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101 Dip
v. trans.P. and V. βάπτειν.Wash: P. and V. λούειν.Dip in: Ar. ἐμβάπτειν (τι εἴς τι).V. intrans. Wash oneself: P. and V. λοῦσθαι.A plain surrounded by mountains that dipped right down to the sea: P. πέδιον... περιεχόμενον ὄρεσι μέχρι πρὸς τὴν θάλασσαν καθειμένοις (Plat., Crit. 118A).A ship strained perforce by the sheet, dips, but rights herself again if one slacken the sheet: V. καὶ ναῦς γὰρ ἐνταθεῖσα πρὸς βίαν ποδίʼ ἔβαψεν, ἔστη δʼ αὖθις ἢν χαλᾷ πόδα (Eur., Or. 706).——————subs.Immersion: P. and V. βαφή, ἡ.Bathe: P. and V. λουτρόν, τό.Hollow between hills: see Valley.Woodhouse English-Greek dictionary. A vocabulary of the Attic language > Dip
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102 Engage
v. trans.Hire: Ar. and P. μισθοῦσθαι.Attack: P. and V. εἰς χεῖρας ἔρχεσθαι (dat.), συμβάλλειν (dat.), πόλεμον συνάπτειν (dat. or πρός, acc.), Ar. and V. συνίστασθαι (dat.), V. μάχην συμβάλλειν (dat.), μάχην συνάπτειν (dat.), εἰς ἀγῶνα συμπίπτειν (dat.); see Encounter.It happened in many places that two, or at some parts even more ships were perforce engaged with one: P. συνετύγχανε πολλαχοῦ... δύο περὶ μίαν καὶ ἔστιν ᾗ καὶ πλείους ναῦς κατʼ ἀνάγκην συνηρτῆσθαι (Thuc. 7, 70).Bring into conflict: P. συμβάλλειν, V. συνάγειν, συνάπτειν, συμφέρειν, P. and V. ἀντιτάσσειν, Ar. and V. ἀντιτιθέναι.Betroth: see Betroth.V. intrans. Promise, undertake: P. and V. ὑπισχνεῖσθαι, ὑφίστασθαι, ἐπαγγέλλεσθαι, V. ὑπίσχεσθαι, P. ὑποδέχεσθαι, Ar. and P. ἐγγυᾶσθαι; see Promise.Engage in, be engaged in: Ar. and P. πραγματεύεσθαι (acc., or περί, acc. or gen.). διατρίβειν (περί, acc. or gen., or πρός, acc.), P. and V. σπουδάζειν (acc., or περί, acc. or gen.).I am engaged: P. ἀσχολία μοί ἐστι.Manage: P. and V. πράσσειν.Woodhouse English-Greek dictionary. A vocabulary of the Attic language > Engage
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103 Unavoidably
adv.Woodhouse English-Greek dictionary. A vocabulary of the Attic language > Unavoidably
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104 Poelzig, Hans
SUBJECT AREA: Architecture and building[br]b. 1869 Berlin, Germanyd. June 1936 Berlin, Germany[br]German teacher and practising architect, the most notable individualistic exponent of the German Expressionist movement in the modern school.[br]In the last decade of the nineteenth century and in the first of the twentieth, Poelzig did not, like most of his colleagues in Germany and Austria, follow the Jugendstil theme or the eclectic or fundamentalist lines: he set a path to individualism. In 1898 he began a teaching career at the Breslau (now Wroclaw, Poland) Academy of Arts and Crafts, remaining there until 1916. He early introduced workshop practice into the curriculum, presaging Gropius's Bauhaus ideas by many years; the school's workshop produced much of the artisan needs for a number of his buildings. From Breslau Poelzig moved to Dresden, where he was appointed City Architect. It was there that he launched his Expressionist line: which was particularly evident in the town hall and concert hall in the city. The structure for which Poelzig is best known and with which his name will always be associated is the Großes Schauspielhaus in Berlin; he had returned to his native city after the First World War and this great theatre was his first commission there. Using modern materials, he created a fabulous interior to seat 5,000 spectators. It was in the form of a vast amphitheatre with projecting stage and with the curving area roofed by a cavernous, stalactited dome, the Arabic-style stalactites of which were utilized by Poelzig for acoustic purposes. In the 1920s Poelzig went on to design cinemas, a field for which Expressionism was especially suited; these included the Capitol Cinema in Berlin and the Deli in Breslau. For his later industrial commissions—for example, the administrative building for the chemical firm I.G.Far ben in Frankfurt—he had perforce to design in more traditional modern manner.Poelzig died in 1936, which spared him, unlike many of his contemporaries, the choice of emigrating or working for National Socialism.[br]Further ReadingDennis Sharp, 1966, Modern Architecture and Expressionism, Longmans.Theodor Heuss, 1966, Hans Poelzig: Lebensbild eines Baumeister, Tübingen, Germany: Wunderlich.DY
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