school+buildings

SUBJECT AREA: Horology, Mechanical, pneumatic and hydraulic engineering

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Son of Revd John Hooke, minister of the parish, he was a sickly child who was subject to headaches which prevented protracted study. He devoted his time while alone to making mechanical models including a wooden clock. On the death of his father in October 1648 he was left £100 and went to London, where he became a pupil of Sir Peter Lely and then went to Westminster School under Dr Busby. There he learned the classical languages, some Hebrew and oriental languages while mastering six books of Euclid in one week. In 1653 he entered Christ Church College, Oxford, where he graduated MA in 1663, after studying chemistry and astronomy. In 1662 he was appointed Curator of Experiments to the Royal Society and was elected a Fellow in 1663. In 1665 his appointment was made permanent and he was given apartments in Gresham College, where he lived until his death in 1703. He was an indefatigable experimenter, perhaps best known for the invention of the universal joint named after him. The properties of the atmosphere greatly engaged him and he devised many forms of the barometer. He was the first to apply the spiral spring to the regulation of the balance wheel of the watch in an attempt to measure longitude at sea, but he did not publish his results until after Huygens's reinvention of the device in 1675. Several of his "new watches" were made by Thomas Tompion, one of which was presented to King Charles II. He is said to have invented, among other devices, thirty different ways of flying, the first practical system of telegraphy, an odometer, a hearing aid, an arithmetical machine and a marine barometer. Hooke was a small man, somewhat deformed, with long, lank hair, who went about stooped and moved very quickly. He was of a melancholy and mistrustful disposition, ill-tempered and sharp-tongued. He slept little, often working all night and taking a nap during the day. John Aubrey, his near-contemporary, wrote of Hooke, "He is certainly the greatest Mechanick this day in the World." He is said to have been the first to establish the true principle of the arch. His eyesight failed and he was blind for the last year of his life. He is best known for his Micrographia, or some Physiological Descriptions of Minute Bodies, first published in 1665. After the Great Fire of London, he exhibited a model for the rebuilding of the City. This was not accepted, but it did result in Hooke's appointment as one of two City Surveyors. This proved a lucrative post and through it Hooke amassed a fortune of some thousands of pounds, which was found intact after his death some thirty years later. It had never been opened in the interim period. Among the buildings he designed were the new Bethlehem (Bedlam) Hospital, the College of Physicians and Montague House.

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SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering

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William Sellers was educated at a private school that had been established by his father and other relatives for their children, and at the age of 14 he was apprenticed for seven years to the machinist's trade with his uncle. At the end of his apprenticeship in 1845 he took charge of the machine shop of Fairbanks, Bancroft \& Co. in Providence, Rhode Island. In 1848 he established his own factory manufacturing machine tools and mill gearing in Philadelphia, where he was soon joined by Edward Bancroft, the firm becoming Bancroft \& Sellers. After Bancroft's death the name was changed in 1856 to William Sellers \& Co. and Sellers served as President until the end of his life. His machine tools were characterized by their robust construction and absence of decorative embellishments. In 1868 he formed the Edgemoor Iron Company, of which he was President. This company supplied the structural ironwork for the Centennial Exhibition buildings and much of the material for the Brooklyn Bridge. In 1873 he reorganized the William Butcher Steel Works, renaming it the Midvale Steel Company, and under his presidency it became a leader in the production of heavy ordnance. It was at the Midvale Steel Company that Frederick W. Taylor began, with the encouragement of Sellers, his experiments on cutting tools.

In 1860 Sellers obtained the American rights of the patent for the Giffard injector for feeding steam boilers. He later invented his own improvements to the injector, which numbered among his many other patents, most of which related to machine tools. Probably Sellers's most important contribution to the engineering industry was his proposal for a system of screw threads made in 1864 and later adopted as the American national standard.

Sellers was a founder member in 1880 of the American Society of Mechanical Engineers and was also a member of many other learned societies in America and other countries, including, in Britain, the Institution of Mechanical Engineers and the Iron and Steel Institute.

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SUBJECT AREA: Architecture and building

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Sullivan, a Bostonian, studied at the Massachusetts Institute of Technology. Soon he joined his parents, who had moved to Chicago, and worked for a while in the office of William Le Baron Jenney, the pioneer of steel-frame construction. After spending some time studying at the Ecole des Beaux Arts in Paris, in 1875 Sullivan returned to Chicago, where he later met and worked for the Danish architect Dankmar Adler, who was practising there. In 1881 the two architects became partners, and during the succeeding fifteen years they produced their finest work and the buildings for which Sullivan is especially known.

During the early 1880s in Chicago, load-bearing, metal-framework structures that made lofty skyscrapers possible had been developed (see Jenney and Holabird). Louis H.Sullivan initiated building design to stress and complement the metal structure rather than hide it. Moving onwards from H.H.Richardson's treatment of his Marshall Field Wholesale Store in Chicago, Sullivan took the concept several stages further. His first outstanding work, built with Adler in 1886–9, was the Auditorium Building in Chicago. The exterior, in particular, was derived largely from Richardson's Field Store, and the building—now restored—is of bold but simple design, massively built in granite and stone, its form stressing the structure beneath. The architects' reputation was established with this building.

The firm of Sullivan \& Adler established itself during the early 1890s, when they built their most famous skyscrapers. Adler was largely responsible for the structure, the acoustics and function, while Sullivan was responsible for the architectural design, concerning himself particularly with the limitation and careful handling of ornament. In 1892 he published his ideas in Ornament in Architecture, where he preached restraint in its quality and disposition. He established himself as a master of design in the building itself, producing a rhythmic simplicity of form, closely related to the structural shape beneath. The two great examples of this successful approach were the Wainwright Building in St Louis, Missouri (1890–1) and the Guaranty Building in Buffalo, New York (1894–5). The Wainwright Building was a ten-storeyed structure built in stone and brick and decorated with terracotta. The vertical line was stressed throughout but especially at the corners, where pilasters were wider. These rose unbroken to an Art Nouveau type of decorative frieze and a deeply projecting cornice above. The thirteen-storeyed Guaranty Building is Sullivan's masterpiece, a simple, bold, finely proportioned and essentially modern structure. The pilaster verticals are even more boldly stressed and decoration is at a minimum. In the twentieth century the almost free-standing supporting pillars on the ground floor have come to be called pilotis. As late as the 1920s, particularly in New York, the architectural style and decoration of skyscrapers remained traditionally eclectic, based chiefly upon Gothic or classical forms; in view of this, Sullivan's Guaranty Building was far ahead of its time.

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[΄pʌblik] n հասարակություն, ժողովուրդ. the general public լայն հասարակությունը the theatre-going public թատերասեր հասարակությունը in public հասարակայնորեն

[΄pʌblik] a հասարակական, ժողովրդա կան, հանրային. պետականացված, պետական. public buildings/toilets հասարա կական շենքեր/զուգարաններ. public holidays ժողովրդական/ազգային տոներ. public authority պետական ձեռնարկություն. public figure հասարակական գործիչ. public spirit քաղաքացիական ոգի. public library/debate հանրային գրադա րան. բաց քննարկումներ. public property հանրային սեփականություն. public prosecutor իրավ. պետա կան մեղադրյալ, դատախազ. public transport քաղաքային/հանրային տրանսպորտ. public school մասնավոր դպրոց. make smth public հրապարակային դարձնել

[΄pʌblik] a հմկրգ. հասանելի, ընդհանուր. public data հասանելի տվյալներ. public data base հասանելի տյալ ների բազա. public domain software անվճար գրադարանա յին ապահովում