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  • 101 Cahn, Edward L.

    1899-1963
       Neoyorquino, montador en Universal, una de sus primeras peliculas como realizador, Un hombre de paz, basada en una novela de W.R. Burnett, con guion de John Huston, es una magnifica muestra del mejor ci ne del oeste. En lo sucesivo, su trabajo sera bastante desordenado y poco interesante hasta que en cuentra al guionista Orville H. Hampton, con el que realiza, al final de su carrera, un punado de atractivos westerns (Gunfighters of Abilane, Oklahoma Territo ry, Frontier Uprising y The Gambler Wore a Gun), mo destos pero muy interesantes. Los filmes de genero de Cahn, y especialmente sus westerns, han sido re vitalizados, tal vez algo artificialmente, por el tiempo.
        Law and Order (Un hombre de paz). 1932. 70 minutos. Blanco y Negro. Universal. Walter Huston, Harry Carey, Raymond Hatton.
        Flesh and the Spur. 1956. 80 minutos. Pathecolor. American Inter na tional. John Agar, Marla English, Mike Connors.
        Gunfighters of Abilene. 1960. 66 minutos. Blanco y Negro. UA. Buster Crabbe, Barton MacLane, Judith Ames.
        Oklahoma Territory. 1960. 67 minutos. Blanco y Negro. UA. Bill Williams, Gloria Talbott, Ted De Corsia.
        Noose for a Gunman. 1960. 69 minutos. Blanco y Negro. UA. Jim Davis, Barton MacLane, Lyn Thomas.
        Five Guns to Tombstone. 1961. 71 minutos. Blanco y Negro. UA. James Brown, John Wilder, Robert Karnes, Della Sharman.
        Frontier Uprising. 1961. 68 minutos. Blanco y Negro. UA. Jim Davis, Nancy Hadley, Ken Mayer.
        Gun Fight. 1961. 67 minutos. Blanco y Negro. UA. James Brown, Joan Stanley, Gregg Palmer.
        The Gambler Wore a Gun. 1961. 66 minutos. Blanco y Negro. UA. Jim Davis, Mark Allen, Merry Anders.
        Gun Street. 1961. 67 minutos. Blanco y Negro. UA. James Brown, Jean Willes, John Clarke.

    English-Spanish dictionary of western films > Cahn, Edward L.

  • 102 GENERAL REFERENCES

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       ■. Crónica de D. Fernando, 2 vols. Barcelos: Portucalense, 1933-35.
       ■. Crónica de El-Rei D. João I, 2 vols. Oporto: Liv. Civilização, 1945- 49.
       ■. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, trans., eds. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Mendonça, Jerónimo de. Jornada d'Africa, 2 vols. Lisbon, 1904.
       ■ Pereira, Duarte Pacheco. Esmeraldo de situ orbis. George H. T. Kimble, trans. London: Hakluyt Society, vol. 79, 1937.
       ■. Esmeraldo de situ orbis. Damião de Peres, ed. Lisbon: Academia Portuguesa da Histôria, 1988.
       ■ Pina Rui de. Crónica d'El Rey D. Affonso V, 3 vols. Lisbon: Clássicos Portuguezes, 1901-2.
       ■. Crónica d'El Rey D. Affonso II e d'El Rey D. Sancho II. Lisbon: Clássicos Portuguezes, 1906.
       ■. Crónica d'El Rey D. Affonso III. Lisbon: Clássicos Portuguezes, 1908.
       ■. Crónica d'El Rey D. Diniz. Oporto: Liv. Civilização, 1945.
       ■. Crónica d'El Rey D. João II. Coimbra: Imprensa da Universidade de Coimbra, 1950.
       ■ Zurara, Gomes Eanes de. The Chronicle of the Discovery and Conquest of Guinea, 2 vols. C. R. Beazley and Edgar Prestage, trans. London: Hakluyt Society, 1896-99.
       ■. Crónica da tomada de Ceuta. Lisbon, 1915.

    Historical dictionary of Portugal > GENERAL REFERENCES

  • 103 Steam and internal combustion engines

    [br]
    Giffard, Baptiste Henry Jacques
    Hamilton, Harold Lee
    Porta, Giovanni Battista della

