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north+adams

  • 1 North Adams

    Норт-Адамс (США, шт. Пенсильвания)

    Англо-русский географический словарь > North Adams

  • 2 FM-91.1, Massachusetts College of Liberal Arts, North Adams, Massachusetts

    Radio: WJJW

    Универсальный русско-английский словарь > FM-91.1, Massachusetts College of Liberal Arts, North Adams, Massachusetts

  • 3 Adams, William Bridges

    [br]
    b. 1797 Madeley, Staffordshire, England
    d. 23 July 1872 Broadstairs, Kent, England
    [br]
    English inventory particularly of road and rail vehicles and their equipment.
    [br]
    Ill health forced Adams to live abroad when he was a young man and when he returned to England in the early 1830s he became a partner in his father's firm of coachbuilders. Coaches during that period were steered by a centrally pivoted front axle, which meant that the front wheels had to swing beneath the body and were therefore made smaller than the rear wheels. Adams considered this design defective and invented equirotal coaches, built by his firm, in which the front and rear wheels were of equal diameter and the coach body was articulated midway along its length so that the front part pivoted. He also applied himself to improving vehicles for railways, which were developing rapidly then.
    In 1843 he opened his own engineering works, Fairfield Works in north London (he was not related to his contemporary William Adams, who was appointed Locomotive Superintendent to the North London Railway in 1854). In 1847 he and James Samuel, Engineer to the Eastern Counties Railway, built for that line a small steam inspection car, the Express, which was light enough to be lifted off the track. The following year Adams built a broad-gauge steam railcar, the Fairfield, for the Bristol \& Exeter Railway at the insistance of the line's Engineer, C.H.Gregory: self-propelled and passenger-carrying, this was the first railcar. Adams developed the concept further into a light locomotive that could haul two or three separate carriages, and light locomotives built both by his own firm and by other noted builders came into vogue for a decade or more.
    In 1847 Adams also built eight-wheeled coaches for the Eastern Counties Railway that were larger and more spacious than most others of the day: each in effect comprised two four-wheeled coaches articulated together, with wheels that were allowed limited side-play. He also realized the necessity for improvements to railway track, the weakest point of which was the joints between the rails, whose adjoining ends were normally held in common chairs. Adams invented the fishplated joint, first used by the Eastern Counties Railway in 1849 and subsequently used almost universally.
    Adams was a prolific inventor. Most important of his later inventions was the radial axle, which was first applied to the leading and trailing wheels of a 2–4–2 tank engine, the White Raven, built in 1863; Adams's radial axle was the forerunner of all later radial axles. However, the sprung tyres with which White Raven was also fitted (an elastic steel hoop was interposed between wheel centre and tyre) were not perpetuated. His inventiveness was not restricted to engineering: in matters of dress, his adoption, perhaps invention, of the turn-down collar at a time when men conventionally wore standup collars had lasting effect.
    [br]
    Bibliography
    Adams took out some thirty five British patents, including one for the fishplate in 1847. He wrote copiously, as journalist and author: his most important book was English Pleasure Carriages (1837), a detailed description of coachbuilding, together with ideas for railway vehicles and track. The 1971 reprint (Bath: Adams \& Dart) has a biographical introduction by Jack Simmons.
    Further Reading
    C.Hamilton Ellis, 1958, Twenty Locomotive Men, Shepperton: Ian Allan, Ch. 1. See also England, George.
    PJGR

