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81 Gilmore, Stuart
1909-1971Montador, entre 1937 y 1971, ano de su fallecimiento, trabajo con Preston Sturges en casi todas sus peliculas de los anos 40, y con Howard Hawks en tres ocasiones, ya al final de las carreras de ambos, director y montador. Dirige, en 1946 y en 1951/52, un total de cinco peliculas, cuatro de ellas westerns. Rodo un remake de The Virginian, la pelicula que inmortalizo a Gary Cooper, muy por debajo del original.The Virginian. 1946. 90 minutos. Technicolor. Paramount. Joel McCrea, Brian Donlevy, Barbara Britton.Hot Lead. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Richard Martin, Joan Dixon.Target. 1952. 61 minutos. Blanco y Negro. RKO. Tim Holt, Richard Martin, Mary Jo Tarola (Linda Douglas).The Half-Breed. 1952. 81 minutos. Technicolor. RKO. Richard Young, Janis Carter, Jack Buetel.English-Spanish dictionary of western films > Gilmore, Stuart
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82 Walsh, Raoul
1887-1980Nacido en Nueva York el 11 de marzo de 1887, los primeros anos de la vida de Raoul Walsh son oscuros. Lo encontramos ya, sin duda, en 1907 como actor de la version teatral de “The Clansman”, novela de Thomas Dixon que inspirarara a David W. Griffith su celebre pelicula El nacimiento de una nacion (The Birth of a Nation, 1915). Despues de la correspondiente gira, de vuelta ya en su ciudad natal, continua con su carrera de actor que, entre otros logros, lo lleva a interpretar, a las ordenes de Griffith, el papel de John Wilkes Booth, asesino del presidente Lincoln, en El nacimiento de una nacion. Ya antes, en 1914, habia empezado a dirigir bajo la supervision del propio Griffith.Su primer largometraje, co-realizado por Christy Cabanne, es Life of Villa (1915), pero sus dos peliculas mudas mas famosas son, sin discusion, The Thief of Bagdad (El ladron de Bagdad, 1924), deslumbrante espectaculo visual ro dado para la productora de su protagonista, Douglas Fairbanks, y La fragil voluntad (Sadie Thompson, 1928), melodrama a la medida de su protagonista, Gloria Swanson, que produjo el filme. Hasta entonces, albores ya del sonoro, Walsh no habia prestado una atencion especial al western. Lo hizo de inmediato, como muestran sus primeros filmes sonoros del genero, En el viejo Ari zona (In Old Arizona, 1929), que fue el primero de una larga lista con el Cisco Kid como protagonista, y La gran jornada (The Big Trail, 1930), de larga duracion y largo presupuesto. Precisamente durante el rodaje de la primera de las dos peliculas citadas perdio un ojo en un accidente, por lo que tuvo que ser sustituido por Warner Baxter como protagonista de la pelicula, y auxiliado por Irving Cummings en la direccion. En la Fox entre 1929 y 1935, en la Paramount hasta 1939 y en lo sucesivo en Warner Bros, Raoul Walsh ira consolidando su categoria como realizador hasta 1964, ano de estreno de su ultima pelicula, precisamente un western, hermoso y testimonial.Aunque sus habilidades como creador cinematografico tienen mas largo alcance que el que se limita al western, dejemos constancia de que, con toda probabilidad, es en este genero donde consigue sus mejores obras, sencillas, serenas, con un importante sentido de la narracion en imagenes. Como caso curioso, hay que indicar que Walsh hizo un remake de dos de sus peliculas, El ultimo refugio (High Sierra, 1941), dura historia de gangsters inscrita de lleno en el genero negro que convirtio en una estrella a Humphrey Bogart, y Objetivo Birmania (Objective Burma!, 1945), filme belico. Ambos remakes los realizo en clave de western: Juntos hasta la muerte (Colorado Territory, 1949) y Tam bores lejanos (Distant Drums, 1951), respectivamente. Algo indica este detalle sobre su “aficion” al genero. Al final de su carrera construyo algunos de sus mejores westerns, y tambien alguno que otro en tono de parodia, como Un rey para cuatro reinas (The King and Four Queens, 1956) y La rubia y el sheriff (The Sheriff of Fractured Jaw, 1959).In Old Arizona (En el viejo Arizona) (co-d.: Irving Cummings). 