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81 être
être [εtʀ]━━━━━━━━━1. linking verb━━━━━━━━━➭ TABLE 61━━━━━━━━━━━━━━━━━► Pour les locutions comme être en colère, c'est dommage, reportez-vous à l'autre mot.━━━━━━━━━━━━━━━━━1. <a. to be• soyez sages ! be good!► être de• serez-vous des nôtres demain ? will you be coming tomorrow?2. <• être fabriqué par... to be made by...━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━► Les temps composés français ne se traduisent pas toujours par des temps composés anglais: le passé composé français peut se traduire soit par le prétérit, soit par le parfait anglais, selon le contexte.━━━━━━━━━━━━━━━━━• est-il déjà passé ? has he been already?3. <a. to be• où étais-tu ? where were you?b. ( = aller)━━━━━━━━━━━━━━━━━► Lorsque avoir été décrit un déplacement, il est rendu le plus souvent par to go ; lorsqu'il exprime le fait de s'être trouvé quelque part, il se traduit par to be.━━━━━━━━━━━━━━━━━• as-tu déjà été à l'étranger ? -- oui j'ai été en Italie l'an dernier have you ever been abroad? -- yes I went to Italy last year4. <a. ► il est + adjectif it is• il est étrange que... it's odd that...• quelle heure est-il ? what time is it?• il est un pays où... there is a country where...• il est des gens qui... there are people who...• il était une fois... once upon a time there was...d. ► c'est, ce sont + nom ou pronom━━━━━━━━━━━━━━━━━► En anglais, to be se met au temps de l'action décrite.━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━► Notez l'emploi possible d'un auxiliaire en anglais pour traduire les propositions tronquées.━━━━━━━━━━━━━━━━━• qui a crié ? -- c'est lui who shouted? -- he did or it was hime. ► c'est + adjectif it is• ça c'est vrai ! that's true!• un hôtel pas cher, c'est difficile à trouver it's not easy to find a cheap hotel• voler, c'est quelque chose que je ne ferai jamais stealing is something I'll never dof. (locutions)► c'est... qui• c'est eux or ce sont eux qui mentaient they are the ones who were lying• c'est toi qui le dis ! that's what you say!• c'est moi qu'on attendait it was me they were waiting for► c'est... que• ne partez pas, c'est à vous que je veux parler don't go, it's you I want to talk to► c'est que (pour expliquer)quand il écrit, c'est qu'il a besoin d'argent when he writes, it's because he needs money• c'est que je le connais bien ! I know him so well!• c'est qu'elle n'a pas d'argent it's because she has no money ; (exclamatif) but she has no money!► ce n'est pas que• ce n'est pas qu'il soit beau ! it's not that he's good-looking!► est-ce que ?• est-ce que c'est vrai ? is it true?• est-ce que vous saviez ? did you know?• est-ce que tu m'entends ? can you hear me?• est-ce que c'est toi qui l'as battu ? was it you who beat him?• quand est-ce que ce sera réparé ? when will it be fixed?• où est-ce que tu l'as mis ? where have you put it?► n'est-ce pas ? → n'est-ce pas5. <a. ( = créature) beingb. ( = individu) person* * *
I ɛtʀverbe intransitif (+ v avoir)1)voilà ce qu'il en est — ( présentation) this is how it is; ( conclusion) that's how it is
qu'en est-il de...? — what's the news on...?
2)je suis à vous tout de suite/dans un instant — I'll be with you right away/in a minute
3)il n'est plus — euph he's no longer with us
fût-il duc/en cristal — even if he were a duke/it were made of crystal
••on ne peut pas être et avoir été — Proverbe you can't stay young forever
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Dans la plupart des situations exprimant l'existence, l'identité, la localisation, la qualité, être sera traduit par to be: je pense donc je suis = I think therefore I am; le soleil est une étoile = the sun is a star; j'étais chez moi = I was at home; l'eau est froide = the water is coldLes locutions figées contenant être sont traitées sous l'entrée appropriée. Ainsi être en train de/sur le point de/hors de soi etc sont respectivement sous train, point, hors etc; comme si de rien n'était et quoi qu'il en soit sous comme et quoi. De même, les expressions avec si et les questions commençant par que sont traitées sous si et que, à part qu'est-ce à dire?, que l'on trouvera sous dire. Selon le même principe, l'emploi facultatif de étant après considérer comme et présenter comme est traité sous ces verbes; étant donné (que) et étant entendu que sont sous donné et entendu. La plupart des autres emplois de étant se traduisent par being: cela (ou ceci) étant = this being so. En revanche, c'est-à-dire, n'est-ce pas, peut-être et soit sont des entrées à part entière, traitées à leur place dans le dictionnairePar ailleurs, on consultera utilement les notes d'usage répertoriées, notamment pour l'expression de l'heure, la date, les nationalités, les professions, les nombres etcêtre = verbe auxiliaireêtre auxiliaire de la voix passive se traduit par to be. On notera l'emploi des divers temps en anglaisau présent: où sont les épreuves? elles sont révisées par le traducteur = where are the proofs? they are being revised by the translator; votre voiture est réparée = your car has been repaired; les portes sont repeintes chaque année = the doors are repainted every yearau passé: les épreuves ont été révisées en juin = the proofs were revised in June; les épreuves ont été révisées plusieurs fois = the proofs have been revised several times; les épreuves ont été révisées bien avant ma démission = the proofs had been revised long before I resignedêtre se traduit par to have si le temps est également composé en anglais - ce qui est beaucoup moins fréquent qu'en français (voir ci-dessus) - sauf avec naître. Dans certains contextes, on peut avoir: elles sont tombées = they have fallen; ils se sont enfuis = they have escaped; elle s'était vengée = she had taken her revengeLes verbes traduits par une construction passive ou attributive en anglais ( se vendre = to be sold; s'indigner = to be indignant) suivent les mêmes règles au passé: tous les livres se sont vendus = all the books have been sold; elle se serait indignée = she would have been indignantNoter que la forme pronominale à valeur passive est souvent mieux rendue en anglais par une forme intransitive: les livres se sont bien vendus = the books have sold wellêtre = allerLorsqu'il signifie aller, être se traduit par to be en anglais, mais seulement s'il est directement suivi d'un complément de lieu: je n'ai jamais été en Chine = I've never been to China. Suivi d'un infinitif, il se rend par to go to: il a été voir son ami = he's gone to see his friend; j'ai été manger au restaurant = I went to eat in the restaurantDans le sens de s'en aller, on notera les tournures recherchées: ils s'en furent au théâtre = they went to the theatre; ils s'en furent (déçus) = they left (disappointed)est-ce, ou sa variante plus familière c'est, se traduit généralement par is it: est-ce leur fils/voiture? = is it their son/car?; c'est grave? = is it serious?; c'est toi ou ton frère? = is it you or your brother?Quand ce garde sa valeur démonstrative, l'anglais précise la référence: est-ce clair? = is that clear?; qui est-ce? ( en montrant une personne) = who is he/she?; et aussi = who is that?; mais, en parlant de quelqu'un qui vous appelle au téléphone, ou à quelqu'un qui frappe à la porte: = who is it?est-ce n'est généralement pas traduit dans les tournures emphatiques ou permettant d'éviter l'inversion du sujet: est-ce que tu parles russe? = do you speak Russian?; est-ce leur fils, ce garçon? is this boy their son?; qui est-ce qui l'a fait? = who did it?; qui est-ce que tu as rencontré? = who did you meet?; quand/où est-ce que tu manges? = when/where do you eat?; qu'est-ce que c'est? = what is it?, ou, comme vu plus haut, = what is this/that? selon qu'on montre un objet proche ou éloignéNéanmoins, la tournure emphatique est également possible en anglais dans certaines expressions: qu'est-ce que j'entends? = what's this I hear?; est-ce bien ce qu'il a voulu dire? = is that what he really meant?c'est se traduit, selon les contextes, it is ( it's), this is, that is ( that's): c'est facile ( de critiquer) = it's easy; (ce que tu me demandes, ce travail) = that's easy; c'est moi (réponse à ‘qui est-ce?’) = it's me; (réponse à ‘qui le fait?’) = I do; (réponse à ‘qui l'a fait?’) = I did; (pour me désigner sur une photo, ou comme étant le personnage dont il est question) = that's me ( traduit également ça, c'est moi); c'est Mme Fox (qui téléphone, réponse à ‘qui est-ce?’) = it's Mrs Fox; (réponse à ‘qui le fait?’) = Mrs Fox ou Mrs Fox does; (réponse à ‘qui l'a fait?’) = Mrs Fox did; (que je montre, dont vous voulez parler) = that's Mrs Fox; c'est eux, ce sont eux (qui sont là-bas, que je montre) = it's them; ( qui le font) = they do; ( qui l'ont fait) = they did; ( qui arrivent) = here they are; ce sont mes enfants ( que je vous présente) = these are my children; ( qui sont là-bas) = they are my children; c'est cela = that's right; c'est ça! tu crois que je vais faire le travail tout seul? = what's this! do you think I'm going to do the work all by myself?Lorsqu'il reprend un nom, un infinitif ou une proposition qui le précède c'est se traduit seulement par is: une étoile, c'est un réacteur nucléaire = a star is a nuclear reactor; réussir, c'est une question de volonté = to succeed is a question of will; sortir par ce temps, c'est de la folie = going out in this weather is sheer madness; eux, ce sont mes amis = they are my friendsDe même, lorsque c'est que reprend un groupe nominal ou une proposition, il se traduit simplement par is that: le comique, c'est que... = the funny thing is that... On trouvera en général cette tournure sous l'entrée appropriée, comme comique, fort, importer etcLorsque c'est que sert à donner une explication il se rend généralement, et selon le temps, par it is that, it was that, mais aussi, pour insister sur l'explication, par it is/was because: si j'ai fait ça, c'est que je ne pouvais pas faire autrement = if I did that, it was because I couldn't do otherwise. ce n'est pas que se traduit la plupart du temps it is/was not that (la contraction est it's not plutôt que it isn't): ce n'est pas qu'il soit bête, mais... = it's not that he is stupid, but...En corrélation avec un pronom relatif, c'est peut soit garder sa valeur de présentatif (voir plus haut) et se rendre par that's: c'est le journaliste qui m'a interviewé/que nous avons rencontré/dont je te parlais = that's the journalist who interviewed me/(that) we met/I was telling you about; c'est le château où je suis né = that's the castle where I was born; c'est ce qui me fait croire que... = that's what makes me think that...; c'est justement ce que je disais = that's exactly what I was saying; soit constituer une tournure emphatique qui se rend en anglais selon la nuance: c'est de la même femme que nous parlons = we're talking about the same woman; c'était d'en