    Biographical history of technology > Adams, William Bridges

  • 4 WJJW

    Универсальный англо-русский словарь > WJJW

  • 5 Норт-Адамс

    (США, шт. Пеннсильвания) North Adams

    Русско-английский географический словарь > Норт-Адамс

  • 6 Bibliografia

       ■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.
       ■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.
       ■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.
       ■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.
       ■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.
       ■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.
       ■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.
       ■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.
       ■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.
       ■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.
       ■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.
       ■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.
       ■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.
       ■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.
       ■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.
       ■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.
       ■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.
       ■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.
       ■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.
       ■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.
       ■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.
       ■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.
       COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.
       COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.
       COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.
       CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.
       CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.
       DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.
       DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.
       DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.
       DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.
       EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.
       ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.
       FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.
       FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.
       FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.
       FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.
       FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.
       FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.
       GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.
       GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.
       GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.
       GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.
       HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.
       HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.
       HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.
       HEREDERO, Carlos F. Sam Peckinpah. Madrid: Ediciones JC, 1982.
       HILLIER, Jim y WOLLEN, Peter (editores). Howard Hawks. American Artist. Londres: BFI, 1996.
       HITT, Jim. The American West from Fiction (1823-1976) into Film (1909-1986). Jefferson, North Carolina: McFarland, 1990.
       HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.
       HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.
       HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.
       HUSTON, John. A libro abierto. Madrid: Espasa Calpe, 1986.
       JENSEN, Paul M. Fritz Lang. Madrid: JC, 1990.
       KAZAN, Elia. Mi vida. Madrid: Temas de Hoy, 1990.
       LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.
       LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.
       LEEMAN, Sergio. Robert Wise on His Films. Los Angeles: Silman-James, 1995.
       LEUTRAT, Jean-Louis. Le Western. Archeologie d’un genre. Lyon: Presses Universitaires de Lyon, 1987.
       LEUTRAT, Jean-Louis. L’Alliance brisee. Le Western des annees 1920. Lyon: Presses Universitaires de Lyon, 1985.
       LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.
       LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.
       LIANDRAT-GUIGUES, S, y LEUTRAT, J.-L. Les Cartes de l’ouest. Un genre cinematographique. Le western. Paris: Armand Colin, 1990.
       LOSILLA, Carlos y HURTADO, Jose A. Richard Fleischer, entre el cielo y el infierno. Valencia: Filmoteca de la Generalitat Valenciana, 1997.
       MAUDUY, J, y HENRIET, G. Geographies du western. Une nation en marche. Paris: Nathan, 1989.
       McBRIDE, Joseph y WILMINGTON, Michael. John Ford. Madrid: JC, 1984.
       McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.
       McCARTY, John. The Films of John Huston. Secaucus: Citadel, 1987.
       McGEE, Mark Thomas. Roger Corman. The Best of the Cheap Acts. Jefferson: McFarland, 1988.
       McGOWAN, John J. J.P. McGowan. Biography of a Hollywood Pioneer. Jefferson, North Carolina: McFarland, 2005.
       MEMBA, Javier. La serie B. Madrid: T & B, 2006.
       MENDEZ-LEITE VON HAFE, Fernando. Fritz Lang. Barcelona: Daimon, 1980.
       MERIDA, Pablo. Michael Curtiz. Madrid: Catedra, 1996.
       MERIGEAU, Pascal y BOURGOIN, Stephane. Serie B. Paris: Edilig, 1983.
       MERIKAETXEBARRIA, Anton. Raoul Walsh…a lo largo del sendero. San Sebastian: Ttarttalo, 1996.
       NASH, Jay Robert, y ROSS, Stanley Ralph. The Motion Picture Guide. 1927-1983. Cinebooks, 1985
       NUNEZ SABIN, Pedro y BELLIDO LOPEZ, Adolfo. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.
       OKUDA, Ted. Grand National, Producers Releasing Company, and Screen Guild/Lippert. Complete Filmographies with Studio Histories. Jefferson, North Carolina: McFarland, 1989.
       OLIVER, Jos y ERICE, Victor. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.
       PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.
       PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.
       PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.
       PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.
       PLACE, J.A. The Western Films of John Ford. Secaucus: Citadel, 1974.
       PLACE, J.A. The Non-Western Films of John Ford. Secaucus: Citadel, 1979.
       RAINEY, Buck, y ADAMS, Les. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.
       REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.
       RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.
       ROMERO GUILLEN, Maria Dolores. Las mujeres en el cine americano de Fritz Lang. Zaragoza: Mira, 2000.
       ROOS, Stanley Ralph, y NASH, Jay Robert. The Motion Picture Guide. 1927-1983. Cinebooks, 1985.
       SANCHEZ BIOSCA, Vicente (coordinador). Mas alla de la duda. El cine de Fritz Lang. Valencia: Universitat de Valencia,1992.
       SIEGEL, Don. A Siegel Film. An Autobiopraphy. London: Faber and Faber, 1993.
       SIMMON, Scott, y DURGNAT, Raymond. King Vidor, American. Berkeley: University of California Press, 1988.
       SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.
       STOWELL, Peter. John Ford. Boston: Twayne, 1986.
       TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.
       THOMPSON, Frank T. William A. Wellman. San Sebastian: Filmoteca Espanola, 1993.
       URKIJO, Francisco javier. Sam Peckinpah. Madrid: Catedra, 1995.
       VARIOS. John Ford. Madrid: Fimoteca espanola, 1991.
       VARIOS. King Vidor. San Sebastian: Nosferatu, n. 31, 2004.
       VARIOS. Sam Fuller. San Sebastian: Nosferatu, n. 12, 1993.
       VARIOS. Jacques Tourneur. Paris: Camera/Stylo, 1986.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees trente. Paris: Du Seuil, 1986.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees cinquante. Paris: Du Seuil, 1984.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees quatre-vingt. Paris: Du Seuil, 1988.
       WALSH, Raoul. Un demi-siecle a Hollywood. Memoires d’un cineaste. Paris: Calmann-Levy, 1976)
       WILMINGTON, Michael y McBRIDE, Joseph. John Ford. Madrid: JC, 1984.
       WOLLEN, Peter y HILLIER, Jim (editores). Howard Hawks. American Artist. Londres: BFI, 1996.
       WOOD, Robin. Howard Hawks. Madrid: JC, 1982.
       ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.
       ZUMALDE, Imanol. Paisajes del odio. El dispositivo espacial de Centauros del desierto. Valencia: Universitat de Valencia, 1995.

