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21 for *****
[fɔː]1. prep1) (indicating destination, intention) peris this for me? — è per me questo?
2) (indicating purpose) perfor children — vestiti per bambinia cupboard for toys — un armadio per i giocattoli
for nothing — buono (-a) a nientefor? — perché?, per cosa?this button for? — a cosa serve questo bottone?3) (representing) perG
for George — G come Georgefor Hove — deputato che rappresenta HoveI took him for his brother — l'ho scambiato or preso per suo fratello
4) (in exchange for) perI sold it for £50 — l'ho venduto per 50 sterline
5) (with regard to) perfor success — avido (-a) di successoas
for him/that — quanto a lui/ciòa gift for languages — un dono per le lingue
there's nothing for it but to jump Brit — non c'è altro da fare che saltare
6) (in favour of) per, a favore diare you for or against us? — sei con noi o contro di noi?
for me! — votate per me!7) (because of) per, a causa difor its cathedral — famoso (-a) per la sua cattedrale8)9) (distance) perthere were roadworks for 5 km — c'erano lavori in corso per 5 km
10)I haven't seen him for a week — non lo vedo da una settimana, è una settimana che non lo vedo
11)for this to be possible... — perché ciò sia possibile...it would be best for you to go — sarebbe meglio che te ne andassi
for me to decide — non sta a me deciderethere is still time for you to do it — hai ancora tempo per farlo
12)you're for it! fam — vedrai adesso!oh
for a cup of tea! — cosa non darei per una tazza di tè!2. conjdal momento che, poiché -
22 much
1. adjective,1) viel; groß [Erleichterung, Sorge, Dankbarkeit]he never eats much breakfast/lunch — er isst nicht viel zum Frühstück/zu Mittag
2)2. noun;be a bit much — (coll.) ein bisschen zu viel sein; (fig.) ein bisschen zu weit gehen
see also academic.ru/47990/more">more 2.; most 2.; vielesthat doesn't come or amount to much — es kommt nicht viel dabei heraus
he/this beer isn't up to much — (coll.) mit ihm/diesem Bier ist nicht viel los (ugs.)
spend much of the day/week doing something — den Großteil des Tages/der Woche damit verbringen, etwas zu tun
they have done much to improve the situation — sie haben viel für die Verbesserung der Situation getan
not be much of a cinema-goer — etc. (coll.) kein großer Kinogänger usw. sein (ugs.)
I expected/thought as much — das habe ich erwartet/mir gedacht
you are as much to blame as he is — du bist ebenso sehr schuld wie er
3. adverb,without so much as saying goodbye — ohne auch nur auf Wiedersehen zu sagen
more, most1) modifying comparatives viel [besser]much more lively/happy/attractive — viel lebhafter/glücklicher/ attraktiver
2) modifying superlatives mit Abstand [der/die/das beste, schlechteste, klügste usw.]3) modifying passive participles and predicative adjectives sehrhe is much improved — (in health) es geht ihm viel besser
4) modifying verbs (greatly) sehr [lieben, mögen, genießen]; (often) oft [sehen, treffen, besuchen]; (frequently) vielI don't much like him or like him much — ich mag ihn nicht besonders
not go much on somebody/something — (coll.) nicht viel von jemandem/etwas halten
it doesn't matter much — es ist nicht so wichtig
much to my surprise/annoyance, I found that... — zu meiner großen Überraschung/Verärgerung stellte ich fest, dass...
