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1931-1939

  • 1 CULTURE, LITERATURE, AND LANGUAGE

       ■ Bell, Aubrey F. G. The Oxford Book of Portuguese Verse: XIIth Century-XXth Century. Oxford: Oxford University Press, 1925, 1952 (2nd edition, B. Vi-digal, ed.).
       ■. Portuguese Literature. Oxford: Oxford University Press, 1922, 1970 (2nd edition, B. Vidigal, ed.).
       ■ Bleiberg, German, Maureen Ihrie, and Janet Pérez, eds. Dictionary of the Literature of the Iberian Peninsula, 2 vols. Westport, Conn.: Greenwood, 1993.
       ■ Castro, Francisco Lyon de, ed. História da literatura portuguesa, 7 vols. Lisbon: Alfa, 2001-02.
       ■ Cidade, Hernani. Lições de Cultura e Literatura Portuguesa, 3 vols. Lisbon, 1960-62.
       ■ Cook, Manuela. Portuguese: A Complete Course for Beginners. London: Hodder and Stoughton, 1996. Figueiredo, Fidelino. História literária de Portugal. Coimbra, 1944. Gentile, Georges Le. La Littérature Portugaise. Rev. ed. Paris, 1951. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. Metuchen, N.J.: Scarecrow Press, 1994.
       ■ Longland, Jean. Contemporary Portuguese Poetry. A Bilingual Selection. Irvington-on-Hudson: Harvey House, 1966. Prado Coelho, Jacinto do. Dicionário das Literaturas Portuguesas, Galega e Brasileira, 3rd ed. Oporto, 1978. Rossi, Giuseppe C. Storia della letteratura portoghesa. Florence, 1953.
       ■ Santos, João Camilo dos. "Portuguese Contemporary Literature." In Antônio Costa Pinto, ed., Modern Portugal, 218-42. Palo Alto, Calif.: SPOSS, 1998.
       ■ Saraiva, Antônio José. História da cultura em Portugal, 3 vols. Lisbon, 1950-60.
       ■. História da Literatura Portuguesa. Lisbon, 1990 ed.
       ■, and Oscar Lopes. História da Literatura Portuguesa. Oporto and Coimbra, 1992 ed.
       ■ Seguier, Jaime de, ed. Dicionário Prático Ilustrado. Oporto: Lello, 1961 and later eds.
       ■ Simões, João Gaspar. História da poesia portuguesa, 2 vols. Lisbon, 1955-56 and later eds.
       ■. História da poesia portuguesa do século XX. Lisbon, 1959 and later eds.
       ■ Stern, Irwin, ed.-in-chief. Dictionary of Brazilian Literature. Westport, Conn.: Greenwood, 1988.
       ■ TRAVEL AND TOURIST GUIDES ON PORTUGAL
       ■ Adragão, José Victor. The Algarve: The Land, the Sea and Its People. Lisbon, 1988.
       ■ Ballard, Sam, and Jane Ballard. Pousadas of Portugal: Unique Lodgings in State-owned Castles, Palaces, Mansions and Hotels. Boston: Harvard Common, 1986.
       ■ Bridge, Ann, and Susan Lowndes Marques. The Selective Traveller in Portugal. London: Chatto & Windus, 1968.
       ■ Ellingham, Mark, et al. Portugal: The Rough Guide. London: Rough Guides, 2008 ed.
       ■ Hogg, Anthony. Travellers' Portugal. London: Solo Mio, 1983.
       ■ Kite, Cynthia, and Ralph Kite. Portuguese Country Inns & Pousadas. New York: Warner Books; Karen Brown's Country Inn Series, 1988.
       ■ Lowndes, Susan, ed. Fodor's Portugal 1991. New York: Fodor's, 1990.
       ■ Proença Raúl, and Sant'anna Dionísio, eds. Guía De Portugal. I. Generalidades. Lisboa E, Arredores. Lisbon: Fundação Calouste Gulbenkian, 1924; 1983.
       ■ Robertson, Ian. Portugal: Blue Guide. London: Benn; New York: Norton, 2000 and later eds.
       ■ Stoop, Anne de. Living in Portugal. Paris and New York: Flammarion, 1995. Wright, David, and Patrick Swift. Minho and North Portugal: A Portrait and Guide. New York: Scribners, 1968.
       ■. Lisbon: A Portrait and Guide. New York: Scribners, 1971.
       ■. Algarve: A Portrait and Guide. New York: Scribners, 1973.
       ■ HISTORY OF PORTUGAL Ancient and Medieval (2000 BCE-1415 CE)
       ■ Alarção, Jorge de. Roman Portugal. Volume I: Introduction. Warminster, U.K., 1988.
       ■ Almeida, Fortunato de. História de Portugal. Vol. I. Coimbra, 1922. Arnaut, Salvador Dias. A Crise Nacional dos fins do século XVI. Vol. 1. Coimbra, 1960.
       ■ Baião, Antônio, Hernani Cidade, and Manuel Múrias, eds. História de Expansão Portuguesa no Mundo, 3 vols. Lisbon, 1937-40. Caetano, Marcello. Lições de História do Direito Português. Coimbra, 1962. Cortesão, Jaime. Os Factores Democráticos no Formação de Portugal. Lisbon, 1960.
       ■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999. Diffie, Bailey W. Prelude to Empire: Portugal Overseas before Henry the Navigator. Lincoln: University of Nebraska Press, 1960. Dutra, Francis A. "Portugal: To 1279." Dictionary of the Middle Ages. Vol. X: 35-48. New York: Scribners, 1987.
       ■. "Portugal: 1279-1481." Dictionary of the Middle Ages. Vol. X: 48-56. New York: Scribners, 1987. Gama Barros, Henrique de. História de Administração Pública em Portugal nos séculos XII à XV, 11 vols. Lisbon, 1945-51. Godinho, Vitorino Magalhães. A Economia dos Descobrimentos Henriquinos. Lisbon, 1962.
       ■ Gonzaga de Azevedo, Luís. História de Portugal, 6 vols. Lisbon, 1939-44.
       ■ Herculano, Alexandre. História de Portugal, 8 vols., 9th ed. Lisbon, 1940.
       ■ Kennedy, Hugh. Muslim Spain and Portugal: A Political History of al-Anda-lus. London: Longman, 1996.
       ■ Lencastre e Tavora, Luía Gonzaga. O Estudo da Sigilografia Medieval Portuguesa. Lisbon, 1990.
       ■ Livermore, H. V. The Origins of Spain and Portugal. London: Allen & Unwin, 1971.
       ■ Lopes, David. "Os Árabes nas obras de Alexandre Herculano." Boletim da Segunda Classe. Lisbon: Academia Real das Sciéncias, III (1909-10). MacKendrick, Paul. The Iberian Stones Speak. New York: Funk & Wagnalls, 1969.
       ■ Martinez, Pedro Soares. História Diplomática De Portugal [chapter I, 114315]. Lisbon, 1986.
       ■ Mattoso, José, ed. A Nobreza Medieval Portuguesa: A Família e o Poder. Lisbon: Estampa, 1981.
       ■. Religião e cultura na Idade Média Portuguesa. Lisbon: Imprensa Nacional, 1982.
       ■. Identificaçao de um país ( ensaio sobre as orígens de Portugal), 2 vols. Lisbon: Estampa, 1985.
       ■. Novos Ensaios de História Medieval Portuguesa. Lisbon: Edit. Presença, 1988.
       ■. Historia de Portugal. Vol. 2: A Monarquia Feudal ( 1096-1480). Lisbon: Estampa, 1993.
       ■ Oliveira Marques, A. H. de. Hansa e Portugal na Idade Média. Lisbon, 1959.
       ■. Daily Life in Portugal in the Middle Ages. Madison: University of Wisconsin Press, 1971.
       ■. "Introduçao à História da Cidade Medieval Portuguesa." Bracara Augusta XXV, 92-93 (January-December 1981): 367-87.
       ■. Guía do Estudante de História Medieval Portuguesa, 3rd ed. Lisbon, 1985.
       ■. Portugal Na Crise Dos Séculos XIV e XV-Vol. IV of Serrão and Oliveira Marques, Nova História de Portugal. Lisbon, 1987.
       ■ Peres, Damião de, ed. História de Portugal. Vols. I, II. Barcelos, 1928-29.
       ■ Rau, Virginia. Subsídios para o estudo das Feiras Medievais Portuguesas. Lisbon, 1943.
       ■. Sesma'rias Medievais Portuguesas. Lisbon, 1946.
       ■ Ribeiro, Orlando. "Portugal, formação de." Dicionário da História de Portugal. Vol. III, 432-51. Lisbon, 1966.
       ■ Rogers, Francis M. The Travels of the Infante Dom Pedro of Portugal. Cambridge, Mass.: Harvard University Press, 1961.
       ■ Russell, P. E. The English Intervention in Spain and Portugal in the Time of Edward III and Richard II. Oxford: Oxford University Press, 1955.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. New York: Thames and Hudson, 1968.
       ■ Silva, Armando Coelho Ferreira. A Cultura Castreja no Noroeste de Portugal. Pacos de Ferreira, 1986.
       ■ Varagnac, André. O Homem antes da Escrita ( Pre-história). Lisbon, 1963.
       ■ Azevedo, J. Lúcio de. História de António de Vieira, 2 vols. Lisbon, 1918-20.
       ■. Épocas de Portugal Económico. Lisbon, 1929.
       ■ Borges de Macedo, Jorge. Problemas de História de Indústria Portuguesa no Século X VIII. Lisbon, 1963.
       ■. "Pombal." Dicionário de História de Portugal. Vol. III, 415-23. Lisbon, 1968.
       ■ Boxer, C. R. Four Centuries of Portuguese Expansion, 1415-1825: A Succinct Survey. Johannesburg, South Africa: Witwaterstrand University Press, 1961.
       ■. The Portuguese Seaborne Empire 1415-1825. London: Hutchinson, 1969.
       ■. João de Barros: Portuguese Humanist and Historian of Asia. New Delhi, India: Xavier Centre, 1981.
       ■ Cheke, Marcus. Dictator of Portugal: A Life of the Marquis of Pombal, 16991782. London: Sidgwick & Jackson, 1938.
       ■ Cunha, Luís da. Testamento Político. Lisbon, 1820.
       ■ Davidson, Lillias C. Catherine of Bragança. London: John Murray, 1908.
       ■ Dutra, Francis A. "Membership in the Order of Christ in the Seventeenth Century." The Americas 27 (1970): 3-25.
       ■ Eberlein, H. D., and R. W. Ramsdell. The Practical Book of Italian, Spanish and Portuguese Furniture. Philadelphia: Lippincott, 1927.
       ■ Ericeira, Luís de Meneses [Count of]. História de Portugal Restaurado, 4 vols. Oporto, 1945.
       ■ Fisher, H. E. S. "Anglo-Portuguese Trade, 1700-70." Economic History Review XVI, 2 (1963): 219-33.
       ■ Francis, A. D. The Methuens and Portugal: 1691-1708. Cambridge: Cambridge University Press, 1966.
       ■. Portugal, 1715-1808. London: Tamesis, 1985.
       ■ Hanson, Carl A. Economy and Society in Baroque Portugal, 1668-1703. Minneapolis: University of Minnesota Press, 1981.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. New York: AMS Press, 1968 reprint.
       ■ Kendrick, T. D. The Lisbon Earthquake. London: Methuen, 1956.
       ■ Livermore, H. V. "The Privileges of an Englishman in the Kingdom and Dominions of Portugal." Atlante 11 (1954): 57-77.
       ■ Macauley, Neil. Dom Pedro: The Struggle for Liberty in Brazil and Portugal, 1798-1834. Durham, N.C.: Duke University Press, 1986.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. London: Carcanet, 1990.
       ■ Magalhães Godinho, Vitorino. Prix et Monnaies au Portugal. Paris, 1955.
       ■. "Portugal and Her Empire." In New Cambridge Modern History. Cambridge: Cambridge University Press, Vol. V (1961): 384-97; Vol. VI (1961): 509-10.
       ■ Mauro, Frédéric. Le Portugal et l'Atlantique au XVII siécle ( 1570-1670). Paris: SEVPEN, 1960.
       ■ Maxwell, Kenneth. "Pombal and the Nationalization of the Luso-Brazilian Economy." Hispanic American Historical Review XLVIII (November 1968): 608-31.
       ■. Conflicts and Conspiracies: Brazil and Portugal, 1750-1808. Cambridge: Cambridge University Press, 1973.
       ■ Norris, A. H., and R. W. Bremner. The Lines of Torres Vedras. Lisbon: British Historical Society of Portugal, 1980.
       ■ Oliveira, Antônio de. A Vida Económica e Social de Coimbra de 1537 à 1640, 2 vols. Coimbra, 1971-72.
       ■ Prestage, Edgar. The Royal Power and the Cortes in Portugal. Watford, U.K.: Voss & Michael, 1927.
       ■. Portuguese Pioneers. London: Black, 1933.
       ■. "The Mode of Government in Portugal during the Restoration [1640-68] Period." In Edgar Prestage, ed., Melange d'Etudes Portugaises Offerts a M. Georges Le Gentil, 265-70. Lisbon, 1949.
       ■ Rabassa, Gregory. "Padre Antônio Vieira: Portugal's Amazing Polymath." Camões Centre Quarterly 2, 3-4 (Autumn and Winter 1990): 27-32. Rau, Virginia. D. Catarina de Bragança: Rainha de Inglaterra. Lisbon, 1944. Ricard, Robert. "Prophecy and Messianism in the Works of Antônio Vieira." The Americas 37 (1960): 357-88.
       ■ Roche, T. W. E. Philippa: Dona Filipa of Portugal. London: Phillimore, 1971.
       ■ Rogers, Francis M. The Travels of the Infante Dom Pedro of Portugal. Cambridge, Mass.: Harvard University Press, 1961.
       ■ Rooney, Peter T. "Hapsburg Fiscal Policies in Portugal, 1580-1640." Journal of European Economic History 23, 3 (1994): 545-62.
       ■ Roth, Cecil. "The Religion of the Marranos." Jewish Quarterly Review 22 (1931): 1-33.
       ■. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.
       ■ Saraiva, Antônio José. Inquisição e Cristãos-Novos. Oporto, 1969.
       ■. A Inquisição Portuguesa. Lisbon, 1969 and later eds.
       ■ Schneider, Susan. O Marquês De Pombal E O Vinho Do Porto: Dependência e subdesenvolvimento em Portugal no século XVIII. Lisbon, 1980.
       ■ Shaw, L. M. E. Trade, Inquisition and the English Nation in Portugal, 16401690. London: Carcancet, 1989.
       ■ Shillington, V. M., and A. B. W. Chapman. The Commercial Relations of England and Portugal. London: Routledge, 1907.
       ■ Sideri, Sandro. Trade and Power: Informal Colonialism in Anglo-Portuguese Relations. Rotterdam: Rotterdam University Press, 1970.
       ■ Smith, John Athelstone [Conde de Carnota]. Marquis of Pombal, 2nd ed. London, 1872.
       ■ Thomas, Gerturde Z. Richer Than Spices. New York: Knopf, 1965. Walford, A. R. The British Factory in Lisbon. Lisbon, 1940.
       ■ Baptista, Jacinto. O Cinco de Outubro. Lisbon, 1965. Brandão, Raúl. Memórias, 3 vols. Lisbon, 1969 ed.
       ■ Cabral, Manuel Villaverde. O desenvolvimento do capitalismo em Portugal no século XIX. Lisbon, 1981. Caetano, Marcello. História Breve das Constituções portuguesas. Lisbon, 1971 ed.
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       ■ Cheke, Marcus. Carlota Joaquina, Queen of Portugal. London: Sidgwick and Jackson, 1947.
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       ■. "Portugal's Administrative Elite: Social Origins and Political Attitudes." West European Politics 6 (Jan. 1983): 63-74.
       ■. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.
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       ■ Antunes, José Freire. Sá Carneiro: Um Meteoro Nos Anos Setenta. Lisbon, 1982.
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       ■ Bermeo, Nancy Gina. "Worker Management in Industry: Reconciling Representative Government and Industrial Democracy in a Polarized Society." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 181-98. Madison: University of Wisconsin Press, 1983.
       ■. The Revolution within the Revolution: Workers' Control in Rural Portugal. Princeton, N.J.: Princeton University Press, 1986.
       ■ Braeckman, Colette. Portugal: Revolution surveilée. Brussels: Rossei, 1975.
       ■ Braga da Cruz, Manuel. "O Presidente da República na génese e evolução do sistema de governor portugües." Análise social XXIX, 125-26 (1994): 237-65.
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       ■. Politics and Nationhood: Post-Revolutionary Portugal. New York: Praeger, 1984.
       ■. "Portugal Fifteen Years after the April Revolution." Field Staff Reports ( 1989-90/ No. 1, Europe), 3-11. Indianapolis, Ind.: Universities Field Staff International, 1990.
       ■, and Alex Macleod. Politics in Contemporary Portugal: Parties and the Consolidation of Democracy. Boulder, Colo.: Rienner, 1986.
       ■ Carvalho, Ortelo Saraiva de. Cinco Meses Mudaram Portugal. Lisbon, 1975.
       ■. Alvorada em Abril. Lisbon, 1977.
       ■ Cid, Augusto. PREC-Processo Revolucionário Eventualmente Chocante. Viseu, 1977.
       ■ Costa Lobo, Marina, and Pedro C. Magalhaes. "From 'Third Wave' to 'Third Way': Europe and the Portuguese Socialists (1975-1999)," Journal of Southern Europe and the Balkans 3, no. 1 (2001), 25-35.
       ■ Costa Pinto, Antônio, ed. Modern Portugal. Palo Alto, Calif.: SPOSS, 1998.