    English-Spanish dictionary of western films > Bibliografia

  • 7 Mexican buckskin

       Adams indicates that this term is used by northern cowboys for a longhorn driven north from Texas.

    Vocabulario Vaquero > Mexican buckskin

  • 8 Massachusetts

    [ˏmæsǝˊtʃu:sɪts] Массачусетс, ведущий штат Новой Англии на северо-востоке Атлантического побережья США <по назв. индейск. племени Massachuset (от masa большой + wachusett гора)>. Полное назв.: Содружество Массачусетс [Commonwealth of Massachusetts]. Сокращение: MA. Прозвища: «штат у залива» [*Bay State], «старая колония» [*Old Colony], «пуританский штат» [*Puritan State], «штат печёных бобов» [*Baked Bean State]. Житель штата: *Bay Stater. Столица: г. Бостон [*Boston III]. Девиз: «С мечом в руках мы жаждем мира, но только мира под сенью свободы» (лат. ‘Ense petit placidam sub libertate quietem’ — ‘By the sword we seek peace, but peace only under liberty’). Песня штата: «Все славят Массачусетс» [‘All hail to Massachusetts’]. Цветок: цветок боярышника [*mayflower]. Дерево: американский вяз [American elm]. Птица: гаичка, американская синица [*chickadee]. Напиток: клюквенный сок [*cranberry juice]. Животное: лошадь Моргана [Morgan horse]. Насекомое: божья коровка [*ladybug]. Площадь: 21,5 тыс. кв. км (18,284 sq. mi.) (45- е место). Население (1992): ок. 6 млн. (13- е место). Крупнейшие города: Бостон [*Boston III], Вустер [Worcester], Кеймбридж [*Cambridge], Фол-Ривер [Fall River], Нью-Бедфорд [*New Bedford], Куинси [Quincy]. Экономика. Ведущий штат Новой Англии с преобладанием производств, требующих мало сырья, но высококвалифицированной рабочей силы (машиностроение, электротехническая промышленность и др.). Особое развитие получила радиоэлектроника. В XIX в. в штате преобладали текстильная [Beverly, Lowell, *New Bedford, Lawrence] и обувная отрасли промышленности [Lynn, Brockton, Haverhill]. Сейчас (1990) ведущие отрасли экономики: услуги, торговля, машиностроение. Основная продукция (1990): электро- и электронное оборудование, промышленное оборудование, печатная продукция и полиграфия, металлоизделия. Сельское хозяйство пригородного типа, штат является основным поставщиком клюквы [*Cape Cod cranberries]. Основные культуры: клюква, тепличные овощи. Животноводство (1983): крупного рогатого скота — 120 тыс., свиней — 50 тыс., овец — 8 тыс., лошадей и пони — 125 тыс., птицы — 3,6 млн. Массачусетс занимает ведущее место в рыболовстве (особ. трески). Продукция рыболовства (1992): на 280,6 млн. долл. Лесное хозяйство: белая сосна, дуб, другие твёрдодревесные породы. Минералы: песок и гравий, камень, известняк. История. На территории штата пуританами [*Pilgrim Fathers], высадившимися с корабля «Мэйфлауэр» [*‘Mayflower, The’ I] в 1620, была основана первая постоянная английская колония Плимут [*Plymouth]. После первой тяжёлой зимы, собрав осенью обильный урожай, колонисты отметили первый в истории США День благодарения [*Thanksgiving Day]. Сопротивление индейцев было подавлено после войны с «королём Филиппом» [King Philip’s War] в 1675—76 гг. С середины XVIII в. Массачусетс становится одним из основных центров движения за независимость североамериканских колоний [*Boston Massacre, *Boston Tea Party], на его территории происходят первые вооружённые столкновения между повстанцами [*minutemen] и английскими войсками (см. Lexington and Concord, Battle of). После Войны за независимость Массачусетс был центром восстания во главе с Шейсом [*Shay’s rebellion]. В 1920-е гг. внимание мировой общественности было приковано к судебному процессу над профсоюзными активистами Сакко и Ванцетти [*Sacco—Vanzetti]. Достопримечательности: Кейп-Код [*Cape Cod]; Плимутская скала [*Plymouth Rock]; «Маршрут свободы» [*Freedom Trail]; концерты популярной музыки «Попс» [*Boston ‘Pops’ concerts]; Музей изящных искусств [*Boston Museum of Fine Arts] в Бостоне; Музей Арнольда Арборетума [Arnold Arboretum]; деревня колониального периода [Old Sturbridge Village]; исторический посёлок шейкеров; памятные места, связанные с минитменами [Minute Men Historical Park]; курорт Кейп-Код [*Cape Cod] с колонией художников в Провинстауне [*Provincetown]; Беркширский музыкальный фестиваль [Berkshire Music Festval]; танцевальный фестиваль Джейкоба [Jacob’s Pillow Dance Festival] и др. Знаменитые массачусетцы: Адамс, Джон [*Adams, John], 2-й президент США; Адамс, Джон Куинси [*Adams, John Quincy], 6-й президент США; Адамс, Самуэль [*Adams, Samuel], один из лидеров освободительной борьбы за независимость североамериканских колоний; Элджер, Хорейшо [*Alger, Horatio], писатель; Аттакс, Криспус [Attucks, Crispus], матрос-мулат, оказавшийся в числе первых жертв Американской революции; Энтони, Сьюзан [*Anthony, Susan], активистка движения за предоставление избирательных прав женщинам; Бартон, Клара [*Barton, Clara], медсестра, основавшая Американский Красный Крест; Белл, Александр Грэм [*Bell, Alexander Graham], изобретатель телефона; Дикинсон, Эмили [*Dickinson, Emily], поэтесса; Эмерсон, Ралф Уолдо [*Emerson, Ralph Waldo], философ и писатель; Хэнкок, Джон [*Hancock, John], политический деятель времён Американской революции; Хомер, Уинслоу [*Homer, Winslow], художник; Кеннеди, Джон Ф. [*Kennedy, John Fitzgerald], 35-й президент США; Морзе, Самуэль [*Morse, Samuel F. B.], изобретатель; По, Эдгар [*Poe, Edgar Allen], писатель и поэт; Ревир, Пол [*Revere, Paul], патриот; Сарджент, Джон [*Sargent, John Singer], художник; Торо, Генри [*Thoreau, Henry David], философ и писатель; Уистлер, Джеймс [*Whistler, James], художник. Ассоциации: первая колония в Америке, основанная «отцами-пилигримами» [*Pilgrim Fathers], высадившимися с борта корабля «Мэйфлауэр» [*‘Mayflower, The’ I]; ассоциируется с пуританизмом [*Baked Beans], судебными процессами над ведьмами [*Salem witch trials], началом Войны за независимость (см. Boston Tea Party, Boston Massacre, Old North Church, Paul Revere’s midnight ride, minutemen, Concord, Lexington), престижностью высших учебных заведений [*Harvard University, *Massachusetts Institute of Technology, *Radcliff college], снобизмом бостонского высшего общества и политическими традициями семьи Кеннеди [Kennedy family], высоким уровнем музыкального искусства [*Boston Symphony Orchestra, *Boston Pops] и самыми плохими водителями [‘the worst drivers in the world’]; Массачусетс славится треской, клюквой [*Cape Cod cranberries], тортами [Boston cream pies]; известны его спортивные команды: футбольная «Бостонские патриоты» [*‘Boston Patriots’], баскетбольная «Бостонские кельты» [*‘Boston Celtics’], бейсбольная «Красные носки» [*‘Red Sox’]

