-
61 χείρ
χείρ, ἡ, χειρός, χειρί, χεῖρα, dual χεῖρε, χεροῖν, pl. χεῖρες, χερῶν, χεῖρας, penult. being regularly short, when the ult. is long; dat. pl. regularly χερσί ( χειρσί occurs in cod.Vat. of LXX, as Jd.7.19, 1 Ch.5.10, and late Inscrr. as CIG2811A b.10 ([place name] Aphrodisias), 2942c ([place name] Tralles): but Poets used the penult. long or short in all cases, as the verse required, χερός, χερί, χέρα, χέρε, χέρες, χέρας (of which Hom. uses onlyχερί; χέρα h.Pan.40
); gen. dual (lyr.), 1394 (lyr.), IG22.1498.76; gen. pl. χειρῶν ib.31, common in Prose.—Poet. forms, dat. pl. χείρεσι ([etym.] ν ) once in Hom., Il.20.468, also Q.S.2.401, 5.469 (v.l.);χείρεσσι Il.12.382
, Pi.O.10(11).62, S.Ant. 976 (lyr.), 1297 (lyr.), and once in trim., E.Alc. 756; χέρεσσι ([etym.] ν) Hes.Th. 519, 747, B.17.49; ([place name] Galatia):—[dialect] Dor. nom. [full] χέρς Timocr.9; [full] χήρ Sophr. in PSI11.1214a3 (also, = δίψακος, Ps.-Dsc.3.11); gen.χηρός Alcm.32
, IG42(1).121.22 (Epid., iv B. C.); acc. pl. χῆρας ib.96, [dialect] Aeol.χέρρας Alc.Supp.4.21
, Theoc.28.9.—On the accent and declension of these forms, v. Hdn.Gr.2.277, 748:— the hand, whether closed,παχεῖα Il.3.376
;βαρεῖα 11.235
, al.; or open, flat, χερσὶ καταπρηνέσσι, χειρὶ καταπρηνεῖ, 15.114, Od.13.164, al.;εἰς τὴν χ. ἐγχεάμενοί τι X.Cyr.1.3.9
: freq. in pl. where a single hand is meant, Il.23.384, etc.; reversely, sg. where more than one hand is spoken of, e.g. Od.3.37, etc.; dual joined with pl.,ἄμφω χεῖρας 8.135
;χεῖρε ἀμφοτέρας Il.21.115
.2 hand and arm, arm (cf. Ruf.Onom.11,82, Gal.2.347),πῆχυν χειρὸς δεξιτερῆς Il.21.166
; ;χεῖρες ἀπ' ὤμων ἀΐσσοντο Hes.Th. 150
;χ. εἰς ὤμους γυμναί Longus 1.4
; ἐν χερσὶ γυναικῶν πεσέειν into the arms, Il.6.81, etc.: hence, words are added to denote the hand as distinct from the arm,ἄκρην οὔτασε χεῖρα 5.336
;περὶ ἄκραις ταῖς χ. χειρῖδας ἔχουσι X.Cyr.8.8.17
, cf. Pl. Prt. 352a.3 of the hand or paw of animals,ὅσα [ζῷα] χεῖρας ἔχει X.Mem.1.4.14
; πορεύεσθαι ἐπὶ χειρῶν go on all fours. LXX Le.11.27; so of monkeys, Arist.HA 502b3; of the fore-paws of the hyena, Id.Fr. 369; of the bear, Plu.2.919a.II Special usages:1 to denote position, ποτέρας τῆς χερός; on which hand? E.Cyc. 681;ἐπὶ δεξιὰ χειρός Pi.P.6.19
;ἐπ' ἀριστερὰ χειρός Od.5.277
;χειρὸς εἰς τὰ δεξιά S.Fr. 598
;λαιᾶς χειρός A.Pr. 714
(but χείρ is often omitted with δεξιά, ἀριστερά, as we say the right, the left).2 freq. in dat. of all numbers with Verbs which imply the use of hands, λάβε χειρί, χερσὶν ἑλέσθαι, Il.5.302, 10.501;χερσὶν ἀσπάζεσθαι Od.3.35
