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1 графический объект
1) Computers: image2) Information technology: coded image (напр. в памяти ЭВМ), graphics object, shape objects3) Advertising: graphic objectУниверсальный русско-английский словарь > графический объект
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2 форма объекта
1) Information technology: object shape2) Mechanics: object form -
3 shade
There is an established distinction in the significations of 'shade' and 'shadow' <...> 'Shadow' is the obscurity made by the interception of light by an object, in the figure or shape of the object. 'Shade' is a like obscurity without reference to figure. 'Shade' is used when protection only from the rays of the sun is intended. The farmer, to cool and refresh himself, says, I will go into the 'shade' of a tree--never into the 'shadow'. Hence, when there is no reference to figure, but to protection only, the word 'shade' should always be used. ( Noah Webster)Русско-английский словарь механических и общенаучных терминов > shade
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4 shadow
There is an established distinction in the significations of 'shade' and 'shadow' <...> 'Shadow' is the obscurity made by the interception of light by an object, in the figure or shape of the object. 'Shade' is a like obscurity without reference to figure. 'Shade' is used when protection only from the rays of the sun is intended. The farmer, to cool and refresh himself, says, I will go into the 'shade' of a tree--never into the 'shadow'. Hence, when there is no reference to figure, but to protection only, the word 'shade' should always be used. ( Noah Webster)Русско-английский словарь механических и общенаучных терминов > shadow
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5 тень
There is an established distinction in the significations of 'shade' and 'shadow' <...> 'Shadow' is the obscurity made by the interception of light by an object, in the figure or shape of the object. 'Shade' is a like obscurity without reference to figure. 'Shade' is used when protection only from the rays of the sun is intended. The farmer, to cool and refresh himself, says, I will go into the 'shade' of a tree--never into the 'shadow'. Hence, when there is no reference to figure, but to protection only, the word 'shade' should always be used. ( Noah Webster)Русско-английский словарь механических и общенаучных терминов > тень
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6 создавать
•The magnetic moment produces a diamagnetic effect.
•It is this reaction which builds up the reservoir of activated molecules.
•Displacing a particle in one direction brings about a force in the opposite direction.
•This vibrational resonance can create new photons.
•Industrial and professional societies have brought into being (or existence) a wide variety of standards.
•Where the valley is narrow the earthflow toe forms a dam, sometimes creating a lake.
•To build up (or produce) sufficient pressure so as to ensure...
•These forces cannot develop torque.
•If the rotor is given the shape of a polygon, the lines of force exert the desired torque.
•The detonation wave upon impacting the wave shaper generates a shock wave.
•The heat generated by magnetization...
•The feedback generates parasitic laser oscillations.
•The resistance element generates precision voltages.
•The use of a driving belt could give rise to vibration.
•The model was rotated in a centrifuge to induce centrifugal forces.
•When a current passes through a wire, it sets up a magnetic field around the wire.
•The magnetic field sets up a magnetomotive force.
•The flywheels set up in the spring-mounted screen a motion which...
•The heating of the coils sets up a ventilating draught.
•The object of the experiment is to build up a high current of charged particles.
•The gradient of viscous shear stresses establishes a steady-state concentration gradient.
•These energy transitions give rise to pockets of photons.
•This brings with it acute problems of electrical interference.
•In the past 20 years the electronics industry has generated many completely new technological systems.
•The media bring into existence and cultivate a new form of common consciousness.
II•An instrument has been created (or devised) for...
•The research staffs are evolving workable designs.
•The engineers have come up with an improved technique for...
•He originated the projection method.
Русско-английский научно-технический словарь переводчика > создавать
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7 спрайт
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8 предисловие
Предисловие-- He effectively countered this possibility in his preface. Предлагать - to offer (что-либо материальное); to propose, to suggest (идею; сказуемое в дополнит. предложении с that обычно ставится в subjunctive mood); to advance, to put forward (выдвигать); to invite (приглашать сделать что-либо)This discussion proposes that the author consider oil cavitation as the cause of lubricant breakdown.It is proposed that the PC shell be a cylinder prefabricated in a mode shape which does not represent the "natural" buckled configuration.He also suggested that adjustable lifting shelves be used with the same object in mind.Русско-английский научно-технический словарь переводчика > предисловие
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9 компонент ландшафта
компонент ландшафта
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[ http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]EN
landscape component
In visual assessment work, landscapes can be divided into four major elements. a) Form is the perceived mass or shape of an object that appears unified, and which provides a consciousness of its distinction and relation of a whole to the component parts. b) Line is the real or imagined path, border, boundary, or intersection of two planes, such as a silhouette, that the eye follows when perceiving abrupt differences in form, colour or texture. c) Colour is a visual perception that enables the eye to differenciate otherwise identical objects based on the wavelengths of reflected light. d) Texture is the visual feel of a landscape. (Source: DUNSTE)
[http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]Тематики
EN
DE
FR
Русско-немецкий словарь нормативно-технической терминологии > компонент ландшафта
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10 компонент ландшафта
компонент ландшафта
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[ http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]EN
landscape component
In visual assessment work, landscapes can be divided into four major elements. a) Form is the perceived mass or shape of an object that appears unified, and which provides a consciousness of its distinction and relation of a whole to the component parts. b) Line is the real or imagined path, border, boundary, or intersection of two planes, such as a silhouette, that the eye follows when perceiving abrupt differences in form, colour or texture. c) Colour is a visual perception that enables the eye to differenciate otherwise identical objects based on the wavelengths of reflected light. d) Texture is the visual feel of a landscape. (Source: DUNSTE)
[http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]Тематики
EN
DE
FR
Русско-английский словарь нормативно-технической терминологии > компонент ландшафта
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11 компонент ландшафта
компонент ландшафта
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[ http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]EN
landscape component
In visual assessment work, landscapes can be divided into four major elements. a) Form is the perceived mass or shape of an object that appears unified, and which provides a consciousness of its distinction and relation of a whole to the component parts. b) Line is the real or imagined path, border, boundary, or intersection of two planes, such as a silhouette, that the eye follows when perceiving abrupt differences in form, colour or texture. c) Colour is a visual perception that enables the eye to differenciate otherwise identical objects based on the wavelengths of reflected light. d) Texture is the visual feel of a landscape. (Source: DUNSTE)
[http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]Тематики
EN
DE
FR
Русско-французский словарь нормативно-технической терминологии > компонент ландшафта
См. также в других словарях:
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Shape — The shape (OE. sceap Eng. created thing ) of an object located in some space refers to the part of space occupied by the object as determined by its external boundary abstracting from other aspects the object may have such as its colour, content … Wikipedia
Cognitive neuroscience of visual object recognition — Object recognition is the ability to perceive an object’s physical properties (such as shape, colour and texture) and apply semantic attributes to the object, which includes the understanding of its use, previous experience with the object and… … Wikipedia