silver+river

1911-1972

   Prestigioso montador de productos interesantes durante los anos 40 para 20th Century-Fox, debuta como director en 1951 con As Young as You Feel, en la que tiene un papel destacado Marilyn Monroe. Despues de once peliculas no demasiado relevantes, en 1957 se introdujo en el mundo de la television, donde realizo diversos episodios de series, de nuevo sin excesivo exito. A partir de entonces solo dirigio tres nuevos filmes, uno de ellos el que es, probablemente, uno de sus mejores largometrajes, La mujer del latigo.

   FILMOGRAFIA

    The Silver Whip. 1953. 72 minutos. Blanco y Negro. Fox. Dale Robertson, Rory Calhoun, Robert Wagner, Kathleen Crowley.

    City of Bad Men. 1953. 82 minutos. Technicolor. Fox. Jeanne Crain, Dale Robertson, Richard Boone.

    A Day of Fury. 1956. 78 minutos. Technicolor. Universal. Dale Robertson, Mara Corday, Jock Mahoney.

    Canyon River. 1956. 80 minutos. Color DeLuxe. CinemaScope. Allied. George Montgomery, Marcia Henderson, Peter Graves.

    Bullwhip (La mujer del latigo). 1958. 80 minutos. Color DeLuxe. CinemaScope. Allied. Guy Madison, Rhonda Fleming, James Griffith.

1894-1975

   El nombre de Joseph Kane se asocia de forma indisoluble a una productora, Republic, de principio a fin. Kane habia dirigido en 1935 un serial para Mascot, que junto con otras pequenas productoras se asociaron para fundar Republic ese mismo ano. Desde esa fecha hasta 1958, en que la productora desaparece, Kane es uno de sus directores mas prolificos. Estamos ante uno de los grandes nombres del western, en cantidad, ya que no en calidad. Entre 1934 y 1975 trabaja en no menos de 120 peliculas, la inmensa mayoria de las cuales pertenecen al genero que nos ocupa. Trabaja con Gene Autry, John Wayne, Robert Livingston, Roy Rogers, Bill Elliott, en tre otros. Despues dirigira algunos episodios de se ries de television y otras cuatro peliculas. Sus mejores filmes son, sin duda, Titanes de la montana y Los indomables, ya al final de su carrera.

   FILMOGRAFIA

    Tumbling Tumbleweeds. 1935. 57 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Lucile Browne.

    Melody Trail. 1935, 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.

    The Sagebrush Troubadour. 1935. 54 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Barbara Pepper.

    The Lawless Nineties. 1936. 55 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.

    King of the Pecos. 1936. 54 minutos. Blanco y Negro. Republic. John Wayne, Muriel Evans.

    The Lonely Trail. 1936. 58 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.

    Oh, Susanna! 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.

    Ride Ranger Ride. 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Kay Hugues.

    Ghost-Town Gold. 1936. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Kay Hugues, Max Terhune.

    The Old Corral. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Hope Manning.

    Guns and Guitars. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Dorothy Dix.

    Git Along. Little Dogies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.

    Round-Up Time in Texas. 1937. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Maxine Doyle.

    Gunsmoke Ranch. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Julia Thayer, Max Terhune.

    Come On, Cowboys! 1937. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Maxine Doyle, Max Terhune.

    Yodelin’ Kid from Pine Ridge. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Betty Bronson.

    Public Cowboy No. 1. 1937. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.

    Heart of the Rockies. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Lynn Roberts, Max Terhune.

    Boots and Saddles. 1937. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.

    Springtime in the Rockies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Polly Rowles.

    The Old Barn Dance. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Helen Valkis.

    Arson Gang Busters. 1938. 65 minutos. Blanco y Negro. Republic. Robert Livingston, Rosalind Keith.

    Under Western Stars. 1938. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Smiley Burnette, Carol Hugues.

    Gold Mine in the Sky. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.

    The Man from Music Mountain. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hughes.

    Billy the Kid Returns. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Hart (Lynne Roberts).

    Come On, Rangers. 1938. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).

    Shine On, Harvest Moon. 1938. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).

    Rough Riders’ Round-Up. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).

    Frontier Pony Express. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).

    Southward Ho. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).

    In Old Caliente. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).

    Wall Street Cowboy. 1939. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Ann Baldwyn, George Hayes, Raymond Hatton.

    In Old Monterey. 1939. 74 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.

    The Arizona Kid. 1939. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Dorothy Sebastian, George Hayes.

    Saga of Death Valley. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Doris Day, George Hayes.

    Days of Jesse James. 1939. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.

    Young Buffalo Bill. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.

    The Carson City Kid. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, Bob Steele.

    The Ranger and the Lady. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Julie Bishop, George Hayes.

    Colorado. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.

    Young Bill Hickcok. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.

    The Border Legion. 1940. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Hugues, George Hayes.

    Robin Hood of the Pecos. 1941. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Marjorie Reynolds, George Hayes.

    In Old Cheyenne. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Joan Woodbury, George Hayes.

    Sheriff of Tombstone. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Elyse Knox, George Hayes.

    Nevada City. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.

    Bad Man of Deadwood. 1941. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Adams, George Hayes.

    Jesse James at Bay. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Gale Storm, Sally Payne, George Hayes.

    Red River Valley. 1941. 62 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.

    Man from Cheyenne. 1942. 60 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.

    South of Santa Fe. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes.

    Sunset on the Desert. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Lynne Carver, George Hayes.

    Romance on the Range. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.

    Sons of the Pioneers. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon, George Hayes.

    Sunset Serenade. 1942. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Helen Parrish, George Hayes.

    Heart of the Golden West. 1942. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, George Hayes, Smiley Burnette.

    Ridin’ Down the Canyon. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes, Bob Nolan.

    Idaho. 1943. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Virginia Grey, Smiley Burnette, Bob Nolan.

    King of the Cowboys. 1943. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Peggy Moran, Smiley Burnette, Bob Nolan.

    Song of Texas. 1943. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Sheila Ryan, Barton MacLane, Bob Nolan.

    Silver Spurs. 1943. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Phyllis Brooks, Smiley Burnette, Bob Nolan, John Carradine.

    The Man from Music Mountain. 1943. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Ferry, Bob Notan.

    Hands Across the Border (Cita en la frontera). 1944. 73 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, Bob Nolan.

    The Cowboy and the Senorita. 1944. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Lee, Dale Evans, Bob Nolan.

    The Yellow Rose of Texas. 1944. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Bob Nolan.

    Song of Nevada (La cancion de Nevada). 1944. 75 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Mary Lee, Bob Nolan.

    Flame of Barbary Coast (Algun dia volvere). 1945. 91 minutos. Blanco y Negro. Republic. John Wayne, Ann Dvorak.

    Dakota. 1945. 82 minutos. Blanco y Negro. Republic. John Wayne, Vera Ralston, Walter Brennan.

    In Old Sacramento. 1946. 89 minutos. Blanco y Negro. Republic. Bill Elliott, Constance Moore

    The Plainsman and the Lady. 1946. 87 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, Andy Clyde.

    Wyoming. 1947. 84 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, George Hayes.

    In Old Los Angeles. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Catherine McLeod, Andy Devine.

    The Gallant Legion. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Adele Mara, Adrian Booth, Andy Devine.

    The Plunderers. 1948. 87 minutos. Trucolor. Republic. Rod Cameron, Ilona Massey, Adrian Booth.

    The Last Bandit. 1949. 80 minutos. Trucolor. Republic. Bill Elliott, Adrian Booth, Forrest Tucker, Andy Devine.

    Brimstone. 1949. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker, Walter Brennan.

    Rock Island Trail. 1950. 90 minutos. Trucolor. Republic. Forrest Tucker, Adele Mara, Adrian Booth.

    The Savage Horde. 1950. 90 minutos. Blanco y Negro. Republic. Bill Elliott, Adrian Booth, Grant Whiters, Noah Beery, Jr.

    California Passage. 1950. 90 minutos. Blanco y Negro. Republic. Forrest Tucker, Adele Mara, Jim Davis.

    Oh! Susanna. 1951. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker.

    Woman of the North Country. 1952. 92 minutos. Trucolor. Republic. Ruth Hussey, Rod Cameron, John Agar, Gale Storm

    Ride the Man Down. 1952. 90 minutos. Trucolor. Republic. Brian Donlevy, Rod Cameron, Ella Raines.

    San Antone (Los rebeldes de San Antonio). 1953. 90 min. Blanco y Negro. Republic. Rod Cameron, Arleen Whelan, Katy Jurado, Forrest Tucker.

    Jubilee Trail (Extrana aventura). 1954. 103 minutos. Trucolor. Republic. Vera Ralston, Forrest Tucker, Joan Leslie.

    Hell’s Outpost. 1954. 90 minutos. Blanco y Negro. Republic. Rod Cameron, Joan Leslie, John Russell.

    Timberjack (Titanes de la montana). 1955. 94 minutos. Trucolor. Republic. Sterling Hayden, Vera Ralston.

    The Road to Denver. 1955. 90 minutos. Trucolor. Republic. John Payne, Mona Freeman, Lee J. Cobb.

    The Vanishing American (El ocaso de una raza). 1955. 90 minutos. Blanco y Negro. Republic. Scott Brady, Audrey Totter, Forrest Tucker.

    The Maverick Queen (Los indomables). 1956. 92 minutos. Trucolor. Natu rama. Republic. Barbara Stanwyck, Barry Sullivan, Scott Brady.

    Thunder Over Arizona. 1956. 70 minutos. Trucolor. Naturama. Republic. Skip Homeier, Kristine Miller.

    Duel at Apache Wells. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Anna Maria Alberguetti, Ben Cooper, Jim Davis.

    Spoilers of the Forest. 1957. 68 minutos. Trucolor. Naturama. Republic. Rod Cameron, Vera Ralston.

    The Last Stagecoach West. 1957. 67 minutos. Blanco y Negro. Naturama. Republic. Jim Davis, Mary Castle.

    Gunfire at Indian Gap. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Vera Ralston, Anthony George.

    The Lawless Eighties. 1958. 70 minutos. Blanco y Negro. Naturama. Republic. Buster Crabbe, John Smith, Marilyn Saris.

    Smoke in the Wind (co-d.: Andy Brennan). 1975. 98 minutos. Color. Gamalex. John Ashely, John Russell, Susan Houston, Walter Brennan.

1900-1979

   Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.

   FILMOGRAFIA

    Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.

    The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.

    Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.

    Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.

    Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.

    Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.

    Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.

    The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.

    Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.

    Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.

    Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.

    Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.

    Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.

    The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.

    The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.

    Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.

    Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.

    Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.

    The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.

    Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.

    Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.

    Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.

    The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.

    Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.

    Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.

    Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.

    Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.

    Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.

    The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.

    Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.

    Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.

    Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,

    Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.

    Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.

    Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.

    Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.

    Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.

    Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.

    Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.

    Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.

    Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.

    Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.

    Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.

    Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.

    Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.

    Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.

    Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.

    Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.

    Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.

    Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.

    Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.

    Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.

    The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.

    Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.

    Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.

    Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.

    Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.

    Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.

    Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.

    The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.

    Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.

    Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.

    Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.

    Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.

    Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.

    Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.

    Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.

    Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.

    The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.

    Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.

    Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.

    Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.

    Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.

    Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.

    The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.

    Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.

    Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin

    Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.

    Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.

    Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.

    Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.

    Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.

    Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.

    Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.

    Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.

    Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.

    The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.

    Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.

    Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.

    War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.

    Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.

    The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.

    Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.

    Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.

    Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.

    The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.

    Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.

    Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.

    Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.

    Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.

    The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.

    Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.

    War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.

    Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.

    Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.

    The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys

    Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.

    Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

1888-1952

   Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.

   FILMOGRAFIA

    The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.

    Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.

    Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.

    Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.

    Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.

    The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.

    Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.

    The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.

    The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.

    The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.

    Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.

    Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.

    The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.

    The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.

    The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.

    The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.

    The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.

    Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.

    Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.

    The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.

    Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.

    Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.

    Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.

    Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.

    The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.

    Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.

    Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.

    Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.

    Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.

    Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.

    West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.

    Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.

    Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.

    Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.

    Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.

    Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.

    Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.

    Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.

    Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.

    Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.

    Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.

    Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.

    Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.

    Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.

    Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.

    The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.

    Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.

    Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.

    The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.

    The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.

    The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.

    Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.

    Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Scott

    Range Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.

    The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.

    West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.

    Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.

    Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.

    Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.

    The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.

    Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.

    Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.

    Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.

    The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.

    Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.

    Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.

    Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.

    Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.

    The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.

    The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.

    The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.

    Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.

    The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.

    Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.

    Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.

    Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.

    Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.

    Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.

    Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.

    Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.

    Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.

    Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.

    Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.

    Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.

    West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune.

—

—

—

—

κοῖλος, η, ον, [dialect] Aeol.and [dialect] Ion. κοίϊλος, prob. in Alc.15.5, Mimn.12.6; [full] κόϊλος, α, ον, Anacr.9 ([comp] Comp. - ώτερα), cf. A.D.Pron.87.5, Hdn.Gr.2.927:—

A hollow, Hom.mostly as epith. of ships,

κ. νῆες Il.1.26

, al. (later κ. ναῦς hold of the ship, Hdt.8.119, X.HG1.6.19, D.32.5; so ἡ κ. alone, Theoc.22.12, Callix.1;

τὰ κ. App.BC5.107

); κ. λόχος, κ. δόρυ, of the Trojan horse, Od.4.277, 8.507;

κ. σπέος 12.93

;

κ. πέτρα A. Eu.23

, S.Ph. 1081 (lyr.); κ. κάπετος, of a grave, Il.24.797, S.Aj. 1165 (anap.), cf. Ant. 1205;

κ. τάφρος E.Alc. 898

(anap.);

κ. νάρθηξ Hes. Op.52

;

ἄχερδος S.OC 1596

; κ. φλέψ vena cava, Hp.Loc.Hom.3, Gal. 2.786, 4.668;

σφόνδυλος κ. Pl.R. 616d

; of vessels,

ἀγγήϊα Hdt.4.2

;

κρατήρ S.OC 1593

;

ζύγαστρον Id.Tr. 692

;

κύλικος.. κοῖλον κύτος Pl.

Com.189; κ. ἄργυρος καὶ χρυσός silver and gold plate, Theopomp. Hist.283a, cf. S.Fr. 378, Arist.Oec. 1350b23, etc.;

κ. ἐκκοπεύς Gal.10.445

; νόμισμα κ. dub. sens. in Numen. ap. Eus.PE11.18; sunk,

γράψαι εἰς σανίδα κοῖλα γράμματα SIG1011.15

(Chalcedon, iii/ii B.C.), cf. Longin.Rh.p.199 H. (but κ. γραμμή curved line, Hero Bel.75.15); ἀλέαν εἰς τὸ θύρωμα κοίλαν curved canopy, Rev.Arch.22.63 (Callatis, iii B.C.); κ. ὑποδήματα boots that reach to mid-leg, Ael.NA6.23 (

κοῖλα ποσσὶν ὑποδέδεσθε Ezek.Exag. 181

, cf. Poll.7.84); κ. δέμνια empty bed, S.Tr. 901; κ. χείρ, of a beggar, AP12.212 (Strat.);

κ. ἱστίον Poll.1.107

; κοῖλος μήν short month, Gem.8.3, cf.

κοιλοποιέομαι, κοῖλος 11.3

: [comp] Comp., -

ότερος ὁλμοῦ Epich.81

.

2 of Places, lying in a hollow or forming a hollow, κ. Λακεδαίμων the vale of L., Od.4.1;

κ. Θεσσαλίη Hdt.7.129

;

κ. Ἄργος S.OC 378

, 1387;

Αὐλίδος κ. μυχοί E. IA 1600

;

κ. τόποι Plb.3.18.10

: as pr.n., K. Συρία the district between Lebanon and Anti Lebanon, Id.1.3.1, etc.; τὰ K.

τῆς Εὐβοίης Hdt. 8.13

; ἡ K. the valley of the Ilissus, name of Attic deme, Id.6.103, etc.: [comp] Comp.,

κοιλότερα τῆς κάτωθεν χώρας Arist.Mete. 352b33

.

b κ. λιμήν harbour lying between high cliffs, Od.10.92; κ. αἰγιαλός embayed beach, 22.385;

ἐν τῷ κ. καὶ μυχῷ τοῦ λιμένος Th.7.52

.

c κ. ὁδός hollow way, Il.23.419;

κ. ἄγυια Pi.O.9.34

.

d κ. ποταμός a river nearly empty of water, Th.7.84;

τοῦ ποταμοῦ κοίλου ῥυέντος Socr.

ap. Ath.9.388a; but κ. ποταμός with deep bed, Plb.21.37.4.

e τὰ κ. καὶ τὰ δασέα ravines grown with copsewood, Ar.Nu. 325.

3 κ. ἅλς, θάλασσα, the sea full of hollows, i.e. with a heavy swell on, A.R. 2.595, Plb.1.60.6.

4 κ. νοσήματα internal complaints, Philostr. VA3.44.

II metaph.,

1 of the voice, hollow, κόχλον ἑλὼν μυκήσατο

κοῖλον Theoc.22.75

(though here κοῖλον may agree with κόχλον)

; φθέγγεσθαι κ. καὶ βαρύ Luc.Ner.6

, Philostr.VA3.38;

ὁ -ότατος τῶν φθόγγων Aristid.Quint.1.10

.

2 Philos., hollow, empty, void of content, αἱ κ. ἐνέργειαι, opp. αἱ ἀμείνους, Herm.in Phdr.p.170A.: more freq.in [comp] Comp., κοιλοτέρα θεωρία, ζωή, ib.pp.67,68A.; τὰ -ότερα, opp. τὰ ὑπέρτερα, ib.p.143 A., cf. Dam.Pr.96; χωρῶν πρὸς τὸ κ. ib. 379.

3 ἡμέραν κ. ποιεῖσθαι allow payments to lapse for a day (cf.

κοιλαίνω 11.2

), BGU1136.5 (i B.C.); οὐδεμίαν δόσιν κ. ποιεῖσθαι ib. 1146.15 (i B.C.).

III concave, τὸ κ., opp. τὸ κυρτόν, Arist.Ph. 222b3, EN 1102a31;

κοῖλα καὶ ἐσέχοντα Philostr.Im.2.20

; of military formations, Ascl.Tact.11.1.

2 bending, yielding,

κλῇθρα S. OT 1262

;

σταθμὰ θυράων Theoc.24.15

.

IV Subst. κοῖλον, τό, hollow, cavity, Pl.Phd. 109b, al.; esp. of cavities in the body,

τὰ κ. γαστρός E.Ph. 1411

; τὰ κ. [τῆς καρδίας] the ventricles, Arist.HA 496a13; τὸ κ. τῶν νεφρῶν ib. 497a11;

τὸ τῶν χειρῶν κ. Apollod.

ap. Ath. 11.479a;

τὸ κ. τοῦ.. ποδός Hp.Epid.5.48

: prov., τὸ κ. τοῦ ποδὸς δεῖξαι to show 'a clean pair of heels', Hsch.; τὰ κ. τῶν ὀφθαλμῶν, τοῦ προσώπου, Hp.Mul.2.119, Nat.Mul.9 codd. (sed leg. κύλα) ; τὰ κ. alone, hollows of the side, flanks, like κενεών, Arist.HA 630a3.

2 κοῖλος· θυρεών, οὐκ ἔχων θύρας, Hsch.

ποιέω, [dialect] Dor. [full] ποιϝέω IG4.800 ([place name] Troezen), etc.: [dialect] Ep. [tense] impf.

A

ποίεον Il. 20.147

; [var] contr.

ποίει 18.482

; [dialect] Ion.

ποιέεσκον Hdt.1.36

, 4.78: [tense] fut. ποιήσω: [tense] aor. ἐποίησα, [dialect] Ep.

ποίησα Il.18.490

: [tense] pf. πεποίηκα:—[voice] Med., [dialect] Ion. [tense] impf.

ποιεέσκετο Hdt.7.119

: [tense] fut.

ποιήσομαι Il.9.397

: in pass. sense, Hp.Decent.11, Arist.Metaph. 1021a23: [tense] aor. ἐποιησάμην, [dialect] Ep.

ποι- Od.5.251

, al.: [tense] pf. πεποίημαι in med. sense, And.4.22, Decr. ap. D. 18.29:—[voice] Pass., [tense] fut. ποιηθήσομαι ([etym.] μετα-) D.23.62, v. supr.;

πεποιήσομαι Hp.Mul.1.11

,37: [tense] aor.

ἐποιήθην Hdt.2.159

, etc. (used as [voice] Med. only in compd. προς-): [tense] pf.

πεποίημαι Il.6.56

, etc.:—[dialect] Att. [full] ποῶ (EM 679.24), etc., is guaranteed by metre in Trag. and Com., as

ποῶ S. OT 918

,

ποεῖν Id.Tr. 385

,

ποεῖς Ar.Ach. 410

, etc., and found in cod. Laur. of S., cod. Rav. of Ar., also IG12.39.6 ([etym.] ποήσω), 82.9 ([etym.] ποεῖ), 154.7 ([etym.] ἐποησάτην), etc.; but ποι- is always written before -οι, -ου, -ω in Inscrr.: πο- also in [dialect] Aeol.

πόημι πόης πόει PBouriant8.71

,75, Sapph. Supp.1.9, al., and Arc. ποέντω, = ποιούντων, IG5(2).6.9 (Tegea, iv B.C.); cf. ποιητής.

0-0 Used in two general senses, make and do.

