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81 Guckkasten
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82 варьете
1. floor show2. variety showварьете; эстрадный концерт, эстрадное представление — variety show
3. vaudeville; variety -
83 peepshow
[`pi:pʃəʊ] сущ. разг.1. кинетоско́пA peep show or peepshow is an exhibition of pictures, objects or people viewed through a small hole or magnifying glass.
2. подсматривание (за голыми женщинами и т.п.)3. варьете́ с голыми девушками или стриптизомАнгло-русский универсальный дополнительный практический переводческий словарь И. Мостицкого > peepshow
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84 صندوق الدنيا أو الفرجة
صُنْدُوقُ الدّنْيَا أو الفُرْجَةpeep show, raree show, carnival show -
85 صندوق الفرجة
صُنْدُوقُ الفُرْجَةpeep show, raree show, carnival show -
86 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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87 Paul, Robert William
[br]b. 3 October 1869 Highbury, London, Englandd. 28 March 1943 London, England[br]English scientific instrument maker, inventor of the Unipivot electrical measuring instrument, and pioneer of cinematography.[br]Paul was educated at the City of London School and Finsbury Technical College. He worked first for a short time in the Bell Telephone Works in Antwerp, Belgium, and then in the electrical instrument shop of Elliott Brothers in the Strand until 1891, when he opened an instrument-making business at 44 Hatton Garden, London. He specialized in the design and manufacture of electrical instruments, including the Ayrton Mather galvanometer. In 1902, with a purpose-built factory, he began large batch production of his instruments. He also opened a factory in New York, where uncalibrated instruments from England were calibrated for American customers. In 1903 Paul introduced the Unipivot galvanometer, in which the coil was supported at the centre of gravity of the moving system on a single pivot. The pivotal friction was less than in a conventional instrument and could be used without accurate levelling, the sensitivity being far beyond that of any pivoted galvanometer then in existence.In 1894 Paul was asked by two entrepreneurs to make copies of Edison's kinetoscope, the pioneering peep-show moving-picture viewer, which had just arrived in London. Discovering that Edison had omitted to patent the machine in England, and observing that there was considerable demand for the machine from show-people, he began production, making six before the end of the year. Altogether, he made about sixty-six units, some of which were exported. Although Edison's machine was not patented, his films were certainly copyrighted, so Paul now needed a cinematographic camera to make new subjects for his customers. Early in 1895 he came into contact with Birt Acres, who was also working on the design of a movie camera. Acres's design was somewhat impractical, but Paul constructed a working model with which Acres filmed the Oxford and Cambridge Boat Race on 30 March, and the Derby at Epsom on 29 May. Paul was unhappy with the inefficient design, and developed a new intermittent mechanism based on the principle of the Maltese cross. Despite having signed a ten-year agreement with Paul, Acres split with him on 12 July 1895, after having unilaterally patented their original camera design on 27 May. By the early weeks of 1896, Paul had developed a projector mechanism that also used the Maltese cross and which he demonstrated at the Finsbury Technical College on 20 February 1896. His Theatrograph was intended for sale, and was shown in a number of venues in London during March, notably at the Alhambra Theatre in Leicester Square. There the renamed Animatographe was used to show, among other subjects, the Derby of 1896, which was won by the Prince of Wales's horse "Persimmon" and the film of which was shown the next day to enthusiastic crowds. The production of films turned out to be quite profitable: in the first year of the business, from March 1896, Paul made a net profit of £12,838 on a capital outlay of about £1,000. By the end of the year there were at least five shows running in London that were using Paul's projectors and screening films made by him or his staff.Paul played a major part in establishing the film business in England through his readiness to sell apparatus at a time when most of his rivals reserved their equipment for sole exploitation. He went on to become a leading producer of films, specializing in trick effects, many of which he pioneered. He was affectionately known in the trade as "Daddy Paul", truly considered to be the "father" of the British film industry. He continued to appreciate fully the possibilities of cinematography for scientific work, and in collaboration with Professor Silvanus P.Thompson films were made to illustrate various phenomena to students.Paul ended his involvement with film making in 1910 to concentrate on his instrument business; on his retirement in 1920, this was amalgamated with the Cambridge Instrument Company. In his will he left shares valued at over £100,000 to form the R.W.Paul Instrument Fund, to be administered by the Institution of Electrical Engineers, of which he had been a member since 1887. The fund was to provide instruments of an unusual nature to assist physical research.[br]Principal Honours and DistinctionsFellow of the Physical Society 1920. Institution of Electrical Engineers Duddell Medal 1938.Bibliography17 March 1903, British patent no. 6,113 (the Unipivot instrument).1931, "Some electrical instruments at the Faraday Centenary Exhibition 1931", Journal of Scientific Instruments 8:337–48.Further ReadingObituary, 1943, Journal of the Institution of Electrical Engineers 90(1):540–1. P.Dunsheath, 1962, A History of Electrical Engineering, London: Faber \& Faber, pp.308–9 (for a brief account of the Unipivot instrument).John Barnes, 1976, The Beginnings of Cinema in Britain, London. Brian Coe, 1981, The History of Movie Photography, London.BC / GW -
