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1 taṇḍava
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2 ताण्डवप्रिय
tāṇḍava-priyam. « fond of the Tāṇḍava dance», Ṡiva L.
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3 ताण्डव
tāṇḍava(m. n. gaṇa ardharcâ̱di;
fr. taṇḍu?) dancing (esp. with violent gesticulation), frantic dance (of Ṡiva andᅠ his votaries) Mālatīm. Kathās. BhP. X MatsyaP. Rājat. etc.. (cf. RTL. p. 84);
(in prosody) a tribrach;
Saccharum procerum L. ;
- ताण्डवतालिक
- ताण्डवप्रिय
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4 ताण्डवतालिक
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5 आनन्दताण्डवपुर
ā-nandá-tāṇḍava-puran. N. of a town
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6 तण्डु
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7 लास्य
lāsyan. dancing, a dauce (esp. accompanied with instrumental music andᅠ singing), a dance representing the emotions of love dramatically
(this was at one time a principal part of the drama, andᅠ as such accord. toᅠ Bharata andᅠ the Daṡa-rūpa consisted of 10 divisions orᅠ Aṇgas,
viz. geya-pada, sthita-pāṭhya, āsīna, pushpa-gaṇḍikā,
pracchedaka, tri-gūḍha orᅠ tri-mūḍhaka, saindhava,
dvigūḍhaka orᅠ vimūḍhaka, uttamóttamaka, andᅠ ukta-pratyukta;
including alsoᅠ a style of dramatic composition in which there is abrupt transition from Sanskṛit to Prākṛit. andᅠ from Prākṛit. to Sanskṛit;
the term lāsya is alsoᅠ applied to the Nāch < Nautch> dance of the Indian dancing girls, consisting chiefly of gesticulation with a shuffling movement of the feet forwards andᅠ backwards, as invented by Pārvati andᅠ opposed to the boisterous masculine dance called Tāṇḍava practised by Siva andᅠ his followers;
cf. IW. 467) MBh. Kāv. etc.;
m. a dancer MārkP. ;
N. of a king VP. ;
(ā) f. a dancing girl L.
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8 लीलाताण्डवपण्डित
līlā-tāṇḍava-paṇḍitamfn. skilled in sportive dances (said of Ṡiva) MW.
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9 विवाद
vi-vādam. (exceptionally n.) a dispute, quarrel, contest between (gen. orᅠ comp.) orᅠ with (instr. with orᅠ without saha, orᅠ comp.) orᅠ about, regarding (loc. gen. acc. with prati, orᅠ comp.) ShaḍvBr. MBh. Kāv. etc.;
contest at law, legal dispute, litigation, lawsuit Mn. Yājñ. etc. (with svāmi-pālayoḥ, disputes between the owner andᅠ tender of cattle orᅠ between master andᅠ servant IW. 261);
an argument Sarvad. ;
« sound» orᅠ « command» Ragh. XVIII, 42 ;
- kalpataru m. N. of wk.;
- kaumudī f. N. of a treatise on disputed points of grammar (by Lilā-maṇi);
- candra m. - candrikā f. - cintamaṇi m. - tattvadīpa, m. - tāṇḍava n. (?), - nirṇaya m. N. of wks. (cf. IW. 304, 305);
- pada n. the subject of a dispute orᅠ lawsuit Yājñ. Sch. ;
- pariccheda m. N. of wk.;
-bhaṅgâ̱rṇava m. N. of a compendium of civil law by Jagan-nātha (compiled at the close of the last century);
- bhīru mfn. afraid of a quarrel orᅠ contest Mālav. ;
-ratnâ̱kara m. (IW. 305), - vāridhi m. N. of wks. on law;
- ṡamana n. the allaying orᅠ settling of a dispute, pacification LiṇgaP. ;
- saṉvāda-bhū f. a matter orᅠ subject of controversy orᅠ discussion BhP. ;
-sārâ̱rṇava m. N. of a compendium of law by Sarvôru Trivedin (compiled by order of Sir William Jones);
- sindhu m. - setu m. - saukhya n. N. of wks.;
-dâ̱dhyāsita mfn. subject to dispute, disputed, discussed Sarvad. ;
-dâ̱navasara m. not an occasion for dispute orᅠ contest BhP. ;
-dâ̱nugata mfn. subject to dispute orᅠ litigation Yājñ. Sch. ;
-dâ̱rṇava-bhaṅga m. ( orᅠ - bhañjana n.) N. of wk. on law (compiled by a number of Paṇḍits);
-dâ̱rṇava-setu m. N. of a legal digest by Bāṇêṡvara andᅠ others (compiled by order of Warren Hastings);
-dâ̱rthin m. seeking for litigation, a litigant, prosecutor, plaintiff Yājñ. Sch. ;
-dâ̱spada n. the subject of a lawsuit (- di-bhūta) mfn. become the subject of a lawsuit, litigated, contested at law) ib.