A make, produce, first of something material, as manufactures, works of art, etc. (opp. πράττειν, Pl.Chrm. 163b), in Hom. freq. of building, π. δῶμα, τύμβον, Il.1.608,7.435;

εἴδωλον Od.4.796

; π. πύλας ἐν [πύργοις] Il.7.339; of smith's work, π. σάκος ib. 222;

ἐν [σάκεϊ] ποίει δαίδαλα πολλά 18.482

, cf. 490, 573: freq. in Inscrr. on works of art, Πολυμήδης ἐποίϝηh' (= ἐποίησε )

Ἀργεῖος SIG5

(vi B.C., cf. Class.Phil.20.139);

Θεόπροπος ἐποίει Αἰγινάτας SIG18

(vi/v B.C.), etc.; ἐποίησε Τερψικλῆς ib.3b(Milet., vi B.C.), etc.;

τίς.. τὴν λίθον ταύτην τέκτων ἐποίει; Herod.4.22

; εἵματα ἀπὸ ξύλων πεποιημένα made from trees, i.e. of cotton, Hdt.7.65;

ναὸν ἀπὸ τοῦ ἱεροῦ ἀργυρίου X.An. 5.3.9

;

πλοῖα ἐκ τῆς ἀκάνθης ποιεύμενα Hdt.2.96

;

καρβάτιναι πεποιημέναι ἐκ βοῶν X.An.4.5.14

: c. gen. materiae,

πωρίνου λίθου π. τὸν νηόν Hdt.5.62

;

ἔρυμα λίθων λογάδην πεποιημένον Th.4.31

;

φοίνικος αἱ θύραι πεποιημέναι X.Cyr.7.5.22

: rarely

ποιεῖσθαί τινι

to be made with..,

Longus 1.4

; also τῶν τὰ κέρεα.. οἱ πήχεες ποιεῦνται the horns of which are made into the sides of the lyre, Hdt.4.192; also δέρμα εἰς περικεφαλαίας πεποίηται Sch.Patm.D.in BCH1.144:—[voice] Med., make for oneself, as of bees, οἰκία ποιήσωνται build them houses, Il.12.168, cf. 5.735, Od.5.251, 259, Hes.Op. 503; [ῥεῖθρον] π., of a river, Thphr. HP3.1.5; also, have a thing made, get it made,

ὀβελούς Hdt.2.135

;

στεφάνους οὓς ἐποιησάμην τῷ χορῷ D.21.16

, cf. X.An.5.3.5; τὸν Ἀπόλλω, i.e. a statue of A., Pl.Ep. 361a;

αὑτοῦ εἰκόνας Plu. Them.5

, cf. Inscr.Prien.25.9 (iii B.C.?).

2 create, bring into existence,

γένος ἀνθρώπων χρύσεον Hes.Op. 110

, cf. Th. 161, 579, etc.;

ὁ ποιῶν

the creator,

Pl.Ti. 76c

;

ἕτερον Φίλιππον ποιήσετε D.4.11

:—[voice] Med., beget,

υἱόν And.1.124

;

ἔκ τινος Id.4.22

; παῖδας ποιεῖσθαι, = παιδοποιεῖσθαι, X.Cyr.5.3.19, D.57.43; conceive,

παιδίον π. ἔκ τινος Pl.Smp. 203b

:—[voice] Act. in this sense only in later Gr., Plu.2.312a; of the woman, παιδίον ποιῆσαι ib.145d.

3 generally, produce, ὕδωρ π., of Zeus, Ar.V. 261: impers., ἐὰν πλείω ποιῇ ὕδατα, = ἐὰν ὕη, Thphr.CP1.19.3; π. γάλα, of certain kinds of food, Arist.HA 522b32; ἄρρεν π., of an egg, Ael.VH1.15; μέλι ἄριστον π., of Hymettus, Str.9.1.23; π. καρπόν, of trees, Ev.Matt.3.10 (metaph. in religious sense, ib.8); of men, κριθὰς π. grow barley, Ar. Pax 1322;

π. σίτου μεδίμνους D.42.20

; π. πενίαν, πλοῦτον, of the stars, Plot.2.3.1.

b Math., make, produce, τομήν, σχῆμα, ὀρθὰς γωνίας, Archim. Sph.Cyl.1.16,38, Con.Sph.12;

ὁ Α τὸν Γ πολλαπλασιάσας τὸν Η πεποίηκεν Euc.7.19

:—[voice] Pass., πεποιήσθω ὡς.. let it be contrived that.., Archim. Sph.Cyl.2.6.

c postulate, imply,

ἡ προσθήκη ἀφαίρεσιν καὶ ἔλλειψιν ποιεῖ Plot.3.9.3

.

d π. τὸ πρόβλημα effect a solution of the problem, Apollon.Perg.Con.2.49,51; π. τὸ ἐπίταγμα fulfil, satisfy the required condition, Archim.Sph.Cyl.1.2,3.

4 after Hom., of Poets, compose, write, π. διθύραμβον, ἔπεα, Hdt.1.23, 4.14;

π. θεογονίην Ἕλλησι Id.2.53

; π. Φαίδραν, Σατύρους, Ar.Th. 153, 157; π. κωμῳδίαν, τραγῳδίαν, etc., Pl.Smp. 223d;

παλινῳδίαν Isoc.10.64

, Pl.Phdr. 243b, etc.;

ποιήματα Id.Phd. 60d

: abs., write poetry, write as a poet,

ὀρθῶς π. Hdt.3.38

;

ἐν τοῖσι ἔπεσι π. Id.4.16

, cf. Pl. Ion 534b: folld. by a quotation,

ἐπόησάς ποτε.. Ar.Th. 193

;

εἴς τινα Pl.Phd. 61b

;

περὶ θεῶν Id.R. 383a

, etc.

b represent in poetry,

Ὅμηρον Ἀχιλλέα πεποιηκέναι ἀμείνω Ὀδυσσέως Pl.Hp.Mi. 369c

, cf. 364c, Smp. 174b; ποιήσας τὸν Ἀχιλλέα λέγοντα having represented Achilles saying, Plu.2.105b, cf. 25d, Pl. Grg. 525d, 525e, Arist.Po. 1453b29.

c describe in verse,

θεὸν ἐν ἔπεσιν Pl.R. 379a

; ἐποίησα μύθους τοὺς Αἰσώπου put them into verse, Id.Phd. 61b;

μῦθον Lycurg.100

.

d invent,

καινοὺς θεούς Pl.Euthphr.3b

; ὑπὸ ποιητέω τινὸς ποιηθὲν [τοὔνομα] Hdt.3.115;

πεποιημένα ὀνόματα Arist.Rh. 1404b29

, cf.Po. 1457b2; opp. αὐτοφυῆ, κύρια, D.H.Is.7, Pomp. 2.

II bring about, cause,

τελευτήν Od.1.250

;

γαλήνην 5.452

;

φόβον Il.12.432

;

σιωπὴν παρὰ πάντων X.HG6.3.10

;

τέρψιν τοῖς θεωμένοις Id.Mem.3.10.8

;

αἰσχύνην τῇ πόλει Isoc.7.54

, etc.; also of things,

ἄνεμοι αὐτοὶ μὲν οὐχ ὁρῶνται· ἃ δὲ ποιοῦσι φανερά X.Mem.4.3.14

;

ταὐτὸν ἐποίει αὐτοῖς νικᾶν τε μαχομένοις καὶ μηδὲ μάχεσθαι Th.7.6

, cf. 2.89.

b c. acc. et inf., cause or bring about that..,

σε θεοὶ ποίησαν ἱκέσθαι [ἐς] οἶκον Od.23.258

;

π. τινὰ κλύειν S.Ph. 926

;

π. τινὰ βλέψαι Ar.Pl. 459

, cf. 746;

π. τινὰ τριηραρχεῖν Id.Eq. 912

, cf. Av.59; π. τινὰ αἰσχύνεσθαι, κλάειν, ἀπορεῖν, etc., X.Cyr.4.5.48, 2.2.13, Pl.Tht. 149a, etc.: with ὥστε inserted, X.Cyr.3.2.29, Ar.Eq. 351, etc.: folld. by a relat. clause,

π. ὅκως ἔσται ἡ Κύπρος ἐλευθέρη Hdt.5.109

, cf. 1.209;

ὡς ἂν.. εἰδείην ἐποίουν X.Cyr.6.3.18

:—also [voice] Med., ἐποιήσατο ὡς ἐν ἀσφαλεῖ εἶεν ib.6.1.23.

2 procure,

π. ἄδειάν τε καὶ κάθοδόν τινι Th.8.76

;

ὁ νόμος π. τὴν κληρονομίαν τισί Is.11.1

; λόγος ἀργύριον τῷ λέγοντι π. gets him money, D.10.76:—[voice] Med., procure for oneself, gain,

κλέος αὐτῇ ποιεῖτ' Od.2.126

;

ἄδειαν Th.6.60

;

τιμωρίαν ἀπό τινων Id.1.25

;

τὸν βίον ἀπὸ γεωργίας X.Oec.6.11

, cf. Th.1.5.

3 of sacrifices, festivals, etc., celebrate,

π. ἱρά Hdt.9.19

, cf. 2.49 ([voice] Act. and [voice] Pass.);

π. τὴν θυσίαν τῷ Ποσειδῶνι X.HG4.5.1

; π. Ἴσθμια ib.4.5.2;

τῇ θεῷ ἑορτὴν δημοτελῆ π. Th.2.15

;

παννυχίδα π. Pl.R. 328a

; π. σάββατα observe the Sabbath, LXXEx.31.16; π. ταφάς, of a public funeral, Pl. Mx. 234b;

π. ἐπαρήν SIG38.30

(Teos, v B.C.); also of political assemblies,

π. ἐκκλησίαν Ar.Eq. 746

, Th.1.139;

π. μυστήρια Id.6.28

([voice] Pass.);

ξύλλογον σφῶν αὐτῶν Id.1.67

:—[voice] Med.,

ἀγορὴν ποιήσατο Il.8.2

;

ἢν θυσίην τις ποιῆται Hdt.6.57

(v.l.);

δημοσίᾳ ταφὰς ἐποιήσαντο Th.2.34

;

π. ἀγῶνα Id.4.91

;

π. ἐκκλησίαν τοῖς Γρᾳξὶ περὶ μισθοῦ Ar.Ach. 169

.

4 of war and peace, πόλεμον π. cause or give rise to a war,

πόλεμον ἡμῖν ἀντ' εἰρήνης πρὸς Αακεδαιμονίους π. Is.11.48

; but π. ποιησόμενοι about to make war (on one's own part), X.An.5.5.24; εἰρήνην π. bring about a peace (for others), Ar. Pax 1199;

σπονδὰς π. X.An.4.3.14

;

ξυμμαχίαν ποιῆσαι Th.2.29

; but εἰρήνην ποιεῖσθαι make peace (for oneself), And.3.11;

σπονδὰς ποιήσασθαι Th.1.28

, etc.:—[voice] Pass.,

ἐπεποίητο συμμαχίη Hdt.1.77

, etc.

