph Delteuil, Jeanne d'Arc, Grasset, 1925]), то лишь затем, чтобы помочь ей вновь обрести максимально естественный и осязаемый облик. Дрейер ставил перед собой совсем другую цель. Он хотел раскрыть ее образ реалистично и экономно (оба подхода в равной степени чужды Дельтёю). В фильме эти тенденции отнюдь не дополняют друг друга: наоборот, чаще всего они противоречат и рвут друг друга на части. С одной стороны, реализм требует «репортажности» (термин, взятый в оборот Кокто, большим поклонником фильма в те годы); с другой – из стремления к экономности Дрейер сосредоточил все действие картины – процесс и казнь – в рамках единственного дня. Немалую часть экранного времени Жанна находится в кадре одна, что усиливает выразительность и мощь героини; при этом отсутствие конкретного социального, исторического и даже нравственного контекста, который обрамлял бы ее жизненный путь, сильно вредит реализму фильма. Человеку, ничего не знающему о Жанне и ее истории, фильм наверняка показался бы непонятным и почти абсурдным – не репортажем о некой исторической реальности, а документом из другого мира, странного, неясного и непостижимого. В этом, возможно, своеобразное достоинство фильма, но к реализму оно отношения не имеет. Впрочем, в этом фильме великий Дрейер появляется перед нами лишь в последних сценах, в последней трети, чьим началом можно считать обморок Жанны в камере пыток, за которым следует ее отречение, затем отказ от него и смерть на костре среди бунтующей толпы.
       Что касается собственно персонажа, Дрейер хотел показать в Жанне страдающую женщину, терпящую всяческие издевательства: не воина, а жертву; не победительницу, а мученицу. Божественная свежесть, непосредственность, гениальная дерзость Жанны (черты, отчетливее всего проявляющиеся в протоколах суда над ней) исчезли из этого образа. Столь узкое и ограниченное видение, несомненно, имело для Дрейера лишь одно оправдание: оно должно было послужить отправной точкой для чистого упражнения в стиле. Именно это мы и имеем перед глазами, а в качестве бонуса – финал, достойный предыдущих фильмов режиссера.
       N.B. История создания фильма изучена многими исследователями (см. БИБЛИОГРАФИЮ); вкратце ее можно пересказать следующим образом. После того как Почитай свою жену, Du skal aere din hustru с успехом прошел во французском прокате, к Дрейеру обратилась с предложением парижская компания «Omnium». Дрейер обдумывает 3 темы, 3 портрета: Иисус, Медея, Жанна д'Арк. Другие источники указывают, что ему предложили на выбор Марию-Антуанетту, Екатерину Медичи, Жанну д'Арк. Полемика, вызванная произведениями Бернарда Шоу, Анатоля Франса и др., выводит Орлеанскую деву на 1-й план и подталкивает Дрейера к 3-му варианту. Компания-производитель планирует утвердить на роль Лиллиан Гиш, но этот выбор вызывает протесты «националистического» толка. Дрейер в то же время думает о Мадлен Рено и Мари Белль (которая отказывается сниматься из-за сцены пострига). Тогда-то Дрейер и находит Рене Фальконетти – актрису, из классического театра попавшую на сцену театра уличного. Их встреча становится судьбоносной и для фильма, и для актрисы: роль Жанны так и останется единственной работой Фальконетти в кино, зато слава ее не увядает и по сей день. (Таким образом, Дрейер задолго до Брессона воплощает в жизнь мечту последнего, который, начиная с Приговоренный к смерти бежал, Un condamné à mort s'est échappé*, мечтал о том, чтобы его актеры не снимались