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was+introduced

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61 tentativamente

adv.

tentatively, probingly, on approval.

* * *

= tentatively.

Ex. By late 1967, a library had tentatively been established and the Dewey Decimal Classification was introduced = A finales de 1967, se creó provisionalmente una biblioteca en la que se empezó a utilizar la Clasificación Decimal de Dewey.

* * *

= tentatively.

Ex: By late 1967, a library had tentatively been established and the Dewey Decimal Classification was introduced = A finales de 1967, se creó provisionalmente una biblioteca en la que se empezó a utilizar la Clasificación Decimal de Dewey.

Spanish-English dictionary > tentativamente
62 ya en + Fecha

= as early as + Fecha

Ex. Elementary synthesis was introduced to the scheme as early as the second edition.

* * *

= as early as + Fecha

Ex: Elementary synthesis was introduced to the scheme as early as the second edition.

Spanish-English dictionary > ya en + Fecha
63 BERA

tote

* * *

I)

(ber; bar, bárum; borinn), v.

I.

1) to bear, carry, convey (bar B. biskup í börum suðr í Hvamm);

bera (farm) af skipi, to unload a ship;

bera (mat) af borði, to take (the meat) off the table;

bera e-t á hesti, to carry on horseback;

2) to wear (bera klæði, vápn, kórónu);

bera œgishjálm, to inspire fear and awe;

3) to bear, produce, yield (jörðin berr gras; tré bera aldin, epli);

4) to bear, give birth to, esp. of sheep and cows;

kýr hafði borit kálf, had calved;

absol., ván at hón mundi bera, that the cow would calve;

the pp. is used of men; hann hafði verit blindr borinn, born blind;

verða borinn í þenna heim, to be born into this world;

þann sóma, sem ek em til borinn, born to;

borinn e-m, frá e-m (rare), born of;

Nótt var Nörvi borin, was the daughter of N.;

borinn Sigmundi, son of S.;

5) bera e-n afli, ofrafli, ofrliði, ofrmagni, ofríki, to bear one down, overcome, oppress, one by odds or superior force;

bera e-n ráðum, to overrule one;

bera e-n málum, to bear one down (wrongfully) in a lawsuit;

bera e-n sök, to charge one with a fault;

bera e-n bjóri, to make drunk with beer;

verða bráðum borinn, to be taken by surprise;

borinn verkjum, overcome by pains;

þess er borin ván, there is no hope, all hope is gone;

borinn baugum, bribed; cf. bera fé á e-n, to bribe one;

6) to lear, be capable of bearing (of a ship, horse, vehicle);

þeir hlóðu bæði skipin sem borð báru, with as much as they could carry;

fig., to sustain, support (svá mikill mannfjöldi, at landit fekk eigi borit);

of persons, to bear up against, endure, support (grief, sorrow, etc.);

absol., bar hann drengiliga, he bore it manfully;

similarly, bera (harm) af sér, berast vel (illa, lítt) af;

bar hon sköruliga af sér, she bore up bravely;

hversu berst Auðr af um bróðurdauðann, how does she bear it?

hon berst af lítt, she is much cast down;

bera sik vel upp, to bear well up against;

7) bera e-t á, e-n á hendr e-m, to charge or tax one with (eigi erum vér þess valdir, er þú berr á oss);

bera (kvið) á e-n, to give a verdict against, declare guilty (í annat sinn báru þeir á Flosa kviðinn);

bera af e-m (kviðinn), to give a verdict for;

bera e-t af sér, to deny having done a thing;

bera or bera vitni, vætti, to bear witness, testify;

bera or bera um e-t, to give a verdict in a case;

bera e-n sannan at sök, to prove guilty by evidence;

bera e-n undan sök, to acquit;

bera í sundr frændsemi þeirra, to prove (by evidence) that they are not relations;

bera e-m vel (illa) söguna, to give a favourable (unfavourable) account of one;

refl. (pass.), berast, to be proved by evidence (þótt þér berist þat faðerni, er þú segir);

8) to set forth, report, tell;

bera e-m kveðju (orð, orðsending), to bring one a greeting, compliments (word, message);

bera or bera fram erindi sín fyrir e-n, to state (tell) one’s errand or to plead one’s case before one;

bera e-m njósn, to apprise one;

bera e-t upp, to produce, mention, tell;

bera upp gátu, to give (propound) a riddle;

bera upp erindi sín, to state one’s errand;

bera saman ráð sín, to consult together;

eyddist það ráð, er þeir báru saman, which they had designed;

9) to keep, hold, bear, of a title (bera jarlnafn, konnungsnafn);

bera (eigi) giptu, gæfu, hammingju, auðnu til e-s, (not) to have the good fortune to do a thing (bar hann enga gæfu til at þjóna þér);

bera vit, skyn, kunnáttu á e-t, to have knowledge of, uniderstanding about;

vel viti borinn, endowed with a good understanding;

bera hug, áræði, þor, traust til e-s, to have courage, confidence to do a thing;

bera áhyggju fyrir e-u, to be concerned about;

bera ást, elsku, hatr til e-s, to bear affection, love, hatred to;

10) to bear off or away, carry off (some gain);

bera sigr af e-m, af e-u, to carry off the victory from or in;

hann hafði borit sigr af tveim orustum, he had been victorious in two battles;

bera hærra (lægra) hlut to get the best (the worst) of it;

bera efra (hærra) skjöld, to gain the victory;

bera hátt (lágt) höfuðit, to bear the head high (low), to be in high (low) spirits;

bera halann bratt, lágt, to cock up or let fall the tail, to be in high or low spirits;

11) with preps.:

bera af e-m, to surpass;

en þó bar Bolli af, surpassed all the rest;

bera af sér högg, lag to ward off, parry a blow or thrust;

bera eld at, to set fire to;

bera fjötur (bönd) at e-m, to put fetters (bonds) on one;

bera vápn á e-n, to attack one with sharp weapons;

bera á or í, to smear, anoint (bera vatn í augu sér, bera tjöru í höfuð sér);

bera e-t til, to apply to, to try if it fits (bera til hvern lykil af öðrum at portinu);

bera e-t um, to wind round;

þá bar hann þá festi um sik, made it fast round his body;

bera um með e-n, to bear with, have patience with;

bera út barn, to expose a child;

12) refl., berast mikit (lítit) á, to bear oneself proudly (humbly);

láta af berast, to die;

láta fyrir berast e-s staðar, to stay, remain in a place (for shelter);

berast e-t fyrir, to design a thing (barst hann þat fyrir at sjá aldregi konur);

at njósna um, hvat hann bærist fyrir, to inquire into what he was about;

berast vápn á, to attack one another;

berast at or til, to happen;

þat barst at (happened) á einhverju sumri;

ef svá harðliga kann til at berast, if that misfortune does happen;

berast í móti, to happen, occur;

hefir þetta vel í móti borizt, it is a happy coincidence;

berast við, to be prevented;

ok nú lét almáttugr guð við berast kirkjubrunann, prevented, stopped the burning of the church;

II. impers., denoting a sort of passive or involuntary motion;

1) with acc., it bears or carries one to a place;

alla berr at sama brunni, all come to the same well (end);

bar hann (acc.) þá ofan gegnt Ösuri, he happened to come down just opposite to Ö.;

esp. of ships and sailors; berr oss (acc.) til Íslands eða annarra landa, we drift to Iceland or other countries;

þá (acc.) bar suðr í haf, they were carried out southwards;

Skarpheðin (acc.) bar nú at þeim, S. came suddenly upon them;

ef hann (acc.) skyldi bera þar at, if he should happen to come there;

e-n berr yfir, one is borne onwards, of a bird flying, a man riding;

hann (acc.) bar skjótt yfir, it passed quickly (of a flying meteor);

2) followed by preps.:

Gunnar sér, at rauðan kyrtil bar við glugginn, that a red kirtle passed before the window;

hvergi bar skugga (acc.) á, there was nowhere a shadow;

e-t berr fram (hátt), is prominent;

Ólafr konungr stóð í lyptingu ok bar hann (acc.) hátt mjök, stood out conspicuously;

e-t berr á milli, comes between;

leiti (acc.) bar á milli, a hill hid the prospect;

fig. e-m berr e-t á milli, they are at variance about a thing;

mart (acc.) berr nú fyrir augu mér, many things come now before my eyes;

veiði (acc.) berr í hendr e-m, game falls to one’s lot;

e-t berr undan, goes amiss, fails;

bera saman, to coincide;

bar nöfn þeirra saman, they had the same name;

fig., with dat.; bar öllum sögum vel saman, all the stories agreed well together;

fund várn bar saman, we met;

3) bera at, til, við, at hendi, til handa, to befall, happen, with dat. of the person;

svá bar at einn vetr, it happened one winter;

þó at þetta vandræði (acc.) hafi nú borit oss (dat.) at hendi, has befallen us;

bar honum svá til, it so befell him;

þat bar við (it so happened), at Högni kom;

raun (acc.) berr á, it is proved by fact;

4) of time, to fall upon;

ef þing (acc.) berr á hina helgu viku, if the parliament falls in the holy week;

bera í móti, to coincide, happen exactly at the same time;

5) denoting cause;

e-t berr til, causes a thing;

konungr spurði, hvat til bæri úgleði hans, what was the cause of his grief;

ætluðu þat þá allir, at þat mundi til bera, that that was the reason;

berr e-m nauðsyn til e-s, one is obliged to do a thing;

6) e-t berr undir e-n, falls to a person’s lot;

hon á arf at taka, þegar er undir hana berr, in her turn;

e-t berr frá, is surpassing;

er sagt, at þat (acc.) bæri frá, hvé vel þeir mæltu, it was extraordinary how well they spoke;

7) e-t berr bráðum, happens of a sudden;

e-t berr stóru, stórum (stœrrum), it amounts to much (more), it matters a great deal (more), it is of great (greater) importance;

8) absol. or with an adv., vel, illa, with infin.;

e-m berr (vel, illa) at gera e-t, it becomes, beseems one (well, ill) to do a thing (berr yðr vel, herra, at sjá sannindi á þessu máli);

used absol., berr vel, illa, it is beseeming, proper, fit, or unbeseeming, improper, unfit (þat þykkir eigi illa bera, at).

II)

(að), v. to make bare (hon beraði likam sinn).

III)

f. she-bear, = birna.

* * *

1.

u, f.

I. [björn], a she-bear, Lat. ursa; the primitive root ‘ber’ remains only in this word (cp. berserkr and berfjall), björn (q. v.) being the masc. in use, Landn. 176, Fas. i. 367, Vkv. 9: in many Icel. local names, Beru-fjörðr, -vík, from Polar bears; fem. names, Bera, Hallbera, etc., Landn.

II. a shield, poët., the proverb, baugr er á beru sæmstr, to a shield fits best a baugr (q. v.), Lex. Poët., Edda (Gl.); hence names of poems Beru-drápa, Eg.

2.

bar, báru, borit, pres. berr,—poët. forms with the suffixed negative; 3rd pers. sing. pres. Indic. berrat, Hm. 10; 3rd pers. sing. pret. barat, Vellekla; 1st pers. sing. barkak, Eb. 62 (in a verse); barkat ek, Hs. 8; 2nd pers. sing. bartattu; 3rd pers. pl. bárut, etc., v. Lex. Poët. [Gr. φέρειν; Lat. ferre; Ulf. bairan; A. S. beran; Germ. gebären; Engl. bear; Swed. bära; Dan. bære].

A. Lat. ferre, portare:

I. prop. with a sense of motion, to bear, carry, by means of the body, of animals, of vehicles, etc., with acc., Egil tók mjöðdrekku eina mikla, ok bar undir hendi sér, Eg. 237; bar hann heim hrís, Rm. 9; konungr lét bera inn kistur tvær, báru tveir menn hverja, Eg. 310; bera farm af skipi, to unload a ship, Ld. 32; bera (farm) á skip, to load a ship, Nj. 182; tóku alla ösku ok báru á á ( amnem) út, 623, 36; ok bar þat ( carried it) í kerald, 43, K. Þ. K. 92; b. mat á borð, í stofu, to put the meat on table, in the oven; b. mat af borði, to take it off table, Eb. 36, 266, Nj. 75, Fms. ix. 219, etc.