5 freq. in [voice] Med. with Nouns periphr. for the Verb derived from the Noun, μύθου ποιήσασθαι ἐπισχεσίην submit a plea, Od.21.71; ποιέεσθαι ὁδοιπορίην, for ὁδοιπορέειν, Hdt.2.29;

π. ὁδόν Id.7.42

, 110, 112, etc.; π. πλόον, for πλέειν, Id.6.95, cf. Antipho 5.21; π. κομιδήν, for κομίζεσθαι, Hdt.6.95; θῶμα π. τὴν ἐργασίην, for θωμάζειν, Id.1.68; ὀργὴν π., for ὀργίζεσθαι, Id.3.25; λήθην π. τι, for λανθάνεσθαί τινος, Id.1.127; βουλὴν π., for βουλεύεσθαι, Id.6.101; συμβολὴν π., for συμβάλλεσθαι, Id.9.45; τὰς μάχας π., for μάχεσθαι, S.El. 302, etc.; καταφυγὴν π., for καταφεύγειν, Antipho 1.4; ἀγῶνα π., for ἀγωνίζεσθαι, Th.2.89; π. λόγον [τινός] make account of.., Hdt.7.156; but τοὺς λόγους π. hold a conference, Th.1.128; also simply for λέγειν, Lys.25.2, cf. Pl.R. 527a, etc.; also π. δι' ἀγγέλου, π. διὰ χρηστηρίων, communicate by a messenger, an oracle, Hdt.6.4, 8.134.

III with Adj. as predic., make, render so and so, ποιῆσαί τινα ἄφρονα make one senseless, Od.23.12; [δῶρα] ὄλβια ποιεῖν make them blest, i.e. prosper them, 13.42, cf. Il.12.30;

τοὺς Μήδους ἀσθενεῖς π. X.Cyr.1.5.2

, etc.;

χρήσιμον ἐξ ἀχρήστου π. Pl.R. 411b

: with a Subst., ποιῆσαι ἀθύρματα make into playthings, Il. 15.363;

ποιεῖν τινα βασιλῆα Od.1.387

;

ταμίην ἀνέμων 10.21

;

γέροντα 16.456

;

ἄκοιτίν τινι Il.24.537

;

γαμβρὸν ἑόν Hes.Th. 818

; [

μύρμηκας] ἄνδρας π. [καὶ] γυναῖκας Id.Fr.76.5

;

πολιήτας π. τινάς Hdt.7.156

;

Ἀθηναῖον π. τινά Th.2.29

, etc.;

π. τινὰ παράδειγμα Isoc.4.39

: hence, appoint, instal,

τὸν Μωϋσῆν καὶ τὸν Ἀαρών LXX 1 Ki.12.6

;

δώδεκα Ev.Marc.3.14

:—[voice] Med., ποιεῖσθαί τινα ἑταῖρον make him one's friend, Hes. Op. 707, cf. 714; π. τινὰ ἄλοχον or ἄκοιτιν take her to oneself as wife, Il.3.409, 9.397, cf. Od.5.120, etc.; π. τινὰ παῖδα make him one's son, i.e. adopt him as son, Il.9.495, etc.; θετὸν παῖδα π. adopt a son, Hdt. 6.57: without υἱόν, adopt,

ἐπειδὴ οὐκ ἦσαν αὐτῷ παῖδες ἄρρενες, π. Λεωκράτη D.41.3

, cf. 39.6,33, 44.25, Pl.Lg. 923c, etc.;

π. τινὰ θυγατέρα Hdt.4.180

: generally,

ἅπαντας ἢ σῦς ἠὲ λύκους π. Od.10.433

;

π. τινὰ πολίτην Isoc.9.54

;

μαθητήν Pl.Cra. 428b

;

τὰ κρέα π. εὔτυκα Hdt. 1.119

; τὰ ἔπεα ἀπόρρητα π. making them a secret, Id.9.45, etc.; also ἑωυτοῦ ποιέεται τὸ.. ἔργον makes it his own, Id.1.129;

μηδ' ἃ μὴ 'θιγες ποιοῦ σεαυτῆς S.Ant. 547

.

IV put in a certain place or condition, etc.,

ἐμοὶ Ζεὺς.. ἐνὶ φρεσὶν ὧδε νόημα ποίησ' Od.14.274

;

σφῶϊν ὧδε θεῶν τις ἐνὶ φρεσὶ ποιήσειεν Il.13.55

;

αἲ γὰρ τοῦτο θεοὶ ποιήσειαν ἐπὶ νόον νησιώτῃσι Hdt.1.27

, cf. 71;

ἐν αἰσχύνῃ π. τὴν πόλιν D.18.136

;

τὰς ναῦς ἐπὶ τοῦ ξηροῦ π. Th.1.109

;

ἔξω κεφαλὴν π. Hdt.5.33

;

ἔξω βελῶν τὴν τάξιν π. X.Cyr.4.1.3

;

ἐμαυτὸν ὡς πορρωτάτω π. τῶν ὑποψιῶν Isoc.3.37

; of troops, form them,

ὡς ἂν κράτιστα.. X.An.5.2.11

, cf. 3.4.21; in politics,

ἐς ὀλίγους τὰς ἀρχὰς π. Th.8.53

; and in war, π. Γετταλίαν ὑπὸ Φιλίππῳ bring it under his power, D.18.48;

μήτε τοὺς νόμους μήθ' ὑμᾶς αὐτοὺς ἐπὶ τοῖς λέγουσι π. Id.58.61

:—[voice] Med.,

ποιέεσθαι ὑπ' ἑωυτῷ Hdt.1.201

, cf.5.103, etc.;

ὑπὸ χεῖρα X.Ages.1.22

; π. τινὰς ἐς φυλακήν, τὰ τῶν ξυμμάχων ἐς ἀσφάλειαν, Th.3.3, 8.1;

τινὰς ἐς τὸ συμμαχικόν Hdt.9.106

; τὰ λεπτὰ πλοῖα ἐντὸς π. put the small vessels in the middle, Th.2.83, cf. 6.67; π. τινὰ ἐκποδών (v. ἐκποδών)

; ὄπισθεν π. τὸν ποταμόν X.An. 1.10.9

.

2 Math., multiply, π. τὰ ιβ ἐπὶ τὰ έ, τὰ ζ ἐφ' ἑαυτὰ π., Hero Metr.1.8, 2.14.

V [voice] Med., deem, consider, reckon a thing as.., συμφορὴν ποιέεσθαί τι take it for a misfortune, Hdt.1.83, 6.61; δεινὸν π. τι esteem it a grievous thing, take it ill, Id.1.127, etc. (rarely in [voice] Act.,

δεινὰ π. 2.121

.έ, Th.5.42); μέγα π. c. inf., deem it a great matter that.., Hdt.8.3, cf. 3.42, etc.;

μεγάλα π. ὅτι.. Id.1.119

; ἑρμαῖον π. τι count it clear gain, Pl.Grg. 489c;

οὐκέτι ἀνασχετὸν π. τι Th.1.118

: freq. with Preps., δι' οὐδενὸς π. deem of no account, S.OC 584; ἐν ἐλαφρῷ, ἐν ὁμοίῳ π., Hdt.1.118,7.138;

ἐν σμικρῷ μέρει S.Ph. 498

;

ἐν ὀλιγωρίᾳ Th.4.5

;

ἐν ὀργῇ D.1.16

; ἐν νόμῳ π. consider as lawful, Hdt. 1.131; ἐν ἀδείῃ π. consider as safe, Id.9.42;

παρ' ὀλίγον π. τι X. An.6.6.11

; περὶ πολλοῦ π., Lat. magni facere, Lys.1.1, etc.; περὶ πλείονος, περὶ πλείστου π., Id.14.40, Pl.Ap. 21e, etc.; περὶ ὀλίγου, περὶ ἐλάττονος, Isoc.17.58, 18.63;

περὶ παντός Id.2.15

(rarely

πολλοῦ π. τι Pl.Prt. 328d

); πρὸ πολλοῦ π. c. inf., Isoc.5.138.

VI put the case, assume that..,

ποιήσας ἀν' ὀγδώκοντα ἄνδρας ἐνεῖναι Hdt.7.184

, cf. 186, X.An.5.7.9: without inf., ἐν ἑκάστῃ ψυχῇ ποιήσωμεν περιστερεῶνά τινα (sc. εἶναι) Pl.Tht. 197d:—[voice] Pass., πεποιήσθω δή be it assumed then, ib.e;

οἱ φιλοσοφώτατοι ποιούμενοι

those who are reputed..,

Id.R. 498a

, cf. 538c, 573b:—but for τὸν φιλόσοφον ποιώμεθα νομίζειν ib. 581d read τί οἰώμεθα..;

VII of Time, οὐ π. χρόνον make no long time, i. e. not to delay, D.19.163 codd.; μακρότερον ποιεῖς you are taking too long, PCair.Zen.48.4 (iii B.C.); μέσας π. νύκτας let midnight come, Pl.Phlb. 50d, cf. AP11.85 (Lucill.); ἔξω μέσων νυκτῶν π. τὴν ὥραν put off the time of business to past midnight, D.54.26; τὴν νύκτα ἐφ' ὅπλοις ποιεῖσθαι spend it under arms, Th.7.28(s.v.l.);

ποιήσουσιν ἐν πλούτῳ ἔτη πολλά LXXPr.13.23

, cf. To.10.7;

δύο ἡμέρας ποιεῖ ἐν τῷ Ἀνουβιείῳ UPZ70.21

(ii B.C.), cf. PSI4.362.15 (iii B.C.);

τὰς ἡμέρας ἐν τοῖς ὕδασι π. D.S.1.35

; tarry, stay,

μῆνας τρεῖς Act.Ap. 20.3

, cf. AP11.330 (Nicarch.).

VIII in later Greek, sacrifice,

μοσχάριον LXXEx.29.36

; καρπώσεις ὑπέρ τινος ib.Jb.42.8: without acc., π. Ἀστάρτῃ sacrifice to Ashtoreth, ib.3 Ki.11.33.

IX make ready, prepare, as food, μοσχάριον ib.Ge.18.7 sq.; π. τὸν μύστακα trim it, ib.2 Ki.19.24(25).

X ποιεῖν βασιλέα play the king, ib.3 Ki.20 (21).7.

B do, much like πράσσω, οὐδὲν ἂν ὧν νυνὶ πεποίηκεν ἔπραξεν D. 4.5;

περὶ ὧν πράττει καὶ μέλλει ποιεῖν Id.8.2

, cf. 18.62;

ἄριστα πεποίηται Il.6.56

;

πλείονα χρηστὰ περὶ τὴν πόλιν Ar.Eq. 811

;

τὰ δίκαια τοῖς εὐεργέταις D.20.12

;

ἅμα ἔπος τε καὶ ἔργον ἐποίεε Hdt.3.134

fin.; ποιέειν Σπαρτιητικά act like a Spartan, Id.5.40;

οὗτος τί ποιεῖς; A. Supp. 911

, etc.;

τὸ προσταχθὲν π. S.Ph. 1010

; π. τὴν μουσικήν practise it, Pl.Phd. 60e, etc.; πᾶν or πάντα π., v. πᾶς D. 111.2, etc.: Math., ὅπερ ἔδει ποιῆσαι, = Q.E.F., Euc.1.1, etc.

