to+further+one's+career

SUBJECT AREA: Mining and extraction technology

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Having studied law at the University of Erlangen, he became Confidential Secretary to the Prince of Hohenlohe-Ingelfingen, in whose territory his father had been in charge of a saltworks. When this small country fell to Württemberg in 1806, Glenck continued his mineralogical and geological studies in order to develop methods of finding deposits of salt. He was the first to carry out systematic large-scale salt explorations in Germany, mostly in southern and central parts, and achieved remarkable results that far exceeded former non-systematic findings. He worked either on behalf of governments or companies or at his own risk, and in the early 1820s he settled in Gotha to live in the centre of the regions of greatest interest to him.

His career began in 1819 with the discovery of the deposits of Ludwigshall near Wimpfen, Neckar, and prospecting salt near Basel in 1836 was his greatest success: Schweizerhall, opened one year later, made Switzerland self-sufficient in salt production. For fifteen years he had invested large sums into this project, which became the fifth salt-works to come into existence due to his drilling. Glenck worked with stir rods and he developed several new technical devices, such as casing the bore holes with iron pipes instead of wood (1830), and using wooden instead of iron rods to reduce the weight (1834). A flexible connection between rod and drill was to be introduced later by Karl von Oeynhausen. One of Glenck's most important followers in the field of deep-drilling was K.G. Kind.

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SUBJECT AREA: Medical technology

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Laënnec commenced his medical career assisting his uncle, a physician of Nantes, Brittany. On moving to Paris he studied under Corvisart, Napoleon's friend and personal physician, and Dupuytren. Appointed Physician to the Necker Hospital in 1816, his difficulties in examining an obese patient led him to make a roll of paper and, placing one end on the patient's chest and his ear to the other, he found that he could hear the heart sounds much more clearly; although auscultation had been practised in medicine since the time of Hippocrates (fl. 400 BC), its inconvenience and distastefulness made the stethoscope an instrument which soon gained wide acceptance. As a consequence, a large number of new auditory phenomena were reported in the immediately ensuing years. In his book, published in 1819, he described the instrument as "a cylinder of wood an inch and a half in diameter and a foot long, perforated by a bore three lines wide and hollowed out into a funnel shape at one of its extremities".

By now he had contracted tuberculosis and retired to Brittany to recover. In 1822 he accepted the Chair of Medicine in the College of France, but he suffered a relapse and died four years later, ironically of the same disease that his invention had done so much to facilitate the diagnosis of.

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SUBJECT AREA: Aerospace, Architecture and building, Horology, Weapons and armour

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Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.

In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.

In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.

Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.

Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.

At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.

Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.

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SUBJECT AREA: Architecture and building

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Mies van der Rohe was the son of a stonemason and his early constructional training came from his father. As a young man he gained experience of the modern school from study of the architecture of the earlier leaders, notably Peter Behrens, Hendrik Berlage and Frank Lloyd Wright. He commenced architectural practice in 1913 and soon after the First World War was establishing his own version of modern architecture. His building materials were always of the highest quality, of marble, stone, glass and, especially, steel. He stripped his designs of all extraneous decoration: more than any of his contemporaries he followed the theme of elegance, functionalism and an ascetic concentration on essentials. He believed that architectural design should not look backwards but should reflect the contemporary achievement of advanced technology in both its construction and the materials used, and he began early in his career to act upon these beliefs. Typical was his early concrete and glass office building of 1922, after which, more importantly, came his designs for the German Pavilion at the Barcelona Exposition of 1929. These designs included his famous Barcelona chair, made from chrome steel and leather in a geometrical design, one which has survived as a classic and is still in production. Another milestone was his Tugendhat House in Brno (1930), a long, low, rectilinear structure in glass and steel that set a pattern for many later buildings of this type. In 1930 Mies followed his colleagues as third Director of the Bauhaus, but due to the rise of National Socialism in Germany it was closed in 1933. He finally left Germany for the USA in 1937, and the following year he took up his post as Director of Architecture in Chicago at what is now known as the Illinois Institute of Technology and where he remained for twenty years. In America Mies van der Rohe continued to develop his work upon his original thesis. His buildings are always recognizable for their elegance, fine proportions, high-quality materials and clean, geometrical forms; nearly all are of glass and steel in rectangular shapes. The structure and design evolved according to the individual needs of each commission, and there were three fundamental types of design. One type was the single or grouped high-rise tower, built for apartments for the wealthy, as in his Lake Shore Drive Apartments in Chicago (1948–51), or for city-centre offices, as in his Seagram Building in New York (1954–8, with Philip Johnson) or his Chicago Federal Centre (1964). Another form was the long, low rectangle based upon the earlier Tugendhat House and seen again in the New National Gallery in Berlin (1965–8). Third, there were the grouped schemes when the commission called for buildings of varied purpose on a single, large site. Here Mies van der Rohe achieved a variety and interest in the different shapes and heights of buildings set out in spatial harmony of landscape. Some examples of this type of scheme were housing estates (Lafayette Park Housing Development in Detroit, 1955–6), while others were for educational, commercial or shopping requirements, as at the Toronto Dominion Centre (1963–9).

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SUBJECT AREA: Photography, film and optics

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He began his photographic career as a daguerreotypist and at an early date called himself "Nadar", the name by which he was known for the rest of his life. Between 1855 and 1858 he made captive balloon ascents with the idea of producing a topographic map of Paris from aerial photographs. Nadar was also one of the first photographers to take successful photographs with the aid of artificial illuminants; using Bunsen batteries to power electric arc lamps, he was able to take views of the underground catacombs in Paris during 1861 and 1862. This exercise captured the imagination of the Paris public, and Nadar's work was widely acclaimed. In December 1863 he exhibited portraits taken by electric light, and later used magnesium illuminants to photograph underground canal construction. For many years Nadar practised as a photographer with his son Paul, a relationship that was sometimes stormy. Paul eventually took the name Nadar for himself and was, in turn, to become one of France's most celebrated photographers.

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SUBJECT AREA: Architecture and building, Civil engineering

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Villard was one of the thirteenth-century architect-engineers who were responsible for the design and construction of the great Gothic cathedrals and other churches of the time. Their responsibilities covered all aspects of the work, including (in the spirit of the Roman architect Vitruvius) the invention and construction of mechanical devices. In their time, these men were highly esteemed and richly rewarded, although few of the inscriptions paying tribute to their achievements have survived. Villard stands out among them because a substantial part of his sketchbook has survived, in the form of thirty-three parchment sheets of drawings and notes, now kept in the Bibliothèque Nationale in Paris. Villard's professional career lasted roughly from 1225 to 1250. As a boy, he went to work on the building of the Cistercian monastery at Vaucelles, not far from Honnecourt, and afterwards he was apprenticed to the masons' lodge at Cambrai Cathedral, where he began copying the drawings and layouts on the tracing-house floor. All his drawings are, therefore, of the plans, elevations and sections of cathedrals. These buildings have long since been destroyed, but his drawings, perhaps among his earliest, bear witness to their architecture. He travelled widely in France and recorded features of the great works at Reims, Laon and Chartres. These include the complex system of passageways built into the fabric of a great cathedral; Villard comments that one of their purposes was "to allow circulation in case of fire".

Villard was invited to Hungary and reached there c. 1235. He may have been responsible for the edifice dedicated to St Elizabeth of Hungary, canonized in 1235, at Kassa (now Košice, Slovakia). Villard probably returned to France c. 1240, at least before the Tartar invasion of Hungary in 1241.

