other+architectural

SUBJECT AREA: Architecture and building, Civil engineering

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Villard was one of the thirteenth-century architect-engineers who were responsible for the design and construction of the great Gothic cathedrals and other churches of the time. Their responsibilities covered all aspects of the work, including (in the spirit of the Roman architect Vitruvius) the invention and construction of mechanical devices. In their time, these men were highly esteemed and richly rewarded, although few of the inscriptions paying tribute to their achievements have survived. Villard stands out among them because a substantial part of his sketchbook has survived, in the form of thirty-three parchment sheets of drawings and notes, now kept in the Bibliothèque Nationale in Paris. Villard's professional career lasted roughly from 1225 to 1250. As a boy, he went to work on the building of the Cistercian monastery at Vaucelles, not far from Honnecourt, and afterwards he was apprenticed to the masons' lodge at Cambrai Cathedral, where he began copying the drawings and layouts on the tracing-house floor. All his drawings are, therefore, of the plans, elevations and sections of cathedrals. These buildings have long since been destroyed, but his drawings, perhaps among his earliest, bear witness to their architecture. He travelled widely in France and recorded features of the great works at Reims, Laon and Chartres. These include the complex system of passageways built into the fabric of a great cathedral; Villard comments that one of their purposes was "to allow circulation in case of fire".

Villard was invited to Hungary and reached there c. 1235. He may have been responsible for the edifice dedicated to St Elizabeth of Hungary, canonized in 1235, at Kassa (now Košice, Slovakia). Villard probably returned to France c. 1240, at least before the Tartar invasion of Hungary in 1241.

His sketchbook, which dates to c. 1235, stands as a memorial to Villard's skill as a draughtsman, a student of perspective and a mechanical engineer. He took his sketchbook with him on his travels, and used ideas from it in his work abroad. It contains architectural designs, geometrical constructions for use in building, surveying exercises and drawings for various kinds of mechanical devices, for civil or military use. He was transmitting details from the highly developed French Gothic masons to the relatively underdeveloped eastern countries. The notebooks were annotated for the use of pupils and other master masons, and the notes on geometry were obviously intended for pupils. The prize examples are the pages in the book, clearly Villard's own work, related to mechanical devices. Whilst he, like many others of the period and after, played with designs for perpetual-motion machines, he concentrated on useful devices. These included the first Western representation of a perpetualmotion machine, which at least displays a concern to derive a source of energy: this was a water-powered sawmill, with automatic feed of the timber into the mill. This has been described as the first industrial automatic power-machine to involve two motions, for it not only converts the rotary motion of the water-wheel to the reciprocating motion of the saw, but incorporates a means of keeping the log pressed against the saw. His other designs included water-wheels, watermills, the Archimedean screw and other curious devices.

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(1897-1948)

   Architect, artist, musician, photographer, illustrator, and filmmaker. Trained at the Escola de Belas-Artes, Lisbon, he produced the classic film A Canção de Lisboa (Song of Lisbon). Although best known for his extraordinary architectural creations, he was also a musician, dancer, and photographer, and it was Cottinelli Telmo who introduced the newspaper cartoon ( banda desenhada) to Portugal. A visionary creator and organizer, he pioneered the notion of the "garden-city" in Lisbon. While he was employed by the Portuguese railroads, he designed train stations and other structures, including several in Lisbon, Campolide, and Caçém.

   His most memorable contribution was work at the massive 1940 Exposition of the Portuguese World at Belém, a kind of world's fair that opened in the weeks before the fall of France in June 1940. The centerpiece of this exposition, in what is now the Praça do Império and fronting on the Monastery of Jerônimos, was the Pavilion of the Portuguese in the World. Named chief architect by Minister of Public Works Duarte Pacheco, Cottinelli Telmo gathered around him a stellar array of the country's finest architects and artists of their generation. Other major projects were buildings in Belém, the Sanctuary at Fátima, the Catholic shrine, and Coimbra's University City.

. в закрытом помещении

•

Gaseous agents are indispensable for disinfecting rooms or other large enclosed spaces.

•

The vehicle may have a body ( an enclosed compartment for people or commodities).

•

Architectural acoustics is the science of planning and building an enclosure (дальше приравнивается к room) to ensure the most advantageous flow of properly diffused sound to all listeners.

adj. architectural, of architecture, of the design of buildings and other structures

² = review, scholarship, study [studies, -pl.], work, calibration, surveying, analysis [analyses, -pl.].

Nota: Proceso de estudio de un todo para encontrar sus partes esenciales y las relaciones existentes entre ellas.