;προκαλίζεσθαι 18.20
; χειρί, χεροῖν ψαῦσαι, S.OT 1510, 1466: sts. this dat. is added pleon. by way of emphasis,ὄνυξι συλλαβὼν χερί Id.Aj. 310
.3 gen., by the hand,χειρὸς ἔχειν τινά Il.4.154
;χειρὸς ἑλών 1.323
, etc.; γέροντα δὲ χειρὸς ἀνίστη he raised him by the hand, 24.515, cf. Od.14.319;χερὶ χειρὸς ἑλών Pi.P.9.122
;τινὰ χειρός ἑλκειν Id.N.11.32
;ἀνέλκειν τινὰ τῆς χ. Ar.V. 569
(anap.).4 the acc. is used when one takes the hand of a person,χεῖρα γέροντος ἑλών Il. 24.361
;χεῖρ' ἕλε δεξιτερήν Od.1.121
; χεῖράς τ' ἀλλήλων λαβέτην, in pledge of good faith, Il.6.233; soἔμβαλλε χ. δεξιὰν πρώτιστά μοι S.Tr. 1181
; alsoἔμβαλλε χειρὸς πίστιν Id.Ph. 813
, cf. OC 1632.5 other uses of the acc.:a in prayer or entreaty, χεῖρας ἀνασχεῖν [θεοῖς] Il.3.275, etc.;ποτὶ γούνασι χεῖρας βάλλειν Od.6.310
;ἀμφὶ.. Ἀρήτης βάλε γούνασι χεῖρας Ὀδυσσεύς 7.142
; ;ἀμφί τινι χεῖρε β. 21.223
;περίβαλε δὲ χέρας Ar.Th. 914
, cf. A.Ag. 1559 (anap.);χεῖρας προΐσχεσθαι Th.3.58
, 66; so alsoχεῖρας ἀείρων Od.11.423
, cf. Il.7.130 (tm.); χ. ἀνατείνειν (v.ἀνατείνω 1.1
).b τὰς χεῖρας αἴρειν to hold up hands in token of assent or choice, of persons voting, Ar.Ec. 264;τὴν χ. αἴρειν And.3.41
;ὅτῳ δοκεῖ ταῦτα, ἀράτω τὴν χ. X.An.5.6.33
, cf. 7.3.6; ἀνατεινάτω τὴν χ. ib.3.2.9, 33;χεῖρας ὀρεγνύς Il.22.37
;χεῖρ' ὀρέγων εἰς οὐρανόν 15.371
;χεῖρας ὀ. τινί Od.12.257
;πρός τινα Pi. P.4.240
;ποτὶ στόμα χεῖρ' ὀρέγεσθαι Il.24.506
(but χεῖρά τισι ὀ. to reach them one's hand in help, X.HG5.2.17); alsoχεῖρε ἑτάροισι πετάσσας Il.4.523
, etc.;πιτνὰς εἰς ἐμὲ χεῖρας Od.11.392
(but χεῖρε πετάσσας abs., of one swimming, etc., 5.374, al.).I as a protector, Il.9.420, etc.: less freq. τισι, 4.249, cf. 5.433;χεῖρά θ' ὕπερθεν ἔχεις IG14.1003.10
([place name] Rome).d in hostile sense, χεῖρας or χεῖρα ἐπιφέρειν τινί, Il.1.89, 19.261, al.;χεῖρας ἐφιέναι τινί 1.567
, Od.1.254, al.;χεῖρας ἐπιβάλλειν τισί Plb.3.2.8
, etc.;χέρα τινὶ προσενεγκεῖν Pi.P.9.36
; χεῖρας ἐπί τινι ἰάλλειν, v. ἰάλλω 1.1.e χεῖρας ἀπέχειν keep hands off,λοιμοῖο βαρείας χεῖρας ἀφέξει Il.1.97
codd.;κερτομίας δέ τοι.. καὶ χεῖρας ἀφέξω.. μνηστήρων Od.20.263
;ἀθανάτων ἀπέχειν χέρας A.Eu. 350
(lyr.);τὼ χεῖρε ἀπέχεται Pl.Smp. 213d
;παύειν χεῖράς τινος Il.21.294
.f χεῖρας ἐπιτιθέναι τινί, in token of consecration, 1 Ep.Ti.5.22, etc.6 with Preps.:a ἀνὰ χεῖρας ἔχειν τινάς to be intimate with.., Plb.21.6.5;αἱ ἀνὰ χεῖρά τινων ὁμιλίαι S.E.M.1.64