    США. Лингвострановедческий англо-русский словарь > Massachusetts

  • 9 Hillyer, Lambert

    1889-1969
       Enormemente fecundo, este especialista del western (rodo un centenar, entre mudos y sonoros) no desdeno acercarse a otros generos. El resultado es un centenar y medio sobrado de peliculas, en las que no faltan detalles de buen hacer, aunque el ex ceso sumerge el todo en la atonia. Se hizo director con Thomas Ince y logro algun western mudo de buen nivel, como The Narrow Trail (1917), con Wil liam S. Hart, para quien siempre fue su director favorito, co mo protagonista. Trabajo basicamente para Colum bia y Monogram, y hay quien afirma que si Hil lyer hu biera dispuesto de presupuestos holgados, su nombre se incluiria hoy entre los grandes del western.
        Beau Bandit. 1930. 68 minutos. Blanco y Negro. RKO. Rod LaRocque, Doris Kenyon.
        The Deadline (Reo ante la ley). 1931. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Loretta Sayers.
        One Man Law (Fraude legal). 1932. 63 minutos. Blanco y Negro. Columbia. Buck Jones, Shirley Grey.
        The Fighting Fool. 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Marceline Day.
        South of the Rio Grande (El terror de la sierra). 1932. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Mona Maris.
        Hello Trouble. 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Lina Basquette.
        White Eagle (El aguila blanca). 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.
        Forbidden Trail. 1932. 71 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.
        The California Trail. 1933. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Helen Mack.
        Unknown Valley. 1933. 69 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.
        The Fighting Code. 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Diane Sinclair.
        Sundown Rider (El jinete del ocaso). 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.
        The Man Trailer. 1934. 59 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.
        The Durango Kid. 1940. 60 minutos. Blanco y Negro. Columbia. Charles Starrett, Luana Walters, Bob Nolan.
        Beyond the Sacramento. 1940. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dub Taylor, Evelyn Kayes.
        The Wildcat of Tucson. 1940. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Evelyn Young, Dub Taylor.
        The Pinto Kid. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Bob Nolan, Louise Currie.
        North from the Lone Star. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dorothy Fay, Dub Taylor.
        The Return of Daniel Boone. 1941. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Betty Miles, Dub Taylor.
        Hands Across the Rockies. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Mary Daily, Dub Taylor.
        The Medico of Painted Springs. 1941. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Terry Walker.
        The Son of Davy Crockett. 1941. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Tayor.
        Thunder Over the Prairie. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Eileen O’Hearn, Cliff Edwards.
        King of Dodge City. 1941. 63 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Judith Linden, Dub Taylor.
        Prairie Stranger. 1941. 68 minutos. Blanco y Negro. Columbia. Charles Starrett, Patti McCarty.
        Roaring Frontiers. 1941. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Ruth Ford, Frank Mitchell.
        The Royal Mounted Patrol. 1941. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Wanda McKay, Russell Hayden.
        North of the Rockies. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Shirley Patterson,Frank Mitchell.
        Devil’s Trail. 1942. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Eileen O’Hearn, Frank Mitchell.
        Prairie Gunsmoke. 1942. 56 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Virginia Carroll, Frank Mitchell.
        Vengeance of the West. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Adele Mara, Frank Mitchell.
        Fighting Frontier. 1943. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ann Summers, Cliff Edwards.
        The Stranger from Pecos. 1943. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.
        Six Gun Gospel. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Inna Gest.
        The Texas Kid. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Shirley Patterson.
        Partners of the Trail. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.
        Law Men. 1944. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Wiley.
        Range Law. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Ellen Hall.
        West of the Rio Grande. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.
        Outlaw Brand. 1944. 56 minutos. Blanco y negro. Monogram. Johnny Mack Brown, Raymond Hatton, Nan Holliday.
        Ghost Guns. 1944. 60 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Finley.
        Stranger from Santa Fe. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Beatrice Gray.
        Beyond the Pecos. 1945. 58 minutos. Blanco y Negro. Universal. Robert Cameron, Eddie Dew, Fuzzy Knight, Jennifer Holt.
        Flame of the West. 1945. 70 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Joan Woodbury.
        South of the Rio Grande. 1945. 62 minutos. Blanco y Negro. Monogram. Duncan Renaldo, Martin Galarraga, Armida, Lillian Molieri.
        The Lost Trail. 1945. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.
        Frontier Feud. 1945. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.
        Border Bandits. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Rosa del Rosario.
        Under Arizona Skies. 1946. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Reno Browne.
        The Gentleman from Texas. 1946. 55 min. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Claudia Drake, Reno Browne, Christine McIntyre.
        Trigger Fingers. 1946. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.
        Shadows on the Range. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.
        Silver Range. 1946. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.
        Raiders of the South. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Brent, Reno Browne.
        Valley of Fear. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.
        Trailing Danger. 1947. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Peggy Wynne.
        Land of the Lawless. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, June Harrison.
        The Law Comes to Gunsight. 1947. 56 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Reno Browne.
        Flashing Guns. 1947. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.
        Prairie Express. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.
        Gun Talk. 1947. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, Geneva Gray.
        Song of the Drifter. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Mildred Coles.
        Overland Trails. 1948. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.
        Oklahoma Blues. 1948. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Virginia Belmont.
        Crossed Trails. 1948. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.
        Sundown Riders. 1948. 65 minutos. Color (Kodachrome). Film Enter prises. Russell Wade, Jay Kirby, Andy Clyde, Evelyn Finley.
        Frontier Agent. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Raymond Hatton.
        Range Renegades. 1948. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jennifer Holt.
        The Fighting Ranger. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine Larson.
        Partners of the Sunset. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Christine Larsen.
        The Sheriff of Medicine Bow. 1948. 55 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Max Terhune, Evelyn Finley.
        Outlawd Brand. 1948. 58 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Kay Morley.
        Gun Runner. 1949. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Noel Neill.
        Gun Law Justice. 1949. 55 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jane Adams.
        Trail’s End. 1949. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Max Terhune, Kay Morley.
        Haunted Trails. 1949. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.
        Riders of the Dusk. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.
        Range Land. 1949. 56 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.