Ex. The review is supported by a complete list of LIPs completed or in progess at Aug 88, followed by references to their reports.

Ex. The most important of the functions of librarians is the collection, preservation and affording access to the materials of scholarship.

Ex. A study of the major general schemes reveals a wide gulf between theory, as outlined in the previous chapter, and practice, as reflected in the major schemes.

Ex. The Classification Research Group (CRG) has been a major force in the development of classification theory, and has made a major contribution towards work on a new general classification scheme.

Ex. This requires careful calibration of reader response and the use of as many quantitative indices as possible.

Ex. The author describes one effort made to counter this trend, through the surveying of the records of a library and the identification of materials to be preserved.

Ex. The operation of investigating a whole with the aim of finding out its essential parts and their relationship to each other is known as analysis.

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* abandonar los estudios = drop out (from school), drop out of + school.

* ámbito de estudio = scope.

* área de estudio = study area, study area.

* asignatura de estudios = curriculum subject.

* beca de estudio(s) = study grant, education grant.

* bolsa de estudios = bursary.

* campo de estudio = field of study.

* centro de apoyo a los programas de estudios = curriculum material center.

* centro de estudios = study centre.

* comisionar un estudio = commission + study.

* compañero de estudios = co-student.

* con estudios = schooled, educated, educated.

* con estudios superiores = highly educated.

* con un nivel de estudios alto = well educated [well-educated].

* dejar los estudios = drop out (from school), drop out of + school.

* desarrollo del plan de estudios = curriculum development.

* disciplina de estudio = field of study.

* diseñado para el estudio = curriculum-oriented.

* diseño de planes de estudios = curriculum design.

* edad de finalización de los estudios = terminal education age.

* encargar un estudio = commission + study.

* en el estudio = at study.

* enseñanza a través del estudio de casos = case-teaching.

* espacio reservado para el estudio = study space.

* estudiante de bachiller que abandona los estudios = high-school dropout.

* estudiante que ha completado los estudios secundarios = high school graduate, high school leaver.

* estudiante universitario que abandona los estudios = college dropout.

* estudio académico = academic study.

* estudio basado en un cuestionario = questionnaire survey.

* estudio bibliométrico = bibliometric analysis.

* estudio cartográfico = ordnance survey.

* estudio cinematográfico = film location, film studio.

* estudio clásico = classic study.

* estudio comparativo = correlation study.

* estudio crítico del estado de la cuestión = review.

* estudio cualitativo = qualitative study.

* estudio cuantitativo = quantitative study.

* estudio de alcance = scoping study.

* estudio de arquitectos = architecture firm, architectural firm.

* estudio de caso = case study.

* estudio de impacto = impact study.

* estudio de impacto en el medio ambiente = environmental impact study.

* estudio de la productividad = time-and-motion study, time study, motion study.

* estudio del estado de la cuestión = survey.

* estudio de los himnos = hymnology.

* estudio Delphi = Delphi study.

* estudio de mercado = market survey, market research, marketing audit, consumer research.

* estudio de seguimiento = follow-up study.

* estudio de usabilidad = usability study.

* estudio de uso = use study.

* estudio de usuario = reader survey, consumer survey, customer survey.

* estudio de usuarios = user study, marketing audit, user survey.

* estudio de usuarios de la biblioteca = library user study.

* estudio de viabilidad = demonstration project, feasibility study.

* estudio epidemiológico = epidemiological study.

* estudio geológico = geological survey.

* estudio local = area study.

* estudio longitudinal = longitudinal study.

* estudio piloto = pilot study, pilot test.

* estudio por simulación = simulation study.

* estudio regional = area study.

* estudios = academic background, course of study, educational career.

* estudios africanos = African studies.

* estudios afroamericanos = black studies.

* estudios culturales = cultural studies.

* estudios de administración = management studies.

* estudios de auxiliar administrativo = information administration.

* estudios de gestión = management science.

* estudios de la mujer = women's studies, gender studies.

* estudios de la paz y los conflictos = peace and conflict studies.

* estudios de licenciatura = graduate work, graduate education.

* estudios de literatura clásica = classical studies.

* estudios del medio ambiente = environmental studies.

* estudios de secretariado = secretarial studies.

* estudios de tipografía = typographical studies.

* estudios empresariales = business studies.

* estudios en el extranjero = study abroad.

* estudios europeos = European studies.

* estudio sicométrico = psychometric study.

* estudios literarios = literary studies.

* estudios relacionados con las misiones religiosas = missiology.

* estudios sobre la mujer = women's studies, gender studies.