His sketchbook, which dates to c. 1235, stands as a memorial to Villard's skill as a draughtsman, a student of perspective and a mechanical engineer. He took his sketchbook with him on his travels, and used ideas from it in his work abroad. It contains architectural designs, geometrical constructions for use in building, surveying exercises and drawings for various kinds of mechanical devices, for civil or military use. He was transmitting details from the highly developed French Gothic masons to the relatively underdeveloped eastern countries. The notebooks were annotated for the use of pupils and other master masons, and the notes on geometry were obviously intended for pupils. The prize examples are the pages in the book, clearly Villard's own work, related to mechanical devices. Whilst he, like many others of the period and after, played with designs for perpetual-motion machines, he concentrated on useful devices. These included the first Western representation of a perpetualmotion machine, which at least displays a concern to derive a source of energy: this was a water-powered sawmill, with automatic feed of the timber into the mill. This has been described as the first industrial automatic power-machine to involve two motions, for it not only converts the rotary motion of the water-wheel to the reciprocating motion of the saw, but incorporates a means of keeping the log pressed against the saw. His other designs included water-wheels, watermills, the Archimedean screw and other curious devices.

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KM / LRD

SUBJECT AREA: Electricity, Land transport, Railways and locomotives

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Volk was the son of a German immigrant clockmaker and continued the business with his mother after his father died in 1869, although when he married in 1879 his profession was described as "electrician". He installed Brighton's first telephone the same year and in 1880 he installed electric lighting in his own house, using a Siemens Brothers dynamo (see Siemens, Dr Ernst Werner von) driven by a Crossley gas engine. This was probably one of the first half-dozen such installations in Britain. Magnus Volk \& Co. became noted electrical manufacturers and contractors, and, inter alia, installed electric light in Brighton Pavilion in place of gas.

By 1883 Volk had moved house. He had kept the dynamo and gas engine used to light his previous house, and he also had available an electric motor from a cancelled order. After approaching the town clerk of Brighton, he was given permission for a limited period to build and operate a 2 ft (61 cm) gauge electric railway along the foreshore. Using the electrical equipment he already had, Volk built the line, a quarter of a mile (400 m) long, in eight weeks. The car was built by a local coachbuilder, with the motor under the seat; electric current at 50 volts was drawn from one running rail and returned through the other.

The railway was opened on 4 August 1883. It operated regularly for several months and then, permission to run it having been renewed, it was rebuilt for the 1884 season to 2 ft 9 in. (84 cm) gauge, with improved equipment. Despite storm damage from time to time, Volk's Electric Railway, extended in length, has become an enduring feature of Brighton's sea front. In 1887 Volk made an electric dogcart, and an electric van which he built for the Sultan of Turkey was probably the first motor vehicle built in Britain for export. In 1896 he opened the Brighton \& Rottingdean Seashore Electric Tramroad, with very wide-gauge track laid between the high-and low-tide lines, and a long-legged, multi-wheel car to run upon it, through the water if necessary. This lasted only until 1901, however. Volk subsequently became an early enthusiast for aircraft.

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SUBJECT AREA: Architecture and building

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Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.

Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.

The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.

The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.

In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.

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1) weitergehen/-fahren; (by vehicle) die Reise/Fahrt usw. fortsetzen; (go ahead) vorausgehen/-fahren

2) (continue) weitergehen; [Kämpfe:] anhalten; [Verhandlungen, Arbeiten:] [an]dauern; (continue to act) weitermachen; (continue to live) weiterleben

3) (elapse) [Zeit:] vergehen

4) (happen) passieren; vor sich gehen

5)

6) (behave) sich benehmen; sich aufführen

7) [Kleidung:] passen

8) (Theatre) auftreten

9) [Licht:] angehen; [Strom, Wasser:] kommen

10)

1) (ride on) fahren mit

2) (continue)

3) (coll.): (be guided by) sich stützen auf (+ Akk.)

4) (begin to receive) bekommen, erhalten [Arbeitslosengeld, Sozialfürsorge]; see also academic.ru/21703/dole">dole 1.

5) (start to take) nehmen [Medikament, Drogen]

6) (coll.): (like) see much 3. 4). See also go 1. 1), 2), 22)

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1) (to continue: Go on reading - I won't disturb you.) fortfahren

2) (to talk a great deal, usually too much: She goes on and on about her health.) weiter fortfahren

3) (to happen: What is going on here?) vor sich gehen

4) (to base one's investigations etc on: The police had very few clues to go on in their search for the murderer.) fortfahren

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◆ go on

1. (go further) weitergehen; vehicle weiterfahren

to \go on on ahead vorausgehen; vehicle vorausfahren

2. (extend) sich akk erstrecken; time voranschreiten

the forests seemed to \go on on for ever die Wälder schienen sich bis in die Unendlichkeit zu erstrecken

it'll get warmer as the day \go ones on im Laufe des Tages wird es wärmer

as time went on, their friendship blossomed im Laufe der Zeit wurde ihre Freundschaft immer tiefer

3. (continue) weitermachen; fights anhalten; negotiations andauern fam

I can't \go on on ich kann nicht mehr

you can't \go on on like that indefinitely du kannst nicht ewig so weitermachen

we can't \go on on arguing like this wir können nicht immerzu so weiter streiten

how can you \go on on as if nothing has happened? wie kannst du nur einfach so weitermachen, als sei nichts passiert?

to \go on on trying es weiter versuchen

to \go on on working weiterarbeiten

to \go on on and on kein Ende nehmen [wollen]

4. (continue speaking) weiterreden; (speak incessantly) unaufhörlich reden

sorry, please \go on on Entschuldigung, bitte fahren Sie fort

he just \go ones on and on er redet echt wie ein Wasserfall fam

she went on to talk about her time in Africa sie erzählte weiter von ihrer Zeit in Afrika

he went on to say that... dann sagte er, dass...

“... and then,” he went on... „... und dann“, fuhr er fort...

▪ to \go on on about sb/sth stundenlang über jdn/etw reden

to always \go on on [about sth] andauernd [über etw akk] reden

5. (criticize)

▪ to \go on on about sb/sth dauernd über jdn/etw klagen

▪ to \go on on at sb an jdm herumnörgeln [o herummäkeln] fam

6. (happen) passieren

this has been \go oning on for months now das geht jetzt schon Monate so!

what on earth's been \go oning on here? was um alles in der Welt ist denn hier passiert?

what's \go oning on here? was geht denn hier vor?

7. (move on, proceed)

I always knew that he would \go on on to a successful career ich wusste schon immer, dass er es mal zu etwas bringen würde

she went on to do a PhD sie strebte einen Doktortitel an

he went on to become a teacher später wurde er Lehrer

what proportion of people who are HIV-positive \go on on to develop AIDS? bei wie viel Prozent der HIV-Infizierten bricht tatsächlich AIDS aus?

