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81 generation
1 (in family, society) génération f ; from generation to generation de génération en génération ; the younger/older generation la jeune/l'ancienne génération ; people of my generation les gens de ma génération ; a new generation of une nouvelle génération de ; first generation Australian Australien/-ienne m/f de première génération ;2 ( period of time) génération f ; it's been like this for generations cela fait des générations qu'il en est ainsi ;3 ( in product development) génération f ; second generation robots des robots de la deuxième génération ; -
82 push
push [pʊʃ]poussée ⇒ 1 (a) mot d'encouragement ⇒ 1 (b) effort ⇒ 1 (e) pousser ⇒ 2 (a), 2 (d), 3 (a) enfoncer ⇒ 2 (a) appuyer (sur) ⇒ 2 (b), 3 (b) forcer ⇒ 2 (d) prôner ⇒ 2 (e) avancer ⇒ 3 (c)1 noun∎ to give sb/sth a push pousser qn/qch;∎ the door opens at the push of a button il suffit d'appuyer sur un bouton pour que la porte s'ouvre;∎ he expects these things to happen at the push of a button il s'attend à ce que ça se fasse sur commande(b) (encouragement) mot m d'encouragement;∎ he'll do it, but he needs a little push il le fera, mais il a besoin qu'on le pousse un peu;∎ he just needs a push in the right direction il a juste besoin qu'on le mette sur la bonne voie∎ when it comes to the push, when push comes to shove au moment critique ou crucial□ ;∎ I can lend you the money if it comes to the push au pire, je pourrai vous prêter l'argent□ ;∎ if it comes to the push, he'll choose Sarah not Gillian s'il fallait qu'il choisisse, il prendrait Sarah et pas Gillian□ ;∎ at a push à la limite□ ;∎ I can do it at a push je peux le faire si c'est vraiment nécessaire□∎ the final push for the summit le dernier effort pour atteindre le sommet;∎ to make a push for change lutter pour le changement;∎ the club's push for promotion les efforts soutenus du club pour être promu;∎ a sales push une campagne de promotion des ventes;∎ the push towards protectionism is gathering strength la tendance au protectionnisme se renforce∎ the platoon made a push to capture the airfield la section a fait une poussée pour s'emparer de l'aérodrome(g) (drive, dynamism) dynamisme m;∎ he has a lot of push il est très dynamique(h) (billiards) coup m queuté∎ she pushed the door open/shut elle ouvrit/ferma la porte (en la poussant);∎ he pushed her onto the chair/into the room il la poussa sur la chaise/(pour la faire entrer) dans la pièce;∎ to push sb into a corner acculer qn;∎ to push sb out of the way écarter qn;∎ don't push (me)! ne (me) poussez pas!, ne (me) bousculez pas!;∎ a man was pushed out of the window quelqu'un a poussé un homme par la fenêtre;∎ figurative did he fall or was he pushed? il est tombé ou on l'a poussé?;∎ did he leave or was he pushed? (from job) il est parti de lui-même ou on l'y a poussé?;∎ push all that mess under the bed pousse tout ce bazar sous le lit;∎ he pushed the branches apart il a écarté les branches;∎ she pushed her way to the bar elle se fraya un chemin jusqu'au bar;∎ push one tube into the other enfoncez un tube dans l'autre;∎ he pushed a gun into my ribs il m'enfonça un revolver dans les côtes;∎ she pushed the cork into the bottle elle enfonça le bouchon dans la bouteille;∎ he pushed his hands into his pockets il enfonça ses mains dans ses poches;∎ to push an attack home pousser à fond une attaque;∎ to push home one's advantage tirer le meilleur parti possible de son avantage(b) (press → doorbell, pedal, button) appuyer sur∎ it will push inflation upwards cela va relancer l'inflation;∎ the crisis is pushing the country towards chaos la crise entraîne le pays vers le