5) (approximately) fast[pretty or very] much the same — fast [genau] der-/die-/dasselbe
6)much as I should like to go — so gern ich auch gehen würde
* * *comparative of; see more* * *[mʌtʃ]I. adj<more, most>+ sing vielthere wasn't \much post es kam nicht viel Posthow \much...? wie viel...?how \much time have we got? wie viel Zeit bleibt uns?half/twice as \much halb/doppelt so vielnot/so \much nicht/so viel[\much] too \much [viel] zu viela bit too \much etwas [o ein bisschen] [zu] vielII. pron1. (relative amount) vielthis \much is certain so viel [o eines] ist sicherI don't know \much about fishing ich hab nicht viel Ahnung vom Angelnhe left without so \much as an apology er ging ohne auch nur ein Wort der Entschuldigunghalf/twice as \much halb/doppelt so vieltoo \much zu viel2. (great deal) viel\much of what you say is right vieles von dem, was Sie sagen, ist richtigyou didn't miss \much Sie haben nicht viel verpasstwell, I guess our picnic won't come to \much ich glaube, aus unserem Picknick wird nichts werdenmy new stereo isn't up to \much meine neue Anlage taugt nicht viel famI'm not up to \much really (not much planned) ich hab nicht viel vor; (not fit for much) mit mir ist nicht viel los famI've never been \much of a dancer ich habe noch nie gut tanzen könnenshe's not \much of a believer in horoscopes sie glaubt nicht wirklich an Horoskopehe's not \much to look at er sieht nicht gerade umwerfend aus4. (larger part)\much of the day der Großteil des Tages\much of sb's time ein Großteil von jds Zeit5. (be redundant)so \much for... das war's dann wohl mit...the car's broken down again — so \much for the trip to the seaside das Auto ist schon wieder kaputt — das war's dann wohl mit unserem Ausflug ans Meerhow \much is it? was kostet das?III. adv<more, most>1. (greatly) sehrwe would very \much like to come wir würden sehr gerne kommenshe would \much rather have her baby at home than in the hospital sie würde ihr Kind viel lieber zu Hause als im Krankenhaus zur Welt bringenI've been feeling \much healthier lately ich fühle mich in letzter Zeit viel besser\much to our surprise zu unserer großen Überraschung2. (by far) bei Weitemshe's \much the best person for the job sie ist bei Weitem die Beste für den Job3. (nearly) fastthings around here are \much as always hier ist alles beim Altenas \much as so gut wiehe as \much as admitted that... er hat so gut wie zugegeben, dass...\much the same fast soI am feeling \much the same as yesterday ich fühle mich ungefähr genauso wie gestern4. (specifying degree)as \much as so viel wieI like him as \much as you do ich mag ihn genauso sehr wie duthey fought with each other as \much as ever sie stritten sich wie eh und jeso \much so [sehr]it hurts so \much to see him like that es tut so weh, ihn so zu sehenI wanted so \much to meet you ich wollte dich unbedingt treffenvery \much sehrthank you very \much herzlichen Dankthat's very \much the done thing around here das ist hier so üblich5. (exactly that) genau dasI had expected as \much so etwas hatte ich schon erwartetit was as \much as I could do to get out of bed ich konnte gerade noch aufstehen6. (often) häufigwe don't go out \much wir gehen nicht viel [o oft] wegdo you see \much of her? siehst du sie öfters?7. (setting up a contrast)they're not so \much lovers as friends sie sind eher Freunde als ein Liebespaar\much as I like you,... so gern ich dich auch mag,...\much as I would like to help you,... so gerne ich euch auch helfen würde,...he can barely boil an egg, \much less cook a proper dinner er kann kaum ein Ei kochen, geschweige denn eine richtige Mahlzeithowever \much you dislike her... wie unsympathisch sie dir auch sein mag,...* * *[mʌtʃ]1. adj, nmuch of this is true — viel or vieles daran ist wahr
we don't see much of each other — wir sehen uns nicht oft or nur selten
he's/it's not up to much (inf) — er/es ist nicht gerade berühmt (inf)
I'm not much of a musician/cook/player — ich bin nicht sehr musikalisch/keine große Köchin/kein (besonders) guter Spieler
that wasn't much of a dinner/party — das Essen/die Party war nicht gerade besonders
I find that a bit (too) much after all I've done for him — nach allem was ich für ihn getan habe, finde ich das ein ziemlich starkes Stück (inf)
2)that insult was too much for me —
the sight of her face was too much for me ( inf = outrageous ) —, = outrageous ) ihr Gesicht war zum Schreien (inf)
these children are/this job is too much for me — ich bin den Kindern/der Arbeit nicht gewachsen
far too much, too much by half — viel zu viel
3)about/not as much —
as much as you want/can etc — so viel du willst/kannst etc
as much as possible —
they hope to raise as much as £2m — sie hoffen, nicht weniger als zwei Millionen Pfund aufzubringen
I feared/thought etc as much — (genau) das habe ich befürchtet/mir gedacht etc
as much as to say... — was so viel heißt or bedeutet wie...