    English-Spanish dictionary of western films > Hillyer, Lambert

  • 10 White House

    1) Официальная резиденция президента США [ President of the United States] в г. Вашингтоне, на Пенсильвания-авеню, номер 1600 [ Pennsylvania Avenue]. Построена на месте, выбранном Дж. Вашингтоном [ Washington, George], по проекту архитектора Дж. Хобана [ Hoban, James]. Двухэтажное здание в стиле неоклассицизма строилось в течение многих лет начиная с 1792. Первым президентом США, поселившимся в этом особняке, стал в ноябре 1800 Дж. Адамс [ Adams, John]. В 1807 архитектор Б. Латроуб [ Latrobe, Benjamin Henry] осуществил ряд изменений во внутреннем убранстве здания и добавил к фасадам портики. В 1814 здание сожгли англичане в ходе англо-американской войны 1812-14 [ War of 1812], в 1815-17 оно было восстановлено под руководством Хобана. В 1826 к зданию был пристроен полукруглый Южный портик [South Portico], в 1829 завершено строительство прямоугольного Северного портика [North Portico], начатое Латроубом. В 1902 были добавлены Восточная галерея [East Gallery] и Западное крыло [Western Wing]. Первоначально здание называли "Домом Президента" [President's House], позднее и в некоторых случаях сейчас - "Особняком главы исполнительной власти" [ Executive Mansion]. В годы администрации президента Т. Рузвельта [ Roosevelt, Theodore (Teddy)] особняк, окрашенный в белый цвет, стали официально называть Белым домом (в 1902 это название узаконено решением Конгресса). В 1948-52 здание было укреплено стальными рамами. Каждая первая леди [ First Lady] старалась внести изменения в интерьер Белого дома. В Белом доме 54 помещения; второй и третий этажи - жилые помещения президента и его семьи, а основные рабочие помещения находятся в Западном крыле, в котором расположен Овальный кабинет [ Oval Office] и помещения Исполнительного управления президента [Executive Office Wing]. Территория вокруг резиденции составляет около 7,3 га, включая лужайку перед Белым домом [White House lawn], на которой проводятся многие официальные церемонии, и несколько садов. Большую часть года Белый дом открыт для посетителей
    2) В переносном значении - правительство США, американская администрация, исполнительная власть.