    Biographical history of technology > Steam and internal combustion engines

  • 104 Stephenson, George

    [br]
    b. 9 June 1781 Wylam, Northumberland, England
    d. 12 August 1848 Tapton House, Chesterfield, England
    [br]
    English engineer, "the father of railways".
    [br]
    George Stephenson was the son of the fireman of the pumping engine at Wylam colliery, and horses drew wagons of coal along the wooden rails of the Wylam wagonway past the house in which he was born and spent his earliest childhood. While still a child he worked as a cowherd, but soon moved to working at coal pits. At 17 years of age he showed sufficient mechanical talent to be placed in charge of a new pumping engine, and had already achieved a job more responsible than that of his father. Despite his position he was still illiterate, although he subsequently learned to read and write. He was largely self-educated.
    In 1801 he was appointed Brakesman of the winding engine at Black Callerton pit, with responsibility for lowering the miners safely to their work. Then, about two years later, he became Brakesman of a new winding engine erected by Robert Hawthorn at Willington Quay on the Tyne. Returning collier brigs discharged ballast into wagons and the engine drew the wagons up an inclined plane to the top of "Ballast Hill" for their contents to be tipped; this was one of the earliest applications of steam power to transport, other than experimentally.
    In 1804 Stephenson moved to West Moor pit, Killingworth, again as Brakesman. In 1811 he demonstrated his mechanical skill by successfully modifying a new and unsatisfactory atmospheric engine, a task that had defeated the efforts of others, to enable it to pump a drowned pit clear of water. The following year he was appointed Enginewright at Killingworth, in charge of the machinery in all the collieries of the "Grand Allies", the prominent coal-owning families of Wortley, Liddell and Bowes, with authorization also to work for others. He built many stationary engines and he closely examined locomotives of John Blenkinsop's type on the Kenton \& Coxlodge wagonway, as well as those of William Hedley at Wylam.
    It was in 1813 that Sir Thomas Liddell requested George Stephenson to build a steam locomotive for the Killingworth wagonway: Blucher made its first trial run on 25 July 1814 and was based on Blenkinsop's locomotives, although it lacked their rack-and-pinion drive. George Stephenson is credited with building the first locomotive both to run on edge rails and be driven by adhesion, an arrangement that has been the conventional one ever since. Yet Blucher was far from perfect and over the next few years, while other engineers ignored the steam locomotive, Stephenson built a succession of them, each an improvement on the last.
    During this period many lives were lost in coalmines from explosions of gas ignited by miners' lamps. By observation and experiment (sometimes at great personal risk) Stephenson invented a satisfactory safety lamp, working independently of the noted scientist Sir Humphry Davy who also invented such a lamp around the same time.
    In 1817 George Stephenson designed his first locomotive for an outside customer, the Kilmarnock \& Troon Railway, and in 1819 he laid out the Hetton Colliery Railway in County Durham, for which his brother Robert was Resident Engineer. This was the first railway to be worked entirely without animal traction: it used inclined planes with stationary engines, self-acting inclined planes powered by gravity, and locomotives.
    On 19 April 1821 Stephenson was introduced to Edward Pease, one of the main promoters of the Stockton \& Darlington Railway (S \& DR), which by coincidence received its Act of Parliament the same day. George Stephenson carried out a further survey, to improve the proposed line, and in this he was assisted by his 18-year-old son, Robert Stephenson, whom he had ensured received the theoretical education which he himself lacked. It is doubtful whether either could have succeeded without the other; together they were to make the steam railway practicable.
    At George Stephenson's instance, much of the S \& DR was laid with wrought-iron rails recently developed by John Birkinshaw at Bedlington Ironworks, Morpeth. These were longer than cast-iron rails and were not brittle: they made a track well suited for locomotives. In June 1823 George and Robert Stephenson, with other partners, founded a firm in Newcastle upon Tyne to build locomotives and rolling stock and to do general engineering work: after its Managing Partner, the firm was called Robert Stephenson \& Co.
    In 1824 the promoters of the Liverpool \& Manchester Railway (L \& MR) invited George Stephenson to resurvey their proposed line in order to reduce opposition to it. William James, a wealthy land agent who had become a visionary protagonist of a national railway network and had seen Stephenson's locomotives at Killingworth, had promoted the L \& MR with some merchants of Liverpool and had carried out the first survey; however, he overreached himself in business and, shortly after the invitation to Stephenson, became bankrupt. In his own survey, however, George Stephenson lacked the assistance of his son Robert, who had left for South America, and he delegated much of the detailed work to incompetent assistants. During a devastating Parliamentary examination in the spring of 1825, much of his survey was shown to be seriously inaccurate and the L \& MR's application for an Act of Parliament was refused. The railway's promoters discharged Stephenson and had their line surveyed yet again, by C.B. Vignoles.
    The Stockton \& Darlington Railway was, however, triumphantly opened in the presence of vast crowds in September 1825, with Stephenson himself driving the locomotive Locomotion, which had been built at Robert Stephenson \& Co.'s Newcastle works. Once the railway was at work, horse-drawn and gravity-powered traffic shared the line with locomotives: in 1828 Stephenson invented the horse dandy, a wagon at the back of a train in which a horse could travel over the gravity-operated stretches, instead of trotting behind.
    Meanwhile, in May 1826, the Liverpool \& Manchester Railway had successfully obtained its Act of Parliament. Stephenson was appointed Engineer in June, and since he and Vignoles proved incompatible the latter left early in 1827. The railway was built by Stephenson and his staff, using direct labour. A considerable controversy arose c. 1828 over the motive power to be used: the traffic anticipated was too great for horses, but the performance of the reciprocal system of cable haulage developed by Benjamin Thompson appeared in many respects superior to that of contemporary locomotives. The company instituted a prize competition for a better locomotive and the Rainhill Trials were held in October 1829.
    Robert Stephenson had been working on improved locomotive designs since his return from America in 1827, but it was the L \& MR's Treasurer, Henry Booth, who suggested the multi-tubular boiler to George Stephenson. This was incorporated into a locomotive built by Robert Stephenson for the trials: Rocket was entered by the three men in partnership. The other principal entrants were Novelty, entered by John Braithwaite and John Ericsson, and Sans Pareil, entered by Timothy Hackworth, but only Rocket, driven by George Stephenson, met all the organizers' demands; indeed, it far surpassed them and demonstrated the practicability of the long-distance steam railway. With the opening of the Liverpool \& Manchester Railway in 1830, the age of railways began.
    Stephenson was active in many aspects. He advised on the construction of the Belgian State Railway, of which the Brussels-Malines section, opened in 1835, was the first all-steam railway on the European continent. In England, proposals to link the L \& MR with the Midlands had culminated in an Act of Parliament for the Grand Junction Railway in 1833: this was to run from Warrington, which was already linked to the L \& MR, to Birmingham. George Stephenson had been in charge of the surveys, and for the railway's construction he and J.U. Rastrick were initially Principal Engineers, with Stephenson's former pupil Joseph Locke under them; by 1835 both Stephenson and Rastrick had withdrawn and Locke was Engineer-in-Chief. Stephenson remained much in demand elsewhere: he was particularly associated with the construction of the North Midland Railway (Derby to Leeds) and related lines. He was active in many other places and carried out, for instance, preliminary surveys for the Chester \& Holyhead and Newcastle \& Berwick Railways, which were important links in the lines of communication between London and, respectively, Dublin and Edinburgh.
    He eventually retired to Tapton House, Chesterfield, overlooking the North Midland. A man who was self-made (with great success) against colossal odds, he was ever reluctant, regrettably, to give others their due credit, although in retirement, immensely wealthy and full of honour, he was still able to mingle with people of all ranks.
    [br]
    Principal Honours and Distinctions
    President, Institution of Mechanical Engineers, on its formation in 1847. Order of Leopold (Belgium) 1835. Stephenson refused both a knighthood and Fellowship of the Royal Society.
    Bibliography
    1815, jointly with Ralph Dodd, British patent no. 3,887 (locomotive drive by connecting rods directly to the wheels).
    1817, jointly with William Losh, British patent no. 4,067 (steam springs for locomotives, and improvements to track).
    Further Reading
    L.T.C.Rolt, 1960, George and Robert Stephenson, Longman (the best modern biography; includes a bibliography).
    S.Smiles, 1874, The Lives of George and Robert Stephenson, rev. edn, London (although sycophantic, this is probably the best nineteenthcentury biography).
    PJGR

