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the+first+called

  • 1 первозванный

    Русско-английский глоссарий христианской лексики > первозванный

  • 2 सामवेद


    sāma-vedá
    m. « Veda of chants»

    N. of one of the three principal Vedas ( seeᅠ veda;
    it contains a number of verses orᅠ stanzas nearly all of which < except about 78> occur in the Ṛig-veda andᅠ which, modified in various ways, are chanted, mostly, by the Udgātṛi priests at Soma sacrifices;
    the Saṃhitā of the Sāma-veda consists of two parts;
    the first, called Arcika < orᅠ Purviccika orᅠ Chando-grantha>, contains 585 verses disjoined from their proper sequence in the Ṛig-veda andᅠ arranged in 59 Daṡatis orᅠ decades, which again are subdivided into Prapāṭhakas andᅠ Ardha-prapāṭhakas;
    the second, called Uttarârcika orᅠ Uttarā-grantha, contains 1225 verses, alsoᅠ chiefly from the Ṛik-saṃhitā, but less disjointed than in the first part, andᅠ arranged in nine Prapāhakas with Ardha-prapāṭhakas, mostly, however, grouped in triplets;
    the directions for the formation of Sāmans orᅠ chants out of these verses are carefully laid down in the Gānas orᅠ manuals for chanting, two of which, viz. the Geya-gāna andᅠ Āraṇya-g, are a directory for the Ārcika portion, andᅠ two, viz. Ūha-gāna andᅠ Ūhya-gāna, for the Uttarârcikā;
    in Mn. I, 23 the Sāma-veda is described as drawn forth from the sun;
    in IV, 124 it is described as having a special reference to the Pitṛis orᅠ deceased ancestors, andᅠ its sound is therefore said to possess a kind of impurity, whereas the Ṛig-veda has the gods for his objects andᅠ the Yajurveda men;
    the Sāma-veda is said to possess 8 Brāhmaṇas < seeᅠ brāhmaṇa> Br. ṠāṇkhṠr. etc.. IW. 25 ;
    - cchala n. - paritishṭa n. - rahasya n. - rahasyôpanishad f. N. of wks.;
    - rāj m. N. of Vishṇu Pañcar. ;
    - vid mfn. familiar with the ShaḍvBr-veda;
    - ṡikshā f. N. of a Ṡikshā;
    - sāra m. N. of Vishṇu Pañcar. ;
    -dâ̱ntaga mfn. one who has gone through the ShaḍvBr-veda MBh. ;
    -dâ̱rtha m. -dâ̱rtha-prakāṡa m. N. of wks.;
    - dīya-rudrī f. - dīya-raudra-vidhi m. - dôpanishad f. N. of wks.

    Sanskrit-English dictionary > सामवेद

  • 3 орден

    I
    (наименование централизованных катол. монашеских объединений, братств, действующих с 6 в. в соответствии с утверждённым уставом) order, ( имеющий свой устав) observance

    глава религ. орденов — см. генерал

    готовящийся к вступлению в религ. орден сущ.postulant

    II
    (знак отличия, почётная награда за выдающиеся заслуги) order
    ордена РПЦ:

    орден прп. Сергия Радонежского 1-ой степени (2-ой степени) (утверждён в 1978; награждают священнослужителей, преподавателей духовных учебных заведений и всех, кто внёс большой вклад в дело духовного просвещения и религ. образования, а тж. государственных и общественных деятелей за укрепление мира и дружбы между народами) — the Order of St. Sergius of Radonezh, First class (Second class)

    орден св. Андрея Первозванного (высшая награда РПЦ; учреждён в 1988; этим орденом отмечаются заслуги исключительно деятелей церкви) — the Order of St. Andrew, the "First-called" Apostle

    орден св. благоверного князя московского Даниила 1-ой степени (2-ой, 3-ей степени) (учреждён в кон. 1988; награждаются как духовные, так и светские лица) — the Order of St. Daniel, First class (Second, Third class)

    орден св. Великомученика Трифона (награда полагается за активную деятельность по борьбе с наркоманией, алкоголизмом и др. "вредоносными явлениями, разрушающими психическое и физическое здоровье общества"; орденом могут быть награждены священнослужители, церк., государственные и общественные деятели, служащие правоохранительных органов, деятели науки, культуры и искусства, медики, работники просвещения, детских и молодёжных организаций, благотворительных фондов и т. п.) — the Order of St. Tryphon, Great M.