8. (start, embark on) anfangen

this is the second fishing trip he's gone on this summer das ist dieses Jahr schon sein zweiter Angelurlaub

to \go on on [or onto] the attack den Angriff starten

to \go on on a diet auf Diät gehen

to \go on on the dole stempeln gehen fam

to \go on on an expedition auf eine Expedition gehen

to \go on on a half-day week halbtags arbeiten

to \go on on [a] holiday in Urlaub gehen, auf Urlaub fahren ÖSTERR, in die Ferien fahren SCHWEIZ

to \go on on honeymoon auf Hochzeitsreise gehen, eine Hochzeitsreise machen ÖSTERR

to \go on on a journey eine Reise machen

to \go on on the pill MED die Pille nehmen

to \go on on strike in den Streik treten

to \go on on tour auf Tournee gehen

9. TECH lights angehen

10. THEAT auftreten

I don't \go on on until the second act ich komme erst im zweiten Akt dran

11. SPORT an der Reihe sein

12. (base conclusions on)

▪ to \go on on sth evidence sich akk auf etw akk stützen

we haven't got any anything to \go on on yet wir haben noch keine Anhaltspunkte

13. (fit)

▪ to \go on on [sth]:

these boots won't \go on on over my thick socks diese Stiefel passen nicht über meine dicken Socken

this shoe just won't \go on on ich kriege diesen Schuh einfach nicht an fam

14. (belong on)

▪ to \go on on sth auf etw akk gehören

that vice \go ones on the workbench diese Schraubzwinge gehört auf die Werkbank

15. FIN (be allocated to)

▪ to \go on on sth expenses auf etw akk gehen

all travel expenses \go on on the company account die Firma übernimmt alle Reisekosten

16. (as encouragement)

\go on on, have another drink na komm, trink noch einen

\go on on and ask directions komm, frag nach dem Weg

\go on on! los, mach schon!

\go on on, tell me! jetzt sag schon! fam

17. (expressing disbelief)

what, they eloped? \go on on, you must be kidding! was, sie sind abgehauen? das ist nicht dein Ernst! fam

18. (ride on)

▪ to \go on on the swings auf die Schaukel gehen

19. (approach)

my granny is \go oning on [for] ninety meine Oma geht auf die neunzig zu

it's \go oning on [for] nine o'clock es geht auf neun zu

I'm \go oning on [for] ten! ich bin [schon] fast zehn!

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go on v/i

1. weitergehen, -fahren

2. weitermachen ( with mit), fortfahren ( doing zu tun; with mit):

a) (mach) weiter!,

b) iron hör auf!, ach komm!;

go on reading lies weiter!

3. daraufhin anfangen ( to do zu tun):

he went on to say darauf sagte er;

go on to sth zu einer Sache übergehen

4. fortdauern, weitergehen:

his speech went on for more than two hours seine Rede dauerte länger als zwei Stunden;

life goes on das Leben geht weiter

5. vor sich gehen, vorgehen, passieren: I don’t know what’s going on in his head was in seinem Kopf vorgeht;

what’s going on here? was ist hier los?

6. sich benehmen oder aufführen:

don’t go on like that! hör auf damit!

7. umg

a) unaufhörlich reden oder schwatzen ( about über akk, von)

b) ständig herumnörgeln (at an dat)

8. angehen (Licht etc)

9. THEAT auftreten

10. go on for gehen auf (akk), bald sein:

it’s going on for 5 o’clock;

he is going on for 60 er geht auf die Sechzig zu

11. fahren mit: → ghost train

12. ein Medikament nehmen: → pill A 4

13. → go¹ C 17

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1) weitergehen/-fahren; (by vehicle) die Reise/Fahrt usw. fortsetzen; (go ahead) vorausgehen/-fahren

2) (continue) weitergehen; [Kämpfe:] anhalten; [Verhandlungen, Arbeiten:] [an]dauern; (continue to act) weitermachen; (continue to live) weiterleben

3) (elapse) [Zeit:] vergehen

4) (happen) passieren; vor sich gehen

5)

6) (behave) sich benehmen; sich aufführen

7) [Kleidung:] passen

8) (Theatre) auftreten

9) [Licht:] angehen; [Strom, Wasser:] kommen

10)

1) (ride on) fahren mit

2) (continue)

3) (coll.): (be guided by) sich stützen auf (+ Akk.)

4) (begin to receive) bekommen, erhalten [Arbeitslosengeld, Sozialfürsorge]; see also dole 1.

5) (start to take) nehmen [Medikament, Drogen]

6) (coll.): (like) see much 3. 4). See also go 1. 1), 2), 22)

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angehen v.

weiterfahren v.

weitergehen v.

1) (to leave or begin a journey: We shall have to start at 5.30 a.m. in order to get to the boat in time.) dra av gårde, komme av sted, starte

2) (to begin: He starts working at six o'clock every morning; She started to cry; She starts her new job next week; Haven't you started (on) your meal yet?; What time does the play start?) begynne, starte

3) (to (cause an engine etc to) begin to work: I can't start the car; The car won't start; The clock stopped but I started it again.) starte (opp), sette i gang

4) (to cause something to begin or begin happening etc: One of the students decided to start a college magazine.) starte, begynne med

1) (the beginning of an activity, journey, race etc: I told him at the start that his idea would not succeed; The runners lined up at the start; He stayed in the lead after a good start; I shall have to make a start on that work.) start(strek), begynnelse

2) (in a race etc, the advantage of beginning before or further forward than others, or the amount of time, distance etc gained through this: The youngest child in the race got a start of five metres; The driver of the stolen car already had twenty minutes' start before the police began the pursuit.) forsprang

•

- starter

1) (a sudden movement of the body: He gave a start of surprise.) støkk, rykk

2) (a shock: What a start the news gave me!) sjokk

begynne

rykke

start

starte

subst. \/stɑːt\/

1) begynnelse, start

• this is the start of a new career

2) forsprang

• a few metre's start

3) startplass, start

4) rykk

• Helen woke with a start

at the start i begynnelsen

by fits and starts rykkvis, støtvis

for a start ( hverdagslig) for det første

from start to finish fra begynnelse til slutt, fra start til mål

get\/have the start of ( gammeldags) ha et forsprang på, ha en fordel fremfor

give a start rykke til, fare sammen

give somebody a start gi noen et forsprang

• we gave him a start of ten seconds

gi noen en støkk, få noen til å rykke til

• it gave me quite a start

give somebody a start in life gi noen en god start i livet, hjelpe noen frem

make a fresh start begynne på nytt

make an early start starte tidlig, bryte opp tidlig, gi seg i vei tidlig

a queer start eller a rum start en overraskende hendelse

verb \/stɑːt\/

1) begynne (på\/med), starte (på\/med)

• I start work every morning at 7

• the fire started in the cellar

2) dra av sted, gi seg i vei, sette i gang, (begynne) å bevege seg, reise av gårde

• we started from Norway the nest day

3) rykke til, fare opp, fare sammen

• he started in his chair

4) (poetisk, litterært) plutselig komme til syne

• an elk started from the forest

5) ( teknikk) løsne, gå opp, gi seg

• the planks have started

• the ship has started at the seams

6) ( jakt) drive opp, jage opp

start afresh begynne på nytt, begynne forfra

start in ( hverdagslig) begynne å skravle, begynne å prate

start in on (amer.) begynne å gjøre, begynne å ta seg av

• he started in on the homework

(begynne å) kritisere

start off begynne, starte, innlede

• let med start off by saying that the project has been a success

sette i gang, bevege seg

• the horse started off

start out ( om øyne) stikke ut, bule ut

• his eyes were starting out of his head

( hverdagslig) begynne, sette i gang, ta fatt

• she started out with very little money

start somebody\/something doing something få noen til å gjøre noe

• that started us thinking

start something stelle i stand bråk

start up rykke til, fare opp starte

to start with for det første til å begynne med

¹ = adaptive response, alteration, change, editing, modulation, move, recasting, redesign, rotation, shift, transfer, transformation, changeover [change-over], disturbance, mutation, permeability, reformation, switchover, reverse, shift away from, shifting, changing of the guard, swing, bartering, switch, switching, change.

Ex. It is too early to assess the success of the adaptive responses which have been instituted in most SLIS.

Ex. A musical adaptation is a musical work that represents a distinct alteration of another work (e.g. a free transcription), a work that paraphrases parts of various works or the general style of another composer, or a work that is merely based on other music (e.g. variations on a them).