2. Lat. gestare, ferre, denoting to wear clothes, to carry weapons; skikkja dýr er konungr hafði borit, Eg. 318; b. kórónu, to wear the crown, Fms. x. 16; atgeir, Nj. 119; vápn, 209: metaph., b. ægishjálm, to inspire fear and awe; b. merki, to carry the flag in a battle, Nj. 274, Orkn. 28, 30, 38, Fms. v. 64, vi. 413; bera fram merki, to advance, move in a battle, vi. 406.

3. b. e-t á hesti (áburðr), to carry on horseback; Auðunn bar mat á hesti, Grett. 107; ok bar hrís á hesti, 76 new Ed.; þeir báru á sjau hestum, 98 new Ed.

II. without a sense of motion:

1. to give birth to; [the root of barn, bairn; byrja, incipere; burðr, partus; and burr, filius: cp. Lat. parĕre; also Gr. φέρειν, Lat. ferre, of child-bearing.] In Icel. prose, old as well as mod., ‘ala’ and ‘fæða’ are used of women; but ‘bera,’ of cows and sheep; hence sauðburðr, casting of lambs, kýrburðr; a cow is snembær, siðbær, Jólabær, calves early, late, at Yule time, etc.; var ekki ván at hon ( the cow) mundi b. fyr en um várit, Bs. i. 193, 194; kýr hafði borit kálf, Bjarn. 32; bar hvárrtveggi sauðrinn sinn burð, Stj. 178: the participle borinn is used of men in a great many compds in a general sense, aptrborinn, árborinn, endrborinn, frjálsborinn, goðborinn, höldborinn, hersborinn, konungborinn, óðalborinn, samborinn, sundrborinn, velborinn, úborinn, þrælborinn, etc.; also out of compds, mun ek eigi upp gefa þann sóma, sem ek em til borinn, … entitled to by inheritance, Ld. 102; hann hafði blindr verit borinn, born blind, Nj. 152, Hdl. 34, 42, Vsp. 2: esp. borinn e-m, born of one, Rm. 39, Hdl. 12, 23, 27, Hðm. 2, Gs. 9, Vþm. 25, Stor. 16, Vkv. 15; borinn frá e-m, Hdl. 24: the other tenses are in theol. Prose used of Christ, hans blezaða son er virðist at láta berast hingað í heim af sinni blezaðri móður, Fms. i. 281; otherwise only in poetry, eina dóttur (acc.) berr álfröðull (viz. the sun, regarded as the mother), Vþm. 47; hann Gjálp um bar, hann Greip um bar …, Hdl. 36: borit (sup.), Hkv. 1. 1.

β. of trees, flowers; b. ávöxt, blóm …, to bear fruit, flower … (freq.); bar aldinviðrinn tvennan blóma, Fms. ix. 265; cp. the phrase, bera sitt barr, v. barr.

2. denoting to load, with acc. of the person and dat. of the thing:

α. in prop. sense; hann hafði borit sik mjök vápnum, he had loaded himself with arms, i. e. wore heavy armour, Sturl. iii. 250.

β. but mostly in a metaph. sense; b. e-n ofrafli, ofrmagni, ofrliði, ofríki, magni, to bear one down, to overcome, oppress one, by odds or superior force, Grág. i. 101, ii. 195, Nj. 80, Hkr. ii. 371, Gþl. 474, Stj. 512, Fms. iii. 175 (in the last passage a dat. pers. badly); b. e-n ráðum, to overrule one, Nj. 198, Ld. 296; b. e-n málum, to bearhim down (wrongfully) in a lawsuit, Nj. 151; b. e-n bjóri, to make drunk, Vkv. 26: medic., borinn verkjum, sótt, Bjarn. 68, Og. 5; bölvi, Gg. 2: borne down, feeling heavy pains; þess er borin ván, no hope, all hope is gone, Ld. 250; borinn sök, charged with a cause, Fms. v. 324, H. E. i. 561; bráðum borinn, to be taken by surprise, Fms. iv. 111; b. fé, gull á e-n, to bring one a fee, gold, i. e. to bribe one, Nj. 62; borinn baugum, bribed, Alvm. 5; always in a bad sense, cp. the law phrase, b. fé í dóm, to bribe a court, Grág., Nj. 240.

3. to bear, support, sustain, Lat. sustinere, lolerare, ferre:

α. properly, of a ship, horse, vehicle, to bear, be capable of bearing; þeir hlóðu bæði skipin sem borð báru, all that they could carry, Eb. 302;—a ship ‘berr’ ( carries) such and such a weight; but ‘tekr’ ( takes) denotes a measure of fluids.

β. metaph. to sustain, support; dreif þannig svá mikill mannfjöldi at landit fékk eigi borit, Hkr. i. 56; but metaph. to bear up against, endure, support grief, sorrow, etc., sýndist öllum at Guð hefði nær ætlað hvat hann mundi b. mega, Bs. i. 139; biðr hann friðar ok þykist ekki mega b. reiði hans, Fms. iii. 80: the phrase, b. harm sinn í hljóði, to suffer silently; b. svívirðing, x. 333: absol., þótti honum mikit víg Kjartans, en þó bar hann drengilega, he bore it manfully, Ld. 226; er þat úvizka, at b. eigi slíkt, not to bear or put up with, Glúm. 327; b. harm, to grieve, Fms. xi. 425: in the phrases, b. sik, b. af sér, berask, berask vel (illa, lítt), to bear oneself, to bear up against misfortune; Guðrúnu þótti mikit fráfall Þorkels, en þó bar hon sköruliga af sér, she bore her bravely up, Ld. 326–328; lézt hafa spurt at ekkjan bæri vel af sér harmana, Eb. 88; berask af; hversu bersk Auðr af um bróðurdauðann? (how does she bear it?); hón bersk af lítt ( she is much borne down) ok þykir mikit, Gísl. 24; niun oss vandara gört en öðrum at vér berim oss vel (Lat. fortiter ferre), Nj. 197; engi maðr hefði þar jamvel borit sik, none bad borne himself so boldly, Sturl. iii. 132; b. sik vel upp, to bear well up against, bear a stout heart, Hrafn. 17; b. sik beiskliga ( sorely), Stj. 143; b. sik lítt, to be downcast, Fms. ii. 61; b. sik at göra e-t, to do one’s best, try a thing.

III. in law terms or modes of procedure:

1. bera járn, the ordeal of bearing hot iron in the hand, cp. járnburðr, skírsla. This custom was introduced into Scandinavia together with Christianity from Germany and England, and superseded the old heathen ordeals ‘hólmganga,’ and ‘ganga undir jarðarmen,’ v. this word. In Norway, during the civil wars, it was esp. used in proof of paternity of the various pretenders to the crown, Fms. vii. 164, 200, ix. Hák. S. ch. 14, 41–45, viii. (Sverr. S.) ch. 150, xi. (Jómsv. S.) ch. 11, Grett. ch. 41, cp. N. G. L. i. 145, 389. Trial by ordeal was abolished in Norway A. D. 1247. In Icel. It was very rarely mentioned, vide however Lv. ch. 23 (paternity), twice or thrice in the Sturl. i. 56, 65, 147, and Grág. i. 341, 361; it seems to have been very seldom used there, (the passage in Grett. S. l. c. refers to Norway.)

2. bera út (hence útburðr, q. v.), to expose children; on this heathen custom, vide Grimm R. A. In heathen Icel., as in other parts of heathen Scandinavia, it was a lawful act, but seldom exercised; the chief passages on record are, Gunnl. S. ch. 3 (ok þat var þá siðvandi nokkurr, er land var allt alheiðit, at þeir menn er félitlir vórn, en stóð ómegð mjök til handa létu út bera börn sín, ok þótti þó illa gört ávalt), Fs. Vd. ch. 37, Harð. S. ch. 8, Rd. ch. 7, Landn. v. ch. 6, Finnb. ch. 2, Þorst. Uxaf. ch. 4, Hervar. S. ch. 4, Fas. i. 547 (a romance); cp. Jómsv. S. ch. 1. On the introduction of Christianity into Icel. A. D. 1000, it was resolved that, in regard to eating of horse-flesh and exposure of children, the old laws should remain in force, Íb. ch. 9; as Grimm remarks, the exposure must take place immediately after birth, before the child had tasted food of any kind whatever, and before it was besprinkled with water (ausa vatni) or shown to the father, who had to fix its name; exposure, after any of these acts, was murder, cp. the story of Liafburga told by Grimm R. A.); v. Also a Latin essay at the end of the Gunnl. S. (Ed. 1775). The Christian Jus Eccl. put an end to this heathen barbarism by stating at its very beginning, ala skal barn hvert er borit verðr, i. e. all children, if not of monstrous shape, shall be brought up, N. G. L. i. 339, 363.

β. b. út (now more usual, hefja út, Am. 100), to carry out for burial; vera erfðr ok tit borinn, Odd. 20; var hann heygðr, ok út borinn at fornum sið, Fb. i. 123; b. á bál, to place (the body and treasures) upon the pile, the mode of burying in the old heathen time, Fas. i. 487 (in a verse); var hon borin á bálit ok slegit í eldi, Edda 38.

B. Various and metaph. cases.

I. denoting motion:

1. ‘bera’ is in the Grág. the standing law term for delivery of a verdict by a jury (búar), either ‘bera’ absol. or adding kvið ( verdict); bera á e-n, or b. kvið á e-n, to give a verdict against, declare guilty; bera af e-m, or b. af e-m kviðinn, to give a verdict for; or generally, bera, or b. um e-t, to give a verdict in a case; bera, or b. vitni, vætti, also simply means to testify, to witness, Nj. 111, cp. kviðburðr ( delivering of verdict), vitnisburðr ( bearing witness), Grág. ii. 28; eigi eigu búar ( jurors) enn at b. um þat hvat lög eru á landi hér, the jurors have not to give verdict in (to decide) what is law in the country, cp. the Engl. maxim, that jurors have only to decide the question of evidence, not of law, Grág. (Kb.) ch. 85; eigi eru búar skildir at b. um hvatvetna; um engi mál eigu þeir at skilja, þau er erlendis ( abroad) hafa görzt, id.; the form in delivering the verdict—höfum vér ( the jurors), orðit á eitt sáttir, berum á kviðburðinn, berum hann sannan at sökinni, Nj. 238, Grág. i. 49, 22, 138, etc.; í annat sinn báru þeir á Flosa kviðinn, id.; b. annattveggja af eðr á; b. undan, to discharge, Nj. 135; b. kvið í hag ( for), Grág. i. 55; b. lýsingar vætti, Nj. 87; b. vitni ok vætti, 28, 43, 44; b. ljúgvitni, to bear false witness, Grág. i. 28; b. orð, to bear witness to a speech, 43; bera frændsemi sundr, to prove that they are not relations, N. G. L. i. 147: reflex., berask ór vætti, to prove that oneself is wrongly summoned to bear witness or to give a verdict, 44: berask in a pass. sense, to be proved by evidence, ef vanefni b. þess manns er á hönd var lýst, Grág. i. 257; nema jafnmæli berisk, 229; þótt þér berisk þat faðerni er þú segir, Fms. vii. 164; hann kvaðst ætla, at honum mundi berask, that he would be able to get evidence for, Fs. 46.

β. gener. and not as a law term; b. á, b. á hendr, to charge; b. e-n undan, to discharge, Fs. 95; eigi erum vér þessa valdir er þú berr á oss, Nj. 238, Ld. 206, Fms. iv. 380, xi. 251, Th. 78; b. e-m á brýnn, to throw in one’s face, to accuse, Greg. 51; b. af sér, to deny; eigi mun ek af mér b., at… ( non diffitebor), Nj. 271; b. e-m gott vitni, to give one a good…, 11; b. e-m vel (illa) söguna, to bear favourable (unfavourable) witness of one, 271.