1929. 95 minutos. B y N. Fox. Warner Baxter, Edmund Lowe, Dorothy Burgess.The Big Trail (La gran jornada). 1930. 125 minutos. Blanco y Negro. Fox. John Wayne, Marguerite Churchill.Wild Girl (El beso redentor). 1932. 78 minutos. Blanco y Negro. Fox. Charles Farrell, Joan Bennett, Ralph Bellamy.Dark Command (Mando siniestro). 1940. 93 minutos. Blanco y Negro. Republic. John Wayne, Claire Trevor, Walter Pidgeon.They Died with Their Boots On (Murieron con las botas puestas). 1942. 140 minutos. Blanco y Negro. WB. Errol Flynn, Olivia De Havilland, Arthur Kennedy.Pursued. 1947. 101 minutos. Blanco y Negro. WB. Teresa Wright, Robert Mitchum, Judith Anderson.Cheyenne. 1947. 100 minutos. Blanco y Negro. WB. Dennis Morgan, Jane Wyman, Janis Paige.Silver River (Rio de plata). 1948. 110 minutos. Blanco y Negro. WB. Errol Flynn, Ann Sheridan, Thomas Mitchell.Colorado Territory (Juntos hasta la muerte). 1949. 94 minutos. Blanco y Negro. WB. Joel McCrea, Virginia Mayo, Dorothy Malone, Henry Hull.Along the Great Divide (Camino de la horca). 1951. 88 minutos. Blanco y Negro. WB. Kirk Douglas, Virginia Mayo, John Agar.Distant Drums (Tambores lejanos). 1951. 101 minutos. Technicolor. WB. Gary Cooper, Mari Aldon, Richard Webb.The Lawless Breed (Historia de un condenado). 1953. 83 minutos. Tech nicolor. Universal. Rock Hudson, Julia Adams, Mary Castle, John McIntire.Gun Fury (Fiebre de venganza). 1953. 83 minutos. Technicolor. 3D. Co lumbia. Rock Hudson, Donna Reed, Phil Carey.Saskatchewan (Rebelion en el fuerte). 1954. 87 minutos. Technicolor. Universal. Alan Ladd, Shelley Winters, Robert Douglas.The Tall Men (Los implacables). 1955. 121 minutos. Color DeLuxe. Cinema - Scope. Fox. Clark Gable, Jane Russell, Robert Ryan, Cameron Mitchell.The King and Four Queens (Un rey para cuatro reinas). 1956. 84 minutos. Color DeLuxe. CinemaScope. Russ-Field-Gabco (UA). Clark Gable, Eleanor Parker, Jo Van Fleet.Band of Angels (La esclava libre). 1957. 127 minutos. Warnercolor. WB. Clark Gable, Yvonne De Carlo, Sidney Poitier.The Sheriff of Fractured Jaw (La rubia y el sheriff). 1959. 110 minutos. Color DeLuxe. CinemaScope. Fox. Kenneth More, Jayne Mansfield, Henry Hull.A Distant Trumpet (Una trompeta lejana). 1964. 115 min. Technicolor. Pa navision. Warner Bros. Troy Donahue, Suzanne Pleshette, Diane McBain. -
83 Bibliografia
■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.HEREDERO, Carlos F. Sam Peckinpah. Madrid: Ediciones JC, 1982.HILLIER, Jim y WOLLEN, Peter (editores). Howard Hawks. American Artist. Londres: BFI, 1996.HITT, Jim. The American West from Fiction (1823-1976) into Film (1909-1986). Jefferson, North Carolina: McFarland, 1990.HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.HUSTON, John. A libro abierto. Madrid: Espasa Calpe, 1986.JENSEN, Paul M. Fritz Lang. Madrid: JC, 1990.KAZAN, Elia. Mi vida. Madrid: Temas de Hoy, 1990.LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.LEEMAN, Sergio. Robert Wise on His Films. Los Angeles: Silman-James, 1995.LEUTRAT, Jean-Louis. Le Western. Archeologie d’un genre. Lyon: Presses Universitaires de Lyon, 1987.LEUTRAT, Jean-Louis. L’Alliance brisee. Le Western des annees 1920. Lyon: Presses Universitaires de Lyon, 1985.LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.LIANDRAT-GUIGUES, S, y LEUTRAT, J.