-
1 Auffassungsgabe
f perceptive faculty, intellectual grasp, perception; eine leichte oder schnelle Auffassungsgabe haben be quick on the uptake* * ** * *Auf·fas·sungs·ga·bef kein pl perception, grasp* * *die, Auffassungsvermögen das powers pl. of comprehension* * *Auffassungsgabe f perceptive faculty, intellectual grasp, perception;schnelle Auffassungsgabe haben be quick on the uptake* * *die, Auffassungsvermögen das powers pl. of comprehension* * *f.grasp (intellectual) n.perceptive faculty n. -
2 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
-
3 animus
ănĭmus, i, m. [a Graeco-Italic form of anemos = wind (as ego, lego, of ego, lego); cf. Sanscr. an = to breathe, anas = breath, anilas = wind; Goth. uz-ana = exspiro; Erse, anal = breath; Germ. Unst = a storm (so, sometimes); but Curt. does not extend the connection to AФ, aêmi = to blow; a modification of animus—by making which the Romans took a step in advance of the Greeks, who used hê psuchê for both these ideas—is anima, which has the physical meaning of anemos, so that Cic. was theoretically right, but historically wrong, when he said, ipse animus ab anima dictus est, Tusc. 1, 9, 19; after the same analogy we have from psuchô = to breathe, blow, psuchê = breath, life, soul; from pneô = to breathe, pneuma = air, breath, life, in class. Greek, and = spirit, a spiritual being, in Hellenistic Greek; from spiro = to breathe, blow, spiritus = breath, breeze, energy, high spirit, and poet. and post-Aug. = soul, mind; the Engl. ghost = Germ. Geist may be comp. with Germ. giessen and cheô, to pour, and for this interchange of the ideas of gases and liquids, cf. Sol. 22: insula adspiratur freto Gallico, is flowed upon, washed, by the Gallic Strait; the Sanscr. atman = breath, soul, with which comp. aytmê = breath; Germ. Odem = breath, and Athem = breath, soul, with which group Curt. connects auô, aêmi; the Heb. = breath, life, soul; and = breath, wind, life, spirit, soul or mind].I.In a general sense, the rational soul in man (in opp. to the body, corpus, and to the physical life, anima), hê psuchê:II.humanus animus decerptus ex mente divina,
Cic. Tusc. 5, 13, 38:Corpus animum praegravat, Atque affixit humo divinae particulam aurae,
Hor. S. 2, 2, 77:credo deos immortales sparsisse animos in corpora humana, ut essent qui terras tuerentur etc.,
Cic. Sen. 21, 77:eas res tueor animi non corporis viribus,
id. ib. 11, 38; so id. Off. 1, 23, 79:quae (res) vel infirmis corporibus animo tamen administratur,
id. Sen. 6, 15; id. Off. 1, 29, 102:omnes animi cruciatus et corporis,
id. Cat. 4, 5, 10:levantes Corpus et animum,
Hor. Ep. 2, 1, 141:formam et figuram animi magis quam corporis complecti,
Tac. Agr. 46; id. H. 1, 22:animi validus et corpore ingens,
id. A. 15, 53:Aristides primus animum pinxit et sensus hominis expressit, quae vocantur Graece ethe, item perturbationes,
first painted the soul, put a soul into his figures, Plin. 35, 10, 36, § 98 (cf.:animosa signa,
life-like statues, Prop. 4, 8, 9): si nihil esset in eo (animo), nisi id, ut per eum viveremus, i. e. were it mere anima, Cic. Tusc. 1, 24, 56:Singularis est quaedam natura atque vis animi, sejuncta ab his usitatis notisque naturis, i. e. the four material elements,
id. ib. 1, 27, 66: Neque nos corpora sumus. Cum igitur nosce te dicit, hoc dicit, nosce animum tuum, id. ib. 1, 22, 52:In quo igitur loco est (animus)? Credo equidem in capite,
id. ib. 1, 29, 70:corpora nostra, terreno principiorum genere confecta, ardore animi concalescunt,
derive their heat from the fiery nature of the soul, id. ib. 1, 18, 42:Non valet tantum animus, ut se ipsum ipse videat: at, ut oculus, sic animus, se non videns alia cernit,
id. ib. 1, 27, 67: foramina illa ( the senses), quae patent ad animum a corpore, callidissimo artificio natura fabricata est, id. ib. 1, 20, 47: dum peregre est animus sine corpore velox, independently of the body, i. e. the mind roaming in thought, Hor. Ep. 1, 12, 13:discessus animi a corpore,
Cic. Tusc. 1, 9, 18; 1, 30, 72:cum nihil erit praeter animum,
when there shall be nothing but the soul, when the soul shall be disembodied, id. ib. 1, 20, 47; so,animus vacans corpore,
id. ib. 1, 22, 50; and:animus sine corpore,
id. ib. 1, 22, 51:sine mente animoque nequit residere per artus pars ulla animai,
Lucr. 3, 398 (for the pleonasm here, v. infra, II. A. 1.):Reliquorum sententiae spem adferunt posse animos, cum e corporibus excesserint in caelum pervenire,
Cic. Tusc. 1, 11, 24:permanere animos arbitramur consensu nationum omnium,
id. ib. 1, 16, 36:Pherecydes primus dixit animos esse hominum sempiternos,
id. ib. 1, 16, 38:Quod ni ita se haberet, ut animi immortales essent, haud etc.,
id. Sen. 23, 82: immortalitas animorum, id. ib. 21, 78; id. Tusc. 1, 11, 24; 1, 14, 30:aeternitas animorum,
id. ib. 1, 17, 39; 1, 22, 50 (for the plur. animorum, in this phrase, cf. Cic. Sen. 23, 84); for the atheistic notions about the soul, v. Lucr. bk. iii.—In a more restricted sense, the mind as thinking, feeling, willing, the intellect, the sensibility, and the will, acc. to the almost universally received division of the mental powers since the time of Kant (Diog. Laert. 8, 30, says that Pythagoras divided hê psuchê into ho nous, hai phrenes, and ho thumos; and that man had ho nous and ho thumos in common with other animals, but he alone had hai phrenes. Here ho nous and ho thumos must denote the understanding and the sensibility, and hai phrenes, the reason. Plutarch de Placit. 