больше ни у кого.) При том, что ее работу вовсе не обязательно считать гениальной, стоит признать, что Фальконетти со всей полнотой выражает болезненный и экстравертный образ героини, придуманный Дрейером. В ее игре нет никакого погружения в себя, за что ее жестоко критикует Брессон, чемпион по самокопанию в кинематографе, который адресует свои обвинения всем актерам сразу: «Я понимаю, что в свое время этот фильм совершил маленькую революцию, но сегодня я не вижу ни в одном актере ничего, кроме страшного кривляния, чудовищных гримас, от которых хочется бежать».
       Окружив себя 1-классными специалистами (художники по декорациям – Герман Варм, создатель Кабинета доктора Калигари, Das Cabinet des Dr. Caligari, и Жан Юго; художник по костюмам – Валентина Юго; оператор-постановщик – Рудольф Матэ), Дрейер снимает картину в хронологической последовательности сцен с марта по ноябрь 1927 г. Он тратит целое состояние, поскольку фильм обошелся в 8 млн франков – сумма, которая кажется несоразмерной с тем, что мы видим на экране, особенно в сравнении с 11 млн, потраченными на Наполеона, Napoléon Ганса (произведенного той же фирмой). На съемочной площадке кульминацией проекта стала сцена пострига. Фальконетти до последнего момента верила, что ей удастся избежать этой пытки, но Дрейер был непреклонен: «Все произошло в студии, и это была целая история: она плакала, плакала, плакала, она не хотела! Она была готова оплатить самый дорогой парик. Дрейер пытался ее утешить и говорил, что волосы отрастут снова. Он уговорил Матэ спять несколько планов, пока она ревела, и мне кажется, если мне не изменяет память, что некоторые были вставлены в сцену на костре». (Свидетельство ассистента режиссера Ральфа Хольма в журнале «L'Avant-Scène», № 367–368.)
       Самые серьезные неприятности ждали фильм после окончания съемок. Он вышел на экраны в апреле 1928 г. в Копенгагене, где был принят неоднозначно; затем, в октябре того же года, – в Париже. Между этими 2 премьерами лента претерпела не одно вмешательство официальной и религиозной цензуры. В декабре 1928 г. негатив фильма сгорел при пожаре на студии «UFA» в Берлине. 2-й негатив, восстановленный Дрейером из сохранившихся дублей, также сгорел при пожаре в следующем году. В 1952 г. Ло Дука представил в Венеции копию, восстановленную по забытому негативу, обнаруженному на студии «Gaumont» (к несчастью, в ней звучит анахроничное музыкальное сопровождение из мелодий Баха, Альбинони и т. д.). Именно с этой копией (впрочем, качественно изданной) познакомились несколько поколений поклонников фильма. Среди других ее недостатков – слишком высокая скорость (24 к/сек вместо 20) и музыкальное сопровождение, мешающее полностью восстановить немой изобразительный ряд.
       В 1981 г. в психиатрической лечебнице в Норвегии была найдена копия, некогда одолженная директору заведения, но так и не возвращенная. Случилось чудо: она оказалась распечатана с 1-го негатива. На основе этого материала датчане восстановили копию (с датскими титрами), которую распечатала с контратипа и перевела «Французская синематека». 