* estudios sobre paz y conflictos = peace and conflict studies.

* estudios sociales = cultural studies.

* estudios socioculturales = cultural studies.

* estudio topográfico = surveying.

* estudio universitario = academic study.

* finalización de los estudios = graduation.

* finalizar los estudios de BUP = complete + high school.

* grupo de estudio = study circle.

* habitación de estudio = private study, study facilities.

* institución para el estudio y la conservación del patrimonio cult = heritage organisation.

* libro de estudio = study book.

* materia de estudio = subject of study.

* material de estudio = study material, course material, curriculum material, curriculum resource, study package.

* mesa de estudio = carrel, study table.

* mesa individual de estudio = study carrel.

* metodología de estudio = study skills.

* nivel de estudios = educational background, level of education.

* objeto de estudio = subject, object of study, under study.

* partitura de estudio = miniature score.

* permiso de estudios = study leave.

* persona que elabora el plan de estudios = syllabus maker.

* plan de estudios = curriculum [curricula, -pl.], syllabus [syllabi/syllabuses, -pl.], school curriculum, study plan.

* planes de estudios = syllabi.

* primer año de estudios superiores = freshman year.

* programa de estudio = programme of study.

* programa de estudios = course brochure, educational program(me), school program(me), study program(me), syllabus [syllabi/syllabuses, -pl.], education programme.

* programa de estudios común = common core syllabus.

* programas de estudios = syllabi.

* realización de los estudios escolares en casa = homeschooling [home schooling].

* realizar estudios = do + study.

* realizar un estudio = carry out + survey, conduct + survey, undertake + study, undertake + survey, conduct + study.

* realizar un estudio evaluativo = conduct + review.

* reforma del plan de estudios = curriculum development.

* relacionado con los estudios = course-related.

* relativo a los estudios de diplomatura = undergrad (undergraduate).

* relativo a los estudios de licenciatura = grad (graduate), postgraduate [post-graduate].

* sala de estudio = study facilities, study room.

* sin estudios = ill-educated.

* técnicas de estudio = study skills.

* tema de estudio = study area, under study.

* terminar los estudios = graduate.

* tiempo de estudio = study time.

* unidad de estudio = unit of study, study unit.

* viaje de estudio = study trip.

* zona de estudio = study area, study facilities.

1 study.

ha dedicado muchos años al estudio del tema she has studied the subject for many years

estar en estudio to be under consideration

estudio de campo field study

estudio de mercado market research; (técnica) market survey (investigación)

estudio de viabilidad feasibility study

2 study (oficina).

3 studio (Cine, Rad & TV).

los estudios de la Metro the Metro studios

estudio cinematográfico film studio

estudio de grabación recording studio

1^st person singular (yo) present indicative of spanish verb: estudiar.

* * *

► nombre masculino

1 (gen) study

2 (encuesta) survey, study; (investigación) research

3 (apartamento) studio flat (US apartment), bedsit

4 (sala) studio

► nombre masculino plural estudios

1 (conocimientos) studies, education sing

\

cursar estudios to study

dar estudios a alguien to pay for somebody's education

dedicarse al estudio de algo to study something

estar algo en estudio to be under consideration

hacer estudios to study

tener estudios to be well-educated

estudio cinematográfico film studio

estudio de grabación recording studio

estudio de mercado market research

estudio de televisión television studio

* * *

1) study

2) studio

3) den

* * *

1) (=investigación) study

2) (=actividad investigadora) study

3) (=análisis) [de intención de voto, edificio] survey

4) pl estudios (=educación) education sing

5) (=erudición) learning

6) (Arte, Mús) study

7) (=lugar de trabajo)

a) [en una casa] study

b) [profesional] [de artista, arquitecto] studio; Cono Sur [de abogado] office

c) (Cine, Radio, TV) studio

8) (=apartamento) studio, studio flat

* * *

1)

a) (Educ) ( actividad)

b) (investigación, análisis) study

c) (de asunto, caso) consideration

- estudio de mercado

2) ( lugar)

a) ( de artista) studio; ( de arquitecto) office, studio; ( de abogado) (CS) office

b) (Cin, Rad, TV) studio

c) ( en casa) study; ( apartamento) studio apartment

- estudio fotográfico/de grabación

- estudio jurídico

3) (Mús, Art) study

4) estudios masculino plural (Educ) education

* * *

1)

a) (Educ) ( actividad)

b) (investigación, análisis) study

c) (de asunto, caso) consideration

- estudio de mercado

2) ( lugar)

a) ( de artista) studio; ( de arquitecto) office, studio; ( de abogado) (CS) office

b) (Cin, Rad, TV) studio

c) ( en casa) study; ( apartamento) studio apartment

- estudio fotográfico/de grabación

- estudio jurídico

3) (Mús, Art) study

4) estudios masculino plural (Educ) education

* * *

estudio¹

¹ = studio.

estudio²

² = review, scholarship, study [studies, -pl.], work, calibration, surveying, analysis [analyses, -pl.].