2 c. dupl. acc., do something to another, κακά or ἀγαθὰ ποιεῖν τινα, first in Hdt.3.75, al.; ἀγαθόν, κακὸν π. τινά, Isoc.16.50, etc.;

μεγάλα τὴν πόλιν ἀγαθά Din.1.17

; also

εὖ ποιεῖν τὸν εὖ ποιοῦντα X.Mem.2.3.8

; τὴν ἐκείνου (sc. χώραν)

κακῶς π. D.1.18

; in LXX with Prep.,

π. κακὸν μετά τινων Ge. 26.29

;

ταῦτα τοῦτον ἐποίησα Hdt.1.115

;

κοὐκ οἶδ' ὅ τι χρῆμά με ποιεῖς Ar.V. 697

, cf. Nu. 259; also of things, ἀργύριον τωὐτὸ τοῦτο ἐποίεε he did this same thing with silver, Hdt.4.166: less freq. c. dat. pers.,

τῷ τεθνεῶτι μηδὲν τῶν νομιζομένων π. Is.4.19

;

ἵππῳ τἀναντία X.Eq.9.12

codd., cf. Ar.Nu. 388, D.29.37: c. dat. rei,

τί ποιήσωμεν κιβωτῷ; LXX 1 Ki.5.8

:—in [voice] Med.,

φίλα ποιέεσθαί τισι Hdt.2.152

,5.37.

3 with an Adv., ὧδε ποίησον do thus, Id.1.112; πῶς ποιήσεις; how will you act? S.OC 652;

πῶς δεῖ ποιεῖν περὶ θυσίας X.Mem.1.3.1

;

ποίει ὅπως βούλει Id.Cyr.1.4.9

;

μὴ ἄλλως π. Pl.R. 328d

; πρὸς τοὺς πολεμίους πῶς ποιήσουσιν; ib. 469b; ὀρθῶς π. ib. 403e; εὖ, κακῶς π. τινά, v. supr. 2: freq. c. part.,

εὖ ἐποίησας ἀπικόμενος Hdt.5.24

, cf. Pl.Phd. 60c;

καλῶς ποιεῖς προνοῶν X.Cyr.7.4.13

;

οἷον ποιεῖς ἡγούμενος Pl.Chrm. 166c

; καλῶς ποιῶν almost Adverbial,

καλῶς γ', ἔφη, ποιῶν σύ Id.Smp. 174e

;

καλῶς ποιοῦντες.. πράττετε D.20.110

, cf. 1.28;

εὖ ποιοῦν

fortunately,

Id.23.143

.

4 in Prose (rarely in Poetry, A.Pr. 935), used in the second clause, to avoid repeating the Verb of the first, ἐρώτησον αὐτούς· μᾶλλον δ' ἐγὼ τοῦθ' ὑπὲρ σοῦ ποιήσω I will do this for you, D.18.52, cf. 292, Hdt.5.97, Is.7.35.

II abs., to be doing, act,

ποιέειν ἢ παθεῖν πρόκειται ἀγών Hdt.7.11

; ποιεῖν, as a category, opp. πάσχειν, Arist.Cat. 2a3, cf. GC 322b11, Ph. 225b13.

b of medicine, operate, be efficacious, Pl.Phd. 117b;

λουτρὰ κάλλιστα ποιοῦντα πρὸς νόσους Str. 5.3.6

; πρὸς στραγγουρίαν, πρὸς τοὺς δαιμονιζομένους, Thphr.HP7.14.1, Ps.-Plu.Fluv.16.2: freq. in Dsc.,

πρὸς ἐπιλημπτικούς 1.6

, al.;

εἰς τὰ αὐτά 2.133

: c. dat.,

στομαχικοῖς Gal.13.183

: abs., ἄκρως π. ib.265; also of charms, PMag.Osl.1.361.

2 Th. has a peculiar usage, ἡ εὔνοια παρὰ πολὺ ἐποίει μᾶλλον ἐς τοὺς Λακεδαιμονίους good-will made greatly for, on the side of, the L., 2.8: impers., ἐπὶ πολὺ ἐποίει τῆς δόξης τοῖς μὲν ἠπειρώταις εἶναι, τοῖς δέ.. it was the general character of the one to be landsmen, of the others.., 4.12: the former passage is imitated by Arr.An.2.2.3, App.BC1.82, D.C.57.6.

C [voice] Med., = προσποιέομαι, pretend, c. inf., Zos.2.14.1, Procop.Arc. 10. ( ποιϝέω perh. from Ποι-ϝό-ς (in κλινοποιός, νεωποιός, τραπεζοποιός, etc.) 'builder', 'maker', cf. Skt. cinóti, cáyati 'arrange in order', 'build'.)

  Джонни-Гитара

   1954 - США (110 мин)

     Произв. Republic (Херберт Дж. Йейтс)

     Реж. НИКОЛАС РЕЙ

     Сцен. Филип Йордан по одноименному роману Роя Чэнслора

     Опер. Гарри Стрэдлинг (Trucolor)

     Муз. Виктор Янг

     В ролях Джоан Кроуфорд (Вена), Стерлинг Хейден (Джонни-Гитара), Скотт Брэнди («Танцор»), Мерседес Маккембридж (Эмма Смолл), Бен Купер («Индюк» Ролстон), Эрнест Боргнайн (Барт Лонерган), Ройал Дэйно (Кори), Джон Кэррадин (Старик Том), Уорд Бонд (Джон Макиверз), Фрэнк Фергюсон (Уильямз), Рис Уильямз (мистер Эндрюз).

   Джонни Логан, бывший авантюрист, известный всему Дикому Западу как меткий стрелок Джонни-Гитара, нанимается на работу на ранчо Вены - женщины, которую некогда любил. Они расстались 6 лет назад, но так и не смогли друг друга забыть. Салун Вены в данный момент пустует, но вскоре рядом пройдет железная дорога и он будет стоить целое состояние. Макиверз и Эмма, крупнейшие скотовладельцы в регионе, завидуют Вене и считают ее своим злейшим врагом. Брата Эммы убивают при нападении на дилижанс. Эмма уверена (или, по крайней мере, притворяется уверенной), что убийца - Танцор, который, как она считает, находится в любовной связи с Веной. На самом же деле Эмма, неудовлетворенная женщина, ревнует к безответной симпатии, которую Танцор испытывает к Вене. Макиверз превышает полномочия простого гражданина и требует, чтобы Вена закрыла свой салун в 24 часа, а Танцор и его люди покинули эти места. На следующий день несправедливо обвиненный Танцор решает ограбить банк. В момент ограбления в банке случайно оказывается Вена. Ее все считают сообщницей Кида. Эмма возглавляет народную дружину, которая намерена покарать виновных. Толпа направляется к салуну Вены, который та уже закрыла. Там находят самого молодого сообщника Танцора - раненого подростка по прозвищу Индюк. Эмма поджигает салун, а Индюка вешают. Вену ждала бы та же у часть, но в последнюю минуту ее спасает Джонни. Вдвоем они прячутся в шахте, а затем пробираются в тайное убежище Танцора, куда вслед за ними приходят Эмма и дружина. Поняв, что у Эммы личные счеты с Веной, ополченцы расходятся по домам. Сообщники Танцора убивают друг друга. Сам же он получает пулю в упор от Эммы, которую через несколько мгновений убивает Вена. Джонни и Вена - единственные, кто уцелел в этой бойне - уходят безоружные под взглядами дружинников и целуются.

   ► Один из тех шедевров американского кинематографа, которые при выходе в прокат, кажется, не были поняты нигде, кроме Франции. Тем не менее, этот легендарный вестерн исключителен и уникален во всем: не зря же за последние 20 лет он так часто оказывается на 1-й позиции в списках лучших образцов жанра, составляемых критиками и любителями кино во всем мире. Прежде всего, удивляет, что настолько оригинальный, настолько личный фильм мог быть снят на студиях фирмы «Republic», самой бедной на таланты американской кинофирмы. (Почти ни один крупный режиссер нового поколения не прижился на ней. Из старшего поколения одному лишь Дуону удавалось в течение немалого времени - с 1946 по 1954 гг. - самовыражаться на этой студии. Форд и Борзэйги сняли там несколько значительных фильмов; к заслугам фирмы также стоит отнести прокат Дома у реки, House by the River.) He менее удивителен и тот факт, что главный герой этой истории - женщина (фильм был задуман специально для Джоан Кроуфорд); более того: два главных героя, наиболее важные и активные - женщины, связаны утробной ненавистью, фрейдистской ревностью, которую можно назвать уникальной в анналах вестерна. Николас Рей не ищет в вестерне специфику, которую режиссеры его поколения чаще всего обнаруживали в исторической или моральной стороне жанра; вместо этого он использует жанр, чтобы рассказать сентиментальную, лиричную и печальную историю, где многие не без удовольствия разглядели элементы автобиографии; несколькими годами ранее у режиссера был роман с исполнительницей главной роли. Как бы то ни было, подобный переворот жанра (включая антимаккартистскую аллегорию - частое явление для вестернов тех лет, см. Серебряная Жила, Silver Lode) порождает ряд душераздирающе грустных сцен. Любовь живет лишь в воспоминаниях и выражается через сожаления, вопросы, ложные признания, раздающиеся в превосходных и по праву знаменитых диалогах. Все персонажи, даже самые скромные, весьма выразительны (см. роль Джона Кэррадина, работника Джоан Кроуфорд). Многие служат привычной тематике автора: человек, пытающийся оставить в прошлом привычную тягу к насилию (Стерлинг Хейден), подросток, погибший из-за той же тяги к насилию, не успев толком осознать свои действия (Бен Купер в роли Индюка).

   Наконец даже на уровне цветовой палитры в невезучем формате «Trucolor», быстро канувшем в лету из-за своих многочисленных дефектов, в фильме есть интересные изобразительные решения. Рей приложил все усилия, чтобы максимально убрать с экрана синий цвет, смотревшийся очень плохо, и выделить оттенки черного и белого (парадоксальное явление в цветной картине). Черные одежды разъяренной толпы. Белое платье Джоан Кроуфорд, когда она играет на рояле в салуне, похожем на пещеру. Классической сжатости времени и места действия противопоставлен набор пышных элементов - напр., декораций, в которых действуют персонажи. И этот контраст, сам по себе барочный по стилю, лишь прибавляет фильму очарования и вызывающей оригинальности. Эти качества свидетельствуют о высочайшей авторской свободе в рамках жанра, подчиняющегося очень строгим правилам, но в то же время открытого для любых экспериментов.