    орден свв. Кирилла и Мефодия 1-ой степени (2-ой степени) — the Order of Sts. Cyril and Methodius, First class (Second class)

    орден св. князя Владимира 1-ой степени (2-ой степени, 3-ей степени) (орденом награждают духовных лиц за многолетнее служение в священном сане или за выдающиеся заслуги перед РПЦ; этим орденом могут награждаться и церк. деятели, не имеющие священного сана, - за усердную педагогическую работу в духовных школах, за учёные богосл. труды или за др. заслуги, представители автокефальных правосл. церквей, представители др. христ. исповеданий, напр. католики, протестанты - за общецерк. заслуги; им могут награждаться и светские люди; является высшей наградой РПЦ для мирского человека) — the Order of St. Prince Vladimir, First class (Second class, Third class)

    орден св. равноапостольной Великой княгини Ольги (учреждён в кон. 1988, предназначен для награждения женщин - деятельниц РПЦ) — the Order of St. Olga

    Русско-английский словарь религиозной лексики > орден

  • 4 первозванный

    рел.

    Св. Андре́й Первозва́нный — St. Andrew the First-Called

    Новый большой русско-английский словарь > первозванный

  • 5 Anio

    Ănĭo, ēnis, m., = Aniôn, Strab., Aniês, Plut. (the orig. form was Ănĭen: non minus quam XV. milia Anien abest, Cato ap. Prisc. p. 684 P.; also in Stat.: praeceps Anien, S. 1, 5, 25; 1, 3, 20. Still Enn., acc. to Serv. ad Verg. A. 7, 683, used the form Anio, ōnis, analogous to the Gr. Aniôn; cf. also Anionis in Front. Aquaed. § 92;

    and, ANIONIS,

    Inscr. Orell. 3203; and thus, during the whole class. per., Anio remained the principal form of the nom., while the remaining cases of Anien were retained; only Aug. and post-Aug. poets, e. g. Prop. 5, 7, 86; Stat. S. 1, 3, 70, have as an access. form. Ănĭēnus, i; cf. Mart. Cap. 8, 72; Prisc. p. 684 P; Phoc. Ars, p. 1691 P.; Schneid. Gram. II. 148; Rudd. I. p. 60; Neue, Formenl. I. pp. 163, 187), the classic tributary stream of the Tiber, which, taking its rise in the Apennines, passes along the southern Sabine country, separating it from Latium; and at Tibur, beside its cataract (hence, praeceps Anio, * Hor. C. 1, 7, 13), it presents the most charming natural beauties; now Teverone, Cic. Corn. Fragm. ap. Prisc. p. 684 P.:

    Anio spumifer,

    Prop. 5, 7, 81; Ov. M. 14, 329; Plin. 3, 12, 17, § 109 al. The waters of the upper Anio are very pure, and in ancient times aqueducts conveyed them to Rome. The first, called Anio Vetus, was constructed B. C. 271, by M'. Curius Dentatus and Fulvius Flaccus; it began twenty miles from Rome, but wound about for fortythree miles. The second, built by the emperor Claudius, and known as Anio Novus, took up the stream forty-two miles from Rome, and was about sixty miles in length, preserving the highest level of all the aqueducts of Rome, cf. Front. Aquaed. §§ 6, 13, 15; Nibby, Dintorni, I. pp. 156-160; cf. Mann. Ital. 1, 517; Müll. Roms Camp. 1, 157; 1, 229; 1, 241; 1, 306 al.

