combination+patent

combination patent

combination patents

nt combination patent

1 to combine.

combina lo práctico con lo barato it is both practical and cheap

Ella combina minerales She combines minerals.

Ella combina trabajo y placer She combines business with pleasure.

Ella combina posibilidades She permutes possibilities.

2 to mix (bebidas).

3 to match (colores).

4 to arrange, to organize.

5 to bind.

* * *

► verbo transitivo

1 (gen) to combine

2 (disponer) to arrange, plan

3 QUÍMICA to combine

4 (colores) to match ( con, -), go ( con, with)

► verbo pronominal combinarse

1 (ponerse de acuerdo) to get together

* * *

1) to combine

2) match

•

- combinarse

* * *

1. VT

1) [+ esfuerzos, movimientos] to combine; [+ colores] to match, mix

2) [+ plan, proyecto] to devise, work out

combinarse

* * *

verbo transitivo

a) < ingredientes> to combine, mix together

b) < colores> to put together

c) (Quím) to combine

d) ( reunir) to combine

combinarse v pron

a) personas ( ponerse de acuerdo)

b) (Quím) to combine

* * *

= bridge, combine (together), link, marry, perform + combination, pick and mix, coalesce, blend, mix and match, piece together, concatenate, conflate, mingle (with), mesh, bundle, federate, couple, mix, mash up, conjoin, conjugate, commingle.

Ex. BLAISE offers a variety of services bridging the cataloguing and information retrieval functions.

Ex. Search aids are available in the form of logical statements which combine terms in order to be able to trace subjects according to a more specific document profile.

Ex. These references operate in a similar fashion whether they are used to link authors' names or subject headings.

Ex. At that time OCLC was already going strong, and we tried to find some backing from the State of New York and possibly from the federal government to marry those two systems.

Ex. If a search involves more than a single term, the system searches for each term separately, and reports intermediate results before performing the combination.

Ex. Modular courses are already in place from which a student can pick and mix.

Ex. Mayo's conclusion was that 'the singling out of certain groups of employees for special attention had the effect of coalescing previously indifferent individuals into cohesive groups with a high degree of group ride or esprit-de-corps'.

Ex. In her last appraisal they had observed how she blended many attractive personal qualities with intelligence, energy, and determination.

Ex. It is possible to mix and match from copyright law, patent law and trade secret and contract law, and the choice of avenue offering the best protection will depend upon many variables.

Ex. During his stay in Laputa, Captain Gulliver was very impressed by a book-writing machine which produced fragments of sentences which were dictated to scribes and later pieced together.

Ex. Individual files are concatenated to allow a full Boolean search to all files simultaneously.

Ex. Authors did not always read proofs; revises might be omitted and routines conflated.

Ex. Not so long ago, the far off lands existed, to most people, in their imagination where they mingled with fairy tales and imaginary stories.

Ex. Meshing together the many means of communication remains the central task of libraries and this task continues to require financial support = La tarea central de las bibliotecas sigue siendo la de combinar los númerosos medios de comunicación, algo que continúa necesitando apoyo económico.

Ex. CD-ROM products that combine, or bundle, related information services will be at the forefront because of their usefulness to end-users.

Ex. The usefulness of the many online periodicals and scientific digital libraries that exist today is limited by the inability to federate these resources through a unified interface.

Ex. The author describes a model for coupling hypertext and a knowledge based system.

Ex. Plaster was mixed with water and poured over the type, and allowed to set; when it had hardened it was lifted off the page (the oil preventing it from sticking to the type), and baked hard in an oven.

Ex. The name comes from pop music, where DJs have made a hobby out of mashing up multiple, disparate songs to create new sounds.

Ex. The grotesque is an effect achieved by conjoining disparate framents which do not realistically belong together.

Ex. The problema can be solved by conjugating two bare hard disks.

Ex. By mixing the marital property (your paycheck) with the separate property (your inheritance), you have ' commingled' them, and they cannot be considered separate property anymore.

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* combinar Algo con Algo = marry + Nombre + with + Nombre.

* combinar con = intersperse with.

* combinar en = meld (in/into).

* combinar intereses = bridge + interests.

* que combina diferentes tipos de re = multi-source [multi source].

* volver a combinar = recombine [re-combine].

* * *

verbo transitivo

a) < ingredientes> to combine, mix together

b) < colores> to put together

c) (Quím) to combine

d) ( reunir) to combine

combinarse v pron

a) personas ( ponerse de acuerdo)

b) (Quím) to combine

* * *

* * *

combinar [A1 ]

1 ‹ingredientes› to combine, mix together

2 ‹colores› to put together

no se puede combinar esos dos colores you can't put those two colors together

no sabe combinar la ropa he isn't very good at coordinating clothes

me gusta la falda pero no tengo con qué combinarla I like the skirt but I have nothing to wear with it o to go with it

¿a quién se le ocurre combinar el rojo con el violeta? how could you think of putting red and purple together?

no puedes combinar esa falda con ese jersey you can't wear that skirt with that sweater

3 ( Quím) to combine

4 (reunir) to combine

«colores/ropa»: combinar CON algo; to go WITH sth

quiero un bolso que combine con estos zapatos I want a bag that goes with o to go with these shoes