   БИБЛИОГРАФИЯ: сценарий и диалоги опубликованы в журнале «L'Avant-Scene», № 145 (1971). Раскадровка (1091 план) опубликована Ассоциацией работников кинематографа по культурно просветительской работе (L'Association technique pour l'action culturelle, Paris. 1975) - указана продолжительность каждого плана.

SUBJECT AREA: Agricultural and food technology, Land transport

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The son of a market gardener, Albone's interest lay in mechanics, and by 1880 he had established his own business as a cycle maker and repairer. His inventive mind led to a number of patents relating to bicycle design, but his commercial success was particularly assisted by his achievements in cycle racing. From this early start he diversified his business, designing and supplying, amongst other things, axle bearings for the Great Northern Railway, and also building motor cycles and several cars. It is possible that he began working on tractors as early as 1896. Certainly by 1902 he had built his first prototype, to the three-wheeled design that was to remain in later production models. Weighing only 30 cwt, yet capable of pulling two binders or a two-furrow plough, Albone's Ivel tractor was ahead of anything in its time, and its power-to-weight ratio was to be unrivalled for almost a decade. Albone's commercial success was not entirely due to the mechanical tractor's superiority, but owed a considerable amount to his ability as a showman and demonstrator. He held two working demonstrations a month in the village of Biggleswade in Bedfordshire, where the tractors were made. The tractor was named after the river Ivel, which flowed through the village. The Ivel tractor gained twenty-six gold and silver medals at agricultural shows between 1902 and 1906, and was a significant contributor to Britain's position as the world's largest exporter of tractors between 1904 and 1914. Albone tried other forms of his tractor to increase its sales. He built a fire engine, and also an armoured vehicle, but failed to impress the War Office with its potential.

Albone died at the age of 46. His tractor continued in production but remained essentially unimproved, and the company finally lost its sales to other designs, particularly those of American origin.

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SUBJECT AREA: Chemical technology

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The son of a prosperous Sheffield manufacturer, Roebuck forsook the family business to pursue studies in medicine at Edinburgh University. There he met Dr Joseph Black (1727–99), celebrated Professor of Chemistry, who aroused in Roebuck a lasting interest in chemistry. Roebuck continued his studies at Leyden, where he took his medical degree in 1742. He set up in practice in Birmingham, but in his spare time he continued chemical experiments that might help local industries.

Among his early achievements was his new method of refining gold and silver. Success led to the setting up of a large laboratory and a reputation as a chemical consultant. It was at this time that Roebuck devised an improved way of making sulphuric acid. This vital substance was then made by burning sulphur and nitre (potassium nitrate) over water in a glass globe. The scale of the process was limited by the fragility of the glass. Roebuck substituted "lead chambers", or vessels consisting of sheets of lead, a metal both cheap and resistant to acids, set in wooden frames. After the first plant was set up in 1746, productivity rose and the price of sulphuric acid fell sharply. Success encouraged Roebuck to establish a second, larger plant at Prestonpans, near Edinburgh. He preferred to rely on secrecy rather than patents to preserve his monopoly, but a departing employee took the secret with him and the process spread rapidly in England and on the European continent. It remained the standard process until it was superseded by the contact process towards the end of the nineteenth century. Roebuck next turned his attention to ironmaking and finally selected a site on the Carron river, near Falkirk in Scotland, where the raw materials and water power and transport lay close at hand. The Carron ironworks began producing iron in 1760 and became one of the great names in the history of ironmaking. Roebuck was an early proponent of the smelting of iron with coke, pioneered by Abraham Darby at Coalbrookdale. To supply the stronger blast required, Roebuck consulted John Smeaton, who c. 1760 installed the first blowing cylinders of any size.

All had so far gone well for Roebuck, but he now leased coal-mines and salt-works from the Duke of Hamilton's lands at Borrowstonness in Linlithgow. The coal workings were plagued with flooding which the existing Newcomen engines were unable to overcome. Through his friendship with Joseph Black, patron of James Watt, Roebuck persuaded Watt to join him to apply his improved steam-engine to the flooded mine. He took over Black's loan to Watt of £1,200, helped him to obtain the first steam-engine patent of 1769 and took a two-thirds interest in the project. However, the new engine was not yet equal to the task and the debts mounted. To satisfy his creditors, Roebuck had to dispose of his capital in his various ventures. One creditor was Matthew Boulton, who accepted Roebuck's two-thirds share in Watt's steam-engine, rather than claim payment from his depleted estate, thus initiating a famous partnership. Roebuck was retained to manage Borrowstonness and allowed an annuity for his continued support until his death in 1794.

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SUBJECT AREA: Land transport, Railways and locomotives

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Robert Stephenson's father was George Stephenson, who ensured that his son was educated to obtain the theoretical knowledge he lacked himself. In 1821 Robert Stephenson assisted his father in his survey of the Stockton \& Darlington Railway and in 1822 he assisted William James in the first survey of the Liverpool \& Manchester Railway. He then went to Edinburgh University for six months, and the following year Robert Stephenson \& Co. was named after him as Managing Partner when it was formed by himself, his father and others. The firm was to build stationary engines, locomotives and railway rolling stock; in its early years it also built paper-making machinery and did general engineering.

In 1824, however, Robert Stephenson accepted, perhaps in reaction to an excess of parental control, an invitation by a group of London speculators called the Colombian Mining Association to lead an expedition to South America to use steam power to reopen gold and silver mines. He subsequently visited North America before returning to England in 1827 to rejoin his father as an equal and again take charge of Robert Stephenson \& Co. There he set about altering the design of steam locomotives to improve both their riding and their steam-generating capacity. Lancashire Witch, completed in July 1828, was the first locomotive mounted on steel springs and had twin furnace tubes through the boiler to produce a large heating surface. Later that year Robert Stephenson \& Co. supplied the Stockton \& Darlington Railway with a wagon, mounted for the first time on springs and with outside bearings. It was to be the prototype of the standard British railway wagon. Between April and September 1829 Robert Stephenson built, not without difficulty, a multi-tubular boiler, as suggested by Henry Booth to George Stephenson, and incorporated it into the locomotive Rocket which the three men entered in the Liverpool \& Manchester Railway's Rainhill Trials in October. Rocket, was outstandingly successful and demonstrated that the long-distance steam railway was practicable.

Robert Stephenson continued to develop the locomotive. Northumbrian, built in 1830, had for the first time, a smokebox at the front of the boiler and also the firebox built integrally with the rear of the boiler. Then in Planet, built later the same year, he adopted a layout for the working parts used earlier by steam road-coach pioneer Goldsworthy Gurney, placing the cylinders, for the first time, in a nearly horizontal position beneath the smokebox, with the connecting rods driving a cranked axle. He had evolved the definitive form for the steam locomotive.

Also in 1830, Robert Stephenson surveyed the London \& Birmingham Railway, which was authorized by Act of Parliament in 1833. Stephenson became Engineer for construction of the 112-mile (180 km) railway, probably at that date the greatest task ever undertaken in of civil engineering. In this he was greatly assisted by G.P.Bidder, who as a child prodigy had been known as "The Calculating Boy", and the two men were to be associated in many subsequent projects. On the London \& Birmingham Railway there were long and deep cuttings to be excavated and difficult tunnels to be bored, notoriously at Kilsby. The line was opened in 1838.

In 1837 Stephenson provided facilities for W.F. Cooke to make an experimental electrictelegraph installation at London Euston. The directors of the London \& Birmingham Railway company, however, did not accept his recommendation that they should adopt the electric telegraph and it was left to I.K. Brunel to instigate the first permanent installation, alongside the Great Western Railway. After Cooke formed the Electric Telegraph Company, Stephenson became a shareholder and was Chairman during 1857–8.

Earlier, in the 1830s, Robert Stephenson assisted his father in advising on railways in Belgium and came to be increasingly in demand as a consultant. In 1840, however, he was almost ruined financially as a result of the collapse of the Stanhope \& Tyne Rail Road; in return for acting as Engineer-in-Chief he had unwisely accepted shares, with unlimited liability, instead of a fee.

During the late 1840s Stephenson's greatest achievements were the design and construction of four great bridges, as part of railways for which he was responsible. The High Level Bridge over the Tyne at Newcastle and the Royal Border Bridge over the Tweed at Berwick were the links needed to complete the East Coast Route from London to Scotland. For the Chester \& Holyhead Railway to cross the Menai Strait, a bridge with spans as long-as 460 ft (140 m) was needed: Stephenson designed them as wrought-iron tubes of rectangular cross-section, through which the trains would pass, and eventually joined the spans together into a tube 1,511 ft (460 m) long from shore to shore. Extensive testing was done beforehand by shipbuilder William Fairbairn to prove the method, and as a preliminary it was first used for a 400 ft (122 m) span bridge at Conway.

In 1847 Robert Stephenson was elected MP for Whitby, a position he held until his death, and he was one of the exhibition commissioners for the Great Exhibition of 1851. In the early 1850s he was Engineer-in-Chief for the Norwegian Trunk Railway, the first railway in Norway, and he also built the Alexandria \& Cairo Railway, the first railway in Africa. This included two tubular bridges with the railway running on top of the tubes. The railway was extended to Suez in 1858 and for several years provided a link in the route from Britain to India, until superseded by the Suez Canal, which Stephenson had opposed in Parliament. The greatest of all his tubular bridges was the Victoria Bridge across the River St Lawrence at Montreal: after inspecting the site in 1852 he was appointed Engineer-in-Chief for the bridge, which was 1 1/2 miles (2 km) long and was designed in his London offices. Sadly he, like Brunel, died young from self-imposed overwork, before the bridge was completed in 1859.