       ■, and Nuno Severiano Teixeira, eds. Southern Europe and the Making of the European Union. New York: Columbia Univ. Press, 2002.
       ■ Cunhal, Alvaro. A Revolução Portuguesa. Lisbon, 1975.
       ■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999.
       ■ Downs, Charles. "Comissões de Moradores and Urban Struggles in Revolutionary Portugal." International Journal of Urban and Regional Research 4 (1986): 267-94.
       ■. Revolution at the Grassroots: Community Organizations in the Portuguese Revolution. Albany: State University of New York Press, 1989.
       ■ Dufour, Jean-Marc. Prague sur Tage. Paris, 1975.
       ■ Durão Barroso, José. Le systémepolitiqueportugais face à l'intégration euro-péenne. Lisbon, 1983.
       ■ Eisfeid, Rainer. "Portugal: What Role/What Future?" In K. Maxwell, ed., Portugal Ten Years after the Revolution. New York: RIIC, Columbia University, 1984.
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       ■ Giaccone, Fausto. Una Storia Portoghese/ Uma História Portuguesa. Palermo: Randazzo Focus, 1987.
       ■ Gladdish, Ken. "Portugal: An Open Verdict." In Geoffrey Pridham, ed. Securing Democracy: Political Parties and Democratic Consolidation in Southern Europe, 104-25. London and New York: Routledge, 1990.
       ■ Graham, Lawrence S. The Decline and Collapse of an Authoritarian Order. Beverly Hills, Calif.: Sage, 1975.
       ■, and Harry M. Makler, eds. Contemporary Portugal: The Revolution and Its Antecedents. Austin: University of Texas Press, 1979.
       ■, and Douglas L. Wheeler, eds. In Search of Modern Portugal: The Revolution and Its Consequences. Madison: University of Wisconsin Press, 1983.
       ■ Grayson, George W. "Portugal and the Armed Forces Movement." Orbis XIX, 2 (Summer 1975): 335-78.
       ■ Green, Gil. Portugal's Revolution. New York: International, 1976.
       ■ Hammond, John L. Building Popular Power: Workers' and Neighborhood Movements in the Portuguese Revolution. New York: Monthly Review Press, 1988.
       ■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.
       ■. Portugal in Revolution. Washington, D.C.: CSIS and Sage, 1976.
       ■ Harvey, Robert. Portugal, Birth of a Democracy. London: Macmillan, 1978.
       ■ Herr, Richard, ed. Portugal: The Long Road to Democracy and Europe. Berkeley, Calif.: International and Area Studies, 1992.
       ■ Insight Team of the Sunday [London] Times. Insight on Portugal: The Year of the Captains. London: Deutsch, 1975.
       ■ Janitschek, Hans. Mario Soares: Portrait of a Hero. London: Weidenfeld & Nicolson, 1985.
       ■ Keefe, Eugene K., et al. Area Handbook for Portugal, 1st ed. Washington, D.C.: Foreign Area Studies of American University, 1977. Kramer, Jane. "A Reporter at Large: The Portuguese Revolution." The New Yorker (Dec. 15, 1975): 92-131.
       ■ Lauré, Jason, and Ettagal Lauré. Jovem Portugal: After the Revolution. New York: Straus, Farrar and Giroux, 1977.
       ■ Livermore, H. V. A New History of Portugal. Cambridge: Cambridge University Press, 1976.
       ■ Lourenço, Eduardo. Os Militares e O Poder. Lisbon, 1975.
       ■. O Fascismo Nunca Existiu. Lisbon, 1976.
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       ■ Macedo, Jorge Braga de, and S. Serfaty. Portugal since the Revolution: Economic and Political Perspectives. New York: Praeger, 1981.
       ■ Magone, José M. European Portugal: The Difficult Road to Sustainable Democracy. New York: St. Martin's, 1997. Mailer, Phil. Portugal: The Impossible Revolution. London: Solidarity, 1977. Manta, João Abel. Cartoons/ 1969-1975. Lisbon, 1975.
       ■ Manuel, Paul C. Uncertain Outcome: The Politics of Portugal's Transition to Democracy. Lanham, Md. and London: University Press of America, 1994.
       ■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.
       ■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).
       ■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).
       ■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.
       ■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.
       ■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.
       ■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.
       ■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.
       ■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.
       ■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.
       ■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.
       ■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.
       ■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.
       ■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.
       ■. A Constituição de 1976. Lisbon, 1978.
       ■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.
       ■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.
       ■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.
       ■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.
       ■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.
       ■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.
       ■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.
       ■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.
       ■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.
       ■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).
       ■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.
       ■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.
       ■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.
       ■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.
       ■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].
       ■. Estudos Sobre a Crise Nacional. Lisbon, 1980.
       ■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.
       ■. Portugal Depois De Abril. Lisbon, 1976.
       ■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.
       ■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.
       ■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.
       ■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.
       ■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.
       ■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.
       ■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,
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       ■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).
       ■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.
       ■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.
       ■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.
       ■ Stock, Maria José. Os Partidos do Poder: Dez Anos Depois do " 25 De Abril." Evora, 1986.
       ■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.
       ■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.
       ■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.
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       ■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.
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       ■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA
       ■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.
       ■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.
       ■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.
       ■. Atlas de Portugal, 2nd ed. Coimbra, 1958.
       ■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.
       ■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.
       ■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.
       ■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.
       ■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.
       ■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.
       ■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.
       ■ ARCHAEOLOGY AND PREHISTORY
       ■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).
       ■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da
       ■ Arte em Portugal. Lisbon: Alfa, 1986.
       ■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.
       ■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.
       ■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.
       ■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.
       ■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.
       ■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.
       ■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.
       ■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.
       ■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:
       ■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.
       ■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS
       ■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.
       ■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.
       ■ Boyd Alexander, ed. London: Hart-Davies, 1954.
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       ■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.
       ■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.
       ■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.
       ■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.
       ■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.
       ■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.
       ■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.
       ■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.
       ■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.
       ■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.
       ■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.
       ■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.
       ■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.
       ■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.
       ■ Hume, Martin. Through Portugal. London: Richards, 1907.
       ■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.
       ■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.
       ■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.
       ■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.
       ■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.
       ■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.
       ■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.
       ■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.
       ■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.
       ■ Murphy, J. C. Travels in Portugal. London: 1795.
       ■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.
       ■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.
       ■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.
       ■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION
       ■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.
       ■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon, 1985.
       ■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.
       ■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.
       ■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.
       ■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.
       ■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.
       ■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.
       ■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.
       ■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.
       ■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.
       ■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.
       ■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.
       ■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.
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       ■. Natal Portugues. Oporto: Liv. Classica Editora, 1942.
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       ■ Lima, Henrique de Campos F. Joaquim Machado de Castro, Escultor Conimbricense. Coimbra: Instituto de Historia de Arte, 1989. Macedo, Diogo de. Presepios Portugueses. Lisbon: Artis, 1951.
       ■. Machado de Castro. Lisbon: Artis, 1958.
       ■ Morais, Heitor. Natal do Meu Coracao. Braga: Ed. A.O., 1991.
       ■ Pais, Alexandre Nobre. Presepios Portugueses Monumentos do Seculo XVIII em Terracotta, 2 vols. Master's thesis in history of art, Universidade Nova de Lisboa, 1998.
       ■ Queiros, Jose. Ceramica Portuguesa. Lisbon: Presenca, 1998. Santos, Reinaldo dos. A Escultura em Portugal. Lisbon: Bertrand, 1951. Serrao, Vitor. Historia da Arte em Portugal IV-O Barroco. Lisbon: Presenca, 2003.
       ■ Smith, Robert C. The Art Of Portugal 1500-1800. New York: Meredith Press, 1968.
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       ■ Cinema
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       ■ Pina, Luis de. Aventura do Cinema Portugues. Lisbon: Vega, 1977.
       ■. Documentarismo Portugues. Lisbon: IPC, 1977.
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       ■. Historia do Cinema Portugues. Mem Martins: Europa-America, 1986.
       ■ Ribeiro, Felix. O Cinema Portugues antes do Sonoro. Esboco Historiconema Portugues. Lisbon: Terra Livre, 1978.
       ■. Panorama do Cinema Portugues. Lisbon: n.d.
       ■ Andresen, Sofia de Melo Breyner. A Fada Oriana. 9th ed. Lisbon: Figueiri-nhas, 1985.
       ■ Araújo, Matilde Rosa. A estrada fascinante. Lisbon: Livros Horizonte, 1988. Barreto, Garcia. Literatura Para Crianças E Jovens Em Portugal. Oporto:
       ■ Campo Das Letras, 1998. Bastos, Glória. A escrita para crianças em Portugal no seculo XIX. Lisbon:
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       ■ Gomes, Alice. A Nau Catrineta, 2nd ed. Lisbon: Portugália, 1973.
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       ■ Letria, José Jorge. Do sentimento mágico da vida. Lisbon: Escritor, 1994. Müller, Adolfo Simões. Historiazinha de Portugal, 6th ed. Oporto: Tavares Martins, 1983.
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       ■. Bibliografia geral da literatura portuguesa para crianças. Lisbon: Edit. Comunicação, 1987.
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       ■ Lisbon, Capital City, in History and Literature
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       ■ Neves, Orlando. Lisboa em Crónica. Lisbon: Author's Ed., 1968.
       ■ Pavão, Luís, and Mário Pereira. Tabernas de Lisboa. Lisbon: Assírio & Alvim, 1981.
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       ■ Literature in English Translation: Selection
       ■ Alcaforado, Mariana. The Letters of a Portuguese Nun ( Mariana Alcaforado). Edgar Prestage, trans. London: D. Nutt, 1893.
       ■ Andrade, Eugénio de. "White on White." Alexis Levitin, trans. Quarterly Review of Literature. Poetry Series VIII. Vol. 27. Princeton, N.J., 1987.
       ■. Another Name for Earth; O outro nome da terra. Alexis Levitin, trans. Ft. Bragg, Calif.: QED Press, 1997.
       ■ Andresen, Sophia de Mello Breyner. Marine Rose: Selected Poems. Ruth Fain-light, trans. Redding Ridge, Conn.: Swan Books, 1989.
       ■ Antunes, António Lobo. South of Nowhere. Elizabeth Lowe, trans. New York: Random House, 1983.
       ■. Fado Alexandrino. Gregory Rabassa, trans. New York: Grove Weidenfeld, 1990.
