-
41 proffer
transitive verb(literary) darbieten [Hand, Geschenk]; anbieten [Frieden, Hilfe, Arm, Freundschaft]; aussprechen [Dank]; vorbringen [Vorschlag]* * *prof·fer[ˈprɒfəʳ, AM ˈprɑ:fɚ]vt ( form)▪ to \proffer sth etw anbietento \proffer sb one's hand jdm seine Hand reichento \proffer an observation/opinion eine Beobachtung/Meinung vorbringento \proffer thanks Dank aussprechen* * *['prɒfə(r)]vtarm, gift, drink anbieten; apologies, thanks etc aussprechen; remark machen; suggestion vorbringen* * *A s Angebot nB v/t anbieten* * *transitive verb(literary) darbieten [Hand, Geschenk]; anbieten [Frieden, Hilfe, Arm, Freundschaft]; aussprechen [Dank]; vorbringen [Vorschlag]* * *v.anbieten v.bieten v.(§ p.,pp.: bot, geboten) -
42 pugnacious
adjective(literary) kampflustig* * *pug·na·cious[pʌgˈneɪʃəs]* * *[pʌg'neɪʃəs]adjkampfeslustig; (verbally) streitsüchtig; expression, remark herausfordernd; support, defence hartnäckig; campaign aggressiv* * *pugnacious [pʌɡˈneıʃəs] adj (adv pugnaciously)1. kampflustig, kämpferisch2. streitsüchtig* * *adjective(literary) kampflustig* * *adj.kampfbegierig adj.kampflustig adj.kämpferisch adj. -
43 sate
transitive verb(literary)1) (gratify) stillen [Hunger, Verlangen]; zufrieden stellen [Person]2) (cloy) übersättigen [Lust, Verlangen]become sated with/be sated by something — einer Sache (Gen.) überdrüssig werden/sein
* * *[seɪt]vt ( form)to \sate one's desire/hunger/thirst seine Begierde/seinen Hunger/seinen Durst stillen* * *[seɪt]vt (liter)appetite, desires stillen (geh), befriedigento sate oneself (with food) — sich sättigen (on an +dat ) (liter); (sexually) seine Lust befriedigen
* * *sate1 [seıt] v/t übersättigen:be sated with übersättigt sein vonsate2 [sæt; seıt] prät obs von academic.ru/67516/sit">sit* * *transitive verb1) (gratify) stillen [Hunger, Verlangen]; zufrieden stellen [Person]2) (cloy) übersättigen [Lust, Verlangen]become sated with/be sated by something — einer Sache (Gen.) überdrüssig werden/sein
* * *v.sättigen v.übersättigen v. -
44 transport
1. transitive verb1) (convey) transportieren; befördern2. nountransport was provided — für die Beförderung wurde gesorgt
be without transport — kein [eigenes] Fahrzeug haben
Ministry of Transport — Verkehrsministerium, das
3) (vehement emotion) Ausbruch, derbe in/send somebody into transports of joy — außer sich vor Freude sein/jemanden in helles Entzücken versetzen
* * *1. [træns'po:t] verb(to carry (goods, passengers etc) from one place to another: The goods were transported by air; A bus transported us from the airport to the city.) transportieren2. noun(the process of transporting or being transported: road transport; My husband is using my car, so I have no (means of) transport.) der Transport- academic.ru/76299/transportable">transportable- transportation
- transporter* * *trans·portI. vt[trænˈspɔ:t, AM -ˈspɔ:rt]1. (carry)▪ to \transport sth [somewhere] etw [irgendwohin] transportieren [o befördern]▪ to \transport sb [somewhere] jdn [irgendwohin] transportieren; prisoner jdn [irgendwohin] überführen2. (remind)to \transport sb to a place/time jdn an einen Ort/in eine Zeit versetzenthe film \transported us back to the New York of the 1950s der Film versetzte uns in das New York der 50er Jahre zurückto be \transported with grief gramerfüllt seinto be \transported with joy entzückt seinto \transport sb [to a country] jdn [in ein Land] deportierenII. n[ˈtræn(t)spɔ:t, AM -spɔ:rt]means of \transport Transportmittel ntpublic \transport öffentliche Verkehrsmitteldo you have your own \transport? hast du ein eigenes Fahrzeug?a troop \transport ein Truppentransporter m; (plane) Transportflugzeug nt; (ship) Transportschiff ntIII. n[ˈtræn(t)spɔ:t, AM -spɔ:rt]* * *['trnspɔːt]1. nrail transport — Beförderung f or Transport m per Bahn, (Eisen)bahntransport m
2)(= vehicle)
have you got your own transport? — hast du einen fahrbaren Untersatz? (inf), bist du motorisiert?3) (MIL: ship) (Truppen)transporter m; (= plane) Transportflugzeug nt5) (liter)transport(s) of delight — freudige Entzückung or (Rel) Entrückung (liter)
it sent her into transports of delight — es erfüllte sie mit freudigem Entzücken (liter)
2. vt[trn'spɔːt]3) (liter)* * *A v/t [trænˈspɔː(r)t; US auch -sˈpəʊərt]1. transportieren, befördern, fortschaffen, versenden2. (meist passiv) figa) jemanden hinreißen, entzücken:be transported with joy außer sich vor Freude seinb) heftig erregen, aufwühlen4. obs ins Jenseits befördern, tötenB s [ˈtrænspɔː(r)t; US auch -ˌpəʊərt]transport facilities Transportmöglichkeiten, -mittel;transport phenomena PHYS Transporterscheinungen;b) Versand m, Verschiffung fc) Verkehr m2. Beförderungsmittel n oder pl:I’m without transport today ich bin heute ohne Auto, ich habe heute kein Autoa) Transport-, Frachtschiff n,b) Truppentransporter ma) Transportflugzeug n,b) Truppentransporter m5. figa) Taumel m (der Freude etc)b) heftige Erregung:be in a transport of joy (rage) außer sich vor Freude (Wut) seintrans. abk1. transaction2. transferred4. transport (transportation)5. transverse* * *1. transitive verb1) (convey) transportieren; befördern2. nounbe without transport — kein [eigenes] Fahrzeug haben
Ministry of Transport — Verkehrsministerium, das
3) (vehement emotion) Ausbruch, derbe in/send somebody into transports of joy — außer sich vor Freude sein/jemanden in helles Entzücken versetzen
* * *v.transportieren v. n.Transport m. -
45 vanguard
noun1) (Mil., Navy) Vorhut, diebe in the vanguard of progress/a movement — an der Spitze des Fortschritts/einer Bewegung stehen
* * *1) (the part of an army going in front of the main body.) die Vorhut2) (the leaders in any movement: We're in the vanguard of the movement for reform!) die Spitze* * *van·guard[ˈvængɑ:d, AM -gɑ:rd]n no plhe sees himself as being in the \vanguard of economic reform er glaubt, dass er zu den Vorreitern der Wirtschaftsreform gehört* * *['vngAːd]n (MIL, NAUT)Vorhut f; (fig also) Spitze f, Führung fin the vanguard of reform — an der Spitze der Reformen
* * ** * *noun1) (Mil., Navy) Vorhut, diebe in the vanguard of progress/a movement — an der Spitze des Fortschritts/einer Bewegung stehen
* * *n.Vorhut -en f.Vortrupp -s m. -
46 wedlock
nounborn in/out of wedlock — ehelich/unehelich geboren
* * *['wedlok](the state of being married.) die Ehe* * *wed·lock[ˈwedlɒk, AM -lɑ:k]▪ out of \wedlock außerehelichsex out of \wedlock Sex m außerhalb der Eheto be born in/out of \wedlock ehelich/unehelich geboren sein* * *['wedlɒk]n (form)Ehe fto be born out of/in wedlock — unehelich/ehelich geboren sein
* * *born in (out of) wedlock ehelich (unehelich) geboren* * *nounborn in/out of wedlock — ehelich/unehelich geboren
* * *n.Ehe -n f. -
47 woe
noun(arch./literary/joc.)1) (distress) Jammer, der* * *[wəu]- academic.ru/82727/woeful">woeful- woefully
- woefulness
- woebegone* * *[wəʊ, AM woʊ]n\woe betide you if... wehe dir, wenn...to have a face full of \woe ein ganz vergrämtes Gesicht habena day of \woe ein Unglückstag ma tale of \woe eine Geschichte des Jammers2. ( form)economic/financial \woes wirtschaftliche/finanzielle Problemeto pour out one's \woes sein Leid klagen* * *[wəʊ]n2) (esp pl = trouble, affliction) Kummer mto pour out one's woes to sb — sich (dat) seinen Kummer bei jdm von der Seele reden
* * *woe [wəʊ]A int wehe!, ach!B s, oft pl Weh n, Leid n, Kummer m, Gram m:tale of woe Leidensgeschichte f;woe is me! wehe mir!;woe betide …! besonders poet oder hum wehe (dat)(if wenn)!; → weal1 1* * *noun(arch./literary/joc.)1) (distress) Jammer, der* * *n.Leid nur sing. n. -