4, 21, says that the Stoics called the supreme faculty of the mind (to hêgemonikon tês psuchês) ho logismos, reason. Cic. sometimes speaks of a twofold division; as, Est animus in partes tributus duas, quarum altera rationis est particeps, altera expers (i. e. to logistikon and to alogon of Plato; cf. Tert. Anim. 16), i. e. the reason or intellect and the sensibility, Tusc. 2, 21, 47; so id. Off. 1, 28, 101; 1, 36, 132; id. Tusc 4, 5, 10; and again of a threefold; as, Plato triplicem finxit animum, cujus principatum, id est rationem in capite sicut in arce posuit, et duas partes ( the two other parts) ei parere voluit, iram et cupiditatem, quas locis disclusit; iram in pectore, cupiditatem subter praecordia locavit, i. e. the reason or intellect, and the sensibility here resolved into desire and aversion, id. ib. 1, 10, 20; so id. Ac. 2, 39, 124. The will, hê boulêsis, voluntas, arbitrium, seems to have been sometimes merged in the sensibility, ho thumos, animus, animi, sensus, and sometimes identified with the intellect or reason, ho nous, ho logismos, mens, ratio).A.1.. The general power of perception and thought, the reason, intellect, mind (syn.: mens, ratio, ingenium), ho nous:2.cogito cum meo animo,
Plaut. Most. 3, 2, 13; so Ter. Ad. 3, 4, 55:cum animis vestris cogitare,
Cic. Agr. 2, 24:recordari cum animo,
id. Clu. 25, 70;and without cum: animo meditari,
Nep. Ages. 4, 1; cf. id. Ham. 4, 2:cogitare volvereque animo,
Suet. Vesp. 5:animo cogitare,
Vulg. Eccli. 37, 9:statuere apud animum,
Liv. 34, 2:proposui in animo meo,
Vulg. Eccli. 1, 12:nisi me animus fallit, hi sunt, etc.,
Plaut. Men. 5, 9, 23:in dubio est animus,
Ter. And. 1, 5, 31; id. ib. prol. 1; cf. id. ib. 1, 1, 29:animum ad se ipsum advocamus,
Cic. Tusc. 1, 31, 75:lumen animi, ingenii consiliique tui,
id. Rep. 6, 12 al. —For the sake of rhet. fulness, animus often has a synonym joined with it: Mens et animus et consilium et sententia civitatis posita est in legibus,
Cic. Clu. 146:magnam cui mentem animumque Delius inspirat vates,
Verg. A. 6, 11:complecti animo et cogitatione,
Cic. Off. 1, 32, 117; id. de Or. 1, 2, 6:animis et cogitatione comprehendere,
id. Fl. 27, 66:cum omnia ratione animoque lustraris,
id. Off. 1, 17, 56:animorum ingeniorumque naturale quoddam quasi pabulum consideratio naturae,
id. Ac. 2, 41, 127.—Hence the expressions: agitatio animi, attentio, contentio; animi adversio; applicatio animi; judicium, opinio animorum, etc. (v. these vv.); and animum advertere, adjungere, adplicare, adpellere, inducere, etc. (v. these vv.).—Of particular faculties of mind, the memory:3.etiam nunc mihi Scripta illa dicta sunt in animo Chrysidis,
Ter. And. 1, 5, 46:An imprimi, quasi ceram, animum putamus etc. (an idea of Aristotle's),
Cic. Tusc. 1, 25, 61:ex animo effluere,
id. de Or. 2, 74, 300: omnia fert aetas, animum quoque;... Nunc oblita mihi tot carmina,
Verg. E. 9, 51.—Consciousness (physically considered) or the vital power, on which consciousness depends ( = conscientia, q. v. II. A., or anima, q. v. II. E.):4.vae miserae mihi. Animo malest: aquam velim,
I'm fainting, my wits are going, Plaut. Am. 5, 1, 6; id. Curc. 2, 3, 33:reliquit animus Sextium gravibus acceptis vulneribus,
Caes. B. G. 6, 38:Una eademque via sanguis animusque sequuntur,
Verg. A. 10, 487:animusque reliquit euntem,
Ov. M. 10, 459:nisi si timor abstulit omnem Sensum animumque,
id. ib. 14, 177:linqui deinde animo et submitti genu coepit,
Curt. 4, 6, 20: repente animo linqui solebat, Suet. Caes. 45:ad recreandos defectos animo puleio,
Plin. 20, 14, 54, § 152.—The conscience, in mal. part. (v. conscientia, II. B. 2. b.):5.cum conscius ipse animus se remordet,
Lucr. 4, 1135:quos conscius animus exagitabat,
Sall. C. 14, 3:suae malae cogitationes conscientiaeque animi terrent,
Cic. Sex. Rosc. 67.—In Plaut. very freq., and once also in Cic., meton. for judicium, sententia, opinion, judgment; mostly meo quidem animo or meo animo, according to my mind, in my opinion, Plaut. Men. 1, 3, 17:6.e meo quidem animo aliquanto facias rectius, si, etc.,
id. Aul. 3, 6, 3:meo quidem animo, hic tibi hodie evenit bonus,
id. Bacch. 1, 1, 69; so id. Aul. 3, 5, 4; id. Curc. 4, 2, 28; id. Bacch. 3, 2, 10; id. Ep. 1, 2, 8; id. Poen. 1, 2, 23; id. Rud. 4, 4, 94; Cic. Sest. 22:edepol lenones meo animo novisti,
Plaut. Curc. 4, 2, 19:nisi, ut meus est animus, fieri non posse arbitror,
id. Cist. 1, 1, 5 (cf.:EX MEI ANIMI SENTENTIA,
Inscr. Orell. 3665:ex animi tui sententia,
Cic. Off. 3, 29, 108).—The imagination, the fancy (for which Cic. often uses cogitatio, as Ac. 2, 15, 48):B.cerno animo sepultam patriam, miseros atque insepultos acervos civium,
Cic. Cat. 4, 6, 11:fingere animo jubebat aliquem etc.,
id. Sen. 12, 41: Fingite animis;litterae enim sunt cogitationes nostrae, et quae volunt, sic intuentur, ut ea cernimus, quae videmus,
id. Mil. 29, 79:Nihil animo videre poterant,
id. Tusc. 1, 16, 38.—The power of feeling, the sensibility, the heart, the feelings, affections, inclinations, disposition, passions (either honorable or base; syn.: sensus, adfectus, pectus, cor), ho thumos.1.a.. In gen., heart, soul, spirit, feeling, inclination, affection, passion: Medea, animo aegra, amore saevo saucia, Enn. ap. Auct. ad Her. 2, 22 (cf. Plaut. Truc. 2, 7, 36:(α).animo hercle homo suo est miser): tu si animum vicisti potius quam animus te, est quod gaudeas, etc.,
Plaut. Trin. 2, 2, 27 -29:harum scelera et lacrumae confictae dolis Redducunt animum aegrotum ad misericordiam,
Ter. And. 3, 3, 27:Quo gemitu conversi animi (sunt),
Verg. A. 2, 73:Hoc fletu concussi animi,
id. ib. 9, 498;4, 310: animum offendere,
Cic. Lig. 4; id. Deiot. 33; so Vulg. Gen. 26, 35.—Mens and animus are often conjoined and contrasted, mind and heart (cf. the Homeric kata phrena kai kata thumon, in mind and heart): mentem atque animum delectat suum, entertains his mind and delights his heart, Enn. ap. Gell. 19, 10:Satin tu sanus mentis aut animi tui?