parler devant elle qui me gênait = talking about it in front of her was what made me feel uneasy ou what made me feel uneasy was talking about it in front of her; c'est lui/Paul qui l'a cassé ( je le dénonce) = he/Paul broke it; ( je l'accuse) = he/Paul is the one who broke it; c'est mon frère qui l'a écrit = it was my brother who wrote it ou my brother's the one who wrote it; c'est de ta soeur que je parlais, pas de toi = it was your sister I was talking about, not you; c'est cette voiture qui m'intéresse = this is the car (that) I am interested in; c'est lui le coupable = he is the culprit; ce sont eux les meurtriers = they are the murderersc'est à suivi d'un infinitif se traduit parfois par it is suivi de l'adjectif correspondant si cette même transformation est possible en français ( c'est à désespérer = c'est désespérant = it's hopeless), mais c'est rare, et il est conseillé de se reporter à l'infinitif en question ou à l'un des autres termes obtenus à partir de transformations semblablesc'est à... de faire (ou parfois à faire) se traduira de deux manières: c'est à Pierre/lui de choisir ( c'est son tour) it's Pierre's/his turn to choose; ( c'est sa responsabilité) it's up to Pierre/to him to chooseLa notion de rivalité contenue dans c'est à qui suivi du futur doit être rendue explicite en anglais: c'est à qui proposera le plus de réformes = each is trying to suggest more reforms than the other; c'était à qui des deux aurait le dernier mot = they were each trying to get in the last word; c'était à qui trouverait le plus d'erreurs dans le texte = they were vying with each other to find the most mistakes in the textc'est, équivalent de ça fait dans le compte d'une somme, se rend par it is: c'est 200 francs = it's 200 francs; c'est combien? = how much is it?ce sera avec valeur modale de ce doit être se traduit it must be: ce sera mon professeur de piano = it must be my piano teacherêtre = verbe impersonnelil est facile de critiquer = it is easy to criticize; il serait nécessaire de faire = it would be necessary to do; il est des gens bizarres = there are some strange people; il n'est pas de jour/d'heure sans qu'il se plaigne = not a day/an hour goes by without him complainingOn se référera par ailleurs aux notes d'usage concernant l'heure et la date; voir aussi les entrées temps et foisil est à suivi d'un infinitif se rend différemment, selon les nuances qu'imposent le contexte, par it must be, it has to be, it should be, it can be suivis du participe passé. Pour plus de sûreté, on se reportera à l'infinitif en question, où cette construction est généralement traitéeil est de suivi d'un substantif ou d'un groupe nominal se rend souvent par it is suivi directement d'un adjectif ou d'un substantif précédé d'un déterminant (article, pronom): il est de coutume de faire (ou qu'on fasse) = it is customary ou the custom to do; il est de notre responsabilité de faire = it is our responsibility to do; mais ce n'est pas une règle absolue, et il est préférable de consulter des entrées telles que goût, règle, notoriété etc pour avoir des traductions adéquates. Voir également 1 Voir également 1 ci-dessous pour des exemples supplémentairesCertains cas sont traités sous la rubrique ‘être = verbe impersonnel’; d'autres, expressions figées, le sont sous l'entrée appropriée; voir par exemple poche et frais pour en être de sa poche/pour ses frais. Enfin, quand l'antéc édent de en est exprimé dans la phrase, l'expression est traitée plus bas sous être de: où en étais-je? = where was I?; je ne sais plus où j'en suis = I'm lost; où en es-tu de tes recherches? - j'en suis à mi-chemin/au début = how far have you got in your research? - I'm halfway through/at the beginning; elle a eu plusieurs amants/accidents: elle en est à son quatrième = she has had several lovers/accidents: this is her fourth; j'en suis à me demander si... = I'm beginning to wonder whether...; j'en étais à ne pouvoir distinguer le vrai du faux = I got to the point where I couldn't distinguish between truth and falsehoodSuivie d'un substantif représentant un vêtement, l'expression peut être traduite to be in, mais on consultera l'entrée appropriée pour s'en assurer. Si l'on dit to be in uniform ou éventuellement to be wearing a uniform pour être en uniforme, l'anglais préfère généralement to be wearing a suit à to be in a suit pour être en costume (de même pour robe, tailleur etc). Dans le cas d'un déguisement, on a to be dressed up as: être en pirate = to be dressed up as a piratej'y suis ( je vous comprends) = I'm with you; ( plus général mais un peu familier) = I get it; je n'y suis pas ( je ne comprends pas) = I don't get it; vous y êtes? (vous comprenez?) = are you with me?; (vous êtes prêt(e)?) = are you ready?; 20000 francs? vous n'y êtes pas! = 20,000 francs? you're a long way out!; tu n'y es pas, c'est plus compliqué que ça = you don't realize, it's a lot more complicated than that. Voir aussi les entrées y, adverbe de lieu, et pourêtre + prépositionsLa plupart des cas ( être dans, sur, devant, pour, après, avec etc) sont traités sous la préposition correspondante. Ne sont retenus ici que les cas particuliers de être à et être deLes cas où l'on peut faire l'ellipse de être ou le remplacer par un autre verbe sont traités sous la préposition à; ceux de en être à sous la rubrique ‘en être’, et ceux de c'est à sous la rubrique ‘c'est’Les emplois de être à suivi d'un groupe nominal et signifiant ‘tendre vers’ sont généralement traités sous le substantif approprié, comme temps, hausse, agonie etc dans les expressions le temps est à la pluie, être à la hausse, être à l'agonie. De même, quand être à signifie un état, c'est sous le substantif ou adjectif approprié, comme bout, disposition, quai, vif etc, qu'on trouvera la ou les traductions de l'expression correspondanteSuivi d'un infinitif et signifiant devoir être, être à peut généralement se traduire, en observant les mêmes nuances qu'avec devoir, par must be, have to be ou should be suivi du participe passé du verbe anglais. Il reste conseillé de consulter l'infinitif en question, comme plaindre, prendre etc. On en trouve également un traitement succint sous les rubriques ‘être = verbe impersonnel' et ‘c'est'Au sens de appartenir à, l'anglais utilise to be suivi du cas possessif quand le possesseur est un être animé ou d'un pronom possessif si celui-ci est représent é par un pronom objet. Si le cas possessif n'est pas d'usage, on utilise de préférence to belong to: ce livre est à moi/à mon frère = this book is mine/my brother's; ces dictionnaires sont au service de traduction = these dictionaries belong to the translation department; à qui est ce chien? = who does this dog belong to? ou whose dog is this? Voir 2 ci-dessous pour des exemples supplémentairesQuand elle exprime un état ou une situation, la tournure être de suivie d'un substantif sans déterminant est traduite sous le substantif en question, notamment avis, garde, service etc. De même, certaines expressions où la présence de déterminant est variable, comme dans être de mauvaise foi/d'une incroyable mauvaise foi sont traitées sous l'entrée appropriée, en l'occurrence, foi; voir aussi humeur, massacrante, poil etcLa construction être d'un/d'une suivie d'un adjectif substantivé ou d'un substantif exprimant une qualité ou un défaut peut généralement être rendue par to be so suivi de l'adjectif correspondant en anglais, si le substantif est seul: elle est d'un ridicule/d'une prétention! = she's so ridiculous/so pretentious!; si le substantif est qualifié, l'adjectif devient généralement un adverbe en anglais: il est d'une exquise courtoisie/d'une incompétence rare = he's exquisitely courteous/exceptionally incompetent; mais il n'est pas inutile de vérifier les traductions des adjectifs et substantifs à leur entrée avant de rendre cette constructionAu sens de participer à, faire partie de, la tournure être de se traduit de façon très variable (voir aussi partie): il est des nôtres ( il vient avec nous) = he's with us; (il est de notre clan, agit et pense comme nous) = he's one of us; serez-vous des nôtres? = will you be (coming) with us?; êtes-vous des nôtres? = are you coming with us? (ici, coming est nécessaire, pour éviter l'ambiguïté de are you with us?); les journalistes ne sont pas/ne seront pas du voyage = the journalists aren't coming/won't be coming on the trip; ils ont organisé une expédition mais je n'en étais pas = they organized an expedition but I wasn't part of it; il y avait un congrès mais il n'en était pas = there was a congress but he didn't take partSuivi d'un infinitif et précédé de noms abstraits avec l'article défini ( l'idéal, l'essentiel etc) ou de superlatifs ( le plus simple), être de se traduit généralement par to be suivi de l'infinitif avec to: le plus simple serait de tout recommencer = the simplest thing to do would be to start all over again
II ɛtʀnom masculin1) ( organisme vivant) beingun être sans défense — a defenceless [BrE] creature
2) ( personne) personun être cher or aimé — a loved one
3) ( nature intime) being4) Philosophie
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Dans la plupart des situations exprimant l'existence, l'identité, la localisation, la qualité, être sera traduit par to be: je pense donc je suis = I think therefore I am; le soleil est une étoile = the sun is a star; j'étais chez moi = I was at home; l'eau est froide = the water is coldLes locutions figées contenant être sont traitées sous l'entrée appropriée. Ainsi être en train de/sur le point de/hors de soi etc sont respectivement sous train, point, hors etc; comme si de rien n'était et quoi qu'il en soit sous comme et quoi. De même, les expressions avec si et les questions commençant par que sont traitées sous si et que, à part qu'est-ce à dire?, que l'on trouvera sous dire. Selon le même principe, l'emploi facultatif de étant après considérer comme et présenter comme est traité sous ces verbes; étant donné (que) et étant entendu que sont sous donné et entendu. La plupart des autres emplois de étant se traduisent par being: cela (ou ceci) étant = this being so. En revanche, c'est-à-dire, n'est-ce pas, peut-être et soit sont des entrées à part entière, traitées à leur place dans le dictionnairePar ailleurs, on consultera utilement les notes d'usage répertoriées, notamment pour l'expression de l'heure, la date, les nationalités, les professions, les nombres etcêtre = verbe auxiliaireêtre auxiliaire de la voix passive se traduit par to be. On notera l'emploi des divers temps en anglaisau présent: où sont les épreuves? elles sont révisées par le traducteur = where are the proofs? they are being revised by the translator; votre voiture est réparée = your car has been repaired; les portes sont repeintes chaque année = the doors are repainted every yearau passé: les épreuves ont été