    English-Russian dictionary of regional studies > White House

  • 11 Kane, Joseph

    1894-1975
       El nombre de Joseph Kane se asocia de forma indisoluble a una productora, Republic, de principio a fin. Kane habia dirigido en 1935 un serial para Mascot, que junto con otras pequenas productoras se asociaron para fundar Republic ese mismo ano. Desde esa fecha hasta 1958, en que la productora desaparece, Kane es uno de sus directores mas prolificos. Estamos ante uno de los grandes nombres del western, en cantidad, ya que no en calidad. Entre 1934 y 1975 trabaja en no menos de 120 peliculas, la inmensa mayoria de las cuales pertenecen al genero que nos ocupa. Trabaja con Gene Autry, John Wayne, Robert Livingston, Roy Rogers, Bill Elliott, en tre otros. Despues dirigira algunos episodios de se ries de television y otras cuatro peliculas. Sus mejores filmes son, sin duda, Titanes de la montana y Los indomables, ya al final de su carrera.
        Tumbling Tumbleweeds. 1935. 57 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Lucile Browne.
        Melody Trail. 1935, 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.
        The Sagebrush Troubadour. 1935. 54 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Barbara Pepper.
        The Lawless Nineties. 1936. 55 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.
        King of the Pecos. 1936. 54 minutos. Blanco y Negro. Republic. John Wayne, Muriel Evans.
        The Lonely Trail. 1936. 58 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.
        Oh, Susanna! 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.
        Ride Ranger Ride. 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Kay Hugues.
        Ghost-Town Gold. 1936. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Kay Hugues, Max Terhune.
        The Old Corral. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Hope Manning.
        Guns and Guitars. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Dorothy Dix.
        Git Along. Little Dogies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.
        Round-Up Time in Texas. 1937. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Maxine Doyle.
        Gunsmoke Ranch. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Julia Thayer, Max Terhune.
        Come On, Cowboys! 1937. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Maxine Doyle, Max Terhune.
        Yodelin’ Kid from Pine Ridge. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Betty Bronson.
        Public Cowboy No. 1. 1937. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.
        Heart of the Rockies. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Lynn Roberts, Max Terhune.
        Boots and Saddles. 1937. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.
        Springtime in the Rockies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Polly Rowles.
        The Old Barn Dance. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Helen Valkis.
        Arson Gang Busters. 1938. 65 minutos. Blanco y Negro. Republic. Robert Livingston, Rosalind Keith.
        Under Western Stars. 1938. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Smiley Burnette, Carol Hugues.
        Gold Mine in the Sky. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.
        The Man from Music Mountain. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hughes.
        Billy the Kid Returns. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Hart (Lynne Roberts).
        Come On, Rangers. 1938. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).
        Shine On, Harvest Moon. 1938. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Rough Riders’ Round-Up. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).
        Frontier Pony Express. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Southward Ho. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        In Old Caliente. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Wall Street Cowboy. 1939. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Ann Baldwyn, George Hayes, Raymond Hatton.
        In Old Monterey. 1939. 74 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        The Arizona Kid. 1939. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Dorothy Sebastian, George Hayes.
        Saga of Death Valley. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Doris Day, George Hayes.
        Days of Jesse James. 1939. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        Young Buffalo Bill. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        The Carson City Kid. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, Bob Steele.
        The Ranger and the Lady. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Julie Bishop, George Hayes.
        Colorado. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        Young Bill Hickcok. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        The Border Legion. 1940. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Hugues, George Hayes.
        Robin Hood of the Pecos. 1941. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Marjorie Reynolds, George Hayes.
        In Old Cheyenne. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Joan Woodbury, George Hayes.
        Sheriff of Tombstone. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Elyse Knox, George Hayes.
        Nevada City. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Bad Man of Deadwood. 1941. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Adams, George Hayes.