       ■. An Explanation of the Birds. Richard Zenith, trans. New York: Grove Weidenfeld, 1991.
       ■. Act of the Damned. New York: Grove Press, 1995.
       ■. The Natural Order of Things. New York: Grove Press, 2000.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. The Three Marias: New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Bell, Aubrey F. G. Poems from the Portuguese ( with the Portuguese text). A.
       ■ Bell, trans. Oxford: Blackwell, 1913.
       ■ Camões, Luís de. The Lusiads of Luís de Camões. Leonard Bacon, trans. New York: Hispanic Society of America, 1950.
       ■. The Lusiads. William C. Atkinson, trans. Harmondsworth, U.K.: Penguin, 1952.
       ■. The Lusiads. Landeg White, trans. New York: Oxford University Press, 1997.
       ■ Castelo Branco, Camilo. Doomed Love ( A Family Memoir). Alice R. Clemente, trans Providence, R.I.: Gávea-Brown, 1995. Castro, José Maria Ferreira de. Emigrants. Dorothy Ball, trans. New York: Macmillan, 1962.
       ■. Jungle. Charles Duff, trans. New York: Viking, 1935.
       ■. The Mission. Ann Stevens, trans. London: Hamilton, 1963.
       ■ Dantas, Júlio. The Cardinals' Collation, 48th ed. A. Saintsbury, trans. London, 1962.
       ■ Dias de Melo. Dark Stones. Gregory McNab, trans. Providence, R.I.: Gávea-Brown, 1996.
       ■ Dinis, Júlio. The Fidalgos of Casa Mourisca. Rosanna Dabney, trans. Boston: D. Lothrop, 1891.
       ■ Garrett, Almeida. Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.
       ■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.
       ■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.
       ■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.
       ■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.
       ■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].
       ■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George
       ■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.
       ■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.
       ■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.
       ■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.
       ■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.
       ■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.
       ■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. Providence, R.I.: Gávea-Brown, 2000.
       ■ Paço D'Arcos, Joaquim. Memoirs of a Banknote. Robert Lyle, trans. London, 1968.
       ■ Pedroso, Consiglieri, comp. Portuguese Folk-Tales. Henriqueta Monteiro, trans. Reprint of orig. 1882 ed. New York: Benjamin Blom, 1969.
       ■ Pessoa, Fernando. Fernando Pessoa: Sixty Portuguese Poems. F. E. G. Quintanilha, ed. and trans. Cardiff: University of Wales Press, 1971.
       ■. Selected Poems: Fernando Pessoa. 2nd rev. ed. Jonathan Griffin, trans. Harmondsworth, U.K.: Penguin, 1982.
       ■. The Book of Disquiet. Alfred MacAdams, trans. New York: Pantheon, 1991.
       ■. Fernando Pessoa: Selected Poems. Peter Rickard, ed. and trans. Edinburgh, U.K.: Edinburgh University Press, 1991.
       ■. "The Mariner: A 'Static Drama' in One Act." In Translation: Portugal.
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       ■. Message: Bilingual Edition. Jonathan Griffin, trans. London: Menard Press and King's College, 1992.
       ■ Pires, José Cardoso. Ballad of a Dog's Beach. Mary Fitton, trans. London: J. M. Dent, 1986.
       ■ Queirós, José Maria Eça de. Cousin Bazilio. Roy Campbell, trans. London: Max Reinhardt, 1953.
       ■. The Relic. Aubrey F. G. Bell, trans. London: Max Reinhardt, 1954.
       ■. The City and the Mountains. Roy Campbell, trans. London: Max Reinhardt, 1955.
       ■. The Sin of Father Amaro. Nan Flanagan, trans. London: Max Reinhardt, 1962.
       ■. The Maias. Patricia McGowan Pinheiro, trans. London: Bodley Head, 1965.
       ■. The Illustrious House of Ramires. Ann Stevens, trans. London: Bodley Head, 1968.
       ■. Letters from England. Ann Stevens, trans. London: Bodley Head, 1970.
       ■. To the Capital. John Vetch, trans. Manchester, U.K.: Carcanet, 1995.
       ■ Quental, Antero de. Sixty-four Sonnets. Edgar Prestage, trans. London: David Nutt, 1894.
       ■ Redol, Alves. The Man with Seven Names. L. L. Barrett, trans. New York: Knopf, 1964.
       ■ Resende, André de. André deResende's 'Poema Latina'/ 'Latinpoems.' J. C. R. Martyn, ed. and trans. Lewiston N.Y.: Lampeter and Edwin Mellen, 1998. Ribeiro, Aquilino. When the Wolves Howl. Patricia McGowan Pinheiro, trans. New York: Macmillan; London: Cape, 1963. Sá Carneiro, Mário de. The Great Shadow ( and Other Stories). Margaret Jull Costa, trans. Sawtry, U.K.: Dedalus, 1996. Santareno, Bernardo. The Promise. Nelson H. Vieira, trans. Providence, R.I.: Gávea-Brown, 1981.
       ■ Saramago, José. Baltasar and Blimunda. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1987.
       ■. The Stone Raft. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The Year of the Death of Ricardo Reis. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The History of the Siege of Lisbon. Giovanni Pontiero, trans. New York: Harcourt Brace, 1996.
       ■. Blindness. New York: Harcourt, Brace, 1999.
       ■. Tale of the Unknown Island. New York: Harcourt Brace, 2000.
       ■. All the Names. Margaret Jull Costa, trans. New York: Harcourt, 2000.
       ■. Journey to Portugal. New York: Harcourt Brace, 2001.
       ■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.
       ■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.
       ■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.
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       ■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.
       ■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.
       ■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.
       ■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.
       ■ Portuguese and Portuguese-American Cooking: Cuisine
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       ■ ———. "João de Barros." In Serrao, ed., Dicionário de História de Portugal 1 (1963): 307-8.
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       ■ Walker, Timothy. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, History Department, Boston University, 2001.
       ■ Barbosa, Madelena. "Women in Portugal." Women's Studies International Quarterly 4 (1981): 477-80.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. Novas Cartas Portuguesas. Lisbon, 1972.
       ■ ———. The Three Marias. New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Brettell, Caroline B. We Have Already Cried Many Tears: The Stories of Three Portuguese Migrant Women. Cambridge, Mass.: Schenkman, 1982.
       ■ Ferreira, Virginia. "Engendering Portugal: Social Change, State Politics, and Women's Social Mobilization." In António Costa Pinto, ed., Modern Portugal, 162-88. Palo Alto, Calif.: SPOSS, 1998.
       ■ Goodwin, Mary. "Portuguese Feminism." Portuguese Studies Newsletter 17 (Spring-Summer 1987): 12-13.
       ■ Lamas, Maria. As Mulheres do Meu País. Lisbon, 1948.
       ■ "Mulheres Portuguesas e Feminismo." Análise Social [special number on Portuguese Women and Feminism] 22 (1986): 92-93.
       ■ Osório, Ana de Castro. As Mulheres Portuguesas. Lisbon, 1905.
       ■ Sadlier, Darlene J. The Question of How: Women Writers and New Portuguese Literature. Westport, Conn.: Greenwood; Contributions in Women's Studies, no. 109, 1989.
       ■ Silva, Manuela. The Employment of Women in Portugal. Luxembourg: Office for Official Publications, European Communities, 1984. Velho da Costa, Maria. Maina Mendes. Lisbon, 1974.
       ■ Vicente, Ana, and Maria Reynolds de Souza. Family Planning in Portugal. Lisbon, 1984.
       ■ Almeida, Fortunato de. História da Igreja em Portugal. 6 vols. Coimbra, 1910-24, and Oporto, 1967-72. Alonso, Joaquim Maria. The Secret of Fátima: Fact and Legend. Cambridge, Mass.: Ravengate Press, 1979. Alves, José da Felicidade, ed. Católicos e política de Humberto Delgado à Marcelo Caetano. Lisbon, 1969. Araújo, Miguel de, ed. Dicionario político; 1; Os Bispos e a revoluçao de Abril. Lisbon, 1976. Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.
       ■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.
       ■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.
       ■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.
       ■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.
       ■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.
       ■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.
       ■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.
       ■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.
       ■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.
       ■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.
       ■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.
       ■ Agriculture, Viticulture, and Fishing
       ■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.
       ■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.
       ■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.
       ■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.
       ■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.
       ■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.
       ■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.
       ■. Vinhas e Vinhos De Portugal. Lisbon, 1979.
       ■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.
       ■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.
       ■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.
       ■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.
       ■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.
       ■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.
       ■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.
       ■. Madeira. London: Putnam, 1961.
       ■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.
       ■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.
       ■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.
       ■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.
       ■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.
       ■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.
       ■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.
       ■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.
       ■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.
       ■ Moreira da Fonseca, A. Port Wine: Notes on Its History, Production and Technology. Oporto, 1981.
       ■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.
       ■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.
       ■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.
       ■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.
       ■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.
       ■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.
       ■ Robertson, George. Port. London: Faber & Faber, 1982 ed.
       ■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.
       ■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.
       ■ Simon, Andre L. Port. London: Constable, 1934.
       ■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.
       ■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.
       ■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.
       ■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.
       ■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.
       ■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.
       ■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.
       ■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.
       ■ ECONOMY, INDUSTRY, AND DEVELOPMENT
       ■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.
       ■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.
       ■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.
       ■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.
       ■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.
       ■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.
       ■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.
       ■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.
       ■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.
       ■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.
       ■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.
       ■. "Coming Home: A Survey of Portugal." (May 28, 1988).
       ■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.
       ■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.
       ■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.
       ■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.
       ■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.
       ■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.
       ■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.
       ■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.
       ■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.
       ■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.
       ■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].
       ■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.
       ■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.
       ■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.
       ■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.
       ■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.
       ■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.
       ■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.
       ■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.
       ■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.
       ■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.
       ■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.
       ■ PHOTOGRAPHY ON PORTUGAL
       ■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.
       ■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.
       ■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.
       ■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.
       ■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.
       ■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.
       ■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.
       ■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.
       ■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.
       ■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.
       ■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.
       ■ EQUESTRIANISM
       ■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.
       ■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.
       ■ Horsetalk Magazine. Published in New Zealand.
       ■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.
       ■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,
       ■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.
       ■ Websites of interest: www.equestrian.pt portugalweb.com