révisées en juin = the proofs were revised in June; les épreuves ont été révisées plusieurs fois = the proofs have been revised several times; les épreuves ont été révisées bien avant ma démission = the proofs had been revised long before I resignedêtre se traduit par to have si le temps est également composé en anglais - ce qui est beaucoup moins fréquent qu'en français (voir ci-dessus) - sauf avec naître. Dans certains contextes, on peut avoir: elles sont tombées = they have fallen; ils se sont enfuis = they have escaped; elle s'était vengée = she had taken her revengeLes verbes traduits par une construction passive ou attributive en anglais ( se vendre = to be sold; s'indigner = to be indignant) suivent les mêmes règles au passé: tous les livres se sont vendus = all the books have been sold; elle se serait indignée = she would have been indignantNoter que la forme pronominale à valeur passive est souvent mieux rendue en anglais par une forme intransitive: les livres se sont bien vendus = the books have sold wellêtre = allerLorsqu'il signifie aller, être se traduit par to be en anglais, mais seulement s'il est directement suivi d'un complément de lieu: je n'ai jamais été en Chine = I've never been to China. Suivi d'un infinitif, il se rend par to go to: il a été voir son ami = he's gone to see his friend; j'ai été manger au restaurant = I went to eat in the restaurantDans le sens de s'en aller, on notera les tournures recherchées: ils s'en furent au théâtre = they went to the theatre; ils s'en furent (déçus) = they left (disappointed)est-ce, ou sa variante plus familière c'est, se traduit généralement par is it: est-ce leur fils/voiture? = is it their son/car?; c'est grave? = is it serious?; c'est toi ou ton frère? = is it you or your brother?Quand ce garde sa valeur démonstrative, l'anglais précise la référence: est-ce clair? = is that clear?; qui est-ce? ( en montrant une personne) = who is he/she?; et aussi = who is that?; mais, en parlant de quelqu'un qui vous appelle au téléphone, ou à quelqu'un qui frappe à la porte: = who is it?est-ce n'est généralement pas traduit dans les tournures emphatiques ou permettant d'éviter l'inversion du sujet: est-ce que tu parles russe? = do you speak Russian?; est-ce leur fils, ce garçon? is this boy their son?; qui est-ce qui l'a fait? = who did it?; qui est-ce que tu as rencontré? = who did you meet?; quand/où est-ce que tu manges? = when/where do you eat?; qu'est-ce que c'est? = what is it?, ou, comme vu plus haut, = what is this/that? selon qu'on montre un objet proche ou éloignéNéanmoins, la tournure emphatique est également possible en anglais dans certaines expressions: qu'est-ce que j'entends? = what's this I hear?; est-ce bien ce qu'il a voulu dire? = is that what he really meant?c'est se traduit, selon les contextes, it is ( it's), this is, that is ( that's): c'est facile ( de critiquer) = it's easy; (ce que tu me demandes, ce travail) = that's easy; c'est moi (réponse à ‘qui est-ce?’) = it's me; (réponse à ‘qui le fait?’) = I do; (réponse à ‘qui l'a fait?’) = I did; (pour me désigner sur une photo, ou comme étant le personnage dont il est question) = that's me ( traduit également ça, c'est moi); c'est Mme Fox (qui téléphone, réponse à ‘qui est-ce?’) = it's Mrs Fox; (réponse à ‘qui le fait?’) = Mrs Fox ou Mrs Fox does; (réponse à ‘qui l'a fait?’) = Mrs Fox did; (que je montre, dont vous voulez parler) = that's Mrs Fox; c'est eux, ce sont eux (qui sont là-bas, que je montre) = it's them; ( qui le font) = they do; ( qui l'ont fait) = they did; ( qui arrivent) = here they are; ce sont mes enfants ( que je vous présente) = these are my children; ( qui sont là-bas) = they are my children; c'est cela = that's right; c'est ça! tu crois que je vais faire le travail tout seul? = what's this! do you think I'm going to do the work all by myself?Lorsqu'il reprend un nom, un infinitif ou une proposition qui le précède c'est se traduit seulement par is: une étoile, c'est un réacteur nucléaire = a star is a nuclear reactor; réussir, c'est une question de volonté = to succeed is a question of will; sortir par ce temps, c'est de la folie = going out in this weather is sheer madness; eux, ce sont mes amis = they are my friendsDe même, lorsque c'est que reprend un groupe nominal ou une proposition, il se traduit simplement par is that: le comique, c'est que... = the funny thing is that... On trouvera en général cette tournure sous l'entrée appropriée, comme comique, fort, importer etcLorsque c'est que sert à donner une explication il se rend généralement, et selon le temps, par it is that, it was that, mais aussi, pour insister sur l'explication, par it is/was because: si j'ai fait ça, c'est que je ne pouvais pas faire autrement = if I did that, it was because I couldn't do otherwise. ce n'est pas que se traduit la plupart du temps it is/was not that (la contraction est it's not plutôt que it isn't): ce n'est pas qu'il soit bête, mais... = it's not that he is stupid, but...En corrélation avec un pronom relatif, c'est peut soit garder sa valeur de présentatif (voir plus haut) et se rendre par that's: c'est le journaliste qui m'a interviewé/que nous avons rencontré/dont je te parlais = that's the journalist who interviewed me/(that) we met/I was telling you about; c'est le château où je suis né = that's the castle where I was born; c'est ce qui me fait croire que... = that's what makes me think that...; c'est justement ce que je disais = that's exactly what I was saying; soit constituer une tournure emphatique qui se rend en anglais selon la nuance: c'est de la même femme que nous parlons = we're talking about the same woman; c'était d'en parler devant elle qui me gênait = talking about it in front of her was what made me feel uneasy ou what made me feel uneasy was talking about it in front of her; c'est lui/Paul qui l'a cassé ( je le dénonce) = he/Paul broke it; ( je l'accuse) = he/Paul is the one who broke it; c'est mon frère qui l'a écrit = it was my brother who wrote it ou my brother's the one who wrote it; c'est de ta soeur que je parlais, pas de toi = it was your sister I was talking about, not you; c'est cette voiture qui m'intéresse = this is the car (that) I am interested in; c'est lui le coupable = he is the culprit; ce sont eux les meurtriers = they are the murderersc'est à suivi d'un infinitif se traduit parfois par it is suivi de l'adjectif correspondant si cette même transformation est possible en français ( c'est à désespérer = c'est désespérant = it's hopeless), mais c'est rare, et il est conseillé de se reporter à l'infinitif en question ou à l'un des autres termes obtenus à partir de transformations semblablesc'est à... de faire (ou parfois à faire) se traduira de deux manières: c'est à Pierre/lui de choisir ( c'est son tour) it's Pierre's/his turn to choose; ( c'est sa responsabilité) it's up to Pierre/to him to chooseLa notion de rivalité contenue dans c'est à qui suivi du futur doit être rendue explicite en anglais: c'est à qui proposera le plus de réformes = each is trying to suggest more reforms than the other; c'était à qui des deux aurait le dernier mot = they were each trying to get in the last word; c'était à qui trouverait le plus d'erreurs dans le texte = they were vying with each other to find the most mistakes in the textc'est, équivalent de ça fait dans le compte d'une somme, se rend par it is: c'est 200 francs = it's 200 francs; c'est combien? = how much is it?ce sera avec valeur modale de ce doit être se traduit it must be: ce sera mon professeur de piano = it must be my piano teacherêtre = verbe impersonnelil est facile de critiquer = it is easy to criticize; il serait nécessaire de faire = it would be necessary to do; il est des gens bizarres = there are some strange people; il n'est pas de jour/d'heure sans qu'il se plaigne = not a day/an hour goes by without him complainingOn se référera par ailleurs aux notes d'usage concernant l'heure et la date; voir aussi les entrées temps et foisil est à suivi d'un infinitif se rend différemment, selon les nuances qu'imposent le contexte, par it must be, it has to be, it should be, it can be suivis du participe passé. Pour plus de sûreté, on se reportera à l'infinitif en question, où cette construction est généralement traitéeil est de suivi d'un substantif ou d'un groupe nominal se rend souvent par it is suivi directement d'un adjectif ou d'un substantif précédé d'un déterminant (article, pronom): il est de coutume de faire (ou qu'on fasse) = it is customary ou the custom to do; il est de notre responsabilité de faire = it is our responsibility to do; mais ce n'est pas une règle absolue, et il est préférable de consulter des entrées telles que goût, règle, notoriété etc pour avoir des traductions adéquates. Voir également 1 Voir également 1 ci-dessous pour des exemples supplémentairesCertains cas sont traités sous la rubrique ‘être = verbe impersonnel’; d'autres, expressions figées, le sont sous l'entrée appropriée; voir par exemple poche et frais pour en être de sa poche/pour ses frais. Enfin, quand l'antéc édent de en est exprimé dans la phrase, l'expression est traitée plus bas sous être de: où en étais-je? = where was I?; je ne sais plus où j'en suis = I'm lost; où en es-tu de tes recherches? - j'en suis à mi-chemin/au début = how far have you got in your research? - I'm halfway through/at the beginning; elle a eu plusieurs amants/accidents: elle en est à son quatrième = she has had several lovers/accidents: this is her fourth; j'en suis à me demander si... = I'm beginning to wonder whether...; j'en étais à ne pouvoir distinguer le vrai du faux = I got to the point where I couldn't distinguish between truth and falsehoodSuivie d'un substantif représentant un vêtement, l'expression peut être traduite to be in, mais on consultera l'entrée appropriée pour s'en assurer. Si l'on dit to be in uniform ou éventuellement to be wearing a uniform pour être en uniforme, l'anglais préfère généralement to be wearing a suit à to be in a suit pour être en costume (de même pour robe, tailleur etc). Dans le cas d'un déguisement, on a to be dressed up as: être en pirate = to be dressed up as a piratej'y suis ( je vous comprends) = I'm with you; ( plus général mais un peu familier) = I get it; je n'y suis pas ( je ne comprends pas) = I don't get it; vous y êtes? (vous comprenez?) = are you with me?; (vous êtes prêt(e)?) = are you ready?; 20000 francs? vous n'y êtes pas! = 20,000 francs? you're a long way out!; tu n'y es pas, c'est plus compliqué que ça = you don't realize, it's a lot more complicated than that. Voir aussi les entrées y, adverbe de lieu, et pourêtre + prépositionsLa plupart des cas ( être dans, sur, devant, pour, après, avec etc) sont traités sous la préposition correspondante. Ne sont retenus ici que les cas particuliers de être à et être