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See also: Pihl, Carl Abraham; Seguin, Marc

lamprey 1. речная минога (Lampetra fluviatilis) ; 2. pl миноговые, Petromyzonidae

American brook lamprey американская ручьевая минога, Lampetra lamottei

Arctic brook lamprey тихоокеанская минога, Lampetra japonica

Asiatic brook lamprey дальневосточная ручьевая минога, Lampetra reissneri

brook lamprey европейская ручьевая минога, Lampetra planeri

river lamprey речная минога, Lampetra fluviatilis

sea lamprey морская минога, Petromyzonidae

silver lamprey североамериканская минога, Ichthyomyzon

maple клён, Acer

Amur maple клён припечный, клён гиннала, Acer ginnala

ash-leaved maple клён американский, клён ясенелистный, Acer negundo

bark maple клён голый, Acer grabrum

bird's-eye maple клён серебристый, Acer saccharinum

black (sugar) maple клён чёрный, Acer nigrum

broad-leaved maple клён крупнолистный, Acer macrophyllum

Canadian maple клён сахарный, Acer saccharum; клён американский, клён ясенелистный, Acer negundo

Carolina maple клён красный, Acer rubrum

common maple клён полевой, Acer campestre

curled maple серебристый, Acer saccharinum

cut-leaved maple клён американский, клён ясенелистный, Acer negundo

dwarf maple клён голый, Acer grabrum

eagle claw maple клён остролистный остродольчатый (Acer platanoides var. laciniatum)

English field maple клён полевой, Acer campestre

flowering maple канатник, Abutilon

fullmoon maple клён японский, Acer japonicum

goose-foot maple клён пенсильванский, Acer pennsylvanicum

hedge maple клён полевой, Acer campestre

Himalayan maple клён продолговатый, Acer oblongum

hornbeam maple клён граболистный, Acer carpinifolium

Japanese maple клён дланевидный, клён веерный, Acer palmatum

low maple клён колосистый, Acer spicatum

Manchurian maple клён маньчжурский, Acer mandschuricum

manchus maple клён зеленокорый, Acer tegmentosum

Montpelier maple клён монпелийский, клён трёхлопастный, Acer monspessulanum

mountain maple клён колосистый, Acer spicatum

northern maple клён пенсильванский, Acer pennsylvanicum

Norway maple клён остролистный, клён платановидный, Acer platanoides

Oregon maple клён завитый, Acer circinatum

Pacific maple клён крупнолистный, Acer macrophyllum

painted maple клён мелколистный (Acer mono var. marmoratum)

paperbark maple клён серый, Acer griseum

plane-tree maple клён ложноплатановый, явор, клён белый, Acer pseudoplatanus

red maple клён красный, Acer rubrum

river maple клён серебристый, Acer saccharinum

rock maple клён сахарный, Acer saccharum; клён американский, клён ясенелистный, Acer negundo

Rocky-Mountain maple клён голый, Acer grabrum

scarlet maple клён красный, Acer rubrum

shrubby maple клён голый, Acer grabrum

silver(-leaf) maple клён серебристый, Acer saccharinum

soft maple клён голый, Acer glabrum; клён красный, Acer rubrum

striped maple клён пенсильванский, Acer pennsylvanicum

sugar maple клён сахарный, Acer saccharum; клён американский, клён ясенелистный, Acer negundo

swamp maple клён серебристый, Acer saccharinum; клён колосистый, Acer spicatum; клён красный, Acer rubrum

sweet maple клён сахарный, Acer saccharum

sycamore maple клён ложноплатановый, явор, клён белый, Acer pseudoplatanus

Tatarian maple неклён, черноклён, клён татарский, Acer tataricum

vine maple клён завитый, Acer circinatum

water maple клён серебристый, Acer saccharinum; клён колосистый, Acer spicatum; клён красный, Acer rubrum

white maple клён серебристый, Acer saccharinum

pine сосна, Pinus

Alaska pine тсуга западная, Tsuga heterophylla

Aleppo pine сосна алеппская, Pinus halepensis

Alpine stone pine сосна кедровая европейская, Pinus cembra

Apache pine сосна широкохвойная, Pinus latifolia

Arizona pine сосна жёлтая аризонская, Pinus arizonica

Australian pine казуарина хвощевидная, Casuarina equisetifolia

Austrian pine сосна чёрная австрийская, Pinus nigra

Balkan pine сосна румелийская, Pinus peuce

bark pine сосна Бунге, Pinus bungeana

bastard pine сосна ладанная, Pinus taeda

big-cone pine сосна Культера, Pinus coulteri

bishop pine сосна мягкоигольчатая, Pinus muricata

black Norway pine сосна жёсткая, Pinus rigida

black pine 1. сосна Жеффрея, Pinus jeffreyi; 2. ногоплодник метельчатый, Podocarpus spicatus

Brazilian pine араукария бразильская, Araucaria brasiliana

bristle-cone pine сосна остистая, Pinus aristata

British Columbia pine 1. лжетсуга тисолистная, Pseudotsuga taxifolia; 2. сосна жёлтая, Pinus ponderosa

brown pine ногоплодник высокий, Podocarpus elata

bull pine сосна жёлтая, Pinus ponderosa

Californian white pine сосна жёлтая, Pinus ponderosa

Canadian pine сосна смолистая, Pinus resinosa

Canary Island pine сосна канарская, Pinus canariensis

Caribbean pine сосна карибская, Pinus caribaea

Carolina pine сосна виргинская, Pinus virginiana

cedar pine сосна кедровая сибирская, "кедр" сибирский, Pinus sibirica; сосна виргинская, Pinus virginiana

celery-topped pine филлокладус ромбоидальный, Phylocladus rhomboidalis

cembra pine сосна кедровая европейская, Pinus cembra

Chilian pine араукария чилийская, Araucaria araucana

chir pine сосна длиннохвойная, Pinus longifolia

cluster pine сосна приморская, Pinus pinaster

common pine сосна обыкновенная, Pinus silvestris

cork pine сосна Веймутова, Pinus strobus

Corsican pine сосна чёрная калабарийская, Pinus laricio

Coulter pine сосна Культера, Pinus coulteri

Cuban pine сосна карибская, Pinus caribaea

cypress pine каллитрис сизый, Callitris glauca

dammar pine агатис, Agathis

deal pine сосна Веймутова, Pinus strobus

digger pine сосна Сабина, сосна белая калифорнийская, Pinus sabiniana

drops pine вертляница стройная, Monotropa procera

European pine пихта гребенчатая, Abies pectinata

feston pine плаун скальный, Lycopodium rupestris

foxtail pine сосна Бальфура, Pinus balfouriana; сосна ладанная, Pinus taeda

frankincense pine сосна ладанная, Pinus taeda

gray pine сосна Банкса, Pinus banksiana

gray-leaf pine сосна Сабина, сосна белая калифорнийская, Pinus sabiniana

ground pine живучка ёлочковидная, Ajuga chamaepitys

hard pine сосна смолистая, Pinus resinosa; сосна австралийская, Pinus australica; сосна широкохвойная, Pinus latifolia; сосна болотная, Pinus palustris

hickory pine сосна колючая, Pinus pungens

Himalayan pine сосна гималайская, Pinus griffithi

hoop pine араукария Куннингама, Araucaria cunninghamii

Hudson Bay pine сосна Банкса, Pinus banksiana

Indian pine сосна ладанная, Pinus taeda

insignis pine сосна замечательная, Pinus radiata

Japanese black pine сосна Тунберга, Pinus thunbergii

Japanese red pine сосна густоцветная, Pinus densiflora

Japanese stone pine стланик кедровый, Pinus pumila

Japanese white pine сосна мелкоцветная, Pinus parviflora

Jeffrey pine сосна Жеффрея, Pinus jeffreyi

kauri pine агатис новозеландский, Agathis australis

knobcone pine сосна утончённая, Pinus attenuata

knotty parana pine араукария бразильская, Araucaria brasiliana

Korean pine сосна корейская, сосна кедровая маньчжурская, Pinus koraiensis

Labrador pine сосна Банкса, Pinus banksiana

limber pine сосна гибкая, Pinus flexilis

loblolly pine сосна ладанная, Pinus taeda

lodgepole pine сосна скрученная широкохвойная (Pinus contorta var. latifolia)

long-shucks pine сосна ладанная, Pinus taeda

long-straw pine сосна ладанная, Pinus taeda

longifolia pine сосна длиннохвойная, Pinus longifolia

longleaf pine сосна австралийская, Pinus australica; сосна широкохвойная, Pinus latifolia; сосна болотная, Pinus palustris

Macedonian pine сосна румелийская, Pinus peuce

Manchurian pine сосна корейская, сосна кедровая маньчжурская, Pinus koraiensis

maritime pine сосна приморская, Pinus maritima

meadow pine 1. хвощ полевой, Equisetum arvense; 2. сосна ладанная, Pinus taeda

Mexican stone pine сосна кедровидная, Pinus cembroides

Mexican white pine сосна мексиканская Веймутова, Pinus ayacahuite

Monterey pine сосна замечательная, Pinus radiata

mountain pine 1. сосна горная, Pinus montana ; 2. стланик кедровый, Pinus pumila

New Caledonian pine араукария колончатая, Araucaria columnaris

nigger pine сосна виргинская, Pinus virginiana

Norfolk Island pine араукария высокая, Araucaria excelsa

northern pine сосна Веймутова, Pinus strobus

Norway pine сосна смолистая, Pinus resinosa

nut pine сосна кедровидная, Pinus cembroides; сосна съедобная, Pinus edulis

old-field pine сосна ладанная, Pinus taeda

Oregon pine лжетсуга тисолистная, Pseudotsuga taxifolia

Parana pine араукария бразильская Araucaria brasiliana)

pinon pine сосна съедобная, Pinus edulis

pitch pine сосна жёсткая, Pinus rigida; сосна австралийская, Pinus australica; сосна широкохвойная, Pinus latifolia; сосна болотная, Pinus palustris; сосна ежовая, Pinus echinata; сосна виргинская, Pinus virginiana

pond pine сосна поздняя, Pinus serotina

pond(er)osa pine сосна жёлтая, Pinus ponderosa

poverty pine сосна колючая, Pinus pungens

prickle-cone pine сосна мягкоигольчатая, Pinus muricata

prickly pine сосна колючая, Pinus pungens; сосна скрученная широкохвойная (Pinus contorta var. latifolia)

prince's pine 1. зимолюбка зонтичная, Chimaphila umbellata; 2. сосна Банкса, Pinus banksiana

pumpkin pine сосна Веймутова, Pinus strobus

Quebec yellow pine сосна Веймутова, Pinus strobus

red pine сосна смолистая, Pinus resinosa

river pine сосна виргинская, Pinus virginiana

rock pine сосна Банкса, Pinus banksiana; сосна жёлтая горная, Pinus scopulorum

rocky-mountain pine сосна гибкая, Pinus flexilis; сосна жёлтая горная, Pinus scopulorum

rosemary pine плаун булавовидный, Lycopodium clavatum

sand pine сосна закрытая, Pinus clausa

sap pine сосна ладанная, Pinus taeda; сосна жёсткая, Pinus rigida

Scotch pine сосна обыкновенная, Pinus silvestris

screw pine панданус полезный, Pandanus utilis

scrub pine сосна виргинская, Pinus virginiana

shore pine сосна скрученная, Pinus contorta

short-shucks pine сосна виргинская, Pinus virginiana

shortleaf pine сосна ежовая, Pinus echinata; сосна виргинская, Pinus virginiana

Siberian pine сосна корейская, сосна кедровая маньчжурская, Pinus koraiensis

Siberian stone pine сосна кедровая сибирская, "кедр" сибирский, Pinus sibirica

silver pine сосна горная Веймутова, Pinus monticola

single-leaf pine сосна однохвойная, Pinus monophylla

slash pine сосна ежовая, Pinus echinata; сосна Эллиота, Pinus elliotii; сосна карибская, Pinus caribaea; сосна ладанная, Pinus taeda

soft pine сосна Лямберта, Pinus lambertiana

southern mountain pine сосна колючая, Pinus pungens

southern pine ложная сосна (общее наименования для ладанной, голой и др. видов сосен Северной Америки)

southern pine сосна австралийская, Pinus australica; сосна широкохвойная, Pinus latifolia; сосна болотная, Pinus palustris; сосна жёсткая, Pinus rigida

spruce pine сосна гладкая, Pinus glabra; сосна Веймутова, Pinus strobus; сосна ежовая, Pinus echinata; сосна виргинская, Pinus virginiana

stone pine сосна итальянская, пиния, Pinus pinea

sturdy cypress pine каллитрис исполинский, Callitris robusta

sugar pine сосна Лямберта, Pinus lambertiana

swamp pine сосна ладанная, Pinus taeda

Swiss pine сосна кедровая европейская, Pinus cembra

table-mountain pine сосна колючая, Pinus pungens

Tasmanian pine атротаксис кипарисовидный, Athrotaxis cupressoides

torch pine сосна ладанная, Pinus taeda; сосна жёсткая, Pinus rigida

Torrey pine сосна Торрея, Pinus torreyana

turpentine pine сосна болотная, Pinus palustris

umbrella pine сциадопитис мутовчатый, японская зонтичная пихта, Sciadopitys verticillata