2. to bear by word of mouth, report, tell, Lat. referre; either absol. or adding kveðju, orð, orðsending, eyrindi, boð, sögu, njósn, frétt…, or by adding a prep., b. fram, frá, upp, fyrir; b. kveðju, to bring a greeting, compliment, Eg. 127; b. erindi (sín) fyrir e-n, to plead one’s case before one, or to tell one’s errand, 472, 473; b. njósn, to apprise, Nj. 131; b. fram, to deliver (a speech), talaði jungherra Magnús hit fyrsta erindi (M. made his first speech in public), ok fanst mönnum mikit um hversu úbernsliga fram var borit, Fms. x. 53; (in mod. usage, b. fram denotes gramm. to pronounce, hence ‘framburðr,’ pronunciation); mun ek þat nú fram b., I shall now tell, produce it, Ld. 256, Eg. 37; b. frá, to attest, relate with emphasis; má þat frá b., Dropl. 21; b. upp, to produce, mention, tell, þótt slík lygi sé upp borin fyrir hann, though such a lie be told him, Eg. 59; þær (viz. charges) urðu engar upp bornar ( produced) við Rút, Nj. 11; berr Sigtryggr þegar upp erindi sín (cp. Germ. ojfenbaren), 271, Ld. 256; b. upp gátu, to give (propound) a riddle, Stj. 411, Fas. i. 464; b. fyrir, to plead as an excuse; b. saman ráð sín, or the like, to consult, Nj. 91; eyddist þat ráð, er þeir báru saman, which they had designed, Post. 656 A. ii; b. til skripta, to confess (eccl.), of auricular confession, Hom. 124, 655 xx.

II. in a metaphorical or circumlocutory sense, and without any sense of motion, to keep, hold, bear, of a title; b. nafn, to bear a name, esp. as honour or distinction; tignar nafn, haulds nafn, jarls nafn, lends manns nafn, konungs nafn, bónda nafn, Fms. i. 17, vi. 278, xi. 44, Gþl. 106: in a more metaph. sense, denoting endowments, luck, disposition, or the like, b. (ekki) gæfu, hamingju, auðnu til e-s, to enjoy (enjoy not) good or bad luck, etc.; at Þórólfr mundi eigi allsendis gæfu til b. um vináttu við Harald, Eg. 75, 112, 473, Fms. iv. 164, i. 218; úhamingju, 219; b. vit, skyn, kunnáttu á (yfir) e-t, to bring wit, knowledge, etc., to bear upon a thing, xi. 438, Band. 7; hence vel (illa) viti borinn, well (ill) endowed with wit, Eg. 51; vel hyggjandi borinn, well endowed with reason, Grág. ii; b. hug, traust, áræði, þor, til e-s, to have courage, confidence … to do a thing, Gullþ. 47, Fms. ix. 220, Band. 7; b. áhyggju, önn fyrir, to care, be concerned about, Fms. x. 318; b. ást, elsku til e-s, to bear affection, love to one; b. hatr, to hate: b. svört augu, to have dark eyes, poët., Korm. (in a verse); b. snart hjarta, Hom. 5; vant er þat af sjá hvar hvergi berr hjarta sitt, where he keeps his heart, Orkn. 474; b. gott hjarta, to bear a proud heart, Lex. Poët., etc. etc.; b. skyndi at um e-t, to make speed with a thing, Lat. festinare, Fms. viii. 57.

2. with some sense of motion, to bear off or away, carry off, gain, in such phrases as, b. sigr af e-m, af e-u, to carry off the victory from or in …; hann hafði borit sigr af tveim orrustum, er frægstar hafa verit, he had borne off the victory in two battles, Fms. xi. 186; bera banaorð af e-m, to slay one in a fight, to be the victor; Þorr berr banaorð af Miðgarðsormi, Edda 42, Fms. x. 400: it seems properly to mean, to bear off the fame of having killed a man; verðat svá rík sköp, at Regin skyli mitt banorð bera, Fm. 39; b. hærra, lægra hlut, ‘to bear off the higher or the lower lot,’ i. e. to get the best or the worst of it, or the metaphor is taken from a sortilege, Fms. ii. 268, i. 59, vi. 412; b. efra, hærra skjöld, to carry the highest shield, to get the victory, x. 394, Lex. Poët.; b. hátt (lágt) höfuðit, to bear the head high (low), i. e. to be in high or low spirits, Nj. 91; but also, b. halann bratt (lágt), to cock up or let fall the tail (metaph. from cattle), to be in an exultant or low mood: sundry phrases, as, b. bein, to rest the bones, be buried; far þú til Íslands, þar mun þér auðið verða beinin at b., Grett. 91 A; en þó hygg ek at þú munir hér b. beinin í Norðrálfunni, Orkn. 142; b. fyrir borð, to throw overboard, metaph. to oppress; verðr Þórhalli nú fyrir borð borinn, Th. was defied, set at naught, Fær. 234; b. brjóst fyrir e-m, to be the breast-shield, protection of one, Fms. vii. 263: also, b. hönd fyrir höfuð sér, metaph. to put one’s hand before one’s head, i. e. to defend oneself; b. ægishjálm yfir e-m, to keep one in awe and submission, Fm. 16, vide A. I. 2.

III. connected with prepp., b. af, and (rarely) yfir (cp. afburðr, yfirburðr), to excel, surpass; eigi sá hvárttveggja féit er af öðrum berr, who gets the best of it, Nj. 15; en þó bar Bolli af, B. surpassed all the rest, Ld. 330; þat mannval bar eigi minnr af öðrum mönnum um fríðleik, afi ok fræknleik, en Ormrinn Langi af öðrum skipum, Fms. ii. 252; at hinn útlendi skal yfir b. ( outdo) þann sem Enskir kalla meistara, xi. 431: b. til, to apply, try if it fits; en er þeir báru til (viz. shoes to the hoof of a horse), þá var sem hæfði hestinum, ix. 55; bera til hvern lykil at öðrum at portinu, Thom. 141; b. e-t við, to try it on (hence viðburðr, experiment, effort): b. um, to wind round, as a cable round a pole or the like, Nj. 115; þá bar hann þá festi um sik, made it fast round his body, Fms. ix. 219; ‘b. e-t undir e-n’ is to consult one, ellipt., b. undir dóm e-s; ‘b. e-t fyrir’ is to feign, use as excuse: b. á, í, to smear, anoint; b. vatn í augu sér, Rb. 354; b. tjöru í höfuð sér, Nj. 181, Hom. 70, 73, cp. áburðr; b. gull, silfr, á, to ornament with gold or silver, Ld. 114, Finnb. 258: is now also used = to dung, b. á völl; b. vápn á e-n, to attack one with sharp weapons, Eg. 583, Fms. xi. 334: b. eld at, to set fire to, Nj. 122; b. fjötur (bönd) at e-m, to put fetters (bonds) on one, Fms. x. 172, Hm. 150: metaph. reflex., bönd berask at e-m, a law term, the evidence bears against one; b. af sér, to parry off; Gyrðr berr af sér lagit, G. parries the thrust off, Fms. x. 421; cp. A. II. 3. β.

IV. reflex., berask mikit á (cp. áburðr), to bear oneself proudly, or b. lítið á, to bear oneself humbly; hann var hinn kátasti ok barst á mikit, Fms. ii. 68, viii. 219, Eb. 258; b. lítið á, Clem. 35; láta af berask, to die; Óttarr vill skipa til um fjárfar sitt áðr hann láti af b., Fms. ii. 12: berask fyrir, to abide in a place as an asylum, seek shelter; hér munu vit láta fyrir b., Fas. iii. 471; berask e-t fyrir, to design a thing, be busy about, barsk hann þat fyrir at sjá aldregi konur, Greg. 53; at njósna um hvat hann bærist fyrir, to inquire into what he was about, Fms. iv. 184, Vígl. 19.

β. recipr. in the phrase, berask banaspjót eptir, to seek for one another’s life, Glúm. 354: b. vápn á, of a mutual attack with sharp weapons, Fms. viii. 53.

γ. pass., sár berask á e-n, of one in the heat of battle beginning to get wounds and give way, Nj.:—berask við, to be prevented, not to do; ok nú lét Almáttugr Guð við berast kirkjubrunnann, stopped, prevented the burning of the church, Fms. v. 144; en mér þætti gott ef við bærist, svá at hón kæmi eigi til þín, vi. 210, vii. 219; ok var þá búit at hann mundi þegar láta hamarinn skjanna honum, en hann lét þat við berask, he bethought himself and did not, Edda 35; því at mönnum þótti sem þannig mundi helzt úhæfa við berask, that mischief would thus be best prevented, Sturl. ii. 6, iii. 80.

C. IMPERS.:—with a sort of passive sense, both in a loc. and temp. sense, and gener. denotes an involuntary, passive motion, happening suddenly or by chance:

I. with acc. it bears or carries one to a place, i. e. one happens to come; the proverb, alla (acc.) berr at sama brunni, all come to the same well (end), Lat. omnes una manet nox; bar hann þá ofan gegnt Özuri, he happened to come in his course just opposite to Ö., Lat. delatus est, Dropl. 25: esp. of ships or sailors; nú berr svá til ( happens) herra, at vér komum eigi fram ferðinni, berr oss (acc.) til Íslands eðr annara landa, it bore us to I., i. e. if we drive or drift thither, Fms. iv. 176; þá (acc. pl.) bar suðr í haf, they drifted southwards, Nj. 124.

β. as a cricketing term, in the phrase, berr (bar) út knöttinn, the ball rolls out, Gísl. 26, cp. p. 110 where it is transit.; berr Gísli ok út knöttinn, vide Vígl. ch. 11, Grett. ch. 17, Vd. ch. 37, Hallfr. S. ch. 2.

γ. Skarpheðin (acc.) bar nú at þeim, Sk. came suddenly upon them, Nj. 144; bar at Hróaldi þegar allan skjöldinn, the shield was dashed against H.’s body, 198; ok skyldu sæta honum, ef hann (acc.) bæri þar at, if he should per chance come, shew himself there, Orkn. 406; e-n berr yfir, it bears one, i. e. one is borne onwards, as a bird flying, a man riding; þóttist vita, at hann (acc.) mundi fljótara yfir bera ef hann riði en gengi, that he would get on more fleetly riding than walking, Hrafn. 7; hann (acc.) bar skjótt yfir, he passed quickly, of a flying meteor, Nj. 194; e-n berr undan, escapes.

2. also with acc. followed by prepp. við, saman, jafnframt, hjá, of bodies coinciding or covering one another: loc., er jafnframt ber jaðrana tungls ok sólar, if the orb of the moon and sun cover each other, Rb. 34; þat kann vera stundum, at tunglit (acc.) berr jafht á millum vár ok sólar (i. e. in a moon eclipse), 108; ber nokkut jaðar (acc.) þess hjá sólar jaðri, 34; Gunnarr sér at rauðan kyrtil (acc.) bar við glugginn, G. sees that a red kirtle passed before the window, Nj. 114; bar fyrir utan þat skip vápnaburð (acc.) heiðingja (gen. pl.), the missiles of the heathens passed over the ship without hurting them, flew too high, Fms. vii. 232; hvergi bar skugga (acc.) á, nowhere a shadow, all bright, Nj. 118; þangat sem helzt mátti nokkut yfir þá skugga bera af skóginum, where they were shadowed (hidden) by the trees, Fms. x. 239; e-t berr fram (hátt), a body is prominent, Lat. eminet; Ólafr konungr stóð í lyptingunni, bar hann (acc.) hátt mjök, king O. stood out conspicuously, ii. 308; b. yfir, þótti mjök bera hljóð (acc.) þar yfir er Ólafr sat, the sound was heard over there where O. sat, Sturl. i. 21; b. á milli, something comes between; leiti (acc.) bar á milli, a hill hid the prospect, Nj. 263: metaph., e-m berr e-t á milli, they come to dissent, 13, v. 1.; b. fyrir augu (hence fyrirburðr, vision), of a vision or the like; mart (acc.) berr nú fyrir augu mér, ek sé …, many things come now before my eyes, 104; hann mundi allt þat er fyrir hann hafði borit, i. e. all the dream, 195; eina nótt berr fyrir hann í svefni mikla sýn, Fms. i. 137, Rd. 290; veiði (acc.) berr í hendr e-m (a metaphor from hunting), sport falls to one’s lot; hér bæri veiði í hendr nú, here would be a game, Nj. 252; e-t berr undan (a metaphor from fishing, hunting term), when one misses one’s opportunity; vel væri þá … at þá veiði (acc.) bæri eigi undan, that this game should not go amiss, 69; en ef þetta (acc.) berr undan, if this breaks down, 63; hon bað hann þá drepa einhvern manna hans, heldr en allt (acc.) bæri undan, rather than that all should go amiss, Eg. 258: absol., þyki mér illa, ef undan berr, if I miss it, Nj. 155; viljum vér ekki at undan beri at…, we will by no means miss it…, Fms. viii. 309, v. 1. The passage Bs. i. 416 (en fjárhlutr sá er átt hafði Ari, bar undan Guðmundi) is hardly correct, fjárhlut þann would run better, cp. bera undir, as a law term, below.