    Historical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE

  • 2 Himno de Riego

    • španělská státní hymna (v r. 1873–1874, 1931–1939)

    Diccionario español-checo > Himno de Riego

  • 3 Webb, Harry S.

    1892-1959
       Un hombre muy activo como director y productor de westerns hasta el ano 40, el principio de su carrera se situa en 1917, en Universal. Utilizo algun seudonimo, como el de Henri Samuels. Como tantos otros realizadores al mismo tiempo que el, Webb se limita a dirigir peliculas de una hora de duracion, con razonable buen pulso, protagonizadas por alguno, o al gunos, de los heroes del genero en la decada de los treinta, sin mas ambiciones que la de proporcionar entretenimiento barato a un publico lo mas amplio posible. Sus actores favoritos son, sin duda, Jay Wil sey, acreditado como Buffalo Bill, Jr., Jack Perrin, Tom Tyler y Bob Steele. Creador, en su momento, de Mas cot Pictures (1927) y Reliable Pictures (1933). Su mujer, Rose Gordon, fue guionista en la empresa familiar.
        Beyond the Rio Grande. 1930. 60 minutos. Blanco y Negro. Big 4. Jack Perrin, Jay Wilsey, Charlene Burt.
        Bar L Ranch. 1930. 60 minutos. Blanco y negro. Big 4. Jay Wilsey, Betty Baker, Wally Wales.
        Ridin’ Law. 1930. 63 minutos. Blanco y Negro. Big 4. Jack Perrin, Rene Borden, Ben Corbett.
        Phantom of the Desert. 1930. 58 minutos. Blanco y Negro. Syndicate. Jack Perrin, Eve Novak, Ben Corbett.
        Westward Bound. 1931. 60 minutos. Blanco y Negro. Syndicate. Jay Wilsey, Arlene Ray, Ben Corbett.
        West of Cheyenne. 1931. 56 minutos. Blanco y Negro. Syndicate. Tom Tyler, Josephine Hill, Harry Woods, Ben Corbett.
        The Mystery Trooper (co-d.: Stuart Paton). 1931. 195 minutos. 10 capitulos. Blanco y Negro. Syndicate. Robert Frazer, Blanche Mehaffey.
        The Sign of the Wolf (co-d.: Forrest Sheldon). 1931. 194 min. 10 capitulos. Blanco y N. Metropolitan. Rex Lease, Virginia Brown Faire, Harry Todd.
        The Lone Trail (co-d.: Forrest Sheldon). 1932. 61 minutos. Blanco y Negro. Syndicate. Rex Lease, Virginia Brown Faire, Harry Todd.
        Fighting Hero. 1934. 59 minutos. Blanco y Negro. Reliable. Tom Tyler, Renee Borden.
        Terror of the Plains. 1934. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Roberta Gale.
        The Cactus Kid. 1934. 58 minutos. Blanco y Negro. Reliable. Jack Perrin, Jayne Regan, Tom London.
        The Unconquered Bandit. 1935. 59 minutos. Blanco y Negro. Reliable. Tom Tyler, Lilian Gilmore, Slim Whitaker.
        North of Arizona. 1935. 60 minutos. Blanco y Negro. Reliable. Jack Perrin, Blanche Mehaffey, Lane Chandler.
        Wolf Riders. 1935. 56 minutos. Blanco y Negro. Reliable. Jack Perrin, Lilian Gilmore, Lafe McKee.
        Tracy Rides. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Virginia Brown Faire, Edmund Cobb.
        Ridin’ Thru. 1935. 55 minutos. Blanco y Negro. Reliable. Tom Tyler, Ruth Hiatt, Lafe McKee.
        Born to Battle. 1935. 63 minutos. Blanco y Negro. Reliable. Tom Tyler, Jean Carmen, Earl Dwire.
        The Laramie Kid. 1935. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Alberta Vaughn, Al Ferguson.
        Trigger Tom (Henri Samuels). 1935. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Bernadine Hayes, Al St. John.
        Fast Bullets (Henri Samuels). 1936. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Rex Lease, Margaret Nearing, Slim Whitaker.
        Pinto Rustlers (Henri Samuels). 1936. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Catherine Cotter (Marie Burton), Al St. John.
        Santa Fe Bound (Henri Samuels). 1936. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Jeanne Martel, Richard Cramer.
        Feud of the Range. 1939. 56 minutos. Blanco y Negro. Metropolitan. Bob Steele, Gertrude Messinger, Frank LaRue.
        Mesquite Buckaroo. 1939. 55 minutos. Blanco y Negro. Metropolitan. Bob Steele, Carolyn Curtis, Frank LaRue.
        Riders of the Sage. 1939. 57 minutos. Blanco y Negro. Metropolitan. Bob Steele, Claire Rochelle, Ralph Hoopes.
        The Pal from Texas. 1939. 56 minutos. Blanco y Negro. Metropolitan. Bob Steele, Claire Rochelle, Jack Perrin.
        Pioneer Days. 1940. 51 minutos. Blanco y Negro. Monogram. Jack Randall, June Wilkins, Frank Yaconelli.

    English-Spanish dictionary of western films > Webb, Harry S.

  • 4 БИБЛИОГРАФИЯ

    Мы приняли следующие сокращения для наиболее часто упоминаемых книг и журналов:
    IJP - International Journal of Psycho-analysis
    JAPA - Journal of the American Psychoanalytic Association
    SE - Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. James Strachey (London: Hogarth Press and the Institute of Psycho-Analysis, 1953—74.)
    PSOC - Psychoanalytic Study of the Child (New Haven: Yale University Press)
    PQ - Psychoanalytic Quarterly
    WAF - The Writings of Anna Freud, ed. Anna Freud (New York: International Universities Press, 1966—74)
    PMC - Psychoanalysis The Major Concepts ed. Burness E. Moore and Bernard D. Fine (New Haven: Yale University Press)
    \
    О словаре: _about - Psychoanalytic Terms and Concepts
    \
    1. Abend, S. M. Identity. PMC. Forthcoming.
    2. Abend, S. M. (1974) Problems of identity. PQ, 43.
    3. Abend, S. M., Porder, M. S. & Willick, M. S. (1983) Borderline Patients. New York: Int. Univ. Press.
    4. Abraham, K. (1916) The first pregenital stage of libido. Selected Papers. London, Hogarth Press, 1948.
    5. Abraham, K. (1917) Ejaculatio praecox. In: selected Papers. New York Basic Books.
    6. Abraham, K. (1921) Contributions to the theory of the anal character. Selected Papers. New York: Basic Books, 1953.
    7. Abraham, K. (1924) A Short study of the development of the libido, viewed in the light of mental disorders. In: Selected Papers. London: Hogarth Press, 1927.
    8. Abraham, K. (1924) Manic-depressive states and the pre-genital levels of the libido. In: Selected Papers. London: Hogarth Press, 1949.
    9. Abraham, K. (1924) Selected Papers. London: Hogarth Press, 1948.
    10. Abraham, K. (1924) The influence of oral erotism on character formation. Ibid.
    11. Abraham, K. (1925) The history of an impostor in the light of psychoanalytic knowledge. In: Clinical Papers and Essays on Psychoanalysis. New York: Basic Books, 1955, vol. 2.
    12. Abrams, S. (1971) The psychoanalytic unconsciousness. In: The Unconscious Today, ed. M. Kanzer. New York: Int. Univ. Press.
    13. Abrams, S. (1981) Insight. PSOC, 36.
    14. Abse, D W. (1985) The depressive character In Depressive States and their Treatment, ed. V. Volkan New York: Jason Aronson.
    15. Abse, D. W. (1985) Hysteria and Related Mental Disorders. Bristol: John Wright.
    16. Ackner, B. (1954) Depersonalization. J. Ment. Sci., 100.
    17. Adler, A. (1924) Individual Psychology. New York: Harcourt, Brace.
    18. Akhtar, S. (1984) The syndrome of identity diffusion. Amer. J. Psychiat., 141.
    19. Alexander, F. (1950) Psychosomatic Medicine. New York: Norton.
    20. Allen, D. W. (1974) The Feat- of Looking. Charlottesvill, Va: Univ. Press of Virginia.
    21. Allen, D. W. (1980) Psychoanalytic treatment of the exhibitionist. In: Exhibitionist, Description, Assessment, and Treatment, ed. D. Cox. New York: Garland STPM Press.
    22. Allport, G. (1937) Personality. New York: Henry Holt.
    23. Almansi, R. J. (1960) The face-breast equation. JAPA, 6.
    24. Almansi, R. J. (1979) Scopophilia and object loss. PQ, 47.
    25. Altman, L. Z. (1969) The Dream in Psychoanalysis. New York: Int. Univ. Press.
    26. Altman, L. Z. (1977) Some vicissitudes of love. JAPA, 25.
    27. American Psychiatric Association. (1987) Diagnostic and Statistical Manual of Mental Disorders, 3d ed. revised. Washington, D. C.
    28. Ansbacher, Z. & Ansbacher, R. (1956) The Individual Psychology of Alfred Adler. New York: Basic Books.
    29. Anthony, E. J. (1981) Shame, guilt, and the feminine self in psychoanalysis. In: Object and Self, ed. S. Tuttman, C. Kaye & M. Zimmerman. New York: Int. Univ. Press.
    30. Arlow. J. A. (1953) Masturbation and symptom formation. JAPA, 1.
    31. Arlow. J. A. (1959) The structure of the deja vu experience. JAPA, 7.
    32. Arlow. J. A. (1961) Ego psychology and the study of mythology. JAPA, 9.
    33. Arlow. J. A. (1963) Conflict, regression and symptom formation. IJP, 44.
    34. Arlow. J. A. (1966) Depersonalization and derealization. In: Psychoanalysis: A General Psychology, ed. R. M. Loewenstein, L. M. Newman, M. Schur & A. J. Solnit. New York: Int. Univ. Press.
    35. Arlow. J. A. (1969) Fantasy, memory and reality testing. PQ, 38.
    36. Arlow. J. A. (1969) Unconscious fantasy and disturbances of mental experience. PQ, 38.
    37. Arlow. J. A. (1970) The psychopathology of the psychoses. IJP, 51.
    38. Arlow. J. A. (1975) The structural hypothesis. PQ, 44.
    39. Arlow. J. A. (1977) Affects and the psychoanalytic situation. IJP, 58.
    40. Arlow. J. A. (1979) Metaphor and the psychoanalytic situation. PQ, 48.
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    817. Stoller, R. J. (1972) The "bedrock" of masculinity and femininity: bisexuality. Arch. Gen. Psychiat., 26.
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    Словарь психоаналитических терминов и понятий > БИБЛИОГРАФИЯ

  • 5 McGowan, J. P.