; τὰ ἀνὰ χεῖρα πράγματα the matters in hand, Plu.2.614b, etc. (also οἱ ἀνὰ χ. χρόνοι the current period, PRyl.88.21 (ii A. D.); τὰ ἀνὰ χ. what comes his way, Ps.-Ptol.Centil.18; ἀνὰ χ. τῆς πύλης hard by.., LXX 2 Ki.15.2.b ἀπὸ χειρὸς λογίσασθαι to reckon off-hand, roughly, Ar.V. 656 (anap.), cf. Luc.Hist.Conscr.29: but πότισον τὴν γῆν ἀπὸ χειρός by hand, PCair.Zen.155 (iii B. C.).c διὰ χερῶν ἔχειν, λαβεῖν, literally, to have or take between the hands, A.Supp. 193, S.Ant. 916; διὰ χειρὸς ἔχειν to hold in the hand, ib. 1258 (anap.), Ar.V. 597 (anap.); to have in hand, i. e. under control, Th.2.76;διὰ χειρῶν ἔχειν τὴν πολιτείαν Arist.Pol. 1308a27
; τὰ τῶν ξυμμάχων keep under control, Th.2.13: later, to have a work in hand, be engaged in it, Phld.Acad.Ind.p.69M. ([etym.] χερός), D.H.Isoc.4;τὰ ὅπλα Plu.Cor.2
, etc. (also διὰ χ. by direct payment, opp. διὰ τῆς τραπέζης by banker's order, BGU1156.8 (i B. C.), etc.; cf.διὰ χ. ἔσπευδε τὴν πρᾶσιν Charito 1.12
); of arms,διὰ χειρὸς εἶναι Luc.Anach.35
; διὰ χ. ἔχειν, c. part., to be continually doing, Plu.2.767c;διὰ χειρός τινος ποιεῖν τι LXXJo.17.4
, al., cf. Act.Ap.7.25, al.d ἐς χεῖρας λαβεῖν τι literally, S.El. 1120, etc.; to take a matter in hand, undertake it,πρᾶγμ' ἐς χέρας λαβόντ' E.Hec. 1242
;ἄγεσθαί τι ἐς χεῖρας Hdt.1.126
, 4.79, etc.; δοῦναί τινι ἐς χέρας, εἰς χεῖρα, S.El. 1348, X.Cyr.8.8.22;καταστῆσαι εἰς τὰς χ. τινος Aeschin.2.28
; of persons, ἵκεο χεῖρας ἐς ἁμάς thou hast fallen into our hands, Il.10.448 (in Hom. also simplyὅ τι χεῖρας ἵκοιτο Od.12.331
, cf. 24.172); soεἰς χεῖρας ἐλθεῖν τινι X.Cyr.7.4.10
, cf. 2.4.15: generally, to have to do with any one, converse with him, Id.An.1.2.26 (soἐς χεῖρα γῇ ξυνῆψαν E.Heracl. 429
): most freq. ἐς χεῖρας ἐλθεῖν τισι to come to blows or close quarters with.., A.Th. 680;ἀλλήλοις Th.7.44
: abs.,εἰς χ. ἐλθεῖν Id.4.96
;ἐς χ. ἰέναι Id.2.3
, 4.72, cf. PTeb.765.6 (ii B. C.);συνιέναι X.Cyr.8.8.22
; also ἐς χειρῶν νόμον (fort. νομόν)ἀπικέσθαι Hdt.9.48
; ἐν χειρῶν νόμῳ (fort. νομῷ)ἀπόλλυσθαι Id.8.89
, cf. Aeschin.1.5, SIG167.37 (Mylasa, iv B. C.), Heraclid.Pol.25, Plb.1.34.5, 5.111.6; [full] ἐν χειρὸς νόμῳ Arist.Pol. 1285a10, D.H.6.26;ἐν χειρῶν νομαῖς SIG700.29
(Lete, ii B.C.), v. l. in LXX 3 Ma.1.5; ἐν χεροῖν δίκῃ cj. in E.Ba.738;εἰς χεῖρας συμμεῖξαι τοῖς πολεμίοις X.Cyr.2.1.11
; also εἰς χεῖρας δέχεσθαί τινας to await their charge, Id.An.4.3.31;ἐς χ. ὑπομεῖναί τινας Th. 5.72
.e ἐκ χειρός by hand of man, S.Aj.27: from near at hand, at close range,ἐκ χειρὸς βάλλειν X.An.3.3.15
; ἀμύνασθαι ib.5.4.25;μάχεσθαι Id.HG7.2.14
, cf. D.S.19.6;πληγὰς ἐκ χ. ἀναδέξασθαι Plu.
