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1 creation process
SAP.тех. процесс ввода данных -
2 creation
создание; образование; формирование; (по)рождение -
3 creation
English-Russian dictionary of computer science and programming > creation
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4 creation
creation [krɪ'eɪʃən](a) (process of creating) création f;∎ Bible the Creation la Création(b) (something created) création f;∎ the latest creations (fashions) les dernières créations(c) (universe) création f;∎ the most beautiful woman in all creation or the whole of creation la plus belle femme de la terre;∎ familiar where in creation did you get that hat! où diable as-tu trouvé ce chapeau!►► Religion creation science créationnisme m -
5 process creation
формирование процесса
порождение процесса
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[Л.Г.Суменко. Англо-русский словарь по информационным технологиям. М.: ГП ЦНИИС, 2003.]Тематики
Синонимы
EN
Англо-русский словарь нормативно-технической терминологии > process creation
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6 process creation
формирование процесса; порождение процесса -
7 process creation
формирование [порождение] процессаБольшой англо-русский и русско-английский словарь > process creation
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8 process creation
Англо-русский словарь технических терминов > process creation
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9 process creation
1) Техника: формирование процесса2) Вычислительная техника: порождение процесса -
10 process creation
формирование [порождение] процессаEnglish-Russian dictionary of computer science and programming > process creation
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11 process creation
формирование процесса; порождение процесса -
12 clip creation
The process of detecting and splitting video content into separate clips. Clips are created by Windows Movie Maker when there is a significant change from one frame to another. -
13 формирование процесса
Большой англо-русский и русско-английский словарь > формирование процесса
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14 Bibliography
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15 innovation
Gen Mgtthe creation, development, and implementation of a new product, process, or service, with the aim of improving efficiency, effectiveness, or competitive advantage. Innovation may apply to products, services, manufacturing processes, managerial processes, or the design of an organization. It is most often viewed at a product, or process level, where product innovation satisfies a customer’s needs, and process innovation improves efficiency and effectiveness. Innovation is linked with creativity and the creation of new ideas, and involves taking those new ideas and turning them into reality through invention, research, and new product development. -
16 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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17 law
1) закон; право ( як система законів); правознавство, законознавство; юстиція; професія юриста; суд, судовий процес, судова процедура; розм. юристи; правило; the law розм. поліція, поліцейський2) атриб. юридичний, законний, правовий•law based on judicial decisions — право, засноване на судових (прецедентних) рішеннях
law enforcement classification of confidential information — засекречування конфіденційної інформації поліцією ( або іншим правоохоронним органом)
law of international organizations — право, що регулює діяльність міжнародних організацій
law on amendments and additions — ( to the law on smth) закон про внесення змін і доповнень ( до закону про щось)
law on combating organized crime — = law on combatting organized crime закон про боротьбу з організованою злочинністю
- law-abiding citizenlaw on combatting organized crime — = law on combating organized crime
- law-abiding person
- law-abidingness
- law administration
- law agent
- law analogy
- law and equity
- law and order
- law-and-order
- law-and-order advocate
- law-and-order campaign
- law-and-order candidate
- law-and-order champion
- law-and-order force
- law and order maintenance
- law and usage of Parliament
- law application
- law as a career
- law as amended
- law as fact
- law as norm
- law blank
- law-book
- law books
- law-breaker
- law-breaking
- law case
- law canter
- law centre
- law changes
- law charge
- law charges
- law Christian
- law clerk
- law code
- law commentator
- law compliance
- law-complying
- law-complying citizen