    1880-1952
       Personalidad singular la de este australiano trasplantado a Hollywood. Actor y director de algun exito durante el cine mudo, cuando llega el sonoro inicia una huida hacia adelante, dirigiendo febrilmente peliculas de muy bajo presupuesto. Antes de la llegada de la decada de los 40, ha desaparecido de las pantallas. Una de sus ultimas actuaciones, tan mo desta que ni siquiera figura en los titulos de credito, ocurre en La diligencia (Stagecoach, John Ford, 1939), una pelicula de referencia en el mundo del western. Establecer la relacion de las peliculas sonoras del genero dirigidas por McGowan no es tarea facil porque se mueve en la frontera entre el mudo y el sonoro, con peliculas mudas pero con banda musical que, naturalmente, quedan fuera de la presente filmografia.
        Senor Americano. 1929. 60 minutos. Blanco y Negro. Ken Maynard Pro ductions (Universal). Ken Maynard, Katharyn Crawford, Frank Yaconelli.
        Near the Rainbow’s End (El botin del rancho). 1930. 58 minutos. Blanco y Negro. Tiffany. Bob Steele, Louise Lorraine, Al Ferguson, Lafe McKee.
        Canyon Hawks (co-d.: Alan James). 1930. 60 minutos. Blanco y Negro. Big 4. Yakima Canutt, Rene Borden, Wally Wales.
        Beyond the Law. 1930. 50 minutos. Blanco y Negro. Syndicate. Robert Frazer, Lane Chandler, Louise Lorraine.
        Code of Honor. 1930. 60 minutos. Blanco y Negro. Syndicate. Lafe McKee, Doris Hill, Mahlon Hamilton.
        Under Texas Skies. 1930. 65 minutos. Blanco y Negro. Syndicate. Bob Custer, Natalie Kingston, Bill Cody, Lane Chandler.
        Riders of the North. 1931. 59 minutos. Blanco y Negro. Syndicate. Bob Custer, Blanche Mehaffey.
        So This Is Arizona. 1931. 55 minutos. Blanco y Negro. Big 4. Wally Wales, Buzz Barton, Lorraine LaVal.
        Headin’ for Trouble. 1931. 60 minutos. Blanco y Negro. Big 4. Bob Custer, Betty Mack.
        The Cyclone Kid. 1931. 60 minutos. Blanco y Negro. Big 4. Buzz Barton, Lafe McKee, Caryl Lincoln.
        Shotgun Pass. 1931. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Virginia Lee Corbin.
        Quick Trigger Lee. 1931. 59 minutos. Blanco y Negro. Big 4. Bob Custer, Caryl Lincoln.
        Human Targets. 1932. 56 minutos. Blanco y Negro. Big 4. Buzz Barton, Pauline Parker.
        Mark of the Spur. 1932. 58 minutos. Blanco y Negro. Big 4. Bob Custer, Franklyn Farnum, Lillian Rich.
        Tangled Fortunes. 1932. 60 minutos. Blanco y Negro. Big 4. Buzz Barton, Caryl Lincoln.
        The Scarlet Brand. 1932. 58 minutos. Blanco y Negro. Big 4. Bob Custer, Betty Mack.
        Lawless Valley. 1932. 55 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Gertrude Messinger.
        When a Man Rides Alone. 1933. 60 minutos. Blanco y Negro. Freuler/Mo narch. Tom Tyler, Alan Bridge, Adele Lacy.
        Drum Taps. 1933. 61 minutos. Blanco y Negro. KBS/World Wide. Ken Maynard, Dorothy Dix.
        Deadwood Pass. 1933. 62 minutos. Blanco y Negro. Freuler/Monarch. Tom Tyler, Wally Wales, Alice Dahl.
        War on the Range. 1933. 59 minutos. Blanco y Negro. Freuler/Monarch. Tom Tyler, Lane Chandler, Caryl Lincoln.
        The Lone Bandit. 1934. 55 minutos. Blanco y Negro. Empire. Lane Chandler, Doris Brook, Wally Wales.
        The Outlaw Tamer. 1934. 55 minutos. Blanco y Negro. Empire. Lane Chandler, Blanche Mehaffey.
        Rough Riding Rhythm. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Beryl Wallace, Betty Mack.
        Roaring Six Guns. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Mary Hayes, Sam Flint.
        Where the West Begins. 1938. 54 minutos. Blanco y Negro. Monogram. Jack Randall, Luana Walters, Fuzzy Knight.

    English-Spanish dictionary of western films > McGowan, J. P.

  • 6 James, Alan

    1890-1952 (o Alvin J. Neitz)
       Realizador y guionista, Alan James, que popularizo su seudonimo, Alvin J. Neitz, repartio sus casi 80 realizaciones entre el cine mudo y el sonoro, a partes iguales. Curiosamente, y a pesar de que ambas funciones, la de director y la de guionista, las simultaneo, no es excesiva la cifra de las peliculas en que de sempeno ambos cometidos. Fue todo lo prolifico que las circunstancias –peliculas de una hora de duracion en productos baratos de consumo inmediato– aconsejaban. Casi la tercera parte de sus westerns sonoros los protagonizo el actor Ken Maynard.
        Firebrand Jordan. 1930. 55 minutos. Blanco y Negro. National Players/Big 4. Lane Chandler, Aline Goodwin, Yakima Canutt.
        Canyon Hawks (co-d.: J.P. McGowan). 1930. 60 minutos. Blanco y Negro. Big 4. Yakima Canutt, Rene Borden, Wally Wales.
        Trails of Peril. 1930. 63 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.
        Breed of the West. 1930. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire, Buzz Barton.
        Red Fork Range. 1931. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Ruth Mix.
        Hell’s Valley. 1931. 55 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.
        Pueblo Terror. 1931. 59 minutos. Blanco y Negro. Cosmos. Jay Wilsey, Jack Harvey, Wanda Hawley.
        Flying Lariats (co-d.: David Kirkland). 1931. 60 minutos. Blanco y Negro. Big 4. Wally Wales, Sam Garrett, Buzz Barton, Bonnie Gray.
        Lariats and Sixshooters. 1931. 55 minutos. Blanco y Negro. Cosmos. Jack Perrin, Ann Lee.
        Come On, Tarzan (Con Tarzan me basta/Tarzan, potro salvaje). 1932. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Merna Kennedy, Kate Campbell.
        Tex Takes a Holiday. 1932. 60 minutos. Naturalcolor. Argosy. Wallace MacDonald, Virginia Brown Faire, James Dillon.
        Tombstone Canyon. 1932. 62 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Cecilia Parker.
        Phantom Thunderbolt. 1933. 63 minutos. Blanco y Negro. World Wide. Ken Maynard, Frances Lee, Frank Rice.
        The Lone Avenger (El vengador solitario). 1933. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Muriel Gordon.
        King of the Arena. 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Lucile Browne.
        The Trail Drive. 1933. 60 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker, Frank Rice.
        Strawberry Roan (El potro indomable). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Ruth Hall, Frank Yaconelli.
        Fargo Express (El incorregible). 1933. 61 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Helen Mack.
        Gun Justice (Un mal paso). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.
        Wheels of Destiny (Tierra de promision). 1934. 64 minutos. Blanco y Negro. Universal. Ken Maynard, Dorothy Dix.
        Honor of the Range (Deuda de honor). 1934. 61 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.
        Smoking Guns (La vuelta del perseguido). 1934. 62 minutos. Blanco y Negro. Universal. Ken Maynard, Gloria Shea.
        When a Man Sees Red. 1934. 60 minutos. Blanco y Negro. Universal. Buck Jones, Peggy Campbell, LeRoy Mason, Dorothy Revier.
        Valley of Wanted Men. 1935. 62 minutos. Blanco y Negro. Ambassador. Frankie Darro, LeRoy Mason.
        Swifty. 1935. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, June Gale.
        Lucky Terror. 1936. 61 minutos. Blanco y Negro. Grand National. Hoot Gibson, Lona Andre.
        Wild Horse Round-Up. 1936. 58 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Beth Marion.
        The Painted Stallion (co-d.: Ray Taylor, William Witney). 1937. 212 minu tos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.
        West of Rainbow’s End. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Kathleen Eliot.
        The Painted Stallion (co-d.: Ray Taylor, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.
        Land of Fighting Men. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Bruce Bennett, Louise Stanley.
        Call of the Rockies. 1938. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Donald Grayson, Iris Meredith, Bob Nolan.
        Two Gun Justice. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Betty Compson.
        Flaming Frontiers (co-d.: Ray Taylor). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.
        Trigger Smith. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant.
        Wild Horse Stampede. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles.
        The Law Rides Again. 1943. 58 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles.

    English-Spanish dictionary of western films > James, Alan

  • 7 Lederman, D. Ross

    1894-1972
       Entra en el mundo del cine a comienzos de los 10, trabajando para Mack Sennett. Lo encontramos co mo ayudante de direccion a partir de 1925, y como director a partir de 1927. En el mudo trabaja para Warner. No es precisamente un realizador distinguido. Lo suyo son peliculas de bajo presupuesto, entre ellas muchos westerns, pero tambien, por desgracia, de baja calidad, opinion esta ultima no compartida por muchos, que ven en algunos de los filmes de la serie protagonizada por Tim McCoy valores que yo no he podido descubrir. El serial The Phantom of the West posee una singular novedad: el heroe enmascarado que da titulo al filme posee una voz distinta de la que corresponde al mismo personaje cuando actua sin mascara. Este truco, que pretendia hacer mas misteriosa la trama, se descubre inevitablemente cuando el oculto heroe descubre su rostro.
        The Phantom of the West. 1931. 172 minutos. 10 capitulos. Blanco y Negro. Mascot. Tom Tyler, William Desmond, Dorothy Gulliver.
        The Texas Ranger (A sangre y fuego). 1931. 61 minutos. Blanco y Negro. Beverly (Columbia). Buck Jones, Carmelita Geraghty, Harry Woods.
        Branded (La marca de la muerte). 1931. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Ethel Kenton.
        The Fighting Marshal. 1931. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Dorothy Gulliver.
        The Range Feud (Tierras de discordia). 1931. 64 minutos. Blanco y Negro. Columbia. Buck Jones, John Wayne, Susan Fleming.
        Ridin’ for Justice. 1932. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Mary Doran, Russell Simpson.
        Texas Cyclone (El ciclon tejano). 1932. 63 minutos. Blanco y Negro. Columbia. Tim McCoy, Shirley Grey, John Wayne, Wheeler Oakman.
        The Riding Tornado. 1932. 63 minutos. Blanco y Negro. Columbia. Tim McCoy, Shirley Grey, Wallace MacDonald, Wheeler Oakman.
        Two-Fisted Law. 1932. 64 minutos. Blanco y Negro. Columbia. Tim McCoy, Alice Day, John Wayne, Wheeler Oakman.
        Daring Danger. 1932. 57 minutos. Blanco y Negro. Columbia. Tim MacCoy, Alberta Vaughn, Dirk Alexander.
        McKenna of the Mounted (A costa de su honor). 1932. 66 minutos. Blanco y Negro. Columbia. Buck Jones, Greta Grandstedt, James Glavin.
        End of the Trail (Justicia para el indio). 1932. 61 minutos. Blanco y Negro. Columbia. Tim McCoy, Luana Walters, Wade Boteler, Wheeler Oakman.
        Silent Men (Enemigos leales). 1933. 68 minutos. Blanco y Negro. Columbia. Tim McCoy, Florence Britton, Wheeler Oakman.
        The Whirlwind (A brazo partido). 1933. 62 minutos. Blanco y Negro. Columbia. Tim McCoy, Alice Dahl, Pat O’Malley.
        Rusty Rides Alone. 1933. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Barbara Weeks, Dorothy Burgess.
        Beyond the Law. 1934. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Shirley Grey, Lane Chandler.
        Moonlight on the Prairie. 1935. 60 minutos. Blanco y Negro. WB. Dick Foran, Sheila Mannors, George E. Stone.
        Racketeers of the Range. 1939. 62 minutos. Blanco y Negro. RKO. George O’Brien, Marjorie Reynolds, Robert Fiske.
        Thundering Frontier. 1940. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Iris Meredith, Bob Nolan.
        Across the Sierras/Welcome Stranger. 1941. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Luana Walters, Dub Taylor, Richard Fiske.

    English-Spanish dictionary of western films > Lederman, D. Ross

  • 8 Hill, Robert F.