Plaut. Trin. 2, 4, 53:mala mens, malus animus,
bad mind, bad heart, Ter. And. 1, 1, 137:animum et mentem meam ipsa cogitatione hominum excellentium conformabam,
Cic. Arch. 6, 14:Nec vero corpori soli subveniendum est, sed menti atque animo multo magis,
id. Sen. 11, 36:ut omnium mentes animosque perturbaret,
Caes. B. G. 1, 39; 1, 21:Istuc mens animusque fert,
Hor. Ep. 1, 14, 8:Stare Socrates dicitur tamquam quodam recessu mentis atque animi facto a corpore,
Gell. 2, 1; 15, 2, 7.—And very rarely with this order inverted: Jam vero animum ipsum mentemque hominis, etc.,
Cic. N. D. 2, 59, 147:mente animoque nobiscum agunt,
Tac. G. 29:quem nobis animum, quas mentes imprecentur,
id. H. 1, 84;and sometimes pleon. without such distinction: in primis regina quietum Accipit in Teucros animum mentemque benignam,
a quiet mind and kindly heart, Verg. A. 1, 304; so,pravitas animi atque ingenii,
Vell. 2, 112, 7 (for mens et animus, etc., in the sense of thought, used as a pleonasm, v. supra, II. A. 1.):Verum animus ubi semel se cupiditate devinxit mala, etc.,
Ter. Heaut. 1, 2, 34:animus perturbatus et incitatus nec cohibere se potest, nec quo loco vult insistere,
Cic. Tusc. 4, 18, 41:animum comprimit,
id. ib. 2, 22, 53:animus alius ad alia vitia propensior,
id. ib. 4, 37, 81; id. ad Q. Fr. 1, 1:sed quid ego hic animo lamentor,
Enn. Ann. 6, 40:tremere animo,
Cic. ad Q. Fr. 1, 1, 4:ingentes animo concipit iras,
Ov. M. 1, 166:exsultare animo,
id. ib. 6, 514.—So often ex animo, from the heart, from the bottom of one's heart, deeply, truly, sincerely:Paulum interesse censes ex animo omnia facias an de industria?
from your heart or with some design, Ter. And. 4, 4, 55; id. Ad. 1, 1, 47:nisi quod tibi bene ex animo volo,
id. Heaut. 5, 2, 6: verbum [p. 124] ex animo dicere, id. Eun. 1, 2, 95:sive ex animo id fit sive simulate,
Cic. N. D. 2, 67, 168:majore studio magisve ex animo petere non possum,
id. Fam. 11, 22:ex animo vereque diligi,
id. ib. 9, 6, 2:ex animo dolere,
Hor. A. P. 432:quae (gentes) dederunt terram meam sibi cum gaudio et toto corde et ex animo,
Vulg. Ezech. 36, 5; ib. Eph. 6, 6; ib. 1 Pet. 5, 3.—And with gen.With verbs:(β).Quid illam miseram animi excrucias?
Plaut. Mil. 4, 2, 76; 4, 6, 65:Antipho me excruciat animi,
Ter. Phorm. 1, 4, 10:discrucior animi,
id. Ad. 4, 4, 1:in spe pendebit animi,
id. Heaut. 4, 4, 5: juvenemque animi miserata repressit, pitying him in her heart, thumôi phileousa te kêdomenê te (Hom. Il. 1, 196), Verg. A. 10, 686.—With adjj.:b.aeger animi,
Liv. 1, 58; 2, 36; 6, 10; Curt. 4, 3, 11; Tac. H. 3, 58:infelix animi,
Verg. A. 4, 529:felix animi,
Juv. 14, 159:victus animi,
Verg. G. 4, 491:ferox animi,
Tac. A. 1, 32:promptus animi,
id. H. 2, 23:praestans animi,
Verg. A. 12, 19:ingens animi,
Tac. A. 1, 69 (for this gen. v. Ramsh. Gr. p. 323; Key, § 935; Wagner ad Plaut. Aul. v. 105; Draeger, Hist. Synt. I. p. 443).—Meton., disposition, character (so, often ingenium): nimis paene animo es Molli, Pac. ap. Cic. Tusc. 2, 21, 49:2.animo audaci proripit sese,
Pac. Trag. Rel. p. 109 Rib.:petulans protervo, iracundo animo,
Plaut. Bacch. 4, 3, 1; id. Truc. 4, 3, 1:ubi te vidi animo esse omisso (omisso = neglegenti, Don.),
Ter. Heaut. 5, 2, 9; Cic. Fam. 2. 17 fin.:promptus animus vester,
Vulg. 2 Cor. 9, 2: animis estis simplicibus et mansuetis nimium creditis unicuique, Auct. ad Her. 4, 37:eorum animi molles et aetate fluxi dolis haud difficulter capiebantur,
Sall. C. 14, 5:Hecabe, Non oblita animorum, annorum oblita suorum,
Ov. M. 13, 550:Nihil est tam angusti animi tamque parvi, quam amare divitias,
Cic. Off. 1, 20, 68:sordidus atque animi parvi,
Hor. S. 1, 2, 10; Vell. 2, 25, 3:Drusus animi fluxioris erat,
Suet. Tib. 52.—In particular, some one specific emotion, inclination, or passion (honorable or base; in this signif., in the poets and prose writers, very freq. in the plur.). —a.Courage, spirit:b.ibi nostris animus additus est,
Plaut. Am. 1, 1, 94; cf. Ter. Heaut. 3, 2, 31; id. And. 2, 1, 33:deficiens animo maesto cum corde jacebat,
Lucr. 6, 1232:virtute atque animo resistere,
Cic. Fam. 5, 2, 8:fac animo magno fortique sis,
id. ib. 6, 14 fin.:Cassio animus accessit, et Parthis timor injectus est,
id. Att. 5, 20, 3:nostris animus augetur,
Caes. B. G. 7, 70:mihi in dies magis animus accenditur,
Sall. C. 20, 6; Cic. Att. 5, 18; Liv. 8, 19; 44, 29:Nunc demum redit animus,
Tac. Agr. 3:bellica Pallas adest, Datque animos,
Ov. M. 5, 47:pares annis animisque,
id. ib. 7, 558:cecidere illis animique manusque,
id. ib. 7, 347 (cf.:tela viris animusque cadunt,
id. F. 3, 225) et saep.—Hence, bono animo esse or uti, to be of good courage, Varr. R. R. 2, 5, 5: Am. Bono animo es. So. Scin quam bono animo sim? Plaut. Am. 22, 39:In re mala animo si bono utare, adjuvat,
id. Capt. 2, 1, 9:bono animo fac sis,
Ter. Ad. 3, 5, 1:quin tu animo bono es,
id. ib. 4, 2, 4:quare bono animo es,
Cic. Att. 5, 18; so Vulg. 2 Macc. 11, 26; ib. Act. 18, 25;so also, satis animi,
sufficient courage, Ov. M. 3, 559.—Also for hope:magnus mihi animus est, hodiernum diem initium libertatis fore,
Tac. Agr, 30.— Trop., of the violent, stormy motion of the winds of AEolus:Aeolus mollitque animos et temperat iras,
Verg. A. 1, 57.—Of a top:dant animos plagae,
give it new force, quicker motion, Verg. A. 7, 383.—Of spirit in discourse: in Asinio Pollione et consilii et animi satis,
Quint. 10, 1, 113. —Haughtiness, arrogance, pride: quae civitas est in Asia, quae unius tribuni militum animos ac spiritus capere possit? can bear the arrogance and pride, etc., Cic. Imp. Pomp. 22, 66:c.jam insolentiam noratis hominis: noratis animos ejus ac spiritus tribunicios,
id. Clu. 39, 109; so id. Caecin. 11 al.; Ov. Tr. 5, 8, 3 (cf.:quia paululum vobis accessit pecuniae, Sublati animi sunt,
Ter. Hec. 3, 5, 56).—Violent passion, vehemence, wrath:d.animum vincere, iracundiam cohibere, etc.,
Cic. Marcell. 3:animum rege, qui nisi paret Imperat,
Hor. Ep. 1, 2, 62:qui dominatur animo suo,
Vulg. Prov. 16, 32.—So often in plur.; cf hoi thumoi: ego meos animos violentos meamque iram ex pectore jam promam, Plaut. Truc. 2, 7, 43:vince animos iramque tuam,
Ov. H. 3, 85; id. M. 8, 583; Prop. 1, 5, 12:Parce tuis animis, vita, nocere tibi,
id. 2, 5, 18:Sic longius aevum Destruit ingentes animos,
Luc. 8, 28:coeunt sine more, sine arte, Tantum animis iraque,
Stat. Th. 11, 525 al. —Moderation, patience, calmness, contentedness, in the phrase aequus animus, an even mind:e.si est animus aequos tibi,
Plaut. Aul. 2, 2, 10; id. Rud. 2, 3, 71; Cic. Rosc. Am. 50, 145; and often in the abl., aequo animo, with even mind, patiently, etc.:aequo animo ferre,
Ter. And. 2, 3, 23; Cic. Tusc. 1, 39, 93; id. Sen. 23, 84; Nep. Dion. 6, 4; Liv. 5, 39:aequo animo esse,
Vulg. 3 Reg. 21, 7; ib. Judith, 7, 23: Aequo animo est? of merry heart (Gr. euthumei), ib. Jac. 5, 13:animis aequis remittere,
Cic. Clu. 2, 6:aequiore animo successorem opperiri,
Suet. Tib. 25:haud aequioribus animis audire,
Liv. 23, 22: sapientissimus quisque aequissimo animo moritur; stultissimus iniquissimo. Cic. Sen. 23, 83; so id. Tusc. 1, 45, 109; Sall. C. 3, 2; Suet. Aug. 56:iniquo animo,
Att. Trag. Rel. p. 150 Rib.; Cic. Tusc. 2, 2, 5; Quint. 11, 1, 66.—Agreeable feeling, pleasure, delight:f.cubat amans animo obsequens,
Plaut. Am. 1, 1, 134:indulgent animis, et nulla quid utile cura est,
Ov. M. 7, 566; so, esp. freq.: animi causa (in Plaut. once animi gratia), for the sake of amusement, diversion (cf.:haec (animalia) alunt animi voluptatisque causa,
Caes. B. G. 5, 12):Post animi causa mihi navem faciam,
Plaut. Rud. 4, 2, 27; so id. Trin. 2, 2, 53; id. Ep. 1, 1, 43:liberare fidicinam animi gratia,
id. ib. 2, 2, 90:qui illud animi causa fecerit, hunc praedae causa quid facturum putabis?
