-
81 rapport 4/3
rapport d'image 4/3 mRapport entre la largeur et la hauteur d'un écran de télévision ou de visualisation qui est égal à 4/3.→ rapport d'image 16/9Syn. rapport d'image 4:3 m, format 4/3 m, format 4:3 m, image en 4/3 f, rapport 4/3 m, rapport 4:3 m, image en 4:3 f4:3 aspect ratioRatio between width (4 units) and height (3 units) of the TV picture on the screen.► The aspect ratio for a standard TV or monitor is 4:3.
→ 16:9 aspect ratio -
82 rapport 4:3
rapport d'image 4/3 mRapport entre la largeur et la hauteur d'un écran de télévision ou de visualisation qui est égal à 4/3.→ rapport d'image 16/9Syn. rapport d'image 4:3 m, format 4/3 m, format 4:3 m, image en 4/3 f, rapport 4/3 m, rapport 4:3 m, image en 4:3 f4:3 aspect ratioRatio between width (4 units) and height (3 units) of the TV picture on the screen.► The aspect ratio for a standard TV or monitor is 4:3.
→ 16:9 aspect ratio -
83 rapport 16/9
rapport d'image 16/9 mRapport entre la largeur et la hauteur d'un écran de télévision ou de visualisation qui est égal à 16/9.→ rapport d'image 4/3, télévision haute définitionSyn. rapport d'image 16:9, format 16/9 m, format 16:9 m, image en 16/9 f, image en 16:9 f, rapport 16/9 m, rapport 16:9 m16:9 aspect ratioRatio between width (16 units) and height (9 units) of the TV picture on the screen.→ 4:3 aspect ratio, HDTVSyn. 16:9 widescreen, widescreen formatDictionnaire Français-Anglais (UEFA Football) > rapport 16/9
-
84 rapport 16:9
rapport d'image 16/9 mRapport entre la largeur et la hauteur d'un écran de télévision ou de visualisation qui est égal à 16/9.→ rapport d'image 4/3, télévision haute définitionSyn. rapport d'image 16:9, format 16/9 m, format 16:9 m, image en 16/9 f, image en 16:9 f, rapport 16/9 m, rapport 16:9 m16:9 aspect ratioRatio between width (16 units) and height (9 units) of the TV picture on the screen.→ 4:3 aspect ratio, HDTVSyn. 16:9 widescreen, widescreen formatDictionnaire Français-Anglais (UEFA Football) > rapport 16:9
-
85 ratio
соотношение (сторон фотографии, кинокадра или экрана); пропорция; коэффициент♦ ratio of screen image соотношение сторон изображения на экране♦ aspect ratio формат кадра; соотношение сторон экрана (обычно 1,33:1,00)♦ click/through ratio (CTR) отношение числа кликов на баннер к числу его показов♦ cost ratio коэффициент (рекламных) затрат♦ height-to-width ratio соотношение высоты к ширине изображения♦ shooting ratio коэффициент расхода пленки (отношение общего метража израсходованной в ходе съемок кинопленки к полезному метражу готового фильма) -
86 web
1. n текст. ткань; рулон тканиin web — в штуках, в торговых кусках
full-width web — полноформатная лента; полноформатный рулон
paper web — лента бумаги, бумажная лента; бумажный рулон
2. n текст. тканое изделие3. n текст. паутина, сеткаworld-wide web — сеть связи "Всемирная паутина"
4. n текст. трикотажное полотно5. n текст. сеть, сплетениеweb " pages " — страницы сети
web " sites " — узлы сети
6. n текст. тесьма; шнур7. n текст. зоол. перепонка8. n текст. анат. соединительная ткань9. n текст. спец. простенок; перемычка10. n текст. ребро11. n текст. плечо, щека12. n текст. полотно13. n текст. диск14. n текст. стержень15. n текст. полка16. n текст. зоол. опахало17. n текст. с. -х. лезвие лемеха18. v оплетать паутиной; плести паутинуСинонимический ряд:1. cobweb (noun) cobweb; filigree; lacework; meshes; plait; reticulation; toils; tracery; trellis2. fibre (noun) fabric; fiber; fibre; texture3. maze (noun) entanglement; jungle; knot; labyrinth; maze; mizmaze; morass; skein; snarl; tangle4. net (noun) grill; lattice; mesh; net; netting; network; screen; snare; tissue; trap -
87 mesh
1. отверстие, ячейка2. мешslot mesh — прямоугольное отверстие сита; прямоугольный меш
3. сеткаmesh spacing — шаг сетки; шаг решётки
4. нити -
88 separation
1. деление; отделение; разделение2. сортировка3. разделение книжных блоков после шитья на ниткошвейной машине4. разделение книжного блока на части5. цветоделениеcolor separation — разделение цветов; цветоделение
6. цветоделённое изображение7. цветоделённая фотоформаcontinuous tone separation — полутоновый цветоделённый негатив или позитив, полутоновая цветоделённая фотоформа
direct separation — прямой способ изготовления цветоделённых растровых фотоформ; прямое цветоделение
direct halftone separation — получение растровых цветоделённых негативов способом прямого растрирования
four-color corrected continuous tone separation — цветоделённые полутоновые фотоформы для четырёхкрасочной печати
indirect separation — косвенный способ изготовления цветоделённых растровых фотоформ; косвенное цветоделение
mechanical color separation — цветоделение путём изготовления чёрно-белых оригиналов для каждой краски
sheet reverse buckle separation — отделение листа путём приталкивания его задней кромки к неподвижному упору и выгибания
-
89 формирование изображения
1. picture generation2. imagingРусско-английский большой базовый словарь > формирование изображения
-
90 Anschütz, Ottomar