4)it's not so much a problem of modernization as... —
See:→ also so5)to make much of sb/sth — viel Wind um jdn/etw machen
Glasgow makes much of its large number of parks — Glasgow rühmt sich seiner vielen Parks
I couldn't make much of that chapter — mit dem Kapitel konnte ich nicht viel anfangen (inf)
2. adv1) (with adj, adv) viel; (with vb) sehr; (with vb of physical action) drive, sleep, think, talk, laugh etc viel; come, visit, go out etc oft, viel (inf)a much-admired/-married woman —
he was much dismayed/embarrassed etc — er war sehr bestürzt/verlegen etc
so much — so viel; so sehr
too much — zu viel, zu sehr
I like it very/so much — es gefällt mir sehr gut/so gut or so sehr
I don't like him/it too much — ich kann ihn/es nicht besonders leiden
thank you ( ever) so much — vielen herzlichen Dank
however much he tries —
there wasn't enough water to drink, much less wash in — es gab nicht genug Wasser zu trinken, ganz zu schweigen, um sich damit zu waschen
See:→ also so2) (= by far) weitaus, bei Weitemmuch the biggest — weitaus or bei Weitem der/die/das größte
3) (= almost) beinahethey are much of an age or much the same age —
they're ( fairly) much the same size — sie sind beinahe or so ziemlich gleich groß
* * *A adj viel:I haven’t got much money on me;it wasn’t much fun es war kein sonderliches Vergnügen;he’s too much for me umg ich werde nicht mit ihm fertig;get too much for sb jemandem über den Kopf wachsen (Arbeit etc)B s Menge f, große Sache:nothing much nichts Besonderes;it did not come to much es kam nicht viel dabei heraus;think much of viel halten von, eine hohe Meinung haben von, große Stücke halten auf (akk);I don’t think much of him as a teacher ich halte nicht viel von ihm als Lehrer;he is not much of a dancer er ist kein großer oder berühmter Tänzer;I’m not much of a drinker ich mach mir nicht viel aus Alkohol;he’s not much of a husband er ist kein besonders guter Ehemann;he’s not much of a scholar mit seiner Bildung ist es nicht weit her;it is much of him even to come schon allein, dass er kommt, will viel heißen;C adv1. sehr:we much regret wir bedauern sehr;much to my regret sehr zu meinem Bedauern;much to my surprise zu meiner großen Überraschung;it’s not much good umga) es ist nicht besonders gut,b) es schmeckt nicht besonders2. (in Zusammensetzungen) viel:much-decorated MIL hochdekoriert;a) weit oder viel gereist, weit herumgekommen,b) viel befahren;much-vaunted viel gerühmt3. (vor komp) viel, weit, erheblich:much stronger viel stärker4. (vor sup) bei Weitem, weitaus:5. fast, annähernd, ziemlich (genau), mehr od weniger:he did it in much the same way er tat es auf ungefähr die gleiche Weise;a) so viel,b) so sehr,c) ungefähr, etwa as much as so viel wie;(as) much as I would like so gern ich auch möchte;he said as much das war (ungefähr) der Sinn seiner Worte;this is as much as to say das soll so viel heißen wie, das heißt mit anderen Worten;he made a gesture as much as to say so, als ob er sagen wollte;I thought as much das habe ich mir gedacht;he, as much as any er so gut wie irgendeiner;a) so sehr,b) so viel,so much for today so viel für heute;so much for our plans so viel (wäre also) zu unseren Plänen (zu sagen);not so much as nicht einmal;without so much as to move ohne sich auch nur zu bewegen;so much so (und zwar) so sehr;a) viel weniger,much like a child ganz wie ein Kind* * *1. adjective,1) viel; groß [Erleichterung, Sorge, Dankbarkeit]he never eats much breakfast/lunch — er isst nicht viel zum Frühstück/zu Mittag
2)2. noun;be a bit much — (coll.) ein bisschen zu viel sein; (fig.) ein bisschen zu weit gehen
that doesn't come or amount to much — es kommt nicht viel dabei heraus
he/this beer isn't up to much — (coll.) mit ihm/diesem Bier ist nicht viel los (ugs.)
spend much of the day/week doing something — den Großteil des Tages/der Woche damit verbringen, etwas zu tun
they have done much to improve the situation — sie haben viel für die Verbesserung der Situation getan
not be much of a cinema-goer — etc. (coll.) kein großer Kinogänger usw. sein (ugs.)