Ex. These changes have meant modifications, some very time-consuming, to serials catalogues in libraries.

Ex. To ensure further that all the index entries generated by chain procedure are indeed helpful, the initial analysis of the chain may require editing.

Ex. There is little modulation, whole steps of division being short-circuited and an odd assembly of terms being frequently found: e.g.: LAW see also JURY, JUDGES.

Ex. Better flexibility is achieved if the heating, ventilation and lighting can accommodate this move without the need for any alterations.

Ex. This kind of large-scale recasting offers an opportunity for the scheme to go forward rather than stagnate until it is completely taken by events.

Ex. This action was the redesign of the enquiry form in order to elicit more information from the enquirer.

Ex. The entries that result from the rotation mechanism have standard layout, punctuation and typography, all of which have been pre-programmed.

Ex. Transitory circumstances of daily life are what cause these shifts.

Ex. When the record transfer is complete, the catalog summary screen is shown for the new record so that the user can review and update it.

Ex. Hungary faces far-reaching socio-economic transformation which will inevitably affect libraries as well.

Ex. The changeover has resulted in more rapid machine-editing of input and reduced costs for cataloguing.

Ex. A centralised system was chosen to ensure speedy receipt and dissemination with minimal disturbances.

Ex. The very meanings of words like 'library' and 'university' are about to undergo mutations too radical to conceive, much less predict = Los significados mismos de palabras como "biblioteca" y "universidad" están a punto de experimentar cambios demasiado radicales de concevir y cuanto mucho menos de predecir.

Ex. There is greater permeability than before between different types of library at the start of a career but, once settled in a post, fewer librarians than before change from one type of library to another.

Ex. The author presents suggestions for the reformation of medical library education.

Ex. The transition date for the switchover is 1 Oct 2000.

Ex. Moreover, we conclude that the process of placing a feminist stamp on working relations is both far from complete and subject to reverses.

Ex. This article discusses the effects of changes in the economy on the distribution of work in libraries which indicate a shift away from its female origins.

Ex. This article considers the use of a spreadsheet in the shifting of periodicals collections in order to save time.

Ex. The recent reorganization has resulted in a merger of the academic and public divisions and a changing of the guard among the company's top officials.

Ex. The addition of new feedback techniques produced a significant swing in favour of the application.

Ex. Holdings will become increasingly important as a bartering tool to gain additional access benefits.

Ex. Office automation have brought about a switch to a paperless office.

Ex. These 'spuriously loyal' customers are not willing to churn just because of switching costs.

Ex. Most libraries maintain a small cash float for the giving of change and, in addition, money/ is received in payment of fines.

----

* a cambio = in return.

* a cambio de = in exchange for, in return for.

* a cambio de nada = for nothing.

* aceptar el cambio = embrace + change.

* aceptar un cambio = accommodate + change.

* adaptarse al cambio = accommodate to + change, adapt to + change.

* adaptarse a los cambios = flow with + the tides.

* adoptar un cambio = adopt + change, accommodate + change.

* agente de cambio = agent of(for) change, force for change, force of change.

* agente del cambio = change agent.

* aires de cambio = wind(s) of change, the, seas of change, the.

* cambio a = flight to.

* cambio brusco = revulsion, flip-flop.

* cambio brusco de velocidad del viento = wind shear.

* cambio climático = climate change, climatic change.

* cambio cualitativo = step change, qualitative change.

* cambio cuantitativo = quantitative change.

* cambio cultural = cultural change.

* cambio de actitud = change in attitude, change of heart.

* cambio de aires = change of scenery, change of air and scene, change of air, change of scene, greener pastures, pastures new.

* cambio de ambiente = change of scenery, change of air and scene, change of air, change of scene.

* cambio de aspecto = lick of paint.

* cambio de ciudadanía = change of citizenship.

* cambio de dirección = change of hands.

* cambio de dueño = change of hands.

* cambio de énfasis = shift of emphasis, shift in emphasis.

* cambio de entorno = change of scenery, change of air and scene, change of air, change of scene.

* cambio de hora estacional = daylight saving time.

* cambio de idea = change of heart, change of mind.

* cambio de imagen = makeover [make-over], makeover [make-over].

* cambio de instalación eléctrica = rewiring.

* cambio de la guardia = changing of the guard.

* cambio de look = lick of paint.

* cambio de lugar = relocation.

* cambio de manos = change of hands.

* cambio de mirada = gaze-shift.

* cambio demográfico = population trend.

* cambio de nacionalidad = change of citizenship.

* cambio de nombre = rebranding.

* cambio de opinión = change of heart, change of mind.

* cambio de orientación = paradigm change, paradigm shift.

* cambio de paradigma = paradigm change, paradigm shift.

* cambio de parecer = change of heart, change of mind.

* cambio de procedimiento = procedural change.

* cambio de propietario = change of hands.

* cambio de proveedor = churn.

* cambio de registro = code switching.

* cambio de residencia = resettlement.

* cambio de servicio = churn.

* cambio de sexo = sex change.

* cambio de título = title change.

* cambio escénico = scene changing.

* cambio estacional = seasonal change.

* cambio hormonal = hormonal change.

* cambio inesperado = twist.

* cambio institucional = institutional change.

* cambio metereológico = weather modification.

* cambio + ocurrir = change + take place.

* cambio + producirse = change + come about.

* cambio profundo = profound change.

* cambio radical = revulsion, sea change, radical change.

* cambio radical de postura = about-face.

* cambio revolucionario = revolutionary change.

* cambios = second thoughts, ebb and flow.

* cambio social = social change, societal change.

* cambio + suceder = change + take place.

* cambio + tener lugar = change + take place.

* cambio total = turnabout [turn-about], turnaround.

* cambio transformador = transformative change, transforming change.

* cambio traumático = traumatic change.

* cambio vertiginoso = spiral of change.

* clima de cambio = climate of change.

* efectuar cambios = wreak + changes.

* efectuar un cambio = effect + change.

* elemento de cambio = agent of(for) change.

* en cambio = by contrast, in contrast, instead, shifting, by comparison.

* en constante cambio = ever-changing [ever changing], ever-fluid, on the move, fast changing [fast-changing], ever-shifting.

* en continuo cambio = constantly shifting, ever-changing [ever changing], ever-shifting.

* en estado de cambio = in a state of flux.

* enfrentarse a los cambios = cope with + change.

* en proceso de cambio = changing.

* estado de cambio = state of flux.

* estar en estado de cambio = be in flux.

* estar en proceso de cambio = be in flux.

* estar sujeto a cambios = be written in sand, not stone, be subject to change.

* experimentar un cambio = bring about + change, undergo + modification, undergo + change, undergo + transition.

* experimentar un cambio + Adjetivo = take + a + Adjetivo + turn.

* hacer cambios en la búsqueda = renegotiate + search.

* hacer cambios indebidamente = tamper (with).

* hacer el cambio = make + the change.

* hacer frente al cambio = manage + change.

* hacer frente a un cambio = meet + change.

* hacer un cambio = make + change.

* impulsor del cambio = driver of change.

* introducir un cambio = bring + change.

* libre cambio = laissez-faire.

* línea internacional de cambio de fecha, la = International Date Line, the.

* lograr un cambio = accomplish + change.

* los constantes cambios de = the changing face of, the changing nature of.

* momento clave del cambio = tipping point.

* moneda de cambio = bargaining chip.

* mostrar por medio de cambio de intensidad en el brillo = flash up.

* motor del cambio = driver of change.