-L. Les Cartes de l’ouest. Un genre cinematographique. Le western. Paris: Armand Colin, 1990.LOSILLA, Carlos y HURTADO, Jose A. Richard Fleischer, entre el cielo y el infierno. Valencia: Filmoteca de la Generalitat Valenciana, 1997.MAUDUY, J, y HENRIET, G. Geographies du western. Une nation en marche. Paris: Nathan, 1989.McBRIDE, Joseph y WILMINGTON, Michael. John Ford. Madrid: JC, 1984.McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.McCARTY, John. The Films of John Huston. Secaucus: Citadel, 1987.McGEE, Mark Thomas. Roger Corman. The Best of the Cheap Acts. Jefferson: McFarland, 1988.McGOWAN, John J. J.P. McGowan. Biography of a Hollywood Pioneer. Jefferson, North Carolina: McFarland, 2005.MEMBA, Javier. La serie B. Madrid: T & B, 2006.MENDEZ-LEITE VON HAFE, Fernando. Fritz Lang. Barcelona: Daimon, 1980.MERIDA, Pablo. Michael Curtiz. Madrid: Catedra, 1996.MERIGEAU, Pascal y BOURGOIN, Stephane. Serie B. Paris: Edilig, 1983.MERIKAETXEBARRIA, Anton. Raoul Walsh…a lo largo del sendero. San Sebastian: Ttarttalo, 1996.NASH, Jay Robert, y ROSS, Stanley Ralph. The Motion Picture Guide. 1927-1983. Cinebooks, 1985NUNEZ SABIN, Pedro y BELLIDO LOPEZ, Adolfo. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.OKUDA, Ted. Grand National, Producers Releasing Company, and Screen Guild/Lippert. Complete Filmographies with Studio Histories. Jefferson, North Carolina: McFarland, 1989.OLIVER, Jos y ERICE, Victor. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PLACE, J.A. The Western Films of John Ford. Secaucus: Citadel, 1974.PLACE, J.A. The Non-Western Films of John Ford. Secaucus: Citadel, 1979.RAINEY, Buck, y ADAMS, Les. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.ROMERO GUILLEN, Maria Dolores. Las mujeres en el cine americano de Fritz Lang. Zaragoza: Mira, 2000.ROOS, Stanley Ralph, y NASH, Jay Robert. The Motion Picture Guide. 1927-1983. Cinebooks, 1985.SANCHEZ BIOSCA, Vicente (coordinador). Mas alla de la duda. El cine de Fritz Lang. Valencia: Universitat de Valencia,1992.SIEGEL, Don. A Siegel Film. An Autobiopraphy. London: Faber and Faber, 1993.SIMMON, Scott, y DURGNAT, Raymond. King Vidor, American. Berkeley: University of California Press, 1988.SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.STOWELL, Peter. John Ford. Boston: Twayne, 1986.TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.THOMPSON, Frank T. William A. Wellman. San Sebastian: Filmoteca Espanola, 1993.URKIJO, Francisco javier. Sam Peckinpah. Madrid: Catedra, 1995.VARIOS. John Ford. Madrid: Fimoteca espanola, 1991.VARIOS. King Vidor. San Sebastian: Nosferatu, n. 31, 2004.VARIOS. Sam Fuller. San Sebastian: Nosferatu, n. 12, 1993.VARIOS. Jacques Tourneur. Paris: Camera/Stylo, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees trente. Paris: Du Seuil, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees cinquante. Paris: Du Seuil, 1984.VEILLON, Olivier-Rene. Le cinema americain. Les annees quatre-vingt. Paris: Du Seuil, 1988.WALSH, Raoul. Un demi-siecle a Hollywood. Memoires d’un cineaste. Paris: Calmann-Levy, 1976)WILMINGTON, Michael y McBRIDE, Joseph. John Ford. Madrid: JC, 1984.WOLLEN, Peter y HILLIER, Jim (editores). Howard Hawks. American Artist. Londres: BFI, 1996.WOOD, Robin. Howard Hawks. Madrid: JC, 1982.ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.ZUMALDE, Imanol. Paisajes del odio. El dispositivo espacial de Centauros del desierto. Valencia: Universitat de Valencia, 1995. -
84 thrush, long-tailed (mountain)
—1. LAT Zoothera dixoni ( Seebohm)2. RUS длиннохвостый земляной дрозд m4. DEU Dixondrossel f5. FRA grive f de DixonПЯТИЯЗЫЧНЫЙ СЛОВАРЬ НАЗВАНИЙ ЖИВОТНЫХ — птицы > thrush, long-tailed (mountain)
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85 thrush, long-tailed (mountain)
—1. LAT Zoothera dixoni ( Seebohm)2. RUS длиннохвостый земляной дрозд m4. DEU Dixondrossel f5. FRA grive f de DixonПЯТИЯЗЫЧНЫЙ СЛОВАРЬ НАЗВАНИЙ ЖИВОТНЫХ — птицы > thrush, long-tailed (mountain)
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86 gecko, reticulated
2. RUS сетчатый колеоникс m3. ENG reticulated gecko4. DEU —5. FRA coléonyx m réticuléАреал обитания: Северная АмерикаDICTIONARY OF ANIMAL NAMES IN FIVE LANGUAGES > gecko, reticulated
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87 mouse, salt-marsh harvest
1. LAT Reithrodontomys raviventris Dixon2. RUS болотный хомячок m3. ENG salt-marsh harvest mouse4. DEU —5. FRA —DICTIONARY OF ANIMAL NAMES IN FIVE LANGUAGES > mouse, salt-marsh harvest