Nota: Proceso de estudio de un todo para encontrar sus partes esenciales y las relaciones existentes entre ellas.

* * *

1 ( Educ)

(actividad): primero está el estudio y después la diversión your studies o work o studying must come first, then you can enjoy yourself

(investigación, análisis): el estudio de la fauna de la zona the study of the area's fauna

realizó un estudio sobre la mortalidad infantil she carried out a survey o study on infant mortality

le hicieron un estudio hormonal she had a series of hormone tests done

3 (de un asunto, caso) consideration

le presentaron un nuevo proyecto para su estudio they put forward a new plan for his consideration

está en o ( RPl) a estudio en el Parlamento it is being considered in parliament

field study

market research

B (lugar)

1 (de un artista) studio; (de un arquitecto) office, studio; (de un abogado) (CS) office

2 ( Cin, Rad, TV) studio

la película se realizará íntegramente en estudios the movie will be made entirely in the studio

3 (en una casa) study

4 (apartamento) studio apartment o ( BrE) flat

recording studio

photographic studio

( RPl) (oficina) lawyer's office; (grupo) legal practise*

1 ( Mús) study, étude

2 ( Art) study

D estudios mpl ( Educ) education

estudios primarios/superiores primary/higher education

está cursando estudios de especialización she is doing her specialization

se sacrificó para darle estudios a su hijo she made a lot of sacrifices to give her son an education o to put her son through school

para ese trabajo no hace falta tener estudios you don't need a degree for that job

¿por qué dejaste los estudios? why did you give up your studies?, why did you quit school? ( AmE)

* * *

1ª persona singular (yo) presente indicativo

3ª persona singular (él/ella/usted) pretérito indicativo

a) ‹ asignatura› to study;

◊ ¿qué carrera estudió? what subject did he do at college/university?

b) ‹ instrumento› to learn

c) ‹lección/tablas› to learn

◊ estudia en un colegio privado he goes to a private school;

a) (Educ) ( actividad):

◊ primero está el estudio studying o your studies o work must come first

b) (investigación, análisis) study;

◊ estudio de mercado market research

c) (de asunto, caso) consideration;

◊ está en estudio it is being considered

a) ( de artista) studio;

b) (Cin, Rad, TV) studio

c) ( en casa) study;

◊ estudios sustantivo masculino plural (Educ) education;

* * *

estudio nm

1. [actividad] study;

ha dedicado muchos años al estudio del tema she has studied the subject for many years;

estar en estudio to be under consideration

2. [investigación] study;

ha publicado un estudio sobre el tema she's published a study on the subject;

hacer un estudio de algo to survey sth;

le hicieron un estudio de la flora intestinal they investigated the composition of her intestinal flora

estudio geológico geological survey;

estudio de impacto ambiental environmental impact study;

estudio de viabilidad feasibility study

3.

el niño va muy bien en los estudios the boy is doing very well at school;

al terminar sus estudios en Viena, viajó a París on completing his studies in Vienna he travelled to Paris;

dar estudios a alguien to pay for o finance sb's education;

dejó los estudios a los quince años he left school at fifteen;

tener estudios to be educated

estudios primarios primary education;

estudios secundarios secondary education;

estudios superiores higher education

4. [despacho] study;

5. [apartamento] studio Br flat o US apartment

6. Cine, Rad & TV studio;

los estudios de la Metro the Metro studios

7. Arte study

8. Mús étude, study;

estudio para piano piano study

* * *

1 disciplina study

2 apartamento studio, Br

studio flat

3 de cine, música studio

estudios (universitarios) pl university education sg ;

tener estudios have a degree;

una persona sin estudios a person with no formal education

* * *

estudio nm

1) : study

2) : studio

3) estudios nmpl

: studies, education

* * *

estudio n

1. (en general) study [pl. studies]

2. (apartamento) studio flat

3. (de televisión, cine) studio

1 rosette, fleuron, rose-shaped decoration made with ribbon or other materials.

2 ceiling rose, architectural ornament resembling a series of roses stamped on the ceiling, rosace.