48 CULTURE, LITERATURE, AND LANGUAGE
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Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.■ Seary, E. R. 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Picchio, Luciana Stegagno. Storia del Teatro Portoghese. Rome: Edizinio deli' Ateneo, 1964.■ Queirós, José. Cerâmica Portuguesa, 2 vols. 2nd rev. ed. Lisbon, 1948.■ Santos, Luís Reis. Monuments of Portugal. Lisbon, 1940.■ Santos, Reinaldo dos. A Escultura em Portugal, 2 vols. Lisbon, 1948-50.■. História da Arte em Portugal. Oporto, 1953.■ Sasportes, José. História da Dança em Portugal. Lisbon, 1970. Simões, J. M. dos Santos. "Azulejos in a Land of Many Colours." Connoisseur (London) CXXXVII, 551 (1956): 15-21.■. Azulejaria em Portugal no Século X VIII. Lisbon, 1979.■ Smith, Robert C. A Talha em Portugal. Lisbon, 1963.■. The Art of Portugal, 1500-1800. London, Weidenfeld and Nicolson, 1968.■. "The Building of Mafra." Apollo 97, 134 (April 1973): 360-67.■ Stoop, Anne de. Demeures portugaises dans les environs de Lisbonne. Paris: Weber, 1986.■. Palais et manoirs: Le Minho. Paris: Ed. du Seuil, 1995.■ Tannock, Michael. Portuguese 20th Century Artists: A Biographical Dictionary. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. 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New York: Harcourt, 2000.■. Journey to Portugal. New York: Harcourt Brace, 2001.■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.■ Portuguese and Portuguese-American Cooking: Cuisine■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.■ Ortiz, Elisabeth Lambert. The Food of Spain and Portugal. The Complete Iberian Cuisine. New York: Atheneum, 1989. Pinto, Elvira. La Bonne Cuisine Portugaise. Paris: Edicions Garanciere, 1985.■ Robertson, Carol. Portuguese Cooking: The Authentic and Robust Cuisine of Portugal. Berkeley Calif.: North Atlantic, 1993. Schmaeling, Tony. The Cooking of Spain and Portugal. Ware, U.K.: Omega, 1983.■ Vieira, Édite. The Taste of Portugal. London: Robinson, 1989.■ Von Treskow, Maria. Zü Gast in Portugal: Eine Kulnarische Reise in Garten Europas. Weingarten: Kunstverlag, 1989. Wright, Carol. Portuguese Food. London: Dent, 1969.■. Self-catering in Portugal: Making the Most of Local Food and Drink. London: Croom Helm, 1986.■ Afonso, Simonetta Luz, and Angela Delaforce. Palace of Queluz— The Gardens. Lisbon, 1989.■ Araújo, Iluídio Alves de. Arte Paisagista e Arte das Jardins em Portugal. Lisbon, 1962.■ Azeredo, Francisco de. Casas Senhoriais Portuguesas. Barcelos, 1986.■ Binney, Marcus. Country Manors of Portugal. New York: Scala Books, 1987.■ Bowe, Patrick, and Nicolas Sapieha. Gardens of Portugal. New York: Scala Books and Harper and Row, 1989.■ Cane, Florence du. The Flowers and Gardens of Madeira. London, 1924.■ Cardoso, Pedro Homem, and Helder Carita. Da Grandeza das Jardins em Portugal. Lisbon, 1987.■ Carita, Helder, and Homem Cardoso. Portuguese Gardens. London: Antique Collector's Club, 1987.■ Costa, António da, and Luís de O. Franquinho. Madeira: Plantas e Floras. Funchal, 1986.■ Nichols, Rose Standish. Spanish and Portuguese Gardens. Boston, 1926.■ Pereira, Arthur D. Sintra and Its Farm Manors. Sintra, 1983.■ Sampaio, Gonçalo. Flora Portuguesa. Lisbon, 1946.■ Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1945.■ Underwood, John, and Pat Underwood. Landscapes of Madeira. London, 1980.■ Vieira, Rui. Flowers of Madeira. Funchal, 1973.■ Viterbo, Francisco Marques de Sousa. A Jardinagem em Portugal, 2 vols. Coimbra, 1906-9.■ Education, Science, Health, and Medical History■ Albuquerque, Luís de. Estudos de História, 3 vols. Coimbra, 1973-81.■. Ciência e experiência nos Descobrimentos portugueses. Lisbon, 1983.■. Para a História de Ciência em Portugal. Lisbon, 1983.■. As Navegaçoes E A Sua Projecção Na Ciência E Na Cultura. Lisbon, 1987.■ Baião, Antônio. Episódios Dramáticos da Inquisição Portuguesa, 3 vols. Lisbon, 1936-55.■ Cabreira, Antônio. Portugal nos mares e nas ciências. Lisbon, 1929. Carvalho, Rômulo de. A Astronomia em Portugal (séc. xviii). Lisbon, 1985. Fernandes, Barahona. Egas Moniz: Pioneiro de descobrimentos médicos. Lisbon, 1983.■ Gaitonde, P. D. Portuguese Pioneers in India: Spotlight on Medicine. London: Sangam Books, 1983.■ Hanson, Carl A. "Portuguese Cosmology in the Late Seventeenth Century." In Benjamin F. Taggie and Richard W. Clement, eds., Iberia & the Mediterranean, 75-85. Warrensburg: Central Missouri State University, 1989.■ Higgins, Michael H., and Charles F. S. de Winton. Survey of Education in Portugal. London, 1942.■ Hirsch, Elizabeth Feist. Damião de Góis: The Life and Thought of a Portuguese Humanist. The Hague, 1967.■ Lemos, Maximiano. Arquivos de História da Medicina Portuguesa. Several vols. Lisbon, 1886-1923. Vol. I. História da Medicina em Portugal. Doutrina e Instituições. Lisbon, 1899.■ Mira, Matias Ferreira de. História da Medicina Portuguesa. Lisbon, 1948.■ Orta, Garcia de. Colóquios dos Simples e Drogas e Cousas Medicinais da India. Conde de Ficalho, ed., 2 vols. Lisbon, 1891-95.■ Osório, J. Pereira. História e Desenvolvimento da Ciência em Portugal, 2 vols. Lisbon, 1986-89.■ Pina, Luís de. "Uma prioridade portuguesa do século XVI. João de Barros e a Dactiloscópia Oriental." Arquivo da Repartição de Antropologia Criminal IV (1936).■. "As Ciências na História do Império Colonial Português — Séculos XV a XIX." Anais de Faculdade de Ciências do Porto ( 1939-10).■. "Os Portugueses Mestres de Ciência e Metras no Estrangeiro." Actas do Congresso do Mundo Português. Lisbon, 1940.■. "A Ciência em Portugal (bosquejo Histórico)." In Secretariado Nacional da Informação, ed., Portugal: Breviário Da Pátria Para Os Portugueses Ausentes, 277-301. Lisbon, 1946.■ Richards, Robert A. C., ed. Guide to World Science: Vol. 9: Spain and Portugal, 2nd ed. Guernsey, U.K.: F. H. Books, 1974.■ Saraiva, António José. História da Cultura em Portugal, 3 vols. Lisbon, 1950-62.■ ———. "João de Barros." In Serrao, ed., Dicionário de História de Portugal 1 (1963): 307-8.■ Silvestre Ribeiro, José. História dos Establecimentos Scientíficos, Literários e Artísticos de Portugal nos Successivos Reinados da Monarchia, 3 vols. Lisbon, 1871-83.■ Veiga-Pires, J. A., and Ronald G. Grainger, eds. Pioneers in Angiography: The Portuguese School ofAngiography. Lancaster, U.K.: MTP Press, 1982.■ Walker, Timothy. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, History Department, Boston University, 2001.■ Barbosa, Madelena. "Women in Portugal." Women's Studies International Quarterly 4 (1981): 477-80.■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. Novas Cartas Portuguesas. Lisbon, 1972.■ ———. The Three Marias. New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.■ Brettell, Caroline B. We Have Already Cried Many Tears: The Stories of Three Portuguese Migrant Women. Cambridge, Mass.: Schenkman, 1982.■ Ferreira, Virginia. "Engendering Portugal: Social Change, State Politics, and Women's Social Mobilization." In António Costa Pinto, ed., Modern Portugal, 162-88. Palo Alto, Calif.: SPOSS, 1998.■ Goodwin, Mary. "Portuguese Feminism." Portuguese Studies Newsletter 17 (Spring-Summer 1987): 12-13.■ Lamas, Maria. As Mulheres do Meu País. Lisbon, 1948.■ "Mulheres Portuguesas e Feminismo." Análise Social [special number on Portuguese Women and Feminism] 22 (1986): 92-93.■ Osório, Ana de Castro. As Mulheres Portuguesas. Lisbon, 1905.