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studio+transmission

  • 1 studio

    ■ An enclosed place maintained and equipped for the production and transmission of radio or television programmes.
    ■ Einrichtung zur Herstellung von Radio- und Fernsehaufnahmen.
    ► Meistens wird als Studio der Aufnahmeraum der Produktion bezeichnet. Dort befinden sich die Moderatoren, Podeste, Kameras, Kulissen, und Tische. Bei einigen Produktionen kommt das Blue-Screen-Verfahren zum Einsatz.

    Englisch-deutsch wörterbuch fußball > studio

  • 2 студийная передача

    studio pickup, studio broadcast, studio transmission

    Русско-английский словарь по электронике > студийная передача

  • 3 студийная передача

    studio broadcast, studio pickup, studio transmission

    Русско-английский словарь по радиоэлектронике > студийная передача

  • 4 студийная передача

    3) Makarov: direct pickup

    Универсальный русско-английский словарь > студийная передача

  • 5 студійна передача

    indoor operation, studio operation, live-studio transmission, studio transmission

    Українсько-англійський словник > студійна передача

  • 6 студийная передача

    indoor operation тлв, studio operation, live-studio transmission, studio transmission

    Русско-английский политехнический словарь > студийная передача

  • 7 студийная прямая передача

    Русско-английский словарь по электронике > студийная прямая передача

  • 8 студийная прямая передача

    Русско-английский словарь по радиоэлектронике > студийная прямая передача

  • 9 телевизионный центр

    Универсальный русско-английский словарь > телевизионный центр

  • 10 телецентр

    1) General subject: television centre

    Универсальный русско-английский словарь > телецентр

  • 11 звуковой

    1) General subject: acoustic (acoustic mine - акустическая мина), phonic, sonal, sonic, sound, talking, sound lock (A vestibule or entranceway which has highly absorptive walls, ceiling, and a carpeted floor; used to reduce the transmission of noise into an auditorium, studio, or rehearsal room from the area outside.)
    2) Naval: sounded, vocal
    3) Engineering: audio, sonorous
    4) Mathematics: pertaining to sound
    5) Metallurgy: sonorific
    6) Telecommunications: voice
    7) Oil: sonar
    8) Astronautics: acoustical, audible, aural
    9) Advertising: sound-on-film
    10) Automation: note
    11) Makarov: soniferous

    Универсальный русско-английский словарь > звуковой

  • 12 звуковой

    1) General subject: acoustic (acoustic mine - акустическая мина), phonic, sonal, sonic, sound, talking, sound lock (A vestibule or entranceway which has highly absorptive walls, ceiling, and a carpeted floor; used to reduce the transmission of noise into an auditorium, studio, or rehearsal room from the area outside.)
    2) Naval: sounded, vocal
    3) Engineering: audio, sonorous
    4) Mathematics: pertaining to sound
    5) Metallurgy: sonorific
    6) Telecommunications: voice
    7) Oil: sonar
    8) Astronautics: acoustical, audible, aural
    9) Advertising: sound-on-film
    10) Automation: note
    11) Makarov: soniferous

    Универсальный русско-английский словарь > звуковой

  • 13 groß angelegtes

    groß angelegtes, groß angelegte Fernsehsonderprogrammsonderserie
    television special;
    • Fernsehsonderprogrammstation television station, telestation;
    • Fernsehsonderprogrammstudio television studio, floor;
    • privates Fernsehsonderprogrammsystem television network (US);
    • Fernsehsonderprogrammteilnehmer [tele]viewer, looker-in, television looker;
    • Fernsehsonderprogrammübertragung television transmission, telecast (US);
    • Fernsehsonderprogrammüberwachung television monitoring;
    • Fernsehsonderprogrammüberwachungsanlage closed-circuit television [camera];
    • Fernsehsonderprogrammverteilungsnetz cable television network.