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88 Dickson Cotton
Commercial variety of early maturing American cotton, the staple measuring 1-in. to 11/8-in., and forming large clustered bolls. The yield of lint is 32 per cent. Also called Simpson, Dixon, Dickson, Cluster, Dickson Improved. It is one of the most popular cluster varieties. -
89 American Civil War
ⓘ American Civil War Guerre civile (1861-1865) au cours de laquelle s'affrontèrent les États du Nord des États-Unis, partisans de l'abolition de l'esclavage, et ceux du Sud, dont l'économie reposait sur l'exploitation d'une main d'œuvre d'esclaves noirs. Elle éclata après l'élection à la présidence des États-Unis de Lincoln, dont la politique anti-esclavagiste incita les onze États du Sud à quitter l'Union pour former une Confédération autonome. Supérieurs en nombre et soutenus par une industrie puissante, les nordistes finirent par emporter la victoire. ⇒ Mason-Dixon Line -
90 evening
evening ['i:vnɪŋ]1 noun(a) (part of day) soir m;∎ (good) evening! bonsoir!;∎ in the evening le soir;∎ we went out in the evening nous sommes sortis le soir;∎ it is 8 o'clock in the evening il est 8 heures du soir;∎ I'm hardly ever at home British in the evening or American evenings je suis rarement chez moi le soir;∎ this evening ce soir;∎ that evening ce soir-là;∎ yesterday evening hier soir;∎ tomorrow evening demain soir;∎ on the evening of the next day, on the following evening le lendemain soir, le soir suivant;∎ (on) the previous evening la veille au soir;∎ on the evening of the fifteenth le quinze au soir;∎ on the evening of her departure le soir de son départ;∎ one fine spring evening (par) un beau soir de printemps;∎ every evening tous les soirs, chaque soir;∎ every Friday evening tous les vendredis soir ou soirs;∎ on the evening of Monday, 29 March dans la soirée du lundi 29 mars;∎ the long winter evenings les longues soirées ou veillées d'hiver;∎ I work evenings je travaille le soir;∎ we've had several evenings out this week nous sommes sortis plusieurs soirs cette semaine;∎ the evening performance starts at 7.30 en soirée la représentation débute à 19 heures 30;∎ she's going to an evening performance of the ballet elle va voir le ballet en soirée;∎ Sport an evening match une nocturne;∎ figurative in the evening of her life au soir ou au déclin de sa vie(b) (length of time) soirée f;∎ all evening toute la soirée;∎ we spent the evening playing cards nous avons passé la soirée à jouer aux cartes;∎ thank you for a lovely evening merci pour cette charmante soirée(c) (entertainment) soirée f;∎ a musical evening une soirée musicale(newspaper, train) du soir►► evening bag sac m à main de soirée;evening class cours m du soir;evening fixture rencontre f sportive en nocturne;evening gown robe f de soirée ou du soir;evening meal dîner m;Religion evening prayers office m ou service m du soir;Botany evening primrose onagre f, herbe f aux ânes;evening primrose oil huile f d'onagre;Religion evening service office m ou service m du soir;Press the Evening Standard = quotidien populaire londonien de tendance conservatrice;Astronomy evening star étoile f du berger;ⓘ Evenin' all! Cette expression ("bonsoir à tous!") était la formule que prononçait l'acteur Jack Warner au début de chaque épisode de la série policière britannique Dixon of Dock Green qui fut diffusée à la télévision de 1955 à 1976. Aujourd'hui, on utilise cette phrase en référence aux policiers de la vieille école ou bien simplement en guise de salut. -
91 Fox, Uffa