«personas» (ponerse de acuerdo): se combinaron para sorprenderlo they got together to give him a surprise

se combinaron para gastarle una broma they got together o ganged up to play a trick on him

nos combinamos para estar allí a las seis we all arranged to be there at six

2 ( Quím) to combine

* * *

a) ( en general) to combine

b) ‹ colores› to put together;

◊ combinar el rojo con el violeta to put red and purple together

* * *

♦ vt

1. [unir, mezclar] to combine;

combina lo práctico con lo barato it is both practical and cheap

2. [bebidas] to mix

3. [colores] to match

4. [planificar] to arrange, to organize;

combinan sus horarios para que siempre haya alguien en casa they arrange the hours they work so there's always somebody at home

5. Mat to permute

6. Quím to combine

♦ vi

combinar con to go with;

no tengo nada que combine con estos pantalones I haven't got anything to go o that goes with these trousers

♦ See also the pronominal verb combinarse

* * *

v/t combine

* * *

combinar vt

1) unir: to combine, to mix together

2) : to match, to put together

♦ See also the reflexive verb combinarse

* * *

combinar vb

1. (en general) to combine

2. (tener armonía) to match / to go with

SUBJECT AREA: Domestic appliances and interiors, Textiles

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The son of a millwright, Singer was employed as an unskilled labourer at the age of 12, but later gained wide experience as a travelling machinist. He also found employment as an actor. On 16 May 1839, while living at Lockport, Illinois, he obtained his first patent for a rock-drilling machine, but he soon squandered the money he made. Then in 1849, while at Pittsburgh, he secured a patent for a wood-and metal-carving machine that he had begun five years previously; however, a boiler explosion in the factory destroyed his machine and left him penniless.

Near the end of 1850 Singer was engaged to redesign the Lerow \& Blodgett sewing machine at the Boston shop of Orson C.Phelps, where the machine was being repaired. He built an improved version in eleven days that was sufficiently different for him to patent on 12 August 1851. He formed a partnership with Phelps and G.B. Zieber and they began to market the invention. Singer soon purchased Phelps's interest, although Phelps continued to manufacture the machines. Then Edward Clark acquired a one-third interest and with Singer bought out Zieber. These two, with dark's flair for promotion and marketing, began to create a company which eventually would become the largest manufacturer of sewing machines exported worldwide, with subsidiary factories in England.

However, first Singer had to defend his patent, which was challenged by an earlier Boston inventor, Elias Howe. Although after a long lawsuit Singer had to pay royalties, it was the Singer machine which eventually captured the market because it could do continuous stitching. In 1856 the Great Sewing Machine Combination, the first important pooling arrangement in American history, was formed to share the various patents so that machines could be built without infringements and manufacture could be expanded without fear of litigation. Singer contributed his monopoly on the needle-bar cam with his 1851 patent. He secured twenty additional patents, so that his original straight-needle vertical design for lock-stitching eventually included such refinements as a continuous wheel-feed, yielding presser-foot, and improved cam for moving the needle-bar. A new model, introduced in 1856, was the first to be intended solely for use in the home.

Initially Phelps made all the machines for Singer. Then a works was established in New York where the parts were assembled by skilled workers through filing and fitting. Each machine was therefore a "one-off" but Singer machines were always advertised as the best on the market and sold at correspondingly high prices. Gradually, more specialized machine tools were acquired, but it was not until long after Singer had retired to Europe in 1863 that Clark made the change to mass production. Sales of machines numbered 810 in 1853 and 21,000 ten years later.

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SUBJECT AREA: Horology

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John Arnold was apprenticed to his father, a watchmaker, and then worked as an itinerant journeyman in the Low Countries and, later, in England. He settled in London in 1762 and rapidly established his reputation at Court by presenting George III with a miniature repeating watch mounted in a ring. He later abandoned the security of the Court for a more precarious living developing his chronometers, with some financial assistance from the Board of Longitude. Symbolically, in 1771 he moved from the vicinity of the Court at St James's to John Adam Street, which was close to the premises of the Royal Society for the Encouragement of Arts, Manufactures \& Commerce.

By the time Arnold became interested in chronometry, Harrison had already demonstrated that longitude could be determined by means of a timekeeper, and the need was for a simpler instrument that could be sold at an affordable price for universal use at sea. Le Roy had shown that it was possible to dispense with a remontoire by using a detached escapement with an isochronous balance; Arnold was obviously thinking along the same lines, although he may not have been aware of Le Roy's work. By 1772 Arnold had developed his detached escapement, a pivoted detent which was quite different from that used on the European continent, and three years later he took out a patent for a compensation balance and a helical balance spring (Arnold used the spring in torsion and not in tension as Harrison had done). His compensation balance was similar in principle to that described by Le Roy and used riveted bimetallic strips to alter the radius of gyration of the balance by moving small weights radially. Although the helical balance spring was not completely isochronous it was a great improvement on the spiral spring, and in a later patent (1782) he showed how it could be made more truly isochronous by shaping the ends. In this form it was used universally in marine chronometers.

Although Arnold's chronometers performed well, their long-term stability was less satisfactory because of the deterioration of the oil on the pivot of the detent. In his patent of 1782 he eliminated this defect by replacing the pivot with a spring, producing the spring detent escapement. This was also done independendy at about the same time by Berthoud and Earnshaw, although Earnshaw claimed vehemently that Arnold had plagiarized his work. Ironically it was Earnshaw's design that was finally adopted, although he had merely replaced Arnold's pivoted detent with a spring, while Arnold had completely redesigned the escapement. Earnshaw also improved the compensation balance by fusing the steel to the brass to form the bimetallic element, and it was in this form that it began to be used universally for chronometers and high-grade watches.