tim.4;οὐ μὴ σωθῇ ἐκ χ. σιδήρου LXX Jb.20.24
; ἡ ἐκ χ. δίκη lynch law, D.H.4.37;ἡ ἐκ χ. βία Plb.9.4.6
: metaph., ἡ ἐκ χ. θεωρία closerange reading, D.H.Isoc.2; so of time, out of hand, off-hand, forthwith, Plb.5.41.7, al.fδέπας μητρὶ ἐν χειρὶ τίθει Il.1.585
, cf. Od.13.57, 15.120, al. (always so of a cup, hence ἐν χερσὶ τίθει δέπας, though found in most codd., was condemned by the critics in Il.l.c., Od.3.51, 15.130);πρεσβήϊον ἐν χερὶ θήσω Il.8.289
; τόξον, ἔγχος ἔχων ἐν χειρί, 15.443, 17.604;σκῆπτρον δέ οἱ ἔμβαλε χειρί Od.2.37
; butἐν.. χειρὶ σκῆπτρον ἔθηκεν Il.23.568
; of a gift,ἐν χερσὶ τίθει 1.441
, 446; ἐν ταῖς χ. ἔχειν, literally, Pl.R. 432d;τὰ ὅπλ' ἐν ταῖς χ. ἔχων D.9.8
, etc. (metaph.,ἔτι μεμνημένων ὑμῶν καὶ μόνον οὐκ ἐν ταῖς χερσὶν ἕκαστ' ἐχόντων Id.18.226
); but ἐν χερσὶν ἔχειν also, to have in hand, be engaged in,τὸν γάμον Hdt.1.35
;ἑορτήν Plu.Alex.13
;τὴν περὶ Δημοσθένους πραγματείαν D.H.Th.1
;ἐν χειρί τινα δίκην ἔχων Pl.Tht. 172e
; ὁ ἐν χερσὶ πόλεμος the war in hand, D.H.8.87; περιτειχισμὸς ἐν χερσὶν ὤν ib.21;ἡ ἐν χ. ζήτησις S.E.M.11.208
, etc.; freq. of fighting, ἐν χερσί hand to hand,ἐν χ. ἦν ἡ μάχη Th.4.43
;ἐν χ. ἀποκτεῖναι Id.3.66
, cf. 4.57,96, etc.;ἐν χ. γίγνεσθαι τοῖς ἐναντίοις Id.5.72
;ἐν χ. εἶναί τινος X.HG4.6.11
;δίκη ἐν χερσί Hes.Op. 192
;ὁ ψόφος τῶν ὅπλων καὶ τῶν ἵππων ὁ φρυαγμὸς ἐν χερσὶν ἐδόκει εἶναι D.S.19.31
; ἡ ἐν χερσὶν [δυστυχία] Plu.Cleom.22: also in dual,τἀν χεροῖν S.Ant. 1345
(lyr.); ἐν χειρί τινος by the hand of.., LXX Jo.21.2, al.;ἐν χ. ἀγγέλου Act.Ap.7.35
(v.l.).g ἐπὶ χειρὸς ἔχειν on or in one's hand, Thgn.490; ἐπὶ χεῖράς τινων ἐκφέρουσι put into their hands, Plu.2.815b; also ἐπὶ χεῖρά τινος next to, LXXNe.3.4.h κατὰ χειρός, of washing the hands before meals, ὕδωρ κατὰ χειρός (sc. φερέτω τις), Ar.V. 1216, cf.Av. 464 (anap.), Fr. 502 (lyr.), Philox. 1, Ath.9.408e; (without ὕδωρ)κατὰ χ. ἐδόθη Alex.261.2
, cf. Arched. 2.3: prov. of that which is easily come by, Telecl.1.2 (anap.);πάντα μοι κατὰ χ. ἦν τὰ πράγματα
at hand,Pherecr.