SUBJECT AREA: Ports and shipping[br]b. 15 January 1898 Cowes, Isle of Wight, Englandd. 27 October 1972 Isle of Wight (?), England[br]English yacht designer.[br]Coming from a family that had originated in East Anglia, his first name was that of an early British king and was to typify his unusual and refreshing zest for life. Fox commenced his professional career as an apprentice with the flying boat and high-speed craft builders Messrs S.E.Saunders, and shortly after the outbreak of the First World War he was conscripted into the Royal Naval Air Service. In 1920 he made his first transatlantic crossing under sail, a much greater adventure then than now, and returned to the United Kingdom as deck-hand on a ship bound for Liverpool. He was to make the crossing under sail twice more. Shortly after his marriage in 1925, he purchased the old Floating Bridge at Cowes and converted it to living accommodation, workshops and drawing offices. By the 1930s his life's work was in full swing, with designs coming off his drawing board for some of the most outstanding mass-produced craft ever built, as well as for some remarkable one-off yachts. His experimentation with every kind of sailing craft, and even with the Eskimo kayak, gave him the knowledge and experience that made his name known worldwide. During the Second World War he designed and produced the world's first airborne parachuted lifeboat. Despite what could be described as a robust lifestyle, coupled with interests in music, art and horseriding, Fox continued to produce great designs and in the late 1940s he introduced the Firefly, followed by the beautiful Flying Fifteen class of racing keel boats. One of his most unusual vessels was Britannia, the 24 ft (7.3 m) waterline craft that John Fairfax was to row across the Atlantic. Later came Britannia II, which Fairfax took across the Pacific![br]Principal Honours and DistinctionsCBE 1959. Royal Designer to Industry (RDI).BibliographyFox produced a series of yachting books, most first published in the late 1930s, and some more lighthearted volumes of reminiscences in the 1960s. Some of the best-known titles are: Sail and Power, Racing and Cruising Design, Uffa Fox's Second Book and The Crest of the Wave.Further ReadingJ.Dixon, 1978, Uffa Fox. A Personal Biography, Brighton: Angus \& Robertson.FMW -
92 Smirke, Sydney
SUBJECT AREA: Architecture and building[br]b. 1798 London, Englandd. 8 December 1877 Tunbridge Wells, England[br]English architect who created the circular reading room in the British Museum in London.[br]Apart from his considerable architectural practice, Sydney Smirke was responsible, in particular, for two structures in which he utilized the increasingly popular combination of iron and glass, their popularity stemming not least from the fire hazard in urban centres. In 1834 he adapted James Wyatt's Pantheon, the famous concert and masquerade hall in Oxford Street that had been opened in 1772, refitting the building as a shopping centre.Smirke is best known for his creation of the circular reading room in London's British Museum, which had been designed by his brother Sir Robert Smirke (1823–47). The reading room was designed within a central courtyard, conceived as a circular domed structure by the Chief Librarian and Keeper of the Department of Printed Books, Antonio Panizzi, and executed by Smirke; he covered the courtyard with a cast-iron domed structure (1854–7).[br]Principal Honours and DistinctionsRA 1859. Royal Academy Professor of Architecture 1861–5. FRS. RIBA Royal Gold Medal 1860.Further ReadingRoger Dixon and Stefan Muthesius, 1978, Victorian Architecture, Thames \& Hudson. J.Mordaunt-Crook, 1977, Seven Victorian Architects, Pennsylvania State University Press.DY -
93 Preconscious Processing
The brain respond[s] to external stimuli which, for one reason or another, are not consciously perceived. The effect of such stimuli may be almost as varied as those of sensory inflow which does enter consciousness. They include the evoking and determination of cortical potentials, changes in the EEG, the production of electrodermal responses, and changes in sensory threshold. They also include effects on memory, the influencing of lexical decisions, and such subjective manifestations as changes in conscious perceptual experience, dreams, and the evoking of appropriate effects. (Dixon, 1981, p. 262)Historical dictionary of quotations in cognitive science > Preconscious Processing