3. adverb,I expected/thought as much — das habe ich erwartet/mir gedacht
more, most1) modifying comparatives viel [besser]much more lively/happy/attractive — viel lebhafter/glücklicher/ attraktiver
2) modifying superlatives mit Abstand [der/die/das beste, schlechteste, klügste usw.]3) modifying passive participles and predicative adjectives sehrhe is much improved — (in health) es geht ihm viel besser
4) modifying verbs (greatly) sehr [lieben, mögen, genießen]; (often) oft [sehen, treffen, besuchen]; (frequently) vielI don't much like him or like him much — ich mag ihn nicht besonders
not go much on somebody/something — (coll.) nicht viel von jemandem/etwas halten
much to my surprise/annoyance, I found that... — zu meiner großen Überraschung/Verärgerung stellte ich fest, dass...
5) (approximately) fast[pretty or very] much the same — fast [genau] der-/die-/dasselbe
6)much as or though — (although) sosehr... auch
* * *adj.viel adj. n.sehr adv.viel adj. -
23 one
[wʌn] n\one is the smallest whole number Eins ist die kleinste ganze Zahl;the front door bore a big brass \one auf der Eingangstür war eine große Eins in Kupfer;2) (size of garment, merchandise) Größe eins;little Jackie's wearing \ones now die kleine Jackie trägt jetzt Größe eins adj1) ( not two) ein(e, er, es);we have two daughters and \one son wir haben zwei Töchter und einen Sohn;she'll be \one year old tomorrow sie wird morgen ein Jahr alt;2) ( one of a number) ein(e, er/es);a glass tube closed at \one end ein Glasröhrchen ist an einem Ende verschlossen;he can't tell \one wine from another er kennt die Weine nicht auseinander3) ( single) einzige(r, s);her \one concern is to save her daughter ihre einzige Sorge ist, ihre Tochter zu retten;not \one man kein Mensch;to have just \one thought nur einen [einzigen] Gedanken haben;all \one sth nur in einer/einem etw;I think we should paint the bedroom all \one colour ich denke, wir sollten das Schlafzimmer nur in einer Farbe streichen;the \one sth der/die/das eine etw;do you think five of us will manage to squeeze into the \one car? glaubst du, wir fünf können uns in dieses eine Auto quetschen?;there's too much data to fit onto just the \one disk das sind zu viele Daten für nur eine Diskette;the \one and only sth der/die/das einzige...;the title of his \one and only book der Titel seines einzigen Buchs;the \one and only sb der/die einzigartige...;the \one and only Muhammad Ali der einzigartige Muhammad Ali;ladies and gentlemen, the \one and only David Copperfield! meine Damen und Herren, der einzigartige David Copperfield!4) ( only)the \one sb/ sth die/die/das einzige;he's the \one person you can rely on in an emergency er ist die einzige Person, auf die man sich im Notfall verlassen kann;(this is the \one type of computer that is easy to use for people who aren't experts) das ist der einzige Computer, den Laien einfach verwenden können5) ( at an undecided time in the future) irgendein(e);I'd like to go skiing \one Christmas ich möchte irgendwann zu Weihnachten Skifahren gehen;we must have a drink together \one evening wir müssen irgendwann am Abend was trinken gehen;( at an unspecified time in the past) ein(e);\one night we stayed up talking till dawn einen Abend plauderten wir bis zum Morgengrauen;\one afternoon in late October einen Nachmittag Ende Oktober;\one day ( in the past) irgendwann;we first met each other \one day in the park wir trafen uns das erste Mal im Park;one \one a boy started teasing Grady irgendwann begann der Junge Grady zu ärgern;( in the future) irgendwann;why don't we meet for lunch \one day next week? warum treffen wir uns nicht nächste Woche irgendwann zum Mittagessen?;I'd like to go to Berlin again \one day ich möchte irgendwann wieder nach Berlin fahren;from \one minute to the next von einer Minute auf die andere;\one moment... the next [moment]... einmal... im nächsten [Moment];\one moment he says he loves me, the next moment he's asking for a divorce einmal sagt er, er liebt mich, und im nächsten Moment will er die Scheidungher solicitor is \one John Wintersgill ihr Anwalt ist ein gewisser John Wintersgill7) ( esp Am);(emph fam: noteworthy) ein(e);to be \one sb/ sth;his mother is \one generous woman meine Mutter ist eine großzügige Frau;that's \one big ice-cream you've got there du hast aber ein großes Eis;it was \one hell of a shock to find out I'd lost my job es war ein Riesenschock für mich, dass ich den Job verloren hatte;he was \one hell of a snappy dresser er war immer todschick gekleidet8) ( identical) ein(e);all types of training meet \one common standard alle Trainingsarten folgen einem gemeinsamen Standard;\one and the same ein und derselbe/dieselbe/dasselbe;the two things are \one and the same diese beiden Dinge sind ein und dasselbe;to be \one ( form a unity) vereint sein;as