    Biographical history of technology > Stephenson, George

  • 105 Bennet, Spencer Gordon

    1893-1987
       Debuta en el cine como especialista para Edison en los anos 10 del pasado siglo, antes de convertirse en ayudante de direccion de George Seitz y, despues, en realizador de seriales. En el ano 35 empieza a trabajar para Columbia, dirigiendo westerns, uno detras de otro, a un ritmo frenetico. Durante las decadas de los 40 y 50 se convierte en el gran especialista de Hollywood en seriales, para Republic y para Columbia, llegando a dirigir para esta el que historicamente se considera el ultimo de ellos, Blazing the Overland Trail, en 1956. Como tantos otros, termino dando con sus huesos en la television. La ultima frontera (The Black Ghost) es una version reducida, para un unico largometraje, del serial The Last Frontier.
        Rogue of the Rio Grande. 1930. 57 minutos. Blanco y Negro. World Wide. Jose Bohr, Myrna Loy.
        The Last Frontier (co-d.: Thomas L. Storey). 1932. 213 minutos. 12 capitu los. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.
        The Black Ghost (La ultima frontera) (co-d.: Thomas L. Storey). 1932. 70 minutos. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.
        Jaws of Justice. 1933. 58 minutos. Blanco y Negro. Principal Pictures. Jack Perrin, Ruth Sullivan.
        Ferocious Pal. 1934. 55 minutos. Blanco y Negro. Principal Pictures. Ruth Sullivan, Tom London.
        Western Courage. 1935. 61 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Charles K. French.
        Lawless Riders. 1935. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Harry Woods, Frank Yaconelli.
        Heir to Trouble. 1935. 59 minutos. Blanco y Negro. Columbia. Ken Maynard, Joan Perry, Harry Woods.
        The Cattle Thief (El cuatrero). 1936. 50 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Ward Bond.
        Avenging Waters (El torrente vengador). 1936. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Ward Bond.
        Heroes of the Range. 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, June Gale, Harry Woods.
        The Fugitive Sheriff (El sheriff vindicado). 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Walter Miller.
        The Unknown Ranger. 1936. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.
        Rio Grande Ranger. 1936. 54 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Iris Meredith.
        Ranger Courage. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.
        Law of the Ranger. 1937. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Elaine Shepard.
        Reckless Ranger. 1937. 56 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Louise Small, Jack Perrin.
        The Rangers Step In. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Eleanor Stewart.
        Across the Plains. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant, Frank Yaconelli.
        Riders of the Frontier. 1939. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Jean Joyce, Jack Rutherford.
        Oklahoma Terror. 1939. 50 minutos. Blanco y Negro. Monogram. Jack Randall, Virginia Carroll, Al St John.
        Westbound Stage. 1939. 56 minutos. Blanco y Negro. Monogram. Tex Ritter, Muriel Evans.
        Cowboy from Sundown. 1940. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Pauline Haddon, Roscoe Ates.
        Ridin’ the Cherokee Trail. 1941. 62 minutos. Blanco y Negro. Monogram. Tex Ritter, Betty Miles, Slim Andrews.
        Arizona Bound. 1941. 55 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.
        The Gunman from Bodie. 1941. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.
        The Valley of Vanishing Men. 1942. 280 minutos. 15 capitulos. Blanco y Negro. Columbia. Bill Elliott, Carmen Morales, Slim Summerville.
        Calling Wild Bill Elliott. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Ann Jeffreys, George Hayes.
        Canyon City. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.
        California Joe. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.
        Beneath Western Skies. 1944. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Smiley Burnette, Effie Laird.
        Mojave Firebrand. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Tucson Raiders. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, George Hayes, Bob Blake.
        Code of the Prairie. 1944. 56 minutos. Blanco y Negro. Republic. Smiley Burnette, Sunset Carson, Peggy Stewart.
        Zorro’ Black Whip (Latigo negro) (co-d.: Wallace Grissell). 1944. 211 minutos. 12 capitulos. Blanco y Negro. Republic. George J. Lewis, Linda Stirling.
        The Lone Texas Ranger. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Helen Talbot, Bob Blake.
        The Phantom Rider (co-d.: Fred C. Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Kent, Peggy Stewart.
        King of the Forest Rangers (co-d.: Fred Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Larry Thompson, Helen Talbot.
        Son of Zorro (co-d.: Fred C. Brannon). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. George Turner, Peggy Stewart.
        Cody of the Pony Express. 1950. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Peggy Stewart, Dickie Moore.
        Roar of the Iron Horse, Rail-Blazer of the Apache Trail (co-d.: Thomas Carr). 1950. 260 minutos. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Virginia Herrick.
        Brave Warrior. 1952. 73 minutos. Technicolor. Columbia. Jon Hall, Christine Larson.
        Son of Geronimo: Apache Avenger. 1952. 240 minutos. 15 capitulos. Blanco y Negro. Columbia. Clayton Moore, Rodd Redwing, Eileen Rowe.
        Gunfighters of the Northwest. 1954. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Phyllis Coates, Clayton Moore.
        Riding with Buffalo Bill. 1954. 15 capitulos. Blanco y Negro. Columbia. Marshall Reed, Rick Vallin, Joanne Rio.
        Perils of the Wilderness. 1956. 15 capitulos. Blanco y Negro. Columbia. Dennis Moore, Richard Emory, Eve Anderson (Evelyn Finley).
        Blazing the Overland Trail. 1956. 15 capitulos. Blanco y Negro. Columbia. Lee Roberts, Dennis Moore, Norma Brooks.
        Requiem for a Gunfighter. 1965. 91 minutos. Technicolor. Techniscope. Embassy. Rod Cameron, Stephen McNally, Olive Sturgess.
        The Bounty Killer. 1965. 92 minutos. Technicolor. Techniscope. Embassy. Dan Duryea, Audrey Dalton, Rod Cameron.

    English-Spanish dictionary of western films > Bennet, Spencer Gordon

  • 106 Paper and printing

    [br]
    Biro, Laszlo Joszef
    Bi Sheng
    Cai Lun
    Klic, Karol
    Song Yingxing
    Stanhope, Charles

    Biographical history of technology > Paper and printing

  • 107 Mann

    m; -(e)s, Männer
    1. man (Pl. men); Mann für Mann one after the other; ein Gespräch von Mann zu Mann oder unter Männern a man-to-man talk; ein Kampf Mann gegen Mann a man-to-man ( oder hand-to-hand) fight; wie ein Mann (geschlossen) as one; sprechen etc.: with one voice; bis auf den letzten Mann to a man; es wie ein Mann ertragen take it like a man; der dritte Mann Skat: the third player; da sind wir an den rechten Mann gekommen he’s the (right) man for us; Sie sind unser Mann! you’re our man, you’re the man for us; er ist ein Mann der Tat he’s a man of action; ein Mann der Feder geh. a man of letters; ein Mann von Welt a man of the world; ein Mann von Wort a man of his word; 10 Euro pro Mann umg. 10 euros each ( oder per head); Bord1, lieb I 4, selbst I 1, schwarz I 2, stark I 1, tot 1 etc.
    2. Pl. Mann; bes. NAUT. UND nach Zahlen: alle Mann an Deck! NAUT. all hands on deck; mit Mann und Maus untergehen NAUT. go down with all hands; die Maschine hat fünf Mann Besatzung the aircraft has a crew of five; alle Mann hoch umg. the whole lot of us ( oder them); wir waren drei Mann hoch umg. there were three of us; alle Mann mitmachen! come on, everyone!; wir brauchen drei Mann we need three men ( oder people)
    3. (Ehemann) husband; als oder wie Mann und Frau leben live as husband and wife; Mann und Frau werden geh. become husband and wife; an den Mann bringen umg., hum. (Tochter) marry off, find a husband for
    4. SPORT (Spieler) player, man; freier Mann Fußball: free man; den freien Mann anspielen / suchen pass to / look for the player in space; Mann decken Ballspiele: mark (Am. guard) man-to-man; an / in den Mann gehen bes. Fußball: go in hard
    5. fig., in Wendungen: der Mann auf der Straße the man in the street, the ordinary man; Manns genug sein für etw. be man enough for ( oder to do) s.th.; an den Mann bringen (Ware) find a buyer for; umg. (Witz etc.) find an audience for; (Meinung) get across; seinen Mann stehen (sich behaupten) hold one’s own, stand one’s ground; (ganze Arbeit leisten) do a fine job; seinen Mann gefunden haben have found one’s match; ein Mann, ein Wort a promise is a promise; einen kleinen Mann im Ohr haben umg. be off one’s rocker; Mann Gottes! umg. for God’s sake!; Mann! umg. wow!; auch sich beschwerend: umg. hey!; oh Mann! umg., verblüfft, empört etc.: (oh) man!
    * * *
    der Mann
    (Ehemann) husband;
    * * *
    Mạnn [man]
    m -(e)s, -er
    ['mɛnɐ]
    1) man

    ein Überschuss an Männern — a surplus of males or men

    ein Mann aus dem Volk(e) — a man of the people

    der erste Mann sein (fig) — to be in charge

    ein Mann der Feder/Wissenschaft — a man of letters/science

    ein Mann des Todes — a dead man, a man marked for death

    wo Männer noch Männer sind — where men are men

    er ist unser Mann — he's the man for us, he's our man

    wie ein Mann — as a or one man

    auf den Mann dressiert sein — to be trained to go for people

    seinen Mann stehen — to hold one's own

    und ein Mann, ein Wort, er hats auch gemacht — and, as good as his word, he did it

    Mann an Mann — close together, next to one another

    pro Mann — per head

    ein Gespräch unter Männern or von Mann zu Mann — a man-to-man talk

    See:
    → Mannen, Not
    2) (= Ehemann) husband

    jdn an den Mann bringen (inf) — to marry sb off (inf), to find sb a husband

    3) pl Leute (= Besatzungsmitglied) hand, man

    mit Mann und Maus untergehen — to go down with all hands; (Passagierschiff) to go down with no survivors

    See:
    → Bord
    4) pl Leute (=Teilnehmer SPORT, CARDS) player, man

    auf den Mann spielen — to play the ball at one's opponent; (beim Zuspielen)

    5) (inf als Interjektion) (my) God (inf); (auffordernd, bewundernd, erstaunt) (my) God (inf), hey, (hey) man (inf)

    Mann, das kannst du doch nicht machen! — hey, you can't do that!

    mach schnell, Mann! — hurry up, man!