chaos;∎ he is pushing the party to the right il fait glisser le parti vers la droite;∎ buying the car will push us even further into debt en achetant cette voiture, nous allons nous endetter encore plus;∎ economic conditions have pushed the peasants off the land les paysans ont été chassés des campagnes par les conditions économiques∎ to push sb to do sth pousser qn à faire qch;∎ to push sb into doing sth forcer ou obliger qn à faire qch;∎ his parents pushed him to become a doctor ses parents l'ont poussé à devenir médecin;∎ her teacher pushed her in Latin son professeur l'a poussée à travailler en latin;∎ he needs pushing il faut toujours le pousser;∎ their coach doesn't push them hard enough leur entraîneur ne les pousse pas assez;∎ I like to push myself hard j'aime me donner à fond;∎ he pushed the car to its limits il a poussé la voiture à la limite de ses possibilités;∎ you're still weak, so don't push yourself tu es encore faible, vas-y doucement;∎ he won't do it if he's pushed too hard il ne le fera pas si l'on insiste trop;∎ don't push him too far ne le poussez pas à bout;∎ I won't be pushed, I need time to think it over! je ne me laisserai pas bousculer, j'ai besoin de temps pour y réfléchir!;∎ when I pushed her, she admitted it quand j'ai insisté, elle a avoué;∎ he keeps pushing me for the rent il me relance sans cesse au sujet du loyer;∎ familiar don't push your luck! n'exagère pas!∎ he's trying to push his own point of view il essaie d'imposer son point de vue personnel;∎ the mayor is pushing his town as the best site for the conference le maire présente sa ville comme le meilleur endroit pour tenir la conférence;∎ the government is pushing the idea of people setting up small businesses le gouvernement favorise la création de petites entreprises;∎ he's pushing himself as a compromise candidate il se présente comme le candidat du compromis;∎ there are so many adverts pushing beauty products il y a tellement de publicités pour des produits de beauté(f) (stretch, exaggerate → argument, case) présenter avec insistance, insister sur;∎ if we push the comparison a little further si on pousse la comparaison un peu plus loin;∎ familiar that's pushing it a bit! (going too far) c'est un peu exagéré!;∎ I'll try to arrive by 7 p.m. but it's pushing it a bit je tâcherai d'arriver à 19 heures, mais ça va être juste□∎ to be pushing thirty friser la trentaine;∎ the car was pushing 100 mph ≃ la voiture frisait les 160∎ to push shares placer des valeurs douteuses∎ to push against sth pousser qch;∎ no pushing please! ne poussez pas, s'il vous plaît!;∎ people were pushing to get in les gens se bousculaient pour entrer;∎ he pushed through the crowd to the bar il s'est frayé un chemin jusqu'au bar à travers la foule;∎ somebody pushed past me quelqu'un est passé en me bousculant;∎ we'll have to get out and push il va falloir descendre pousser(b) (press → on button, bell, knob) appuyer∎ the army pushed towards the border l'armée a avancé jusqu'à la frontière;∎ the country is pushing towards democracy le pays évolue vers la démocratie(d) (extend → path, fence) s'étendre;∎ the road pushed deep into the hills la route s'enfonçait dans les collines►► push button bouton-poussoir m;Commerce push money prime f au vendeur;Marketing push strategy stratégie f push;push stroke (in billiards, snooker) coup m queuté;Computing push technology technologie f du push de données(a) (physically) malmener;∎ he didn't hit her but he was pushing her about il ne l'a pas frappée mais il la malmenait∎ I won't be pushed about! je ne vais pas me laisser marcher sur les pieds!