    Lewis & Short latin dictionary > Anio

  • 6 орден святого апостола Андрея Первозванного

    General subject: The Order of St. Andrew the First-Called (http://en.wikipedia.org/wiki/Order_of_St._Andrew), The Order of St. Andrew the Protoclete

    Универсальный русско-английский словарь > орден святого апостола Андрея Первозванного

  • 7 Андрей Первозванный

    Christianity: St Andrew The Apostle (апостол), Andrew the First-called (святой, апостол)

    Универсальный русско-английский словарь > Андрей Первозванный

  • 8 апостол Андрей

    Универсальный русско-английский словарь > апостол Андрей

  • 9 св. Андрей Первозванный

    Универсальный русско-английский словарь > св. Андрей Первозванный

  • 10 Андрей Первозванный

    (братья Андрей и Петр были двумя первозванными учениками Иисуса, к-рый призвал их оставить свою профессию и сделаться Его последователями; д. п. 30 ноября / 13 декабря) St. Andrew, the "First-called" Apostle

    Русско-английский словарь религиозной лексики > Андрей Первозванный

  • 11 el populacho

    Ex. It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.
    * * *

    Ex: It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.

    Spanish-English dictionary > el populacho

  • 12 el proletariado

    Ex. It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.
    * * *

    Ex: It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.

    Spanish-English dictionary > el proletariado

  • 13 el vulgo

    Ex. It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.
    * * *

    Ex: It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.

    Spanish-English dictionary > el vulgo

  • 14 la plebe

    Ex. It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.
    * * *

    Ex: It was Burke who first called the mob ' the great unwashed,' but the term 'unwashed' had been applied to them before.

    Spanish-English dictionary > la plebe

  • 15 Media

       The purpose of the media during the Estado Novo (1926-74) was to communicate official government policy. Therefore, the government strictly censored newspapers, magazines, and books. Radio and television broadcasting was in the hands of two state-owned companies: Radiodifusão Portuguesa (RDP) and Radiotelevisão Portuguesa (RTP). The first TV broadcasts aired in March 1957, and the official state visit of Queen Elizabeth II of Great Britain to Portugal was featured. The only independent broadcasting company during the Estado Novo was the Catholic Church's Radio Renascença. Writers and journalists who violated the regime's guidelines were severely sanctioned. Under Prime Minister Marcello Caetano, censorship was relaxed somewhat, and writers were allowed to publish critical and controversial works without fear of punishment. Caetano attempted to "speak to the people" through television. Daily program content consisted of little more than government-controlled (and censored) news programs and dull documentaries.
       After the Revolution of 25 April 1974, censorship was abolished. As the revolution veered leftward, some sectors of the media were seized by opponents of the views they expressed. The most famous case was the seizure of Radio Renascença by those who sought to bring it into line with the drift leftward. State ownership of the media was increased after 25 April 1974, when banks were nationalized because most banks owned at least one newspaper. As the Revolution moderated and as banking was privatized during the 1980s and 1990s, newspapers were also privatized.
       The history of two major Lisbon dailies illustrates recent cycles of Portuguese politics and pressures. O Século, a major Lisbon daily paper was founded in 1881 and was influenced by Republican, even Masonic ideas. When the first Republic began in 1910, the editorials of O Século defended the new system, but the economic and social turmoil disillusioned the paper's directors. In 1924, O Século, under publisher João Pereira da Rosa, called for political reform and opposed the Democratic Party, which monopolized elections and power in the Republic. This paper was one of the two most important daily papers, and it backed the military coup of 28 May 1926 and the emergent military dictatorship. Over the history of the Estado Novo, this paper remained somewhat to the left of the other major daily paper in Lisbon, Diário de Notícias, but in 1972 the paper suffered a severe financial crisis and was bought by a Lisbon banker. During the more chaotic times after the Revolution of 25 April 1974, O Século experienced its own time of turmoil, in which there was a split between workers and editors, firings, resignations, and financial trouble. After a series of financial problems and controversy over procommunist staff, the paper was suspended and then ceased publication in February 1977. In the 1990s, there was a brief but unsuccessful attempt to revive O Século.
       Today, the daily paper with the largest circulation is Diário de Notícias of Lisbon, which was established in 1883. It became the major daily paper of record, but after the Revolution of 25 April 1974, like O Século, the paper suffered difficulties, both political and financial. One of its editors in the "hot" summer of 1975 was José Saramago, future Nobel Prize winner in literature, and there was an internal battle in the editorial rooms between factions. The paper was, like O Século, nationalized in 1976, but in 1991, Diário de Notícias was reprivatized and today it continues to be the daily paper of record, leading daily circulation.
       Currently, about 20 daily newspapers are published in Portugal, in Lisbon, the capital, as well as in the principal cities of Oporto, Coimbra, and Évora. The major Lisbon newspapers are Diário de Notícias (daily and newspaper of record), Publico (daily), Correia da Manha (daily), Jornal de Noticias (daily), Expresso (weekly), The Portugal News (English language weekly), The Resident (English language weekly), and Get Real Weekly (English language).
       These papers range from the excellent, such as Público and the Diário de Notícias, to the sensationalistic, such as Correio da Manhã. Portugal's premier weekly newspaper is Expresso, founded by Francisco Balsemão during the last years of Marcello Caetano's governance, whose modern format, spirit, and muted criticism of the regime helped prepare public opinion for regime change in 1974. Another weekly is O Independente, founded in 1988, which specializes in political satire. In addition to these newspapers, Portugal has a large number of newspapers and magazines published for a specific readership: sports fans, gardeners, farmers, boating enthusiasts, etc. In addition to the two state-owned TV channels, Portugal has two independent channels, one of which is operated by the Catholic Church. TV programming is now diverse and sophisticated, with a great variety of programs of both domestic and foreign content. The most popular TV programs have been soap operas and serialized novels ( telenovelas) imported from Brazil. In the 1990s, Portugal attempted to produce its own telenovelas and soap operas, but these have not been as popular as the more exotic Brazilian imports.