II. adding prepp.; b. við, at, til, at hendi, at móti, til handa …, to befall, happen, Lat. accidere, occurrere, with dat. of the person, (v. atburðr, viðburðr, tilburðr); engi hlut skyldi þann at b., no such thing should happen as…, Fms. xi. 76; svá bar at einn vetr, it befell, x. 201; þat hefir nú víst at hendi borit, er…, Nj. 174; þó þetta vandræði (acc.) hafi nú borit oss (dat.) at hendi, Eg. 7; b. til handa, id., Sks. 327; bar honum svá til, so it befell him, Fms. xi. 425; at honum bæri engan váðaligan hlut til á veginum, that nothing dangerous should befall him on the way, Stj. 212; bæri þat þá svá við, at hann ryfi, it then perchance might happen, that …, 102; þat bar við at Högni kom, 169, 172, 82; raun (acc.) berr á, it is proved by the fact, event, Fms. ix. 474, x. 185.

2. temp., e-t berr á, it happens to fall on …; ef þing (acc.) ber á hina helgu viku, if the parliament falls on the holy week (Whitsun), Grág. i. 106; ef Crucis messu (acc.) berr á Drottins dag, Rb. 44; berr hana (viz. Petrs messu, June 29) aldrei svá optarr á öldinni, 78; þat er nú berr oss næst, what has occurred of late, Sturl. iii. 182: b. í móti, to happen exactly at a time; þetta (acc.) bar í móti at þenna sama dag andaðist Brandr biskup, Bs. i. 468; b. saman, id.; bar þat saman, at pá var Gunnarr at segja brennusöguna, just when G. was about telling the story, Nj. 269.

3. metaph. of agreement or separation; en þat (acc.) þykir mjök saman b. ok þessi frásögn, Fms. x. 276: with dat., bar öllum sögum vel saman, all the records agreed well together, Nj. 100, v. l.; berr nú enn í sundr með þeim, Bjarna ok Þorkatli at sinni, B. and Th. missed each other, Vápn. 25.

4. denoting cause; e-t (acc.) berr til …, causes a thing; ætluðu þat þá allir, at þat mundi til bera, that that was the reason, Nj. 75; at þat beri til skilnaðar okkars, that this will make us to part (divorce), 261; konungr spurði, hvat til bæri úgleði hans, what was the cause of his grief? Fms. vi. 355; þat berr til tunglhlaups, Rb. 32.

β. meiri ván at brátt beri þat (acc.) til bóta, at herviliga steypi hans ríki, i. e. there will soon come help (revenge), Fms. x. 264; fjórir eru þeir hlutir er menn (acc.) berr í ætt á landi hér, there are four cases under which people may be adopted, Grág. i. 361.

γ. e-t berr undir e-n, falls to a person’s lot; hon á arf at taka þegar er undir hana berr, in her turn, 179; mikla erfð (acc.) bar undir hana, Mar. (Fr.); berr yfir, of surpassing, Bs. ii. 121, 158; b. frá, id. (fráburðr); herðimikill svá at þat (acc.) bar frá því sem aðrir menn, Eg. 305; er sagt, at þat bæri frá hve vel þeir mæltu, it was extraordinary how well they did speak, Jb. 11; bar þat mest frá hversu illa hann var limaðr, but above all, how…, Ó. H. 74.

5. with adverbial nouns in a dat. form; e-t berr bráðum, happens of a sudden; berr þetta (acc.) nú allbráðum, Fms. xi. 139; cp. vera bráðum borinn, to be taken by surprise (above); berr stórum, stærrum, it matters a great deal; ætla ek stærrum b. hin lagabrotin (acc.), they are much more important, matter more, vii. 305; var þat góðr kostr, svá at stórum bar, xi. 50; hefir oss orðit svá mikil vanhyggja, at stóru berr, an enormous blunder, Gísl. 51; svá langa leið, at stóru bar, Fas. i. 116; þat berr stórum, hversu mér þóknast vel þeirra athæfi, it amounts to a great deal, my liking their service, i. e. I do greatly like, Fms. ii. 37; eigi berr þat allsmám hversu vel mér líkar, in no small degree do I like, x. 296.

β. with dat., it is fitting, becoming; svá mikit sem landeiganda (dat.) berr til at hafa eptir lögum, what he is legally entitled to, Dipl. iii. 10; berr til handa, it falls to one’s lot, v. above, Grág. i. 93.

III. answering to Lat. oportet, absolutely or with an adverb, vel, illa, with infinit.; e-m berr, it beseems, becomes one; berr þat ekki né stendr þvílíkum höfuðfeðr, at falsa, Stj. 132; berr yðr (dat.) vel, herra, at sjá sannindi á þessu máli, Fms. ix. 326; sagði, at þat bar eigi Kristnum mönnum, at særa Guð, x. 22; þá siðu at mér beri vel, Sks. 353 B: used absol., berr vel, illa, it is beseeming, proper, fit, unbeseeming, unfit, improper; athæfi þat er vel beri fyrir konungs augliti, 282; þat þykir ok eigi illa bera, at maðr hafi svart skinn til hosna, i. e. it suits pretty well, 301: in case of a pers. pron. in acc. or dat. being added, the sentence becomes personal in order to avoid doubling the impers. sentence, e. g. e-m berr skylda (not skyldu) til, one is bound by duty; veit ek eigi hver skylda (nom.) yðr (acc.) ber til þess at láta jarl einn ráða, Fms. i. 52: also leaving the dat. out, skylda berr til at vera forsjámaðr með honum, vii. 280; eigi berr hér til úviska mín, it is not that I am not knowing, Nj. 135.

IV. when the reflex. inflexion is added to the verb, the noun loses its impers. character and is turned from acc. into nom., e. g. þar (þat?) mun hugrinn minn mest hafa fyrir borizt, this is what I suspected, fancied, Lv. 34; cp. hugarburðr, fancy, and e-t berr fyrir e-n (above, C. I. 2); hefir þetta (nom.) vel í móti borizt, a happy coincidence, Nj. 104; ef svá harðliga kann til at berask, if the misfortunes do happen, Gþl. 55; barsk sú úhamingja (nom.) til á Íslandi, that mischief happened (no doubt the passage is thus to be emended), Bs. i. 78, but bar þá úhamingju …; þat (nom.) barsk at, happened, Fms. x. 253; fundir várir (nom.) hafa at borizt nokkurum sinnum, vii. 256; þat barsk at á einhverju sumri, Eg. 154; bærist at um síðir at allr þingheimrinn berðist, 765, cp. berast við, berask fyrir above (B. V.): berast, absol., means to be shaken, knocked about; var þess ván, at fylkingar mundu berast í hergöngunni, that they would be brought into some confusion, Fms. v. 74; Hrólfr gékk at ramliga, ok barst Atli (was shaken, gave away) fyrir orku sakir, þar til er hann féll. Fas. iii. 253; barst Jökull allr fyrir orku sakir (of two wrestling), Ísl. ii. 467, Fms. iii. 189: vide B. IV.

D. In mod. usage the strong bera—bar is also used in impersonal phrases, denoting to let a thing be seen, shew, but almost always with a negative preceding, e. g. ekki bar (ber) á því, it could ( can) not be seen; að á engu bæri, láta ekki á bera ( to keep tight), etc. All these phrases are no doubt alterations from the weak verb bera, að, nudare, and never occur in old writers; we have not met with any instance previous to the Reformation; the use is certainly of late date, and affords a rare instance of weak verbs turning into strong; the reverse is more freq. the case.

Íslensk-ensk orðabók > BERA
64 introduce

[ˌɪntrə'djuːs]
гл.

1) вставлять, помещать

You need a special tool to introduce the pipe into the hole. — Чтобы вставить эту трубу в отверстие, нужен специальный прибор.

Syn:

insert 2., place 2.

2) вводить, включать (в группу, в общество)

On the same day he was introduced into the Cabinet. — В тот же день он был введён в состав кабинета министров.

We have daughters to introduce. — У нас есть дочери, которых мы должны ввести в общество.

Syn:

usher 2.

3) ( introduce into) внедрять, привносить; учреждать

to introduce new methods into an industry — внедрять в производство новые методы

Syn:

institute 2.

4) вводить, открывать, предварять

When adverbs are emphatical, they may introduce a sentence. — Когда наречие эмфатически выделено, оно может предварять предложение.

This chapter will introduce the book. — Эта глава будет открывать книгу.

5)

а) знакомить, представлять

She introduced me to her parents. — Она представила меня своим родителям.

Syn:

acquaint

б) ( introduce to) знакомить c (чем-л.), вводить в курс (чего-л.)

I dedicate this book to the memory of my uncle, Arthur S. Link, who introduced me to the joys of history at a young age. — Эта книга посвящается памяти моего дяди Артура С. Линка, который привил мне любовь к истории, когда я был ещё ребёнком.

6) вносить ( законопроект на рассмотрение)

to introduce a bill before Parliament — вносить законопроект на рассмотрение парламента