deLes cas où l'on peut faire l'ellipse de être ou le remplacer par un autre verbe sont traités sous la préposition à; ceux de en être à sous la rubrique ‘en être’, et ceux de c'est à sous la rubrique ‘c'est’Les emplois de être à suivi d'un groupe nominal et signifiant ‘tendre vers’ sont généralement traités sous le substantif approprié, comme temps, hausse, agonie etc dans les expressions le temps est à la pluie, être à la hausse, être à l'agonie. De même, quand être à signifie un état, c'est sous le substantif ou adjectif approprié, comme bout, disposition, quai, vif etc, qu'on trouvera la ou les traductions de l'expression correspondanteSuivi d'un infinitif et signifiant devoir être, être à peut généralement se traduire, en observant les mêmes nuances qu'avec devoir, par must be, have to be ou should be suivi du participe passé du verbe anglais. Il reste conseillé de consulter l'infinitif en question, comme plaindre, prendre etc. On en trouve également un traitement succint sous les rubriques ‘être = verbe impersonnel' et ‘c'est'Au sens de appartenir à, l'anglais utilise to be suivi du cas possessif quand le possesseur est un être animé ou d'un pronom possessif si celui-ci est représent é par un pronom objet. Si le cas possessif n'est pas d'usage, on utilise de préférence to belong to: ce livre est à moi/à mon frère = this book is mine/my brother's; ces dictionnaires sont au service de traduction = these dictionaries belong to the translation department; à qui est ce chien? = who does this dog belong to? ou whose dog is this? Voir 2 ci-dessous pour des exemples supplémentairesQuand elle exprime un état ou une situation, la tournure être de suivie d'un substantif sans déterminant est traduite sous le substantif en question, notamment avis, garde, service etc. De même, certaines expressions où la présence de déterminant est variable, comme dans être de mauvaise foi/d'une incroyable mauvaise foi sont traitées sous l'entrée appropriée, en l'occurrence, foi; voir aussi humeur, massacrante, poil etcLa construction être d'un/d'une suivie d'un adjectif substantivé ou d'un substantif exprimant une qualité ou un défaut peut généralement être rendue par to be so suivi de l'adjectif correspondant en anglais, si le substantif est seul: elle est d'un ridicule/d'une prétention! = she's so ridiculous/so pretentious!; si le substantif est qualifié, l'adjectif devient généralement un adverbe en anglais: il est d'une exquise courtoisie/d'une incompétence rare = he's exquisitely courteous/exceptionally incompetent; mais il n'est pas inutile de vérifier les traductions des adjectifs et substantifs à leur entrée avant de rendre cette constructionAu sens de participer à, faire partie de, la tournure être de se traduit de façon très variable (voir aussi partie): il est des nôtres ( il vient avec nous) = he's with us; (il est de notre clan, agit et pense comme nous) = he's one of us; serez-vous des nôtres? = will you be (coming) with us?; êtes-vous des nôtres? = are you coming with us? (ici, coming est nécessaire, pour éviter l'ambiguïté de are you with us?); les journalistes ne sont pas/ne seront pas du voyage = the journalists aren't coming/won't be coming on the trip; ils ont organisé une expédition mais je n'en étais pas = they organized an expedition but I wasn't part of it; il y avait un congrès mais il n'en était pas = there was a congress but he didn't take partSuivi d'un infinitif et précédé de noms abstraits avec l'article défini ( l'idéal, l'essentiel etc) ou de superlatifs ( le plus simple), être de se traduit généralement par to be suivi de l'infinitif avec to: le plus simple serait de tout recommencer = the simplest thing to do would be to start all over again* * *ɛtʀ1. nm2. vb (avec attribut)1) (état, description) to beIl est instituteur. — He's a teacher.
Vous êtes grand. — You're tall.
Vous êtes fatigué. — You're tired.
Je suis heureux. — I'm happy.
être à qn — to be sb's, to belong to sb
Ce livre est à Paul. — This book is Paul's., This book belongs to Paul.
C'est à moi. — It's mine.
C'est à eux. — It's theirs.
C'est à lui de le faire. — It's up to him to do it.
3) (origine)Il est de Paris. — He is from Paris.
Il est des nôtres. — He is one of us.
4) (obligation, but)être à (+ infinitif) C'est à réparer. — It needs repairing.
C'est à essayer. — You should try it.
Il est à espérer que... — It is to be hoped that...
3. vi1) (= se trouver) to beJe ne serai pas ici demain. — I won't be here tomorrow.
2) (date)Nous sommes le 10 janvier. — It's the 10th of January., Today is the 10th of January.
3) (= faire partie) to beêtre de ceux qui... — to be one of those who...
Il voulait en être. — He wanted to be part of it.
4) (= exister) to beêtre ou ne pas être... — to be or not to be...
en être à qch (= avoir atteint) — to have got to sth, to have got as far as sth, (= être réduit à) to be reduced to sth
Nous en étions au dessert. — We had got to the dessert., We had got as far as dessert.
Il en est à faire des ménages pour vivre. — He's been reduced to doing cleaning jobs to earn a living.
4. vb aux1) (dans verbes composés) to haveIl est parti. — He has left., He has gone.
Il n'est pas encore arrivé. — He hasn't arrived yet.
2) (forme passive) to beIl a été promu. — He has been promoted.
5. vb impersil est... — it is...
Il est impossible de le faire. — It's impossible to do it.
Il est 10 heures. — It's 10 o'clock.
See:* * *I.être ⇒ Note d'usage verb table: être vi1 il n'est pas jusqu'à l'Antarctique qui ne soit pollué even the Antarctic is polluted; il en est de Pierre comme de Paul it is the same with Pierre as with Paul; voilà ce qu'il en est ( présentation) this is how it is; ( conclusion) that's how it is; il n'en est rien this isn't at all the case; il en sera toujours ainsi it will always be so; il en a été de même it was the same; qu'en est-il de…? what's the news on…?;2 je suis à vous tout de suite/dans un instant I'll be with you right away/in a minute; je suis à vous I'm all yours; être à ce qu'on fait to have one's mind on what one is doing; elle est toujours à se plaindre she's always complaining;3 il n'est plus euph he's no longer with us; ce temps n'est plus those days are gone; ces traditions ne sont plus these traditions are things of the past; fût-il duc/en cristal even if he were a duke/it were made of crystal, even were he a duke/were it made of crystal; n'était leur grand âge were it not for their advanced age, if it were not for their advanced age; ne serait-ce qu'en faisant if only by doing; ne fût-ce que pour la soulager/qu'un instant if only to relieve her/for a moment; fût-ce pour des raisons humanitaires if only on humanitarian grounds.on ne peut pas être et avoir été Prov you can't stay young forever.II.être nm1 ( organisme vivant) being; être humain/vivant/surnaturel human/living/supernatural being; les êtres animés et inanimés animate and inanimate things; les êtres et les choses living things and objects; un être sans défense a defencelessGB creature; ces plantes sont des êtres inférieurs these plants are inferior life-forms;2 ( personne) person; un être d'exception an exceptional person; un être faible et timoré a weak and timorous person; les êtres qui doutent people who doubt; l'amitié entre deux êtres friendship between two people; un être cher or aimé a loved one; ce sont des êtres simples they're simple beings ou souls; son mari est un être sensible her husband is a sensitive soul;3 ( nature intime) being; de tout son être [détester, souhaiter] with one's whole being; au fond de son être, elle savait que in the core of her being, she knew that; blessé au plus profond de son être hurt to the core; les êtres contradictoires qui vous habitent the conflicting selves within you;I[ɛtr] nom masculin2. RELIGIONl'être éternel ou infini ou suprême the Supreme Being3. [personne] personII[ɛtr] verbe intransitifA.[EXPRIME L'EXISTENCE, LA RÉALITÉ]B.[RELIE L'ATTRIBUT, LE COMPLÉMENT AU SUJET]1. [suivi d'un attribut] to beje ne te le prêterai pas! — comment ou comme tu es! (familier) I won't lend it to you! — you see what you're like!Bruno/ce rôle est tout pour moi Bruno/this part means everything to me2. [suivi d'une préposition]j'y suis, j'y reste here I am and here I staya. [à la maison] I'm not at home for anyoneb. [au bureau] I won't see anybodyje suis à vous [je vous écoute] I'm all yourstout le monde est à la page 15/au chapitre 9? is everybody at page 15/chapter 9?vous êtes (bien) au 01.40.06.24.08 this is 01 40 06 24 08être de [provenir de] to be from, to come fromBruno est de sa famille Bruno is a member of her family ou is a relative of hersêtre de [participer à]: je suis de mariage le mois prochain I've got (to go to) a wedding next monthj'en suis au moment où il découvre le trésor I've got to the part ou the bit where he discovers the treasureoù en étais-je? [après une interruption dans une conversation] where was I ?tu en es encore à lui chercher des excuses! — oh non, je n'en suis plus là! you're still trying to find excuses for him! — oh no, I'm past that!ne plus savoir où l'on en est: je ne sais plus du tout où j'en suis dans tous ces calculs I don't know where I am any more with all these calculationsj'ai besoin de faire le point, je ne sais plus où j'en suis I've got to take stock, I've completely lost track of everythingy être [comprendre]: tu te souviens bien de Marie, une petite brune! — ah, oui, j'y suis maintenant! but you must remember Marie, a brunette! — oh yes, I'm with you now!mais non, vous n'y êtes pas du tout! you don't understand!3. [dans l'expression du temps] to benous sommes le 8/jeudi today is the 8th/ThursdayC.[SUBSTITUT DE ALLER, PARTIR] to go————————[ɛtr] verbe impersonnel1. [exister]il était une fois un prince... once (upon a time) there was a prince...2. [pour exprimer l'heure]3. (soutenu & locution)on a dit que vous vouliez démissionner — il n'en est rien it was rumoured you wanted to resign — that's not trueil n'est que de: il n'est que de lire les journaux pour s'en rendre compte you only have to read the newspapers to be aware of it————————[ɛtr] verbe auxiliaire1. [sert à former les temps composés]je suis/j'étais descendu I came/had come down2. [sert à former le passif]3. [sert à exprimer une obligation]cela étant locution adverbiale[dans ces circonstances] things being what they are[cela dit] having said that -
82 आषाढ
āshāḍham. (fr. a-shāḍhā)
N. of a month (corresponding to part of June andᅠ July) in which the full moon is near the constellation Ashāḍhā Suṡr. VarBṛS. Megh. Kathās. etc.;
a staff of the wood of the Palāṡa (carried by an ascetic during certain religious observances in the month Āshāḍha) Pāṇ. 5-1, 110 Kum. etc.. ;
N. of a prince MBh. ;
the Malaya mountain L. ;
a festival (of Indra) Āp. I, 11, 20 ;
(ā) f. (for a-shāḍhā q.v.) the twenty-first andᅠ twenty-second lunar mansions (commonly compounded with pūrva andᅠ uttara) L. ;