* * *

► nombre masculino

1 ARQUITECTURA rosette

2 (heráldica) fleuron

* * *

1) (Bot) big flower

2) (Arquit) fleuron, rosette

3) (Tip) tailpiece

* * *

masculino ceiling rose, rosette

* * *

masculino ceiling rose, rosette

* * *

ceiling rose, rosette

* * *

florón nm

* * *

m ARQUI fleuron

. в закрытом помещении

•

Gaseous agents are indispensable for disinfecting rooms or other large enclosed spaces.

•

The vehicle may have a body ( an enclosed compartment for people or commodities).

•

Architectural acoustics is the science of planning and building an enclosure (дальше приравнивается к room) to ensure the most advantageous flow of properly diffused sound to all listeners.

adj. architectonic, architectural, of the design of buildings and other structures

adj. architectural, of architecture, of the design of buildings and other structures

Grammatical information: m.

Meaning: `pelican' (Anaxandr. Com., Arist.).

Other forms: Cf. πελεκανός `fulica' Gloss.

Derivatives: πελεκᾶς, - ᾶντος m. `green woodpecker' (Ar. Av.); πελεκῖνος m. `pelican' (Ar. Av., Dionys. Av.); more usu. as name of several plants, "axeweed", esp. `Securigera Coronilla' (Hp., Thphr., Dsc.) and architectural technical expression `dovetail' (Ph. Bel., Hero Bel.).

Origin: PG [a word of Pre-Greek origin]

Etymology: Fron πέλεκυς because of the functional resp. outward similarity of the beak, the fruit (Strömberg Pfl.namen 56) etc. with an axe. On the formation: πελεκ-ῖνος like κορακ-ῖνος, σταφυλ-ῖνος, ἀτταγ-ῖνος a.o.; πελεκᾶς as ἀλλᾶς, - ᾶντος (cf. s.v. and Schwyzer 528), so from *πελεκᾰ-Ϝεντ- (Björck Alpha impurum 271; but the formation will not be IE)? Rather with Kretschmer Glotta 14, 101 connected with πελεκάω like e.g. Φείδας: φείδομαι. With πελεκάν cf. esp. the peoples names in - άν ( Άκαρνάν a.o.); on the not-Ion.-Att. form Björck 62 a. 288. - Furnée 320 sompares σπέλεκτος πελεκάν H.

Page in Frisk: 2,496-497

SUBJECT AREA: Domestic appliances and interiors

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As with the Renaissance artists and architects of fifteenth-and sixteenth-century Italy, Boulle worked as a young man in varied media, as a painter, engraver and metalworker an in mosaic techniques. It was in the 1660s that he turned more specifically to furniture and in the following decade, under the patronage of Louis XIV, that he became a leading ébéniste or cabinet-maker, In 1672 the King's Controller-General, Jean-Baptiste Colbert, recommended Boulle as an outstanding cabinet-maker and he was appointed ébéniste du roi. From then he spent the rest of his life working in the royal palaces, notably the Louvre and Versailles, and also carried out commissions for the French aristocracy and from abroad, particularly Spain and Germany.

Before the advent of Boulle, the quality furniture made for the French court and aristocracy had come from foreign craftsmen, particularly Domenico Cucci of Italy and Pierre Colle of the Low Countries. Boulle made his name as their equal in his development of new forms of furniture such as his bureaux and commodes, the immense variety of his designs and their architectural quality, the beauty of his sculptural, gilded mounts, and the development of his elaborate marquetry. He was a leading exponent of the contemporary styles, which meant the elaborately rich baroque forms in the time of Louis XIV and the more delicate rococo elegance in that of Louis XV. The technique to which Boulle gave his name (sometimes referred to in its German spelling of Bühl) incorporated a rich variety of veneering materials into his designs: in particular, he used tortoiseshell and brass with ebony. Even greater richness was created with the introduction of an engraved design upon the brass surfaces. Further delicate elaboration derived from the use of paired panels of decoration to be used in reverse form in one piece, or two matching pieces, of furniture. In one panel, designated as première partie, the marquetry took the form of brass upon tortoiseshell, while in the other (contre-partie) the tortoiseshell was set into the brass background.

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SUBJECT AREA: Architecture and building

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Born Elinor Coade, she never married but adopted, as was customary in business in the eighteenth century, the courtesy title of Mrs. Following the bankruptcy and death of her father, George Coade, in Exeter, Eleanor and her mother (also called Eleanor) moved to London and founded the works at Lambeth, South London, in 1769 that later became famous as the Coade factory. The factory was located at King's Arms Stairs, Narrow Wall. During the eighteenth century, several attempts had been made in other businesses to manufacture a durable, malleable artificial stone that would be acceptable to architects for decorative use. These substances were not very successful, but Coade stone was different. Although stories are legion about the secret formula supposedly used in this artificial stone, modern methods have established the exact formula.