Англо-русский современный словарь > introduce
65 C

C, c, n. indecl., or f., the third letter of the Latin alphabet; corresponded originally in sound to the Greek G (which in inscrr., esp. in the Doric, was frequently written like the Latin C; v. O. Müll. Etrusk. 2, p. 295); hence the old orthography: LECIONES, MACISTRATOS, EXFOCIONT, [pu]CNANDOD, PVC[nad], CARTACINIENSI, upon the Columna rostrata, for legiones, magistratos, effugiunt, pugnando, pugnā, Carthaginiensi; and the prænomina Gaius and Gnaeus, even to the latest times, were designated by C. and Cn., while Caeso or Kaeso was written with K; cf. the letter G. Still, even as early as the time of the kings, whether through the influence of the Tuscans, among whom G sounded like K, or of the. Sabines, whose language was kindred with that of the Tuscans, the C seems to have been substituted for K; hence even Consul was designated by Cos., and K remained in use only before a, as in Kalendae; k. k. for calumniae causā, INTERKAL for intercalaris, MERK for mercatus, and in a few other republican inscrr., because by this vowel K was distinguished from Q, as in Gr. Kappa from Koppa, and in Phœnician Caph from Cuph, while C was employed like other consonants with e. Q was used at the beginning of words only when u, pronounced like v, followed, as Quirites from Cures, Tanaquil from Thanchufil, Thanchfil, ThankWil; accordingly, C everywhere took the place of Q, when that accompanying labial sound was lost, or u was used as a vowel; so in the gentile name of Maecenas Cilnius, from the Etrusk. Cvelne or Cfelne (O. Müll. Etrusk. 1, p. 414 sq.); so in coctus, cocus, alicubi, sicubi; in relicŭŭs (four syl.) for reliquus (trisyl.): AECETIA = AEQITIA, i. q. aequitas (V. AECETIA), etc., and as in the Golden Age cujus was written for quojus, and cui for quoi (corresponding to cum for quom); thus, even in the most ancient period, quor or cur was used together with [p. 257] quare, cura with quaero, curia with Quiris, as inversely inquilinus with incola, and in S. C. Bacch. OQVOLTOD = occulto. Hence, at the end of words que, as well as ce in hic, sic, istic, illic, was changed to c, as in ac for atque, nec for neque, nunc, tunc, donec for numque, tumque, dumque; and in the middle of words it might also pass into g. as in negotium and neglego, cf. necopinus. Since C thus gradually took the place of K and Q, with the single exception that our kw was throughout designated by qu, it was strange that under the emperors grammarians began again to write k instead of c before a, though even Quint. 1, 7, 10, expressed his displeasure at this; and they afterwards wrote q before u, even when no labial sound followed, as in pequnia, or merely peqnia, for pecunia; cf. the letters Q and U. About the beginning of the sixth century of the city the modified form G was introduced for the flat guttural sound, and C thenceforth regularly represented the hard sound = our K. The use of aspirates was unknown to the Romans during the first six centuries, hence the letter C also represents the Gr. X, as BACA and BACANALIBVS, for Baccha and Bacchanalibus (the single C instead of the double, as regularly in the most ancient times); cf. also schizô with scindo, and poluchroos with pulcer. But even in the time of Cicero scheda came into use for scida, and pulcher for pulcer; so also the name of the Gracchi was aspirated, as were the name Cethegus and the word triumphus, which, however, in the song of the Arval brothers, is TRIVMPVS; cf. Cic. Or. 48, 160, and the letter P. About this time the use of aspirates became so common, in imitation of Greek, that Catullus wrote upon it an epigram (84), which begins with the words: Cho mmoda dicebat, si quando commoda vellet; and in Monum. Ancyr. inchoo is used for the orig. incoho, acc. to which the ancient Romans also employed cohors for chors (v. cohors).On account of the near relationship of c and g, as given above, they are very often interchanged, esp. when connected with liquids: Cygnus, Progne, Gnidus, Gnossus, from kuknos, Proknê, Knidos, Knôssos (even when n was separated from c by a vowel, as in Saguntum for Zakunthos, or absorbed by an s, as in vigesimus and trigesimus for vicensimus and tricensimus); mulgeo for mulceo, segmen from seco, gummi for commi (kommi); gurgulio for curculio, grabatus for krabatos, so that amurca was also written for amurga, from amorgê, as inversely conger for gonger, from gongros; but also with other letters; cf. mastruca and mastruga, misceo and misgô, mugio and mukaomai, gobius and kôbios, gubernator and kubernêtês. Not less freq. is the interchange of c and t, which is noticed by Quint. Inst. 1, 11, 5, and in accordance with which, in composition, d or t before qu, except with que, became c, as acquiro, nequicquam, iccirco for idcirco, ecquis for etquis, etc. Hence is explained the rejection of c before t, as in Lutatius for Luctatius, and the arbitrariness with which many names were written with cc or tt for ct, as Vettones for Vectones; Nacca or Natta for Nacta (from the Gr. gnaptô). It would be erroneouś to infer, from the varied orthography of the names' Accius, Attius, and Actius, or Peccius, Pettius, and Pectius, a hissing pronunciation of them; for as the Romans interchange the terminations icius and itius, and the orthography fetialis and fecialis, indutiae and induciae, with one another, they also wrote Basculi or Bastuli, anclare or antlare, etc. Ci for ti does not appear till an African inscr. of the third century after Christ, and not often before Gallic inscrr. and documents of the seventh century; ti for ci is not certainly found before the end of the fourth century; and ci before a vowel does not appear to have been pronounced as sh, except provincially, before the sixth or seventh century; cf. Roby, Gr. bk. 1, ch. 7; and so in gen., Corss. Ausspr. I. p. 33 sqq. C is sometimes interchanged with p: columba, palumbes; coquus, popa, popina (cf. in Gr. koteros; Sanscr. katara; poteros; Lat. uter). C is sometimes dropped in the middle of a word: luna for luc-na, lumen for luc-men; so also at the beginning of a word: uter for cuter; Sanscr. katara, v. supra.As an abbreviation, C designates Gaius, and reversed, O, Gaia; cf. Quint. 1, 7, 28. As a numeral, C = centum, and upon voting tablets = condemno, Ascon. Cic. Div. in Caecil. 7, 24; cf. the letter A fin.;
hence it is called littera tristis (opp. A = absolvo, which is called littera salutaris),
Cic. Mil. 6, 15 Moeb.

Lewis & Short latin dictionary > C
66 c

C, c, n. indecl., or f., the third letter of the Latin alphabet; corresponded originally in sound to the Greek G (which in inscrr., esp. in the Doric, was frequently written like the Latin C; v. O. Müll. Etrusk. 2, p. 295); hence the old orthography: LECIONES, MACISTRATOS, EXFOCIONT, [pu]CNANDOD, PVC[nad], CARTACINIENSI, upon the Columna rostrata, for legiones, magistratos, effugiunt, pugnando, pugnā, Carthaginiensi; and the prænomina Gaius and Gnaeus, even to the latest times, were designated by C. and Cn., while Caeso or Kaeso was written with K; cf. the letter G. Still, even as early as the time of the kings, whether through the influence of the Tuscans, among whom G sounded like K, or of the. Sabines, whose language was kindred with that of the Tuscans, the C seems to have been substituted for K; hence even Consul was designated by Cos., and K remained in use only before a, as in Kalendae; k. k. for calumniae causā, INTERKAL for intercalaris, MERK for mercatus, and in a few other republican inscrr., because by this vowel K was distinguished from Q, as in Gr. Kappa from Koppa, and in Phœnician Caph from Cuph, while C was employed like other consonants with e. Q was used at the beginning of words only when u, pronounced like v, followed, as Quirites from Cures, Tanaquil from Thanchufil, Thanchfil, ThankWil; accordingly, C everywhere took the place of Q, when that accompanying labial sound was lost, or u was used as a vowel; so in the gentile name of Maecenas Cilnius, from the Etrusk. Cvelne or Cfelne (O. Müll. Etrusk. 1, p. 414 sq.); so in coctus, cocus, alicubi, sicubi; in relicŭŭs (four syl.) for reliquus (trisyl.): AECETIA = AEQITIA, i. q. aequitas (V. AECETIA), etc., and as in the Golden Age cujus was written for quojus, and cui for quoi (corresponding to cum for quom); thus, even in the most ancient period, quor or cur was used together with [p. 257] quare, cura with quaero, curia with Quiris, as inversely inquilinus with incola, and in S. C. Bacch. OQVOLTOD = occulto. Hence, at the end of words que, as well as ce in hic, sic, istic, illic, was changed to c, as in ac for atque, nec for neque, nunc, tunc, donec for numque, tumque, dumque; and in the middle of words it might also pass into g. as in negotium and neglego, cf. necopinus. Since C thus gradually took the place of K and Q, with the single exception that our kw was throughout designated by qu, it was strange that under the emperors grammarians began again to write k instead of c before a, though even Quint. 1, 7, 10, expressed his displeasure at this; and they afterwards wrote q before u, even when no labial sound followed, as in pequnia, or merely peqnia, for pecunia; cf. the letters Q and U. About the beginning of the sixth century of the city the modified form G was introduced for the flat guttural sound, and C thenceforth regularly represented the hard sound = our K. The use of aspirates was unknown to the Romans during the first six centuries, hence the letter C also represents the Gr. X, as BACA and BACANALIBVS, for Baccha and Bacchanalibus (the single C instead of the double, as regularly in the most ancient times); cf. also schizô with scindo, and poluchroos with pulcer. But even in the time of Cicero scheda came into use for scida, and pulcher for pulcer; so also the name of the Gracchi was aspirated, as were the name Cethegus and the word triumphus, which, however, in the song of the Arval brothers, is TRIVMPVS; cf. Cic. Or. 48, 160, and the letter P. About this time the use of aspirates became so common, in imitation of Greek, that Catullus wrote upon it an epigram (84), which begins with the words: Cho mmoda dicebat, si quando commoda vellet; and in Monum. Ancyr. inchoo is used for the orig. incoho, acc. to which the ancient Romans also employed cohors for chors (v. cohors).On account of the near relationship of c and g, as given above, they are very often interchanged, esp. when connected with liquids: Cygnus, Progne, Gnidus, Gnossus, from kuknos, Proknê, Knidos, Knôssos (even when n was separated from c by a vowel, as in Saguntum for Zakunthos, or absorbed by an s, as in vigesimus and trigesimus for vicensimus and tricensimus); mulgeo for mulceo, segmen from seco, gummi for commi (kommi); gurgulio for curculio, grabatus for krabatos, so that amurca was also written for amurga, from amorgê, as inversely conger for gonger, from gongros; but also with other letters; cf. mastruca and mastruga, misceo and misgô, mugio and mukaomai, gobius and kôbios, gubernator and kubernêtês. Not less freq. is the interchange of c and t, which is noticed by Quint. Inst. 1, 11, 5, and in accordance with which, in composition, d or t before qu, except with que, became c, as acquiro, nequicquam, iccirco for idcirco, ecquis for etquis, etc. Hence is explained the rejection of c before t, as in Lutatius for Luctatius, and the arbitrariness with which many names were written with cc or tt for ct, as Vettones for Vectones; Nacca or Natta for Nacta (from the Gr. gnaptô). It would be erroneouś to infer, from the varied orthography of the names' Accius, Attius, and Actius, or Peccius, Pettius, and Pectius, a hissing pronunciation of them; for as the Romans interchange the terminations icius and itius, and the orthography fetialis and fecialis, indutiae and induciae, with one another, they also wrote Basculi or Bastuli, anclare or antlare, etc. Ci for ti does not appear till an African inscr. of the third century after Christ, and not often before Gallic inscrr. and documents of the seventh century; ti for ci is not certainly found before the end of the fourth century; and ci before a vowel does not appear to have been pronounced as sh, except provincially, before the sixth or seventh century; cf. Roby, Gr. bk. 1, ch. 7; and so in gen., Corss. Ausspr. I. p. 33 sqq. C is sometimes interchanged with p: columba, palumbes; coquus, popa, popina (cf. in Gr. koteros; Sanscr. katara; poteros; Lat. uter). C is sometimes dropped in the middle of a word: luna for luc-na, lumen for luc-men; so also at the beginning of a word: uter for cuter; Sanscr. katara, v. supra.As an abbreviation, C designates Gaius, and reversed, O, Gaia; cf. Quint. 1, 7, 28. As a numeral, C = centum, and upon voting tablets = condemno, Ascon. Cic. Div. in Caecil. 7, 24; cf. the letter A fin.;
hence it is called littera tristis (opp. A = absolvo, which is called littera salutaris),
Cic. Mil. 6, 15 Moeb.

Lewis & Short latin dictionary > c
67 γέννα

γέννα

Grammatical information: f.

Meaning: `descent, birth' (Pi.).

Derivatives: γεννάδᾱς m. `noble (of birth)' (Ar.; parodistic-ironic formation, Björck Alpha impurum 51ff.), Att. γεννήτης `member of the γ.' (Is.); γεννικός `noble' (Com., Pl.); γεννήεις `begetting' to γεννάω, s. below - Old is γενναῖος `of good origin' (Il.) with γενναιότης (E.). - Beside γέννα, γενναῖος there is γεννάω `beget, generate' (Pi.) with γέννημα (S.; γένημα after γένος) etc., γέννησις, γεννητής `begetter' (S.); γεννήτωρ (A.) and γεννητήρ (App.) `id.', γεννήτειρα (Pl.), γεννήτρια (Phryn.). - From γεννάω also γεννητικός (Arist.) and γεννήεις (Emp.).

Origin: IE [Indo-European] [373] *ǵenh₁- `beget'

Etymology: Either γέννα was derived from γεννάω (Wackernagel KZ 30, 300 and 314) or the verb from the noun (DELG). Thus γενναῖος seems an old derivation from γέννα. It has been suggested that γενναῖος stands for *γενε̯αῖος (Schwyzer Glotta 5, 195f. (cf. Scheller Oxytonierung 114f. m. A. 1). Or γέννα has expressive gemination, which was introduced in γεννάω and γέννα (Meillet BSL 26, 15f., Chantr. Form. 46). γεννάω has been explained as a νᾱ-verb ( δάμνημι, δαμνάω), with the stem γεν-introduced from γένος - The noun in short -α supposes -i̯a \< *- ih₂; perhaps the development to - νν- is irregular (the -n- being analogically retained). - See further γίγνομαι.