SUBJECT AREA: Photography, film and optics[br]b. 1846 Lissa, Prussia (now Leszno, Poland) d. 1907[br]German photographer, chronophotographer ana inventor.[br]The son of a commercial photographer, Anschütz entered the business in 1868 and developed an interest in the process of instantaneous photography. The process was very difficult with the contemporary wet-plate process, but with the introduction of the much faster dry plates in the late 1870s he was able to make progress. Anschütz designed a focal plane shutter capable of operating at speeds up to 1/1000 of a second in 1883, and patented his design in 1888. it involved a vertically moving fabric roller-blind that worked at a fixed tension but had a slit the width of which could be adjusted to alter the exposure time. This design was adopted by C.P.Goerz, who from 1890 manufactures a number of cameras that incorporated it.Anschütz's action pictures of flying birds and animals attracted the attention of the Prussian authorities, and in 1886 the Chamber of Deputies authorized financial support for him to continue his work, which had started at the Hanover Military Institute in October 1885. Inspired by the work of Eadweard Muybridge in America, Anschütz had set up rows of cameras whose focal-plane shutters were released in sequence by electromagnets, taking twenty-four pictures in about three-quarters of a second. He made a large number of studies of the actions of people, animals and birds, and at the Krupp artillery range at Meppen, near Essen, he recorded shells in flight. His pictures were reproduced, and favourably commented upon, in scientific and photographic journals.To bring the pictures to the public, in 1887 he created the Electro-Tachyscope. The sequence negatives were printed as 90 x 120 mm transparencies and fixed around the circumference of a large steel disc. This was rotated in front of a spirally wound Geissler tube, which produced a momentary brilliant flash of light when a high voltage from an induction coil was applied to it, triggered by contacts on the steel disc. The flash duration, about 1/1000 of a second, was so short that it "froze" each picture as it passed the tube. The pictures succeeded each other at intervals of about 1/30 of a second, and the observer saw an apparently continuously lit moving picture. The Electro-Tachyscope was shown publicly in Berlin at the Kulturministerium from 19 to 21 March 1887; subsequently Siemens \& Halske manufactured 100 machines, which were shown throughout Europe and America in the early 1890s. From 1891 his pictures were available for the home in the form of the Tachyscope viewer, which used the principle of the zoetrope: sequence photographs were printed on long strips of thin card, perforated with narrow slots between the pictures. Placed around the circumference of a shallow cylinder and rotated, the pictures could be seen in life-like movement when viewed through the slots.In November 1894 Anschütz displayed a projector using two picture discs with twelve images each, which through a form of Maltese cross movement were rotated intermittently and alternately while a rotating shutter allowed each picture to blend with the next so that no flicker occurred. The first public shows, given in Berlin, were on a screen 6×8 m (20×26 ft) in size. From 22 February 1895 they were shown regularly to audiences of 300 in a building on the Leipzigstrasse; they were the first projected motion pictures seen in Germany.[br]Further ReadingJ.Deslandes, 1966, Histoire comparée du cinéma, Vol. I, Paris. B.Coe, 1992, Muybridge and the Chronophotographers, London.BC -
91 Goldmark, Peter Carl
[br]b. 2 December 1906 Budapest, Hungaryd. 7 December 1977 Westchester Co., New York, USA[br]Austro-Hungarian engineer who developed the first commercial colour television system and the long-playing record.[br]After education in Hungary and a period as an assistant at the Technische Hochschule, Berlin, Goldmark moved to England, where he joined Pye of Cambridge and worked on an experimental thirty-line television system using a cathode ray tube (CRT) for the display. In 1936 he moved to the USA to work at Columbia Broadcasting Laboratories. There, with monochrome television based on the CRT virtually a practical proposition, he devoted his efforts to finding a way of producing colour TV images: in 1940 he gave his first demonstration of a working system. There then followed a series of experimental field-sequential colour TV systems based on segmented red, green and blue colour wheels and drums, where the problem was to find an acceptable compromise between bandwidth, resolution, colour flicker and colour-image breakup. Eventually he arrived at a system using a colour wheel in combination with a CRT containing a panchromatic phosphor screen, with a scanned raster of 405 lines and a primary colour rate of 144 fields per second. Despite the fact that the receivers were bulky, gave relatively poor, dim pictures and used standards totally incompatible with the existing 525-line, sixty fields per second interlaced monochrome (black and white) system, in 1950 the Federal Communications Commission (FCC), anxious to encourage postwar revival of the industry, authorized the system for public broadcasting. Within eighteen months, however, bowing to pressure from the remainder of the industry, which had formed its own National Television Systems Committee (NTSC) to develop a much more satisfactory, fully compatible system based on the RCA three-gun shadowmask CRT, the FCC withdrew its approval.While all this was going on, Goldmark had also been working on ideas for overcoming the poor reproduction, noise quality, short playing-time (about four minutes) and