As a result of the efforts of Arnold and Earnshaw, the marine chronometer emerged in what was essentially its final form by the end of the eighteenth century. The standardization of the design in England enabled it to be produced economically; whereas Larcum Kendall was paid £500 to copy Harrison's fourth timekeeper, Arnold was able to sell his chronometers for less than one-fifth of that amount. This combination of price and quality led to Britain's domination of the chronometer market during the nineteenth century.

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See also: Phillips, Edouard

1) Engineering: combination board, combination paperboard, combined board, laminated carton

2) Chemistry: couch board

3) Forestry: couched paperboard, multiply board

4) Polygraphy: pasteboard

5) Cellulose: couched paper, filled pulp board (с внутренними макулатурными слоями), patent-coated board (с наружными слоями из белёной массы), patent-coated manila board (с внутренним небелёным и наружными белёными слоями), test jute liner (с наружными слоями из сульфатной целлюлозы), (макулатурный) test liner

6) Plastics: paste board

7) Makarov: linerboard, (клеёный) pasteboard

SUBJECT AREA: Domestic appliances and interiors, Textiles

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Son of Elias Howe, a farmer, he acquired his mechanical knowledge in his father's mill. He left school at 12 years of age and was apprenticed for two years in a machine shop in Lowell, Massachusetts, and later to an instrument maker, Ari Davis in Boston, Massachusetts, where his master's services were much in demand by Harvard University. Fired by a desire to invent a sewing machine, he utilized the experience gained in Lowell to devise a shuttle carrying a lower thread and a needle carrying an upper thread to make lock-stitch in straight lines. His attempts were so rewarding that he left his job and was sustained first by his father and then by a partner. By 1845 he had built a machine that worked at 250 stitches per minute, and the following year he patented an improved machine. The invention of the sewing machine had an enormous impact on the textile industry, stimulating demand for cloth because making up garments became so much quicker. The sewing machine was one of the first mass-produced consumer durables and was essentially an American invention. William Thomas, a London manufacturer of shoes, umbrellas and corsets, secured the British rights and persuaded Howe to come to England to apply it to the making of shoes. This Howe did, but he quarrelled with Thomas after less than one year. He returned to America to face with his partner, G.W.Bliss, a bigger fight over his patent (see I.M. Singer), which was being widely infringed. Not until 1854 was the case settled in his favour. This litigation threatened the very existence of the new industry, but the Great Sewing Machine Combination, the first important patent-pooling arrangement in American history, changed all this. For a fee of $5 on every domestically-sold machine and $1 on every exported one, Howe contributed to the pool his patent of 1846 for a grooved eye-pointed needle used in conjunction with a lock-stitch-forming shuttle. Howe's patent was renewed in 1861; he organized and equipped a regiment during the Civil War with the royalties. When the war ended he founded the Howe Machine Company of Bridgeport, Connecticut.

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SUBJECT AREA: Recording

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After arriving in the USA in 1870 and becoming an American citizen, Berliner worked as a dry-goods clerk in Washington, DC, and for a period studied electricity at Cooper Union for the Advancement of Science and Art, New York. He invented an improved microphone and set up his own experimental laboratory in Washington, DC. He developed a microphone for telephone use and sold the rights to the Bell Telephone Company. Subsequently he was put in charge of their laboratory, remaining in that position for eight years. In 1881 Berliner, with his brothers Joseph and Jacob, founded the J.Berliner Telephonfabrik in Hanover, the first factory in Europe specializing in telephone equipment.

Inspired by the development work performed by T.A. Edison and in the Volta Laboratory (see C.S. Tainter), he analysed the existing processes for recording and reproducing sound and in 1887 developed a process for transferring lateral undulations scratched in soot into an etched groove that would make a needle and diaphragm vibrate. Using what may be regarded as a combination of the Phonautograph of Léon Scott de Martinville and the photo-engraving suggested by Charles Cros, in May 1887 he thus demonstrated the practicability of the laterally recorded groove. He termed the apparatus "Gramophone". In November 1887 he applied the principle to a glass disc and obtained an inwardly spiralling, modulated groove in copper and zinc. In March 1888 he took the radical step of scratching the lateral vibrations directly onto a rotating zinc disc, the surface of which was protected, and the subsequent etching created the groove. Using well-known principles of printing-plate manufacture, he developed processes for duplication by making a negative mould from which positive copies could be pressed in a thermoplastic compound. Toy gramophones were manufactured in Germany from 1889 and from 1892–3 Berliner manufactured both records and gramophones in the USA. The gramophones were hand-cranked at first, but from 1896 were based on a new design by E.R. Johnson. In 1897–8 Berliner spread his activities to England and Germany, setting up a European pressing plant in the telephone factory in Hanover, and in 1899 a Canadian company was formed. Various court cases over patents removed Berliner from direct running of the reconstructed companies, but he retained a major economic interest in E.R. Johnson's Victor Talking Machine Company. In later years Berliner became interested in aeronautics, in particular the autogiro principle. Applied acoustics was a continued interest, and a tile for controlling the acoustics of large halls was successfully developed in the 1920s.

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1 composition, work, piece, opus.

2 composition, article, essay, paper.

3 make-up, constitution, conformation, formation.