■ Sadlier, Darlene J. The Question of How: Women Writers and New Portuguese Literature. Westport, Conn.: Greenwood; Contributions in Women's Studies, no. 109, 1989.■ Silva, Manuela. The Employment of Women in Portugal. Luxembourg: Office for Official Publications, European Communities, 1984. Velho da Costa, Maria. Maina Mendes. Lisbon, 1974.■ Vicente, Ana, and Maria Reynolds de Souza. Family Planning in Portugal. Lisbon, 1984.■ Almeida, Fortunato de. História da Igreja em Portugal. 6 vols. Coimbra, 1910-24, and Oporto, 1967-72. Alonso, Joaquim Maria. The Secret of Fátima: Fact and Legend. Cambridge, Mass.: Ravengate Press, 1979. Alves, José da Felicidade, ed. Católicos e política de Humberto Delgado à Marcelo Caetano. Lisbon, 1969. Araújo, Miguel de, ed. Dicionario político; 1; Os Bispos e a revoluçao de Abril. Lisbon, 1976. Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.■ Agriculture, Viticulture, and Fishing■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.■. Vinhas e Vinhos De Portugal. Lisbon, 1979.■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.■. Madeira. London: Putnam, 1961.■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.■ Robertson, George. Port. London: Faber & Faber, 1982 ed.■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.■ Simon, Andre L. Port. London: Constable, 1934.■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.■ ECONOMY, INDUSTRY, AND DEVELOPMENT■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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49 pearl
pearl [pɜ:l]1 noun∎ to cast pearls before swine donner de la confiture aux cochons, donner des perles aux cochons;∎ figurative pearls of dew perles fpl de rosée(b) (mother-of-pearl) nacre f(c) figurative perle f;∎ Hong Kong, pearl of the East Hongkong, perle de l'Orient;∎ literary a pearl amongst women une perle;∎ pearls of wisdom trésors mpl de sagesse; ironic inepties fpl;(a) (made of pearls) de perles;∎ pearl earrings perles fpl montées en boucles d'oreilles;∎ a pearl necklace un collier de perles(b) (made of mother-of-pearl) de ou en nacre;∎ pearl buttons boutons mpl en nacreliterary (make pearly) nacrer;∎ dawn was pearling the sky l'aurore nacrait le ciel(a) (form drops) perler(b) (search for pearls) pêcher des perles►► pearl barley orge m perlé;pearl diver pêcheur(euse) m,f de perles;pearl diving pêche f aux perles;pearl grey gris m perle;Pearl Harbor Pearl Harbor;pearl lightbulb ampoule f opale;pearl mussel mulette f, moule f d'eau douce ou de rivière;pearl onion = petit oignon blanc;pearl oyster huître f perlière;Geology pearl spar spath m perléⓘ PEARL HARBOR Importante base navale américaine située à Hawaii, elle fut attaquée le 7 décembre 1941 par l'aviation japonaise, qui infligea de lourdes pertes humaines et matérielles aux États-Unis. Le lendemain, en déclarant la guerre au Japon, les États-Unis firent leur entrée dans le conflit mondial. -
50 Kennedy, John
SUBJECT AREA: Textiles[br]b. 4 July 1769 Knocknalling, Kirkcudbrightshire, Scotlandd. 30 October 1855 Ardwick Hall, Manchester, England[br]Scottish cotton spinner and textile machine maker.[br]Kennedy was the third son of his father, Robert, and went to the village school in Dalry. On his father's death, he was sent at the age of 14 to Chowbent, Lancashire, where he was apprenticed to William Cannan, a maker of textile machines such as carding frames, Hargreaves's jennies and Arkwright's waterframes. On completion of his apprenticeship in 1791, he moved to Manchester and entered into partnership with Benjamin and William Sandford and James M'Connel, textile machine makers and mule spinners. In 1795 this partnership was terminated and one was made with James M'Connel to form the firm M'Connel \& Kennedy, cotton spinners.Kennedy introduced improvements for spinning fine yarns and the firm of M'Connel \& Kennedy became famous for the quality of these products, which were in great demand. He made the spindles turn faster during the second part of the mule carriage's outward draw, and from 1793 onwards he experimented with driving mules by steam engines. Like William Kelly at New Lanark, he succeeded in making the spinning sequences power-operated by 1800, although the spinner had to take over the winding on. This made the mule into a factory machine, but it still required skilled operators. He was also involved with Henry Houldsworth, Junior, in the improvement of the roving frame. In 1803 Kennedy joined the Manchester Literary \& Philosophical Society, to which he presented several papers, including one in 1830 on "A memoir of Samuel Crompton". He retired from the spinning business in 1826, but continued his technical and mechanical pursuits. He was consulted about whether the Liverpool \& Manchester Railway should have moving or stationary steam engines and was an umpire at the Rainhill Trials in 1829.[br]Further ReadingDictionary of National Biography.W.Fairbairn, obituary, Manchester Memoirs, Manchester Literary and Philosophical Society.C.H.Lee, 1972, A Cotton Enterprise 1795–1840. A History of M'Connel \& Kennedy, FineCotton Spinners, Manchester (an account of Kennedy's spinning business). R.L.Hills, 1970, Power in the Industrial Revolution, Manchester (provides details of Kennedy's inventions on the mule).RLH -
51 fare
1. nounany more fares? — noch jemand ohne [Fahrschein]?
2) (passenger) Fahrgast, der3) (food) Kost, die2. intransitive verb(get on)I don't know how he is faring/how he fared on his travels — ich weiß nicht, wie es ihm geht/wie es ihm auf seinen Reisen ergangen ist
* * *[feə]1) (the price of a journey on a train, bus, ship etc: He hadn't enough money for his bus fare.) die Fahrtkosten2) (a paying passenger in a hired vehicle, especially in a taxi: The taxi-driver was asked by the police where her last fare got out.) der Fahrgast* * *[feəʳ, AM fer]I. n\fares, please! die Fahrkarten bitte!bus/train/taxi \fare Bus-/Bahn-/Taxifahrpreis mto pay the [or one's] \fare den Fahrpreis bezahlenboarding-school \fare Internatsessen nttraditional British \fare traditionelle britische Kücheto \fare badly/well schlecht/gut ergehen* * *[fɛə(r)]1. n1) (= charge) Fahrpreis m; (on plane) Flugpreis m; (on boat) Preis m für die Überfahrt; (= money) Fahrgeld ntwhat is the fare? — was kostet die Fahrt/der Flug/die Überfahrt?
fares, please! — noch jemand ohne (inf), noch jemand zugestiegen?
he gave me (the cost of/money for) the fare — er gab mir das Fahrgeld
2) (= passenger) Fahrgast mvegetarian dishes are now standard fare in most restaurants — vegetarische Gerichte gehören jetzt in den meisten Restaurants zum Angebot
2. vihe fared well — es ging or erging (geh) ihm gut
the dollar fared well on the stock exchange today —
fare thee well (old) — leb(e) wohl (old)
* * *fare [feə(r)]A s1. a) Fahrpreis m, -geld nb) Flugpreis m:what’s the fare? was kostet die Fahrt oder der Flug?;any more fares, please? noch jemand zugestiegen?;2. Fahrgast m (besonders eines Taxis)3. Kost f (auch fig), Nahrung f, Verpflegung f:ordinary fare Hausmannskost;slender fare magere oder schmale Kost;4. US Fang m (eines Fischerboots)B v/i1. sich befinden, (er)gehen:we fared well es ging uns gut;how did you fare in London? wie ist es dir in London ergangen?;he fared badly ( oder ill), it fared ill with him es ist ihm schlecht ergangen, er war schlecht d(a)ran;fare alike in der gleichen Lage sein, Gleiches erleben2. obs reisen:fare forth sich aufmachen;fare thee well! leb wohl!, viel Glück!3. obs essen, speisen* * *1. nounany more fares? — noch jemand ohne [Fahrschein]?