    Mann, oh Mann! — oh boy! (inf)

    (mein) lieber Mann! — my God! (inf); (erstaunt, bewundernd auch) wow! (inf)

    * * *
    der
    1) (a very strong, powerful man.) he-man
    2) (an adult male human being: Hundreds of men, women and children; a four-man team.) man
    3) (obviously masculine male person: He's independent, tough, strong, brave - a real man!) man
    * * *
    <-[e]s, Männer o Leute>
    [ˈman, pl ˈmɛnɐ]
    m
    1. (erwachsener männlicher Mensch) man
    ▪ Männer men; (im Gegensatz zu den Frauen a.) males
    ein feiner \Mann a [perfect] gentleman
    ein \Mann von Format/Welt a man of high calibre [or AM -er]/of the world
    ein ganzer \Mann a real [or every inch a] man
    junger \Mann! young man!
    der \Mann jds Lebens sein to be sb's ideal man
    ein \Mann schneller Entschlüsse/der Tat/weniger Worte a man of quick decisions/of action/of few words
    ein \Mann aus dem Volk[e] a man of the [common] people
    ein \Mann von Wort (geh) a man of his word
    ▪ jds \Mann sb's husband [or fam man] [or fam hubby]
    eine Frau an den \Mann bringen (fam) to marry off a woman sep fam or a. pej, to find a woman a husband
    \Mann und Frau werden (geh) to become husband [or dated man] and wife
    jds zukünftiger \Mann sb's future husband
    jdn zum \Mann haben to be sb's wife
    3. (Person) man
    sie kamen mit acht \Mann [o (fam) acht \Mann hoch] an eight [of them] arrived
    auf den \Mann dressiert Hund trained to attack people pred
    ein \Mann vom Fach an expert
    \Mann für \Mann every single one
    \Mann gegen \Mann man against man
    [genau] jds \Mann sein to be [just] sb's man
    der richtige \Mann am richtigen Ort the right man for the job
    ein \Mann der Praxis a practised [or AM -iced] [or an old] hand
    pro \Mann per head
    wie ein \Mann as one man
    4. NAUT man, hand
    alle \Mann an Bord! all aboard!
    alle \Mann an Deck! all hands on deck!
    alle \Mann an die Taue! all hands heave to!
    \Mann über Bord! man overboard!
    mit \Mann und Maus untergehen (fam) to go down with all hands
    5. KARTEN, SPORT player
    auf den \Mannspielen to play the ball at one's opponent
    6. (fam: in Ausrufen)
    \Mann Gottes! God [Almighty]!
    \Mann! (bewundernd) wow! fam; (herausfordernd) hey! fam
    [mein] lieber \Mann! (herrje!) my God! fam; (pass bloß auf!) please!
    o \Mann! oh hell! fam
    \Mann, o \Mann! dear[ie] me! fam, oh boy! fam
    7.
    ▶ der böse [o (veraltend) schwarze] \Mann the bogeyman [or bogyman]
    ▶ etw an den \Mann bringen (fam: verkaufen) to flog sth; (im Gespräch)
    seine Witze an den \Mann bringen to find an audience for one's jokes
    ▶ der erste \Mann an der Spritze sein (sl) to be in charge
    ▶ ein gemachter \Mann sein to have got it made fam
    ▶ \Manns genug sein, etw zu tun to be man enough to do sth
    ▶ der kleine \Mann (fam: einfacher Bürger) the common [or ordinary] man, Joe Bloggs BRIT, John Doe AM; (sl: Penis) Johnson sl, BRIT a. John Thomas sl
    ▶ einen kleinen \Mann im Ohr haben (hum fam) to have bats in one's belfry dated fam, to be crazy fam
    ▶ der kluge \Mann baut vor (prov) the wise man takes precautions
    ▶ der \Mann im Mond the man in the moon
    ▶ selbst ist der \Mann! there's nothing like doing things [or it] yourself
    ▶ den starken \Mann markieren [o spielen] (sl) to come [on] [or play] the strongman
    ▶ seinen/ihren \Mann stehen to hold one's own
    ▶ der \Mann auf der Straße the man in the street, Joe Bloggs BRIT, John Doe AM
    ▶ ein \Mann des Todes [o toter \Mann] sein (fam) to be dead meat fam! [or a dead man]
    ▶ den toten \Mann machen (beim Schwimmen) to float [on one's back]
    ▶ den wilden \Mann spielen [o machen] (fam) to rave like a madman fam
    ▶ ein \Mann, ein Wort an honest man's word is as good as his bond prov
    ein \Mann, ein Wort, und so tat er es auch and, as good as his word, he did [do] it; s.a. Mannen
    * * *
    der; Mann[e]s, Männer; s. auch Mannen
    1) man

    ein Mann, ein Wort — a man's word is his bond

    der geeignete od. richtige Mann sein — be the right man

    der böse od. schwarze Mann — the bogy man

    auf den Mann dressiert sein — < dog> be trained to attack people

    [mein lieber] Mann! — (ugs.) (überrascht, bewundernd) my goodness!; (verärgert) for goodness sake!

    du hast wohl einen kleinen Mann im Ohr — (salopp) you must be out of your tiny mind (sl.)

    etwas an den Mann bringen — (ugs.): (verkaufen) flog something (Brit. sl.); push something (Amer.); find a taker/takers for something

    Kämpfe od. der Kampf Mann gegen Mann — hand-to-hand fighting

    von Mann zu Mann — [from] man to man

    alle Mann an Deck! — (Seemannsspr.) all hands on deck!

    Mann über Bord! — (Seemannsspr.) man overboard!

    uns fehlt der dritte/vierte Mann zum Skatspielen — we need a third/fourth person or player for a game of skat

    4) (Ehemann) husband
    * * *
    Mann m; -(e)s, Männer
    1. man (pl men);
    Mann für Mann one after the other;
    unter Männern a man-to-man talk;
    ein Kampf Mann gegen Mann a man-to-man ( oder hand-to-hand) fight;
    wie ein Mann (geschlossen) as one; sprechen etc: with one voice;
    es wie ein Mann ertragen take it like a man;
    der dritte Mann Skat: the third player;
    da sind wir an den rechten Mann gekommen he’s the (right) man for us;
    Sie sind unser Mann! you’re our man, you’re the man for us;
    ein Mann der Feder geh a man of letters;
    ein Mann von Welt a man of the world;
    ein Mann von Wort a man of his word;
    10 Euro pro Mann umg 10 euros each ( oder per head); → Bord1, lieb A 4, selbst A 1, schwarz A 2, stark A 1, tot 1 etc
    2. pl Mann; besonders SCHIFF und nach Zahlen:
    alle Mann an Deck! SCHIFF all hands on deck;
    mit Mann und Maus untergehen SCHIFF go down with all hands;
    die Maschine hat fünf Mann Besatzung the aircraft has a crew of five;
    alle Mann hoch umg the whole lot of us ( oder them);
    wir waren drei Mann hoch umg there were three of us;
    alle Mann mitmachen! come on, everyone!;
    wir brauchen drei Mann we need three men ( oder people)
    3. (Ehemann) husband;
    wie Mann und Frau leben live as husband and wife;
    Mann und Frau werden geh become husband and wife;
    an den Mann bringen umg, hum (Tochter) marry off, find a husband for
    4. SPORT (Spieler) player, man;
    freier Mann Fußball: free man;
    den freien Mann anspielen/suchen pass to/look for the player in space;
    Mann decken Ballspiele: mark (US guard) man-to-man;
    an/in den Mann gehen besonders Fußball: go in hard
    5. fig, in Wendungen:
    der Mann auf der Straße the man in the street, the ordinary man;
    Manns genug sein für etwas be man enough for ( oder to do) sth;
    an den Mann bringen (Ware) find a buyer for; umg (Witz etc) find an audience for; (Meinung) get across;
    seinen Mann stehen (sich behaupten) hold one’s own, stand one’s ground; (ganze Arbeit leisten) do a fine job;
    seinen Mann gefunden haben have found one’s match;
    ein Mann, ein Wort a promise is a promise;
    Mann Gottes! umg for God’s sake!;
    Mann! umg wow!; auch sich beschwerend: umg hey!;
    oh Mann! umg, verblüfft, empört etc: (oh) man!
    * * *
    der; Mann[e]s, Männer; s. auch Mannen
    1) man

    ein Mann, ein Wort — a man's word is his bond

    der geeignete od. richtige Mann sein — be the right man

    der böse od. schwarze Mann — the bogy man

    auf den Mann dressiert sein — < dog> be trained to attack people

    [mein lieber] Mann! — (ugs.) (überrascht, bewundernd) my goodness!; (verärgert) for goodness sake!