146.5; also κατὰ χειρῶν δοῦναι, χέειν, λαβεῖν, Philyll.3, Antiph.287 (v.l.), Men.470 (troch.), cf. Phot.s.v. κατὰ χειρὸς ὕδωρ: κατὰ χεῖρα in deed or act,κατὰ χ. γενναιότατοι D.H.7.6
; opp. συνέσει, Plu.Phil.7; κατὰ χεῖρά σου according to thy will, LXX Si.25.26: but κατὰ χεῖρας [τῆς σοφίας] by her side, ib.14.25.i μετὰ χερσὶν ἔχειν between, i.e. in, the hands, Il.11.4, 15.717; [ἄλεισον] μετὰ χ. ἐνώμα Od.22.10
: μετὰ χεῖρας ἔχειν to have in hand, be engaged in, Hdt.7.16.β, Th.1.138.k λάβε παρὰ χεῖρα take in hand, LXX To. 11.4; but τὸ πὰρ χειρός the work in hand, B.13.10.m πρὸς χειρός τινος by his hand, A.Supp.66 (lyr.), etc.; πρὸς ἐμὴν χεῖρα at the signs given by my hand, S.Ph. 148 (anap.); πρὸς χεῖρα ὑποβορβορύζοντες on pressure, Hp.Epid.4.7.n ὑπὸ χερσὶ ἁλοῦσα under, i.e. by, another's hands, Il.2.374, etc.; ὑπὸ χεῖρα ποιεῖσθαι to bring under one's power, X.Ages.1.22; οἱ ὑπὸ χ. persons in one's power, D.6.34; ὑπὸ τὴν χ. ἐλθεῖν to come into one's hand, Luc.Herm.57, etc.; ὑπὸ χ. in hand, i.e. in stock, Arist.Mete. 369b33; but also, at hand, i.e. at once, Plu.2.548e; τὰ ὑπὸ χ. ib.56b, Dsc.1.35; ὁ ὑπὸ χ. the attendant, Dsc.5.75;παρέργως καὶ ὑπὸ χ.
extempore,Plu.
Arat.3, etc.; also καθύπο χεῖρα κινῶν [τὰς οὐσίας], in Alchemy, Ps.-Democr. p.51 B.III the hand often receives the attributes of the person using it, χ. μεγάλη, of Zeus, Il.15.695 (χ. παγκρατής, of God, Secund.Sent.3; χ. ὑπερμήκης, of the 'long arm' of the king, Hdt.8.140.β') ; θοὴ χ., of one throwing, Il.12.306;ἀφνειά Pi.O.7.1
, cf. S.El. 458; εὐσεβεστέρα, εὐφιλής, A.Ch. 141, Ag.34; κάρβανος ib. 1061; (anap.); , etc.: to denote wealth or poverty,πλειοτέρῃ σὺν χ. Od.11.359
;κενεὰς σὺν χ. ἔχοντες 10.42
, cf. E.Hel. 1280, etc.2 it is represented as acting of itself,χεῖρες μαιμῶσιν Il.13.77
, cf. S.Aj.50;χεὶρ ὁρᾷ τὸ δράσιμον A.Th. 554
;δήμου κρατοῦσα χ. Id.Supp. 604
(dub. l.): prov.,ἁ δὲ χ. τὰν χ. νίζει Epich.273
; or simply,ἁ χ. τὰν χ. AP5.207
(Mel.).3 pl., in theurgy, name for spiritual powers,αἱ δημιουργικαὶ [τοῦ Ἀπόλλωνος] δυνάμεις ἃς θεουργῶν παῖδες χεῖρας ἀποκαλοῦσιν Procl. in Cra. p.101
P., cf. eund. in R.2.252K.IV to denote act or deed, opp. mere words, in pl.,ἔπεσιν καὶ χερσὶν ἀρήξειν Il.1.77
; μνῆμ' Ἑλένης χειρῶν of her handiwork, her art, Od.15.126 (so in sg.,δώρημ' ἐκείνῳ τἀνδρὶ τῆς ἐμῆς χ. S.Tr. 603
);χερσὶν ἢ λόγῳ Id.OT 883
(lyr.), cf. OC 1297, etc.; τῇ χειρὶ χρᾶσθαι to use one's hands, i.c. be active, stirring, opp. ἀργὸς ἐπεστάναι, Hdt.3.78, cf. 9.72; τὰς χ. προσφέρειν to apply force, X.Mem.2.6.31: sg.,βούλευμα μὲν τὸ Δῖον, Ἡφαίστου δὲ χείρ A.Pr. 619
; μιᾷ χειρί single-handed, D.21.219;χειρὶ καὶ ποδὶ καὶ πάσῃ δυνάμει Aeschin.3.109
, cf. 2.115;χερσίν τε ποσίν τε Il.20.360
, cf. Pi.O.10(11).62, esp. of using the hands in a fight, cf. supr. 11.6d, e, f; of deeds of violence, πρὶν χειρῶν γεύσασθαι before we try force, Od.20.181; ἀδίκων χ. ἄρχειν to give the first blow, X.Cyr.1.5.13, Antipho 4.2.1, Lys.4.11, etc.;ἀμυνόμενος ἄρχοντα χειρῶν Pl.Lg. 869d