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10 शब्दताण्डव
ṡábda-tāṇḍavan. N. of wks.
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11 शिव
ṡivámf (ā́)n. (according to Uṇ. I, 153, fr. 1. ṡī, « in whom all things lie» ;
perhaps connected with ṡvi cf. ṡavas, ṡiṡvi) auspicious, propitious, gracious, favourable, benign, kind, benevolent, friendly, dear (ám ind. kindly, tenderly) RV. etc. etc.;
happy, fortunate BhP. ;
m. happiness, welfare (cf. n.) R. V, 56, 36 ;
liberation, final emancipation L. ;
« The Auspicious one»
N. of the disintegrating orᅠ destroying andᅠ reproducing deity (who constitutes the third god of the Hindū Trimūrti orᅠ Triad, the other two being Brahmā. « the creator» andᅠ Vishṇu « the preserver» ;
in the Veda the only N. of the destroying deity wss Rudra « the terrible god»,
but in later times it became usual to give that god the euphemistic N. Ṡiva « the auspicious» <just as the Furies were called Eὐμενίδες « the gracious ones» >, andᅠ to assign him the office of creation andᅠ reproduction as well as dissolution;
in fact the preferential worship of Ṡiva as developed in the Purāṇas andᅠ Epic poems led to his being identified with the Supreme Being by his exclusive worshippers < called Ṡaivas>;
in his character of destroyer he is sometimes called Kāla « black», andᅠ is then alsoᅠ identified with Time, although his active destroying function is then oftener assigned to his wife under her name Kālī, whose formidable character makes her a general object of propitiation by sacrifices;
as presiding over reproduction consequent on destruction Ṡiva's symbol is the Liṇga <q.v.> orᅠ Phallus, under which form he is worshipped all over India at the present day;
again one of his representations is as Ardha-nārī, « half-female», the other half being male to symbolize the unity of the generative principle RTL. 85 ;
he has three eyes, one of which is in his forehead, andᅠ which are thought to denote his view of the three divisions of time, past, present, andᅠ future, while a moon's crescent, above the central eye, marks the measure of time by months, a serpent round his neck the measure by years,
andᅠ a second necklace of skulls with other serpents about his person, the perpetual revolution of ages, andᅠ the successive extinction andᅠ generation of the races of mankind:
his hair is thickly matted together, andᅠ gathered above his forehead into a coil;
on the top of it he bears the Ganges, the rush of which in its descent from heaven he intercepted by his head that the earth might not be crushed by the weight of the falling stream;
his throat is dark-blue from the stain of the deadly poison which would have destroyed the world had it not been swallowed by him on its production at the churning of the ocean by the gods for the nectar of immortality;
he holds a tri-ṡūla, orᅠ three-pronged trident < alsoᅠ called Pināka> in his hand to denote, as some think, his combination of the three attributes of Creator, Destroyer, andᅠ Regenerator;
he alsoᅠ carries a kind of drum, shaped like an hour-glass, called Ḍamaru:
his attendants orᅠ servants are called Pramatha <qq.vv.>;