88 кинетоскоп
Большой англо-русский и русско-английский словарь > кинетоскоп
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89 спектакль, состоящий в подглядывании за голыми женщинами или занимающимися любовью парами
Jargon: peep showУниверсальный русско-английский словарь > спектакль, состоящий в подглядывании за голыми женщинами или занимающимися любовью парами
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90 варьете с голыми девушками или стриптизом
American: peep showУниверсальный русско-английский словарь > варьете с голыми девушками или стриптизом
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91 варьете со стриптизом
Cinema: peep showУниверсальный русско-английский словарь > варьете со стриптизом
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92 кинетоскоп
1) General subject: peep show2) Engineering: kinetoscope -
93 осмотр половых органов с целью профилактики венерических заболеваний
Taboo: peep show (см. long-arm inspection)Универсальный русско-английский словарь > осмотр половых органов с целью профилактики венерических заболеваний
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94 подсматривание
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95 стриптиз-бар
1) General subject: striptease bar, striptease-bar2) Travel: peep-show -
96 wandering showman
истор.бродячий артистhistorically a peep show was a form of entertainment provided by wandering showmen
Англо-русский универсальный дополнительный практический переводческий словарь И. Мостицкого > wandering showman
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97 fotoplastykon
The New English-Polish, Polish-English Kościuszko foundation dictionary > fotoplastykon
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98 Peepshow
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99 pornográfico
adj.pornographic, girlie, girly, porno.* * *► adjetivo1 pornographic* * *ADJ pornographic* * *- ca adjetivo pornographic* * *= pornographic.Ex. However, no public library is able to provide access to all shades of opinion, and certain categories of material, such as pornographic video film, are actively rejected.----* revista pornográfica = pornographic magazine.* * *- ca adjetivo pornographic* * *= pornographic.Ex: However, no public library is able to provide access to all shades of opinion, and certain categories of material, such as pornographic video film, are actively rejected.
* revista pornográfica = pornographic magazine.* * *pornográfico -capornographic* * *
pornográfico◊ -ca adjetivo
pornographic
pornográfico,-a adjetivo pornographic
' pornográfico' also found in these entries:
Spanish:
pornográfica
English:
peep show
- video nasty
- pornographic
* * *pornográfico, -a adjpornographic* * *adj pornographic* * *pornográfico, -ca adj: pornographic -
100 pornográfico
pornográfico
◊ -ca adjetivopornographic
pornográfico,-a adjetivo pornographic ' pornográfico' also found in these entries: Spanish: pornográfica English: peep show - video nasty - pornographic
См. также в других словарях:
peep-show — [ pipʃo ] n. m. • v. 1980; mot angl. « spectacle osé, risqué » ♦ Établissement qui propose la location de cabines individuelles où l on peut voir, à travers une vitre, un spectacle pornographique. ⇒ mirodrome. Des peep shows. ● peep show, peep… … Encyclopédie Universelle
Peep-show — Pour les articles homonymes, voir Peep Show (album) et Peep Show (série télévisée). Un Peep show est, en anglais, un spectacle vu à travers une ouverture. En français cependant, cela désigne plus spécifiquement des spectacles érotiques ou… … Wikipédia en Français
Peep Show — Pour les articles homonymes, voir Peep Show (album) et Peep Show (série télévisée). Un Peep show est, en anglais, un spectacle vu à travers une ouverture. En français cependant, cela désigne plus spécifiquement des spectacles érotiques ou… … Wikipédia en Français
Peep-Show — Sf (Kabinen mit einer durch ein kleines Fenster gegen Entgelt zu betrachtenden nackten Frau) per. Wortschatz grupp. (20. Jh.) Entlehnung. Entlehnt aus ne. peep show, zu ne. peep durch eine kleine Öffnung sehen , dessen weitere Herkunft nicht… … Etymologisches Wörterbuch der deutschen sprache
Peep show — Peep Peep, n. 1. The cry of a young chicken; a chirp. [1913 Webster] 2. First outlook or appearance. [1913 Webster] Oft have we seen him at the peep of dawn. Gray. [1913 Webster] 3. A sly look; a look as through a crevice, or from a place of… … The Collaborative International Dictionary of English
peep-show — s.m.inv. ES ingl. {{wmetafile0}} spettacolo erotico al quale si assiste da cabine individuali attraverso una feritoia o uno specchio che permette di non essere visti | locale in cui si effettua tale spettacolo {{line}} {{/line}} DATA: 1983. ETIMO … Dizionario italiano
peep show — (izg. pȋp šȍu) m DEFINICIJA razg. erotska predstava (ob. striptiz) koju gledatelji, svaki iz posebne kabine, kako bi ostali neviđeni, gledaju kroz otvor; vrijeme je ograničeno iznosom ubačene kovanice/žetona ETIMOLOGIJA engl. ≃ peep: viriti + v.… … Hrvatski jezični portal
peep show — peep′ show n. 1) mot a short, usu. erotic film shown in a coin operated machine equipped with a projector 2) a display of objects or pictures viewed through a small opening usu. fitted with a magnifying lens • Etymology: 1850–55 … From formal English to slang
peep show — ► NOUN ▪ a form of entertainment in which pictures are viewed through a lens or hole set into a box … English terms dictionary
peep show — n. 1. a pictured scene or group of objects, as in a box, viewed through a small opening, sometimes with a magnifying lens 2. an erotic or pornographic film viewed through a coin operated device … English World dictionary
Peep show — A peep show or peepshow is an exhibition of pictures or objects viewed through a small hole or magnifying glass. This may or may not be a sex show, although the latter kind has eventually become the most common usage of the term since the advent… … Wikipedia