husband and wife we are now \one als Mann und Frau sind sie nun vereint9) ( one year old) eins, ein Jahr;little Jimmy's \one today der kleine Jimmy wird heute eins [o ein Jahr alt]; ( one o'clock) eins, ein Uhr;it's half past \one es ist halb zwei;we'll meet at \one in the pub wir treffen uns um eins im PubPHRASES:I can't stand around chatting - I've got a hundred and \one things to do this morning ich kann nicht hier herumstehen und tratschen - ich muss am Vormittag hunderttausend Dinge erledigen;\one thing and another ( fam) alles gemeinsam;what with \one thing and another she hadn't had much sleep recently da alles zusammenkam, bekam sie in letzter Zeit nicht sehr viel Schlaf;there is no evidence \one way or the other about the effectiveness of the drug es gibt keinerlei Beweise über die Wirksamkeit oder Unwirksamkeit des Medikaments;( any possible way) irgendwie;the bills have to be paid \one way or another die Rechnungen müssen irgendwie bezahlt werden;( an unstated way) irgendwie;everyone at the party was related in one way or another auf der Party waren alle irgendwie miteinander verwandt pron1) ( single item) eine(r, s);four parcels came this morning, but only \one was for Mark heute Morgen kamen vier Pakete, aber nur eines war für Mark;which cake would you like? - the \one at the front welchen Kuchen möchten Sie? - den vorderen;I'd rather eat French croissants than English \ones ich esse lieber französische Croissants als englische;do you want \one? möchtest du eine/einen/eines?;(not all instances fall neatly into \one or another of these categories) nicht alle Vorkommnisse fallen genau in eine dieser Kategorien;\one of sth eine(r, s) von etw dat + superl adj eine(r, s) der;electronics is \one of his hobbies die Elektronik ist eines seiner Hobbys;PolyGram is \one of the [world's] largest record companies PolyGram ist eine der führenden Plattenfirmen [der Welt];Luxembourg is \one of the [world's] smallest countries Luxemburg ist eines der kleinsten Länder [der Welt];Paula's had another \one of her crazy ideas Paula hatte noch eine ihrer verrückten Ideen;\one of many eine(r, s) von vielen;our organization is just \one of many charities unsere Organisation ist nur eine von vielen wohltätigen Vereinigungen;not a single \one kein einziger, keine einzige, kein einziges;this/that \one diese(r, s);which one do you want? - that \one, please! welche(n) möchten Sie? - diese(n) bitte!;these \ones were all made in Japan diese wurden alle in Japan hergestellt2) ( single person) eine(r);two could live as cheaply as \one zwei könnten so billig wie eine(r) leben;the \one der, die, das;Chris is the \one with curly brown hair Chris ist der/die mit den lockigen braunen Haaren;one's loved \ones ( one's family) jds Geliebte;my friends and loved \ones meine Freunde und meine Geliebten;to be \one to do sth jd sein, der etw tut;I've always been active and never really been \one to sit around doing nothing du warst immer sehr aktiv und bist nie wirklich untätig herumgesessen;he's never \one to say no to a curry er kann bei einem Curry nie nein sagen;Jack's always been \one for the ladies Jack stand immer auf Frauen;I've never really been \one for football ich war nie ein wirklicher Fußballfan;to not be much of a \one for sth ( fam) etw nicht besonders mögen;I'm not much of a \one for chocolate ich mag Schokolade nicht besonders;to be [a] \one for doing sth ( fam) etw gerne machen;she was never a \one for playing hockey sie spielte nie gerne Hockey;to be a great \one for doing sth ( fam) gut darin sein, etw zu tun;he's a great \one for telling other people what to do er ist gut darin, anderen Leuten zu sagen, was sie machen sollen;to be \one that...;he's always been \one that enjoys good food ihm hat gutes Essen schon immer geschmeckt;to not be \one who... nicht zu denen gehören, die...;you're not usually \one who complains about the service in a restaurant du zählst nicht zu denen, die sich über das Service in einem Restaurant beschweren;such a \one ( someone remarkable)you never saw such a \one for figures er kann wirklich gut mit Zahlen umgehen;\one and all ( liter) alle;the news of his resignation came as a surprise to \one and all die Nachricht von seinem Rücktritt kam für alle überraschend;well done \one and all! gut gemacht, ihr alle!;like \one + ppViv was running around like \one possessed before the presentation Viv lief vor der Präsentation wie besessen herum;the money was here this morning so \one of you must have taken it das Geld war diesen Morgen hier; einer von euch muss es genommen haben;\one of our daughters has just got married eine unserer Töchter hat gerade geheiratet;\one of... + superl eine(r, s) der...;Luxembourg is \one of the [world's] smallest countries Luxemburg ist eines der kleinsten Länder [der Welt];\one of