: generally, χεῖρες violent measures, force,ἐπίσχετε θυμὸν ἐνιπῆς καὶ χειρῶν Od.20.267
;ὑπόδικος χερῶν A.Eu. 260
(lyr.);χερσὶ πεποιθώς Il.16.624
, etc.; ἐν χειρῶν νόμῳ v. supr. 11.6d; ὅπως θανάτοιο βαρείας χ. ἀλάλκοι, v.l. for κῆρας, Il.21.548.V a number, band, body of men, esp. of soldiers,χεὶρ μεγάλη Hdt.7.157
; in dat.,οὐ σὺν μεγάλῃ χ. Id.5.72
;πολλῇ χ. 1.174
, Th.3.96, E.Heracl. 337; pleon.,χ. μεγάλῃ πλήθεος Hdt.7.20
; ; οἰκεία χείρ, for χεὶρ οἰκετῶν, E.El. 629;σὺν πλήθει χερῶν S.OT 123
.VI handwriting,τὴν ἑαυτοῦ χεῖρα ἀρνήσασθαι Hyp.Lyc.Fr.5
, cf. IG9(1).189 ([place name] Phocis); τῇ ἐμῇ χ. Παύλου I Ep. Cor.16.21, Ep.Col.4.18: copy, counterpart of a document, SIG712.31 (Crete, ii B.C.); deed, instrument,ἡ χ. ἥδε κυρία ἔστω PRein.28.18
(ii B.C.), cf. PCair.Zen. 477 (iii B.C.), etc.b handiwork of an artist or workman,γλαφυρὰ χ. Theoc.Epigr.8.5
, etc.;αἱ Ἐφεσίου χεῖρες Herod.4.72
, cf. 6.66;σοφαὶ χέρες APl.4.262
;τὰς Φειδίου χ. Lib.Or. 30.22
.VII of any implement resembling a hand:1 a kind of gauntlet, X.Eq.12.5, Poll.1.135 (pl.).2 χ. σιδηρᾶ grappling-iron, Th.4.25, 7.62; also of an anchor, AP6.38 (Phil.).4 in LXX, pillar or cairn, as it were a finger pointing to heaven,χεὶρ Ἀβεσσαλώμ LXX 2 Ki.18.18
; also ἀνέστακεν αὐτῷ χεῖρα, i.e. trophy, ib. 1 Ki.15.12.5 χεῖρες ἐλάτιναι, of oars, Tim.Pers.7.7 instrument of torture, LXX 4 Ma.8.13. -
62 shade
shade [ʃeɪd]1 noun∎ to sit in the shade s'asseoir à l'ombre;∎ 45 degrees in the shade 45 degrés à l'ombre;∎ in the shade of a tree à l'ombre d'un arbre;∎ these trees give plenty of shade ces arbres font beaucoup d'ombre;∎ the use of light and shade in the painting l'utilisation f des ombres et des lumières ou du clair-obscur dans le tableau;∎ figurative to put sb in the shade éclipser qn;∎ his achievements really put mine in the shade ses réalisations éclipsent vraiment les miennes∎ a different shade of green un ton de vert différent, une autre nuance de vert;∎ an attractive shade of blue un joli bleu;∎ all shades of political opinion were represented toutes les nuances politiques étaient représentées, tous les courants politiques étaient représentés;∎ Computing shades of grey niveaux mpl ou tons mpl de gris∎ to pull the shades (down) baisser les stores∎ Mythology the Shades les Enfers mpl, le royaume des ombres(a) (screen → eyes, face) abriter; (→ place) ombrager, donner de l'ombre à; (of hat → face) obscurcir;∎ to shade one's eyes with one's hand s'abriter les yeux de la main;∎ to shade sth from the sun protéger qch du soleil(b) (cover → light, lightbulb) masquer, voiler∎ I've shaded the background green j'ai coloré l'arrière-plan en vert∎ to shade prices établir des prix dégressifs;∎ prices shaded for quantities tarif m dégressif pour le gros(merge) se dégrader, se fondre;∎ the blue shades into purple