    1886-1966
       Actor, guionista y director de origen canadiense, rueda mas de cien peliculas, entre mudas y sonoras. Una parte importante de su produccion, hasta un total de 33 titulos en diez anos, la constituyen peliculas del oeste de una hora de duracion, protagonizadas por algunos de los heroes del genero de los anos 30. Ninguna de ellas tiene la menor trascendencia en la historia del western. Hill tenia fama de acabar sus peliculas en el tiempo previsto y por debajo del presupuesto asignado.
        Heroes of the Flames. 1931. 240 minutos. 12 capitulos. Blanco y Negro. Universal. Tim McCoy, Marion Shockley.
        Sundown Trail (El centauro de Cheyenne). 1931. 56 minutos. Blanco y Negro. RKO-Pathe. Tom Keene, Marion Shilling.
        Come on Danger! (A mi los valientes). 1932. 60 minutos. Blanco y Negro. RKO. Tom Keene, Julie Haydon.
        The Cheyenne Kid. 1933. 61 minutos. Blanco y Negro. RKO. Tom Keene, Mary Mason.
        The Crimson Paradise. 1933. 50 minutos. Blanco y Negro. Northern. Nick Stuart, Lucille Browne.
        A Demon for Trouble. 1934. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Gloria Shea.
        Outlaw’s Highway. 1934. 61 minutos. Blanco y Negro. Trop. Jack King, Del Morgan, Bonita Baker.
        Frontier Days. 1934. 61 minutos. Blanco y Negro. Spectrum. Bill Cody, Ada Ince.
        Cowboy Holiday. 1934. 56 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Janet Chandler.
        Six Gun Justice. 1935. 57 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.
        Cyclone Ranger. 1935. 60 minutos. Blanco y Negro. Spectrum. Bill Cody, Nina Quartero.
        The Texas Rambler. 1935. 59 minutos. Blanco y Negro. Spectrum. Bill Cody, Catherine Cotter (Marie Burton).
        Vanishing Riders. 1935. 58 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.
        Danger Trails. 1935. 62 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Marjorie Gordon.
        Rio Grande Romance. 1936. 69 minutos. Blanco y Negro. Victory. Edward J. Nugent, Maxine Doyle.
        Too Much Beef. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Constante Bergen, Horace Murphy.
        West of Nevada. 1936. 57 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay, Al St. John.
        The Idaho Kid. 1936. 69 minutos. Blanco y Negro. Colony. Rex Bell, Marion Shilling.
        Men of the Plains. 1936. 62 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay.
        Rip Roarin’ Buckaroo. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.
        Law and Lead. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Harley Wood.
        The Phantom of the Range. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.
        Cheyenne Rides Again. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Lucille Browne.
        The Roaming Cowboy (A tiro limpio). 1937. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Lois January, Al St. John.
        The Feud of the Trail. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Harley Wood.
        Mystery Range. 1937. 55 minutos. Blanco y Negro. Victory. Tom Tyler, Jerry Bergh.
        The Painted Trail. 1938. 50 minutos. Blanco y Negro. Monogram. Tom Keene, Elaine Stewart.
        Whirlwind Horseman. 1938. 57 minutos. Blanco y Negro. Grand National. Ken Maynard, Joan Barclay.
        Man’s Country. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Marjorie Reynolds, Ralph Peters.
        Wild Horse Canyon. 1938. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Dorothy Short, Frank Yaconelli.
        Drifting Westward. 1939. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Edna Duran, Frank Yaconelli.
        Overland Mail. 1939. 51 minutos. Blanco y Negro. Monogram. Jack Randall, Jean Joyce, Vince Barnett.
        Wanderers of the West. 1941. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Sugar Dawn, Betty Miles.

    English-Spanish dictionary of western films > Hill, Robert F.

  • 9 Kahn, Richard C.

    1897-1960
       Se incorpora al cine como guionista y realizador, en 1931. Dirige, con Herbert Jeffreys como protagonista, filmes “afroamericanos”, es decir, en los que juegan un papel destacado actores negros. Tal vez sea eso lo mas destacado de su breve filmografia, compuesta por nueve largometrajes, ocho si excluimos el ultimo, que no es sino una reunion de episodios de una serie televisiva.
        Secret Menace. 1931. 59 minutos. Blanco y Negro. Imperial. Glenn Tryon, Virginia Brown Faire.
        Two-Gun Man from Harlem. 1938. 65 minutos. Blanco y Negro. Hollywood Productions (Sack Amusement). Herb Jeffreys, Margaret Whitten, Spencer Williams, Clarence. Brooks.
        The Bronze Buckaroo. 1939. 57 minutos. Blanco y Negro. Hollywood Productions (Sack Amusement). Herb Jeffreys, Spencer Williams, Clarence Brooks.
        Harlem Rides the Range. 1939. 58 minutos. Blanco y Negro. Hollywood Productions (Sack Amusement). Herb Jeffreys, Spencer Williams, Clarence Brooks.
        Buzzy Rides the Range. 1940. 60 minutos. Blanco y Negro. Arthur Ziehm. Robert “Buzzy” Henry, Dave O’Brien, Claire Rochelle.
        Buzzy and the Phantom Pinto. 1941. 55 minutos. Blanco y Negro. Arthur Ziehm. Robert “Buzzy” Henry, Dave O’Brien, Dorothy Short.

    English-Spanish dictionary of western films > Kahn, Richard C.

  • 10 Ray, Bernard B.

    1895-1964
       B.B. Ray, Franklyn Shamray, Ray Bernard, Raymond Samuels y Raymond K. Johnson son seudonimos utilizados por este prolifico director, que fue tambien productor, guionista y hasta director de fotografia en alguna ocasion; Bernard B. Ray es uno de los fun dadores de Re liable Pictures, para quien dirigio un buen punado de peliculas y, en particular, un buen punado de westerns. En su filmografia aparecen Jack Perrin, Tom Tyler, Bob Custer, Rex Lease, Addison o Jack Randall, Fred Scott, es decir, algunos de los mas importantes heroes del western de los anos 30. Las peliculas de Ray no son hermosas ni importantes, pero tampoco destacan negativamente de sus hermanas de genero, con los mismos actores, dirigidas por otros mu chos realizadores intercambiables con el.
        West of the Rockies (Raymond Johnson). 1931. 60 minutos. Blanco y Negro. Syndicate. Ben Lyon, Marie Prevost, Gladys Johnston.
        Mystery Ranch (El rancho del misterio). 1934. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Roberta Gale, Jack Perrin, Louise Gabo.
        Rawhide Mail. 1934. 59 minutos. Blanco y Negro. Reliable. Jack Perrin, Nelson McDowell, Lillian Gilmore, Lafe McKee.
        Loser’s End. 1934. 58 minutos. Blanco y Negro. Reliable. Jack Perrin, Tina Menard, Frank Rice.
        Coyote Trails. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Alice Dahl, Ben Corbett.
        Silent Valley. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Nancy Deshon, Al Bridge, Wally Wales.
        The Silver Bullet. 1935. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Jayne Regan, Charles King, Lafe McKee.
        The Test. 1935. 60 minutos. Blanco y Negro. Reliable. Monte Blue, Grace Ford, Grant Whiters.
        Rio Rattler (Franklin Shamray). 1935. 55 minutos. Blanco y Negro. Reliable. Tom Tyler, Marion Shilling, Eddie Gribbon.
        Texas Jack. 1935. 52 minutos. Blanco y Negro. Reliable. Jack Perrin, Jayne Regan, Nelson McDowell, Budd Buster.
        Ridin’ On. 1936. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Joan Barclay, Rex Lease.
        Caryl of the Mounties. 1936. 68 minutos. Blanco y Negro. Reliable. Francis X. Bushman, Lois Wilde.
        Roamin’ Wild. 1936. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Carol Wyndham, Max Davidson, Al Ferguson.
        Ambush Valley (Franklin Shamray). 1936. 57 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, Wally Wales.
        Vengeance of Rannah (Raymond Samuels). 1936. 59 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, John Elliott.
        Santa Fe Rides (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Bob Custer, Eleanor Stewart, Ed Cassidy.
        The Silver Trail (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Rex Lease, Mary Russell, Ed Cassidy.
        Code of the Fearless (Raymond K. Johnson). 1939. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.
        In Old Montana (Raymond K. Johnson). 1939. 61 minutos. Blanco y Negro. Spectrum. Fred Scott, Jean Carmen, John Merton.
        Smoky Trails. 1939. 57 minutos. Blanco y Negro. Metropolitan. Bob Steele, Jean Carmen, Ted Adams.
        Two Gun Troubador (Raymond K. Johnson). 1939. 58 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.
        The Cheyenne Kid (Raymond K. Johnson). 1940. 56 minutos. Blanco y Negro. Monogram. Addison Randall, Louise Stanley, Frank Yaconelli.
        Covered Wagon Trails (Raymond K. Jonson). 1940. 52 minutos. Blanco y Negro. Monogram. Jack Randall, Sally Cairns, Budd Buster.
        Pinto Canyon (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Metropolitan. Bob Steele, Louise Stanley, Ted Adams.
        Land of the Six Guns (Raymond K. Johnson). 1940. 54 minutos. Blanco y Negro. Monogram. Jack Randall, Louise Stanley, Glenn Strange.
        The Kid from Santa Fe (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Clarene Curtis, Jimmy Aubrey.
        Riders from Nowhere (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Monogram. Jack Randall, Margaret Roach, Ernie Adams.
        Wild Horse Range (Raymond K. Johnson). 1940. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Phyllis Ruth, Frank Yaconelli.
        Ridin’ the Trail (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Iris Lancaster, Harry Harvey.
        Law of the Wolf (Raymond K. Johnson). 1941. 55 min. Blanco y Ne gro. Metropolitan. Dennis Moore, Luana Walters, Jack Ingram, Robert Frazer.
        Buffalo Bill Rides Again. 1947. 70 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Jennifer Holt, John Dexter, Ted Adams.
        Hollywood Barn Dance. 1947. 72 minutos. Blanco y Negro. Screen Guild. Ernest Tubb, Lori Nelson, Helen Boyce, Earle Hodgins.
        Timber Fury. 1950. 63 minutos. Blanco y Negro. Eagle Lion. David Bruce, Laura Lee, George Slocum.
        Buffalo Bill in Tomahawk Territory. 1952. 66 minutos. Blanco y Negro. Jack Schwarz (UA). Clayton Moore, Slim Andrews, Sharon Dexter, Tom Hubbard.

    English-Spanish dictionary of western films > Ray, Bernard B.

  • 11 Fraser, Harry L.