1-й показ этой копии в Париже стал поводом для спорных «музыкальных» экспериментов, хотя лучший способ как следует оценить ее – это, несомненно, смотреть ее в тишине, поскольку тишина – самая прекрасная музыка для Дрейера (как, впрочем, и для многих немых картин). Отметим, что эта «новая» копия не так уж заметно отличается от копий более поздних, что бы ни говорили некоторые. Последовательность действия осталась без изменений, титры (за некоторыми исключениями) также совпадают. Основные отличия связаны с некоторыми изменениями в монтаже, главным образом – в выборе других дублей тех же сцен (таким образом, мы имеем возможность наблюдать иные нюансы актерской игры), но это также следует связать с тем хорошо известным фактом, что в эпоху немого кино очень часто можно было найти различия в копиях одного фильма, предназначенных для разных стран. (Мы имели возможность сравнить копию Ло Дуки с английской: они также различаются между собой. Впрочем, в обеих содержится удивительная сцена кровопускания, к которой последняя, датская, копия не добавляет ничего нового.) Наконец, напомним, что, по мнению историков, огромный успех у критики фильма Дрейера полностью затмил коммерческий успех Чудесной жизни Жанны д'Арк, La merveilleuse vie de Jeanne d'Arc, 1929, Марко Де Гастина. Сегодня эта картина вновь открыта и оценена по достоинству, и можно прийти к выводу, что честный классицизм этой биографии, по крайней мере, недостоин звания «гигантской халтуры», которым ее удостоил в 1970 г. автор статьи о фильме Дрейера в журнале «L'Avant-Scène» (№ 100).
       Фальконетти осталась самой знаменитой экранной Жанной. Персонаж святой привлекал к себе интерес кинематографа с 1-х лет его истории (см. Казнь Жанны д'Арк, L'exécution de Jeanne d'Arc, 1898, короткометражка из каталога Люмьеров, чье авторство приписывается Жоржу Ато; Жанна д'Арк Мельеса, Jeanne d'Arc, 1900, раскрашенная вручную; Жанна д'Арк Капеллани, 1909). Упомянем некоторых исполнительниц роли Жанны, оставивших след в зрительской памяти: Джералдина Фаррар в фильме Де Милля Женщина Жанна, Joan the Woman, 1916, 1-й крупнобюджетной постановке режиссера, где громче всего слышны бряцание оружия и грохот сражений, а захватывающие кадры осады служат метафорой окопов Первой мировой войны, с которых и начинается фильм (и тут уже англичане – не враги, а союзники); Симона Женевуа в Чудесной жизни Жанны д'Арк Марко де Гастина, выпущенной на экраны в то же время, что и картина Дрейера (здесь актриса, как и позднее Джин Сибёрг у Преминджера – ровесница своей героини); Ангела Саллокер, единственная (?) Жанна 30-х гг., в малоизвестном фильме Уцицки Дева Жанна, Das Mädchen Johanna, 1935, с Густафом Грюндгенсом (Карл VII) и Генрихом Георгом (герцог Бургундский) (в этом фильме, как говорят исследователи, Жанна, увы, обладает сходством с Гитлером); Ингрид Бергман в Жанне д'Арк, Joan of Arc Флеминга и Жанне на кос тре, Giovanno d'Arco al rogo, 1954 – странной, навязчивой, авангардистской картине Росселлини, поставленной по оратории Клоделя (в ней в конечном счете больше от Клоделя, чем от Росселлини); Мишель Морган во 2-й новелле фильма Судьбы, Destinées, 1954, поставленной Жаном Деланнуа; Хеди Ламарр в Истории человечества, History of Mankind, 1957, Ирвина Аллена (что бы там ни казалось на 1-й взгляд, выбор Хеди Ламарр на роль Жанны – еще не самое нелепое решение в фильме, где роль Наполеона играет Деннис Хоппер, а роль Ньютона – Харио Маркс); Джин Сибёрг в Святой Иоанне, Saint Joan Преминджера, отобранная из 2000 претенденток и, на наш взгляд, затмевающая всех остальных. Наконец, отметим для проформы Флоранс Делей в Процессе Жанны д'Арк, Procès de Jeanne d'Arc, 1962, Брессон, Жанну-интеллектуалку, нарочито «отсутствующую» и совершенно неубедительную. Самая последняя (хронологически) Жанна, достойная упоминания, – прекрасная Инна Чурикова в Начале * Панфилова (1970), свободной вариации на тему судьбы нашей героини, увиденной глазами актрисы, пытающейся сыграть ее роль в кино.