Coade stone was a stoneware ceramic material fired in a kiln. The body was remarkable in that it shrank only 8 per cent in drying and firing: this was achieved by using a combination of china clay, sand, crushed glass and grog (i.e. crushed and ground, previously fired stoneware). The Coade formula thus included a considerable proportion of material that, having been fired once already, was unshrinkable. Mrs Coade's name for the firm, Coade's Lithodipyra Terra-Cotta or Artificial Stone Manufactory (where "Lithodipyra" is a term derived from three Greek words meaning "stone", "twice" and "fire"), made reference to the custom of including such material (such as in Josiah Wedgwood's basalt and jasper ware). The especially low rate of shrinkage rendered the material ideal for making extra-life-size statuary, and large architectural, decorative features to be incorporated into stone buildings.

Coade stone was widely used for such purposes by leading architects in Britain and Ireland from the 1770s until the 1830s, including Robert Adam, Sir Charles Barry, Sir William Chambers, Sir John Soane, John Nash and James Wyatt. Some architects introduced the material abroad, as far as, for example, Charles Bulfinch's United States Bank in Boston, Massachusetts, and Charles Cameron's redecoration for the Empress Catherine of the great palace Tsarkoe Selo (now Pushkin), near St Petersburg. The material so resembles stone that it is often mistaken for it, but it is so hard and resistant to weather that it retains sharpness of detail much longer than the natural substance. The many famous British buildings where Coade stone was used include the Royal Hospital, Chelsea, Carlton House and the Sir John Soane Museum (all of which are located in London), St George's Chapel at Windsor, Alnwick Castle in Northumberland, and Culzean Castle in Ayrshire, Scotland.

Apart from the qualities of the material, the Coade firm established a high reputation for the equally fine quality of its classical statuary. Mrs Coade employed excellent craftsmen such as the sculptor John Bacon (1740–99), whose work was mass-produced by the use of moulds. One famous example which was widely reproduced was the female caryatid from the south porch of the Erechtheion on the acropolis of Athens. A drawing of this had appeared in the second edition of Stuart and Revett's Antiquities of Athens in 1789, and many copies were made from the original Coade model; Soane used them more than once, for example on the Bank of England and his own houses in London.

Eleanor Coade was a remarkable woman, and was important and influential on the neo-classical scene. She had close and amicable relations with leading architects of the day, notably Robert Adam and James Wyatt. The Coade factory was enlarged and altered over the years, but the site was finally cleared during 1949–50 in preparation for the establishment of the 1951 Festival of Britain.

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SUBJECT AREA: Architecture and building

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The name of Le Corbusier is synonymous with the International style of modern architecture and city planning, one utilizing functionalist designs carried out in twentieth-century materials with modern methods of construction. Charles-Edouard Jeanneret, born in the watch-making town of La Chaux-de-Fonds in the Jura mountain region, was the son of a watch engraver and dial painter. In the years before 1918 he travelled widely, studying building in many countries. He learned about the use of reinforced concrete in the studio of Auguste Perret and about industrial construction under Peter Behrens. In 1917 he went to live in Paris and spent the rest of his life in France; in 1920 he adopted the name of Le Corbusier, one derived from that of his ancestors (Le Corbesier), and ten years later became a French citizen.