    du hast wohl einen kleinen Mann im Ohr — (salopp) you must be out of your tiny mind (sl.)

    etwas an den Mann bringen — (ugs.): (verkaufen) flog something (Brit. sl.); push something (Amer.); find a taker/takers for something

    Kämpfe od. der Kampf Mann gegen Mann — hand-to-hand fighting

    von Mann zu Mann — [from] man to man

    mit 1 000 Mann Besatzung — with a crew of 1,000 [men]

    alle Mann an Deck! — (Seemannsspr.) all hands on deck!

    Mann über Bord! — (Seemannsspr.) man overboard!

    uns fehlt der dritte/vierte Mann zum Skatspielen — we need a third/fourth person or player for a game of skat

    4) (Ehemann) husband
    * * *
    ¨-- m.
    husband n.
    man n.
    (§ pl.: men)

    Deutsch-Englisch Wörterbuch > Mann

  • 108 Mann

    Mann <-[e]s, Männer o Leute> [ʼman, pl ʼmɛnɐ] m
    Männer men; (im Gegensatz zu den Frauen a.) males;
    ein feiner \Mann a [perfect] gentleman;
    ein \Mann schneller Entschlüsse/ der Tat/ weniger Worte a man of quick decisions/of action/of few words;
    ein \Mann mit Ideen/ festen Überzeugungen a man with ideas/firm convictions;
    ein \Mann von Format/ Welt a man of high calibre [or (Am) -er] /of the world;
    der \Mann auf der Straße the man in the street, Joe Bloggs ( Brit), John Doe (Am)
    ein \Mann des Todes sein ( fam) to be dead meat (fam!) [or a dead man];
    ein \Mann aus dem Volk[e] a man of the [common] people;
    ein \Mann von Wort ( geh) a man of his word;
    der böse \Mann the bogeyman [or bogyman] [or (Am a.) boogeyman];
    ein ganzer \Mann a real [or every inch a] man;
    den ganzen \Mann erfordern to need a [real] man; ( im Allgemeinen) to be not for the faint-hearted;
    jd ist ein gemachter \Mann sb has got it made ( fam)
    \Manns genug sein, etw zu tun to be man enough to do sth;
    junger \Mann! young man!;
    der kleine [o gemeine] \Mann the common [or ordinary] man, the man in the street, Joe Bloggs ( Brit), John Doe (Am)
    der kleine \Mann;
    (euph fam: Penis) Johnson (sl), (Brit a.) John Thomas (sl)
    der böse [o (veraltend: schwarze] \Mann Kinderschreck) the bogeyman [or bogyman] [or (Am a.) boogeyman]; ( Kaminfeger) chimney sweep;
    den starken \Mann markieren [o spielen] ( derb) to come [on] [or (Am) play] the strongman;
    den wilden \Mann spielen [o machen] ( fam) to rave like a madman ( fam)
    auf den \Mann dressiert Hund trained to attack people pred;
    der \Mann jds Lebens sein to be sb's ideal man;
    der \Mann im Mond the man in the moon;
    ein \Mann, ein Wort an honest man's word is as good as his bond ( prov)
    ein \Mann, ein Wort, und so tat er es auch and, as good as his word, he did [do] it;
    den toten \Mann machen ( beim Schwimmen) to float [on one's back]
    2) ( Ehemann)
    jds \Mann sb's husband [or ( fam) man] [or ( fam) hubby];
    \Mann und Frau werden ( geh) to become husband [or dated man] and wife;
    jds zukünftiger \Mann sb's future husband;
    eine Frau an den \Mann bringen ( fam) to marry off a woman sep ( fam) (a. pej), to find a woman a husband;
    jdn zum \Mann haben to be sb's husband;
    jds \Mann werden to become sb's husband
    3) ( Person) man;
    sie kamen mit acht \Mann an eight [of them] arrived;
    ein \Mann vom Fach an expert;
    der richtige \Mann am richtigen Ort the right man for the job;
    ein \Mann der Praxis a practised [or (Am) -iced]; [or an old] hand;
    [genau] jds \Mann sein to be [just] sb's man;
    seinen/ihren \Mann stehen to hold one's own;
    \Mann für \Mann every single one;
    \Mann gegen \Mann man against man;
    pro \Mann per head;
    selbst ist der \Mann! there's nothing like doing things [or it] yourself;
    wie ein \Mann as a [or one] man naut; (Besatzungsmitglied a.) hand;
    \Mann über Bord! man overboard!;
    alle \Mann an Bord! all aboard!;
    alle \Mann an Deck! all hands on deck!;
    alle \Mann an die Taue! all hands heave to!;
    mit \Mann und Maus untergehen ( fam) to go down with all hands
    4) (fam: in Ausrufen)
    \Mann Gottes! God [Almighty]!;
    [mein] lieber \Mann! (herrje!) my God! ( fam) (pass bloß auf!) please!;
    o \Mann! oh hell! ( fam)
    \Mann, o \Mann! dear[ie] me! ( fam), oh boy! ( fam)
    \Mann! ( bewundernd) wow! ( fam) ( herausfordernd) hey! ( fam)
    WENDUNGEN:
    der kluge \Mann baut vor (\Mann baut vor) the wise man takes precautions;
    einen kleinen \Mann im Ohr haben (veraltend); ( hum) ( fam) to have bats in one's belfry dated ( fam), to be crazy ( fam)
    etw an den \Mann bringen ( fam) to get rid of sth; ( fig) ( fam) perhaps you can get your parents to listen to this story!; s. a. Mannen