       БИБЛИОГРАФИЯ: новеллизация Пьера Бо в серии «Романтический кинематограф» (Pierre Bost, Le cinéma romanesque, Gallimard, 1928) с текстами Кокто, Жака де Лакретеля, Поля Морана. La Passione di Giovanna d'Arco di Carl Theodor Dreyer, Milan, Editoriale Domus, 1951 – реконструкция фильма в фоторепродукциях. Five Films of Carl Theodor Dreyer, Copenhagues, Gyldendal, 1964 – рабочие сценарии Страстей Жанны д'Арк, Вампира, Дня гнева, Vredens dag, 1943, Слова, Ordet. Англ. перевод предыдущего издания: Four Screenplays, London, Hiames and Hudson, 1970. Ит. перевод с добавленным сценарием Гертруды, Gertrud, 1964: Cinque Film, Turin, Einaudi, 1967. Рабочий сценарий Страстей Жанны д'Арк опубликован на фр. языке в: Carl Th. Dreyer, Œuvres cinématographiques 1926–1934, Cinémathèque Française, 1983. Обзор Страстей Жанны д'Арк в журнале «L'Avant-Scène» № 100 (1970) с отрывками из статьи Жана Дельма, опубликованной в журнале «Jeune Cinéma» (февраль 1965 г.). Раскадровка по последней найденной копии (1343 плана и 174 титра) в журнале «L'Avant-Scène», № 367–368 (1988). Это основной труд, который следует использовать при работе со Страстями Жанны д'Арк. Сюда же входят воспоминания участников работы над фильмом и статьи Клода Бейли, Мориса Друзи, Венсана Пинеля и т. д. См. также: специальный номер журнала «Études cinématographiques» (№ 18–19, 1962), посвященный экранным образам Жанны д'Арк; фундаментальную биографию Мориса Друзи «Карл Теодор Дрейер, урожденный Нильссон» (Maurice Drouzy, Carl Theodor Dreyer né Nilsson, Les Éditions du Cerf, 1987); симпатичную и хорошо документированную биографию Рене Фальконетти, написанную ее дочерью Элен (Hélène Falconetti, Falconetti, Les Éditions du Cerf, 1987). Добавим, что раскадровка копии, напечатанной со 2-го негатива, опубликована в 1980 г. «Югославской синематекой»: это описание 1140 планов, проиллюстрированное таким же количеством фоторепродукций. Что касается книги Жозефа Дельтёя «Страсти Жанны д'Арк» (Joseph Delteuil, La Passion de Jeanne d'Arc, Éditions M.-P. Trémois, 1927), написанной по случаю выхода фильма Дрейера, то, несмотря на слова самого автора в предисловии, называющего ее «путешествием Литературы в край Кинематографа», она не имеет почти никакого отношения к фильму. (Дельтёй включил туда 2 главы из своей «Жанны д'Арк», написанной для серии «Зеленые тетради» [Cahiers Verts, Grasset, 1925]). Наконец, в статье, опубликованной в «Бюллетене Французской ассоциации исследователей истории кинематографа» (Bulletin de l'Association Française de Recherche sur l'Histoire du Cinéma, № 3, 1987), Морис Друзи ставит вопрос о том, «кому принадлежит Жанна д'Арк Дрейера?», После банкротства «SGF» в 1932–1933 гг. ни Ло Дука, ни студия «Gaumont» не стали легальными правообладателями фильма, хотя долгое время использовали его в прокате. Следовательно, на данный момент вопрос остается без ответа. «Ситуация, – пишет автор, – которую вполне можно назвать гротесковой». Об экранных образах Жанны д'Арк читайте «Études cinématographiques», № 18–19 (1962), «Cahiers de la cinémathèque», Toulouse, № 42–43 (1985) и статью «Жанна д'Арк», написанную Венсаном Пинелем для «Словаря кинематографических персонажей» (Vincent Pinel, Dictionnaire des personnages du cinéma, Bordas, 1988).