- law-complying person
- law conference
- law costs
- law course
- law-court
- law courts
- law-creating
- law-creating process
- law-creating source
- law creation
- law day
- Law Day
- law defiance
- law-defying person
- law degree
- law department
- law dictionary
- law digest
- law doctorate
- law drafting
- law draftsman
- law due to expire
- law education
- law effectiveness
- law enforcement
- law-enforcement
- law enforcement agency
- law enforcement action
- law enforcement administration
- law enforcement administrator
- law enforcement agencies
- law enforcement forces
- law enforcement agency
- law enforcement agent
- law enforcement authority
- law enforcement body
- law enforcement classification
- law-enforcement community
- law enforcement duty
- law enforcement effectiveness
- law enforcement establishment
- law-enforcement executive
- law enforcement force
- law enforcement intelligence
- law enforcement investigator
- law enforcement manual
- law enforcement matter
- law-enforcement officer
- law-enforcement official
- law enforcement personnel
- law enforcement policy
- law enforcement procedure
- law enforcement process
- law enforcement statistics
- law enforcement structure
- law enforcement system
- law-enforcement technique
- law enforcer
- law enforcing body
- law examiner
- law-executing power
- law expenses
- law factory
- law faculty
- law firm
- law for the time being
- law form
- law-forming decision
- law French
- law-giver
- law-governed
- law-governed state
- law in effect
- law in force
- law in vigor
- law in vigour
- law-interpreting power
- law interpretation
- law is silent
- law judgement
- law judgment
- law language
- Law Latin
- law lecture
- law library
- law-list
- Law Lords
- law lords
- law-maker
- law-making
- law-making activity
- law-making body
- law-making instrument
- law-making power
- law-making process
- law-making treaty
- law manuscript
- law martial
- law matter
- law merchant
- law-monger
- law obedience
- law-obedient
- law obedient citizen
- law obedient person
- law observance
- law of accidental error
- law of agency
- law of arbitral procedure
- law of armed conflict
- law of arms
- law of business property
- law of casuality
- law of civil procedure
- law of conflict
- law of contract
- law of copyright
- law of corrections
- law of crime
- law of crimes
- law of criminal procedure
- law of domestic relations
- law of domestical relations
- law of employment
- law of enforceable rights
- law of equity
- law of evidence
- law of God
- law of immovable property
- law of industrial relations
- law of inheritance
- law of international trade
- law of landlord and tenant
- law of marriage
- law of master and servant
- law of merchant shipping
- lawof nations
- lawof nature
- law of neighboring tenements
- law of neighbouring tenements
- law of no effect
- law of obligation
- law of outer space
- law of peace
- law of persons
- law of power
- law of practice
- law of precedent
- law of prize
- law of procedure
- law of property
- law of property act
- law of quasi-contract
- law of real property
- law of rights
- law of self-preservation
- law of shipping
- law of substance
- law of succession
- law of talion
- law of the air
- law of the case
- Law of the Church
- Law of the church
- law of the Constitution
- law of the court
- law of the flag
- law of the jungle
- law of the land
- law of the land clause
- law of the sea
- law of the situs
- law of the staple
- law of the United Nations
- law of torts
- law of treaties
- law of trust
- law of wages
- law of war
- law of wills
- law offender
- law-office
- law office
- law officer
- law officers of the Crown
- law on additions
- law on amendments
- law on cooperation
- law on elections
- law on refugees
- law on the state budget
- law order
- law person
- law policy
- law position
- law practice
- law proceeding
- law proceedings
- law profession
- law professor
- law-protected
- law reform
- law remedy
- law report
- law reporter
- law reports
- law-restricted
- law review
- law revision
- law revision commission
- law school
- law school curriculum
- law side
- law sitting
- law society
- law spiritual
- law still in force
- law still in vigor
- law still in vigour
- law student
- law suit
- law system
- law teacher at the university
- law teaching
- law temporal
- law term
- law-term
- law terminology
- law terms
- law textbook
- law theory
- law-trained
- law treaty
- law-unabiding
- law-unabiding citizen
- law unacted upon
- law violation
- law-violator
- law was in being since...