    Historical dictionary of Portugal > Media

  • 16 A Portuguesa

       The official Portuguese national anthem since 1911. A Portuguesa, which means "The Portuguese Woman," refers to the historical symbolic female figure or "Lady Republic," a Portuguese woman who wears republican garb, including a republican banner or flag and a Phrygian bonnet. The concept and name were modeled on the similar figure from the French Revolution of 1789, and the name of the French national anthem, "The Woman from Marseilles," and republican symbols from France's Third Republic. Under the constitutional monarchy, the national anthem was called "The Hymn of the Charter," referring to the 1826 Charter or constitution drafted by Emperor Pedro I of Brazil or Pedro IV of Portugal to replace the controversial 1822 Constitution.
        A Portuguesa was composed during the popular frenzy and outcry generated by the English Ultimatum crisis of January 1890. Portugal capitulated to an English ultimatum presented to Lisbon by London during an Anglo-Portuguese conflict over possession of territory in central-east Africa. Intense feelings of patriotism, nationalism, and xenophobia were generated in the wake of the Lisbon government's capitulation and its subsequent resignation from office. Inspired by the popular reaction to this incident, Alfredo Keil, a Portuguese musician and opera composer of German descent, wrote the music for A Portuguesa, whose melody bears a slight resemblance to that of the stirring Internationale. The sentimental, bellicose lyrics were written by Keil's friend, Lopes de Mendonça.
       During the remaining years of the waning monarchy, A Portuguesa was sung as a rallying cry by republican partisans who wished to abolish the monarchy. The song's spirit is not only nationalistic, but is imbued with an imperative of Portuguese national revival in order to remind the people of their greatness of centuries ago. After the First Republic replaced the monarchy, the republic's Constituent Assembly adopted A Portuguesa as the country's national anthem in June 1911, and it has remained so ever since. The first verse with chorus imparts the spirit of the entire patriotic message of the anthem:
       Heroes of the sea, noble race
       valiant and immortal nation,
       now is the hour to raise up on high once more
       Portugal's splendor.
       From out of the mists of memory,
       of Homeland, we hear the voices
       of your great forefathers
       that shall lead you on to victory!
        Chorus:
       To arms, to arms
       on land and sea!
       To arms, to arms
       to fight for our Homeland!
       To march against the enemy guns!