* no hacer ningún cambio = stand + pat.

* no sufrir cambios = remain + normal.

* ocasionar un cambio = bring about + change, trigger + change.

* operación de cambio de sexo = sex-change surgery, sex-change operation.

* permanecer sin cambios = remain + unchanged.

* proceso de cambio = process of change.

* producir un cambio = effect + change, produce + change, trigger + change.

* provocar cambios = wreak + changes.

* provocar un cambio = bring about + change.

* reacio al cambio = resistant to change.

* realizar un cambio = make + alteration, implement + change.

* repercusiones del cambio = impact of change.

* resistente al cambio = resistant to change.

* ritmo del cambio = rate of change, pace of change.

* ser susceptible de cambios = be subject to change.

* sin cambio = inviolate.

* sin cambios = monotone, stable, undisturbed, unchanged, unmodified, unaltered, unedited.

* subsidio para cambio de residencia = resettlement allowance.

* suceder un cambio = occur + change.

* sucesión de cambios bruscos = roller coaster ride, roller coaster.

* sufrir un cambio = experience + change, undergo + change.

* suponer un cambio = bring about + change.

* trabajar a cambio de nada = work for + nothing.

1) pred. (over) vorbei; vorüber

2) attrib. (previous) früher; vergangen; früher, ehemalig [Präsident, Vorsitzende usw.]

3) (just gone by) letzt...; vergangen

4) (Ling.)

1) Vergangenheit, die; (that which happened in the past) Vergangene, das; Gewesene, das

2) (Ling.) Vergangenheit, die

1) (beyond in time) nach; (beyond in place) hinter (+ Dat.)

2) (not capable of)

* * *

1) (just finished: the past year.) vergangen

2) (over, finished or ended, of an earlier time than the present: The time for discussion is past.) vorbei

3) ((of the tense of a verb) indicating action in the past: In `He did it', the verb is in the past tense.) Vergangenheit(s)-...

1) (up to and beyond; by: He ran past me.) hinterher

2) (after: It's past six o'clock.) nach

1) (a person's earlier life or career, especially if secret or not respectable: He never spoke about his past.) die Vergangenheit

2) (the past tense: a verb in the past.) früher

•

- the past

* * *

[pɑ:st, AM pæst]

I. n no pl

1. (not present) Vergangenheit f; (past life) Vorleben nt

she was somebody with a \past sie war eine Frau mit Vergangenheit

to have a \past eine [dubiose] Vergangenheit haben

in the \past in der Vergangenheit, früher

to live in the \past in der Vergangenheit leben

2. LING (in grammar) Vergangenheit[sform] f

the verb is in the \past das Verb steht in der Vergangenheit

II. adj inv

1. (preceding) vergangen; (former) frühere(r, s)

I know this from \past experience ich weiß das aus meinen früheren Erfahrungen

over the \past two days während der letzten beiden Tage

in centuries/years \past ( liter) in früheren Jahrhunderten/Jahren

the \past decade/year das letzte [o vergangene] Jahrzehnt/Jahr

\past generations frühere Generationen

sb's \past life jds Vorleben

for the \past five weeks während der letzten fünf Wochen

2. attr (no longer in office) frühere(r, s)

\past president ehemaliger Präsident

3. (over) vorüber, vorbei

what's \past is \past was vorbei ist, ist vorbei

III. adv inv vorbei, vorüber

to go \past sb/sth an jdm/etw vorbeigehen; vehicle an jdm/etw vorbeifahren

to jog \past vorbeilaufen

▶ to not put it \past sb to do sth jdn für fähig halten [o jdm zutrauen], etw zu tun

IV. prep

1. (to other side) an + dat... vorbei; (at other side) hinter + dat

, nach + dat

just \past the post office gleich hinter der Post

to go/drive/walk \past vorbeigehen/-fahren/-laufen

2. (after the hour of) nach + dat

it's quarter \past five es ist Viertel nach Fünf

3. (beyond)

▪ to be \past sth jenseits von etw dat sein

it was \past description es war unbeschreiblich

do what you want, I'm \past caring mach was du willst, mir ist es mittlerweile egal

she's \past the age where one needs a babysitter sie ist aus dem Alter heraus, in dem man einen Babysitter braucht

he's \past retirement age er ist über dem Rentenalter

the meat was \past the expiration date das Fleisch hatte das Verfallsdatum überschritten

to not put sth \past sb jdm etw zutrauen

to be \past it ( pej hum) zu alt dafür sein

4. (further than) über + akk... hinaus

he can't see \past the issue er kann einfach nicht über die Sache hinaus sehen

I just can't get \past the idea ich werde den Gedanken einfach nicht los

* * *

1. adj

1) frühe(r, s) attr, vergangene(r, s) attr

2) (GRAM)

2. n

1) Vergangenheit f

2) (GRAM) Vergangenheit f, Präteritum nt

3. prep

1) (motion) an (+dat)... vorbei or vorüber; (position = beyond) hinter (+dat), nach (+dat)

2) (time) nach (+dat)

3) (= beyond) über (+acc)

4. adv

* * *

past [pɑːst; US pæst]

A adj

1. vergangen, verflossen, ehemalig:

those days are past die(se) Zeiten sind vorüber;

for some time past seit einiger Zeit;

learn from past mistakes aus Fehlern in der Vergangenheit lernen;

that’s (all) past history umg das gehört der Vergangenheit an, das ist Schnee von gestern

2. LING Vergangenheits…:

past participle Partizip n Perfekt, Mittelwort n der Vergangenheit;

past perfect Plusquamperfekt n, Vorvergangenheit f;

past tense Vergangenheit f, Präteritum n

3. vorig(er, e, es), früher(er, e, es), ehemalig(er, e, es):

B s

1. Vergangenheit f: → thing² 3

2. (persönliche, oft dunkle) Vergangenheit, Vorleben n:

a woman with a past eine Frau mit Vergangenheit

3. LING Vergangenheit(sform) f

C adv (örtlich und zeitlich) vorbei…, vorüber…:

run past vorbeilaufen

D präp

1. (zeitlich) nach, über (akk):

half past seven halb acht;

it’s past three es ist drei (Uhr) durch;

she is past forty sie ist über vierzig

2. a) (örtlich) an … (dat) vorbei oder vorüber:

b) hinter (dat):

3. fig über … (akk) hinaus:

they are past caring sie kümmert das alles nicht mehr;

I would not put it past him umg

a) das traue ich ihm glatt oder ohne Weiteres zu,

b) ich traue es ihm glatt oder ohne Weiteres zu ( to do sth dass er etwas tut);

I would not put it past him to forget it umg er ist imstande und vergisst es;

he’s past it umg er hat seine beste Zeit hinter sich;

my car’s past it umg mein Wagen machts nicht mehr lang;

he’s getting past it umg er kommt allmählich in die Jahre

p. abk

1. page S.

2. part T.

3. LING participle Part.

4. past

5. Br penny, pence

6. per

7. post, after

8. power

* * *

1) pred. (over) vorbei; vorüber

2) attrib. (previous) früher; vergangen; früher, ehemalig [Präsident, Vorsitzende usw.]

3) (just gone by) letzt...; vergangen

4) (Ling.)

1) Vergangenheit, die; (that which happened in the past) Vergangene, das; Gewesene, das

2) (Ling.) Vergangenheit, die

1) (beyond in time) nach; (beyond in place) hinter (+ Dat.)

2) (not capable of)

* * *

beendet adj.

vergangen adj.

vorüber adj. n.

Vergangenheit f.