4 setting-up.

* * *

► nombre femenino

1 (gen) composition

2 (acuerdo) agreement

3 (arreglo) arrangement

4 (en impresión) setting, composition

\

hacer composición de lugar (decidirse) to make a plan of action 2 (formarse una idea) to get a picture of a situation

* * *

* * *

1) (Mús, Quím, Arte) composition

2) (Educ) essay

3)

4) (Tip) typesetting

5) [de desacuerdo] settlement; [de personas] reconciliation

6) (=arreglo) arrangement

* * *

1)

a) (de grupo, equipo) composition, makeup

b) ( de sustancia) composition

2) (Art, Fot, Mús) composition; (Educ) ( redacción) composition

•

- composición de textos

* * *

= composition, essay, make, setting, writing, make-up [makeup], constitution.

Ex. In particular, a title that consists solely of the name(s) of type(s) of composition requires the following elements in addition to the statement of the medium of performance: serial number, opus number or thematic index number, key.

Ex. In a journal most formal items including articles, essays, discussions and reviews can be expected to be accompanied by an abstract.

Ex. Typically a patent abstract is informative, and includes in the case of an article, its method of making or manufacture.

Ex. A companionship was a team of piecework compositors, led by one of their number, who co-operated in the setting of a book and submitted a single bill for the work, the proceeds of which were then divided amongst themselves.

Ex. This is a project for collaboration in formal report writing based on current social theories of writing.

Ex. Account also had to be taken of the disparate make-up and wide age-spread of a reader community which consists of Commission officials and trainees plus diverse visitors from outside.

Ex. The chemical constitution of these materials is described and their deterioration characteristics explained.

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* composición de canciones = songwriting [song-writing].

* composición de imágenes = image setting.

* composición demográfica = demographic composition.

* composición musical = musical composition.

* composición musical manida = war horse.

* composición original = creative writing.

* composición por confrontación de ideas = brain-writing.

* composición tipográfica = typesetting [type-setting].

* composición tipográfica automatizada = computerised typesetting.

* composición tipográfica por ordenador = computer typesetting.

* sala de composición = composing room.

* taller de trabajo sobre composición = writing workshop.

* técnicas de composición escrita = writing skills.

* * *

1)

a) (de grupo, equipo) composition, makeup

b) ( de sustancia) composition

2) (Art, Fot, Mús) composition; (Educ) ( redacción) composition

•

- composición de textos

* * *

* * *

1 (de un grupo, equipo) composition, makeup

la actual composición de la junta the present composition o makeup of the board

2 (de una sustancia) composition

1 (obra) composition, work

2 ( Mús) (disciplina) composition

3 (ejercicio) composition

4 ( Art, Fot) composition

hacerse una composición de lugar: para que te hagas una composición de composición, la cocina es la cuarta parte de ésta just to give you an idea o to help you picture it, the kitchen is a quarter of the size of this one

se hizo una composición de composición y decidió irse he took stock of o sized up the situation and decided to leave

typesetting

* * *

* * *

composición nf

1. [de sustancia, producto] composition

2. [de equipo, comité] composition, make-up

3. [obra literaria] work;

composición poética poetic composition, poem

4. [técnica musical] composition

5. [redacción] essay, composition ( sobre on)

6. [en fotografía, pintura] composition;

hacerse una composición de lugar to size up the situation;

no me hago una composición de lugar, ¿cómo es la casa? I can't quite visualize it, what's the house like?

7. Ling compounding, combination

8. [en imprenta] typesetting

* * *

f composition

* * *

composición nf, pl - ciones

1) obra: composition, work

2) : makeup, arrangement

* * *

composición n composition

त्रि num. a. [Uṇ.5.66] (declined in pl. only, nom. त्रयः m., तिस्त्रः f., त्रीणि n.) Three; त एव हि त्रयो लोकास्त एव त्रय आश्रमाः &c. Ms.2.229; प्रियतमाभिरसौ तिसृभिर्बभौ R.9.18; त्रीणि वर्षाण्युदीक्षेत कुमार्यृतुमती सती Ms.9.9 [cf. L. tres; Gr. treis; A. S., Zend thri; Eng. three].

-Comp. -अंशः 1 a three-fold share; त्र्यंशं दायाद्धरेद्विप्रः Ms.9.151.

-2 a third part.

-3 three-fourths.

-अक्ष a. triocular.

-अक्षः, -अक्षकः an epithet of Śiva; शुष्कस्नायु- स्वराह्लादात्त्र्यक्षं जग्राह रावणः Pt.5.57.

-अक्षरः 1 the mystic syllable ओम् consisting of three letters; see under अ. आद्यं यत्त्र्यक्षरं ब्रह्म Ms.11.265.

-2 a match- maker or घटक (that word consisting of three syllables).

-3 a genealogist. (

-री) knowledge, learning; see विद्या.

-अङ्कटम्, -अङ्गटम् 1 three strings suspended to either end of a pole for carrying burdens.

-2 a sort of colly- rium. (

-टः) N. of Śiva.

-अङ्गम् (pl.) a tripartite army (chariots, cavalry and infantry).

-अङ्गुलम् three fingers' breadth.

-अञ्जनम् the three kinds of collyrium; i. e. कालाञ्जन, रसाञ्जन and पुष्पाञ्जन.

-अञ्जलम्, -लिः three handfuls taken collectively.