        Jesse James at Bay. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Gale Storm, Sally Payne, George Hayes.
        Red River Valley. 1941. 62 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Man from Cheyenne. 1942. 60 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        South of Santa Fe. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes.
        Sunset on the Desert. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Lynne Carver, George Hayes.
        Romance on the Range. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Sons of the Pioneers. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon, George Hayes.
        Sunset Serenade. 1942. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Helen Parrish, George Hayes.
        Heart of the Golden West. 1942. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, George Hayes, Smiley Burnette.
        Ridin’ Down the Canyon. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes, Bob Nolan.
        Idaho. 1943. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Virginia Grey, Smiley Burnette, Bob Nolan.
        King of the Cowboys. 1943. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Peggy Moran, Smiley Burnette, Bob Nolan.
        Song of Texas. 1943. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Sheila Ryan, Barton MacLane, Bob Nolan.
        Silver Spurs. 1943. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Phyllis Brooks, Smiley Burnette, Bob Nolan, John Carradine.
        The Man from Music Mountain. 1943. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Ferry, Bob Notan.
        Hands Across the Border (Cita en la frontera). 1944. 73 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, Bob Nolan.
        The Cowboy and the Senorita. 1944. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Lee, Dale Evans, Bob Nolan.
        The Yellow Rose of Texas. 1944. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Bob Nolan.
        Song of Nevada (La cancion de Nevada). 1944. 75 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Mary Lee, Bob Nolan.
        Flame of Barbary Coast (Algun dia volvere). 1945. 91 minutos. Blanco y Negro. Republic. John Wayne, Ann Dvorak.
        Dakota. 1945. 82 minutos. Blanco y Negro. Republic. John Wayne, Vera Ralston, Walter Brennan.
        In Old Sacramento. 1946. 89 minutos. Blanco y Negro. Republic. Bill Elliott, Constance Moore
        The Plainsman and the Lady. 1946. 87 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, Andy Clyde.
        Wyoming. 1947. 84 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, George Hayes.
        In Old Los Angeles. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Catherine McLeod, Andy Devine.
        The Gallant Legion. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Adele Mara, Adrian Booth, Andy Devine.
        The Plunderers. 1948. 87 minutos. Trucolor. Republic. Rod Cameron, Ilona Massey, Adrian Booth.
        The Last Bandit. 1949. 80 minutos. Trucolor. Republic. Bill Elliott, Adrian Booth, Forrest Tucker, Andy Devine.
        Brimstone. 1949. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker, Walter Brennan.
        Rock Island Trail. 1950. 90 minutos. Trucolor. Republic. Forrest Tucker, Adele Mara, Adrian Booth.
        The Savage Horde. 1950. 90 minutos. Blanco y Negro. Republic. Bill Elliott, Adrian Booth, Grant Whiters, Noah Beery, Jr.
        California Passage. 1950. 90 minutos. Blanco y Negro. Republic. Forrest Tucker, Adele Mara, Jim Davis.
        Oh! Susanna. 1951. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker.
        Woman of the North Country. 1952. 92 minutos. Trucolor. Republic. Ruth Hussey, Rod Cameron, John Agar, Gale Storm
        Ride the Man Down. 1952. 90 minutos. Trucolor. Republic. Brian Donlevy, Rod Cameron, Ella Raines.
        San Antone (Los rebeldes de San Antonio). 1953. 90 min. Blanco y Negro. Republic. Rod Cameron, Arleen Whelan, Katy Jurado, Forrest Tucker.
        Jubilee Trail (Extrana aventura). 1954. 103 minutos. Trucolor. Republic. Vera Ralston, Forrest Tucker, Joan Leslie.
        Hell’s Outpost. 1954. 90 minutos. Blanco y Negro. Republic. Rod Cameron, Joan Leslie, John Russell.
        Timberjack (Titanes de la montana). 1955. 94 minutos. Trucolor. Republic. Sterling Hayden, Vera Ralston.
        The Road to Denver. 1955. 90 minutos. Trucolor. Republic. John Payne, Mona Freeman, Lee J. Cobb.
        The Vanishing American (El ocaso de una raza). 1955. 90 minutos. Blanco y Negro. Republic. Scott Brady, Audrey Totter, Forrest Tucker.
        The Maverick Queen (Los indomables). 1956. 92 minutos. Trucolor. Natu rama. Republic. Barbara Stanwyck, Barry Sullivan, Scott Brady.
        Thunder Over Arizona. 1956. 70 minutos. Trucolor. Naturama. Republic. Skip Homeier, Kristine Miller.
        Duel at Apache Wells. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Anna Maria Alberguetti, Ben Cooper, Jim Davis.
        Spoilers of the Forest. 1957. 68 minutos. Trucolor. Naturama. Republic. Rod Cameron, Vera Ralston.
        The Last Stagecoach West. 1957. 67 minutos. Blanco y Negro. Naturama. Republic. Jim Davis, Mary Castle.
        Gunfire at Indian Gap. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Vera Ralston, Anthony George.
        The Lawless Eighties. 1958. 70 minutos. Blanco y Negro. Naturama. Republic. Buster Crabbe, John Smith, Marilyn Saris.
        Smoke in the Wind (co-d.: Andy Brennan). 1975. 98 minutos. Color. Gamalex. John Ashely, John Russell, Susan Houston, Walter Brennan.