1) determine smth. determine a man's character (smb.'s career, smb.'s future, one's course of action, smb.'s examination mark, etc.) определять характер человека и т. д., demand determines supply спрос определяет предложение; quality determines price цены определяются качеством /зависят от качества/

2) determine smth. determine the time (the position of a star, the meaning of a word, etc.) определять /устанавливать/ время и т. д.; they had to determine the exact height of the hill им нужно было точно выяснить /вычислить/ высоту холма; how can we determine the value (the price) of this book? как нам определить /установить/ ценность (цену) этой книги?

3) determine smth. determine a case (the rights and wrongs of the case, the problem, etc.) решать [судебное] дело и т. д., выносить решение по какому-л. делу или вопросу и т. д.

4) determine smb. these facts (the news, his letters, reflections, etc.) determined me эти факты и т. д. утвердили /укрепили/ меня в моем решении

1) be determined at some time his fate has not yet been determined его судьба еще не решена; be determined by smth. be determined by events (by circumstances, by the amount, etc.) зависеть от событий и т. д., быть обусловленным событиями и т. д.', his behaviour was largely (often, finally, certainly, etc.) determined by the situation на его поведение главным образом и т. д. повлияла ситуация; her answer was determined by her mood причиной такого ответа было ее настроение

2) be determined how is the speed of light (the size of the house, the height of the tree, etc.) determined? как вычисляют скорость света и т. д.?

   Franco-British supersonic aircraft, in service from 1976 to 2003: the world's only supersonic commercial airliner. Concorde had a distinguished career, until this was brought to a stop following a fatal accident in the year 2000, at Gonesse, near Paris. All Concordes were withdrawn from service (by BA and Air France) following this disaster, and though the plane later took to the air again, commercial operations were stopped in 2003, following further fears about the plane's safety. Concorde was a magnificent product of the brave new world of 1960's optimism, designed at a time when environmental considerations and fuel economy were just not issues. Its extravagent operating costs meant that it was never really profitable except on the London-New York route, and was never bought by any airlines other than the British and French national flag carriers. It was nonetheless a magnificent symbol of prestige, used by Presidents and other VIPs, as well as a fantastic technological achievement. This technological prowess seems even more significant, when one remembers that Concorde was designed and built at a time when computer operated systems were in their infancy.

nothing ⇒ Usage note: nothing

A pron

1 (no item, event, idea) rien ; ( as object of verb) ne…rien ; ( as subject of verb) rien…ne ; she says nothing elle ne dit rien ; I knew nothing about it je n'en savais rien ; we saw nothing nous n'avons rien vu ; we can do nothing (about it) nous n'y pouvons rien ; there's nothing in the fridge il n'y a rien dans le frigidaire® ; nothing can alter the fact that rien ne peut changer le fait que ; nothing could be further from the truth rien n'est plus faux ; can nothing be done to help? est-ce qu'on ne peut rien faire pour aider? ; nothing happened il ne s'est rien passé ; they behaved as if nothing had happened ils ont fait comme si de rien n'était ; there's nothing to drink il n'y a rien à boire ; I've got nothing to wear je n'ai rien à me mettre ; you have nothing to lose vous n'avez rien à perdre ; there's nothing to stop you leaving rien ne t'empêche de partir ; we've had nothing to eat nous n'avons rien mangé ; you did nothing at all to stop them tu n'as absolument rien fait pour les arrêter ; next to nothing presque rien ; nothing much pas grand-chose ; there's nothing much on TV il n'y a pas grand-chose à la télé ○ ; nothing much happens here il ne se passe pas grand-chose ici ; I've nothing much to tell je n'ai pas grand-chose à raconter ; nothing more rien de plus ; we ask for nothing more nous ne demandons rien de plus ; is there nothing more you can do? vous ne pouvez rien faire de plus? ; she's just a friend, nothing more or less c'est une amie, c'est tout ; nothing else rien d'autre ; there's nothing else for us il n'y a rien d'autre pour nous ; nothing else matters rien d'autre ne compte, il n'y a que ça qui compte ; she thinks about nothing else elle ne pense à rien d'autre, elle ne pense qu'à cela ; there's nothing else one can say il n'y a rien d'autre à dire ; if nothing else it will be a change for us au moins ça nous changera les idées ; to have nothing against sb/sth ne rien avoir contre qn/qch ; to have nothing to do with ( no connection) ne rien avoir à voir avec ; (no dealings, involvement) ne rien avoir à faire avec ; the drop in sales has nothing to do with the scandal la baisse des ventes n'a rien à voir avec le scandale ; it had nothing to do with safety ça n'avait rien à voir avec la sécurité ; he had nothing to do with the murder il n'avait rien à voir avec le meurtre, il n'était pour rien dans le meurtre ; I had nothing to do with it! je n'y étais pour rien! ; that's got nothing to do with it! ça n'a rien à voir! ; she will have ou she wants nothing to do with it/us elle ne veut rien avoir à faire avec ça/nous ; it's nothing to do with us ça ne nous regarde pas ; she acts as though it had nothing to do with her elle fait comme si ça ne la concernait pas ; to come to nothing n'aboutir à rien ; to stop at nothing ne reculer devant rien (to do pour faire) ; to have nothing on ( no clothes) être nu ; (no engagements, plans) n'avoir rien de prévu ; you've got nothing on me ○ ! ( to incriminate) vous n'avez rien contre moi! ; he's got nothing on you ○ ! ( to rival) il ne t'arrive pas à la cheville ○ ! ; Paris has nothing on this ○ ! Paris ne peut pas rivaliser avec ça! ;

2 ( emphasizing insignificance) rien ; a fuss about nothing une histoire pour (un) rien ; to get upset over nothing s'énerver pour (un) rien ; we were talking about nothing much nous parlions de tout et de rien ; to count for nothing ne compter pour rien ; he means ou is nothing to me il n'est rien pour moi ; so all this effort means nothing to you? alors tout ce travail t'est complètement égal? ; it meant nothing to him ça lui était complètement égal (that, whether que + subj) ; the names meant nothing to him les noms ne lui disaient rien ; he cares nothing for convention sout il se moque des conventions ; to think nothing of doing ( consider normal) trouver tout à fait normal de faire ; ( not baulk at) ne pas hésiter à faire ; I thought nothing of it until the next day ça m'a paru tout à fait normal jusqu'au lendemain ; think nothing of it! ce n'est rien! ; it was nothing to them to walk miles to school ils trouvaient tout à fait normal de faire des kilomètres à pied pour aller à l'école ; there's nothing to driving a truck ce n'est rien de conduire un camion ; there' s really nothing to it! c'est tout ce qu'il y a de plus facile! ;

3 ( very little indeed) lit, fig rien ; she's four foot nothing ≈ elle ne fait pas plus d'un mètre vingt, elle fait un mètre vingt à tout casser ○ ; it costs next to nothing ça ne coûte presque rien ; for nothing ( for free) gratuitement, gratis ○ ; ( pointlessly) pour rien ; it's money for nothing c'est de l'argent vite gagné ; all this work for nothing tout ce travail pour rien ; they aren't called skyscrapers for nothing ce n'est pas pour rien qu'on appelle ça des gratte-ciel ; not for nothing is he known as… ce n'est pas pour rien qu'il est connu comme… ; I'm not English for nothing! hum je ne suis pas anglais pour rien! ;