- law wife
- law-writer
- law's provision
- laws of war -
18 making
noun (the process of producing or forming something: glassmaking; (also adjective) the road-making industry.) fabricacióntr['meɪkɪŋ]1 (manufacture) fabricación nombre femenino; (construction) construcción nombre femenino; (creation) creación nombre femenino; (preparation) preparación nombre femenino, elaboración nombre femenino\SMALLIDIOMATIC EXPRESSION/SMALLin the making (person) potencial, en potencia, futuro,-athis is history in the making esto pasará a la historiato be of somebody's own making ser culpa de uno,-a mismo,-ato be the making of somebody significar el éxito de alguiento have the makings of something (person) tener madera de algo 2 (thing) tener todo lo necesario para ser algo, tener potencial para convertirse en algo■ he has the makings of a footballer tiene madera de futbolista, es un futbolista en ciernesn.• causa del éxito s.f.• confección s.f.• creación s.f.• fabricación s.f.• formación s.f.• hechura s.f.• material necesario s.m.'meɪkɪŋmass nouna) (production, creation)a book about the making of the TV series — un libro que trata de cómo se hizo la serie de televisión
to be the making of somebody/something: her years in New York were the making of her los años que pasó en Nueva York fueron decisivos (en su vida); the merger proved to be the making of Acmeco — el éxito de Acmeco se debió a la fusión
b) makings plthe makings OF something: you have the makings of a good story there allí tienes material or tienes todos los ingredientes para una buena historia; she has the makings of a great actress — es una gran actriz en ciernes
['meɪkɪŋ]N1) (=production) fabricación f ; (=preparation) preparación f ; (=cutting and assembling) [of clothes] confección f•
the building has been five years in the making — llevan cinco años construyendo el edificio•
the mistake was not of my making — no soy yo el responsable del errora chain of events that had all the makings of a Hollywood epic — una cadena de acontecimientos que tenía todos los elementos or ingredientes de una epopeya de Hollywood
* * *['meɪkɪŋ]mass nouna) (production, creation)a book about the making of the TV series — un libro que trata de cómo se hizo la serie de televisión
to be the making of somebody/something: her years in New York were the making of her los años que pasó en Nueva York fueron decisivos (en su vida); the merger proved to be the making of Acmeco — el éxito de Acmeco se debió a la fusión
b) makings plthe makings OF something: you have the makings of a good story there allí tienes material or tienes todos los ingredientes para una buena historia; she has the makings of a great actress — es una gran actriz en ciernes
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19 creative
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20 Mees, Charles Edward Kenneth
SUBJECT AREA: Photography, film and optics[br]b. 1882 Wellingborough, Englandd. 1960 USA[br]Anglo-American photographic scientist and Director of Research at the Kodak Research Laboratory.[br]The son of a Wesleyan minister, Mees was interested in chemistry from an early age and studied at St Dunstan's College in Catford, where he met Samuel E.Sheppard, with whom he went on to University College London in 1900. They worked together on a thesis for BSc degrees in 1903, developing the work begun by Hurter and Driffield on photographic sensitometry. This and other research papers were published in 1907 in the book Investigations on the Theory of the Photographic Process, which became a standard reference work. After obtaining a doctorate in 1906, Mees joined the firm of Wratten \& Wainwright (see F.C.L.Wratten), manufacturers of dry plates in Croydon; he started work on 1 April 1906, first tackling the problem of manufacturing colour-sensitive emulsions and enabling the company to market the first fully panchromatic plates from the end of that year.During the next few years Mees ran the commercial operation of the company as Managing Director and carried out research into new products, including filters for use with the new emulsions. In January 1912 he was visited by George Eastman, the American photographic manufacturer, who asked him to go to Rochester, New York, and set up a photographic research laboratory in the Kodak factory there. Wratten was prepared to release Mees on condition that Eastman bought the company; thus, Wratten and Wainwright became part of Kodak Ltd, and Mees left for America. He supervised the construction of a building in the heart of Kodak Park, and the building was fully equipped not only as a research laboratory, but also with facilities for coating and packing sensitized materials. It also had the most comprehensive library of photographic books in the world. Work at the laboratory started at the beginning of 1913, with a staff of twenty recruited from America and England, including Mees's collaborator of earlier years, Sheppard. Under Mees's direction there flowed from the Kodak research Laboratory a constant stream of discoveries, many of them leading to new products. Among these were the 16 mm amateur film-making system launched in 1923; the first amateur colour-movie system, Kodacolor, in 1928; and 8 mm home movies, in 1932. His support for the young experimenters Mannes and Godowsky, who were working on colour photography, led to their joining the Research Laboratory and to the introduction of the first multi-layer colour film, Kodachrome, in 1935. Eastman had agreed from the beginning that as much of the laboratory's work as possible should be published, and Mees himself wrote prolifically, publishing over 200 articles and ten books. While he made significant contributions to the understanding of the photographic process, particularly through his early research, it is his creation and organization of the Kodak Research Laboratory that is his lasting memorial. His interests were many and varied, including Egyptology, astronomy, marine biology and history. He was a Fellow of the Royal Society.[br]Principal Honours and DistinctionsFRS.Bibliography1961, From Dry Plates to Ektachrome Film, New York (partly autobiographical).BCBiographical history of technology > Mees, Charles Edward Kenneth
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