    Deutsch-Englisch Wörterbuch für Studenten > Mann

  • 109 Richmond

    1) Город в центральной части штата Вирджиния, административный центр (столица) штата. 197,7 тыс. жителей, в МСА [ MSA] Ричмонд - Питерсберг 996,5 тыс. (2000). Глубоководный порт на р. Джеймс [ James River]. Региональный финансовый, торговый и промышленный центр. Производство табачных изделий, химическая промышленность, металлургия, полиграфия. Ричмондский университет [Richmond, University of] (1830), Университет Содружества Вирджиния [ Virginia Commonwealth University] (1838). Район впервые исследован поселенцами из Джеймстауна [ Jamestown] в 1607. Первое поселение - торговая фактория [ trading post] - построено в 1637. Город основан в 1737, с 1779 - столица штата. С 1861 Ричмонд был столицей Конфедерации [ Confederate States of America]. В окрестностях происходили крупные сражения Гражданской войны [ Civil War]. В апреле 1865 город был взят войсками северян под командованием генерала У. Гранта [ Grant, Ulysses S.] и почти полностью сгорел. Среди достопримечательностей: епископальная церковь Св. Иоанна [Saint John's Episcopal Church] (1741), капитолий штата [State Capitol] (1785), построенный по проекту Т. Джефферсона [ Jefferson, Thomas], Белый дом Конфедерации [White House of the Confederacy] (ныне музей Конфедерации), Национальный парк "Поле Ричмондского сражения" [ Richmond National Battlefield Park], Вирджинский музей изящных искусств [Virginia Museum of Fine Arts], дом Дж. Маршалла [ Marshall, John]. На кладбище Холливуд [Hollywood Cemetery] похоронены Дж. Тайлер [ Tyler, John], Дж. Монро [ Monroe, James], Дж. Дэвис [ Davis, Jefferson]
    2) Город на западе штата Калифорния, северо-западнее г. Окленда [ Oakland]. 99,2 тыс. жителей (2000)
    3) Город на востоке штата Индиана. 39,1 тыс. жителей (2000)
    4) Устаревшее название административного района [ borough] г. Нью-Йорка, расположенный на о. Стейтен-Айленд [ Staten Island]. С 1975 называется Стейтен-Айленд. По территории совпадает с границами округа Ричмонд [Richmond County]. 443,7 тыс. жителей (2000). Соединен мостами с Нью-Джерси, паромным сообщением с Манхэттеном [ Manhattan], мостом Верразано-Нэрроуз [ Verrazano-Narrows Bridge] с Бруклином [ Brooklyn]. В районе в основном жилые кварталы [residential area]. Малочисленные предприятия сосредоточены на севере (судостроение, судоремонт, нефтепереработка, производство стройматериалов). На северо-востоке - порт. Пляжи, парки. Ричмондский колледж [Richmond College] Городского университета Нью-Йорка [ City University of New York]

    English-Russian dictionary of regional studies > Richmond

  • 110 Secretary of State

    государственный секретарь (разг госсекретарь)
    Глава Государственного департамента [ Department of State, U.S.] США, должностное лицо, соответствующее министру иностранных дел в других государствах. Является первым по важности и порядку перехода президентской власти [ Presidential succession] членом кабинета [ cabinet]. Пост существует с 1789. Наиболее известными госсекретарями были: Т. Джефферсон [ Jefferson, Thomas] (1789-94), Дж. Мэдисон [ Madison, James] (1801-09), Дж. Адамс [ Adams, John Quincy] (1817-25), У. Марси [Marcy, William L.] (1853-57), У. Сьюард [ Seward, William Henry] (1861-65), Р. Олни [ Olney, Richard] (1895-97), Дж. Хэй [ Hay, John Milton] (1898-1901), Э. Рут [ Root, Elihu] (1905-09), Ф. Келлог [ Kellogg, Frank Billings] (1925-29), Г. Стимсон [ Stimson, Henry Lewis] (1929-33), Дж. Маршалл [ Marshall, George Catlett] (1947-49), Дж. Даллес [ Dulles, John Foster] (1953-59), Д. Раск [ Rusk, David Dean] (1961-69), Г. Киссинджер [ Kissinger, Henry Alfred] (1973-77)

    English-Russian dictionary of regional studies > Secretary of State

  • 111 Ford, Philip

    1900-1976
       Hijo de Francis Ford y, por tanto, sobrino de John Ford, fue actor (1916-1926) y ayudante de direccion (1928-1944) hasta que, en 1945, paso a la direccion, donde no destaco especialmente, hasta el punto de cesar en su actividad a mediados de los anos 50, despues de realizar mas de 40 peliculas, la mayor parte de ellas, westerns.
        The Wild Frontier. 1947. 59 minutos. Blanco y Negro. Republic. Allan Lane, Jack Holt, Eddy Waller.
        Bandits of Dark Canyon. 1947. 59 minutos. Blanco y Negro. Republic. Allan Lane, Bob Steele, Eddy Waller, Linda Johnson.
        California Firebrand. 1948. 63 minutos. Blanco y Negro. Republic. Monte Hale, Adrian Booth, Paul Hurst.
        The Bold Frontiersman. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Roy Barcroft.
        The Timber Trail. 1948. 67 minutos. Trucolor. Republic. Monte Hale, Lynne Roberts, James Burke.
        Marshal of Amarillo. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Mildred Coles.
        Angel in Exile (co-d.: Allan Dwan). 1948. 90 minutos. Blanco y Negro. Republic. John Carroll, Adele Mara, Thomas Gomez.
        Desperadoes of Dodge City. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Mildred Coles.
        The Denver Kid. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Peggy Wynne.
        Prince of the Plains. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Shirley Davis.
        Law of the Golden West. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Gail Davis.
        Outcasts of the Trail. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Milt Parsons.
        The Wyoming Bandit. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller
        South of Rio. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Kay Christopher.
        San Antone Ambush. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, John Hurst, Bette Daniels.
        Ranger of Cherokee Strip. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Alice Talton.
        Pioneer Marshal. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Nan Leslie.
        Powder River Rustlers. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Gerry Ganzer.
        The Vanishing Westerner. 1950. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst. Aline Towne.
        The Old Frontier. 1950. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Claudia Barrett.
        Redwood Forest Trail. 1950. 67 minutos. Blanco y Negro. Republic. Rex Allen, Jane Darwell, Jeff Donnell.
        Buckaroo Sheriff of Texas. 1951. 60 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen, James Bell.
        Wells Fargo Gunmaster. 1951. 60 minutos. Blanco y Negro. Republic. Allan Lane, Chubby Johnson, Mary Ellen Kay, Michael Chapin.
        The Dakota Kid. 1951. 60 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen, James Bell.
        Rodeo King and the Senorita. 1951. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Buddy Ebsen.
        Utah Wagon Train. 1951. 67 minutos. Blanco y Negro. Republic. Rex Allen, Penny Edwards, Buddy Ebsen.
        Desperadoes’ Outpost. 1952. 54 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Claudia Barrett.