-अधिपतिः (the lord of the 3 guṇas or worlds), an epithet of Viṣṇu; Bhāg.3.16.24.

-अधिष्ठानः the soul. (

नम्) spirit, life (चैतन्य). -a. having three stations; Ms.12.4.

-अध्वगा, -मार्गगा, -वर्त्मगा epithets of the river Ganges (flowing through the three worlds).

-अनीक a. having the three properties of heat, rain and cold; त्यनीकः पत्यते माहिनावान् Rv.3.56.3. (

-का) an army consisting of horses, elephants and chariots.

-अब्द a. three years old.

-ब्दम् three years taken collectively.

-अम्बकः (also त्रियम्बक in the same sense though rarely used in classical literature) 'having three eyes', N. of Śiva.; त्रियम्बकं संयमिनं ददर्श Ku.3.44; जडीकृतस्त्र्यम्बकवीक्षणेन R.2. 42;3.49. ˚सखः an epithet of Kubera; कुबेरस्त्र्यम्बकसखः Ak.

-अम्बका an epithet of Pārvatī

-अशीत a. eighty-third.

-अशीतिः f. eighty-three.

-अष्टन् a. twenty-four.

-अश्र, -अस्र a. triangular. (

-स्रम्) a triangle.

-अहः 1 a period of three days.

-2 a festival lasting three days.

-आर्षेयाः deaf, dumb and blind persons.

-आहिक a.

1 performed or produced in three days.

-2 recurring after the third day, tertian (as fever).

-3 having provision for three days कुशूलकुम्भीधान्यो वा त्र्याहिको$श्वस्तनो$पि वा Y.1.128.

-ऋचम् (

तृचम् also) three Riks taken collectively; Ms.8.16.

-ऐहिक a. having provision for three days.

-ककुद् m.

1 N. of the moun- tain Trikūṭa.

-2 N. of Viṣnu or Kṛiṣṇa.

-3 the highest, chief.

-4 a sacrifice lasting for ten nights.

-ककुभ् m. Ved.

1 Indra.

-2 Indra's thunderbolt.

-कटु dry ginger, black pepper and long pepper taken together as a drug; शिरामोक्षं विधायास्य दद्यात् त्रिकटुकं गुडम् Śālihotra 62.

-कण्टः, -कण्टकः a kind of fish.

-करणी the side of a square 3 times as great as another.

-कर्मन् n. the chief three duties of a Brāhmaṇa i. e. sacrifice, study of the Vedas, and making gifts or charity. (-m.) one who engages in these three duties (as a Brāhmaṇa).

-काण्डम् N. of Amarsiṁha's dictionary.

-कायः N. of Buddha.

-कालम् 1 the three times; the past, the pre- sent, and the future; or morning, noon and evening.

-2 the three tenses (the past, present, and future) of a verb. (

-लम् ind. three times, thrice; ˚ज्ञ, ˚दर्शिन् a. omniscient (m.)

1 a divine sage, seer.

-2 a deity.

-3 N. of Buddha. ˚विद् m.

1 a Buddha.

-2 an Arhat (with the Jainas).

-कूटः N. of a mountain in Ceylon on the top of which was situated Laṅkā, the capital of Rāvaṇa.; Śi.2.5.

-कूटम् sea-salt.

कूर्चकम् a knife with three edges.

-कोण a. triangular, forming a triangle.

(-णः) 1 a triangle.

-2 the vulva.

-खम् 1 tin.

-2 a cucumber.

-खट्वम्, -खट्वी three bed- steads taken collectively.

-क्षाराणि n. (pl.) salt-petre, natron and borax.

-गणः an aggregate of the three objects of worldly existence; i. e. धर्म, अर्थ and काम; न बाधते$स्य त्रिगणः परस्परम् Ki.1.11; see त्रिवर्ग below.

-गत a.

1 tripled.

-2 done in three days.

-गर्ताः (pl.)

1 N. of a country, also called जलन्धर, in the north- west of India.

-2 the people or rulers of that country.

-3 a particular mode of calculation.

-गर्ता 1 a lascivious woman, wanton.

-2 a woman in general.

-3 a pearl.

-4 a kind of cricket.

-गुण a.

1 consisting of three threads; व्रताय मौञ्जीं त्रिगुणां बभार याम् Ku.5.1.

-2 three-times repeated, thrice, treble, threefold, triple; सप्त व्यतीयुस्त्रिगुणानि तस्य (दिनानि) R.2. 25.

-3 containing the three Guṇas सत्त्व, रजस् and तमस्. (

-णम्) the Pradhāna (in Sāṅ. phil.); (-ind.) three times; in three ways.

-णाः m. (pl.) the three quali- ties or constituents of nature; त्रयीमयाय त्रिगुणात्मने नमः K.1.

(-णा) 1 Māyā or illusion (in Vedānta phil.).

-2 an epithet of Durgā.

-गुणाकृतम् ploughed thrice.

-चक्षुस् m. an epithet of Śiva.

-चतुर a. (pl.) three or four; गत्वा जवात्त्रिचतुराणि पदानि सीता B.R.6.34.

-चत्वा- रिंश a. forty-third.

-चत्वारिंशत् f, forty-three.

-जगत् n.

-जगती the three worlds, (1) the heaven, the atmos- phere and the earth; or (2) the heaven, the earth, and the lower world; त्वत्कीर्तिः...... त्रिजगति विहरत्येवमुर्वीश गुर्वी Sūkti.5.59.