    Business german-english dictionary > groß angelegtes

  • 14 groß angelegte Fernsehsonderprogrammsonderserie

    groß angelegtes, groß angelegte Fernsehsonderprogrammsonderserie
    television special;
    • Fernsehsonderprogrammstation television station, telestation;
    • Fernsehsonderprogrammstudio television studio, floor;
    • privates Fernsehsonderprogrammsystem television network (US);
    • Fernsehsonderprogrammteilnehmer [tele]viewer, looker-in, television looker;
    • Fernsehsonderprogrammübertragung television transmission, telecast (US);
    • Fernsehsonderprogrammüberwachung television monitoring;
    • Fernsehsonderprogrammüberwachungsanlage closed-circuit television [camera];
    • Fernsehsonderprogrammverteilungsnetz cable television network.

    Business german-english dictionary > groß angelegte Fernsehsonderprogrammsonderserie

  • 15 Fernsehstation

    Fernsehstation
    television station, telestation;
    • Fernsehstudio television studio, floor;
    • privates Fernsehsystem television network (US);
    • Fernsehteilnehmer [tele]viewer, looker-in, television looker;
    • Fernsehübertragung television transmission, telecast (US);
    • Fernsehüberwachung television monitoring;
    • Fernsehüberwachungsanlage closed-circuit television [camera];
    • Fernsehverteilungsnetz cable television network.