(a) (continue) continuer, persévérer;∎ to push ahead with the work poursuivre les travaux;∎ they decided to push ahead with the plans to extend the school ils ont décidé d'activer les projets d'extension de l'école∎ research is pushing ahead les recherches avancent(trolley, pram) pousser (devant soi)∎ I'll be pushing along now bon, il est temps que je file(b) (reject → proposal) écarter, rejeter;∎ issues which have been pushed aside des questions qui ont été volontairement écartées;∎ you can't just push aside the problem like that vous ne pouvez pas faire comme si le problème n'existait pas;∎ I pushed my doubts aside je n'ai pas tenu compte de mes doutesrepousser;∎ she pushed my hand away elle repoussa ma main;∎ he pushed his chair away from the fire il éloigna sa chaise du feu(a) (person) repousser (en arrière); (crowd) faire reculer, refouler; (curtains) écarter; (bedclothes) rejeter, repousser;∎ he pushed me back from the door il m'a éloigné de la porte(b) (repulse → troops) repousser;∎ the enemy was pushed back ten miles/to the river l'ennemi a été repoussé d'une quinzaine de kilomètres/jusqu'à la rivière(c) (postpone) repousser;∎ the meeting has been pushed back to Friday la réunion a été repoussée à vendredi∎ she pushed the clothes down in the bag elle a tassé les vêtements dans le sac;∎ he pushed down the lid but it wouldn't shut il a appuyé sur le couvercle mais il ne voulait pas fermer(b) (knock over) renverser, faire tomber(pedal, lever) s'abaisser; (person → on pedal, lever) appuyer (on sur)(argue for) demander; (campaign for) faire campagne pour;∎ some ministers were pushing for more monetarist policies certains ministres demandaient une politique plus monétariste;∎ to push for a 35-hour week demander la semaine de 35 heures;∎ I'm going to push for a bigger budget je vais faire tout ce qui est en mon pouvoir pour obtenir un budget plus important;∎ the unions are pushing for 10 percent les syndicats font pression pour obtenir 10 pour cent;∎ to push for a decision exiger qu'une décision soit prisepousser (en avant);∎ he was pushed forward by the crowd la foule l'a poussé en avant;∎ figurative to push oneself forward se mettre en avant, se faire valoir➲ push in(a) (drawer) pousser; (electric plug, key) enfoncer, introduire; (disk) insérer; (knife, stake, spade) enfoncer; (button, switch) appuyer sur;∎ push the button right in appuyer à fond sur le bouton∎ they pushed me in the water ils m'ont poussé dans l'eau;∎ he opened the door and pushed me in il ouvrit la porte et me poussa à l'intérieur(c) (break down → panel, cardboard) enfoncer;∎ the door had been pushed in la porte avait été enfoncée∎ (in queue) to push in ahead of sb doubler qn;∎ no pushing in! faites la queue!;∎ she's always pushing in where she's not wanted il faut toujours qu'elle s'immisce ou s'impose là où on ne veut pas d'elle➲ push off(a) (knock off) faire tomber;∎ they pushed me off the ladder ils m'ont fait tomber de l'échelle;∎ I pushed him off the chair je l'ai fait tomber de sa chaise∎ push the lid off soulève le couvercle;∎ they tried to push her (car) off the road ils ont essayé de faire sortir sa voiture de la route;∎ to push sb off a committee exclure ou écarter qn d'un comité∎ time for me to push off il faut que je file;∎ push off! de l'air!, dégage!