(ī) f. the day of full moon in the month Āshāḍha KātyṠr. Vait. ;
(mfn.) belonging to the month Āshāḍha VarBṛS. ;
- आषाढपुर
- आषाढभव
- आषाढभूति
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83 Carmona, António Óscar de Fragoso
(1869-1951)Career army officer, one of the founders of the Estado Novo (1926-74), and the longest-serving president of the republic of that regime (1926-51). Born in Lisbon in 1869, the son of a career cavalry officer, Oscar Carmona entered the army in 1888 and became a lieutenant in 1894, in the same cavalry regiment in which his father had served. He rose rapidly, and became a general during the turbulent First Republic, briefly served as minister of war in 1923, and achieved public notoriety as prosecutor for the military in one of the famous trials of military personnel in an abortive 1925 coup. General Carmona was one of the key supporters of the 28 May 1926 military coup that overthrew the unstable republic and established the initially unstable military dictatorship (1926-33), which was the political system that founded the Estado Novo (1933-74).Carmona took power as president upon the ousting of the Twenty-eighth of May coup leader, General Gomes da Costa, and guided the military dictatorship through political and economic uncertainty until the regime settled upon empowering Antônio de Oliveira Salazar with extraordinary fiscal authority as minister of finance (April 1928). Elected in a managed election based on limited male suffrage in 1928, President Carmona served as the Dictatorship's president of the republic until his death in office in 1951 at age 81. In political creed a moderate republican not a monarchist, General (and later Marshal) Carmona played an essential role in the Dictatorship, which involved a division of labor between Dr. Salazar, who, as prime minister since July 1932 was responsible for the daily management of the government, and Carmona, who was responsible for managing civil-military relations in the system, maintaining smooth relations with Dr. Salazar, and keeping the armed forces officer corps in line and out of political intervention.Carmona's amiable personality and reputation for personal honesty, correctness, and hard work combined well with a friendly relationship with the civilian dictator Salazar. Especially in the period 1928-44, in his more vigorous years in the position, Carmona's role was vital in both the political and ceremonial aspects of his job. Car-mona's ability to balance the relationship with Salazar and the pressures and demands from a sometimes unhappy army officer corps that, following the civilianization of the regime in the early 1930s, could threaten military intervention in politics and government, was central to the operation of the regime.After 1944, however, Carmona was less effective in this role. His tiring ceremonial visits around Portugal, to the Atlantic Islands, and to the overseas empire became less frequent; younger generations of officers grew alienated from the regime; and Carmona suffered from the mental and physical ailments of old age. In the meantime, Salazar assumed the lion's share of political power and authority, all the while placing his own appointees in office. This, along with the regime's political police (PVDE or PIDE), Republican National Guard, and civil service, as well as a circle of political institutions that monopolized public office, privilege, and decision making, made Carmona's role as mediator-intermediary between the career military and the largely civilian-managed system significantly less important. Increasingly feeble and less aware of events around him, Carmona died in office in April 1951 and was replaced by Salazar's chosen appointee, General (and later Marshal) Francisco Craveiro Lopes, who was elected president of the republic in a regime-managed election.Historical dictionary of Portugal > Carmona, António Óscar de Fragoso
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84 Gulbenkian, Calouste Sarkis
(1869-1955)Armenian oil tycoon, philanthropist, and art connoisseur-collector who settled in Portugal in World War II and whose donated wealth forms the basis for the Gulbenkian Foundation, situated in Lisbon. Born in Scutari, Turkey, when it was part of the Ottoman Empire, Calouste Gulben-kian made a huge fortune and became one of Europe's wealthiest individuals through investment in Iraqi petroleum. While the oil business and investments were his work, the appreciation and collection of rare art represented his passion. During the 1920s and 1930s, he purchased a rich collection of Western and Oriental art. Some of it was loaned to great museums in London and Washington, and some of it was displayed in his mansion in Paris on Avenue d'lena.Gulbenkian's life and the fate of his possessions were changed by the fortunes of World War II and by his residence in Portugal. In April 1942, Gulbenkian fled Vichy France and settled in Portugal. Between his arrival and his death in July 1955, he made dispositions of his possessions and wealth, which have had an almost incalculable impact on Portugal's arts, culture, science, and education. After declining to build a museum for his unmatched art collection either in London or Washington, D.C., Gulbenkian decided to build such a home in Portugal and to endow an international foundation in Lisbon. Since his death in 1955 and inauguration of the foundation headquarters in the late 1960s, a museum and a contemporary arts museum have opened, and Portuguese and other Lusophone arts and science circles have greatly benefited.Historical dictionary of Portugal > Gulbenkian, Calouste Sarkis
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85 Mozambique
Presently an independent African state and formerly Portugal's main colonial territory in East Africa. After Angola, Portugal's largest colony in Africa, with some 784,090 kilometers (297,000 square miles) of territory. Lisbon controlled sections of what is now Mozambique from the early 16th century to 1975. In its long history as a Portuguese colony and outpost, Mozambique was influenced by its geography and its position in the Portuguese empire. Mozambique's location adjacent to industrializing South Africa was an important factor in its economic life. The colony's location on the sea route to Portugal's empire in India, mainly Goa, and its administrative subordination to Portuguese India during the centuries were also important historical factors.Until the 20th century, except for sections of the disease-ridden Zambezi valley, what little Portuguese colonization there was remained coastal. After 1910, Portuguese colonization in the interior burgeoned and plantations of sugar, cotton, and other crops were developed. As in Angola and other African colonies of Portugal, long after slavery was abolished in the 19th century, forced labor of Africans continued into the 1960s in Mozambique. In 1964, a colonial war in Mozambique began, a conflict between Portuguese armed forces and nationalist forces of the Front for the Liberation of Mozambique (FRELIMO). This conflict ceased following the Revolution of 25 April 1974 in Portugal. Mozambique obtained its independence in July 1975. -
86 Abney, William de Wiveleslie
SUBJECT AREA: Photography, film and optics[br]b. 24 July 1843 Englandd. 2 December 1920 England[br]English photographic scientist, inventor and author.[br]Abney began his career as an officer in the Army and was an instructor in chemistry in the Royal Engineers at Chatham, where he made substantial use of photography as a working tool. He retired from the Army in 1877 and joined the Science and Art Department at South Kensington. It was at Abney's suggestion that a collection of photographic equipment and processes was established in the South Kensington Museum (later to become the Science Museum Photography Collection).Abney undertook significant researches into the nature of gelatine silver halide emulsions at a time when they were being widely adopted by photographers. Perhaps his most important practical innovations were the introduction of hydroquinone as a developing agent in 1880 and silver gelatine citrochloride emulsions for printing-out paper (POP) in 1882. However, Abney was at the forefront of many aspects of photographic research during a period of great innovation and change in photography. He devised new techniques of photomechanical printing and conducted significant researches in the fields of photochemistry and spectral analysis. Abney published throughout his career for both the specialist scientist and the more general photographic practitioner.[br]Principal Honours and DistinctionsKCB 1900. FRS 1877. Served at different times as President of the Royal Astronomical, Royal Photographic and Physical Societies. Chairman, Royal Society of Arts.Further ReadingObituary, 1921, Proceedings of the Royal Society (Series A) 99. J.M.Eder, 1945, History of Photography, trans. E.Epstein, New York.JWBiographical history of technology > Abney, William de Wiveleslie
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87 Abt, Roman
[br]b. 17 July 1850 Bünzen, Switzerlandd. 1 May 1933 Lucerne, Switzerland[br]Swiss locomotive engineer, inventor of the Abt rack rail system.[br]Abt trained under N. Riggenbach and worked for his short-lived International Company for Mountain Railways during the 1870s, and subsequently invented the Abt rack system as an improvement on Riggenbach's ladder rack, in which the rungs gave trouble by working loose. Abt's rack system, in what became its usual form, comprises two machined racks side by side with their teeth staggered so that a tooth in one rack is opposite a recess in the other, and at least one tooth is always engaged with a locomotive's driving pinions. This system was first used in 1884 on the mixed rack-and-adhesion Harz Railway in Germany, and then largely superseded Riggenbach's system for new rack railways built worldwide to an eventual total of seventy-two, including the Snowdon Mountain Railway in the UK that was built in the 1890s. In many cases Abt himself designed locomotives and rolling stock, and supervised their construction.[br]Bibliography1877–8, Abstract in Minutes of Proceedings of the Institution of Civil Engineers, Vol. 52 (part II) (abstract of a paper given by Abt in which he described eight Riggenbach system railways then operating; his own system was patented in 1882).Further ReadingJ.Marshall, 1978, A Biographical Dictionary of Railway Engineers, Newton Abbot: David \& Charles.O.J.Morris, 1951, Snowdon Mountain Railway, Ian Allan.PJGR -
88 Adam, Robert