    1889-1974
       Director de cerca de 70 filmes sonoros, entre 1930 y 1950, ademas de un punado de filmes mudos. Escritor de guiones, mas o menos en el mismo intervalo de tiempo, y ayudante de direccion, tambien en las mismas fechas, con el seudonimo Harry O. Jones, sin duda por pudor profesional. Su mundo es el del western, al que dedico la inmensa mayoria de su produccion, obras cuyo presupuesto y sus inquietudes artisticas eran igualmente reducidos.
        The Montana Kid. 1931. 64 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Doris Hill.
        Oklahoma Jim (El terror de Oklahoma). 1931. 61 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Marion Burns.
        Land of Wanted Men. 1931. 60 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Sheila Mannors.
        Ghost City (Oro en el monte). 1932. 60 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Helen Forrest.
        Vanishing Men. 1932. 62 minutos. Blanco y Negro. Monogram. Tom Tyler, Raymond Keane, Adele Lacy.
        Mason of the Mounted. 1932. 58 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Nancy Drexel.
        Law of the North (La ley del Norte). 1932. 55 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Nadine Dore.
        Texas Pioneers (Praderas sangrientas). 1932. 58 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Sheila Mannors.
        Honor of the Mounted (El honor del batallon). 1932. 62 minutos. Blanco y Negro. Monogram. Tom Tyler, Francis McDonald.
        From Broadway to Cheyenne (Los gangsters del Oeste). 1932. 62 minutos. Blanco y Negro. Monogram. Rex Bell, Marceline Day.
        The Man from Arizona (El hombre de Arizona). 1932. 58 minutos. Blanco y Negro. Monogram. Rex Bell, Naomi Judge.
        The Diamond Trail (La senda del diamante). 1932. 60 minutos. Blanco y Negro. Monogram. Rex Bell, Frances Rich.
        Rainbow Ranch (La bala acusadora). 1933. 55 minutos. Blanco y Negro. Monogram. Rex Bell, Cecilia Parker.
        The Fighting Parson. 1933. 70 minutos. Blanco y Negro. Allied Artists. Hoot Gibson, Marceline Day.
        The Fugitive (El fugitivo del Oeste). 1933. 56 minutos. Blanco y Negro. Monogram. Rex Bell, Cecilia Parker.
        Randy Rides Alone. 1934. 53 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Alberta Vaughn.
        Fighting Through. 1934. 55 minutos. Blanco y Negro. Willis Kent. Reb Russell, Lucille Lund.
        Gunfire. 1934. 56 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.
        Neath the Arizona Skies. 1934. 52 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Sheila Terry.
        The Tonto Kid. 1935. 61 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.
        The Reckless Buckaroo. 1935. 57 minutos. Blanco y Negro. Crescent. Bill Cody, Bill Cody, Jr., Betty Mack.
        Wagon Trail. 1935. 55 minutos. Blanco y Negro. Ajax. Harry Carey, Gertrude Messinger.
        Rustler’s Paradise. 1935. 61 minutos. Blanco y Negro. Ajax. Harry Carey, Gertrude Messinger.
        Fighting Pioneers. 1935. 60 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.
        Saddle Aces. 1935. 56 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.
        Wild Mustang. 1935. 62 minutos. Blanco y Negro. Ajax. Harry Carey, Barbara Fritchie.
        The Last of the Clintons. 1935. 60 minutos. Blanco y Negro. Ajax. Harry Carey, Betty Mack.
        Ace’s Wild. 1936. 57 minutos. Blanco y Negro. Commodore. Harry Carey, Gertrude Messinger.
        Ghost Town. 1936. 60 minutos. Blanco y Negro. Commodore. Harry Carey, Ruth Findlay.
        Hair-Trigger Casey. 1936. 59 minutos. Blanco y Negro. Atlantic. Jack Perrin, Betty Mack.
        Wildcat Saunders. 1936. 60 minutos. Blanco y Negro. Atlantic. Jack Perrin, Blanche Mehaffey.
        Feud of the West. 1936. 62 minutos. Blanco y Negro. Diversion. Hoot Gibson, Joan Barclay.
        The Riding Avenger. 1936. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, Ruth Mix.
        Romance Rides the Range. 1936. 59 minutos. Blanco y Negro. Spectrum. Fred Scott, Marion Shilling.
        Cavalcade of the West. 1936. 59 minutos. Blanco y Negro. Diversion. Hoot Gibson, Marion Shilling, Rex Lease.
        Galloping Dynamite. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Ariane Allen, John Merton.
        Heroes of the Alamo. 1937. 75 minutos. Blanco y Negro. Sunset (Columbia). Rex Lease, Lane Chandler.
        Six Shootin’ Sheriff. 1938. 59 minutos. Blanco y Negro. Grand National. Ken Maynard, Marjorie Reynolds.
        Songs and Saddles. 1938. 65 minutos. Blanco y Negro. Colony. Gene Austin, Lynne Berkeley.
        Lure of the Wasteland. 1939. 55 minutos. Blanco y Negro/Teleco-color. Al Lane Pictures (Monogram). Grant Withers, LeRoy Mason, Marion Arnold.
        Phantom Rancher. 1940. 61 minutos. Blanco y Negro. Colony. Ken Maynard, Dorothy Short.
        Lightning Strikes West. 1940. 56 minutos. Blanco y Negro. Colony. Ken Maynard, Claire Rochelle.
        Gunsmoke Mesa. 1944. 59 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Patti McCarty.
        Outlaw Roundup. 1944. 55 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Helen Chapman.
        Brand of the Devil. 1944. 57 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Ellen Hall.
        Enemy of the Law. 1945. 59 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Kay Hugues.
        Three in the Saddle. 1945. 61 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Lorraine Miller.
        Frontier Fugitives. 1945. 53 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Lorraine Miller.
        Flaming Bullets. 1945. 55 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Patricia Knox.
        The Navajo Kid. 1945. 59 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Caren Marsh.
        Six Gun Man. 1946. 57 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Jean Carlin.
        Ambush Trail. 1946. 60 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Lorraine Miller.
        Thunder Town. 1946. 57 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Ellen Hall.
        Stallion Canyon. 1949. 72 minutos. Trucolor. Kanab/Astor. Ken Curtis, Carolina Cotton.

    English-Spanish dictionary of western films > Fraser, Harry L.

  • 12 Sloman, Edward

    1886-1972
       Britanico, viaja a los Estados Unidos en 1905 con la intencion de abrirse camino como actor. Ya en Hollywood, no solo es actor sino que empieza a escribir guiones y, por ultimo, a dirigir. Hoy podriamos calificarlo como un realizador tipico del cine mudo, dicho esto en su acepcion menos favorable, es decir, la que implica que no se llego a adaptar al sonoro, en el que su carrera fue razonablemente breve y nada distinguida. En realidad, falta criterio para analizar su filmografia en el periodo mudo porque pocos de sus filmes de esa epoca han sobrevivido. En 1939 deja el cine para dedicarse al mundo de la radio como escritor, productor y director de programas.
        The Conquering Horde (La horda conquistadora). 1931. 75 minutos. Blan co y Negro. Paramount. Richard Arlen, Fay Wray, Ian MacLaren.
        Gun Smoke (Humo de polvora). 1931. 64 minutos. Blanco y Negro. Para mount. Richard Arlen, Mary Brian, William Boyd.
        Caught. 1931. 68 minutos. Blanco y Negro. Paramount. Richard Arlen, Louise Dresser, Frances Dee.

    English-Spanish dictionary of western films > Sloman, Edward

  • 13 Capone, Al (Alphonse)

    (1899-1947) Капоне (Капон), Аль (Альфонс, Эл)
    Чикагский гангстер, уроженец Италии, влиятельный и самый известный босс организованной преступности в 20-30-х гг. XX в., особенно в период "сухого закона" [ Prohibition]. Начинал преступную карьеру в Нью-Йорке, позднее обосновался в Чикаго. Сколотил большое состояние на нелегальной торговле алкоголем [ bootlegging] и рэкете [racketeering]. Был известен под кличками "Большой Эл" ["Big Al"] и "Лицо со шрамом" ["Scarface"]. С 1920 по 1931 руководил серией налетов на банды конкурентов, сопровождавшихся перестрелками и убийствами. Широко практиковал подкуп властей, в 1927 провел на пост мэра г. Чикаго своего ставленника "Большого Билла" Томпсона [Thompson, "Big Bill"]. 17 февраля 1929 организовал расстрел банды соперников - обошедшее страницы газет всего мира убийство в День Св. Валентина [ St. Valentine's Day Massacre]. В конце концов власти арестовали Капоне, предъявив ему обвинение в неуплате федеральных налогов. 1931-39 гангстер провел в тюрьмах, в том числе в знаменитом Алькатрасе [ Alcatraz]. В 1939 освобожден по состоянию здоровья, остаток жизни провел на своей флоридской вилле.

    English-Russian dictionary of regional studies > Capone, Al (Alphonse)

  • 14 Gable, Clark

    (1901-1960) Гейбл, Кларк
    Выдающийся актер кино и театра. Начал сниматься в 20-е гг., а в 30-е в Голливуде [ Hollywood] его уже называли "Королем" [The King]. Роли в фильмах "Это случилось однажды ночью" ["It Happened One Night"] (1934) - премия "Оскар" [ Oscar] - и "Унесенные ветром" ["Gone With the Wind"] (1939) вошли в золотой фонд мирового кинематографа. Созданный им образ умного, бесстрашного, чуть циничного, благородного человека, сочетавшего в себе черты ковбоя, гангстера и героя-любовника, завоевал сердца зрителей и сделал его одним из самых "кассовых" актеров. Среди других фильмов с его участием - "Одержимая" ["Possessed"] (1931), "Красная пыль" ["Red Dust"] (1932), "Держи своего мужчину" ["Hold Your Man"] (1933), "Манхэттенская мелодрама" ["Manhattan Melodrama"] (1934), "Китайские моря" ["China Seas"] (1935), "Убегающая любовь" ["Love on the Run"] (1936), "Саратога" ["Saratoga"] (1937), "Летчик-испытатель" ["Test Pilot"] (1938), "Восторг идиота" ["Idiot's Delight"] (1939), "Странный груз" ["Strange Cargo"] (1940). Свой творческий путь Гейбл завершил ролями в фильмах "Могамбо" ["Mogambo"] (1953) и "Неприкаянные" ["The Misfits"] (1960). Последний был задуман как незаурядное событие искусства кино: автор сценария А. Миллер [ Miller, Arthur], режиссер Дж. Хьюстон [ Huston, John], звездный ансамбль актеров с участием М. Монро [ Monroe, Marilyn] и М. Клифта [ Clift, Montgomery]; однако особого успеха у зрителей фильм не имел. Сам Гейбл, который был очень доволен своей игрой, этого уже не узнал - через несколько недель после окончания съемок он скончался

    English-Russian dictionary of regional studies > Gable, Clark

  • 15 Shearer, Norma

    (1902-1983) Ширер, Норма
    Актриса, звезда Голливуда [ Hollywood] 1930-х. Дебютировала в 1920, снималась в основном на студии "Метро-Голдвин-Майер" [ Metro-Goldwyn-Mayer], где получила прозвище Первой леди экрана ["First Lady of the Screen"]. Среди фильмов с ее участием: "Разведенная" ["The Divorcee"] (1930) - премия "Оскар" [ Oscar], "Свободная душа" ["A Free Soul"] (1931), "Барретты с Уимпол-стрит" ["The Barretts of Wimpole Street"] (1934), "Ромео и Джульетта" ["Romeo and Juliet"] (1936), "Восторг идиота" ["Idiot's Delight"] (1939), "Мария Антуанетта" ["Marie Antoinette"] (1938), "Женщины" ["The Women"] (1939) и др.

    English-Russian dictionary of regional studies > Shearer, Norma

  • 16 Beebe, Ford

    1888-1978
       Ford Beebe es, sin duda, uno de los reyes de los seriales. Dirigio un buen punado de ellos a lo largo de su medio siglo de carrera como director, con frecuencia compartiendo realizacion con alguno de sus colegas especialista en ese quehacer. Westerns, peliculas de ciencia ficcion, de misterio, comedias, dramas; todo vale para este profesional, del que se recuerda su Flash Gordon Conquers the Universe (1940), serial en 12 episodios, cuya realizacion compartio con Ray Taylor. Nada es demasiado interesante en la obra de Ford Beebe, aunque cumple su funcion.
        The Vanishing Legion (co-d.: B. Reeves Eason). 1931. 220 minutos. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Edwina Booth.
        The Last of the Mohicans (El ocaso de los mohicanos) (co-d.: B. Reeves Eason). 1932. 231 minutos. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Hobarth Bosworth, Edwina Booth.
        Law Beyond the Range (Balas de papel). 1935. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Billie Seward, Walter Brennan.
        Man from Guntown. 1935. 61 minutos. Blanco y Negro. Puritan. Tim McCoy, Billie Seward.
        Stampede. 1936. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Finis Barton.
        Wild West Days (co-d.: Clifford Smith). 1937. 268 minutos. 13 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Lynn Gilbert, George Shelley, Frank Yaconelli, Bob Kortman.
        The Oregon Trail (co-d.: Saul A. Goodkind). 1939. 320 minutos. 15 capitu los. Blanco y Negro. Universal. Johnny Mack Brown, Louise Stanley, Fuzzy Knight.
        Oklahoma Frontier. 1939. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Fuzzy Knight, Bob Baker.
        Winners of the West (co-d.: Ray Taylor). 1940. 247 minutos. 13 episodios. Blanco y Negro. Universal. Dick Foran, Anne Nagel.
        Son of Roaring Dan. 1940. 63 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.
        Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ray Taylor). 1941. 283 minutos. 15 episodios. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeanne Kelly.
        The Masked Rider. 1941. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Virginia Carroll, Fuzzy Knight.
        Overland Mail (co-d.: John Rawlins). 1942. 279 minutos. 15 episodios. Blanco y Negro. Universal. Lon Chaney, Jr., Helen Parrish, Don Terry.
        Frontier Badman (co-d.: William McGann).1943. 80 minutos. Blanco y Negro. Universal. Diana Barrymore, Robert Paige.
        Six Gun Serenade. 1947. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Lee “Lasses” White, Kay Morley.
        Courtin’ Trouble. 1948. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Virginia Belmont.
        Satan’s Craddle. 1949. 60 minutos. Blanco y Negro. UA. Duncan Renaldo, Leo Carrillo, Ann Savage.
        The Dalton Gang. 1949. 58 minutos. Blanco y Negro. Lippert. Don Barry, Robert Lowery, Julie Adams.
        Red Desert. 1949. 60 minutos. Blanco y Negro. Lippert. Don Barry, Jack Holt, Margia Dean.
        Wagons West. 1952. 70 minutos. Cinecolor. Monogram. Rod Cameron, Peggie Castle.