Cic. Phil. 7, 6:habet animi causa rus amoenum et suburbanum,
id. Rosc. Am. 46 Matth.; cf. id. ib. § 134, and Madv. ad Cic. Fin. 2, 17, 56; Cic. Fam. 7, 2:Romanos in illis munitionibus animine causa cotidie exerceri putatis?
Caes. B. G. 7, 77; Plin. praef. 17 Sill.—Disposition toward any one:C.hoc animo in nos esse debebis, ut etc.,
Cic. Fam. 2, 1 fin.:meus animus erit in te semper, quem tu esse vis,
id. ib. 5, 18 fin.:qui, quo animo inter nos simus, ignorant,
id. ib. 3, 6; so id. ib. 4, 15;5, 2: In quo in primis quo quisque animo, studio, benevolentia fecerit, ponderandum est,
id. Off. 1, 15, 49:quod (Allobroges) nondum bono animo in populum Romanum viderentur,
to be well disposed, Caes. B. G. 1, 6 fin. —In the pregn. signif. of kind, friendly feeling, affection, kindness, liberality:animum fidemque praetorianorum erga se expertus est,
Suet. Oth. 8:Nec non aurumque animusque Latino est,
Verg. A. 12, 23.—Hence, meton., of a person who is loved, my heart, my soul:salve, anime mi,
Plaut. Curc. 1, 2, 3:da, meus ocellus, mea rosa, mi anime, da, mea voluptas,
id. As. 3, 3, 74; so id. ib. 5, 2, 90; id. Curc. 1, 3, 9; id. Bacch. 1, 1, 48; id. Most. 1, 4, 23; id. Men. 1, 3, 1; id. Mil. 4, 8, 20; id. Rud. 4, 8, 1; Ter. Eun. 1, 2, 15 et saep. —The power of willing, the will, inclination, desire, purpose, design, intention (syn.: voluntas, arbitrium, mens, consilium, propositum), hê boulêsis:D.qui rem publicam animo certo adjuverit,
Att. Trag Rel. p. 182 Rib.:pro inperio tuo meum animum tibi servitutem servire aequom censui,
Plaut. Trin. 2, 2, 23:Ex animique voluntate id procedere primum,
goes forth at first from the inclination of the soul, Lucr. 2, 270; so,pro animi mei voluntate,
Cic. Fam. 5, 20, 8 (v. Manut. ad h.l.):teneo, quid animi vostri super hac re siet,
Plaut. Am. prol. 58; 1, 1, 187:Nam si semel tuom animum ille intellexerit, Prius proditurum te etc.,
Ter. Heaut. 3, 1, 69:Prius quam tuom ut sese habeat animum ad nuptias perspexerit,
id. And. 2, 3, 4:Sin aliter animus voster est, ego etc.,
id. Ad. 3, 4, 46:Quid mi istaec narras? an quia non audisti, de hac re animus meus ut sit?
id. Hec. 5, 2, 19:qui ab auro gazaque regia manus, oculos, animum cohibere possit,
Cic. Imp. Pomp. 66:istum exheredare in animo habebat,
id. Rosc. Am. 18, 52: nobis crat in animo Ciceronem ad Caesarem mittere, we had it in mind to send, etc., id. Fam. 14, 11; Serv. ad Cic. ib. 4, 12:hostes in foro constiterunt, hoc animo, ut, etc.,
Caes. B. G. 7, 28:insurrexerunt uno animo in Paulum,
with one mind, Vulg. Act. 18, 12; 19, 29: persequi Jugurtham animus ardebat, Sall. J. 39, 5 Gerlach (others, animo, as Dietsch); so id. de Rep. Ord. 1, 8: in nova fert an mus mutatas dicere formas, my mind inclines to tell of, etc., Ov. M. 1, 1.—Hence, est animus alicui, with inf., to have a mind for something, to aim at, etc.:omnibus unum Opprimere est animus,
Ov. M. 5, 150:Sacra Jovi Stygio perficere est animus,
Verg. A. 4, 639:Fuerat animus conjuratis corpus occisi in Tiberim trahere,
Suet. Caes. 82 fin.; id. Oth. 6; cf. id. Calig. 56.—So, aliquid alicui in animo est, with inf., Tac. G. 3.—So, inducere in animum or animum, to resolve upon doing something; v. induco.—Trop., of the principle of life and activity in irrational objects, as in Engl. the word mind is used.1.Of brutes:2.in bestiis, quarum animi sunt rationis expertes,
whose minds, Cic. Tusc. 1, 33, 80:Sunt bestiae, in quibus etiam animorum aliqua ex parte motus quosdam videmus,
id. Fin. 5, 14, 38:ut non inscite illud dictum videatur in sue, animum illi pecudi datum pro sale, ne putisceret,
id. ib. 5, 13, 38, ubi v. Madv.:(apes Ingentes animos angusto in pectore versant,
Verg. G. 4, 83:Illiusque animos, qui multos perdidit unus, Sumite serpentis,
Ov. M. 3, 544:cum pecudes pro regionis caelique statu et habitum corporis et ingenium animi et pili colorem gerant,
Col. 6, 1, 1:Umbria (boves progenerat) vastos nec minus probabiles animis quam corporibus,
id. 6, 1, 2 si equum ipsum nudum et solum corpus ejus et animum contemplamur, App. de Deo Socr. 23 (so sometimes mens:iniquae mentis asellus,
Hor. S. 1, 9, 20).—Of plants:III.haec quoque Exuerint silvestrem animum, i. e. naturam, ingenium,
their wild nature, Verg. G. 2, 51.—Transf. Of God or the gods, as we say, the Divine Mind, the Mind of God:certe et deum ipsum et divinum animum corpore liberatum cogitatione complecti possumus,
Cic. Tusc. 1, 22, 51 (so mens, of God, id. ib. 1, 22, 66; id. Ac. 2, 41, 126):Tantaene animis caelestibus irae?