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94 Bibliography
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1. LAT Zoothera dixoni ( Seebohm)2. RUS длиннохвостый земляной дрозд m4. DEU Dixondrossel f5. FRA grive f de Dixon -
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1. LAT Typhlops minuisquamus Dixon2. RUS —3. ENG —4. DEU —5. FRA —Ареал обитания: Южная Америка -
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1. LAT Ambystoma flavipiperatum Dixon2. RUS крапчатая амбистома f3. ENG —4. DEU —5. FRA —Ареал обитания: Центральная Америка -
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См. также в других словарях:
Dixon — steht für: Dixon (Familienname), der Familienname Dixon The Dixon Gallery and Gardens, ein Kunstmuseum Dixon ist der Vorname folgender Personen: Dixon Denham (1786−1828), englischer Afrikaforscher Orte in den Vereinigten Staaten: Dixon (Illinois) … Deutsch Wikipedia
Dixon — is an alternative to Dickson. It is of English origin meaning son of Richard, or Dick s son. Contents 1 Places 2 People 3 Other uses … Wikipedia
Dixon — Dixon, WY U.S. town in Wyoming Population (2000): 79 Housing Units (2000): 67 Land area (2000): 0.135250 sq. miles (0.350296 sq. km) Water area (2000): 0.001506 sq. miles (0.003901 sq. km) Total area (2000): 0.136756 sq. miles (0.354197 sq. km)… … StarDict's U.S. Gazetteer Places
Dixon, CA — U.S. city in California Population (2000): 16103 Housing Units (2000): 5172 Land area (2000): 6.615676 sq. miles (17.134521 sq. km) Water area (2000): 0.060630 sq. miles (0.157030 sq. km) Total area (2000): 6.676306 sq. miles (17.291551 sq. km)… … StarDict's U.S. Gazetteer Places
Dixon, IA — U.S. city in Iowa Population (2000): 276 Housing Units (2000): 108 Land area (2000): 0.146672 sq. miles (0.379880 sq. km) Water area (2000): 0.000000 sq. miles (0.000000 sq. km) Total area (2000): 0.146672 sq. miles (0.379880 sq. km) FIPS code:… … StarDict's U.S. Gazetteer Places
Dixon, IL — U.S. city in Illinois Population (2000): 15941 Housing Units (2000): 6138 Land area (2000): 6.326195 sq. miles (16.384768 sq. km) Water area (2000): 0.421237 sq. miles (1.091000 sq. km) Total area (2000): 6.747432 sq. miles (17.475768 sq. km)… … StarDict's U.S. Gazetteer Places
Dixon, KY — U.S. city in Kentucky Population (2000): 632 Housing Units (2000): 269 Land area (2000): 0.949940 sq. miles (2.460334 sq. km) Water area (2000): 0.010506 sq. miles (0.027210 sq. km) Total area (2000): 0.960446 sq. miles (2.487544 sq. km) FIPS… … StarDict's U.S. Gazetteer Places
Dixon, MO — U.S. city in Missouri Population (2000): 1570 Housing Units (2000): 751 Land area (2000): 1.015676 sq. miles (2.630589 sq. km) Water area (2000): 0.000000 sq. miles (0.000000 sq. km) Total area (2000): 1.015676 sq. miles (2.630589 sq. km) FIPS… … StarDict's U.S. Gazetteer Places
Dixon, MT — U.S. Census Designated Place in Montana Population (2000): 216 Housing Units (2000): 93 Land area (2000): 6.637371 sq. miles (17.190711 sq. km) Water area (2000): 0.265775 sq. miles (0.688355 sq. km) Total area (2000): 6.903146 sq. miles… … StarDict's U.S. Gazetteer Places
Dixon, NE — U.S. village in Nebraska Population (2000): 108 Housing Units (2000): 51 Land area (2000): 0.153783 sq. miles (0.398297 sq. km) Water area (2000): 0.000000 sq. miles (0.000000 sq. km) Total area (2000): 0.153783 sq. miles (0.398297 sq. km) FIPS… … StarDict's U.S. Gazetteer Places
Dixon, WY — U.S. town in Wyoming Population (2000): 79 Housing Units (2000): 67 Land area (2000): 0.135250 sq. miles (0.350296 sq. km) Water area (2000): 0.001506 sq. miles (0.003901 sq. km) Total area (2000): 0.136756 sq. miles (0.354197 sq. km) FIPS code:… … StarDict's U.S. Gazetteer Places