Virginia pine сосна виргинская, Pinus virginiana

western yellow pine сосна жёлтая, Pinus ponderosa

Weymouth pine сосна Веймутова, Pinus strobus

whistling pine казуарина узловатая, Casuarina torulosa

white pine сосна Веймутова, Pinus strobus; сосна горная Веймутова, Pinus monticola

white-bark pine сосна белоствольная, Pinus albicaulis

yellow pine 1. жёлтая сосна (общее наименование ладанной, голой и др. видов сосен Северной Америки) ; 2. сосна ежовая, Pinus echinata; сосна колючая, Pinus pungens; сосна жёлтая, Pinus ponderosa; сосна болотная, Pinus palustris

yew pine ель чёрная, Picea mariana

poplar тополь, Populus

American poplar тополь осинообразный, Populus tremuloides

angel-twig poplar тополь угловатый, Populus angulata

Asiatic poplar туранга, Populus diversifolia

balsam poplar тополь бальзамический, Populus balsamifera

bay poplar нисса водная, Nussa aquatica

berry-bearing poplar тополь дельтовидный, тополь канадский, Populus deltoides

black poplar осокорь, тополь чёрный, Populus nigra

bloomy poplar тополь сизый, Populus pruinosa

blue poplar 1. лириодендрон тюльпанный, тюльпанное дерево, Liriodendron tulipifera; 2. липа американская, Titla americana

Bolle's poplar тополь пирамидальный, тополь итальянский, Populus pyramidalis

browntwig poplar тополь печальный, Populus tristis

Californian poplar тополь волосисто-плодный, Populus trichocarpa

Chinese poplar тополь китайский, тополь Симона, Populus simonii

downy poplar тополь разнолистный, Populus heterophylla

gray poplar тополь сереющий, Populus canescens

gum poplar эвкалипт белый, Eucalyptus abla

home-grown poplar осокорь, тополь чёрный, Populus nigra

Italian poplar тополь виргинский, Populus viginiana; тополь дельтовидный, тополь канадский, Populus deltoides

Japan poplar тополь Максимовича, Populus maximowiczii

Lombardy poplar тополь пирамидальный, тополь итальянский, Populus pyramidalis

necklace poplar тополь виргинский, Populus viginiana; тополь дельтовидный, тополь канадский, Populus deltoides

river poplar тополь дельтовидный, тополь канадский, Populus deltoides

rough-bark poplar тополь бальзамический, Populus balsamifera

silver(-leaf) poplar тополь осинообразный, Populus tremuloides

swamp poplar тополь разнолистный, Populus heterophylla

trembling poplar тополь осинообразный, Populus tremuloides

tulip poplar лириодендрон тюльпанный, тюльпанное дерево, Liriodendron tulipifera

water poplar тополь дельтовидный, тополь канадский, Populus deltoides

white poplar 1. тополь белый, Populus alba; тополь осинообразный, Populus tremuloides; 2. липа американская, Titla americana; 3. лириодендрон тюльпанный, тюльпанное дерево, Liriodendron tulipifera

willow poplar осокорь, тополь чёрный, Populus nigra

yellow poplar липа американская, Titla americana

shark акула

alligator shark звездчатошипая акула, акула-аллигатор, Echinorhinus brucus

angel shark морской ангел (Squatina squatina); pl морские ангела, рашплевые, скватиновые, Squatinidae

black (finned) shark чёрная акула, черноплавниковая акула, Carcharinus melanopterus

black-tip shark чёрная акула, черноплавниковая акула, Carcharinus melanopterus

blue shark 1. синяя акула, Prionace glauca; 2. обыкновенная сельдёвая акула, атлантическая сельдёвая акула, Lamna nasus

bone shark гигантская акула, Cetorhinus maximus

bottlenose shark обыкновенная сельдёвая акула, атлантическая сельдёвая акула, Lamna nasus

bramble sharks бляшкошипые акулы, шиповатые акулы, звездчатошитые акулы, Echinorhinidae

bull shark шестижаберная акула, Hexanchus griseus

bullhead shark 1. бычья акула, Heterodontus japonicus; 2. pl разнозубые акулы, бычьи акулы, рогатые акулы, Heterodontidae

carpet shark воббегонг, бородатая акула (Orectolobus barbatus); pl ковровые акулы, усатые акулы, Orecotolobidae

cat sharks кошачьи акулы, Scyliorhinidae

cow shark 1. семижаберная акула, Heptranchias cepedianus; 2. pl многожаберные акулы, гребнезубые акулы, Hexanchidae

death shark белая акула, кархародон, Carcharodon carcharias

dog (fish) shark колючая акула (Squalus); pl катрановые, колючие акулы, Squalidae

elephant sharks гигантские акулы, Cetorhinidae

elfin shark мицукурина, Mitsukurina

false cat shark ложная кунья акула, Pseudotriakis microdon

fiddle shark пятнистый гитарный скат

fox shark обыкновенная морская лисица (Alopias vulpinus); pl трешеровые, лисьи акулы, Alopidae

frill shark плащеносная акула (Clamydoselachus); pl плащеносные акулы, Chlamydoselachidae

goblin sharks скапаноринховые, акулы-домовые, Scapanorhynchidae

gray nurse shark обыкновенная песчаная акула, Carcharias taurus

gray shark серая акула (Carcharhinus); pl серые акулы, пилозубые акулы, кархариновые, Carcharhinidae

great basking shark гигантская акула, Cetorhinus maximus

great white shark 1. белая акула, кархародон, Carcharodon carcharias; 2. pl ламновые, сельдёвые акулы, Lamnidae

Greenland shark полярная акула, Somniosus microcephalus

griset shark шестижаберная акула, Hexanchus griseus

ground shark полярная акула, Somniosus microcephalus

gummy shark кунья акула, Mustelus

Gunther's shark колючая акула Etmopierus granulosus

gurry shark 1. полярная акула, Somniosus microcephalus; 2. европейская химера, Chimaera monstrosa

hammer-headed shark молот-рыба, акула-молот (Sphyrna); pl молотоголовые акулы, акулы-молоты, Sphyrnidae

horn sharks разнозубые акулы, бычьи акулы, рогатые акулы, Heterodontidae

hound shark кунья акула, Mustelus

kitefin sharks европейская химера, Chimaera monstrosa

lantern shark колючая акула Elmopterus lucifer

lazy sharks кошачьи акулы, Scyliorhinidae

leopard shark 1. кошачья акула, Scyliorhinus; 2. леопардовая акула, Triakis henlei; 3. тигровая акула, Galeocerdo cuvieri

liver-oil shark суповая акула Galeorhinus galeus

mackerel shark обыкновенная сельдёвая акула, атлантическая сельдёвая акула, Lamna nasus

mako shark 1. сельдёвая акула, Lamna; 2. серо-голубая акула, Isurus

mallet sharks молотоголовые акулы, акулы-молоты, Sphyrnidae

night shark ночная акула, Hypoprion signatus

nurse shark 1. акула-нянька, Ginglymostoma cerratum; 2. pl ковровые акулы, усатые акулы, Orectolobidae

oil shark семижаберная акула Heptranchias perlo

one-finned shark 1. плоскоголовый семижаберник, Notorhynchus indicus; 2. семижаберная акула Heptranchias dakini

Pacific angel shark морской ангел Squatina californica

perlon shark суповая акула Galeorhinus australis

Portuguese shark португальская акула, Centroscymnus coelolepis

ragged-tooth shark обыкновенная песчаная акула, Carcharias taurus

requiem sharks кархариновые, серые акулы, пилозубые акулы, Carcharhinidae

river shark серая акула Carcharinus zambezensis

salmon shark обыкновенная сельдёвая акула, атлантическая сельдёвая акула, Lamna nasus

sand sharks 1. песчаные акулы, Odontaspidae; 2. гитарные скаты, рохлевые скаты, Rhinobatidae

saw shark пилоносные акулы, акулы-пилоносы, Pristiophoridae

school shark суповая акула Galeorhinus galeus

seven-gill(ed) shark семижаберная акула, Heptranchias

sharp-tooth shark суповая акула Galeorhinus australis

shovelnose sharks гитарные скаты, рохлевые скаты, Rhinobatidae

silver shark европейская химера, Chimaera monstrosa

six-gilled shark шестижаберная акула, Hexanchus griseus

sleeper sharks европейская химера, Chimaera monstrosa

slender-tooth shark обыкновенная песчаная акула, Carcharias taurus

snapper shark суповая акула Galeorhinus australis

soupfin shark акула галеус, Galeus

spear-eye shark кунья акула, Mustelus

spinner shark чёрная акула, черноплавниковая акула, Carcharinus melanopterus

spotted gully shark кунья акула, Mustelus

swell sharks кошачьи акулы, Scyliorhinidae

tiger shark 1. тигровая акула, Galeocerdo cuvieri; 2. зебровая акула, Stegostoma fasciatum; 3. обыкновенная песчаная акула, Carcharias taurus

whale shark китовая акула (Rhincodon typus); pl китовые акулы, Rhincodontidae

yellow shark песчаная акула, Carcharias

zebra shark зебровая акула, Stegostoma fasciatum

bank steenbras (ихт) палюнолепис Palunolepis grandis

black steenbras циматоцепс Cymatoceps nasutus

red steenbras зубан Dentex rupestris

river steenbras пагелл Pagellus lithognathus

sand steenbras пагелл Pagellus mormyrus

silver steenbras спар Sparus durbanensis

white steenbras пагелл Pagellus lithognathus

yellow steenbras зубан Dentex rupestris