Le Corbusier's long working life spanned a career divided into three distinct parts. Between 1905 and 1916 he designed a number of simple and increasingly modern houses; the years 1921 to 1940 were ones of research and debate; and the twenty years from 1945 saw the blossoming of his genius. After 1917 Le Corbusier gained a reputation in Paris as an architect of advanced originality. He was particularly interested in low-cost housing and in improving accommodation for the poor. In 1923 he published Vers une architecture, in which he planned estates of mass-produced houses where all extraneous and unnecessary features were stripped away and the houses had flat roofs and plain walls: his concept of "a machine for living in". These white boxes were lifted up on stilts, his pilotis, and double-height living space was provided internally, enclosed by large areas of factory glazing. In 1922 Le Corbusier exhibited a city plan, La Ville contemporaine, in which tall blocks made from steel and concrete were set amongst large areas of parkland, replacing the older concept of city slums with the light and air of modern living. In 1925 he published Urbanisme, further developing his socialist ideals. These constituted a major reform of the industrial-city pattern, but the ideas were not taken up at that time. The Depression years of the 1930s severely curtailed architectural activity in France. Le Corbusier designed houses for the wealthy there, but most of his work prior to 1945 was overseas: his Centrosoyus Administration Building in Moscow (1929–36) and the Ministry of Education Building in Rio de Janeiro (1943) are examples. Immediately after the end of the Second World War Le Corbusier won international fame for his Unité d'habitation theme, the first example of which was built in the boulevard Michelet in Marseille in 1947–52. His answer to the problem of accommodating large numbers of people in a small space at low cost was to construct an immense all-purpose block of pre-cast concrete slabs carried on a row of massive central supports. The Marseille Unité contains 350 apartments in eight double storeys, with a storey for shops half-way up and communal facilities on the roof. In 1950 he published Le Modular, which described a system of measurement based upon the human male figure. From this was derived a relationship of human and mathematical proportions; this concept, together with the extensive use of various forms of concrete, was fundamental to Le Corbusier's later work. In the world-famous and highly personal Pilgrimage Church of Notre Dame du Haut at Ronchamp (1950–5), Le Corbusier's work was in Expressionist form, a plastic design in massive rough-cast concrete, its interior brilliantly designed and lit. His other equally famous, though less popular, ecclesiastical commission showed a contrasting theme, of "brutalist" concrete construction with uncompromisingly stark, rectangular forms. This is the Dominican Convent of Sainte Marie de la Tourette at Eveux-sur-l'Arbresle near Lyon, begun in 1956. The interior, in particular, is carefully worked out, and the lighting, from both natural and artificial sources, is indirect, angled in many directions to illuminate vistas and planes. All surfaces are carefully sloped, the angles meticulously calculated to give optimum visual effect. The crypt, below the raised choir, is painted in bright colours and lit from ceiling oculi.

One of Le Corbusier's late works, the Convent is a tour de force.

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SUBJECT AREA: Architecture and building, Domestic appliances and interiors

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William Hesketh Lever was the son of the retail grocer James Lever, who built up the large wholesale firm of Lever \& Co. in the north-west of England. William entered the firm at the age of 19 as a commercial traveller, and in the course of his work studied the techniques of manufacture and the quality of commercial soaps available at the time. He decided that he would concentrate on the production of a soap that was not evil-smelling, would lather easily and be attractively packaged. In 1884 he produced Sunlight Soap, which became the trade mark for Lever \& Co. He had each tablet wrapped, partly to protect the soap from oxygenization and thus prevent it from becoming rancid, and partly to display his brand name as a form of advertising. In 1885 he raised a large capital sum, purchased the Soap Factory in Warrington of Winser \& Co., and began manufacture. His product contained oils from copra, palm and cotton blended with tallow and resin, and its quality was carefully monitored during production. In a short time it was in great demand and began to replace the previously available alternatives of home-made soap and poor-quality, unpleasant-smelling bars.

It soon became necessary to expand the firm's premises, and in 1887 Lever purchased fifty-six acres of land upon which he set up a new centre of manufacture. This was in the Wirral in Cheshire, near the banks of the River Mersey. Production at the new factory, which was called Port Sunlight, began in January 1889. Lever introduced a number of technical improvements in the production process, including the heating systems and the recovery of glycerine (which could later be sold) from the boiling process.

Like Sir Titus Salt of Saltaire before him, Lever believed it to be in the interest of the firm to house his workers in a high standard of building and comfort close to the factory.

By the early twentieth century he had created Port Sunlight Village, one of the earliest and certainly the most impressive housing estates, for his employees. Architecturally the estate is highly successful, being built from a variety of natural materials and vernacular styles by a number of distinguished architects, so preventing an overall architectural monotony. The comprehensive estate comprises, in addition to the factory and houses, a church, an art gallery, schools, a cottage hospital, library, bank, fire station, post office and shops, as well as an inn and working men's institute, both of which were later additions. In 1894 Lever \& Co. went public and soon was amalgamated with other soap firms. It was at its most successful high point by 1910.

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SUBJECT AREA: Architecture and building, Civil engineering

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James Parker was a vicar at Northfleet in Kent. In experiments of an almost accidental nature he calcined some nodules of clay found on the beach on the Isle of Sheppey. From these he developed a cement which he called Roman, because he believed that this was the type of material the Romans made in ancient times, and which proved to be the basis of the cement industry in Britain, Parker's cement was better than any other so far produced, and was suited to engineering and architectural uses.