Page in Frisk: 1,296-297

Greek-English etymological dictionary (Ελληνικά-Αγγλικά ετυμολογική λεξικό) > γέννα
68 Ewart, Peter

SUBJECT AREA: Textiles

[br]

b. 14 May 1767 Traquair, near Peebles, Scotland

d. September 1842 London, England

[br]

Scottish pioneer in the mechanization of the textile industry.

[br]

Peter Ewart, the youngest of six sons, was born at Traquair manse, where his father was a clergyman in the Church of Scotland. He was educated at the Free School, Dumfries, and in 1782 spent a year at Edinburgh University. He followed this with an apprenticeship under John Rennie at Musselburgh before moving south in 1785 to help Rennie erect the Albion corn mill in London. This brought him into contact with Boulton \& Watt, and in 1788 he went to Birmingham to erect a waterwheel and other machinery in the Soho Manufactory. In 1789 he was sent to Manchester to install a steam engine for Peter Drinkwater and thus his long connection with the city began. In 1790 Ewart took up residence in Manchester as Boulton \& Watt's representative. Amongst other engines, he installed one for Samuel Oldknow at Stockport. In 1792 he became a partner with Oldknow in his cotton-spinning business, but because of financial difficulties he moved back to Birmingham in 1795 to help erect the machines in the new Soho Foundry. He was soon back in Manchester in partnership with Samuel Greg at Quarry Bank Mill, Styal, where he was responsible for developing the water power, installing a steam engine, and being concerned with the spinning machinery and, later, gas lighting at Greg's other mills.

In 1798, Ewart devised an automatic expansion-gear for steam engines, but steam pressures at the time were too low for such a device to be effective. His grasp of the theory of steam power is shown by his paper to the Manchester Literary and Philosophical Society in 1808, On the Measure of Moving Force. In 1813 he patented a power loom to be worked by the pressure of steam or compressed air. In 1824 Charles Babbage consulted him about automatic looms. His interest in textiles continued until at least 1833, when he obtained a patent for a self-acting spinning mule, which was, however, outclassed by the more successful one invented by Richard Roberts. Ewart gave much help and advice to others. The development of the machine tools at Boulton \& Watt's Soho Foundry has been mentioned already. He also helped James Watt with his machine for copying sculptures. While he continued to run his own textile mill, Ewart was also in partnership with Charles Macintosh, the pioneer of rubber-coated cloth. He was involved with William Fairbairn concerning steam engines for the boats that Fairbairn was building in Manchester, and it was through Ewart that Eaton Hodgkinson was introduced to Fairbairn and so made the tests and calculations for the tubes for the Britannia Railway Bridge across the Menai Straits. Ewart was involved with the launching of the Liverpool \& Manchester Railway as he was a director of the Manchester Chamber of Commerce at the time.

In 1835 he uprooted himself from Manchester and became the first Chief Engineer for the Royal Navy, assuming responsibility for the steamboats, which by 1837 numbered 227 in service. He set up repair facilities and planned workshops for overhauling engines at Woolwich Dockyard, the first establishment of its type. It was here that he was killed in an accident when a chain broke while he was supervising the lifting of a large boiler. Engineering was Ewart's life, and it is possible to give only a brief account of his varied interests and connections here.

[br]

Further Reading

Obituary, 1843, "Institution of Civil Engineers", Annual General Meeting, January. Obituary, 1843, Manchester Literary and Philosophical Society Memoirs (NS) 7. R.L.Hills, 1987–8, "Peter Ewart, 1767–1843", Manchester Literary and Philosophical

Society Memoirs 127.

M.B.Rose, 1986, The Gregs of Quarry Bank Mill The Rise and Decline of a Family Firm, 1750–1914, Cambridge (covers E wart's involvement with Samuel Greg).

R.L.Hills, 1970, Power in the Industrial Revolution, Manchester; R.L.Hills, 1989, Power

from Steam, Cambridge (both look at Ewart's involvement with textiles and steam engines).

RLH

Biographical history of technology > Ewart, Peter
69 transparency

"A security model that helps developers write and deploy secure libraries and applications by isolating code depending on privilege. Level 1 transparency was introduced in the.NET Framework version 2.0. It enables developers to annotate code to declare which types and members can perform security elevations and other trusted actions (security-critical) and which cannot (security-transparent). Level 2 transparency, which was introduced in the.NET Framework 4, refines this model. It adds a third group of code, security-safe-critical code, which are types or members that access secure resources and can be safely used by partially-trusted code in the.NET Framework."

الشفافية

English-Arabic terms dictionary > transparency
70 Dalen, Nils Gustav

SUBJECT AREA: Domestic appliances and interiors, Electricity, Ports and shipping

[br]

b. 30 November 1869 Stenstorp, Sweden

d. 9 December 1937 Stockholm, Sweden

[br]

Swedish physicist and engineer who was awarded the Nobel Prize for his "sun valve".

[br]

Nils Gustav Dalen is probably best known as the inventor of the solid-fuel Aga Cooker. He was confined at home for some time in the 1920s, having been blinded as the result of an accident, and found the time to consider the need for an efficient, clean, attractive-looking cooker that would be economical in fuel consumption. The resultant cooking range of 1924 was based on sound scientific principles, was simple to manage and needed a minimum of attention.

The first Aga contained a cast-iron firebox enclosed in an insulated jacket of kieselguhr. The firebox was connected to cast-iron hotplates and ovens, all designed so that the heat was conducted to the various parts at precisely the correct temperatures for all types of cooking: simmering, boiling, roasting, baking and grilling. The hotplate heat was maintained at the desired temperature by way of insulated hinged covers that were lifted only when the hotplate was in use. The Aga was made in Sweden and was introduced into Britain in 1929. It was noted for being costly to purchase but inexpensive to run as no energy was wasted.

Dalen is also known for his invention of the "sun valve", a device which, as required, automatically lighted or extinguished light beacons and buoys; this invention brought him the Nobel Prize for Physics in 1912.

DY

Biographical history of technology > Dalen, Nils Gustav
71 Koenig, Friedrich

SUBJECT AREA: Paper and printing

[br]

b. 17 April 1774 Eisleben, Thuringia, Germany

d. 17 January 1833 Oberzell, near Würzburg, Germany

[br]

German inventor of the machine printing press.

[br]

Koenig became a printer and bookseller. Around 1800 he was among those who conceived the idea of mechanizing the hand printing press, which apart from minor details had survived virtually unchanged through the first three and a half centuries of printing. In 1803, in Sühl, Saxony, he designed a press in which the flat forme, carrying the type, was mechanically inked and passed to and from the platen. Whether this ma-chine was ever constructed is not known, but Koenig found little support for his ideas because of lack of technical and financial resources. So, in 1806, he went to England and was introduced to Thomas Bensley, a book printer off Fleet Street in London. Bensley agreed to support Koenig and brought in two other printers to help finance Koenig's experiments. Another German, Andreas Bauer, an engineer, assisted Koenig and became largely responsible for the practical execution of Koenig's plans.

In 1810 they patented a press which was steam-driven but still used a platen. It was set to work in Bensley's office the following year but did not prove to be satisfactory. Koenig redesigned it, and in October 1811 he obtained a patent for a steam-driven press on an entirely new principle. In place of the platen, the paper was fixed around a hollow rotating cylinder, which impressed the paper on to the inked forme. In Bensley's office it was used for book printing, but its increased speed over the hand press appealed to newspaper proprietors and John Walter II of The Times asked Koenig to make a double-cylinder machine, so that the return stroke of the forme would be productive. A further patent was taken out in 1813 and the new machine was made ready to print the 29 November 1814 issue—in secrecy, behind closed doors, to forestall opposition from the pressmen working the hand presses. An important feature of the machine was that the inking rollers were not of the traditional leather or skin but a composite material made from glue, molasses and some soda. The inking could not have been achieved satisfactorily with the old materials. The editorial of that historic issue proclaimed, 'Our Journal of this day presents to the public the practical result of the greatest improvement connected with printing, since the discovery of the art itself Koenig's machine press could make 1,200 impressions an hour compared to 200 with the hand press; further improvements raised this figure to 1,500–2,000. Koenig's last English patent was in 1814 for an improved cylinder machine and a perfecting machine, which printed both sides of the paper. The steam-driven perfecting press was printing books in Bensley's office in February 1816. Koenig and Bauer wanted by that time to manufacture machine presses for other customers, but Bensley, now the principal shareholder, insisted that they should make machines for his benefit only. Finding this restriction intolerable, Koenig and Bauer returned to Germany: they became partners in a factory at Oberzell, near Würzburg, in 1817 and the firm of Koenig and Bauer flourishes there to this day.

[br]

Further Reading

J.Moran, 1973, Printing Presses, London: Faber \& Faber.

T.Goebel, 1956, Friedrich Koenig und die Erfindung der Schnellpresse, Würzburg.

LRD

Biographical history of technology > Koenig, Friedrich
72 Marcus, Siegfried

SUBJECT AREA: Automotive engineering, Land transport

[br]

b. 18 September 1831 Malchin, Mecklenburg

d. 30 June 1898 Vienna, Austria

[br]

German inventor, builder of the world's first self-propelled vehicle driven by an internal combustion engine.

[br]

Marcus was apprenticed as a mechanic and was employed in the newly founded enterprise of Siemens \& Halske in Berlin. He then went to Vienna and, from 1853, was employed in the workshop of the Imperial Court Mechanic, Kraft, and in the same year he was a mechanic in the Royal and Imperial Institute of Physics of the University of Vienna. In 1860 he became independent of the Imperial Court, but he installed an electrical bell system for the Empress Elizabeth and instructed the Crown Prince Rudolf in natural science.

Marcus was granted thirty-eight patents in Austria, as well as many foreign patents. The magnetic electric ignition engine, for which he was granted a patent in 1864, brought him the biggest financial reward; it was introduced as the "Viennese Ignition" engine by the Austrian Navy and the pioneers of the Prussian and Russian armies. The engine was exhibited at the World Fair in Paris in 1867 together with the "Thermoscale" which was also constructed by Marcus; this was a magnetic/electric rotative engine for electric lighting and field telegraphy.

Marcus's reputation is due mainly to his attempts to build a new internal combustion engine. By 1870 he had assembled a simple, direct-working internal combustion engine on a primitive chassis. This was, in fact, the first petrol-engined vehicle with electric ignition, and tradition records that when Marcus drove the vehicle in the streets of Vienna it made so much noise that the police asked him to remove it; this he did and did not persist with his experiments. Thus ended the trials of the world's first petrol-engined vehicle; it was running in 1875, ten years before Daimler and Benz were carrying out their early trials in Stuttgart.

[br]

Further Reading

Austrian Dictionary of National Biography.

IMcN

Biographical history of technology > Marcus, Siegfried
73 Salt, Sir Titus

SUBJECT AREA: Architecture and building, Textiles

[br]

b. 20 September 1803 Morley, Yorkshire, England

d. 29 December 1876 Saltaire, Yorkshire, England

[br]

English industrialist, social reformer and entrepreneur who made his fortune by overcoming the problems of utilizing alpaca wool in the production of worsted, and established the early model town at Saltaire.

[br]

Titus Salt arrived in Bradford with his father, who was a wool merchant in the town, in 1822. He soon set up his own company and it was there that he experimented with the textile worsted. Alpaca wool comes from an animal of the camel family that resembles the llama, and flocks of domesticated breeds of the animal had been raised in the high Andes since the days of the Incas. The wool was introduced into Europe via Spain and, later, Germany and France. The first attempts to spin and weave the yarn in England were made in 1808, but despite experimentation over the years the material was difficult to work. It was in 1836 that Salt evolved his method of utilizing a cotton warp with part alpaca weft. The method proved a great success and Bradford gained a reputation as a manufacturing centre for alpaca wool, exporting both yarn and cloth in quantity, especially to the USA. By 1850 Salt, who owned six mills, was Bradford's biggest employer and was certainly its richest citizen. He decided to move out of the city and built a new mill works, the architects of which were Lockwood and Mawson, on the banks of the River Aire a few miles from the city. Around the works, between 1851 and 1871, he built houses, a hospital, library, church, institute and almshouses for his workers. The buildings were solid, good-standard structures of local stone and the houses were pleasantly situated, with their amenities making them seem palaces compared to the slums in which other Bradford textile workers lived at the time. The collection of buildings was the first example in Britain of a "model new town", and was, indeed still is, a remarkable prototype of its kind. Apart from being a philanthropist and social reformer, Salt was also concerned with taking advantage of the technical developments of his time. His mill works, which eventually covered ten acres of land, was of fashionably Italianate architectural style (its chimney even a copy of the campanile of the Church of Santa Maria Gloriosa in Venice), although its structure was of iron framing. The weaving shed held 1,200 looms and had capacity for 3,000 workers, who produced 30,000 yards of cloth per day. Water from the river was used to produce steam to power the matchinery used in the manufacturing processes of scouring, dyeing and finishing. For the export of goods, the nearby Leeds-Liverpool Canal linked the works to Britain's chief ports, and the Midland Railway (an extension of the LeedsBradford line which opened in 1846) was of great use for the same purpose.