Verg. A. 1, 11. -
4 Vorstellung
f2. THEAT. performance, show; Film: show(ing); die letzte Vorstellung Kino: the last showing; eine starke / schwache Vorstellung geben bes. SPORT give a strong / weak performance; nur eine kurze Vorstellung geben umg., fig. not stay long3. (Begriff) idea; (Bild) auch image; falsche Vorstellung wrong idea, misconception; sich (Dat) eine ( klare) Vorstellung machen von form a (clear) picture of, get an ( oder a proper) idea of; ist das deine Vorstellung von...? is that your idea of...?; ( nicht) jemandes Vorstellungen entsprechen (not) be exactly what s.o. has in mind; haben Sie Vorstellungen bezüglich des Gehalts etc.? do you have anything in mind in terms of salary etc.?; in meiner Vorstellung the way I imagine ( oder see) it; du hast manchmal komische Vorstellungen you ('do) have some strange ideas; du machst dir keine Vorstellung! you’ve no idea; das geht über alle Vorstellung the mind boggles* * *die Vorstellung(Aufführung) performance;(Bekanntmachung) introduction;(Gedanke) notion; concept; idea* * *Vor|stel|lungfin meiner Vórstellung sah das größer aus — I imagined it bigger
in meiner Vórstellung ist Gott kein alter Mann — I don't picture God as an old man
du hast falsche Vórstellungen — you are wrong (in your ideas)
es übertrifft alle Vórstellungen — it's incredible or unbelievable
das entspricht ganz meiner Vórstellung — that is just how I imagined or saw it
eine Vórstellung von etw machen — to form an idea or (Bild) picture of sth
du machst dir keine Vórstellung, wie schwierig das ist — you have no idea how difficult that is
2) (THEAT ETC) performance; (FILM) showing, performance3) (= das Bekanntmachen) (zwischen Leuten) introduction; (bei Hofe) presentation (bei at); (= Vorführung von Geräten, neuem Artikel etc) presentation; (bei Bewerbung, Antrittsbesuch) interview (bei with)4) (= Einwand) objection, protest* * *die1) (an idea grasped or understood: We can have no conception of the size of the universe.) conception2) (something imagined: He had a sudden fancy that he could see Spring approaching.) fancy3) (mental picture: This will give you an idea of what I mean.) idea4) (mental picture: I have an image of the place in my mind.) image5) ((the part of the mind which has) the ability to form mental pictures: I can see it all in my imagination.) imagination6) (an act of introducing one person to another: The hostess made the introductions and everyone shook hands.) introduction7) (an uncertain belief; an idea: He has some very odd notions.) notion8) (something done on stage etc: The company gave a performance of `Othello'; His last three performances have not been very good.) performance9) (a performance, or set of repeated performances, of a play, opera etc: This is the best presentation of `Macbeth' that I've ever seen.) presentation* * *Vor·stel·lungf1. (gedankliches Bild) ideabestimmte Gerüche können beim Menschen immer die gleichen \Vorstellungen auslösen certain smells [can] always trigger the same thoughts in peoplein jds \Vorstellung in sb's mindgewiss ist sie jetzt älter, aber in meiner \Vorstellung bewahre ich ihr Bild als junge, hübsche Frau she may be older now, but in my mind's eye I still see her as a pretty young womanjds \Vorstellungen entsprechen to meet sb's requirementsdieser Pullover entspricht genau meinen \Vorstellungen this jumper is just what I'm looking fordas Gehalt entspricht nicht ganz meinen \Vorstellungen the salary doesn't quite match [up to] my expectationsdas Produkt wurde genau nach unseren \Vorstellungen entwickelt the product was designed to match our requirements [or specifications] exactlyfalsche \Vorstellungen haben to have false hopesunrealistische \Vorstellungen haben to have unrealistic expectationsalle \Vorstellungen übertreffen to be almost inconceivable [to the human mind] [or beyond the [powers of] imagination of the human mind]Traumstrände hatten wir erwartet, aber die Realität übertraf alle \Vorstellungen we expected [to find] beautiful beaches, but the reality exceeded all our expectations [or was beyond [all] our wildest dreams4. (Vorstellungsgespräch) interview* * *1) (Begriff) ideaer macht sich (Dat.) keine Vorstellung [davon], welche Mühe das kostet — he has no idea how much effort that costs
das entspricht ganz/nicht meinen Vorstellungen — that is exactly/not what I had in mind
2) o. Pl. (Fantasie) imagination3) (Aufführung) performance; (im Kino) showingeine schwache Vorstellung geben — (fig.) perform badly
4) (das Bekanntmachen) introduction5) (Präsentation) presentation6) (bei Bewerbung) interview* * *bei with)2. THEAT performance, show; FILM show(ing);die letzte Vorstellung Kino: the last showing;nur eine kurze Vorstellung geben umg, fig not stay longfalsche Vorstellung wrong idea, misconception;sich (dat)eine (klare) Vorstellung machen von form a (clear) picture of, get an ( oder a proper) idea of;ist das deine Vorstellung von …? is that your idea of …?;(nicht) jemandes Vorstellungen entsprechen (not) be exactly what sb has in mind;haben Sie Vorstellungen bezüglich des Gehalts etc? do you have anything in mind in terms of salary etc?;in meiner Vorstellung the way I imagine ( oder see) it;du hast manchmal komische Vorstellungen you ('do) have some strange ideas;du machst dir keine Vorstellung! you’ve no idea;das geht über alle Vorstellung the mind boggles4.jemandem Vorstellungen machen remonstrate with sb (wegen about)* * *1) (Begriff) ideaer macht sich (Dat.) keine Vorstellung [davon], welche Mühe das kostet — he has no idea how much effort that costs
das entspricht ganz/nicht meinen Vorstellungen — that is exactly/not what I had in mind
2) o. Pl. (Fantasie) imagination3) (Aufführung) performance; (im Kino) showingeine schwache Vorstellung geben — (fig.) perform badly