    Historical dictionary of Portugal > A Portuguesa

  • 17 Khâgne

       The first year of classes préparatoires in the litterary stream. Students who have just passed the litterary or economics/social baccalaureate, and who want to take the concours (competitive entrance exams) for certain grandes écoles, may well choose to stay on for two more years at lycée, in small select classes called khâgne and hypokhâgne, rather than enrol in large classes in the first two years of university arts or social science faculties. See Higher Education in France

    Dictionnaire Français-Anglais. Agriculture Biologique > Khâgne

  • 18 Literature

       The earliest known examples of literary writing in the Portuguese language is a collection of songbooks ( cancioneiros) that date from the 12th century, written by anonymous court troubadours, aristocrats, and clerics with poetic and musical talent. In the 13th and 14th centuries, ballads ( romanceiros) became popular at court. One of these written after the battle of Aljubarrota is considered to be the Portuguese equivalent of the English Arthurian legend. Literary prose in Portuguese began in the 14th century, with the compilation of chronicles ( chrónicos) written by Fernão Lopes de Castenhada who was commissioned by King Duarte (1430-38) to write a history of the House of Aviz.
       During the 15th and 16th centuries, Portuguese chroniclers turned their attention to the discoveries and the Portuguese overseas empire. The Portuguese discoveries in India and Asia were chronicled by João de Barros, whose writing appeared posthumously under the pen name of Diogo Do Couto; Fernão Lopes de Castenhade wrote a 10-volume chronicle of the Portuguese in India. The most famous chronicle from this period was the Peregrinação (Pilgrimage), a largely true adventure story and history of Portugal that was as popular among 17th-century readers in Iberia as was Miguel de Cer-vantes's Don Quixote. Portugal's most celebrated work of national literature, The Lusiads ( Os Lusíadas), written by Luís de Camões chronicled Vasco da Gama's voyage to India (1497-99) within the context of the history of Portugal.
       During the period when Portugal was under Spanish domination (1580-1640), the preferred language of literary expression was Castilian Spanish. The greatest writer of this period was Francisco Manuel de Melo, who wrote in Castilian and Portuguese. His most famous work is an eyewitness account of the 1640 Catalan revolt against Castile, Historia de los Movimientos y Separación de Cata-luna (1645), which allowed the Portuguese monarchy to regain its independence that same year.
       Little of note was written during the 17th century with the exception of Letters of a Portuguese Nun, an enormously popular work in the French language thought to have been written by Sister Mariana Alcoforado to a French officer Noel Bouton, Marquise de Chamilly.
       Modern Portuguese writing began in the early 19th century with the appearance of the prose-fiction of João Baptista de Almeida Garrett and the historian-novelist Alexandre Herculano. The last half of the 19th century was dominated by the Generation of 1870, which believed that Portugal was, due to the monarchy and the Catholic Church, a European backwater. Writers such as José Maria Eça de Queirós dissected the social decadence of their day and called for reform and national renewal. The most famous Portuguese poet of the 20th century is, without doubt, Fernando Pessoa, who wrote poetry and essays in English and Portuguese under various names. António Ferro (1895-1956) published best-selling accounts of the right-wing dictatorships in Italy and Spain that endeared him to Prime Minister António de Oliveira Salazar, who made him the Estado Novo's secretary of national propaganda.
       The various responses of the Portuguese people to the colonial African wars (1961-75) were chronicled by António Lobo Antunes. In 1998, the noted Portuguese novelist, poet, essayist, and travel writer, José Saramago was awarded the Nobel Prize in Literature, the first writer in the Portuguese language of whatever nationality to be so honored. His most famous novels translated into English include: Baltazar and Blimunda (1987), The Year of the Death of Ricardo Reis (1991), and The History of the Siege of Lisbon (1996).

    Historical dictionary of Portugal > Literature

  • 19 hoke

    the outmost parts of rectangular fishing-net, hoke kupega, which are: matu'a and matagi.
    the first of the three forward-pointing toes of gallinaceans: hoke-pou-kau-haga.
    banana-leaf when it starts drying up (the fresh leaf is called rito).

    Rapanui-English dictionary > hoke

  • 20 Бытие/

    Книга Бытия (книга, открывающая Библию; повествует о сотворении мира и о первоначальной истории человечества) библ. — Genesis, сокр. Gen.

    Первая книга Бытия Моисея библ. — The First Book of Moses, called Genesis

    Русско-английский словарь религиозной лексики > Бытие/

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