[br]

Principal Honours and Distinctions

Created Baronet 1869.

Further Reading

Dictionary of National Biography.

Visitors Guide to Salt aire, Bradford City Council.

DY

Biographical history of technology > Salt, Sir Titus
74 Senefelder, Alois

SUBJECT AREA: Paper and printing

[br]

b. 6 November 1771 Prague, Bohemia (now Czech Republic)

d. 26 February 1834 Munich, Germany

[br]

German inventor of lithography.

[br]

Soon after his birth, Senefelder's family moved to Mannheim, where his father, an actor, had obtained a position in the state theatre. He was educated there, until he gained a scholarship to the university of Ingolstadt. The young Senefelder wanted to follow his father on to the stage, but the latter insisted that he study law. He nevertheless found time to write short pieces for the theatre. One of these, when he was 18 years old, was an encouraging success. When his father died in 1791, he gave up his studies and took to a new life as poet and actor. However, the wandering life of a repertory actor palled after two years and he settled for the more comfortable pursuit of playwriting. He had some of his work printed, which acquainted him with the art of printing, but he fell out with his bookseller. He therefore resolved to carry out his own printing, but he could not afford the equipment of a conventional letterpress printer. He began to explore other ways of printing and so set out on the path that was to lead to an entirely new method.

He tried writing in reverse on a copper plate with some acid-resisting material and etching the plate, to leave a relief image that could then be inked and printed. He knew that oily substances would resist acid, but it required many experiments to arrive at a composition of wax, soap and charcoal dust dissolved in rainwater. The plates wore down with repeated polishing, so he substituted stone plates. He continued to etch them and managed to make good prints with them, but he went on to make the surprising discovery that etching was unnecessary. If the image to be printed was made with the oily composition and the stone moistened, he found that only the oily image received the ink while the moistened part rejected it. The printing surface was neither raised (as in letterpress printing) nor incised (as in intaglio printing): Senefelder had discovered the third method of printing.

He arrived at a workable process over the years 1796 to 1799, and in 1800 he was granted an English patent. In the same year, lithography (or "writing on stone") was introduced into France and Senefelder himself took it to England, but it was some time before it became widespread; it was taken up by artists especially for high-quality printing of art works. Meanwhile, Senefelder improved his techniques, finding that other materials, even paper, could be used in place of stone. In fact, zinc plates were widely used from the 1820s, but the name "lithography" stuck. Although he won world renown and was honoured by most of the crowned heads of Europe, he never became rich because he dissipated his profits through restless experimenting.

With the later application of the offset principle, initiated by Barclay, lithography has become the most widely used method of printing.

[br]

Bibliography

1911, Alois Senefelder, Inventor of Lithography, trans. J.W.Muller, New York: Fuchs \& Line (Senefelder's autobiography).

Further Reading

W.Weber, 1981, Alois Senefelder, Erfinder der Lithographie, Frankfurt-am-Main: Polygraph Verlag.

M.Tyman, 1970, Lithography 1800–1950, London: Oxford University Press (describes the invention and its development; with biographical details).

LRD

Biographical history of technology > Senefelder, Alois
75 Petzval, Josef Max

SUBJECT AREA: Photography, film and optics

[br]

b. 1807 Spisska-Beila, Hungary

d. 17 September 1891 Vienna, Austria

[br]

Hungarian mathematician and photographic-lens designer, inventor of the first "rapid" portrait lens.

[br]

Although born in Hungary, Petzval was the son of German schoolteacher. He studied engineering at the University of Budapest and after graduation was appointed to the staff as a lecturer. In 1835 he became the University's Professor of Higher Mathematics. Within a year he was offered a similar position at the more prestigious University of Vienna, a chair he was to occupy until 1884.

The earliest photographic cameras were fitted with lenses originally designed for other optical instruments. All were characterized by small apertures, and the long exposures required by the early process were in part due to the "slow" lenses. As early as 1839, Petzval began calculations with the idea of producing a fast achromatic objective for photographic work. For technical advice he turned to the Viennese optician Peter Voigtländer, who went on to make the first Petzval portrait lens in 1840. It had a short focal length but an extremely large aperture for the day, enabling exposure times to be reduced to at least one tenth of that required with other contemporary lenses. The Petzval portrait lens was to become the basic design for years to come and was probably the single most important development in making portrait photography possible; by capturing public imagination, portrait photography was to drive photographic innovation during the early years.

Petzval later fell out with Voigtländer and severed his connection with the company in 1845. When Petzval was encouraged to design a landscape lens in the 1850s, the work was entrusted to another Viennese optician, Dietzler. Using some early calculations by Petzval, Voigtländer was able to produce a similar lens, which he marketed in competition, and an acrimonious dispute ensued. Petzval, embittered by the quarrel and depressed by a burglary which destroyed years of records of his optical work, abandoned optics completely in 1862 and devoted himself to acoustics. He retired from his professorship on his seventieth birthday, respected by his colleagues but unloved, and lived the life of a recluse until his death.

[br]

Principal Honours and Distinctions

Member of the Hungarian Academy of Science 1873.

Further Reading

J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides details of Petzval's life and work; Eder claims he was introduced to Petzval by mutual friends and succeeded in obtaining personal data).

Rudolf Kingslake, 1989, A History of the Photographic Lens, Boston (brief biographical details).

L.W.Sipley, 1965, Photography's Great Inventors, Philadelphia (brief biographical details).

JW

Biographical history of technology > Petzval, Josef Max
76 of

əv
preposition

1) (belonging to: a friend of mine.) av

2) (away from (a place etc); after (a given time): within five miles of London; within a year of his death.) fra, etter

3) (written etc by: the plays of Shakespeare.) av

4) (belonging to or forming a group: He is one of my friends.) av

5) (showing: a picture of my father.) av

6) (made from; consisting of: a dress of silk; a collection of pictures.) av

7) (used to show an amount, measurement of something: a gallon of petrol; five bags of coal.) med, à

8) (about: an account of his work.) om

9) (containing: a box of chocolates.) med, av

10) (used to show a cause: She died of hunger.) av, fra

11) (used to show a loss or removal: She was robbed of her jewels.) fra-, av

12) (used to show the connection between an action and its object: the smoking of a cigarette.) av

13) (used to show character, qualities etc: a man of courage.) med, av

14) ((American) (of time) a certain number of minutes before (the hour): It's ten minutes of three.) på, før

om

prep. \/ɒv\/, trykksvakəv\/ eller \/v\/, foran ubetont konsonant: \/f\/

1) ( om forholdet mellom en del og en helhet) av, fra

• I have a hole in the sleeve of my shirt

jeg har et hull i skjorteermet mitt

• she's of a good family

hun er av god familie

• I'm a native of London

jeg er en innfødt londoner

2) (etter et tall eller bestemmelsesfaktor, av og til uten oversettelse til norsk) med, om, av, blant

• he felt two pairs of eyes staring at him

han følte to par øyne på seg

• there were only six of us

vi var bare seks

• would you like a cup of tea?

vil du ha en kopp te?

• the dog stole a piece of bread

hunden stjal en brødbit

• they saw a number of poor people

de så mange fattige mennesker

• he didn't know a word of Spanish

han kunne ikke et ord spansk

• the whole of Wales was there

hele Wales var der

• most of them came

de fleste (av dem) kom

• some of them hate us

noen av dem hater oss

• they continued after a short period of rest

de fortsatte etter en kort hvil

• the law of demand and supply

loven om tilbud og etterspørsel

3) ( om retning eller sted) fra, for

• the clock is on the left of the window

klokken henger til venstre for vinduet

• she's from the county of Yorkshire

hun er fra grevskapet Yorkshire

• have you met Professor Smith of Cambridge?

har du truffet professor Smith fra Cambridge

• the pub is within a mile of Hull

puben ligger mindre enn en mil fra Hull

• it was found on the Isle of Wight

den ble funnet på Isle Wight

• I live north of York

jeg bor nord for York

• the University of London is a popular school

Londonuniversitetet er en populær skole

• she's from the city of London

hun er fra London by

4) ( om forbindelsen mellom to enheter eller eiendomsforhold) med, i, av, etter, fra, for

• he's a man of foreign appearance

han er en mann med utenlandsk utseende

• she has a coat of many colours

hun har en jakke i mange farger

• these are tomatoes of my own growing

dette er tomater jeg har dyrket selv

• the hour of prayer starts now

bønnetimen starter nå

• I'm reading a novel of Stevenson's

jeg leser en roman av Stevenson

• he's a friend of John Smith's

han er en av John Smiths venner

• she's a friend of mine

hun er en venn av meg

• she's the widow of a clergyman

hun er enken etter en prest

• he's a novelist of the 18th century

han er en romanforfatter fra det 18. århundre

5) ( om forholdet mellom et abstrakt begrep og et etterfølgende objekt) fra, for, av, i, på

• his explanation of the passage was clear

hans forklaring på avsnittet var klar

• she hates the ringing of bells

hun hater at det ringer i klokkene

• the murder of Mr Cerio shocked them all

mordet på herr Cerio sjokkerte dem alle

• in the opinion of the teachers, this is wrong

etter lærernes mening er dette galt

• it was kind of you

det var snilt av deg

• he felt forsaken of God and men

han følte seg forlatt av Gud og mennesker

• he's proud of what he did

han er stolt av det han gjorde

• I'm afraid of huge dogs

jeg er redd for store hunder

• it's wide of the truth

det er langt fra sannheten

6) (om forholdet mellom et verb og et etterfølgende objekt der verbet uttrykker en mental eller abstrakt tilstand) fra, etter, om, på

• he cleared himself of the accusation

han renvasket seg for beskyldningen

• he died within a week of his departure

han døde innen en uke etter at han hadde dratt

• they read of the war

de leste om krigen

• inform her of the riots

underrett henne om opptøyene

• just think of the consequences!

bare tenk på konsekvensene!