4) (das Bekanntmachen) introduction5) (Präsentation) presentation6) (bei Bewerbung) interview* * *f.association n.conceivability n.conception n.idea n.imagination n.perception n.performance (theatre) n.show (cinema) n. -
5 vorstellung
f2. THEAT. performance, show; Film: show(ing); die letzte Vorstellung Kino: the last showing; eine starke / schwache Vorstellung geben bes. SPORT give a strong / weak performance; nur eine kurze Vorstellung geben umg., fig. not stay long3. (Begriff) idea; (Bild) auch image; falsche Vorstellung wrong idea, misconception; sich (Dat) eine ( klare) Vorstellung machen von form a (clear) picture of, get an ( oder a proper) idea of; ist das deine Vorstellung von...? is that your idea of...?; ( nicht) jemandes Vorstellungen entsprechen (not) be exactly what s.o. has in mind; haben Sie Vorstellungen bezüglich des Gehalts etc.? do you have anything in mind in terms of salary etc.?; in meiner Vorstellung the way I imagine ( oder see) it; du hast manchmal komische Vorstellungen you ('do) have some strange ideas; du machst dir keine Vorstellung! you’ve no idea; das geht über alle Vorstellung the mind boggles* * *die Vorstellung(Aufführung) performance;(Bekanntmachung) introduction;(Gedanke) notion; concept; idea* * *Vor|stel|lungfin meiner Vórstellung sah das größer aus — I imagined it bigger
in meiner Vórstellung ist Gott kein alter Mann — I don't picture God as an old man
du hast falsche Vórstellungen — you are wrong (in your ideas)
es übertrifft alle Vórstellungen — it's incredible or unbelievable
das entspricht ganz meiner Vórstellung — that is just how I imagined or saw it
eine Vórstellung von etw machen — to form an idea or (Bild) picture of sth
du machst dir keine Vórstellung, wie schwierig das ist — you have no idea how difficult that is
2) (THEAT ETC) performance; (FILM) showing, performance3) (= das Bekanntmachen) (zwischen Leuten) introduction; (bei Hofe) presentation (bei at); (= Vorführung von Geräten, neuem Artikel etc) presentation; (bei Bewerbung, Antrittsbesuch) interview (bei with)4) (= Einwand) objection, protest* * *die1) (an idea grasped or understood: We can have no conception of the size of the universe.) conception2) (something imagined: He had a sudden fancy that he could see Spring approaching.) fancy3) (mental picture: This will give you an idea of what I mean.) idea4) (mental picture: I have an image of the place in my mind.) image5) ((the part of the mind which has) the ability to form mental pictures: I can see it all in my imagination.) imagination6) (an act of introducing one person to another: The hostess made the introductions and everyone shook hands.) introduction7) (an uncertain belief; an idea: He has some very odd notions.) notion8) (something done on stage etc: The company gave a performance of `Othello'; His last three performances have not been very good.) performance9) (a performance, or set of repeated performances, of a play, opera etc: This is the best presentation of `Macbeth' that I've ever seen.) presentation* * *Vor·stel·lungf1. (gedankliches Bild) ideabestimmte Gerüche können beim Menschen immer die gleichen \Vorstellungen auslösen certain smells [can] always trigger the same thoughts in peoplein jds \Vorstellung in sb's mindgewiss ist sie jetzt älter, aber in meiner \Vorstellung bewahre ich ihr Bild als junge, hübsche Frau she may be older now, but in my mind's eye I still see her as a pretty young womanjds \Vorstellungen entsprechen to meet sb's requirementsdieser Pullover entspricht genau meinen \Vorstellungen this jumper is just what I'm looking fordas Gehalt entspricht nicht ganz meinen \Vorstellungen the salary doesn't quite match [up to] my expectationsdas Produkt wurde genau nach unseren \Vorstellungen entwickelt the product was designed to match our requirements [or specifications] exactlyfalsche \Vorstellungen haben to have false hopesunrealistische \Vorstellungen haben to have unrealistic expectationsalle \Vorstellungen übertreffen to be almost inconceivable [to the human mind] [or beyond the [powers of] imagination of the human mind]Traumstrände hatten wir erwartet, aber die Realität übertraf alle \Vorstellungen we expected [to find] beautiful beaches, but the reality exceeded all our expectations [or was beyond [all] our wildest dreams4. (Vorstellungsgespräch) interview* * *1) (Begriff) ideaer macht sich (Dat.) keine Vorstellung [davon], welche Mühe das kostet — he has no idea how much effort that costs
das entspricht ganz/nicht meinen Vorstellungen — that is exactly/not what I had in mind
2) o. Pl. (Fantasie) imagination3) (Aufführung) performance; (im Kino) showingeine schwache Vorstellung geben — (fig.) perform badly
4) (das Bekanntmachen) introduction5) (Präsentation) presentation6) (bei Bewerbung) interview* * *…vorstellung f im subst1. THEAT etc:Kindervorstellung childrens’ show;Wohltätigkeitsvorstellung charity performance2. (Idee, Wunsch):Gehaltsvorstellung desired salary;Preisvorstellung desired price;Glücksvorstellung idea of happiness* * *1) (Begriff) ideaer macht sich (Dat.) keine Vorstellung [davon], welche Mühe das kostet — he has no idea how much effort that costs
das entspricht ganz/nicht meinen Vorstellungen — that is exactly/not what I had in mind
2) o. Pl. (Fantasie) imagination3) (Aufführung) performance; (im Kino) showingeine schwache Vorstellung geben — (fig.) perform badly
4) (das Bekanntmachen) introduction5) (Präsentation) presentation6) (bei Bewerbung) interview* * *f.association n.conceivability n.conception n.idea n.imagination n.perception n.performance (theatre) n.show (cinema) n. -
6 ὁράω