    English-Spanish dictionary of western films > Beebe, Ford

  • 17 Eason, B. Reeves

    1886-1956
       Neoyorquino de nacimiento, B. Eason Reeves es uno mas de la larga nomina de directores norteamericanos que se incorporaron a una naciente industria en Hollywood. Complementa su trabajo como director con los de ayudante de direccion y director de segunda unidad y, en sus primeros tiempos, actor. Tenia fama de rapido, realizo un buen punado de peliculas de serie y seriales, habitualmente en el terreno del western, y rodo, al parecer, la famosa escena de la carrera de cuadrigas del famoso Ben- Hur de Fred Niblo (1926).
        Roaring Ranch. 1930. 68 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Sally Eilers.
        Trigger Tricks. 1930. 61 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Sally Eilers.
        Spurs. 1930. 60 minutos. Blanco y Negro. Hoot Gibson Productions (Universal). Hoot Gibson, Helen Wright.
        The Vanishing Legion (co-d.: Ford Beebe). 1931. 220 minutos. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Edwina Booth.
        The Sunset Trail. 1932. 62 minutos. Blanco y Negro. Tiffany. Ken Maynard, Ruth Hiatt, Frank Rice.
        The Last of the Mohicans (El ocaso de los mohicanos) (co-d.: Ford Beebe). 1932. 12 capitulos. Blanco y Negro. Mascot. Harry Carey, Hobarth Bosworth, Edwina Booth.
        Cornered (La risa del chacal). 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Shirley Grey.
        The Law of the Wild (Colmillos vengadores) (co-d.: Armand Schaefer). 1934. 225 minutos. 12 capitulos. Blanco y Negro. Mascot. Bob Custer, Lucile Browne.
        Mystery Mountain (La montana misteriosa) (co-d.: Otto Brower). 1934. 223 minutos. 12 capitulos. Blanco y Negro. Mascot. Ken Maynard, Verna Hillie.
        The Phantom Empire (El imperio fantasma) (co-d.: Otto Brower). 1935. 245 minutos. 12 capitulos. Blanco y Negro. Mascot. Gene Autry, Frankie Darro, Betsy King Ross, Dorothy Christie, Smiley Burnette.
        The Miracle Rider (El jinete alado) (co-d.: Armand Schaefer). 1935. 306 minutos. 15 capitulos. Blanco y Negro. Mascot. Tom Mix, Joan Gale.
        Red River Valley. 1936. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.
        Land Beyond the Law. 1937. 54 minutos. Blanco y Negro. WB. Dick Foran, Linda Perry.
        Empty Holsters. 1937. 58 minutos. Blanco y Negro. WB. Dick Foran, Glenn Strange.
        Prairie Thunder. 1937. 54 minutos. Blanco y Negro. WB. Dick Foran, Ellen Clancy.
        Call of the Yukon. 1938. 70 minutos. Blanco y Negro. Republic. Richard Arlen, Beverly Roberts, Lyle Talbot.
        Blue Montana Skies. 1939. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Mountain Rhythm. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Men with Steel Faces (co-d.: Otto Brower). 1940. 70 minutos. Blanco y Negro. Mascot. Gene Autry, Frankie Darro, Betsy King Ross, Dorothy Christie, Smiley Burnette.
        Black Arrow (Flecha negra) (co-d: Louis Friedlander). 1944. 15 capitulos. Blanco y Negro. Columbia. Robert Scott, Adele Jergens.
        Neath Canadian Skies. 1946. 41 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Inez Cooper.
        North of the Border. 1946. 40 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Inez Cooper.
        Rimfire. 1949. 64 minutos. Blanco y Negro. Screen Guid. James Millican, Mary Beth Hugues, Henry Hull.

    English-Spanish dictionary of western films > Eason, B. Reeves

  • 18 Parrish, Robert

    1916-1995
       Nacido en Columbus, Georgia, como actor infantil participa en algunas peliculas gloriosas como Cuatro hijos (Four Sons, John Ford, 1928), Sin novedad en el frente (All Quiet on the Western Front, Lewis Milestone, 1930) y Luces de la ciudad (City Lights, Charles Chaplin, 1931). John Ford lo contrato como ayudante de montador en Maria Estuardo (Mary of Scotland, 1936) y como editor de efectos sonoros en El joven Lincoln (Young Mr. Lincoln, 1939) y Corazones indomables (Drums Along the Mohawk, 1939). Parece decidirse por el trabajo de montador, que realiza tambien para John Ford en alguno de sus documentales belicos, y llega a recibir un Oscar por Cuerpo y alma (Body and Soul, Robert Rossen, 1947), pero en 1951 debuta como director con Cry Danger, punto de partida de una interesante filmografia que solo al final parece descender de nivel. Destacan en ella los tres primeros westerns, de una gran intensidad, y, tal vez, el filme belico Llanura roja (The Purple Plain, 1954), sin desdenar la opresiva Fuego escondido (Fire Down Below, 1957).
        The San Francisco Story (San Francisco Story). 1952. 80 minutos. Blanco y Negro. WB. Joel McCrea, Yvonne De Carlo.
        Saddle the Wind (Mas rapido que el viento). 1958. 84 minutos. Metro color. CinemaScope. MGM. Robert Taylor, John Cassavetes, Julie London, Donald Crisp.
        The Wonderful Country (Mas alla de Rio Grande). 1959. 96 minutos. Technicolor. DRM Productions. Robert Mitchum, Julie London, Pedro Armendariz.
        A Town Called Hell (Una ciudad llamada Bastarda). 1971. 95 minutos. Technicolor. Franscope. Benmar Productions/Zurbano Films. Robert Shaw, Stella Stevens, Telly Savalas, Fernando Rey.

    English-Spanish dictionary of western films > Parrish, Robert

  • 19 Charlie Chan at Monte Carlo

       1937 – США (71 мин)
         Произв. Fox (Джон Стоун)
         Реж. ЮДЖИН ФОРД
         Сцен. Чарлз С. Белден, Джерри Кэди, Роберт Эллис, Хелен Логан на основе персонажей, созданных Эрлом Дерром Биггерзом
         Опер. Дэн Кларк
         Муз. Сэмюэл Кейлин
         В ролях Уорнер Оланд, Ки Льюк, Вирджиния Филд, Сидни Блэкмер, Херолд Хабер, Луи Мерсье.
       Чарли Чан, знаменитый детектив из Гонолулу, расследует в Монте-Карло дело о 3 убийствах, связанных с деятельностью некоего финансиста.
       16-й и последний фильм в цикле, выпущенном студией «Fox» с 1931-го по 1937 г. с Уорнером Оландом в главной роли. Помимо этих 16 фильмов, в цикл входят также 22 картины, снятые с 1938-го по 1947 г., где главную роль играет Сидни Толер. Из них 11 первых (до 1942 г.) произведены студией «Fox», следующие 11 – студией «Monogram». Наконец с 1947-го по 1949 г. «Monogram» выпустила еще 6 фильмов с Роландом Уинтерзом в главной роли. (Напомним, что прежде, чем Чарли Чан принял облик Уорнера Оланда, он успел появиться в 3 фильмах, из которых последний – За этим занавесом, Behind That Curtain, Ирвинг Каммингз, 1929, – уже выпустила «Fox».)
       Парадокс этого прославленного цикла в том, что значительное место в нем отдается сюжету, который раз за разом остается все таким же бледным и неинтересным. Значит, причины его живучести стоит искать в стороне, на полях: в живописной экзотичности главного героя, в его афоризмах (их запас кажется неисчерпаемым), в образе его старшего сына Ли, наивного и навязчивого (его роль превосходно играет Ки Льюк), а также в простоватом и жизнерадостном юморе, который лучше всего выражается в особо потешных сценах – напр., когда инспектор Жубер (Херолд Хабер) говорит по-французски и жестикулирует, как персонаж мультфильма.
       С точки зрения режиссуры и динамичности, лучшие Чарли Чаны поставлены Норманом Фостером с Сидни Толером в главной роли (Чарли Чан в Рено, Charlie Chan in Reno, 1939; Чарли Чан на острове Сокровищ, Charlie Chan at Treasure Island, 1939; Чарли Чаи в Панаме, Charlie Chan in Panama, 1940). О больших детективных сериалах, снятых в Америке, читайте: Michael R. Pitts, Famous Movie Detectives, Scarecrow Press, Metuchen, New Jersey, 1979.

    Авторская энциклопедия фильмов Жака Лурселля > Charlie Chan at Monte Carlo

  • 20 The Hound of the Baskervilles

       1939 - США (80 мин)
         Произв. Fox (Дэррил Ф. Зэнак)
         Реж. СИДНИ ЛЭНФИЛД
         Сцен. Эрнест Паскаль по одноименной повести Артура Конан Дойла
         Опер. Певерелл Марли
         Муз. Сирил Дж. Мокридж
         В ролях Ричард Грин (сэр Генри Баскервилль), Бэзил Ратбоун (Шерлок Холмс), Уэнди Бэрри (Берил Стэплтон), Найджел Брюс (доктор Уотсон), Лайонел Этвилл (Джеймс Мортимер), Джон Кэррадин (Бэрримор), Барлоу Борланд (мистер Фрэнкленд), Берил Мерсер (миссис Мортимер), Ральф Форбз (сэр Хьюго Баскервилль).
       Непроницаемым покровом тайны окутана смерть сэра Чарлза Баскервилля на дартмурских болотах. Племянник покойного приезжает в родовое имение, но и ему угрожает жестокая смерть. Легенда гласит, что загадочная гигантская собака преследует ненавистных Баскервиллей из поколения в поколение. Знаменитый детектив Шерлок Холмс и его верный друг доктор Уотсон раскроют тайну, разгадка которой окажется куда более приземленной.
        Главное достоинство этого фильма в том, что он открывает замечательный цикл 14 картин, где роль Шерлока Холмса исполняет Бэзил Ратбоун. Актер как будто всю жизнь готовился к этой прославленной роли: уже в 1-м фильме он смотрится идеальным Шерлоком Холмсом, которого не в силах затмить ни один исполнитель. Картина оригинальна тем, что привычки и вкусы главного героя (игра на скрипке, любовь к переодеванию и пр.) занимают в ней не менее важное место, нежели дедуктивные способности. В последней фразе даже содержится прямой намек на пристрастие Холмса к наркотикам.
       Студия «Fox» постаралась на славу, создав для имения Баскервиллей гигантские декорации в готическом стиле. Говорят, декорации эти были так велики, что в них заблудился герой-любовник Ричард Грин. В дальнейшем эстафету подхватит Рой Уильям Нилл, который привнесет в цикл свойственные себе едкость, элегантность и болезненность; однако уже 1-е звено в этой цепи картин выполнено на более чем достойном уровне. Два 1-х фильма цикла (этот и Приключения Шерлока Холмса Алфреда Уэркера, The Adventures of Sherlock Holmes) сняты на студии «Fox» в 1939 г., и действие их разворачивается во времена Конан Дойла; остальные 12 сняты с 1942 по 1946 г. на студии «Universal» с гораздо более скромными бюджетами; в них действие переносится в современность. Лучшая из этих картин, по нашему мнению, - Женщина в зеленом (The Woman in Green, 1945) Роя Уильяма Нилла с превосходными актерскими работами Хиллари Брук и Генри Дэниэлла в роли Мориарти.
       N.В. Другие версии: во Франции (Le chien des Baskerville, производство студии «Eclair», 1915), в Германии (Der Hund von Baskerville, Рихард Освальд, 1915 и 1929), в Великобритании (В. Гэрет Гундри, 1931; Теренс Фишер, 1959; Пол Моррисси, 1977). Версия Моррисси пытается быть комичной: Питер Кук играет Шерлока Холмса, а его приятель Дадли Мур - одновременно доктора Уотсона и мать Шерлока.

    Авторская энциклопедия фильмов Жака Лурселля > The Hound of the Baskervilles

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