limited robustness and life of the long-established 78 rpm 12 in. (30 cm) diameter shellac gramophone record. The recent availability of a new, more robust, plastic material, vinyl, which had a lower surface noise, enabled him in 1948 to reduce the groove width some three times to 0.003 in. (0.0762 mm), use a more lightly loaded synthetic sapphire stylus and crystal transducer with improved performance, and reduce the turntable speed to 33 1/3 rpm, to give thirty minutes of high-quality music per side. This successful development soon led to the availability of stereophonic recordings, based on the ideas of Alan Blumlein at EMI in the 1930s.In 1950 Goldmark became a vice-president of CBS, but he still found time to develop a scan conversion system for relaying television pictures to Earth from the Lunar Orbiter spacecraft. He also almost brought to the market a domestic electronic video recorder (EVR) system based on the thermal distortion of plastic film by separate luminance and coded colour signals, but this was overtaken by the video cassette recorder (VCR) system, which uses magnetic tape.[br]Principal Honours and DistinctionsInstitute of Electrical and Electronics Engineers Morris N.Liebmann Award 1945. Institute of Electrical and Electronics Engineers Vladimir K. Zworykin Award 1961.Bibliography1951, with J.W.Christensen and J.J.Reeves, "Colour television. USA Standard", Proceedings of the Institute of Radio Engineers 39: 1,288 (describes the development and standards for the short-lived field-sequential colour TV standard).1949, with R.Snepvangers and W.S.Bachman, "The Columbia long-playing microgroove recording system", Proceedings of the Institute of Radio Engineers 37:923 (outlines the invention of the long-playing record).Further ReadingE.W.Herold, 1976, "A history of colour television displays", Proceedings of the Institute of Electrical and Electronics Engineers 64:1,331.See also: Baird, John LogieKF -
92 aspect ratio
"The width-to-height ratio of a video or still image, or of the screen on which an image is displayed." -
93 column
"A series of items arranged vertically within some type of framework--for example, a continuous series of cells running from top to bottom in a spreadsheet, a set of lines of specified width on a printed page, a vertical line of pixels on a video screen, or a set of values aligned vertically in a table or matrix."
См. также в других словарях:
Screen Cinema — Infobox generic style0 = class= infobox style= width:18em; font size:90%; color = red name = Screen Cinema sub0 = Dublin cinema| img1 = Screencinema.jpg width1 = 220px cap1 = Screen Cinema, Dublin during the 2008 Jameson Dublin International Film … Wikipedia
screen width — The number of characters that a computer can display on one line. On most modern computers, it is 80 characters. Same as video width. See also columns … Dictionary of telecommunications
screen facade — noun : a facade that conceals the form or dimensions of the building to which it is attached (as by exceeding the building in height or width) … Useful english dictionary
wide-screen — adjective (motion pictures) projected on a screen with much greater width than height (Freq. 1) • Similar to: ↑wide, ↑broad * * * ˈ ̷ ̷| ̷ ̷ adjective : of or relating to a projected picture whose aspect ratio is substantially greater than 1.33:1 … Useful english dictionary
Window screen — A window screen, insect screen or bug screen is a metal wire, fiberglass, or other synthetic fiber mesh, stretched in a frame of wood or metal, designed to cover the opening of an open window. Its primary purpose is to keep leaves, debris,… … Wikipedia
Never Mind the Quality Feel the Width (film) — Never Mind the Quality Feel the Width is a 1973 British comedy film directed by Ronnie Baxter and starring John Bluthal, Joe Lynch and Bernard Stone.[1] It was a spinoff from the ITV television series Never Mind the Quality Feel the Width about… … Wikipedia
Large-screen television technology — developed rapidly in the late 1990s and 2000s. Various flat screen technologies are being developed, but only the liquid crystal display (LCD), plasma display (PDP) and Digital Light Processing (DLP) were released on the public market. These… … Wikipedia
Retractable screen — Retractable screens provide a barrier to insects entering the interior while allowing the option of an unobstructed view, without a traditional hinged or sliding screen door.[1] Contents 1 Description 2 Operation 3 … Wikipedia
Full-screen writing program — In computing, a full screen writing program[1] or distraction free editor[2][3][4] is a text editor that occupies the full display with the purpose of isolating the writer from the operating system (OS) and other applications. In this way one… … Wikipedia
wide screen — noun a projection screen that is much wider than it is high (Freq. 1) • Hypernyms: ↑screen, ↑silver screen, ↑projection screen * * * wide screen, a screen for showing motion pictures that has greater width than height and is curved to give the… … Useful english dictionary
wide-screen — wide′ screen′ adj. 1) mot sbz of, noting, or pertaining to motion pictures projected on a screen having greater width than height, in an average ratio of 2.5 to 1 2) rtv of, noting, or pertaining to a television screen that is larger than average … From formal English to slang