    Business german-english dictionary > Fernsehstation

  • 16 Edison, Thomas Alva

    [br]
    b. 11 February 1847 Milan, Ohio, USA
    d. 18 October 1931 Glenmont
    [br]
    American inventor and pioneer electrical developer.
    [br]
    He was the son of Samuel Edison, who was in the timber business. His schooling was delayed due to scarlet fever until 1855, when he was 8½ years old, but he was an avid reader. By the age of 14 he had a job as a newsboy on the railway from Port Huron to Detroit, a distance of sixty-three miles (101 km). He worked a fourteen-hour day with a stopover of five hours, which he spent in the Detroit Free Library. He also sold sweets on the train and, later, fruit and vegetables, and was soon making a profit of $20 a week. He then started two stores in Port Huron and used a spare freight car as a laboratory. He added a hand-printing press to produce 400 copies weekly of The Grand Trunk Herald, most of which he compiled and edited himself. He set himself to learn telegraphy from the station agent at Mount Clements, whose son he had saved from being run over by a freight car.
    At the age of 16 he became a telegraphist at Port Huron. In 1863 he became railway telegraphist at the busy Stratford Junction of the Grand Trunk Railroad, arranging a clock with a notched wheel to give the hourly signal which was to prove that he was awake and at his post! He left hurriedly after failing to hold a train which was nearly involved in a head-on collision. He usually worked the night shift, allowing himself time for experiments during the day. His first invention was an arrangement of two Morse registers so that a high-speed input could be decoded at a slower speed. Moving from place to place he held many positions as a telegraphist. In Boston he invented an automatic vote recorder for Congress and patented it, but the idea was rejected. This was the first of a total of 1180 patents that he was to take out during his lifetime. After six years he resigned from the Western Union Company to devote all his time to invention, his next idea being an improved ticker-tape machine for stockbrokers. He developed a duplex telegraphy system, but this was turned down by the Western Union Company. He then moved to New York.
    Edison found accommodation in the battery room of Law's Gold Reporting Company, sleeping in the cellar, and there his repair of a broken transmitter marked him as someone of special talents. His superior soon resigned, and he was promoted with a salary of $300 a month. Western Union paid him $40,000 for the sole rights on future improvements on the duplex telegraph, and he moved to Ward Street, Newark, New Jersey, where he employed a gathering of specialist engineers. Within a year, he married one of his employees, Mary Stilwell, when she was only 16: a daughter, Marion, was born in 1872, and two sons, Thomas and William, in 1876 and 1879, respectively.
    He continued to work on the automatic telegraph, a device to send out messages faster than they could be tapped out by hand: that is, over fifty words per minute or so. An earlier machine by Alexander Bain worked at up to 400 words per minute, but was not good over long distances. Edison agreed to work on improving this feature of Bain's machine for the Automatic Telegraph Company (ATC) for $40,000. He improved it to a working speed of 500 words per minute and ran a test between Washington and New York. Hoping to sell their equipment to the Post Office in Britain, ATC sent Edison to England in 1873 to negotiate. A 500-word message was to be sent from Liverpool to London every half-hour for six hours, followed by tests on 2,200 miles (3,540 km) of cable at Greenwich. Only confused results were obtained due to induction in the cable, which lay coiled in a water tank. Edison returned to New York, where he worked on his quadruplex telegraph system, tests of which proved a success between New York and Albany in December 1874. Unfortunately, simultaneous negotiation with Western Union and ATC resulted in a lawsuit.
    Alexander Graham Bell was granted a patent for a telephone in March 1876 while Edison was still working on the same idea. His improvements allowed the device to operate over a distance of hundreds of miles instead of only a few miles. Tests were carried out over the 106 miles (170 km) between New York and Philadelphia. Edison applied for a patent on the carbon-button transmitter in April 1877, Western Union agreeing to pay him $6,000 a year for the seventeen-year duration of the patent. In these years he was also working on the development of the electric lamp and on a duplicating machine which would make up to 3,000 copies from a stencil. In 1876–7 he moved from Newark to Menlo Park, twenty-four miles (39 km) from New York on the Pennsylvania Railway, near Elizabeth. He had bought a house there around which he built the premises that would become his "inventions factory". It was there that he began the use of his 200- page pocket notebooks, each of which lasted him about two weeks, so prolific were his ideas. When he died he left 3,400 of them filled with notes and sketches.
    Late in 1877 he applied for a patent for a phonograph which was granted on 19 February 1878, and by the end of the year he had formed a company to manufacture this totally new product. At the time, Edison saw the device primarily as a business aid rather than for entertainment, rather as a dictating machine. In August 1878 he was granted a British patent. In July 1878 he tried to measure the heat from the solar corona at a solar eclipse viewed from Rawlins, Wyoming, but his "tasimeter" was too sensitive.
    Probably his greatest achievement was "The Subdivision of the Electric Light" or the "glow bulb". He tried many materials for the filament before settling on carbon. He gave a demonstration of electric light by lighting up Menlo Park and inviting the public. Edison was, of course, faced with the problem of inventing and producing all the ancillaries which go to make up the electrical system of generation and distribution-meters, fuses, insulation, switches, cabling—even generators had to be designed and built; everything was new. He started a number of manufacturing companies to produce the various components needed.
    In 1881 he built the world's largest generator, which weighed 27 tons, to light 1,200 lamps at the Paris Exhibition. It was later moved to England to be used in the world's first central power station with steam engine drive at Holborn Viaduct, London. In September 1882 he started up his Pearl Street Generating Station in New York, which led to a worldwide increase in the application of electric power, particularly for lighting. At the same time as these developments, he built a 1,300yd (1,190m) electric railway at Menlo Park.
    On 9 August 1884 his wife died of typhoid. Using his telegraphic skills, he proposed to 19-year-old Mina Miller in Morse code while in the company of others on a train. He married her in February 1885 before buying a new house and estate at West Orange, New Jersey, building a new laboratory not far away in the Orange Valley.
    Edison used direct current which was limited to around 250 volts. Alternating current was largely developed by George Westinghouse and Nicola Tesla, using transformers to step up the current to a higher voltage for long-distance transmission. The use of AC gradually overtook the Edison DC system.
    In autumn 1888 he patented a form of cinephotography, the kinetoscope, obtaining film-stock from George Eastman. In 1893 he set up the first film studio, which was pivoted so as to catch the sun, with a hinged roof which could be raised. In 1894 kinetoscope parlours with "peep shows" were starting up in cities all over America. Competition came from the Latham Brothers with a screen-projection machine, which Edison answered with his "Vitascope", shown in New York in 1896. This showed pictures with accompanying sound, but there was some difficulty with synchronization. Edison also experimented with captions at this early date.
    In 1880 he filed a patent for a magnetic ore separator, the first of nearly sixty. He bought up deposits of low-grade iron ore which had been developed in the north of New Jersey. The process was a commercial success until the discovery of iron-rich ore in Minnesota rendered it uneconomic and uncompetitive. In 1898 cement rock was discovered in New Village, west of West Orange. Edison bought the land and started cement manufacture, using kilns twice the normal length and using half as much fuel to heat them as the normal type of kiln. In 1893 he met Henry Ford, who was building his second car, at an Edison convention. This started him on the development of a battery for an electric car on which he made over 9,000 experiments. In 1903 he sold his patent for wireless telegraphy "for a song" to Guglielmo Marconi.
    In 1910 Edison designed a prefabricated concrete house. In December 1914 fire destroyed three-quarters of the West Orange plant, but it was at once rebuilt, and with the threat of war Edison started to set up his own plants for making all the chemicals that he had previously been buying from Europe, such as carbolic acid, phenol, benzol, aniline dyes, etc. He was appointed President of the Navy Consulting Board, for whom, he said, he made some forty-five inventions, "but they were pigeonholed, every one of them". Thus did Edison find that the Navy did not take kindly to civilian interference.
    In 1927 he started the Edison Botanic Research Company, founded with similar investment from Ford and Firestone with the object of finding a substitute for overseas-produced rubber. In the first year he tested no fewer than 3,327 possible plants, in the second year, over 1,400, eventually developing a variety of Golden Rod which grew to 14 ft (4.3 m) in height. However, all this effort and money was wasted, due to the discovery of synthetic rubber.
    In October 1929 he was present at Henry Ford's opening of his Dearborn Museum to celebrate the fiftieth anniversary of the incandescent lamp, including a replica of the Menlo Park laboratory. He was awarded the Congressional Gold Medal and was elected to the American Academy of Sciences. He died in 1931 at his home, Glenmont; throughout the USA, lights were dimmed temporarily on the day of his funeral.
    [br]
    Principal Honours and Distinctions
    Member of the American Academy of Sciences. Congressional Gold Medal.
    Further Reading
    M.Josephson, 1951, Edison, Eyre \& Spottiswode.
    R.W.Clark, 1977, Edison, the Man who Made the Future, Macdonald \& Jane.
    IMcN