2) (passenger) Fahrgast, der3) (food) Kost, die2. intransitive verbI don't know how he is faring/how he fared on his travels — ich weiß nicht, wie es ihm geht/wie es ihm auf seinen Reisen ergangen ist
* * *(food) n.Kost nur sing. f.Speise -n f. n.Fahrgeld -er n.Fahrpreis n.Nahrung -en f.Verpflegung f. -
52 set
set 1. present participle - setting; verb1) (to put or place: She set the tray down on the table.) sette, legge, plassere2) (to put plates, knives, forks etc on (a table) for a meal: Please would you set the table for me?) dekke på bordet3) (to settle or arrange (a date, limit, price etc): It's difficult to set a price on a book when you don't know its value.) (fast)sette, angi4) (to give a person (a task etc) to do: The witch set the prince three tasks; The teacher set a test for her pupils; He should set the others a good example.) gi, sette opp; vise5) (to cause to start doing something: His behaviour set people talking.) få til å6) ((of the sun etc) to disappear below the horizon: It gets cooler when the sun sets.) gå ned7) (to become firm or solid: Has the concrete set?) stivne, binde, størkne8) (to adjust (eg a clock or its alarm) so that it is ready to perform its function: He set the alarm for 7.00 a.m.) stille9) (to arrange (hair) in waves or curls.) legge (hår)10) (to fix in the surface of something, eg jewels in a ring.) innfatte11) (to put (broken bones) into the correct position for healing: They set his broken arm.) sette sammen/i ledd2. adjective1) (fixed or arranged previously: There is a set procedure for doing this.) fast, foreskrevet, obligatorisk2) ((often with on) ready, intending or determined (to do something): He is set on going.) klar, parat, fast besluttet3) (deliberate: He had the set intention of hurting her.) uttalt, bestemt4) (stiff; fixed: He had a set smile on his face.) stiv, sammenbitt5) (not changing or developing: set ideas.) meget bestemt, fastlåst6) ((with with) having something set in it: a gold ring set with diamonds.) besatt/pyntet med3. noun1) (a group of things used or belonging together: a set of carving tools; a complete set of (the novels of) Jane Austen.) sett, samling2) (an apparatus for receiving radio or television signals: a television/radio set.) -apparat3) (a group of people: the musical set.) krets, gjeng, klikk, -sett4) (the process of setting hair: a shampoo and set.) legg(ing)5) (scenery for a play or film: There was a very impressive set in the final act.) dekorasjon, kulisser6) (a group of six or more games in tennis: She won the first set and lost the next two.) sett•- setting- setback
- set phrase
- set-square
- setting-lotion
- set-to
- set-up
- all set
- set about
- set someone against someone
- set against someone
- set someone against
- set against
- set aside
- set back
- set down
- set in
- set off
- set something or someone on someone
- set on someone
- set something or someone on
- set on
- set out
- set to
- set up
- set up camp
- set up house
- set up shop
- set uponbande--------bestemt--------legge--------støIsubst. \/set\/1) sett, samling• where's my toilet set?• he has only one set of knife, fork and spoon2) ( om bokverk) samtlige bind, verk• the set was incomplete, as one volume was missing• the encyclopedia costs £850 the set3) ( om mennesker) (omgangs)krets, gruppe, klikk4) apparat, anlegg5) ( om tidevann eller strøm) (bevegelses)retning• do you know the set of the tide?6) ( overført) innstilling, tendens, vridning7) helling, måte8) plassering, stilling9) form10) ( om tekstil) passform, fall13) ( om jakthund) stand15) gatestein, brostein16) ( teater eller film) kulisse(r), dekorasjon17) ( teater eller film) scene, innspillingsområde19) (grevling)hi• I'd like a shampoo and set, pleasejeg vil gjerne ha vask og legg, takk21) ( matematikk) mengde, gruppe22) ( i visse danser) tur(er)25) vikking (av en sag)empty set ( matematikk eller EDB) tom mengdehave no set against anyone ikke ha noe imot noenthe literary set de litteræremake a dead set at gå løs på forsøke å legge an påa set of furniture et møblementset of wheels ( hverdagslig) bil, kjerreII1) sette (frem), stille, legge ut, sette ut• could you set the chairs?2) dekke3) ( om klokke) stille4) bestemme, fastsette5) fremlegge (for), gi6) få (i gang), sette (i gang)7) ( om himmellegeme eller overført) gå ned, synke8) stivne, sette seg, tykne9) ( overført) befeste seg, sette seg, stivne10) ( om ansiktsuttrykk eller øyne) stivne, bli stram12) (teater e.l.) legge til, foregå• did you set your hair on rollers?14) montere, sette opp17) besette, innfatte19) (medisin, om ben eller ledd) sette på plass, reponere, sette i ledd, gro, vokse sammen22) få til å stivne, gjøre stiv23) beregne, vurdere, estimere• the losses were set at £50 a day24) (om tidevann, strøm, vind) gå, løpe, strømme, komme27) ( om jakthund) få stand, ta standset about gå i gang med, begynne (på)(britisk, hverdagslig) gå løs på, fare løs på spre, sette i gang• did you set the rumour about?set about doing something begynne å gjøre noeset about it bære seg atset about something gripe noe an, gå i gang med noeset against veie (opp) mot, sette (opp) motsette opp mot, gjøre fiendtlig innstilt motset a good example være et godt eksempelset a hen plassere en høne på eggset apart sette til side, reservere, legge avset apart from skille fra, se forskjell påset a price on something prissette noeset aside legge til side, sette av, sparese bort ifra• setting aside his age, you're perfect for each otheravvise, forkaste( jus) omstøte, tilsidesette, oppheveset at angripeset at large frigi, sette på frifotset at work sette i arbeid sette i gangset back sette en stopper for, stoppe forsinke, sinkeskru tilbake, sette tilbake, stille tilbakelegge bakover( hverdagslig) koste• it set me back $50plassere vekk fraset before legge frem for, forelegge sette frem foran, sette frem tilset before oneself gjøre til sin oppgaveset down sette nedsette av, slippe avskrive ned, skrive opp, notere sette (opp), føre (opp)jeg kan gi deg det svart på hvitt anse, betrakte, ta( overført) sette på plassset down as anse som, betrakte somset down in writing skrive nedset down to tilskrive, skylde på, forklare medset eggs plassere egg under en høneset forth legge frem, fremstille, skildresende ut, offentliggjøre, kunngjøre gi seg i vei, legge ut, dra ut, reiseset forth for reise tilset forward ( om visere på klokke) stille frem, skru fremsette frem, flytte frem legge frem, anføre, foregifremme, hjelpe frem ( gammeldags) gi seg i vei, legge ut, dra ut, reiseset free sette fri, slippe ut frigjøreset in begynne (for alvor), falle på, sette inn( om tidevann) sette innset off gi seg i vei, gi seg ut, reisesette i vei, løpe avgårdeavfyre, få til å eksplodere, fremkallesette i gang, starte, utløse, lede inn pådette ledet ham inn på hans favorittemne fremheve, forhøye, prydeden hvite kjolen fremhevet brunfargen hennes oppveie, kompensere, utligneskille (ut), skille frareservere, sette avset off running begynne å løpeset on overfalle, kaste seg overegge, anspore, jagehun egget Jane til å knuse vinduet rykke frem, avanseresette tilset oneself against eller set one's face against bestemt sette seg imotset oneself forward fremheve seg selvset oneself to do something sette i gang med å gjøre noe bestemme seg for å gjøre noeset oneself up against sette seg opp motset one's hand to something skrive under på noesette i gang med noeset one's mind on sette seg i hodet, absolutt ville ha, være fast bestemt påset out gi seg i vei, dra ut, reisebegynne (sin virksomhet)legge frem, fremføre, skildrelegge frem, vise frem, stille utsette ut, plassere (ut), sette frem stake ut ( om tidevann) avtaset out for reise tilset out from dra (ut) fra, utgå fraset out to gå i gang med, sette seg foreset right avhjelpeset sail sette seilset somebody off få noen til åset somebody over others sette noen over andre, sette noen til å overvåke andreset somebody to sette noen til, sette noen påset something going sette i gang noeset something in order få orden i noe, fikse noeset something off against gå opp i opp med, balansere medset something to (music) sette musikk til noe, tonesette noeset the ball rolling ( overført) dra i gang noe, begynne med noe få samtalen i gangset the fox to keep the geese se ➢ fox, 1set to sette i gang for fullthugge innpå maten, kaste seg over matensette i gang med å slåssset together sette sammenset to work skride til verket, sette i gang sette i gang med å arbeideset up sette opp, reise, oppføre• could you set up the ladder?rigge opp, monteregjøre klar, klargjøre heiseopprette, etablere, anleggeinnføreutnevneførst må vi utnevne en komité fremkalle, forårsake, voldedet å være kald kan fremkalle en irritasjon utstøte, sette igjøre frisk, få på beina( typografi) sette(hjelpe til å) etablere seghan hjalp sin sønn å etablere seg som bokhandler bygge, sette opp(spesielt amer., hverdagslig) sette en felle forset up a defence ( overført) gå i forsvarsposisjon, forsvare segset up a record sette rekordset up for oneself starte sitt eget, begynne for seg selvset up house begynne egen husholdning, etablere segset upon overfalle, kaste seg over egge, hisse, jage rykke frem, avansereset up shop åpne forretningset up the standard of revolt ( overført) heise opprørsfanenset up to be eller set oneself up as gi seg ut forset up (in) type ( typografi) settethe stage is set for eller the scene is set for ( overført) alt er klart for, alt er lagt til rette for, det er duket forIIIadj. \/set\/1) fast(satt), bestemt• is this the set price?2) stiv(net), stereotyp, ubevegelig• did you notice his set look?3) bestemt, fast, ubevegelig4) beliggende, som ligger5) ( hverdagslig) klar, ferdigall set alt (er klappet og) klart• are we all set?at a set time på et bestemt tidspunktbe set in one's way være lite fleksibel, ha inngrodde vaner, ha faste vanerbe (dead) set (up)on something ( hverdagslig) være oppsatt på noe( hverdagslig) ha slått inn påget set! ( sport) (klar) ferdig!• on your marks! get ready! get set! go!in (good) set terms i klare ord, utvetydigset fair (britisk, om vær) pent (uten tegn til å slå om)a set speech en på forhånd utarbeidet tale en typisk tale -
53 property
noun1) (possession[s], ownership) Eigentum, daslost property — Fundsachen Pl.