➲ push on∎ (urge on) to push sb on to do sth pousser ou inciter qn à faire qch(on journey → set off again) reprendre la route, se remettre en route; (→ continue) poursuivre ou continuer son chemin; (keep working) continuer, persévérer;∎ let's push on to Dundee poussons jusqu'à Dundee;∎ they're pushing on with the reforms ils poursuivent leurs efforts pour faire passer les réformes➲ push out(a) (person, object) pousser dehors;∎ they pushed the car out of the mud ils ont désembourbé la voiture en la poussant;∎ the bed had been pushed out from the wall le lit avait été écarté du mur;∎ to push one's way out se frayer un chemin vers la sortie;∎ to push the boat out déborder l'embarcation; figurative faire la fête(b) (stick out → hand, leg) tendre(c) (grow → roots, shoots) faire, produire∎ we've been pushed out of the Japanese market nous avons été évincés du marché japonais(appear → roots, leaves) pousser; (→ snowdrops, tulips) pointer(a) (pass → across table, floor) pousser;∎ he pushed the book over to me il poussa le livre vers moi∎ many cars had been pushed over onto their sides beaucoup de voitures avaient été renversées sur le côté(a) (project, decision) faire accepter; (deal) conclure; (bill, budget) réussir à faire voter ou passer(b) (thrust → needle) passer;∎ she eventually managed to push her way through (the crowd) elle réussit finalement à se frayer un chemin (à travers la foule)(car, person) se frayer un chemin; (troops, army) avancer(door, drawer) fermer∎ she pushed herself up onto her feet elle se releva;∎ familiar he's pushing up (the) daisies il mange les pissenlits par la racine∎ the effect will be to push interest rates up cela aura pour effet de faire grimper les taux d'intérêt -
83 virtualization
Gen Mgtthe creation of a product, service, or organization that has an electronic rather than a physical existence -
84 Erzeugung
f1. creation2. engenderment3. generation4. manufacture5. product6. production -
85 bikin
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86 κτίσμα
κτίσμα, ατος, τό (s. two prec. entries and next entry; Polyb. 4, 70, 3; Dionys. Hal. 1, 59; Strabo 7, 5, 5; Vett. Val. 213, 6; SIG 799, 7 [38 A.D.]; PGM 7, 483; BGU 3, 19; LXX, pseudepigr.; Just.; Iren. 1, 5, 4 [Harv. I 48, 2] in gnostic speculation; loanw. in rabb.) in our lit. always (as Wsd 9:2; 13:5; 14:11; Sir 36:14; 38:34; 3 Macc 5:11; EpArist 17; Iren. 1, 10, 2 [Harv. I 93, 3]; Did., Gen. 220, 28) product of creative action, that which is created (by God), creature (created by God) πᾶν κ. θεοῦ καλόν everything created by God is good 1 Ti 4:4. πᾶν κ. ὅ ἐν τῷ οὐρανῷ every creature in heaven Rv 5:13.—Pl., of the components of creation (TestAbr B 7 p. 12, 8 [Stone p. 72] τὰ κτίσματα ἃ ἐκτίσατο … ὁ θεός; TestJob 47:11; Herm. Wr. 1, 18 πάντα τὰ κ.; Sextus 439; Orig., C. Cels. 7, 46, 39; Did., Gen. 109, 25) Dg 8:3.—τὰ κ. τὰ ἐν τῇ θαλάσσῃ Rv 8:9.—τὰ κ. τοῦ θεοῦ what God has created Hv 3, 9, 2; m 8:1; humankind is lord of it 12, 4, 3. The Christians are ἀπαρχή τις τῶν αὐτοῦ κ. a kind of first-fruits of (God’s) creatures (here κ. is to be thought of as referring chiefly to human beings; for a similar restriction in the use of κτίσις s. that entry 2) Js 1:18.—DELG s.v. κτίζω. M-M. TW. Sv. -
87 ποίησις
ποίησις, εως, ἡ (ποιέω. Hdt. et al.; ins, pap, LXX)① the process of activity, doing, working (Pla., Soph. 266d θείας ἔργα ποιήσεως, Charm. 163e; Jos., Ant. 17, 94) μακάριος ἐν τῇ ποιήσει αὐτοῦ ἔσται that person will be blessed in the doing Js 1:25. Of God: ποίησις χειρῶν αὐτοῦ 1 Cl 27:7 (Ps 18:2; cp. Just., D. 56, 10 πρὸ ποιήσεως κόσμου).② the product of activity, work, creation of the artist (Aristoph., Pla. et al.; SIG 547, 48 [211/210 B.C.]; EpArist 57; Jos., C. Ap. 1, 12; Just., Tat., Ath.; of poetry and ships Tat. 1, 1 al.; Ath. 29, 1), in our lit. of the Divine Artist (Proclus on Pla., Cratylus p. 21, 18f Pasqu.): God is merciful ἐπὶ τὴν ποίησιν αὐτοῦ (Da 9:14 Theod.) Hm 4, 3, 5; 9:3.—DELG s.v. ποιέω. M-M. TW. Sv. -
88 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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