ὁράω (Hom.+) impf. 3 pl. ἑώρων (J 6:2 v.l. for ἐθεώρουν); pf. ἑώρακα and ἑόρακα (s. B-D-F §68), 3 pl. ἑώρακαν beside ἑόρακαν and ἑωράκασιν (Mlt-H. 221); plpf. ἑωράκειν Hv 2, 1, 3; fut. ὄψομαι, 2 sg. ὄψῃ (W-S. §13, 18). Pass.: 1 fut. ὀφθήσομαι; 1 aor. ὤφθην, by-form ὡράθην Ezk 12:12; 21:29; Da 1:15 Theod.; pf. 3 sing. ὦπται Ex 4:1, 5; Hv 3, 1, 2, inf. ὦφθαι or ἑωρᾶσθαι (Just.); plpf. 3 sg. ὦπτο. (Just.). In Byz. times there was an aor. mid. ὠψάμην (Lob. on Phryn. p. 734). There is a subjunctive form corresponding to this in one place in the NT, though not without a v.l.; it is ὄψησθε (v.l. ὄψεσθε) Lk 13:28. The functions of the aor. active are taken over by εἶδον and the forms belonging to it (s. εἶδον). βλέπω is, for the most part, used for the pres. and impf. On the use of ὁράω and βλέπω s. Reinhold p. 95ff.A. trans.① to perceive by the eye, catch sight of, noticeⓐ w. acc. of pers. Mt 28:7, 10; Mk 16:7; Lk 16:23; J 8:57; 9:37; 14:9; 16:16f, 19, 22; 20:18 (PPerkins, Int 46, ’92, 31–41), 25, 29; 1J 4:20a; Rv 1:7; AcPl Ha 6, 17; Κλαύδ̣ιε ὅ̣[ρα Παῦλον] 8, 1. θεὸν οὐδεὶς ἑώρακεν πώποτε (s. PGM 5, 101f of Osiris ὸ̔ν οὐδεὶς εἶδε πώποτε) J 1:18; cp. 6:46ab; 1J 4:20b (on seeing God and its impossibility for mortals s. WGrafBaudissin, ‘Gott schauen’ in d. atl. Rel.: ARW 18, 1915, 173–239; RBultmann, ZNW 29, 1930, 169–92; EFascher: Marb. Theol. Studien ’31, 1, 41–77).—Also of the perception of personal beings that become visible in a transcendent manner (UPZ 78, 8 [159 B.C.] of a dream in the Sarapeum ὁρῶ τ. διδύμας; 69, 6; Just., D. 115, 3), of the vision of Christ that Paul had 1 Cor 9:1. The acc. is to be supplied fr. the context Hb 11:27; 1 Pt 1:8. W. acc. of the ptc. (B-D-F §416, 1; Rob. 1123.—UPZ 69, 6 [152 B.C.] ὁρῶ ἐν τῷ ὕπνῳ τὸν Μενέδημον ἀντικείμενον ἡμῖν; Ex 2:11, 13; TestJob 26, 6; ParJer 9:20; GrBar 1:3; Philo, Leg. All. 3, 38; Just., A I, 10, 1 al.) ὄψονται τὸν υἱὸν τοῦ ἀνθρώπου ἐρχόμενον Mt 24:30; Mk 13:26; Lk 21:27. ὄψεσθε τὸν υἱὸν τοῦ ἀνθρώπου καθήμενον Mk 14:62 (NPerrin, The End-product of the Christian Pesher Trad., NTS 12, ’66, 150–55).ⓑ w. acc. of thing ὀπτασίαν ὁρ. see a vision (s. ὀπτασία 1.—SIG 1169, 6; UPZ 68, 6 [152 B.C.] ἐνύπνια ὁρῶ πονηρά) Lk 1:22; 24:23. ὁράσεις Ac 2:17 (Jo 3:1). ταῦτα Lk 23:49. πάντα J 4:45. σημεῖα 6:2 v.l. (for ἐθεώρουν). S. also Hv 3, 2, 4. W. acc. of the ptc. (SIG 685, 75; 1169, 15; Ex 33:10; TestJob 37:8; Just., A I, 53, 9 al.) τὸν οὐρανὸν ἀνεῳγότα J 1:51.—Hv 3, 8, 9. W. attraction of the relative ὧν=τούτων ἅ Lk 9:36; Ac 22:15. The attraction may be due to colloq. breviloquence in μάρτυρα ὧν τε εἶδές με ὧν τε ὀφθήσομαί σοι a witness to the things in which you saw me and to those in which I shall appear to you Ac 26:16b (difft. MDibelius, Aufsätze zur Apostelgeschichte, ed. HGreeven ’51, 83). Of God τ. πάντα ὁρᾷ PtK 2 p. 13, 24 (Ar. 4, 1; cp. 13, 8).—ὁρ. is a favorite word w. J, when he speaks of that which the preëxistent Son saw when he was with the Father (JSchneider, D. Christusschau des Joh.-ev. ’35; difft. LBrun, D. Gottesschau des joh. Christus: SymbOsl 5, 1927, 1–22) ὸ̔ ἑώρακεν J 3:32; cp. vs. 11. ἃ ἑώρακα παρὰ τῷ πατρί 8:38 (since this deals w. witness and speaking, the ‘perceiving’ could be thought of as ‘hearing’; what is heard is interpreted as an event. Cp. Diod S 13, 28, 5 ὁρᾷς;=do you hear [the outcry]?; schol. on Nicander, Ther. 165 ὁρῶ οἷα λέγεις; Polyaenus 7, 14, 2; Ex 20:18 λαὸς ἑώρα τὴν φωνήν, 22; Dt 4:9; also Philo, Migr. Abr. 47; SibOr 8, 125 βρυγμὸν ὁρ.). Of that which the apostolic witnesses saw of Christ 1J 1:1–3. Abs. ὁ ἑωρακώς the eye-witness J 19:35.ⓒ ὁρ. τὸ πρόσωπόν τινος as a periphrasis for see someone (cp. Gen 43:3, 5; 46:30) Ac 20:25; Col 2:1. ὁρ. το πρόσωπον τοῦ θεοῦ (=רָאָה אֶת־פְּנֵי י״י) Rv 22:4 (πρόσωπον 1bα). ὁρ. τὴν δόξαν τοῦ θεοῦ (=רָאָה אֶת־כְּבוֹד י״י) see the majesty of God (Is 66:18f; GkBar 6:12 al.) J 11:40. Simply ὁρ. τὸν θεόν see God Mt 5:8. ὀψόμεθα αὐτὸν καθώς ἐστιν 1J 3:2 (Maximus Tyr. 11, 11a τὸ μὲν ὅλον ὄψει τ. θεὸν τότε, ἐπειδὰν πρὸς αὐτὸν καλῇ). ὁρ. τὸν κύριον Hb 12:14.—On ἃ ἑόρακεν ἐμβατεύων Col 2:18 s. ἐμβατεύω.ⓓ pass. in act. sense become visible, appear (Ael. Aristid. 51, 22 K.=27 p. 539 D.: ὤφθη τοιάδε; LXX) abs. Rv 11:19; 12:1, 3. τινί to someone Ac 2:3. ὅραμα διὰ νυκτὸς τ. Παύλῳ ὤφθη a vision appeared to Paul at night 16:9 (Jos., Ant. 2, 70 τὰ διὰ νυκτὸς ὀφθέντα).—Of pers. who appear in a natural way (Appian, Syr. 21 §96 ὤφθησαν=they made an appearance, Bell. Civ. 2, 130 §542; UPZ 145, 5 [164 B.C.]; 3 Km 3:16 ὤφθησαν δύο γυναῖκες τῷ βασιλεῖ) (Μωϋσῆς) ὤφθη αὐτοῖς Ac 7:26. Mostly of beings that make their appearance in a transcendent manner, almost always w. dat. of the pers. to whom they appear: God (Gen 12:7; 17:1 [cp. 1QapGen 22:27 God appears to Abraham]; PGM 4, 3090 ἕως ὁ θεός σοι ὀφθῇ; ParJer 7:20; Just., D. 56, 4 al.) Ac 7:2. Angels (Ex 3:2; Judg 6:12) Lk 1:11; 22:43 (LBrun, ZNW 32, ’33, 265–76); Ac 7:30, 35. Moses and Elijah Mt 17:3; Mk 9:4; Lk 9:31 (without the dat. in this pass.: ὀφθέντες ἐν δόξῃ). The risen Christ Lk 24:34; Ac 9:17; 13:31; 26:16a; 1 Cor 15:5–8 (cp. Ox 1 verso, 13; Unknown Sayings, 69–71); 1 Ti 3:16 (ὤφθη ἀγγέλοις: the triumphant Christ appears to the angelic powers); Hb 9:28 (Christ at his Second Coming).—οὐκ ἔτι σοι ὀφθήσεται it will be seen by you no longer (of evil desire) Hm 12, 2, 4 (Antig. Car. 11 ὁρᾶται=there is; Aristot. in Apollon. Paradox. 39 ὄφις ὤφθη=there was a snake).② to see someone in the course of making a friendly call, visit (1 Km 20:29; JosAs 22:3) ὄψομαι ὑμᾶς Hb 13:23.③ to experience a condition or event, experience, witness (cp. POxy 120, 4f τινὰ ὁρῶντα αἱαυτὸν [= ἑαυτὸν] ἐν δυστυχίᾳ; JosAs 6:5 τί … ἐγὼ ὄψομαι ἡ ταλαίπωρο; s. also Just., D. 61, 2) Lk 17:22 (s. εἶδον 4). ζωήν J 3:36 (cp. Lycophron 1019 βίον; Ps 88:49 θάνατον). μείζω τούτων 1:50. ὄψεται πᾶσα σὰρξ τὸ σωτήριον τοῦ θεοῦ Lk 3:6 (Is 40:5).