lost property [department or office] — Fundbüro, das
property in London is expensive — die Immobilienpreise in London sind hoch
4) (Cinemat., Theatre) Requisit, das* * *['propəti]plural - properties; noun1) (something that a person owns: These books are my property.) das Eigentum2) (land or buildings that a person owns: He has property in Scotland.) der Besitz4) ((usually abbreviated to prop [prop]) a small piece of furniture or an article used by an actor in a play.) das Requisit* * *prop·er·ty[ˈprɒpəti, AM ˈprɑ:pɚt̬i]nthat desk is school \property dieser Schreibtisch gehört der Schulepersonal \property Privateigentum ntother people's \property Fremdeigentum nt formprivate \property Privatbesitz mherbs have medicinal properties Kräuter haben heilende Kräfte6.▶ to be [a] hot \property sehr gefragt sein* * *['prɒpətɪ]n1) (= characteristic PHILOS, COMPUT) Eigenschaft fit has healing properties — es besitzt heilende Kräfte
2) (= thing owned) Eigentum ntgovernment/company property — Eigentum nt der Regierung/Firma, Regierungs-/Firmeneigentum nt
common property (lit) — gemeinsames Eigentum; (fig) Gemeingut
to become the property of sb — in jds Eigentum (acc) übergehen
3) (= building) Haus nt, Wohnung f; (= office) Gebäude nt; (= land) Besitztum nt; (= estate) Besitz mthis house is a very valuable property — dieses Haus ist ein sehr wertvoller Besitz
property in London is dearer — die Preise auf dem Londoner Immobilienmarkt sind höher
* * *1. Eigentum n, Vermögen n, Besitztum n, Besitz m, Hab n und Gut n:law of property Sachenrecht n;man of property begüterter Mann;damage to property Sachschaden m;common property Gemeingut n; → academic.ru/37809/industrial_property">industrial property, intellectual A 1, left property, literary 2, lost B 1, personal A 6, stolen B2. a) Grundbesitz m, -eigentum n, Landbesitz m, Liegenschaften plb) Grundstück n3. JUR Eigentum(srecht) n:beneficial property Nießbrauch m4. PHYS Eigenschaft f:property of material Werkstoffeigenschaft5. Fähigkeit f, Vermögen n:insulating property ELEK Isolationsvermögen;sliding property TECH Gleitfähigkeit7. THEAT Requisit nprop. abk1. proper (properly)2. property3. proposition* * *noun1) (possession[s], ownership) Eigentum, daslost property — Fundsachen Pl.
lost property [department or office] — Fundbüro, das
4) (Cinemat., Theatre) Requisit, das* * *(science) n.Eigenschaft (Wissenschaft) f. n.Besitz -ungen m.Besitztum n.Eigentum -¨er n.Grundstück n.Gut ¨-er n. -
54 true
true [tru:]∎ it's a true story c'est une histoire vraie;∎ the film is based on a true story le film est tiré d'une histoire vraie ou d'une histoire vécue;∎ the true adventures of a Second World War spy les aventures véridiques d'un espion pendant la Deuxième Guerre mondiale;∎ is it true that they were lovers? c'est vrai qu'ils étaient amants?;∎ is it true about Michael? c'est vrai ce qu'on dit à propos de Michael?;∎ it is not true that he has disappeared ce n'est pas vrai qu'il a disparu;∎ I can't believe it's true je n'arrive pas à le croire;∎ if it were true that she was innocent si elle était vraiment innocente;∎ can it be true? est-ce possible?;∎ he's a complete idiot - (that's) true, but he's very lovable il est complètement idiot - ça c'est vrai, mais il est très sympathique;∎ the same is or holds true for many people il en va de même pour ou c'est vrai pour beaucoup de gens;∎ too true! c'est vrai ce que vous dites!, ah oui alors!;∎ familiar he's so stingy, it's not true! ce n'est pas possible d'être aussi radin!(b) (precise, exact → measurement) exact, juste; Music (→ note, voice) juste; (→ copy) conforme; Building industry (wall) vertical, d'aplomb; (beam) droit;∎ I certify that this is a true copy of the diploma je certifie que ceci est une copie conforme du diplôme;∎ he's not a genius in the true sense of the word ce n'est pas un génie au vrai sens du terme;∎ also figurative his aim is true il vise juste(c) (genuine → friendship, feelings) vrai, véritable, authentique; (→ friend, love) vrai, véritable; (real, actual → nature, motive) réel, véritable;∎ she was a true democrat c'était une démocrate dans l'âme;∎ he's a true Irishman (conforms to stereotype) il est bien irlandais; (by birth) c'est un Irlandais, un vrai;∎ a story of true love l'histoire d'un grand amour;∎ to find true love trouver le grand amour;∎ to get a true idea of the situation se faire une idée juste de la situation;∎ it's not a true amphibian ce n'est pas vraiment un amphibien;∎ spoken like a true soldier! voilà qui est bien dit!∎ a true likeness une ressemblance parfaite;∎ to be true to sb être fidèle à ou loyal envers qn;∎ to be true to oneself être fidèle à soi-même;∎ to be true to one's ideals/principles être fidèle à ses idéaux/principes;∎ she was true to her word elle a tenu parole;∎ true to life (story, situation) qui correspond bien à la réalité;∎ the painting is very true to life le tableau est très ressemblant;∎ to be or to run true to type être typique;∎ she was an accountant, and true to type she… elle était comptable, et bien entendu elle…;∎ true to form, he arrived half an hour late fidèle à son habitude ou comme à son habitude, il est arrivé avec une demi-heure de retard;∎ the horse hasn't been running true to form lately ces derniers temps, le cheval n'a pas couru comme à son habitude ou comme on pouvait s'y attendre2 adverb(a) (aim, shoot, sing) juste;∎ Biology to breed true se reproduire dans la conformité de l'espèce;∎ it doesn't ring true cela sonne faux∎ tell me true dites-moi la vérité;∎ love me true aime-moi fidèlementaligner, ajuster►► Finance true discount escompte m en dedans;Accountancy true and fair view (of accounts) image f fidèle;true north vrai nord m, nord m géographique;Marketing true sample échantillon m représentatifaligner, ajuster -
55 Daguerre, Louis Jacques Mandé
SUBJECT AREA: Photography, film and optics[br]b. 18 November 1787 Carmeilles-en-Parisis, Franced. 10 July 1851 Petit-Bry-sur-Marne, France[br]French inventor of the first practicable photographic process.[br]The son of a minor official in a magistrate's court, Daguerre showed an early aptitude for drawing. He was first apprenticed to an architect, but in 1804 he moved to Paris to learn the art of stage design. He was particularly interested in perspective and lighting, and later showed great ingenuity in lighting stage sets. Fascinated by a popular form of entertainment of the period, the panorama, he went on to create a variant of it called the diorama. It is assumed that he used a camera obscura for perspective drawings and, by purchasing it from the optician Chevalier, he made contact with Joseph Nicéphore Niepce. In 1829 Niepce and Daguerre entered into a formal partnership to perfect Niepce's heliographic process, but the partnership was dissolved when Niepce died in 1833, when only limited progress had been made. Daguerre continued experimenting alone, however, using iodine and silver plates; by 1837 he had discovered that images formed in the camera obscura could be developed by mercury vapour and fixed with a hot salt solution. After unsuccessfully attempting to sell his process, Daguerre approached F.J.D. Arago, of the Académie des Sciences, who announced the discovery in 1839. Details of Daguerre's work were not published until August of that year when the process was presented free to the world, except England. With considerable business acumen, Daguerre had quietly patented the process through an agent, Miles Berry, in London a few days earlier. He also granted a monopoly to make and sell his camera to a Monsieur Giroux, a stationer by trade who happened to be a relation of Daguerre's wife. The daguerreotype process caused a sensation when announced. Daguerre was granted a pension by a grateful government and honours were showered upon him all over the world. It was a direct positive process on silvered copper plates and, in fact, proved to be a technological dead end. The future was to lie with negative-positive photography devised by Daguerre's British contemporary, W.H.F. Talbot, although Daguerre's was the first practicable photographic process to be announced. It captured the public's imagination and in an improved form was to dominate professional photographic practice for more than a decade.[br]Principal Honours and DistinctionsOfficier de la Légion d'honneur 1839. Honorary FRS 1839. Honorary Fellow of the National Academy of Design, New York, 1839. Honorary Fellow of the Vienna Academy 1843. Pour le Mérite, bestowed by Frederick William IV of Prussia, 1843.Bibliography14 August 1839, British patent no. 8,194 (daguerrotype photographic process).The announcement and details of Daguerre's invention were published in both serious and popular English journals. See, for example, 1839 publications of Athenaeum, Literary Gazette, Magazine of Science and Mechanics Magazine.Further ReadingH.Gernsheim and A.Gernsheim, 1956, L.J.M. Daguerre (the standard account of Daguerre's work).—1969, The History of Photography, rev. edn, London (a very full account).J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (a very full account).JWBiographical history of technology > Daguerre, Louis Jacques Mandé
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56 Leonardo da Vinci
[br]b. 15 April 1452 Vinci, near Florence, Italy,d. 2 May 1519 St Cloux, near Amboise, France.[br]Italian scientist, engineer, inventor and artist.[br]Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.[br]Principal Honours and Distinctions"Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.Further ReadingE.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.LRD / IMcN -
57 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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58 evolve
ɪˈvɔlv гл.
1) развертывать, раскручивать;
перен. развивать, выводить( теорию и т. п.) ;
(from/out) The painter evolved his ideas about form and colour out of the work of an earlier artist. ≈ Этот художник вывел свои идеи о форме и цвете из работ более старого мастера.
2) выявлять, обнаруживать;
прослеживать, устанавливать Syn: bring out
3) эволюционировать, развиваться (from/out of;
into) Some people still do not believe that man evolved from monkeys. ≈ Некоторые не верят, что человек произошел от обезьяны.