le bleu se fond en violet;∎ these categories shade into one another ces catégories se confondent;∎ questions of right and wrong tend to shade into each other les questions du bien et du mal ont tendance à se rejoindre∎ she's a shade better today elle va un tout petit peu mieux aujourd'hui;∎ his books are just a shade too sentimental for me ses livres sont un peu trop sentimentaux pour moi∎ the shades of evening les ombres fpl du soir(c) (reminder, echo) échos mpl;∎ shades of Proust des échos mpl proustiens;∎ there are shades of 1968 ça rappelle 1968(background) hachurer, tramer; (with colour) colorer(change by degrees → colours) dégrader∎ red shading off into pink du rouge qui se fond en rose -
63 button
E-coman online interactive ad, smaller than the traditional banner, placed on a Web page and linked to an external advertiser’s site. Buttons are usually square in shape, represented to look like a push button, and located down the left or right edge of the page. -
64 Wren, Sir Christopher
SUBJECT AREA: Architecture and building[br]b. 20 October 1632 East Knoyle, Wiltshire, Englandd. 25 February 1723 London, England[br]English architect whose background in scientific research and achievement enhanced his handling of many near-intractable architectural problems.[br]Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.[br]Principal Honours and DistinctionsKnighted 1673. President, Royal Society 1681–3. Member of Parliament 1685–7 and 1701–2. Surveyor, Greenwich Hospital 1696. Surveyor, Westminster Abbey 1699.Surveyor-General 1669–1712.Further ReadingR.Dutton, 1951, The Age of Wren, Batsford.M.Briggs, 1953, Wren the Incomparable, Allen \& Unwin. M.Whinney, 1971, Wren, Thames \& Hudson.K.Downes, 1971, Christopher Wren, Allen Lane.G.Beard, 1982, The Work of Sir Christopher Wren, Bartholomew.DY -
65 Virtual Machine
wo programs can be thought of as strongly equivalent or as different realizations of the same algorithm or the same cognitive process if they can be represented by the same program in some theoretically specified virtual machine. A simple way of stating this is to say that we individuate cognitive processes in terms of their expression in the canonical language of this virtual machine. The formal structure of the virtual machine-or what I call its functional architecture-thus represents the theoretical definition of, for example, the right level of specificity (or level of aggregation) at which to view mental processes, the sort of functional resources the brain makes available-what operations are primitive, how memory is organized and accessed, what sequences are allowed, what limitations exist on the passing of arguments and on the capacities of various buffers, and so on. (Pylyshyn, 1984, p. 92)Historical dictionary of quotations in cognitive science > Virtual Machine
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