SUBJECT AREA: Architecture and building[br]b. 3 July 1728 Kirkcaldy, Scotlandd. 3 March 1792 London, England[br]Scottish architect, active mostly in England, who led the neo-classical movement between 1760 and 1790.[br]Robert Adam was a man of outstanding talent, immense energy dedicated to his profession, and of great originality, who utilized all sources of classical art from ancient Greece and Rome as well as from the Renaissance and Baroque eras in Italy. He was also a very practical exponent of neo-classicism and believed in using the latest techniques to produce fine craftsmanship.Of particular interest to him was stucco, the material needed for elegant, finely crafted ceiling and wall designs. Stucco, though the Italian word for plaster, refers architecturally to a specific form of the material. Known as Stucco duro (hard plaster), its use and composition dates from the days of ancient Rome. Giovanni da Udine, a pupil of Raphael, having discovered some fine stucco antico in the ruins of the Palace of Titus in Rome, carried out extensive research during the Italian Renaissance in order to discover its precise composition; it was a mixture of powdered crystalline limestone (travertine), river sand, water and powdered white marble. The marble produced an exceptionally hard stucco when set, thereby differentiating it from plaster-work, and was a material fine enough to make delicate relief and statuary work possible.In the 1770s Robert Adam's ceiling and wall designs were characterized by low-relief, delicate, classical forms. He and his brothers, who formed the firm of Adam Brothers, were interested in a stucco which would be especially fine grained and hard setting. A number of new products then appearing on the market were easier to handle than earlier ones. These included a stucco by Mr David Wark, patented in 1765, and another by a Swiss clergyman called Liardet in 1773; the Adam firm purchased both patents and obtained an Act of Parliament authorizing them to be the sole vendors and makers of this stucco, which they called "Adam's new invented patent stucco". More new versions appeared, among which was one by a Mr Johnson, who claimed it to be an improvement. The Adam Brothers, having paid a high price for their rights, took him to court. The case was decided in 1778 by Lord Mansfield, a fellow Scot and a patron (at Kenwood), who,[br]Principal Honours and DistinctionsMember of the Society of Arts 1758. FRS 1761. Architect to the King's Works 1761.Bibliography1764, Ruins of the Palace of the Emperor Diocletian at Spalatro.1773, Works in Architecture of Robert and James Adam.Further ReadingA.T.Bolton, 1922, The Architecture of Robert and James Adam, 1758–1794, 2 vols, Country Life.J.Fleming, 1962, Robert Adam and his Circle, Murray. J.Lees-Milne, 1947, The Age of Adam, Batsford.J.Rykwert and A.Rykwert, 1985, The Brothers Adam, Collins. D.Yarwood, 1970, Robert Adam, Dent.DY -
89 Adams, William Bridges
[br]b. 1797 Madeley, Staffordshire, Englandd. 23 July 1872 Broadstairs, Kent, England[br]English inventory particularly of road and rail vehicles and their equipment.[br]Ill health forced Adams to live abroad when he was a young man and when he returned to England in the early 1830s he became a partner in his father's firm of coachbuilders. Coaches during that period were steered by a centrally pivoted front axle, which meant that the front wheels had to swing beneath the body and were therefore made smaller than the rear wheels. Adams considered this design defective and invented equirotal coaches, built by his firm, in which the front and rear wheels were of equal diameter and the coach body was articulated midway along its length so that the front part pivoted. He also applied himself to improving vehicles for railways, which were developing rapidly then.In 1843 he opened his own engineering works, Fairfield Works in north London (he was not related to his contemporary William Adams, who was appointed Locomotive Superintendent to the North London Railway in 1854). In 1847 he and James Samuel, Engineer to the Eastern Counties Railway, built for that line a small steam inspection car, the Express, which was light enough to be lifted off the track. The following year Adams built a broad-gauge steam railcar, the Fairfield, for the Bristol \& Exeter Railway at the insistance of the line's Engineer, C.H.Gregory: self-propelled and passenger-carrying, this was the first railcar. Adams developed the concept further into a light locomotive that could haul two or three separate carriages, and light locomotives built both by his own firm and by other noted builders came into vogue for a decade or more.In 1847 Adams also built eight-wheeled coaches for the Eastern Counties Railway that were larger and more spacious than most others of the day: each in effect comprised two four-wheeled coaches articulated together, with wheels that were allowed limited side-play. He also realized the necessity for improvements to railway track, the weakest point of which was the joints between the rails, whose adjoining ends were normally held in common chairs. Adams invented the fishplated joint, first used by the Eastern Counties Railway in 1849 and subsequently used almost universally.Adams was a prolific inventor. Most important of his later inventions was the radial axle, which was first applied to the leading and trailing wheels of a 2–4–2 tank engine, the White Raven, built in 1863; Adams's radial axle was the forerunner of all later radial axles. However, the sprung tyres with which White Raven was also fitted (an elastic steel hoop was interposed between wheel centre and tyre) were not perpetuated. His inventiveness was not restricted to engineering: in matters of dress, his adoption, perhaps invention, of the turn-down collar at a time when men conventionally wore standup collars had lasting effect.[br]BibliographyAdams took out some thirty five British patents, including one for the fishplate in 1847. He wrote copiously, as journalist and author: his most important book was English Pleasure Carriages (1837), a detailed description of coachbuilding, together with ideas for railway vehicles and track. The 1971 reprint (Bath: Adams \& Dart) has a biographical introduction by Jack Simmons.Further ReadingC.Hamilton Ellis, 1958, Twenty Locomotive Men, Shepperton: Ian Allan, Ch. 1. See also England, George.PJGR -
90 Argand, François-Pierre Amis
[br]b. 5 July 1750 Geneva, Switzerlandd. October 1803 London, England[br]Swiss inventor of the Argand lamp.[br]Son of a clockmaker, he studied physics and chemistry under H.-D. de Saussure (1740– 99). In 1775 he moved to Paris, where he taught chemistry and presented a paper on electrical phenomena to the Académie Royale des Sciences. He assisted the Montgolfier brothers in their Paris balloon ascents.From 1780 Argand spent some time in Montpellier, where he conceived the idea of the lamp that was to make him famous. It was an oil lamp with gravity oil feed, in which the flame was enlarged by burning it in a current of air induced by two concentric iron tubes. It produced ten times the illumination of the simple oil lamp. From the autumn of 1783 to summer 1785, Argand travelled to London and Birmingham to promote the manufacture and sale of his lamp. Upon his return to Paris, he found that his design had been plagiarized; with others, Argand sought to establish his priority, and Paul Abeille published a tract, Déscouverte des lampes à courant d'air et à cylindre (1785). As a result, the Académie granted Argand a licence to manufacture the lamp. However, during the Revolution, Argand's factories were destroyed and his licence annulled. He withdrew to Versoix, near Geneva. In 1793, the English persuaded him to take refuge in England and tried, apparently without success, to obtain recompense for his losses.Argand is also remembered for his work on distillation and on the water distributor or hydraulic ram, which was conceived with Joseph Montgolfier in 1797 and recognized by the grant of a patent in the same year.[br]Further ReadingM.Schroder, 1969, The Armand Burner: Its Origin and Development in France and England, 1781–1800, Odense University Press.LRDBiographical history of technology > Argand, François-Pierre Amis
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91 Ashley, Howard Matravers
[br]b. 1841d. 1914 England[br]English inventor of the semi-automatic bottle-making machine.[br]Ashley, manager of an iron foundry at Ferrybridge, Yorkshire, began trying to construct a bottle-making machine in the 1880s. In 1886 he obtained a patent for a two-stage machine. This proved to be impracticable, but improvements were described in further patents in 1887 and 1889, leading to a three-stage process, embodying the basic elements of a machine to make narrow-necked glass bottles. The Ashley (Machine-Made) Bottle Company was set up to exploit the invention, but had failed by 1894 due to poor management, although it had claimed to make bottles in a tenth of the time taken to make them by hand. Ashley had shown the way, however, and his machines were still producing good bottles in 1918. The process was a stage along the way to complete mechanization brought about by M.J. Owens's machine.[br]BibliographyAshley took out nine British patents during 1886–90, including: 2 July 1886, British patent no. 8,677 (two-stage bottle-making machine).Further ReadingR.E.Moody, 1985, "A century of mechanical bottle making", Glass Technology 26 (2): 109 ff.LRDBiographical history of technology > Ashley, Howard Matravers
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92 Ayre, Sir Amos Lowrey
SUBJECT AREA: Ports and shipping[br]b. 23 July 1885 South Shields, Englandd. 13 January 1952 London, England[br]English shipbuilder and pioneer of the inter-war "economy" freighters; Chairman of the Shipbuilding Conference.[br]Amos Ayre grew up on the Tyne with the stimulus of shipbuilding and seafaring around him. After an apprenticeship as a ship draughtsman and distinction in his studies, he held responsible posts in the shipyards of Belfast and later Dublin. His first dramatic move came in 1909 when he accepted the post of Manager of the new Employment Exchange at Govan, then just outside Glasgow. During the First World War he was in charge of fleet coaling operations on the River Forth, and later was promoted Admiralty District Director for shipyard labour in Scotland.Before the conclusion of hostilities, with his brother Wilfrid (later Sir Wilfrid Ayre) he founded the Burntisland Shipbuilding Company in Fife. Setting up on a green field site allowed the brothers to show innovation in design, production and marketing. Such was their success that the new yard was busy throughout the Depression, building standard ships which incorporated low operating costs with simplicity of construction.Through public service culminating in the 1929 Safety of Life at Sea Conference, Amos Ayre became recognized not only as an eminent naval architect, but also as a skilled negotiator. In 1936 he was invited to become Chairman of the Shipbuilding Conference and thereby virtual leader of the industry. As war approached he planned with meticulous care the rearrangement of national shipbuilding capacity, enabling Britain to produce standard hulls ranging from the legendary TID tugs to the standard freighters built in Sunderland or Port Glasgow. In 1939 he became Director of Merchant Shipbuilding, a position he held until 1944, when with typical foresight he asked to be released to plan for shipbuilding's return to normality.[br]Principal Honours and DistinctionsKnighted 1937. KBE 1943. Officer of the Order of Orange-Nassau.Bibliography1919, "The theory and design of British shipbuilding", The Syren and Shipping, London.Further ReadingWilfrid Ayre, 1968, A Shipbuilders Yesterdays, Fife (published privately). James Reid, 1964, James Lithgow, Master of Work, London.Maurice E.Denny, 1955, "The man and his work" (First Amos Ayre Lecture), Transactions of the Institution of Naval Architects vol. 97.FMW -