    Biographical history of technology > Edison, Thomas Alva

  • 17 Leonardo da Vinci

    [br]
    b. 15 April 1452 Vinci, near Florence, Italy,
    d. 2 May 1519 St Cloux, near Amboise, France.
    [br]
    Italian scientist, engineer, inventor and artist.
    [br]
    Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.
    In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.
    In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.
    Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.
    Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.
    At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.
    Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.
    [br]
    Principal Honours and Distinctions
    "Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.
    Further Reading
    E.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).
    G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.
    C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.
    I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.
    LRD / IMcN

    Biographical history of technology > Leonardo da Vinci

См. также в других словарях:

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  • Transmission (album) — Infobox Album | Name = Transmission Type = Album Artist = The Tea Party Released = June, 1997 Recorded = Alkemical Studios (Montreal), NRG Studios (Los Angeles), Studio Morin Heights (Morin Heights) Genre = Rock Length = 49:34 Label = EMI Music… …   Wikipedia

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  • studio — noun (plural dios) Etymology: Italian, literally, study, from Latin studium Date: 1819 1. a. the working place of a painter, sculptor, or photographer b. a place for the study of an art (as dancing, singing, or acting) 2. a. a place where motion… …   New Collegiate Dictionary

  • Liberation Transmission — Infobox Album Name = Liberation Transmission Type = Album Artist = Lostprophets Released = Flagicon|UK June 26, 2006 flagicon|USA June 27, 2006 Recorded = 2005–2006 Genre = Alternative rock, New wave Length = 48:51 Label = Flagicon|UK Visible… …   Wikipedia

  • Microwave transmission — The atmospheric attenuation of microwaves in dry air with a precipitable water vapor level of 0.001 mm. The downward spikes in the graph correspond to frequencies at which microwaves are absorbed more strongly, such as by oxygen molecules… …   Wikipedia

  • Distributed transmission system — This article is about terrestrial broadcasting. For electrical power distribution, see distributed generation. In North American digital terrestrial television broadcasting, a distributed transmission system (DTS or DTx) is a form of single… …   Wikipedia

  • Automatic transmission system — An automatic transmission system (or occasionally automated transmission system, to avoid confusion with the automatic transmission of an automobile) is an automated system designed to keep a radio transmitter and antenna system running without… …   Wikipedia

  • Television studio — A television studio is an installation in which television or video productions take place, either for live television, for recording live to tape, or for the acquisition of raw footage for postproduction. The design of a studio is similar to,… …   Wikipedia

  • Automation Studio — Développeur Famic Technologies Dernière version …   Wikipédia en Français

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