4 (indicating absence of trait, quality) nothing serious/useful rien de grave/d'utile ; nothing too fancy rien de très compliqué ; nothing interesting, nothing of any interest rien d'intéressant ; nothing new to report rien de nouveau à signaler ; have they nothing cheaper? est-ce qu'ils n'ont rien de moins cher? ; there's nothing unusual about doing il n'y a rien d'extraordinaire à faire ; there's nothing unusual about it ça n'a rien d'extraordinaire ; it seems easy but it's nothing of the kind cela paraît facile mais il n'en est rien ; nothing of the kind should ever happen again une chose pareille ne devrait jamais se reproduire ; you'll do nothing of the sort! tu n'en feras rien! ;

5 (emphatic: setting up comparisons) it's nothing like that at all! ce n'est pas ça du tout! ; there's nothing like the sea air for doing il n'y a rien de tel que l'air marin pour faire ; there's nothing like seeing old friends revoir de vieux amis, il n'y a rien de tel ; there's nothing like it! il n'y a rien de tel or de mieux! ; there's nothing so embarrassing as doing il n'y a rien d'aussi gênant que de faire ; I can think of nothing worse than je ne peux rien imaginer de pire que ; there's nothing more ridiculous than il n'y a rien de plus ridicule que ; that's nothing to what he'll do if he finds out that ce n'est rien comparé à or à côté de ce qu'il fera quand il découvrira que ; the hive resembles nothing so much as a business la ruche ressemble tout à fait à une entreprise ; to say nothing of sans parler de ; detested by his colleagues to say nothing of the students détesté par ses collègues sans parler des étudiants ;

6 (no element, part) to know nothing of ne rien savoir de [truth, events, plans] ; he knows nothing of the skill involved il n'imagine pas la technique que cela implique ; we heard nothing of what was said nous n'avons rien entendu de ce qui s'est dit ; he has nothing of the aristocrat about him il n'a rien d'un aristocrate ; there was nothing of the exotic in the place l'endroit n'avait rien d'exotique ;

7 (no truth, value, use) you get nothing out of it ça ne rapporte rien ; there's nothing in it for me ça n'a aucun intérêt pour moi ; there's nothing in it (in gossip, rumour) il n'y a rien de vrai là-dedans ; (in magazine, booklet) c'est sans intérêt.

B adv

1 ( in no way) it is nothing like as important/difficult as c'est loin d'être aussi important/difficile que ; it's nothing like enough! c'est loin d'être suffisant! ; the portrait looks nothing like her le portrait ne lui ressemble pas du tout ; she is nothing like her sister elle ne ressemble pas du tout à sa sœur ; the city is nothing like what it was la ville n'est plus du tout ce qu'elle était ;

2 (emphatic: totally, only) it's nothing short of brilliant/disgraceful c'est tout à fait génial/scandaleux ; nothing short of a miracle can save them il n'y a qu'un miracle qui puisse les sauver ;

3 (emphatic: decidedly) she's nothing if not original in her dress le moins qu'on puisse dire c'est qu'elle s'habille de façon originale ; I'm nothing if not stubborn! le moins qu'on puisse dire c'est que je suis têtu!

C adj to be nothing without sb/sth ne rien être sans qn/qch ; he's nothing without you/his career il n'est rien sans toi/sa carrière.

D n

1 ( nothingness) néant m ;

2 ( trivial matter) it's a mere nothing compared to ce n'est pratiquement rien par rapport à ; ⇒ sweet.

E nothing but adv phr he's nothing but a coward ce n'est qu'un lâche ; they've done nothing but moan ○ ils n'ont fait que râler ○ ; it' s caused me nothing but trouble ça ne m'a valu que des ennuis ; nothing but the best for me! je ne veux que ce qu'il y a de meilleur! ; she has nothing but praise for them elle ne tarit pas d'éloges sur eux.

F nothing less than adv phr it's nothing less than a betrayal c'est une véritable trahison ; they want nothing less than reunification ils ne seront satisfaits que quand il y aura la réunification ; nothing less than real saffron will do il n'y a que du vrai safran qui fera l'affaire.

G nothing more than adv phr it's nothing more than a strategy to do ce n'est qu'une stratégie pour faire ; the stories are nothing more than gossip ces histoires ne sont rien d'autre que des ragots ; they'd like nothing more than to do ils ne demandent pas mieux que de faire.

nothing doing ○ ! ( outright refusal) pas question ○ ! ; ( no chance of success) pas moyen ○ ! ; there's nothing doing at the office ○ il ne se passe rien au bureau ; there was nothing for it but to call the doctor GB il ne restait plus qu'à faire venir le médecin ; there's nothing for it! GB il n'y a rien à faire ; you get nothing for nothing on n'a rien sans rien.

finish ['fɪnɪʃ]

fin ⇒ 1 (a) finitions ⇒ 1 (b) finition ⇒ 1 (c) finish ⇒ 1 (d) finir ⇒ 2 (a), 2 (d), 3 terminer ⇒ 2 (a) se terminer ⇒ 3

1 noun

(a) (end, closing stage → of life, game etc) fin f; (→ of race) arrivée f;

∎ a close finish (in race) une arrivée serrée ou dans un mouchoir;

∎ to fight to the finish se battre jusqu'au bout;

∎ it was a fight to the finish la partie fut serrée;

∎ to be in at the finish voir la fin;

∎ she was exhausted by the finish sur la fin elle était épuisée;

∎ that was the finish of him ce fut le coup de grâce;

∎ Stock Exchange price at the finish prix m de clôture;

∎ Stock Exchange trading at the finish opérations fpl de clôture;

∎ Stock Exchange shares were up at the finish les actions étaient en hausse à la clôture

(b) (created with paint, varnish, veneer) finitions fpl;

∎ paint with a gloss/matt finish peinture f vernie/mate;

∎ paper with a gloss/matt finish papier m glacé/mat;

∎ stained with a walnut finish teinté imitation noyer;

∎ car with a metallic/silver finish voiture f métallisée/argentée

(c) (quality of workmanship, presentation etc) finition f;

∎ his prose/acting lacks finish sa prose/son jeu manque de poli

(d) Sport (of athlete) finish m

(e) (shot at goal) but m;

∎ a superb finish un but magnifique

2 transitive verb

(a) (end, complete → work, meal, school) finir, terminer, achever; (→ race) finir, terminer; (consume → supplies, food, drink) finir, terminer;

∎ to finish doing sth finir ou terminer de faire qch;

∎ when do you finish work? (time) à quelle heure est-ce que tu finis?; (date) quand ou à quelle date finis-tu?;

∎ to finish what one was saying finir ce qu'on avait à dire;

∎ to be in a hurry to get sth finished être pressé de finir ou terminer qch;

∎ finish your drinks finissez ou videz vos verres

(b) (ruin → someone's career) mettre un terme à; (→ someone's chances) détruire, anéantir;

∎ that was the scandal that finished him c'est le scandale qui l'a achevé

(c) (exhaust) achever, tuer

(d) (put finish on → wood, garment) finir, mettre les finitions à; Metallurgy (part) usiner;

∎ Sewing to finish a buttonhole brider une boutonnière;

∎ the wood hasn't been very well finished le bois présente des aspérités;

∎ the paintwork hasn't been very well finished la peinture n'a pas été très bien faite

3 intransitive verb

(come to an end → concert, film etc) (se) finir, se terminer, s'achever; (complete activity → person) finir, terminer;

∎ to finish by doing sth finir ou terminer en faisant qch;

∎ when does the concert finish? à quelle heure le concert (se) finit-il ou se termine-t-il ou s'achève-t-il?;

∎ when do you finish? (leave work) quand est-ce que tu finis?;

∎ please let me finish (speaking) s'il te plaît, laisse-moi finir ou terminer;

∎ to finish first/third (in race) arriver premier/troisième;