    English-Spanish dictionary of western films > Ford, Philip

  • 112 Nazarro, Ray

    1902-1986
       Nacido en Boston, a Ray Nazarro se le asocia con dos criterios: Columbia Films, para la que hizo la mayor parte de sus peliculas, y rapidez, la que demostro entre 1945 y 1958, tiempo en que dirigio ochenta filmes, a un ritmo que en algunas temporadas supero el de uno al mes. A pesar de todo, sus westerns, que lo fueron la mayoria de sus peliculas, no resultaron nada desdenables por termino medio, mostrando una notable habilidad para desarrollar los argumentos que se le encomendaban, virtud que se agudiza en algunas de sus producciones de los anos 50. Aunque su primer largometraje es Outlaws of the Rockies, ya habia dirigido en 1932, en este caso peliculas de corta duracion. Termina su carrera en Europa.
        Outlaws of the Rockies. 1945. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Carole Mathews, Tex Harding, Dub Taylor.
        Song of the Prairie. 1945. 62 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, June Storey.
        Texas Panhandle. 1945. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Nanette Parks, Tex Harding, Dub Taylor.
        Roaring Rangers. 1946. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        Throw a Saddle on a Star. 1946. 60 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, Adelle Roberts.
        Gunning for Vengeance. 1946. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Phyllis Adair, Smiley Burnette.
        Galloping Thunder. 1946. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        That Texas Jamboree. 1946. 59 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, Carolina Cotton.
        Two-Fisted Stranger. 1946. 50 minutos. Blanco y Negro. Columbia. Charles Starrett, Doris Houck, Smiley Burnette.
        The Desert Horseman. 1946. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        Cowboy Blues. 1946. 62 minutos. Blanco y Negro. Columbia. Ken Curtis, Guy Kibbee, Guinn Williams, Carolina Cotton.
        Heading West. 1946. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Doris Houck, Smiley Burnette.
        Singing on the Trail. 1946. 60 minutos. Blanco y Negro. Columbia. Ken Curtis, Guy Kibbee, Guinn Williams, Rita Hayworth.
        Terror Trail. 1946. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Barbara Pepper, Smiley Burnette.
        Lone Star Moonlight. 1946. 67 minutos. Blanco y Negro. Columbia. Ken Curtis, Joan Barton, Guy Kibbee, Claudia Drake.
        Over the Santa Fe Trail. 1947. 63 minutos. Blanco y Negro. Columbia. Ken Curtis, Jennifer Holt, Guinn Williams, Guy Kibbee.
        The Lone Hand Texan. 1947. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette, Mary Newton.
        West of Dodge City. 1947. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Law of the Canyon. 1947. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Buckaroo from Powder River. 1947. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Eve Miller, Smiley Burnette.
        Last Days of Boot Hill. 1947. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Hunter, Smiley Burnette.
        Six-Gun Law. 1948. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Phantom Valley. 1948. 53 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Hunter, Smiley Burnette.
        West of Sonora. 1948. 52 minutos. Blanco y Negro. Columbia. Charles Starrett, Anita Castle, Smiley Burnette.
        Song of Idaho. 1948. 69 minutos. Blanco y Negro. Columbia. Kirby Grant, June Vincent.
        Blazing Across the Pecos. 1948. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Patricia White, Smiley Burnette.
        Trail to Laredo. 1948. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Maxey, Smiley Burnette.
        Singin’ Spurs. 1948. 62 minutos. Blanco y Negro. Columbia. Kirby Grant, Jay Silverheels, Patricia Knox.
        El Dorado Pass. 1948. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Elena Verdugo, Smiley Burnette.
        Quick of the Trigger. 1948. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Helen Parrish, Smiley Burnette.
        Smoky Mountain Melody. 1948. 61 minutos. Blanco y Negro. Columbia. Roy Acuff, Guinn Williams, Sybil Merritt.
        Challenge of the Range. 1949. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Paula Raymond, Smiley Burnette.
        Home in San Antone. 1949. 62 minutos. Blanco y Negro. Columbia. Roy Acuff, Jacqueline Thomas.
        Arkansas Swing. 1949. 62 minutos. Blanco y Negro. Columbia. Gloria Henry, Ken Triesch, Paul Triesch.
        Laramie. 1949. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette, Marjorie Stapp.
        The Blazing Trail. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Marjorie Stapp, Smiley Burnette.
        South of Death Valley. 1949. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Gail Davis, Smiley Burnette.
        Bandits of El Dorado. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Renegades of the Sage. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Leslie Banning, Smiley Burnette.
        Trail of the Rustlers. 1950. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Gail Davis, Smiley Burnette.
        The Palomino. 19450. 73 minutos. Technicolor. Columbia. Jerome Courtland, Beverly Tyler.
        Outcasts of Black Mesa. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Martha Hyer, Smiley Burnette.
        Texas Dynamo. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Lois Hall, Smiley Burnette.
        Hoedown. 1950. 64 minutos. Blanco y Negro. Columbia. Eddy Arnold, Jock Mahoney, Carolina Cotton.
        Streets of Ghost Town. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Mary Ellen Kay, Smiley Burnette.
        Frontier Outpost. 1950. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Lois Hall, Smiley Burnette.
        Al Jennings of Oklahoma. 1951. 79 minutos. Technicolor. Columbia. Dan Duryea, Gale Storm, Dick Foran.
        Fort Savage Raiders. 1951. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Cyclone Fury. 1951. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        The Kid from Amarillo. 1951. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Indian Uprising. 1952. 75 minutos. Supercinecolor. Columbia. George Montgomery, Audrey Long.
        Laramie Mountains. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Montana Territory. 1952. 64 minutos. Technicolor. Columbia. Lon McCallister, Preston Foster, Wanda Hendrix.
        The Rough Tough West. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Carolina Cotton, Smiley Burnette.
        Cripple Creek. 1952. 78 minutos. Technicolor. Columbia. George Montgomery, Karin Booth, Richard Egan.
        Junction City. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Kathleen Case, Smiley Burnette.
        Kansas Pacific. 1953. 73 minutos. Cinecolor. Allied. Sterling Hayden, Eve Miller, Barton MacLane.
        Gun Belt. 1953. 77 minutos. Technicolor. Global (UA). George Montgo mery, Tab Hunter, Helen Westcott.
        The Lone Gun. 1954. 73 minutos. Color Corp. of America. Superior Talking (UA). George Montgomery, Dorothy Malone.
        Southwest Passage (Travesia del desierto). 1954. 82 minutos. Pathe color. 3-D. Small (UA). John Ireland, Joanne Dru, Rod Cameron.
        The Black Dakotas. 1954. 65 minutos. Technicolor. Columbia. Gary Merrill, Wanda Hendrix, John Bromfield.
        Top Gun. 1955. 73 minutos. Blanco y Negro. UA. Sterling Hayden, William Bishop, Karen Booth.
        The White Squaw. 1956. 73 minutos, Blanco y Negro. Screem Gems (Columbia). David Brian, May Wynn.
        The Phantom Stagecoach. 1957. 79 minutos. Blanco y Negro. Screem Gems (Columbia). William Bishop, Kathleen Crowley.
        The Hired Gun. 1957. 63 minutos. Blanco y Negro. CinemaScope. Rorvic (MGM). Rory Calhoun, Anne Francis.
        Domino Kid. 1957. 74 minutos. Blanco y Negro. Rorvic (Columbia). Rory Calhoun, Kristine Miller.
        Return to Warbow. 1958. 67 minutos. Technicolor. Screem Gems (Colum bia). Philip Carey, Catherine McLeod.
        Apache Territory. 1958. 75 minutos. Technicolor. Rorvic (Columbia). Rory Calhoun, John Dehner, Barbara Bates.

    English-Spanish dictionary of western films > Nazarro, Ray

  • 113 Boot, Henry Albert Howard

    [br]
    b. 29 July 1917 Birmingham, England
    d. 8 February 1983 Cambridge, England
    [br]
    English physicist who, with John Randall, invented the cavity magnetron used in radar systems.
    [br]
    After secondary education at King Edward School, Birmingham, Boot studied physics at Birmingham University, obtaining his BSc in 1938 and PhD in 1941. With the outbreak of the Second World War, he became involved with Randall and others in the development of a source of microwave power suitable for use in radar transmitters. Following unsuccessful attempts to use klystrons, they turned to investigation of the magnetron, and by adding cavity resonators they obtained useful power on 21 February 1940 at a wavelength of 9.8 cm. By May a cavity magnetron radar system had been constructed at TRE, Swanage, and in September submarine periscopes were detected at a range of 7 miles (11 km).
    In 1943 the physics department at Birmingham resumed its research in atomic physics and Boot moved to BTH at Rugby to continue development of magnetrons, but in 1945 he returned to Birmingham as Nuffield Research Fellow and helped construct the cyclotron there. Three years later he took up a post as a Principal Scientific Officer (PSO) at the Services Electronic Research Laboratories at Baldock, Hertfordshire, becoming a Senior PSO in 1954. He remained there until his retirement in 1977, variously carrying out research on microwaves, magnetrons, plasma physics and lasers.
    [br]
    Principal Honours and Distinctions
    Royal Society of Arts Thomas Gray Memorial Prize 1943. Royal Commission Inventors Award 1946. Franklin Institute John Price Wetherill Medal 1958. City of Pennsylvania John Scott Award 1959. (All jointly with Randall.)
    Bibliography
    1976, with J.T.Randall, "Historical notes on the cavity magnetron", Transactions of the Institute of Electrical and Electronics Engineers ED-23: 724 (provides an account of their development of the cavity magnetron).
    Further Reading
    E.H.Dix and W.H.Aldous, 1966, Microwave Valves.
    KF

    Biographical history of technology > Boot, Henry Albert Howard

  • 114 Ф-14

    ФОМ А НЕВЕРНЫЙ (НЕВЕРУЮЩИЙ) NP sing only fixed WO
    a skeptical person who is hard to convince of something
    a doubting Thomas.
    From the Biblical account of the apostle Thomas, who did not believe that Christ had risen from the dead until he saw and touched the wounds (John 20:24-29).