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SUBJECT AREA: Architecture and building, Civil engineering

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The son of a farmer, he had worked in gardens since boyhood and at the age of 21 was employed as Undergardener at the Horticultural Society Gardens in Chiswick, from where he went on to become Head Gardener for the Duke of Devonshire at Chatsworth. It was there that he developed his methods of glasshouse construction, culminating in the Great Conservatory of 1836–40, an immense structure some 277 ft (84.4 m) long, 123 ft (37.5 m) wide and 67 ft (20.4 m) high. Its framework was of iron and its roof of glass, with wood to contain the glass panels; it is now demolished. Paxton went on to landscape garden design, fountain and waterway engineering, the laying out of the model village of Edensor, and to play a part in railway and country house projects.

The structure that made Paxton a household name was erected in Hyde Park, London, to house the Great Exhibition of 1851 and was aptly dubbed, by Punch, the Crystal Palace. The idea of holding an international exhibition for industry had been mooted in 1849 and was backed by Prince Albert and Henry Cole. The money for this was to be raised by public subscription and 245 designs were entered into a competition held in 1850; however, most of the concepts, received from many notable architects and engineers, were very costly and unsuitable, and none were accepted. That same year, Paxton published his scheme in the Illustrated London News and it was approved after it received over-whelming public support.

Paxton's Crystal Palace, designed and erected in association with the engineers Fox and Henderson, was a prefabricated glasshouse of vast dimensions: it was 1,848 ft (563.3 m) long, 408 ft (124.4 m) wide and over 100 ft (30.5 m) high. It contained 3,300 iron columns, 2,150 girders. 24 miles (39 km) of guttering, 600,000 ft3 (17,000 m³) of timber and 900,000 ft2 (84,000 m) of sheet glass made by Chance Bros, of Birmingham. One of the chief reasons why it was accepted by the Royal Commission Committee was that it fulfilled the competition proviso that it should be capable of being erected quickly and subsequently dismantled and re-erected elsewhere. The Crystal Palace was to be erected at a cost of £79,800, much less than the other designs. Building began on 30 July 1850, with a labour force of some 2,000, and was completed on 31 March 1851. It was a landmark in construction at the time, for its size, speed of construction and its non-eclectic design, and, most of all, as the first great prefabricated building: parts were standardized and made in quantity, and were assembled on site. The exhibition was opened by Queen Victoria on 1 May 1851 and had received six million visitors when it closed on 11 October. The building was dismantled in 1852 and reassembled, with variations in design, at Sydenham in south London, where it remained until its spectacular conflagration in 1936.

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SUBJECT AREA: Architecture and building, Textiles

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Titus Salt arrived in Bradford with his father, who was a wool merchant in the town, in 1822. He soon set up his own company and it was there that he experimented with the textile worsted. Alpaca wool comes from an animal of the camel family that resembles the llama, and flocks of domesticated breeds of the animal had been raised in the high Andes since the days of the Incas. The wool was introduced into Europe via Spain and, later, Germany and France. The first attempts to spin and weave the yarn in England were made in 1808, but despite experimentation over the years the material was difficult to work. It was in 1836 that Salt evolved his method of utilizing a cotton warp with part alpaca weft. The method proved a great success and Bradford gained a reputation as a manufacturing centre for alpaca wool, exporting both yarn and cloth in quantity, especially to the USA. By 1850 Salt, who owned six mills, was Bradford's biggest employer and was certainly its richest citizen. He decided to move out of the city and built a new mill works, the architects of which were Lockwood and Mawson, on the banks of the River Aire a few miles from the city. Around the works, between 1851 and 1871, he built houses, a hospital, library, church, institute and almshouses for his workers. The buildings were solid, good-standard structures of local stone and the houses were pleasantly situated, with their amenities making them seem palaces compared to the slums in which other Bradford textile workers lived at the time. The collection of buildings was the first example in Britain of a "model new town", and was, indeed still is, a remarkable prototype of its kind. Apart from being a philanthropist and social reformer, Salt was also concerned with taking advantage of the technical developments of his time. His mill works, which eventually covered ten acres of land, was of fashionably Italianate architectural style (its chimney even a copy of the campanile of the Church of Santa Maria Gloriosa in Venice), although its structure was of iron framing. The weaving shed held 1,200 looms and had capacity for 3,000 workers, who produced 30,000 yards of cloth per day. Water from the river was used to produce steam to power the matchinery used in the manufacturing processes of scouring, dyeing and finishing. For the export of goods, the nearby Leeds-Liverpool Canal linked the works to Britain's chief ports, and the Midland Railway (an extension of the LeedsBradford line which opened in 1846) was of great use for the same purpose.

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