-जटः an epithet of Śiva.

-जटा N. of a female demon, one of the Rākṣasa attendants kept by Rāvaṇa to watch over Sītā, when she was retained as a captive in the Aśoka-vanikā. She acted very kindly towards Sītā and induced her companions to do the same; सीतां मायेति शंसन्ति त्रिजटा समजीवयत् R.12.74.

-जातम्, जातकम् The three spices (mace, cardamoms, cinnamon).

-जीवा, -ज्या the sine of three signs or 9˚, a radius.

-णता a bow; कामुकानिव नालीकांस्त्रिणताः सहसामुचन् Śi.19.61.

-णव, -णवन् a. (pl.) three times nine; i. e. 27.

-णाकः the heaven; तावत्त्रिणाकं नहुषः शशास Bhāg.6.13.16.

-णाचिकेतः 1 a part of the Adhvaryu-sacrifice or Yajur- veda, or one who performs a vow connected therewith (according to Kull. on Ms.3.185); Mb.13.9.26.

-2 one who has thrice kindled the Nāchiketa fire or studied the Nāchiketa section of Kāṭhaka; त्रिणाचिकेत- स्त्रिभिरेत्य सन्धिम् Kaṭh.1.17.

-णीता a wife ('thrice married'; it being supposed that a girl belongs to Soma, Gandharva and Agni before she obtains a human husband).

-णेमि a. with three fellies; विचिन्वतो$भूत् सुमहांस्त्रिणेमिः Bhāg.3.8.2.

-तक्षम्, तक्षी three carpen- ters taken collectively.

-दण्डम् 1 the three staves of a Saṁnyāsin (who has resigned the world) tied togethar so as to form one.

-2 the triple subjection of thought, word, and deed. (

-ण्डः) the state of a religious ascetic; ज्ञानवैराग्यरहितस्त्रिदण्डमुपजीवति Bhāg.11.18.4.

-दण्डिन् m.

1 a religious mendicant or Saṁnyāsin who has renounced all worldly attachments, and who carries three long staves tied together so as to form one in his right hand; तल्लिप्सुः स यतिर्भूत्वा त्रिदण्डी द्वारका- मगात् Bhāg.1.86.3.

-2 one who has obtained command over his mind, speech, and body (or thought, word, and deed); cf. वाग्दण्डो$थ मनोदण्डः कायदण्डस्तथैव च । यस्यैते निहिता बुद्धौ त्रिदण्डीति स उच्यते ॥ Ms.12.1.

-दशाः (pl.)

1 thirty.

-2 the thirty-three gods:-- 12 Ādityas, 8 Vasus, 11 Rudras and 2 Aśvins. (

-शः) a god, an immortal; तस्मिन्मघोनस्त्रिदशान्विहाय सहस्रमक्ष्णां युगपत्पपात Ku.3.1. ˚अङ्कुशः (-शम्) the heaven. ˚आयुधम् Indra's thunder- bolt; R.9.54. ˚आयुधम् rainbow; अथ नभस्य इव त्रिदशायुधम् R.9.54. ˚अधिपः, ˚ईश्वरः, ˚पतिः epithets of Indra. ˚अधिपतिः N. of Śiva. ˚अध्यक्षः, ˚अयनः an epithet of Viṣṇu. ˚अरिः a demon. ˚आचार्यः an epithet of Bṛihas- pati. ˚आधार Nectar. ˚आलयः, ˚आवासः

1 heaven.

-2 the mountain Meru.

-3 a god. ˚आहारः 'the food of the gods', nectar. ˚इन्द्रः

1 Indra.

-2 Śiva.

-3 Brahman. ˚गुरुः an epithet of Bṛihaspati, ˚गोपः a kind of insect; (cf. इन्द्रगोप) श्रद्दधे त्रिदशगोपमात्रके दाहशक्तिमिव कृष्णवर्त्मनि R.11.42. ˚दीर्घिका an epithet of the Ganges. ˚पतिः Indra; एषो$प्यैरावतस्थस्त्रिदशपतिः Ratn.4.11. ˚पुङ्गवः Viṣṇu; Rām.1. ˚मञ्जरी the holy basil. ˚वधू, ˚वनिता, an Apsaras or heavenly damsel; कैलासस्य त्रिदशवनितादर्पणस्यातिथिः स्याः Me.6. ˚वर्त्मन् the sky. ˚श्रेष्ठः

1 Agni.

-2 Brahman. ˚दशीभूत Become divine; त्रिदशीभूतपौराणां स्वर्गान्तरमकल्पयत् R.15.12.

-दिनम् three days collectively. ˚स्पृश् m. concurrence of three lunations with one solar day.

-दिवम् 1 the heaven; त्रिमार्गयेव त्रिदिवस्य मार्गः Ku.1.28; Ś.7.3.

-2 sky, atmosphere.

-3 paradise.

-4 happi- ness. (

-वा) cardamoms. ˚अधीशः, ˚ईशः

1 an epithet of Indra.

-2 a god. ˚आलयः the heaven; अश्वमेधजिताँल्लोका- नाप्नोति त्रिदिवालये Mb.13.141.53. ˚उद्भवा

1 the Ganges.

