-
1 scaenice
scaenĭcē, adv., v. scaenicus fin. -
2 scaenica
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38. -
3 scaenicus
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38. -
4 scenicus
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38.
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