4) испускать, излучать, выделять (тепло) ;
издавать (звук, запах) Syn: emit
5) мат. извлекать корень развивать, развертывать - to * the powers of (the) mind развивать умственные способности - to * a scheme развернуть план - to * social, political and literary philosophies создавать /вырабатывать/ социальные, политические и литературные теории развиваться, эволюционировать - society *d through the ages общество развивалось на протяжении веков (into) развиваться, превращаться - to * into a human being развиться /превратиться/ в человека выделять (газ и т. п.) ;
испускать, издавать (запах) раскрывать, выявлять - to * a secret раскрыть тайну - to * new talents выявлять новые таланты (устаревшее) развертывать (свиток и т. п.) ;
распутывать (клубок и т. п.) evolve выделять (газы, теплоту) ;
издавать (запах) ~ развиваться;
развертываться ~ эволюционировать ~ (теорию и т. n.) ;
to ~ a plan наметить план -
59 group
1. [gru:p] n1. 1) группа; кучкаa group of men at the street-corner - группа /кучка/ людей на углу улицы
a group of houses [of buildings] - несколько домов [зданий]; ансамбль домов [зданий]
a group of mines - мор. минная банка
group firing - воен. групповая учебная стрельба
arranged in groups - собранные /объединённые/ в группы; расположенные по группам
to gather into groups, to form groups - собираться кучками
little groups were forming to discuss the news - люди собирались кучками, чтобы обсудить новости
2) группа, коллектив; ансамбльcontrol group - спец. контрольная группа (в эксперименте и т. п.)
task group - воен. оперативная группировка
artillery group - воен. артиллерийская группа
group action [decision] - коллективное действие [решение]
2. группировка; группа; фракция; слой; корпорацияpar liamentary [ultra-conservative] group - парламентская [ультраконсервативная] фракция
group mind - мнение какого-л. слоя или какой-л. группы населения
group representation - амер. представительство от групп населения по профессиям, социальному положению и т. п. ( а не по территориальному принципу)
group pressure - нажим со стороны отдельных групп (обыкн. представляющих меньшинство); отстаивание групповых /корпоративных/ интересов
3. pl слои, кругиbusiness [literary] groups - деловые [литературные] круги
4. группа, классa group of fish [of plants] - класс рыб [растений]
a group of strata - геол. группа, свита или серия осадочных пластов
5. амер. авиационная группа6. хим. радикал7. мат. группаtheory of groups, group theory - теория групп
8. вчт. блок2. [gru:p] v1. 1) группироватьto group a party for a photograph - (удобно) расположить /усадить/ компанию /группу/ для фотографирования
the figures are well grouped - изображения или (геометрические) фигуры хорошо /удачно/ расположены
I don't know how to group these figures - я не знаю, как сгруппировать эти числа
2) группироватьсяthe children grouped round the hero - дети собрались вокруг /окружили, обступили/ героя
2. классифицировать, группировать; распределять по группамto group languages [birds, plants] according to... - классифицировать языки [птиц, растения] по /в соответствии с/...
3. 1) подбирать, гармонично сочетать (краски, цвета); компоновать2) гармонировать; сочетатьсяcolours [figures] that group well - цвета [изображения], которые гармонируют /хорошо сочетаются/ друг с другом
the buildings group splendidly in the landscape - здания великолепно вписываются в ландшафт
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60 set
I [set] n1. 1) комплект, набор; коллекцияin sets - в комплектах, в наборах
a set of surgical instruments [of weights] - набор хирургических инструментов [гирь]
a set of exchange - ком. комплект экземпляров переводного векселя
a set of teeth - а) зубы, ряд зубов; б) вставные зубы, вставная челюсть
a set of sails - мор. комплект парусов
well-chosen [valuable] set - хорошо подобранная [ценная] коллекция
2) сервиз3) гарнитур4) приборtoilet /dressing-table/ set - туалетный прибор
writing /desk/ set - письменный прибор
5) (полный) комплект изданияa set of Pravda - комплект «Правды»
2. 1) серия, рядa set of assumptions - ряд допущений /предположений/
2) совокупность3. 1) группа ( лиц); составa poor set of players - плохая команда, плохие игроки
four sets of dancers /partners/ - четыре пары танцоров
a new set of customers - новый круг покупателей /клиентов/
2) набор, состав (учащихся, студентов и т. п.)3) компания, кругthe political [the literary] set - политические [литературные] круги
the smart /the fashionable/ set - а) законодатели мод; б) фешенебельное общество
gambling set - картёжники, завсегдатаи игорных домов
he belonged to the best set in the college - в колледже он принадлежал к числу избранных
he is not in their set, he does not belong to their set - он не принадлежит к их кругу [см. тж. 4)]
4) банда, шайкаhe is not in their set, he does not belong to their set - он не из их шайки [см. тж. 3)]
4. 1) театр., кино декорацияset designer - художник по декорациям; художник кинофильма
set dresser - кино декоратор
2) кино съёмочная площадка5. спец. прибор, аппарат; установка, агрегат6. приёмник7. фигура ( в танце); последовательность фигурwe danced three or four sets of quadrilles - мы протанцевали три или четыре кадрили
8. завивка и укладка волос9. сюита духовной музыки (месса и т. п.)10. редк. меблированная квартира11. дор. брусчатка, каменная шашка12. спорт.1) партия ( часть матча)2) сет ( теннис)13. спорт. расстановка игроков14. геол. свита ( пород)15. горн. оклад крепи16. мат. множество17. мат. семейство ( кривых)18. полигр. гарнитура шрифта19. полигр. набор20. карт. недобор взяток ( бридж)II1. [set] n1. тк. sing общие очертания, линияthe set of his back [of his shoulders] - линия спины [плеч]
the set of the hills - линия /очертание/ гор
2. строение; конфигурация; (тело)сложениеthe set of smb.'s head - посадка головы
3. тк. sing1) направлениеthe set of a tide [of a current, of wind] - направление прилива [течения реки, ветра]
2) направленность; тенденцияthe set of public opinion /of public feeling/ - тенденция общественного мнения
a set towards mathematics - склонность к математике; математический склад ума
3) психол. направленность, установка ( на принятие наркотика)4) наклон, отклонениеa set to the right - отклонение /наклон/ вправо
5. музыкальный вечер (особ. джазовой музыки)7. с.-х.1) = set onion2) посадочный материал (клубни картофеля и т. п.)8. охот. стойка9. тех. разводка для пил, развод зубьев пилы, ширина развода10. стр. осадка ( сооружений)11. тех. остаточная деформация12. тех. обжимка, державка13. полигр. толщина ( литеры)♢
to be at a dead set - завязнуть, застрятьto make a dead set at smb. - а) обрушиваться /нападать/ на кого-л.; резко критиковать кого-л.; ≅ вцепиться в кого-л. зубами и когтями; б) делать всё возможное, чтобы завоевать кого-л. /завоевать чью-л. любовь, дружбу, доверие и т. п./; в) вешаться кому-л. на шею, навязывать свою любовь, пытаться влюбить в себя (обыкн. о женщине); г) охот. делать стойку ( о собаке)
2. [set] a1. неподвижный; застывшийwith a set face /countenance/ - с каменным лицом
2. 1) определённый, твёрдо установленный, постоянныйset wage - твёрдый оклад, постоянная заработная плата
the hall holds a set number of people - зал вмещает определённое количество людей
2) неизменный, постоянный; незыблемыйset programme - постоянная /неизменная/ программа
to dine at a set hour - обедать в определённые часы /в одно и то же время/ [ср. тж. 4]
to be set in one's ways [ideas] - никогда не изменять своим привычкам [взглядам]
3) шаблонный; стереотипныйin set terms /phrases/ - в шаблонных /избитых/ выражениях, казённым /официальным/ языком
3. установленный (законом, традицией)4. заранее установленный, оговорённыйat set hours - в установленные часы [ср. тж. 2, 2)]
set subject - обязательная тема (для сочинения и т. п.)
set visit - визит ( официального лица) по предварительной договорённости
5. упрямый, настойчивый; упорныйset rains - непрекращающиеся /упорные/ дожди
a man of set opinions - человек, упорно придерживающийся /не меняющий/ своих взглядов
his jaw looked too square and set - ≅ его лицо выражало упрямство
6. умышленный, преднамеренныйon set purpose - уст. нарочно
7. разг. готовый, горящий желанием (сделать что-л.)all set - шутл. ≅ в полной боевой готовности
all set to do smth. - горящий желанием сделать что-л.
we were set for an early morning start - мы подготовились к тому, чтобы выступить рано утром
is everyone set? - все готовы?