    Большой русско-английский фразеологический словарь > Ф-14

  • 115 Фома неверный

    • ФОМ А НЕВЕРНЫЙ < НЕВЕРУЮЩИЙ>
    [NP; sing only; fixed WO]
    =====
    ⇒ a skeptical person who is hard to convince of something:
    - a doubting Thomas.
    —————
    ← From the Biblical account of the apostle Thomas, who did not believe that Christ had risen from the dead until he saw and touched the wounds (John 20:24-29).

    Большой русско-английский фразеологический словарь > Фома неверный

  • 116 Фома неверующий

    • ФОМ А НЕВЕРНЫЙ < НЕВЕРУЮЩИЙ>
    [NP; sing only; fixed WO]
    =====
    ⇒ a skeptical person who is hard to convince of something:
    - a doubting Thomas.
    —————
    ← From the Biblical account of the apostle Thomas, who did not believe that Christ had risen from the dead until he saw and touched the wounds (John 20:24-29).

    Большой русско-английский фразеологический словарь > Фома неверующий

  • 117 besides

    preposition (in addition to: Is anyone coming besides John?) aparte de, además de
    besides1 adv además
    she didn't want to go; besides, she didn't feel well no quería ir; además, no se encontraba bien
    besides2 prep además de
    besides being a singer, he is also an actor además de ser cantante, también es actor
    tr[bɪ'saɪdz]
    1 (as well as) además de, aparte de
    ■ who was at the party besides your family and friends? ¿quién estaba en la fiesta además de tu familia y tus amigos?
    ■ besides history, we have to study geography and maths además de historia, tenemos que estudiar geografía y matemáticas
    1 además
    besides [bɪ'saɪdz] adv
    1) also: además, también, aparte
    2) moreover: además, por otra parte
    besides prep
    1) : además de, aparte de
    six others besides you: seis otros además de ti
    2) except: excepto, fuera de, aparte de
    adv.
    • además adv.
    • demás adv.
    • encima adv.
    • incluso adv.
    • más adv.
    • también adv.
    conj.
    • sino conj.
    prep.
    • además de prep.
    • excepto prep.
    • sin prep.

    I bɪ'saɪdz
    a) ( in addition to) además de

    there are five others coming besides you — además de or aparte de ti, vienen otros cinco

    b) ( apart from) excepto, aparte de, fuera de

    no one knows besides you — nadie lo sabe excepto tú or aparte de ti or fuera de ti


    II
    adverb además
    [bɪ'saɪdz]
    1. PREP
    1) (=in addition to) además de, aparte de

    there are others besides ourselves who might be interested — además de nosotros or aparte de nosotros hay otros que pueden estar interesados

    besides which he was unwell — aparte de eso estaba malo, además estaba malo

    2) (=apart from) aparte de

    no one besides you has the key — nadie, aparte de ti, tiene la llave

    Thomas was the only blond in the family, besides the mother — Thomas era el único rubio de la familia, aparte de la madre

    2. ADV
    1) (=in addition) además
    2) (=anyway) además

    I didn't want to invite him, and besides, he said he was busy — no quería invitarlo, además dijo que estaba ocupado

    * * *

    I [bɪ'saɪdz]
    a) ( in addition to) además de

    there are five others coming besides you — además de or aparte de ti, vienen otros cinco

    b) ( apart from) excepto, aparte de, fuera de

    no one knows besides you — nadie lo sabe excepto tú or aparte de ti or fuera de ti


    II
    adverb además

    English-spanish dictionary > besides

  • 118 himself

    pronoun
    1) (emphatic) selbst
    2) refl. sich. See also academic.ru/34615/herself">herself
    * * *
    1) (used as the object of a verb or preposition when a male person or animal is the object of an action he performs: He kicked himself; He looked at himself in the mirror.) sich
    2) (used to emphasize he, him or the name of a male person or animal: John himself played no part in this.) selbst
    3) (without help etc: He did it himself.) allein
    * * *
    him·self
    [hɪmˈself]
    1. after vb sich; (not others) sich selbst
    2. after prep sich; (not others) sich selbst
    Jack talks to \himself when he works Jack spricht bei der Arbeit mit sich [selbst]
    3. ( form: him)
    the whole group, including \himself die ganze Gruppe, er [o ihn] eingeschlossen
    4. ( emph: personally) selbst
    the chairman \himself der Vorsitzende persönlich
    Fred has nobody but \himself to blame Fred ist ganz allein schuld
    Thomas \himself laid down what we should do Thomas erklärte uns persönlich, was wir tun sollten
    for \himself selbst
    5. (alone)
    ▪ [all] by \himself ganz allein [o fam alleine]
    all to \himself ganz für sich
    for \himself für sich
    6. (normal)
    ▪ to be \himself er selbst sein
    he's now \himself again er ist jetzt wieder ganz der Alte
    7. IRISH (important person) der Herr; (master of the house) der Herr des Hauses
    * * *
    [hɪm'self]
    1. pers pron
    1) (dir and indir obj, with prep) sich → also myself
    See:
    → also myself
    2. n (Ir inf)
    * * *
    himself pron
    1. reflexiv sich:
    he thought himself wise er hielt sich für klug
    2. sich (selbst):
    3. (er oder ihn oder ihm) selbst:
    he himself said it, he said it himself er selbst sagte es, er sagte es selbst;
    he’s married to a woman very much younger than himself die sehr viel jünger ist als er;
    by himself von selbst, allein, ohne Hilfe;
    a) er ist nicht ganz auf der Höhe umg,
    b) er ist nicht ganz normal oder umg bei Trost;
    he is quite himself again er ist wieder ganz der Alte
    * * *
    pronoun
    1) (emphatic) selbst
    2) refl. sich. See also herself

    English-german dictionary > himself

  • 119 Jefferson Memorial

    Расположен в вашингтонском парке "Уэст-Потомак" [West Potomac Park]. Торжественно открыт президентом Ф. Д. Рузвельтом [ Roosevelt, Franklin Delano (FDR)] 13 апреля 1943 в память о третьем президенте США, одном из "отцов-основателей" [ Founding Fathers], в 200-ю годовщину со дня его рождения. Белое мраморное строение в классическом стиле создано по проекту архитектора Дж. Р. Поупа [ Pope, John Russell]. Сочетает архитектурные элементы римского Пантеона и ротонды, построенной по проекту самого Джефферсона [ Jefferson, Thomas] на территории Вирджинского университета [ Virginia, University of]. На внутренних стенах выбиты цитаты из его работ. Комплекс включает также памятник Т. Джефферсону и скульптурную группу, запечатлевшую выступление Джефферсона перед авторами Декларации независимости [ Declaration of Independence]. Входит в систему национальных парков [ National Park System].
    тж Thomas Jefferson Memorial

    English-Russian dictionary of regional studies > Jefferson Memorial

  • 120 Mother of Presidents

    Официальное прозвище [ official nickname] штата Вирджиния, в котором родились восемь президентов США: Дж. Вашингтон [ Washington, George], Т. Джефферсон [ Jefferson, Thomas], Дж. Мэдисон [ Madison, James], Дж. Монро [ Monroe, James], З. Тейлор [ Taylor, Zachary], В. Вильсон [ Wilson, (Thomas) Woodrow], Дж. Тайлер [ Tyler, John] и У. Харрисон [ Harrison, William Henry].

    English-Russian dictionary of regional studies > Mother of Presidents

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