they are regarded as demons orᅠ supernatural beings of different kinds, andᅠ form various hosts orᅠ troops called Gaṇas;
his wife Durgā <otherwise called Kālī, Pārvatī, Umā, Gaurī, Bhavāṇī etc.> is the chief object of worship with the Ṡāktas andᅠ Tāntrikas, andᅠ in this connection he is fond of dancing < seeᅠ tāṇḍava> andᅠ wine-drinking;
he is alsoᅠ worshipped as a great ascetic andᅠ is said to have scorched the god of love (Kāma-deva) to ashes by a glance from his central eye, that deity having attempted to inflame him with passion for Pārvatī whilst he was engaged in severe penance;
in the exercise of his function of Universal Destroyer he is fabled to have burnt up the Universe andᅠ all the gods, including Brahmā. andᅠ Vishṇu, by a similar scorching glance,
andᅠ to have rubbed the resulting ashes upon his body, whence the use of ashes in his worship, while the use of the Rudrâksha berries originated, it is said, from the legend that Ṡiva,
on his way to destroy the three cities, called Tri-pura, let fall some tears of rage which became converted into these beads:
his residence orᅠ heaven is Kailāsa, one of the loftiest northern peaks of the Himâlaya;
he has strictly no incarnations like those of Vishṇu, though Vīra-bhadra andᅠ the eight Bhairavas andᅠ Khaṇḍo-bā etc. RTL. 266 are sometimes regarded as forms of him;
he is especially worshipped at Benares andᅠ has even more names than Vishṇu,
one thousand andᅠ eight being specified in the 69th chapter of the Ṡiva-Purāṇa andᅠ in the 17th chapter of the Anuṡāsana-parvan of the Maha-bhārata, some of the most common being Mahā-deva, Ṡambhu, Ṡaṃkara, Īṡa, Īṡvara, Mahêṡvara, Hara;
his sons are Gaṇêṡa andᅠ Kārttikeya) ĀṡvṠr. MBh. Kāv. etc.. RTL. 73 ;
a kind of second Siva (with Ṡaivas), a person who has attained a partic. stage of perfection orᅠ emancipation MBh. Sarvad. ;
ṡiva-liṅga L. ;
any god L. ;
a euphemistic N. of a jackal (generally ṡivā f. q.v.);
sacred writings L. ;
(in astron.) N. of the sixth month;
a post for cows (to which they are tied orᅠ for them to rub against) L. ;
bdellium L. ;
the fragrant bark of Feronia Elephantum L. ;
Marsilia Dentata L. ;
a kind of thorn-apple orᅠ = puṇḍarīka (the tree) L. ;
quicksilver L. (cf. ṡiva-bīja);
a partic. auspicious constellation L. ;
a demon who inflicts diseases Hariv. ;
= ṡukra m. kāla m. vasu m. L. ;
the swift antelope L. ;
rum, spirit distilled from molasses L. ;
buttermilk L. ;
a ruby L. ;
a peg L. ;
time L. ;
N. of a son of Medhâtithi MārkP. ;
of a son of Idhma-jihva BhP. ;
of a prince andᅠ various authors ( alsoᅠ with dīkshita, bhaṭṭa, paṇḍita, yajvan, sūri etc.) Cat. ;
of a fraudulent person Kathās. ;
(du.) the god Ṡiva andᅠ his wife Kir. V, 40 Pracaṇḍ. I, 20 ;
(cf. Vām. V, 2, 1);
pl. N. of a class of gods in the third Manvantara Pur. ;
of a class of Brāhmans who have attained a partic. degree of perfection like that of Ṡiva MBh. ;
(ā) f. Ṡiva's wife ( alsoᅠ ṡivī) seeᅠ ṡivā below ;
(am) n. welfare, prosperity, bliss ( āya, éna orᅠ ébhis, « auspiciously, fortunately, happily, luckily» ;
ṡivāyagamyatām, « a prosperous journey to you!») RV. etc. etc.;
final emancipation L. ;