-2 small cardamoms. ˚ओकस् m. a god; वपुषि त्रिदिवौकसां परं सह पुष्पैरपतत्र्छिलीमुखाः Vikr.15.72. ˚गत dead; त्रिदिवगतः किमु वक्ष्यते पिता मे Vikr.6.62.

-दृश् m. an epithet of Śiva.

-दोषम् vitiation or derangement of the three humours of the body, i. e. वात, पित्त and कफ.

-धा ind. in 3 parts, ways or places; triply, ˚त्वम् tripartition; Ch. Up.

-धातुः an epithet of Gaṇeśa;

-तुम् 1 the triple world.

-2 the aggregate of the 3 minerals or humours.

-धामन् m.

1 N. of Viṣṇu.

-2 of Vyāsa;

-3 of Śiva.

-4 of Agni.

-5 death. -n. the heaven; हंसो हंसेन यानेन त्रिधाम परमं ययौ Bhāg.3.24.2.

-धारा the Ganges.

-नयन, -नेत्रः, -लोचनः epithets of Śiva; R.3. 66; Ku.3.66;5.72.

- नवत a. ninety-third.

-नवतिः f. ninety three.

-नयना Pārvat&imacr.

-नाभः Viṣṇu; Bhāg.8. 17.26.

-नेत्रचूडामणिः the moon.

-नेत्रफलः the cocoa-nut tree.

-पञ्च a. three-fold five, i. e. fifteen.

-पञ्चाश a. fiftythird.

-पञ्चाशत् f. fifty-three.

-पुटः glass (काच).

-पताकः 1 the hand with three fingers stretched out or erect.

-2 the forehead marked naturally with three horizontal lines.

-पत्रकः the Palāśa tree.

-पथम् 1 the three paths taken collectively, i. e. the sky, atmosphere, and the earth, or the sky, earth and the lower world.

-2 a place where three roads meet. (

-था) an epithet of Mathura. ˚गा, ˚गामिनी an epithet of the Ganges; गङ्गा त्रिपथगामिनी; धृतसत्पथस्त्रिपथगामभितः स तमारुरोह पुरुहूतसुतः Ki.6.1; Amaru.99.

-पद्, -पाद्, -पात् m. Ved.

1 Viṣṇu.

-2 fever (personified).

-पद a. three-footed. (

-दम्) a tripod; त्रिपदैः करकैः स्थालैः...... Śiva. B.22. 62.

-पदिका 1 a tripod.

-2 a stand with three feet.

-पदी 1 the girth of an elephant; नास्रसत्करिणां ग्रैवं त्रिपदी- च्छेदिनामपि R.4.48.

-2 the Gāyatrī metre.

-3 a tripod.

-4 the plant गोधापदी.

-परिक्रान्त a. one who walks thrice round a sacred fire.

-पर्णः Kiṁśuka tree.

-पाटः 1 intersection of a prolonged side and perpendicular (in a quadrangular figure).

-2 the figure formed by such intersection.

-पाटिका a beak.

पाठिन् a.

1 familiar with Saṁhitā, Pada, and Krama.

-2 one who learns a thing after three repetitions.

-पादः 1 the Supreme Being.

-2 fever.

-पाद् a.

1 having three feet.

-2 con- sisting of three parts, having three fourths; राघवः शिथिलं तस्थौ भुवि धर्मस्त्रिपादिव R.15.96.

-3 trinomial. (-m.)

1 an epithet of Viṣṇu in his dwarf incarnation.

-2 the Supreme Being.

-पिटकम् the 3 collections of Buddhistic sacred writings (सुत्त, विनय and अभिधम्म).

-पुट a. triangular.

(-टः) 1 an arrow.

-2 the palm of the hand.

-3 a cubit.

-4 a bank or shore.

-पुटकः a triangle.

-पुटा an epithet of Durgā.

-पुटिन् m. the castor-oil plant.

-पुण्ड्रम्, -पुण्ड्रक a mark on the forehead consisting of three lines made with cowdung ashes.

-पुरम् 1 a collection of three cities.

-2 the three cities of gold, silver, and iron in the sky, air and earth built for demons by Maya; (these cities were burnt down, along the demons inhabiting them, by Śiva at the request of the gods); Ku.7.48; Amaru.2; संरक्ताभिस्त्रिपुरविजयो गीयते किन्नरीभिः Me.56; Bh.3.123; (

-रः) N. of a demon or demons presiding over these cities. ˚अधिपतिः N. of Maya, ˚अन्तकः, ˚अरिः, ˚घ्नः, ˚दहनः, ˚द्विष् m., हरः &c. epithets of Śiva; अये गौरीनाथ त्रिपुरहर शम्भो त्रिनयन Bh.3.123; R.17.14. ˚दाहः burning of the three cities; मुहुरनुस्मरयन्तमनुक्षपं त्रिपुरदाहमुमापतिसेविनः Ki.5.14. ˚सुन्दरी Durgā.

(-री) 1 N. of a place near Jabalpura, formerly capital of the kings of Chedi.

-2 N. of a country.

-पुरुष a

1 having the length of three men.

-2 having three assistants. (

-षम्) the three ancestors- father, grand-father and great-grand-father.

-पृष्ठम् the highest heaven; Bhāg.1.19.23. (

ष्ठः) Viṣṇu.

-पौरुष a.

1 belonging to, or extending over, three generations of men.

2 offered to three (as oblations).

-3 inherited from three (as an estate).

-प्रस्रुतः an elephant in rut.