• she asked a favour of me

hun bad meg om en tjeneste

• he deprived me of my liberty

han berøvet meg friheten

• I was robbed of my silverware

jeg ble frastjålet sølvtøyet mitt

7) ( om årsak eller motiv) av

• she died of grief

hun døde av sorg

• my aunt died of cancer

tanten min døde av kreft

• you smell of tobacco

du lukter tobakk

8) ( om forholdet mellom en skala eller målestokk og en verdi) på, med, à

• the sales will decrease of 5%

salget vil gå ned med 5%

• the well has a depth of ten feet

brønnen er ti fot dyp

• we're a group of five

vi er en gruppe på fem

• ten cartons of twenty packets each

ti kartonger à tjue pakker

9) (om alder, av og til uten oversettelse på norsk) på

• they have a boy of ten

de har en gutt på ti år

• they married at fifty years of age

de giftet seg i femtiårsalderen

• he's fifty years of age

han er femti år gammel

10) ( om materiale som noe består av) av, i

• he's got a heart of stone

han har et hjerte av stein

• the bridge is built of steel

broen er bygd i stål

• she bought a table of oak

hun kjøpte et eikebord

• flour is made of wheat

mel er laget av hvete

11) (om dato, årstid, navn eller tittel, av og til uten oversettelse på norsk) på

• she arrived on the fifth of May

hun ankom femte mai

• I was born in the month of March

jeg ble født i mars måned

• the winter of 1998 was cold

vinteren 1998 var kald

• it's the best time of the year

det er den beste tiden på året

• I was introduced to a man by the name of Peter Silver

jeg ble presentert for en mann ved navn Peter Silver

• he has the title of a lord

han har tittelen lord

• she's the Rector of Burnside

hun er bestyreren på Burnside

• he's the governor of St. Helena

han er guvernøren på St. Helena

12) (om personlig egenskap, av og til uten oversettelse på norsk) på

• the girl is swift of foot

jenta er rask på foten

• he's dull of thought

han tenker langsomt

13) ( om sammenligning) til, av

• she's an angel of a woman

hun er en engel av en kvinne

• your husband is a giant of a fellow

mannen din er en kjempe av en mann

• this is a gem of a poem

dette er en poesiens perle

• they live in a palace of a house

de bor i et palassliknende hus

14) ( tilsvarer norsk infinitivsmerke) å

• I have the pleasure of sending you the goods

jeg har gleden av å sende deg varene

• he has one merit, that of being honest

han har ett fortrinn, nemlig det å være ærlig

• I would like to learn the art of painting

jeg vil gjerne lære kunsten å male

15) (i visse tidsuttrykk, litterært) på, om

• I sometimes see him of the evening

jeg ser ham av og til om kvelden

• I see her of mornings

jeg ser henne om morgenen

• what do you do of Sundays?

hva gjør du på søndagene?

16) (amer., om klokkeslett) på

• it's five minutes of twelve

klokken er fem på tolv

be of delta i, være med i, tilhøre

• be of a party

tilhøre et parti

of late i det siste

• of late years

i de siste årene\/i de senere år

of oneself av seg selv, frivillig

• the explosion couldn't have happened of itself

• he came of himself

han kom frivillig

English-Norwegian dictionary > of
77 Theater, Portuguese

   There are two types of theater in Portugal: classical or "serious" theater and light theater, or the Theater of Review, largely the Revistas de Lisboa (Lisbon Reviews). Modern theater, mostly but not exclusively centered in Lisbon, experienced an unfortunate impact from official censorship during the Estado Novo (1926-74). Following laws passed in 1927, the government decreed that, as a cultural activity, any theatrical presentations that were judged "offensive in law, in morality and in decent customs" were prohibited. One consequence that derived from the risk of prohibition was that directors and playwrights began to practice self-censorship. This discouraged liberal and experimental theatrical work, weakened commercial investment in theater, and made employment in much theater a risky business, with indifferent public support.

   Despite these political obstacles and the usual risks and difficulties of producing live theater in competition first with emerging cinema and then with television (which began in any case only after 1957), some good theatrical work flourished. Two of the century's greatest repertory actresses, Amélia Rey-Colaço (1898-1990) and Maria Matos (1890-1962), put together talented acting companies and performed well-received classical theater. Two periods witnessed a brief diminution of censorship: following World War II (1945-47) and during Prime Minister Marcello Caetano's government (1968-74). Although Portuguese playwrights also produced comedies and dramas, some of the best productions reached the stage under the authorship of foreign playwrights: Shakespeare, George Bernard Shaw, Arthur Miller, and others.

   A major new phase of Portuguese serious theater began in the 1960s, with the staging of challenging plays by playwrights José Cardoso Pires, Luis Sttau Monteiro, and Bernardo Santareno. Since the Revolution of 25 April 1974, more funds for experimental theater have become available, and government censorship ceased. As in so much of Western European theater, however, the general public tended to favor not plays with serious content but techno-hits that featured foreign imports, including musicals, or homegrown musicals on familiar themes. Nevertheless, after 1974, the theater scene was enlivened, not only in Lisbon, but also in Oporto, Coimbra, and other cities.

   The Theater of Review, or light theater, was introduced to Portugal in the 19th century and was based largely on French models. Adapted to the Portuguese scene, the Lisbon reviews featured pageantry, costume, comic skits, music (including the ever popular fado), dance, and slapstick humor and satire. Despite censorship, its heyday occurred actually during the Estado Novo, before 1968. Of all the performing arts, the Lisbon reviews enjoyed the greatest freedom from official political censorship. Certain periods featured more limited censorship, as cited earlier (1945-47 and 1968-74). The main venue of the Theater of Review was located in central Lisbon's Parque Mayer, an amusement park that featured four review theaters: Maria Vitória, Variedades, Capitólio, and ABC.

   Many actors and stage designers, as well as some musicians, served their apprenticeship in the Lisbon reviews before they moved into film and television. Noted fado singers, the fadistas, and composers plied their trade in Parque Mayer and built popular followings. The subjects of the reviews, often with provocative titles, varied greatly and followed contemporary social, economic, and even political fashion and trends, but audiences especially liked satire directed against convention and custom. If political satire was not passed by the censor in the press or on television, sometimes the Lisbon reviews, by the use of indirection and allegory, could get by with subtle critiques of some personalities in politics and society. A humorous stereotyping of customs of "the people," usually conceived of as Lisbon street people or naive "country bumpkins," was also popular. To a much greater degree than in classical, serious theater, the Lisbon review audiences steadily supported this form of public presentation. But the zenith of this form of theater had been passed by the late 1960s as audiences dwindled, production expenses rose, and film and television offered competition.

   The hopes that governance under Prime Minister Marcello Caetano would bring a new season of freedom of expression in the light theater or serious theater were dashed by 1970-71, as censorship again bore down. With revolution in the offing, change was in the air, and could be observed in a change of review show title. A Lisbon review show title on the eve of the Revolution of 25 April 1974, was altered from: 'To See, to Hear... and Be Quiet" to the suggestive, "To See, to Hear... and to Talk." The review theater experienced several difficult years after 1980, and virtually ceased to exist in Parque Mayer. In the late 1990s, nevertheless, this traditional form of entertainment underwent a gradual revival. Audiences again began to troop to renovated theater space in the amusement park to enjoy once again new lively and humorous reviews, cast for a new century and applied to Portugal today.

    See also Literature; Vicente, Gil.

Historical dictionary of Portugal > Theater, Portuguese
78 Bowser, Sylvanus F.

SUBJECT AREA: Automotive engineering, Chemical technology

[br]

fl. 1880s

[br]

American mechanic and inventor of the first fuel-dispensing pump.

[br]

Bowser lived and worked in Fort Wayne, Texas. In 1885 he was approached by a local storekeeper, Jake Gumper, who had been receiving complaints from some of his customers. Gumper's store stocked both kerosene (lamp oil) and butter, and the two were stored alongside each other; the kerosene cask leaked and tainted the butter. Gumper consulted Bowser, but neither of them considered the obvious idea of moving the two containers further apart; instead, working in an adjacent barn, Bowser set about devising a means of dispensing kerosene in given quantities.

He delivered his invention to Gumper on 5 September 1885. It was a circular tank with a cylinder soldered inside and an outlet pipe attached to the top. A hand-operated piston controlled two marble valves and wooden plungers which were fitted inside the cylinder. When the wooden handle was raised, a gallon of kerosene flowed from the tank into the cylinder, and when the handle was lowered the liquid was discharged.

He formed S.F.Bowser \& Co. of Fort Wayne to exploit his invention, and twenty years later the company was producing pumps for motor spirit. In 1925 the Bowser Red Sentry, which registered quantity on a clock dial, was introduced. The first automatic "Bowser" in Britain was put into operation in a Manchester garage in 1921.

[br]

Further Reading

P.Robertson, 1974, The Shell Book of Firsts, London: Ebury Press \& Michael Joseph.

IMcN

Biographical history of technology > Bowser, Sylvanus F.
79 Gatling, Dr Richard Jordan

SUBJECT AREA: Metallurgy, Weapons and armour

[br]

b. 12 September 1818 Winston, North Carolina, USA

d. 26 February 1903 New York, USA

[br]

American weapons designer and metallurgist.

[br]

Gatling first became interested in inventing when helping his father develop more-efficient agricultural machines, and as early as 1839 he developed a screw propeller for ships. Shortly after this he was struck down by smallpox, and it was this that caused him, when he recovered, to study medicine; he did this at the Ohio Medical College, graduating in 1850. The outbreak of the American Civil War in 1861 triggered an immediate interest in weaponry and he set about designing a rapid-fire weapon, which would both bear his name and be one of the forerunners of the machine gun: he completed his design of the Gatling Gun in 1862. His concept of using several barrels was not unique, with other inventors such as the Belgian Fafschamps and the Frenchman Reffye also employing it. However, Catling's gun was superior to the others in the soundness of its engineering. The rounds were fed through a hopper on top of the gun into the chambers of each barrel, and the barrels themselves were fixed in a cluster. An endless screw operated by a hand crank controlled the operation, opening the breech of each barrel in turn, enabling the round to drop into the chamber through a series of grooves, and then closing the breech and releasing the striker. In the face of fierce competition, the Gatling was adopted by the US Army in 1866, and many other armies followed suit. Although a version powered by an electric motor was introduced in 1893, the Gatling was gradually superseded by the fully automatic machine gun, first developed by Maxim. Even so, such was the excellence of the Gatling's mechanics that the concept was readopted by the Americans in the late 1950s and employed in such systems as the Vulcan air-defence gun and the airborne Minigun. Gatling's inventions did not end with his gun. In 1886 he developed a new steel and aluminium alloy and also experimented with the production of cast-steel cannon.

CM

Biographical history of technology > Gatling, Dr Richard Jordan
80 Skinner, Halcyon

SUBJECT AREA: Domestic appliances and interiors, Textiles

[br]

b. 6 March 1824 Mantua, Ohio, USA

d. 28 November 1900 USA

[br]

American inventor of a machine for making Royal Axminster and other carpets.

[br]

Halcyon was the son of Joseph and Susan Skinner. When he was 8 years old, his parents moved to Stockbridge in Massachusetts, where he obtained education locally and worked on farms. In 1838 his father moved to West Farms, New York, where Halcyon helped his father make violins and guitars for seven years. He then worked as a general carpenter for eight years until he was hired in 1849 by Alexander Smith, a carpet manufacturer. Skinner designed and constructed a hand loom that could weave figured instead of striped carpets, and by 1851 Smith had one hundred of these at work. Skinner was retained by Smith for forty years as a mechanical expert and adviser.

Weaving carpets by power started in the 1850s on enormous and complex machines. Axminster carpets had traditionally been produced in a similar way to those made by hand in Persia, with the tufts of woollen yarn being knotted around vertical warp threads. To mechanize this process proved very difficult, but Skinner patented a loom in 1856 to weave Axminster carpets although, it was not working successfully until 1860. Then in 1864 he developed a loom for weaving ingrain carpets, and c. 1870 he altered some imported English looms for weaving tapestry carpets to double their output.

His most important invention was conceived in 1876 and patented on 16 January 1877. This was the Moquette or Royal Axminster loom, which marked yet another important step forward and enabled the use of an unlimited number of colours in carpet designs. This type of loom became known as the Spool Axminster because of the endless chain of spools carrying lengths of coloured yarns, wound in a predetermined order, from which short pieces could be cut and inserted as the tufts. It put Smith's company, Alexander Smith \& Sons, Yonkers, New York, in the lead among American carpet manufacturers. This type of loom was introduced to Britain in 1878 by Tomkinson \& Adam and spread rapidly. Skinner virtually retired in 1889 but continued to live in Yonkers.

[br]

Further Reading

Biography, American Machinist 23.

Dictionary of American Biography, Vol. XVII.

G.Robinson, 1966, Carpets, London (for the history and techniques of carpet weaving).

A.Barlow, 1878, The History and Principles of Weaving by Hand and by Power, London (includes a section on pile weaving which covers some types of carpets).

RLH

Biographical history of technology > Skinner, Halcyon

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List of songs introduced by Fred Astaire — This is a complete list of the songs introduced by Fred Astaire beginning with his first Broadway show Over the Top in 1917 (his childhood and teenage period in vaudeville is not covered). Those who co introduced a song with him are indicated in… … Wikipedia

Словари и энциклопедии на Академике

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Словари и энциклопедии на Академике

Перевод: со всех языков на все языки

was+introduced

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