    English-Spanish dictionary of western films > Kane, Joseph

См. также в других словарях:

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  • North Adams — ist der Name mehrerer Orte in den Vereinigten Staaten: North Adams (Massachusetts) North Adams (Michigan) Diese Seite ist eine Begriffsklärung zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe …   Deutsch Wikipedia

  • North Adams, MA — U.S. city in Massachusetts Population (2000): 14681 Housing Units (2000): 7088 Land area (2000): 20.437650 sq. miles (52.933268 sq. km) Water area (2000): 0.127872 sq. miles (0.331186 sq. km) Total area (2000): 20.565522 sq. miles (53.264454 sq.… …   StarDict's U.S. Gazetteer Places

  • North Adams, MI — U.S. village in Michigan Population (2000): 514 Housing Units (2000): 215 Land area (2000): 0.527439 sq. miles (1.366061 sq. km) Water area (2000): 0.000000 sq. miles (0.000000 sq. km) Total area (2000): 0.527439 sq. miles (1.366061 sq. km) FIPS… …   StarDict's U.S. Gazetteer Places

  • North Adams — (spr. Nohrs Adämms), Postort in der Township Adams der Grafschaft Berkshire im Staate Massachusetts (Nordamerika), am Hoosick River; an der Pitsfield North Adams Eisenbahn; Baumwollenmanufacturen; 4000 Ew …   Pierer's Universal-Lexikon

  • North Adams — North Adams, Ort im nordamerikan. Staate Massachusetts, Grafschaft Berkshire, im Tal des Hoosac, 3 km nördlich vom 7620 m langen Hoosactunnel, Bahnknotenpunkt, mit der 9 km entfernten Stadt Adams durch elektrische Bahn verbunden, hat Fabriken von …   Meyers Großes Konversations-Lexikon

  • North Adams — North Adams, Ort im nordamerik. Staate Massachusetts, am Hoosacflusse, (1900) 24.200 E.; Industrie …   Kleines Konversations-Lexikon

  • North Adams — a city in NW Massachusetts. 18,063. * * * ▪ Massachusetts, United States       city, Berkshire county, northwestern Massachusetts, U.S. It lies along the Hoosic River at the western end of the Hoosac Tunnel (extending 5 miles [8 km] under the… …   Universalium

  • North Adams — 42° 42′ 03″ N 73° 06′ 33″ W / 42.700833, 73.109167 …   Wikipédia en Français

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