∎ where did he finish? (in race) en quelle position est-il arrivé ou a-t-il fini?;

∎ the runner finished strongly/well (in race) le coureur a fini fort/a bien fini;

∎ the book finishes with him returning to the family house à la fin du livre il retourne à la maison familiale

►► American Sport finish line ligne f d'arrivée

➲ finish off

1 intransitive verb

(in speech, meal) finir, terminer;

∎ they finished off with a coffee/by singing the national anthem ils ont terminé par un café/en chantant l'hymne national

2 separable transitive verb

(a) (complete → work, letter) finir, terminer, achever; (→ passing move in sport) terminer, finir, conclure

(b) (consume → drink) finir, terminer

(c) (kill → person, wounded animal) achever; figurative (exhaust → person) achever, tuer;

∎ figurative fierce competition finished the industry off une concurrence féroce a eu raison de cette industrie

➲ finish up

1 intransitive verb

(end up) finir;

∎ to finish up in jail/hospital finir en prison/à l'hôpital;

∎ they finished up arguing ils ont fini par se disputer;

∎ she finished up a nervous wreck à la fin c'était une vraie boule de nerfs, elle a fini à bout de nerfs;

∎ you might finish up dead tu risques de te faire tuer

2 separable transitive verb

(meal, food, drink) finir, terminer;

∎ finish up your drink finissez ou terminez ou videz votre verre

➲ finish with inseparable transitive verb

(a) (have no further use for) ne plus avoir besoin de;

∎ have you finished with the paper/milk? tu n'as plus besoin du journal/du lait?, tu as fini avec le journal/le lait?;

∎ I haven't finished with it yet j'en ai encore besoin

(b) (stop doing) en finir avec;

∎ I've finished with journalism for good j'en ai fini à jamais avec le journalisme, moi et le journalisme, c'est fini;

∎ I've finished with trying to help people plus jamais je n'essaierai d'aider les gens

(c) (end relationship with) rompre avec;

∎ she finished with her boyfriend elle a rompu avec son petit ami

(d) (stop punishing) régler son compte à;

∎ just wait till I finish with him attends que je lui règle son compte, attends que j'en aie fini avec lui;

∎ I haven't finished with you yet je n'en ai pas encore fini avec toi

(1880–1949) Gen Mgt

Australian psychologist and academic. Responsible for finding, through the Hawthorne experiments, that job satisfaction increases through employee participation in decision making, rather than through short-term incentives. The results of the Hawthorne studies were published in Mayo’s The Human Problems of an Industrial Civilization (1933), and were further publicized by one of his collaborators, Fritz Jules Roethlisberger. Mayo is recognized as the founder of the human relations school of management.

     In the early part of his career, Mayo studied in London and Edinburgh and taught at Queensland University. He arrived in the United States in 1923 and worked at the University of Pennsylvania before moving to Harvard. It was while he was at Harvard that Mayo became involved in the Hawthorne Studies.

SUBJECT AREA: Metallurgy

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Alleyne was the heir to a baronetcy created in 1769, which he succeeded to on the death of his father in 1870. He was educated at Harrow and at Bonn University, and from 1843 to 1851 he was Warden at Dulwich College, to the founder of which the family claimed to be related.

Alleyne's business career began with a short spell in the sugar industry at Barbados, but he returned to England to enter Butterley Iron Works Company, where he remained for many years. He was at first concerned with the production of rolled-iron girders for floors, especially for fireproof flooring, and deck beams for iron ships. The demand for large sections exceeded the capacity of the small mills then in use at Butterley, so Alleyne introduced the welding of T-sections to form the required H-sections.

In 1861 Alleyne patented a mechanical traverser for moving ingots in front of and behind a rolling mill, enabling one person to manipulate large pieces. In 1870 he introduced his major innovation, the two-high reversing mill, which enabled the metal to be passed back and forth between the rolls until it assumed the required size and shape. The mill had two steam engines, which supplied the motion in opposite directions. These two inventions produced considerable economies in time and effort in handling the metal and enabled much heavier pieces to be processed.

During Alleyne's regime, the Butterley Company secured some notable contracts, such as the roof of St Paneras Station, London, in 1868, with the then-unparalleled span of 240 ft (73 m). The manufacture and erection of this awe-inspiring structure was a tribute to Alleyne's abilities. In 1872 he masterminded the design and construction of the large railway bridge over the Old Maas at Dordrecht, Holland. Alleyne also devised a method of determining small quantities of phosphorus in iron and steel by means of the spectroscope. In his spare time he was a skilled astronomical observer and metalworker in his private workshop.

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SUBJECT AREA: Ports and shipping

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At the conclusion of his apprenticeship at the Royal Dockyard, Portsmouth, Biles entered the Royal School of Naval Architecture, South Kensington, London; as it was absorbed by the Royal Naval College, he graduated from Greenwich to the Naval Construction Branch, first at Pembroke and later at the Admiralty. From the outset of his professional career it was apparent that he had the intellectual qualities that would enable him to oversee the greatest changes in ship design of all time. He was one of the earliest proponents of the revolutionary work of the hydrodynamicist William Froude.

In 1880 Biles turned to the merchant sector, taking the post of Naval Architect to J. \& G. Thomson (later John Brown \& Co.). Using Froude's Law of Comparisons he was able to design the record-breaking City of Paris of 1887, the ship that started the fabled succession of fast and safe Clyde bank-built North Atlantic liners. For a short spell, before returning to Scotland, Biles worked in Southampton. In 1891 Biles accepted the Chair of Naval Architecture at the University of Glasgow. Working from the campus at Gilmorehill, he was to make the University (the oldest school of engineering in the English-speaking world) renowned in naval architecture. His workload was legendary, but despite this he was admired as an excellent lecturer with cheerful ways which inspired devotion to the Department and the University. During the thirty years of his incumbency of the Chair, he served on most of the important government and international shipping committees, including those that recommended the design of HMS Dreadnought, the ordering of the Cunarders Lusitania and Mauretania and the lifesaving improvements following the Titanic disaster. An enquiry into the strength of destroyer hulls followed the loss of HMS Cobra and Viper, and he published the report on advanced experimental work carried out on HMS Wolf by his undergraduates.

In 1906 he became Consultant Naval Architect to the India Office, having already set up his own consultancy organization, which exists today as Sir J.H.Biles and Partners. His writing was prolific, with over twenty-five papers to professional institutions, sundry articles and a two-volume textbook.

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SUBJECT AREA: Paper and printing

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Blickensderfer was educated at the academy in Erie and at Allegheny College. He seems to have followed a business career, and in the course of his travels he became aware of the need for a simple, durable, but portable typewriter. He was in business in Stanford, Connecticut, where he developed but did not patent a number of typewriters, including a machine in which a type wheel could print short words such as "an" and "as" by depressing a single key. In 1889 he set up the Blickensderfer Manufacturing Company to perfect and mass-produce the machine he had in mind. He needed two years to test and perfect the model, and in 1891 work started on the factory that was to manufacture it. On the verge of mass-production in 1893, he produced a few machines for the Chicago World Exhibition in that year. Their success was sensational, and the "Blickensderfer" received the highest accolades from the judges, who hailed it as "extraordinary progress in the art of typewriting". The "Blickensderfer" appeared with successive modifications in the following years: they were durable, lightweight machines, with interchangeable type wheels, and were the first widely-used readily-portable typewriters.

Around 1902 Blickensderfer produced the first electric typewriter. A few electric machines were produced and some were sent to Europe, including England, but they are now very rare. One Blick Electric has been preserved in the Beeching Typewriter Collection in Bournemouth, England.

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