8. встроенный, прикреплённый♢
set affair - вечеринка с очень хорошим угощениемset dinner - а) званый обед; б) обед за общим столом ( в ресторане); в) общий обед, не включающий порционные блюда ( в ресторане)
to be hard set - находиться в затруднительном положении /в стеснённых обстоятельствах/
to be sharp set - быть голодным, проголодаться
to get set - толстеть, терять стройность
3. [set] v (set)I1. 1) ставить, помещать, класть; положить, поставитьto set a cup [a glass, a dish] (down) on the table - (по)ставить чашку [стакан, блюдо] на стол
to set smth. in its place again - поставить /положить/ что-л. на своё место
to set a chair at /by/ the table - поставить стул около стола /к столу/
to set chairs for visitors - (по)ставить /расставить/ стулья для гостей
to set one's hand on smb.'s shoulder - класть /положить/ руку на чьё-л. плечо
to set a trap /snare/ - поставить силки
to set an ambush - воен. устроить засаду
to set a crown on smb.'s head - возложить корону на чью-л. голову
to set smb. on a pedestal - возвести кого-л. на пьедестал
he took off his hat and set it on the floor - он снял шляпу и положил её на пол
2) ставить на какое-л. место; придавать ( то или иное) значениеto set Vergil before Homer - ставить /считать/ Вергилия выше Гомера
to set smb. among the great writers - считать кого-л. одним из великих писателей
to set smb., smth. at naught - а) ни во что не ставить, презирать кого-л., что-л.; to set smb.'s good advice at naught - пренебречь чьим-л. разумным советом; б) издеваться над кем-л., чем-л.
to set much /a great deal/ on smth. - придавать чему-л. большое значение
he sets a great deal by daily exercise - он придаёт большое значение ежедневным упражнениям
to set little on smth. - придавать чему-л. мало значения
I don't set myself up to be better than you - я не считаю себя лучше /выше/ вас
2. обыкн. pass помещаться, располагатьсяa house set in a beautiful garden - дом, стоящий в прекрасном саду
a little town set north of London - маленький городок, расположенный к северу от Лондона
blue eyes set deep in a white face - голубые, глубоко посаженные глаза на бледном лице
the pudding sets heavily on the stomach - пудинг тяжело ложится на желудок
3. сажать, усаживатьto set smb. by the fire - усадить кого-л. у камина /у костра/
to set smb. on horseback - посадить кого-л. на лошадь
to set a king on a throne - посадить /возвести/ короля на трон
4. насаживать, надевать5. (in) вставлять6. 1) направлять; поворачиватьto set smb. on the right [wrong] track - направить кого-л. по правильному [ложному] следу
to set the police after a criminal - направить полицию по следам преступника
2) иметь ( то или иное) направление, ( ту или иную) тенденциюpublic opinion is setting with [against] him - общественное мнение за [против] него, общественное мнение складывается в [не в] его пользу
7. подготавливать; снаряжать; приводить в состояние готовностиto set the scene - описать (в общих чертах) обстановку /положение/
to set the stage - а) расставлять декорации; б) (под)готовить почву (для чего-л.)
to set the stage for the application of a new method of therapy - подготовить почву для нового метода лечения
to be set for smth. - быть готовым к чему-л.
it was all set now - теперь всё было готово /подготовлено/
it /the stage/ was all set for a first-class row - всё предвещало первостатейный скандал
I was all set for the talk - я готовился к этому разговору; я знал, что меня ждёт /мне предстоит/ этот разговор
he was all set for a brilliant career - перед ним открывалась блестящая карьера, его ждала блестящая карьера
set! - спорт. внимание!, приготовиться!
8. устанавливать, определять, назначатьto set a limit /boundary/ - устанавливать границы /пределы/
to set a limit to smth. - установить предел чему-л., пресечь что-л.
to set bounds to smth. - ограничивать что-л.
to set the pace - а) устанавливать скорость шага /бега/; б) служить образцом, примером; [см. тж. 10]
to set the style /tone/ - задавать тон
to set the course - спорт. измерить дистанцию
to set a time [a date] - назначить время [дату]
to set a price on smb.'s head /on smb.'s life/ - оценивать чью-л. голову /жизнь/, назначать сумму вознаграждения за поимку кого-л.
he sets no limit to his ambitions - его честолюбие безгранично /не знает пределов/
the time and date of the meeting have not yet been set - время и день собрания ещё не назначены
then it's all set for Thursday at my place - значит решено - в четверг у меня
9. 1) диал., часто ирон. идти, быть к лицуdo you think this bonnet sets me? - как вы думаете, идёт мне эта шляпка?
2) редк. сидеть ( о платье)to set well /badly/ - хорошо [плохо] сидеть (на ком-л.)
10. тех. устанавливать, регулироватьto set the camera lens to infinity - фото устанавливать объектив на бесконечность
to set the spark-gap - авт. отрегулировать искровой промежуток
to set the pace - регулировать скорость [см. тж. 8]
11. мор. пеленговать12. стр. производить кладкуII А1. садиться, заходить ( о небесных светилах)his star has /is/ set - образн. его звезда закатилась
2. ставить (стрелку, часы и т. п.)to set a clock /a watch/, to set the hands of a clock - (по)ставить часы (правильно)
to set one's watch by the town clock [by the time-signal] - ставить свои часы по городским [по сигналу поверки времени]
to set an alarm-clock - поставить /завести/ будильник
to set a thermostat at seventy - поставить стрелку термостата на семьдесят
to set the speedometer to zero - авт. установить спидометр на нуль
I want you to set your watch by mine - я хочу, чтобы вы поставили свои часы по моим
3. 1) ставить (задачи, цели и т. п.)2) задавать (уроки, вопросы и т. п.)the teacher set his boys a difficult problem - учитель задал ученикам трудную задачу
what questions were set in the examination? - какие вопросы задавали на экзамене?
4. подавать ( пример)to set good [bad] examples - подавать хорошие [дурные] примеры
5. 1) вводить ( моду)2) вводить, внедрять (модель и т. п.)to set a new model - внедрять новую модель /-ый образец/
6. 1) стискивать, сжимать (зубы, губы)he set his teeth doggedly [hard] - он упрямо [крепко] стиснул зубы; б) принять твёрдое решение; упрямо стоять на своём, заупрямиться
with jaws set in an effort to control himself - стиснув зубы, он пытался овладеть собой
2) сжиматься (о губах, зубах)7. застывать, становиться неподвижным (о лице, глазах и т. п.)8. 1) твердеть ( о гипсе)2) стр. схватываться (о цементе, бетоне)the mortar joining these bricks hasn't set yet - известковый раствор, скрепляющий эти кирпичи, ещё не затвердел
3) застывать (о желе, креме)4) заставлять твердеть или застывать (известь и т. п.)9. 1) загустеть; свёртываться (о крови, белке); створаживаться ( о молоке)2) сгущать (кровь и т. п.); створаживать ( молоко)10. 1) оформиться, сформироваться (о фигуре, характере)his mind and character are completely set - у него зрелый ум и вполне сложившийся характер
2) формировать (характер и т. п.); развивать ( мускулатуру)too much exercise sets a boy's muscles prematurely - от чрезмерного увлечения гимнастикой мускулы подростка развиваются слишком быстро ( опережая рост)
11. ставить ( рекорд)he set a record for the half mile - он установил рекорд (в беге) на полмили
12. накрывать ( на стол)he quickly set the table (for three) - он быстро накрыл стол (на три персоны)
the hostess ordered to have a place set for the guest - хозяйка распорядилась поставить прибор для (нового) гостя
13. 1) вправлять (кости, суставы)to set a broken leg [arm, a dislocated joint] - вправить ногу [руку, вывихнутый сустав]
2) срастаться ( о кости)14. вставлять в оправу ( драгоценные камни)to set diamonds - вставлять в оправу /оправлять/ бриллианты
15. приводить в порядок, поправлять (шляпу, платок, галстук, волосы)16. укладывать ( волосы); сделать укладкуto set one's hair - делать причёску, укладывать волосы
17. 1) положить ( слова на музыку или музыку на слова)2) муз. аранжироватьto set a piece of music for the violin - переложить музыкальную пьесу для скрипки
to set a melody half a tone higher - транспонировать мелодию на полтона выше
18. подавать ( сигнал)19. точить (нож, бритву и т. п.)20. выставлять (часовых и т. п.)to set the guard - воен. выставлять караул
to set guards [sentries, watches] - расставить караульных [часовых, стражу]
21. высаживать (на берег, остров и т. п.; тж. set ashore)to set smb., smth. ashore - а) высаживать кого-л. на берег; б) выгружать что-л. на берег
22. возлагать ( надежды)to set one's hopes on smb. - возлагать надежды на кого-л.