93 Berry, Henry
[br]b. 1720 Parr (?), near St Helens, Lancashire, Englandd. 30 July 1812 Liverpool, England[br]English canal and dock engineer who was responsible for the first true canal, as distinct from a canalized river, in England.[br]Little is known of Berry's early life, but it is certain that he knew the district around St Helens intimately, which was of assistance to him in his later canal works. He became Clerk and Assistant to Thomas Steers and proved his natural engineering ability in helping Steers in both the construction of the Newry navigation in Ireland and his supervision of the construction of Salthouse Dock in Liverpool. On Steers's death in 1750 Berry was appointed, at the age of 30, Dock Engineer for Liverpool Docks, and completed the Salthouse Dock three years later. In 1755 he was allowed by the Liverpool Authority—presumably because his full-time service was not required at the docks at that time—to survey and construct the Sankey Brook Navigation (otherwise known as the St Helens Canal), which was completed in 1757. Berry was instructed to make the brook navigable, but with the secret consent and connivance of one of the proprietors he built a lateral canal, the work commencing on 5 September 1755. This was the first dead-water canal in the country, as distinct from an improved river navigation, and preceded Brindley's Bridgewater Canal by some five or six years. On the canal he also constructed at Blackbrook the first pair of staircase locks to be built in England.Berry later advised on improvements to the Weaver Navigation, and his design for the new locks was accepted. He also carried out in 1769 a survey for a Leeds and Liverpool Canal, but this was not proceeded with and it was left to others to construct this canal. He advised turnpike trustees on bridge construction, but his main work was in Liverpool dock construction and between 1767 and 1771 he built the George's Dock. His final dock work was King's Dock, which was opened on 3 October 1788; he resigned at the age of 68 when the dock was completed. He lived for another 24 years, during which he was described in the local directories as "gentleman" instead of "engineer" or "surveyor" as he had been previously.[br]Further ReadingS.A.Harris, 1937, "Liverpool's second dock engineer", Transactions of the Historic Society of Lancashire and Cheshire 89.JHB -
94 Bond, George Meade
SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering[br]b. 17 July 1852 Newburyport, Massachusetts, USAd. 6 January 1935 Hartford, Connecticut, USA[br]American mechanical engineer and metrologist, co-developer of the Rogers- Bond Comparator.[br]After leaving school at the age of 17, George Bond taught in local schools for a few years before starting an apprenticeship in a machine shop in Grand Rapids, Michigan. He then worked as a machinist with Phoenix Furniture Company in that city until his savings permitted him to enter the Stevens Institute of Technology at Hoboken, New Jersey, in 1876. He graduated with the degree of Mechanical Engineer in 1880. In his final year he assisted William A.Rogers, Professor of Astronomy at Harvard College Observatory, Cambridge, Massachusetts, in the design of a comparator for checking standards of length. In 1880 he joined the Pratt \& Whitney Company, Hartford, Connecticut, and was Manager of the Standards and Gauge Department from then until 1902. During this period he developed cylindrical, calliper, snap, limit, thread and other gauges. He also designed the Bond Standard Measuring Machine. Bond was elected a member of the American Society of Mechanical Engineers in 1881 and of the American Society of Civil Engineers in 1887, and served on many of their committees relating to standards and units of measurement.[br]Principal Honours and DistinctionsVice-President, American Society of Mechanical Engineers 1908–10. Honorary degrees of DEng, Stevens Institute of Technology 1921, and MSc, Trinity College, Hartford, 1927.Bibliography1881. "Standard measurements", Transactions of the American Society of Mechanical Engineers 2:81.1882. "A standard gauge system", Transactions of the American Society of MechanicalEngineers 3:122.1886, "Standard pipe and pipe threads", Transactions of the American Society of Mechanical Engineers 7:311.1887. Standards of Length and Their Practical Application, Hartford.Further Reading"Report of the Committee on Standards and Gauges", 1883, Transactions of the American Society of Mechanical Engineers 4:21–9 (describes the Rogers-Bond Comparator).RTS -
95 Brayton, George Bailey
SUBJECT AREA: Steam and internal combustion engines[br]b. 1839 Rhode Island, USAd. 1892 Leeds, England[br]American engineer, inventor of gas and oil engines.[br]During the thirty years prior to his death, Brayton devoted considerable effort to the development of internal-combustion engines. He designed the first commercial gas engine of American origin in 1872. An oil-burning engine was produced in 1875. An aptitude for mechanical innovation became apparent whilst he was employed at the Exeter Machine Works, New Hampshire, where he developed a successful steam generator for use in domestic and industrial heating systems. Brayton engines were distinguished by the method of combustion. A pressurized air-fuel mixture from a reservoir was ignited as it entered the working cylinder—a precursor of the constant-pressure cycle. A further feature of these early engines was a rocking beam. There exist accounts of Brayton engines fitted into river craft, and of one in a carriage which operated for a few months in 1872–3. However, the appearance of the four-stroke Otto engine in 1876, together with technical problems associated with backfiring into the fuel reservoir, prevented large-scale acceptance of the Brayton engine. Although Thompson Sterne \& Co. of Glasgow became licensees, the engine failed to gain usage in Britain. A working model of Brayton's gas engine is exhibited in the Museum of History and Technology in Washington, DC.[br]Bibliography1872, US patent no. 125,166 (Brayton gas engine).July 1890, British patent no. 11,062 (oil engine; under patent agent W.R.Lake).Further ReadingD.Clerk, 1895, The Gas and Oil Engine, 6th edn, London, pp. 152–62 (includes a description and report of tests carried out on a Brayton engine).KAB -
96 Brearley, Harry
SUBJECT AREA: Metallurgy[br]b. 18 February 1871 Sheffield, Englandd. 14 July 1948 Torquay, Devon, England[br]English inventor of stainless steel.[br]Brearley was born in poor circumstances. He received little formal education and was nurtured rather in and around the works of Thomas Firth \& Sons, where his father worked in the crucible steel-melting shop. One of his first jobs was to help in their chemical laboratory where the chief chemist, James Taylor, encouraged him and helped him fit himself for a career as a steelworks chemist.In 1901 Brearley left Firth's to set up a laboratory at Kayser Ellison \& Co., but he returned to Firth's in 1904, when he was appointed Chief Chemist at their Riga works, and Works Manager the following year. In 1907 he returned to Sheffield to design and equip a research laboratory to serve both Firth's and John Brown \& Co. It was during his time as head of this laboratory that he made his celebrated discovery. In 1913, while seeking improved steels for rifle barrels, he used one containing 12.68 per cent chromium and 0.24 per cent carbon, in the hope that it would resist fouling and erosion. He tried to etch a specimen for microscopic examination but failed, from which he concluded that it would resist corrosion by, for example, the acids encountered in foods and cooking. The first knives made of this new steel were unsatisfactory and the 1914–18 war interrupted further research. But eventually the problems were overcome and Brearley's discovery led to a range of stainless steels with various compositions for domestic, medical and industrial uses, including the well-known "18–8" steel, with 18 per cent chromium and 8 per cent nickel.In 1915 Brearley left the laboratory to become Works Manager, then Technical Director, at Brown Bayley's steelworks until his retirement in 1925.[br]Principal Honours and DistinctionsIron and Steel Institute Bessemer Gold Medal 1920.BibliographyBrearley wrote several books, including: 1915 (?), with F.Ibbotson, The Analysis of Steelworks Materials, London.The Heat Treatment of Tool Steels. Ingots and Ingot Moulds.Later books include autobiographical details: 1946, Talks on Steelmaking, American Society for Metals.1941, Knotted String: Autobiography of a Steelmaker, London: Longmans, Green.Further ReadingObituary, 1948, Journal of the Iron and Steel Institute: 428–9.LRD -
97 Brown, Joseph Rogers
SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering[br]b. 26 January 1810 Warren, Rhode Island, USAd. 23 July 1876 Isles of Shoals, New Hampshire, USA[br]American machine-tool builder and co-founder of Brown \& Sharpe.[br]Joseph Rogers Brown was the eldest son of David Brown, who was modestly established as a maker of and dealer in clocks and watches. Joseph assisted his father during school vacations and at the age of 17 left to obtain training as a machinist. In 1829 he joined his father in the manufacture of tower clocks at Pawtucket, Rhode Island, and two years later went into business for himself in Pawtucket making lathes and small tools. In 1833 he rejoined his father in Providence, Rhode Island, as a partner in the manufacture of docks, watches and surveying and mathematical instruments. David Brown retired in 1841.J.R.Brown invented and built in 1850 a linear dividing engine which was the first automatic machine for graduating rules in the United States. In 1851 he brought out the vernier calliper, the first application of a vernier scale in a workshop measuring tool. Lucian Sharpe was taken into partnership in 1853 and the firm became J.R.Brown \& Sharpe; in 1868 the firm was incorporated as the Brown \& Sharpe Manufacturing Company.In 1855 Brown invented a precision gear-cutting machine to make clock gears. The firm obtained in 1861 a contract to make Wilcox \& Gibbs sewing machines and gave up the manufacture of clocks. At about this time F.W. Howe of the Providence Tool Company arranged for Brown \& Sharpe to make a turret lathe required for the manufacture of muskets. This was basically Howe's design, but Brown added a few features, and it was the first machine tool built for sale by the Brown \& Sharpe Company. It was followed in 1862 by the universal milling machine invented by Brown initially for making twist drills. Particularly for cutting gear teeth, Brown invented in 1864 a formed milling cutter which could be sharpened without changing its profile. In 1867 the need for an instrument for checking the thickness of sheet material became apparent, and in August of that year J.R.Brown and L.Sharpe visited the Paris Exhibition and saw a micrometer calliper invented by Jean Laurent Palmer in 1848. They recognized its possibilities and with a few developments marketed it as a convenient, hand-held measuring instrument. Grinding lathes were made by Brown \& Sharpe in the early 1860s, and from 1868 a universal grinding machine was developed, with the first one being completed in 1876. The patent for this machine was granted after Brown's sudden death while on holiday.[br]Further ReadingJ.W.Roe, 1916, English and American Tool Builders, New Haven: Yale University Press; repub. 1926, New York and 1987, Bradley, Ill.: Lindsay Publications Inc. (further details of Brown \& Sharpe Company and their products).R.S.Woodbury, 1958, History of the Gear-Cutting Machine, Cambridge, Mass.: MIT Press ——, 1959, History of the Grinding Machine, Cambridge, Mass.: MIT Press.——, 1960, History of the Milling Machine, Cambridge, Mass.: MIT Press.RTS -
98 Buckle, William
SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering[br]b. 29 July 1794 Alnwick, Northumberland, Englandd. 30 September 1863 London, England[br]English mechanical engineer who introduced the first large screw-cutting lathe to Boulton, Watt \& Co.[br]William Buckle was the son of Thomas Buckle (1759–1849), a millwright who later assisted the 9th Earl of Dundonald (1749–1831) in his various inventions, principally machines for the manufacture of rope. Soon after the birth of William, the family moved from Alnwick to Hull, Yorkshire, where he received his education. The family again moved c.1808 to London, and William was apprenticed to Messrs Woolf \& Edwards, millwrights and engineers of Lambeth. During his apprenticeship he attended evening classes at a mechanical drawing school in Finsbury, which was then the only place of its kind in London.After completing his apprenticeship, he was sent by Messrs Humphrys to Memel in Prussia to establish steamboats on the rivers and lakes there under the patronage of the Prince of Hardenburg. After about four years he returned to Britain and was employed by Boulton, Watt \& Co. to install the engines in the first steam mail packet for the service between Dublin and Holyhead. He was responsible for the engines of the steamship Lightning when it was used on the visit of George IV to Ireland.About 1824 Buckle was engaged by Boulton, Watt \& Co. as Manager of the Soho Foundry, where he is credited with introducing the first large screw-cutting lathe. At Soho about 700 or 800 men were employed on a wide variety of engineering manufacture, including coining machinery for mints in many parts of the world, with some in 1826 for the Mint at the Soho Manufactory. In 1851, following the recommendations of a Royal Commission, the Royal Mint in London was reorganized and Buckle was asked to take the post of Assistant Coiner, the senior executive officer under the Deputy Master. This he accepted, retaining the post until the end of his life.At Soho, Buckle helped to establish a literary and scientific institution to provide evening classes for the apprentices and took part in the teaching. He was an original member of the Institution of Mechanical Engineers, which was founded in Birmingham in January 1847, and a member of their Council from then until 1855. He contributed a number of papers in the early years, including a memoir of William Murdock whom he had known at Soho; he resigned from the Institution in 1856 after his move to London. He was an honorary member of the London Association of Foreman Engineers.[br]Bibliography1850, "Inventions and life of William Murdock", Proceedings of the Institution of Mechanical Engineers 2 (October): 16–26.RTS -
99 Carlson, Chester Floyd
SUBJECT AREA: Photography, film and optics[br]b. 8 July 1906 Seattle, Washington, USAd. 19 September 1968 New York, USA[br][br]Carlson studied physics at the California Institute of Technology and in 1930 he took a research position at Bell Telephone Laboratories, but soon transferred to their patent department. To equip himself in this field, Carlson studied law, and in 1934 he became a patent attorney at P.R.Mallory \& Co., makers of electrical apparatus. He was struck by the difficulty in obtaining copies of documents and drawings; indeed, while still at school, he had encountered printing problems in trying to produce a newsletter for amateur chemists. He began experimenting with various light-sensitive substances, and by 1937 he had conceived the basic principles of xerography ("dry writing"), using the property of certain substances of losing an electrostatic charge when light impinges on them. His work for Mallory brought him into contact with the Battelle Memorial Institute, the world's largest non-profit research organization; their subsidiary, set up to develop promising ideas, took up Carlson's invention. Carlson received his first US patent for the process in 1940, with two more in 1942, and he assigned to Battelle exclusive patent rights in return for a share of any future proceeds. It was at Battelle that selenium was substituted as the light-sensitive material.In 1946 the Haloid Company of Rochester, manufacturers of photographic materials and photocopying equipment, heard of the Xerox copier and, seeing it as a possible addition to their products, took out a licence to develop it commercially. The first Xerox Copier was tested during 1949 and put on the market the following year. The process soon began to displace older methods, such as Photostat, but its full impact on the public came in 1959 with the advent of the Xerox 914 Copier. It is fair to apply the overworked word "revolution" to the change in copying methods initiated by Carlson. He became a multimillionaire from his royalties and stock holding, and in his last years he was able to indulge in philanthropic activities.[br]Further ReadingObituary, 1968, New York Times, 20 September.R.M.Schaffert, 1954, "Developments in xerography", Penrose Annual.J.Jewkes, 1969, The Sources of Invention, 2nd edn, London: Macmillan, pp. 405–8.LRD -
100 Cerletti, Ugo
SUBJECT AREA: Medical technology[br]b. 26 September 1877 Treviso, Italyd. 25 July 1963 Rome, Italy[br]Italian psychiatrist who was the originator, with L.Bini, of electroconvulsive therapy for severe psychiatric disorders.[br]Cerletti qualified in medicine at the University of Turin in 1901. Following some years as an assistant in the psychiatric clinic, during which he demonstrated the presence of spirochaetes in the brain of syphylitics, he was appointed in 1919 Director of the Istituto Neurologica A.Varga in Milan. In 1924 he moved to the University of Bari, and then in 1928 to the faculty of medicine in Genoa.In 1935 he assumed the directorship of the clinic for mental and nervous diseases in the University of Rome, and it was there, following the precedent of the treatment of mania, depression and schizophrenia by insulin or cardiazol shock, that Cerletti and Bini, who assisted with the apparatus, administered electroconvulsive therapy (ECT) to their first patient in April 1935. The results appeared to be at least comparable with the other agents, and although the rationale of the treatment has never been fully clarified it gained a wide degree of acceptance for many years, even up to the 1990s.[br]Principal Honours and DistinctionsPresident, Italian Psychiatric Society 1946–59. Honorary degrees Sao Paolo, Rio de Janeiro and Montréal. Gold Medal of Public Health 1953.Bibliography1940, "L'Elletroshock", Riv.spir. et freniatra 64 (monograph). 1938, "L'Elletroshock", Arch. Gen. Neurolk Psychat. Psiconal 19.MG
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July 2002 — January February March April May June July August September October November DecemberEventsSee also: * Timeline of the War in Afghanistan (July 2002) July 1, 2002 * A Russian Tupolev Tu 154 airliner and a Boeing 757 operated by DHL collide at 35 … Wikipedia
July 2001 — January February March April May June July August September October November December Events* July 1 Aliso Viejo officially becomes the 34th city in Orange County, California. * July 1 Alliant International University is formed by combining of U … Wikipedia
July Revolt of 1927 — During the Austrian July Revolt of 1927 (also known as Black Friday 15 July 1927) Austrian police forces killed 84 protesters,[1] while four policemen died. More than 600 people were injured. The clash was the result of conflict between the… … Wikipedia
July 27, 2005 — July 27 2005 (Wednesday)= * British Shoot to Kill Police Policy: ** The British Police member who shot an innocent Brazilian man seven times in the head and once in the shoulder has been given a free holiday, paid for by Scotland Yard.… … Wikipedia
July 8, 2003 — July 8, 2003= *A worker at a Lockheed Martin aircraft parts factory in Meridian, Mississippi shoots 13 co workers, killing five, before committing suicide. Investigators are unsure of the motive. [http://www.washingtonpost.com/wp… … Wikipedia
July 1, 2005 — July 1 2008 (Friday)* Iraq s ambassador to the UN, Samir Sumaidaie, accuses U.S. Marines of the cold blooded murder of his 21 year old cousin during a June 25 raid of his home in Al Anbar province. [http://today.reuters.co.uk/news/newsArticle.aspx… … Wikipedia
July 26, 2005 — July 26 2005 (Tuesday)= * Conflict in Iraq: ** At least 12 workers have been shot dead as they are driven away from the state owned factory they work at, in the Abu Ghraib area, by insurgents. [http://news.bbc.co.uk/2/hi/middle east/4718717.stm… … Wikipedia
During the Round-Up — Directed by Christy Cabanne Written by Christy Cabanne Starring Frank Opperman Lillian Gish Cinematography … Wikipedia