many eine(r, s) von vielen3) ( used in comparisons) eine(r, s);you may have \one or the other, but not both du kannst nur eines davon haben, nicht beide;crime and freedom are inseparable - you can't have \one without the other Verbrechen und Freiheit sind untrennbar verbunden - man kann nicht eines ohne das andere bekommen\one has an obligation to \one's friends man hat Verpflichtungen seinen Freunden gegenüber;(\one must admire him for his willingness) man muss ihn für seinen Willen bewundern5) (form: I, we) ich, wir;\one gets the impression that he is ahead ich glaube, er ist vorne;\one has to do \one's best ich muss mein [o wir müssen unser] Bestes gebenwhat's the capital of Zaire? - oh, that's a difficult \one wie heißt die Hauptstadt von Zaire? - das ist eine schwierige Fragethis \one's on me! diese Runde geht auf mich!;a cool \one after a day on the water ein kühles Getränk nach einem Tag am Wasser8) (fam: joke, story) Witz m;that was a good \one! der ist gut!;the \one about sb/ sth der [Witz] von jdm/etw;did I tell you the \one about the blind beggar? habe ich dir den [Witz] von dem blinden Bettler erzählt?9) (Brit, Aus) ((dated) fam: sb who is lacking respect, rude, or amusing)to be a \one eine(r) seinPHRASES:\one of the family zur Familie gehören;\one of a kind zur Spitze gehören;in the world of ballet she was certainly \one of a kind as a dancer in der Welt des Ballet zählte sie sicher zu den besten Tänzerinnen;\one at a time ( separately) eine nach der anderen, einer/eines nach dem anderen;don't gobble them up all at once - eat them \one at a time schling nicht alle auf einmal hinunter - iss sie langsam;\one or two ( fam) ein paar;I've only had \one or two cigarettes in my whole life ich habe nur ein paar Zigaretten in meinem ganzen Leben geraucht; ( hum)I hear you've collected over 1,000 autographs! - well, I do have \one or two ich habe gehört, du hast über 1.000 Autogramme gesammelt! - na ja, ich habe ein paar;in \ones and twos in geringer Zahl;we expected a flood of applications for the job, but we're only receiving them in \ones and twos wir erwarteten eine Flut von Bewerbungen, aber wir haben nur ein paar wenige bekommen;\one after another [or the other] ( following one another in quick succession) eine nach der anderen, einer/eines nach dem anderen;\one after another the buses drew up die Busse kamen einer nach dem anderen;as \one ( form) einer Meinung;we have discussed the matter fully and are as \one on our decision wir haben die Angelegenheit gründlich erörtert und sind bei der Entscheidung einer Meinung;to be at \one with sb ( form) mit jdm einer Meinung sein;they were completely at \one with their environment sie leben mit ihrer Umwelt völlig in Harmonie;\one by \one (separately and in succession, singly) nacheinander;sb for \one jd seinerseits;I for \one am getting a little sick of writing about it ich meinerseits habe es ein wenig satt, darüber zu schreiben;in \one ( in one draught) in einem Zug;she downed her whisky in \one sie trank ihren Whisky in einem Zug;( understand correctly at once) etw kapieren ( fam)so are you saying she's leaving him? - yep, got it in \one du sagst also, dass sie ihn verlässt? - ja, du hast es kapiert;[all] in \one [alles] in einem;with this model you get a radio, CD player and cassette deck [all] in \one dieses Modell enthält Radio, CD-Player und Kassettendeck in einem;to be/get \one up on sb jdn übertrumpfen;he's always trying to get \one up on his brother er versucht immer, seinen Bruder zu übertrumpfen;to be all \one to sb Chinesisch für jdn sein ( fam)Greek and Hebrew are all \one to me Griechisch und Hebräisch sind Chinesisch für mich -
24 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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25 Philosophy
And what I believe to be more important here is that I find in myself an infinity of ideas of certain things which cannot be assumed to be pure nothingness, even though they may have perhaps no existence outside of my thought. These things are not figments of my imagination, even though it is within my power to think of them or not to think of them; on the contrary, they have their own true and immutable natures. Thus, for example, when I imagine a triangle, even though there may perhaps be no such figure anywhere in the world outside of my thought, nor ever have been, nevertheless the figure cannot help having a certain determinate nature... or essence, which is immutable and eternal, which I have not invented and which does not in any way depend upon my mind. (Descartes, 1951, p. 61)Let us console ourselves for not knowing the possible connections between a spider and the rings of Saturn, and continue to examine what is within our reach. (Voltaire, 1961, p. 144)As modern physics started with the Newtonian