23. накладывать (запрет, наказание и т. п.)to set a veto on smth. - наложить запрет на что-л.
to set a punishment [a fine] - накладывать взыскание [штраф]
24. ставить, прикладывать ( печать)to set a seal - а) поставить печать; б) наложить отпечаток
25. сажать (растения, семена)to set seed [plants, fruit-trees] - сажать семена [растения, фруктовые деревья]
the young plants should be set (out) at intervals of six inches - молодые растения следует высаживать на расстоянии шести дюймов друг от друга
26. 1) приниматься ( о деревьях)2) бот. завязываться, образовывать завязи (о плодах, цветах)27. разрабатывать, составлять ( экзаменационные материалы)they had to set fresh papers - им пришлось составлять новую письменную работу
to set an examination paper - составлять письменную экзаменационную работу
to set questions in an examination - составлять вопросы для экзаменационной работы
to set a book - включить какую-л. книгу в учебную программу
28. 1) определиться (о направлении ветра, течения и т. п.)2) заставлять двигаться (в каком-л. направлении)29. делать стойку ( об охотничьих собаках)30. 1) сажать ( наседку на яйца)2) подкладывать ( яйца под наседку)31. сажать в печь ( хлебные изделия)32. редк. устанавливаться ( о погоде)33. спец. растягивать ( кожу)34. закрепить ( краску)to set close [wide] - набирать плотно [свободно]
the editorial was set in boldface type - передовая была набрана жирным шрифтом
36. налаживать ( станок)37. тех. осаживать ( заклёпку)38. школ. распределять учеников по параллельным классам или группам в зависимости от способностейII Б1. 1) to set about ( doing) smth. приниматься за что-л., начинать делать что-л., приступать к чему-л.to set about one's work - взяться /приняться/ за работу
to set about one's packing [getting dinner ready] - начинать упаковывать вещи [готовить обед]
to set about stamp-collecting [learning the German language] - взяться за собирание марок [изучение немецкого языка]
I don't know how to set about it - я не знаю, как взяться за это дело /как подступиться к этому/
2) to set smb. about ( doing) smth. засадить кого-л. за какую-л. работу, заставить кого-л. приняться за что-л., начать что-л.to set smb. about a task - заставить кого-л. приступить к выполнению задания
2. 1) to set to do /doing/ smth. приниматься за что-л., начинать делать что-л.to set to work - приступить к работе, приниматься за работу
they set to fighting [arguing] - они стали драться [спорить]
2) to set smb. (on) to (do) smth. заставить кого-л. приняться за что-л.; поставить кого-л. на какую-л. работуto set smb. to work [to dictation] - усадить кого-л. за работу [за диктант]
to set smb. to saw wood [to dig a field] - заставить кого-л. пилить дрова [вскапывать поле]
who(m) did you set to do this? - кому вы поручили сделать это?
she would do what she was set to do with great thoroughness - она тщательно выполняла то, что ей поручали
3. to set oneself to smth., to set oneself to do /doing/ smth. энергично взяться за что-л.; твёрдо решить сделать что-л.she set herself to put him at his ease - она делала всё возможное, чтобы он чувствовал себя свободно
it is no pleasant task but let us set ourselves to it - это не очень приятное задание, но давайте приступим к его выполнению
4. 1) to be set to do smth. быть готовым что-л. сделатьhe was (all) set to go when I came - он уже был (совсем) готов (идти), когда я пришёл
2) to be set on doing smth. твёрдо решить сделать что-л.to be dead set on smth. - упорно /страстно/ желать чего-л.
we didn't much like the idea of his going back to New York but he was set on it - мы не очень одобряли его план вернуться в Нью-Йорк, но он твёрдо решил сделать это
6. to be set against ( doing) smth., to set oneself against ( doing) smth. быть категорически против чего-л., противиться чему-л.he set himself against my proposal - он заупрямился и отказался принять моё предложение
the mother was violently set against the match - мать была категорически против этого брака
he (himself) was set against going there - он (сам) упорно отказывался идти туда
7. 1) to set about /at, (up)on/ smb. нападать, напускаться на кого-л.to set upon smb. with blows - наброситься на кого-л. с кулаками
to set upon smb. with arguments - атаковать кого-л. доводами
they set upon me like a pack of dogs - они набросились на меня, как свора собак
I'd set about you myself if I could - если бы я мог, я бы сам отколотил тебя
2) to set smb. at /on, against/ smb. натравить, напустить кого-л. на кого-л.to set the dog on /at/ smb. - натравить на кого-л. собаку
to set detectives on smb. /on smb.'s tracks/ - установить за кем-л. слежку
he is trying to set you against me - он старается восстановить вас против меня
3) to set smb. on to do smth. подбить (на что-л.); подтолкнуть (к чему-л.)to set smb. on to commit a crime - толкнуть кого-л. на преступление
8. to set smth. against smth. книжн.1) противопоставлять что-л. чему-л., сравнивать что-л. с чем-л.when theory is set against practice - когда теорию противопоставляют практике
when we set one language against another - когда мы сравниваем один язык с другим
against the cost of a new car, you can set the considerable saving on repairs and servicing - покупка нового автомобиля стоит денег, но, с другой стороны, это даёт экономию на ремонте и обслуживании
2) опираться чем-л. обо что-л., упиратьсяhe set a hand against the door and shoved it - он упёрся рукой в дверь и толкнул её
9. to set smb. (up) over smb. возвысить кого-л., дать кому-л. власть над кем-л.to set smb. (up) over a people - посадить кого-л. на трон, сделать кого-л. королём, дать кому-л. власть над народом
10. to set oneself down as smb.1) выдавать себя за кого-л.2) зарегистрироваться, записаться ( в гостинице)11. to set smb. down for smb. принимать кого-л. за кого-л.to set smb. down for an actor - принять кого-л. за актёра
he set her down for forty - он считал, что ей лет сорок
12. to set up for smth. выдавать себя за кого-л.to set up for a professional [for a scholar] - выдавать себя за профессионала [за учёного]
13. to set smth. in motion привести что-л. в движениеto set a chain reaction in motion - физ. привести в действие цепную реакцию
14. to set smth. with smth.1) осыпать, усеивать что-л. чем-л.; украшать что-л. чем-л.to set the top of wall with broken glass - утыкать верхнюю часть стены битым стеклом
tables set with flowers - столы, украшенные цветами
the sky set with stars - небо, усеянное звёздами
a coast set with modern resorts - побережье со множеством современных курортов
2) засевать что-л. чем-л.15. to be set to smth. иметь склонность к чему-л.a soul that is set to melancholy - душа, склонная к печали
16. to set smth. to smth. подносить, прикладывать, приставлять что-л. к чему-л.; приближать что-л. к чему-л.to set a match [a lighter] to a cigarette - поднести спичку [зажигалку] к сигарете
to set one's lips to a glass, to set a glass to one's lips - поднести стакан ко рту
to set one's hand /one's name, one's signature, one's seal/ to a document - подписать документ
to set pen to paper - взяться за перо, начать писать
17. to set smth. apart /aside/ for smb., smth. отводить, предназначать, откладывать что-л. для кого-л., чего-л.to set apart funds for some purpose - выделять фонды для какой-л. цели
to set some food apart for further use - откладывать часть продуктов на будущее
the rooms set apart for the children were large and beautiful - комнаты, отведённые для детей, были просторны и красивы
18. to set smth. before smb. излагать что-л. кому-л.to set a plan [facts] before smb. - излагать /представлять на рассмотрение/ кому-л. план [факты]
he set his plan before the council - он изложил /представил/ совету свой план
III А1. в сочетании с последующим прилагательным, наречием или предложным оборотом означает приведение в какое-л. состояние:to set a prisoner free /at liberty/ - освободить арестованного
to set afloat - а) мор. спускать на воду; б) приводить в движение; дать (чему-л.) ход
anger set afloat all his inner grievances - гнев всколыхнул затаённые обиды
to set smb. wrong - вводить кого-л. в заблуждение
set your mind at ease! - не беспокойтесь!
to set smb.'s mind at rest - успокоить кого-л.
to set a question /affair/ at rest - разрешить какой-л. вопрос, покончить с каким-л. вопросом
to set smb.'s fears at rest - рассеять чьи-л. опасения
to set smb.'s curiosity agog - возбудить /вызвать/ чьё-л. любопытство
to set smb. on the alert - заставить кого-л. насторожиться
to set at ready - воен. приводить в готовность
to set one's affairs [papers, room] in order - приводить свои дела [бумаги, комнату] в порядок
to set going - а) запускать (машину и т. п.); to set machinery going - приводить в действие механизм; б) пускать в ход, в действие
to set on foot = to set going б)
2) побуждение к какому-л. действию:to set smb. laughing [in a roar] - рассмешить, заставить кого-л. смеяться [покатиться со смеху]
his jokes set the whole room [the table] laughing - все, кто был в комнате [кто сидел за столом], до упаду смеялись над его шутками
to set smb. (off) thinking, to set smb. to thinking - заставить кого-л. призадуматься
to set smb. wondering - вызывать у кого-л. удивление
to set smb. flying - обратить кого-л. в бегство
to set tongues wagging - вызывать толки, давать пищу для сплетен
this incident set everybody's tongue wagging - этот инцидент наделал много шуму
to set the company talking - а) развязать языки; б) дать пищу злым языкам
I set him talking about the new discovery - я навёл его на разговор о новом открытии
♢
to set foot somewhere - ходить куда-л., появляться где-л.
not to set foot in smb.'s house - не переступать порога чьего-л. дома
to set foot on shore - ступить на землю /на берег/
to set one's feet on the path - пуститься в путь /дорогу/
to set one's heart on smth. - стремиться к чему-л., страстно желать чего-л.
to set one's heart on doing smth. - стремиться сделать что-л.
he set his heart on going to the South - он очень хотел /твёрдо решил/ поехать на юг
he has set his heart on seeing Moscow - его заветной мечтой было повидать Москву
why should it be that man she has set her heart upon? - почему она полюбила именно этого человека?
to set one's wits to smb.'s (wits) - поспорить /помериться силами/ с кем-л.
to set one's wits to smth. - пытаться (раз)решить что-л.; ≅ шевелить мозгами
to set one's wits to work - ломать себе голову над чем-л.
to set people by the ears /at variance, at loggerheads/ - ссорить, натравливать людей друг на друга
to set smth. on fire, to set fire /a light/ to smth. - сжечь /поджечь, зажечь/ что-л.
to have smb. set - схватить кого-л. за горло, прижать кого-л. к стенке
to set the law [smb.] at defiance - бросать вызов закону [кому-л.]
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