water L. ;
rock-salt L. ;
sea-salt L. ;
a kind of borax L. ;
iron L. ;
myrobolan L. ;
Tabernaemontana Coronaria L. ;
sandal L. ;
N. of a Purāṇa (= ṡiva-purāṇa orᅠ ṡaiva) Cat. ;
of the house in which the Pāṇḍavas were to be burnt MārkP. ;
of a Varsha in Plaksha-dvīpa andᅠ in Jambu-dvīpa Pur. ;
- शिवकण्ठमलिका
- शिवकर
- शिवकर्णामृत
- शिवकर्णी
- शिवकवच
- शिवकाञ्ची
- शिवकान्ता
- शिवकान्ती
- शिवकामदुघा
- शिवकारिणी
- शिवकिंकर
- शिवकीर्तन
- शिवकुण्ड
- शिवकुसुमाञ्जलि
- शिवकृष्ण
- शिवकेशादिपादान्तवर्णनस्तोत्र
- शिवकेसर
- शिवकोपमुनि
- शिवकोश
- शिवक्षेत्र
- शिवखण्ड
- शिवगङ्गा
- शिवगण
- शिवगति
- शिवगया
- शिवगायत्री
- शिवगीता
- शिवगुप्तदेव
- शिवगुरु
- शिवघर्मज
- शिवंकर
- शिवचक्र
- शिवचतुःश्लोकीव्याख्या
- शिवचतुर्दशी
- शिवचन्द्र
- शिवचम्पू
- शिवचरित्र
- शिवचित्त
- शिवजी
- शिवज्ञ
- शिवज्ञान
- शिवज्योतिर्विद्
- शिवतत्त्व
- शिवतन्त्र
- शिवतम
- शिवतर
- शिवता
- शिवताण्डव
- शिवताति
- शिवताल
- शिवतीर्थ
- शिवत्व
- शिवदण्डक
- शिवदत्त
- शिवदयालु
- शिवदयासहर्स्र
- शिवदशक
- शिवदायिन्
- शिवदारु
- शिवदास
- शिवदिश्
- शिवदीक्षा
- शिवदीन
- शिवदूतिका
- शिवदूती
- शिवदृष्टि
- शिवदेव
- शिवदैव
- शिवद्युमणिदीपिका
- शिवद्रुम
- शिवद्विष्टा
- शिवधनुर्वेद
- शिवधर्म
- शिवधातु
- शिवधार
- शिवधारिणी
- शिवध्यानपद्धति
- शिवनक्षत्रपुरुषव्रत
- शिवनक्षत्रमालिका
- शिवनाथ
- शिवनाभि
- शिवनामावली
- शिवनामाष्टोत्तरशत
- शिवनारायण
- शिवनिर्माल्यभक्षण
- शिवनिर्वाणस्तोत्र
- शिवपञ्चमुखध्यान
- शिवपञ्चवदनस्तोत्र
- शिवपञ्चाक्षरस्तोत्र
- शिवपञ्चाक्षरी
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12 शिवताण्डव
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13 सूक्त्यादर्श
sû̱kty-ādarṡam. N. of wk. on Bhakti by Kavi-tāṇḍava
См. также в других словарях:
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Tandava — IAST|Tāndava or IAST|Tāndava nṛtya, the divine art form, is a dance performed by Lord Shiva and Goddess Parvati. According to Hindu mythology, Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and… … Wikipedia
Tandava — Nataraja, Lord Shiva: als kosmischer Tänzer zeigt er die rhythmische Bewegung des ganzen Kosmos. Tāṇḍava oder Tāṇḍava nṛtya, die göttliche Kunst, ist ein Tanz der vom Hindu Gott Shiva ausgeführt wird. Der Hindu Mythologie zufolge ist Shivas… … Deutsch Wikipedia
Tandava — Nataraja (‘el rey del baile’), imagen del dios Sivá como danzarín cósmico represenatndo el movimiento rítmico de todo el cosmos. Tāṇḍava la forma de arte divino, es una danza que realiza el dios indio Shiva. tāṇḍava nṛtya, en el sistema AITS… … Wikipedia Español
tāṇḍava — ताण्डव … Indonesian dictionary
tandava — tan·da·va … English syllables
tandava — ˈtändəvə noun ( s) Etymology: Sanskrit tāṇḍava : the energetic and virile dance type of India contrasted with lasya … Useful english dictionary
tāṇḍava-priya — ताण्डवप्रिय … Indonesian dictionary
tāṇḍava-tālika — ताण्डवतालिक … Indonesian dictionary
Shiva Tandava Stotra — (िशवताण्डवस्तोत्रम्) is a hymn of praise in the Hindu tradition that describes Shiva s power and beauty. It was sung by the demon king Ravana. Both the fourth and fifth quatrains of this hymn conclude with lists of Shiva s epithets as destroyer,… … Wikipedia
ā-nandá-tāṇḍava-pura — आनन्दताण्डवपुर … Indonesian dictionary