revolution, so modern philosophy starts with what one might call the Cartesian Catastrophe. The catastrophe consisted in the splitting up of the world into the realms of matter and mind, and the identification of "mind" with conscious thinking. The result of this identification was the shallow rationalism of l'esprit Cartesien, and an impoverishment of psychology which it took three centuries to remedy even in part. (Koestler, 1964, p. 148)It has been made of late a reproach against natural philosophy that it has struck out on a path of its own, and has separated itself more and more widely from the other sciences which are united by common philological and historical studies. The opposition has, in fact, been long apparent, and seems to me to have grown up mainly under the influence of the Hegelian philosophy, or, at any rate, to have been brought out into more distinct relief by that philosophy.... The sole object of Kant's "Critical Philosophy" was to test the sources and the authority of our knowledge, and to fix a definite scope and standard for the researches of philosophy, as compared with other sciences.... [But Hegel's] "Philosophy of Identity" was bolder. It started with the hypothesis that not only spiritual phenomena, but even the actual world-nature, that is, and man-were the result of an act of thought on the part of a creative mind, similar, it was supposed, in kind to the human mind.... The philosophers accused the scientific men of narrowness; the scientific men retorted that the philosophers were crazy. And so it came about that men of science began to lay some stress on the banishment of all philosophic influences from their work; while some of them, including men of the greatest acuteness, went so far as to condemn philosophy altogether, not merely as useless, but as mischievous dreaming. Thus, it must be confessed, not only were the illegitimate pretensions of the Hegelian system to subordinate to itself all other studies rejected, but no regard was paid to the rightful claims of philosophy, that is, the criticism of the sources of cognition, and the definition of the functions of the intellect. (Helmholz, quoted in Dampier, 1966, pp. 291-292)Philosophy remains true to its classical tradition by renouncing it. (Habermas, 1972, p. 317)I have not attempted... to put forward any grand view of the nature of philosophy; nor do I have any such grand view to put forth if I would. It will be obvious that I do not agree with those who see philosophy as the history of "howlers" and progress in philosophy as the debunking of howlers. It will also be obvious that I do not agree with those who see philosophy as the enterprise of putting forward a priori truths about the world.... I see philosophy as a field which has certain central questions, for example, the relation between thought and reality.... It seems obvious that in dealing with these questions philosophers have formulated rival research programs, that they have put forward general hypotheses, and that philosophers within each major research program have modified their hypotheses by trial and error, even if they sometimes refuse to admit that that is what they are doing. To that extent philosophy is a "science." To argue about whether philosophy is a science in any more serious sense seems to me to be hardly a useful occupation.... It does not seem to me important to decide whether science is philosophy or philosophy is science as long as one has a conception of both that makes both essential to a responsible view of the world and of man's place in it. (Putnam, 1975, p. xvii)What can philosophy contribute to solving the problem of the relation [of] mind to body? Twenty years ago, many English-speaking philosophers would have answered: "Nothing beyond an analysis of the various mental concepts." If we seek knowledge of things, they thought, it is to science that we must turn. Philosophy can only cast light upon our concepts of those things.This retreat from things to concepts was not undertaken lightly. Ever since the seventeenth century, the great intellectual fact of our culture has been the incredible expansion of knowledge both in the natural and in the rational sciences (mathematics, logic).The success of science created a crisis in philosophy. What was there for philosophy to do? Hume had already perceived the problem in some degree, and so surely did Kant, but it was not until the twentieth century, with the Vienna Circle and with Wittgenstein, that the difficulty began to weigh heavily. Wittgenstein took the view that philosophy could do no more than strive to undo the intellectual knots it itself had tied, so achieving intellectual release, and even a certain illumination, but no knowledge. A little later, and more optimistically, Ryle saw a