    Авторская энциклопедия фильмов Жака Лурселля > La Passion de Jeanne d'Arc

  • 17 Скрипник, Микола Олексійович

    Скрипник, Микола Олексійович (1872, слобода Ясинувата Катеринославської губ. - 1933) - укр. державний і партійний діяч, академік Всесоюзної Комуністичної Академії. Закінчив реальну школу, навчався в Петербурзькому технологічному ун-ті. Очолював ряд наркоматів, зокрема внутрішніх справ (1920), юстиції (1922 - 1927), освіти (1927 - 1933), заступник голови РНК України і голови Держплану (1933). Член ЦК КП(б)У і Політбюро ЦК КП(б)У. Організатор і фактичний керівник Українського ін-ту марксизму, від 1932 р. - ВУАМЛІНу, головний редактор УРЕ. Був переконаним пролетарським інтернаціоналістом, але водночас і українцем, що вперто боронив права укр. народу від рос. централізму: 1918 р. відстоював створення самостійної КП(б)У, 1922 р. замінив у проекті Союзу поняття "союзна держава" на "союз держав" тощо. Теоретик національного питання і вождь політики українізації. Заснував (1926) при Українському ін-ті марксизму кафедру національного питання, очолив и і перетворив на дослідницький центр всесоюзного значення. Вважав українізацію "найважливішою проблемою радянського уряду". Пропагував видання творів Винниченка, протестував проти конфіскації його гонорарів (1932), був частіше союзником, ніж опонентом діячів українського відродження.
    [br]
    Осн. тв.: "Статті й промови". Т. 2, ч. 1 (1929), Т. 1, 4, 5 (1930), Т. 2, ч. 2 (1931); "За ленінську філософію" (1931); "Вибрані твори" (1991).

    Філософський енциклопедичний словник > Скрипник, Микола Олексійович

  • 18 Seipel Ignaz

    государственный деятель Первой Республики, Федеральный канцлер в 1926-1929. В начале политической деятельности - приверженец австрофашизма и движения хаймвера, затем поддерживал идеи аншлюса

    Австрия. Лингвострановедческий словарь > Seipel Ignaz

  • 19 Fianna Fáil

    ¿ Kultur?
    Soldaten Irlands heißt eine der beiden großen Parteien der Irish Republic - Republik Irland. Die zweite große Partei ist Fine Gael - Stamm der Gälen. Fianna Fáil wurde 1926 gegründet, um sich dem Anglo-Irish Treaty - anglo-irischen Abkommen von 1921 zu widersetzen, durch das die Irish Republic den Status eines dominion - Herrschaftsgebiet innerhalb des Commonwealth erhielt. Die Partei kam 1932 unter Eamon de Valera an die Macht und stellt seither fast ununterbrochen die Regierung.

    English-German students dictionary > Fianna Fáil

  • 20 Fairbanks, Douglas

    (1883-1939) Фэрбенкс, Дуглас
    Настоящая фамилия - Ульман [Ullman]. Актер и продюсер, звезда Голливуда. В 1904-14 работал в театре. С 1915 - в Голливуде [ Hollywood]. В 1919 вместе с Ч. Чаплином [ Chaplin, Charles Spencer (Charlie)], Д. Гриффитом [ Griffith, David Lewelyn Wark (D. W.)] и Мэри Пикфорд [ Pickford, Mary], ставшей впоследствии его женой, основал компанию "Юнайтед артистс" [ United Artists]. Снялся в десятках фильмов, основное амплуа - благородный рыцарь "без страха и упрека": "Знак Зорро" ["The Mark of Zorro"] (1920), "Робин Гуд" ["Robin Hood"] (1922), "Багдадский вор" ["The Thief of Baghdad"] (1924), "Черный пират" ["The Black Pirate"] (1926), "Железная маска" ["The Iron Mask"] (1929), "Укрощение строптивой" ["The Taming of the Shrew"] (1929), "Мистер Робинзон Крузо" ["Mr. Robinson Crusoe"] (1932), "Частная жизнь Дон Жуана" ["The Private Life of Don Juan"] (1934) и др. В 1939 награжден специальной премией "Оскар" [ Oscar]. Его сын от первого брака Дуглас Фэрбенкс, мл. (1909-2000) также много снимался в Голливуде. Среди наиболее известных фильмов с его участием - "Утренний патруль" ["Dawn Patrol"] (1930), "Узник Зенды" ["The Prisoner of Zenda"] (1937), "Гунга-Дин" ["Gunga Din"] (1939) и "Синбад-мореход" ["Sinbad the Sailor"] (1947)

    English-Russian dictionary of regional studies > Fairbanks, Douglas

См. также в других словарях:

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