④ to be mentally or spiritually perceptive, perceive (Polystrat. p. 5 ὁρ. τῷ λογισμῷ; Simplicius, In Epict. p. 110, 47 Düb. τὸ ἀληθές), fig. ext. of 1:ⓐ sensory aspect felt: w. acc. of the ptc. (Diod S 2, 16, 5; 4, 40, 2; Appian, Syr. 14 §55, Bell. Civ. 2, 14 §50; PHib 44, 4 [253 B.C.] ὁρῶντες δέ σε καταραθυμοῦντα; 4 Macc 4:24; 9:30; Jos., Vi. 373 ὄντα με ὁρ.; Just., A I, 43, 5; Ath. 2, 3) notice, perceive, understand εἰς χολὴν πικρίας … ὁρῶ σε ὄντα I perceive that you have fallen into the gall of bitterness (i.e. bitter jealousy) Ac 8:23. οὔπω ὁρῶμεν αὐτῷ τὰ πάντα ὑποτεταγμένα we do not yet see everything subjected to him Hb 2:8. W. acc. and inf. foll. Dg 1. W. ὅτι foll. (M. Ant. 9, 27, 2; Philo, Migr. Abr. 46; Just., D. 23, 3 al.) Js 2:24; 1 Cl 12:8; 23:4; 44:6. W. indir. quest foll. 1 Cl 16:17; 41:4; 50:1; 15:8; Dg 7:8. W. direct discourse foll. ὁρᾶτε 1 Cl 4:7.ⓑ w. focus on cognitive aspect: look at or upon ὄψονται οἷς οὐκ ἀνηγγέλη περὶ αὐτοῦ they who have never been told of (Christ) shall look upon him Ro 15:21 (Is 52:15).— Consider ὅρα τοῦ ἀγγέλου τῆς πονηρίας τὰ ἔργα Hm 6, 2, 4.— Become conscious of ὁ κακοποιῶν οὐχ ἐώρακεν τ. θεόν 3J 11. Cp. 1J 3:6.B. intr.① to fix one’s gaze, look εἴς τινα on or at someone (Il. 24, 633; Od. 20, 373; Just., D. 112, 1) J 19:37 (s. ἐκκεντέω). ἄνω ὁρᾶν Dg 10:2 (cp. Cicero, De Natura Deorum 2, 140; Ovid, Matamorphoses 1, 85; other reff. EBlakeney, The Epistle to Diognetus ’43, 77f).② to be alert or on guard, pay attention, see to it that foll. by μή and the aor. subj. (Diod S 27, 17, 3 ὁρᾶτε μήποτε ποιήσωμεν; Epict., Ench. 19, 2; Lucian, Dial. Deor. 8, 2; BGU 37, 5 [50 A.D.]; POxy 532, 15 ὅρα μὴ ἄλλως πράξῃς; 531, 9 ὅρα μηδενὶ ἀνθρώπων προσκρούσῃς.—B-D-F §364, 3) Mt 8:4; 18:10; Mk 1:44; 1 Th 5:15; 1 Cl 21:1; D 6:1.—W. μή and impv. (B-D-F §461, 1; Rob. 996) Mt 9:30; 24:6.—Elliptically (B-D-F §480, 5; Rob. 949) ὅρα μή (sc. ποιήσῃς) watch out! don’t do that! Rv 19:10; 22:9.—Used w. ἀπό τινος look out for someth. (B-D-F §149; Rob. 472) ὁρᾶτε καὶ προσέχετε ἀπὸ τῆς ζύμης τῶν Φαρισαίων look out (for) and be on your guard against the yeast of the Pharisees Mt 16:6. ὁράτε, βλέπετε ἀπὸ τῆς ζύμης τῶν Φαρ. Mk 8:15. ὁράτε καὶ φυλάσσεσθε ἀπὸ πάσης πλεονεξίας Lk 12:15.③ to accept responsibility for causing someth. to happen, look, see to, take care σὺ ὄψῃ see to that yourself! that’s your affair! Mt 27:4 (Men., Epitr. 493 S. [317 Kö.]; cp. the response of Titus and declaration of innocence at the time of Jerusalem’s destruction Jos., Bell. 6, 215); cp. vs. 24; Ac 18:15 (on this Latinism = videris s. DHesseling in B-D-F §362; Rob. 109f). Impv. followed by imperatival fut. ὅρα ποιήσεις πάντα see to it that you do everything Hb 8:5 (Ex 25:40; cp. 4:21). Foll. by indir. quest. (Ael. Aristid. 45 p. 121 D.: ὅρα τί ποιεῖς) ὅρα τί μέλλεις ποιεῖν take care what you are doing Ac 22:26 v.l.—B. 1042. Schmidt, Syn. I 244–70. DELG. M-M. EDNT. TW. Sv.
См. также в других словарях:
Powers and abilities of Superman — The powers of DC Comics character Superman have changed a great deal since his introduction in the 1930s. The extent of his powers peaked during the 1970s and 1980s to the point where various writers found it difficult to create suitable… … Wikipedia
Spider-Man's powers and equipment — The fateful spider bite that gave Peter Parker his powers. Amazing Fantasy #15, art by Steve Ditko. Spider Man s powers, abilities, and equipment are used by Marvel Comics superhero Spider Man in tandem to combat his many foes. He receives most… … Wikipedia
Extrasensory perception — (ESP) is the apparent ability to acquire information by paranormal means independent of any known physical senses or deduction from previous experience. The term was coined by Duke University researcher J. B. Rhine to denote psychic abilities… … Wikipedia
Axis powers — Infobox Former International Organization conventional long name = Axis Powerscommon name = Axis Powers noautocat = yes status = Military alliance continent = Europe era = World War II eventhhhh year start = 1940 date start = September 27, 1940… … Wikipedia
Allegations of Bahá'í involvement with other powers — Opponents of the Bahá í Faith have made accusations that the religion has been involved with other powers. During its early years, the Bahá í Faith and its predecessor, the Bábí religion, experienced growth in Persia. This growth caught the… … Wikipedia
Beelzebub's Tales to His Grandson — Infobox Book name = Beelzebub s Tales to His Grandson title orig = translator = image caption = The Penguin paperback edition author = G. I. Gurdjieff illustrator = cover artist = country = language = Russian and Armenian (original) series =… … Wikipedia
music — musicless, adj. /myooh zik/, n. 1. an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. 2. the tones or sounds employed, occurring in single line (melody) or… … Universalium
Leonardo da Vinci — /lee euh nahr doh deuh vin chee, lay /; It. /le aw nahrdd daw dah veen chee/. 1452 1519, Italian painter, sculptor, architect, musician, engineer, mathematician, and scientist. * * * born April 15, 1452, Anchiano, Republic of Florence died May 2 … Universalium
Daredevil (Marvel Comics) — Daredevil Promotional art for Daredevil vol. 2, #65 (Sept. 2004), by Greg Land … Wikipedia
Aristotle: Aesthetics and philosophy of mind — David Gallop AESTHETICS Aesthetics, as that field is now understood, does not form the subjectmatter of any single Aristotelian work. No treatise is devoted to such topics as the essential nature of a work of art, the function of art in general,… … History of philosophy
Psychology (The separation of) from philosophy — The separation of psychology from philosophy Studies in the sciences of mind 1815–1879 Edward S.Reed THE IMPOSSIBLE SCIENCE Traditional metaphysics The consensus of European opinion during and immediately after the Napoleonic era was that… … History of philosophy