positive, if reduced role, for philosophy in mapping the "logical geography" of our concepts: how they stood to each other and how they were to be analyzed....Since that time, however, philosophers in the "analytic" tradition have swung back from Wittgensteinian and even Rylean pessimism to a more traditional conception of the proper role and tasks of philosophy. Many analytic philosophers now would accept the view that the central task of philosophy is to give an account, or at least play a part in giving an account, of the most general nature of things and of man. (Armstrong, 1990, pp. 37-38)8) Philosophy's Evolving Engagement with Artificial Intelligence and Cognitive ScienceIn the beginning, the nature of philosophy's engagement with artificial intelligence and cognitive science was clear enough. The new sciences of the mind were to provide the long-awaited vindication of the most potent dreams of naturalism and materialism. Mind would at last be located firmly within the natural order. We would see in detail how the most perplexing features of the mental realm could be supported by the operations of solely physical laws upon solely physical stuff. Mental causation (the power of, e.g., a belief to cause an action) would emerge as just another species of physical causation. Reasoning would be understood as a kind of automated theorem proving. And the key to both was to be the depiction of the brain as the implementation of multiple higher level programs whose task was to manipulate and transform symbols or representations: inner items with one foot in the physical (they were realized as brain states) and one in the mental (they were bearers of contents, and their physical gymnastics were cleverly designed to respect semantic relationships such as truth preservation). (A. Clark, 1996, p. 1)Socrates of Athens famously declared that "the unexamined life is not worth living," and his motto aptly explains the impulse to philosophize. Taking nothing for granted, philosophy probes and questions the fundamental presuppositions of every area of human inquiry.... [P]art of the job of the philosopher is to keep at a certain critical distance from current doctrines, whether in the sciences or the arts, and to examine instead how the various elements in our world-view clash, or fit together. Some philosophers have tried to incorporate the results of these inquiries into a grand synoptic view of the nature of reality and our human relationship to it. Others have mistrusted system-building, and seen their primary role as one of clarifications, or the removal of obstacles along the road to truth. But all have shared the Socratic vision of using the human intellect to challenge comfortable preconceptions, insisting that every aspect of human theory and practice be subjected to continuing critical scrutiny....Philosophy is, of course, part of a continuing tradition, and there is much to be gained from seeing how that tradition originated and developed. But the principal object of studying the materials in this book is not to pay homage to past genius, but to enrich one's understanding of central problems that are as pressing today as they have always been-problems about knowledge, truth and reality, the nature of the mind, the basis of right action, and the best way to live. These questions help to mark out the territory of philosophy as an academic discipline, but in a wider sense they define the human predicament itself; they will surely continue to be with us for as long as humanity endures. (Cottingham, 1996, pp. xxi-xxii)10) The Distinction between Dionysian Man and Apollonian Man, between Art and Creativity and Reason and Self- ControlIn his study of ancient Greek culture, The Birth of Tragedy, Nietzsche drew what would become a famous distinction, between the Dionysian spirit, the untamed spirit of art and creativity, and the Apollonian, that of reason and self-control. The story of Greek civilization, and all civilizations, Nietzsche implied, was the gradual victory of Apollonian man, with his desire for control over nature and himself, over Dionysian man, who survives only in myth, poetry, music, and drama. Socrates and Plato had attacked the illusions of art as unreal, and had overturned the delicate cultural balance by valuing only man's critical, rational, and controlling consciousness while denigrating his vital life instincts as irrational and base. The result of this division is "Alexandrian man," the civilized and accomplished Greek citizen of the later ancient world, who is "equipped with the greatest forces of knowledge" but in whom the wellsprings of creativity have dried up. (Herman, 1997, pp. 95-96)Historical dictionary of quotations in cognitive science > Philosophy
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