-फला (1) the three myrobalans taken collectively, namely, Terminalia Chebula, T. Bellerica, and Phyllanthus (Mar. हिरडा, बेहडा and आंवळकाठी). Also (2) the three sweet fruits (grape, pomegranate, and date); (3) the three fragrant fruits (nutmeg, areca- nut, and cloves).

-बन्धनः the individual soul.

-बलिः, बली, -वलिः, -वली f.

1 the three folds or wrinkles of skin above the navel of a woman (regarded as a mark of beauty); क्षामोदरोपरिलसत्त्रिवलीलतानाम् Bh.1.93,81; cf. Ku.1.39.

-2 the anus.

-बलीकम् the anus.

-बाहुः a kind of fighting with swords.

-ब्रह्मन् a. with ब्रह्मा, विष्णु and महेश.

-भम् three signs of the zodiac, or ninety degrees.

-भङ्गम् a pose in which the image is bent at three parts of the body.

-भद्रम् copulation, sexual union, cohabitation.

-भागः 1 the third part; त्रिभागं ब्रह्महत्यायाः कन्या प्राप्नोति दुष्यती Mb.12.165.42.

-2 the third part of a sign of the zodiac.

-भुक्ल a. one possessed of learning, good conduct and good family-descent (Dānasāgara, Bibliotheca Indica,274, Fasc.1, p.29).

-भुजम् a triangle.

-भुवनम् the three worlds; पुण्यं यायास्त्रिभुवन- गुरोर्धाम चण्डीश्वरस्य Me.35; Bh.1.99. ˚गुरु Śiva. ˚कीर्तिरसः a patent medicine in Āyurveda. ˚पतिः Viṣṇu.

-भूमः a palace with three floors.

-मद the three narcotic plants; the three-fold haughtiness; Bhāg.3.1.43.

-मधु n.

-मधुरम् 1 sugar, honey, and ghee.

-2 three verses of the Ṛigveda (1.9.6-8; मधु वाता ऋतायते˚).

-3 a ceremony based on the same; L. D. B.

-4 threefold utterance of a vedic stanza ˚मधु वाता -m. a reciter and performer of the above ceremony; L. D. B.

-मार्गा the Ganges; त्रिमार्गयेव त्रिदिवस्य मार्गः Ku.1.28.

-मुकुटः the Trikūṭa mountain.

-मुखः an epithet of Buddha.

-मुनि ind. having the three sages पाणिनि, कात्यायन and पतञ्जलि; त्रिमुनि व्याकरणम्.

-मूर्तिः 1 the united form of Brahmā, Viṣṇu, and Maheśa, the Hindu triad; नमस्त्रिमूर्तये तुभ्यं प्रांक्सृष्टेः केवलात्मने । गुणत्रयविभायाय पश्चाद्भेदमुपेयुषे ॥ Ku.2.4.

-2 Buddha, or Jina.

-मूर्धन् m.

1 a demon; त्रयश्च दूषण- खरस्त्रिमूर्धानो रणे हताः U.2.15.

-2 a world called महर्लोक; G&imac;rvāṇa; cf. अमृतं क्षेममभयं त्रिमूर्ध्नो$धायि मूर्धसु Bhāg.2.6.19.

-यव a. weighing 3 barley corns; Ms.8.134.

-यष्टिः a necklace of three strings.

-यामकम् sin.

-यामा 1 night (consisting of 3 watches of praharas, the first and last half prahara being excluded); संक्षिप्येत क्षण इव कथं दीर्घयामा त्रियामा Me.11, Ku.7.21,26; R.9.7; V.3. 22.

-2 turmeric.

-3 the Indigo plant.

-4 the river Yamuṇā.

-युगः an epithet of Viṣṇu; धर्मं महापुरुष पासि युगानुवृत्तं छन्नः कलौ यदभवस्त्रियुगो$थ सत्त्वम् Bhāg.7.9.38; the god in the form of यज्ञपुरुष; Bhāg.5.18.35.

-योनिः a law-suit (in which a person engages from anger, cove- tousness, or infatuation).

-रसकम् spirituous liquor; see त्रिसरकम्.

-रात्र a. lasting for three nights. (

-त्रः) a festival lasting for three nights. (

-त्रम्) a period of three nights.

-रेखः a conch-shell.

-लिङ्ग a. having three genders, i. e. an adjective.

-2 possessing the three Guṇas. (

-गाः) the country called Telaṅga. (

-गी) the three genders taken collectively.

-लोकम् the three worlds. (

-कः) an inhabitant of the three worlds; यद्धर्मसूनोर्बत राजसूये निरीक्ष्य दृक्स्वस्त्ययनं त्रिलोकः Bhāg.3. 2.13. ˚आत्मन् m. the Supreme Being. ˚ईशः the sun. ˚नाथः 'lord of the three worlds', an epithet of

1 Indra; त्रिलोकनाथेन सदा मखद्विषस्त्वया नियम्या ननु दिव्यचक्षुषा R.3.45.

-2 of Śiva; Ku.5.77. ˚रक्षिन् a. protecting the 3 worlds; त्रिलोकरक्षी महिमा हि वज्रिणः V.1.6.

-लोकी the three worlds taken collectively, the universe; सत्यामेव त्रिलोकीसरिति हरशिरश्चुम्बिनीविच्छटायाम् Bh.3.95; Śānti.4.22.

-लोचनः Śiva.

(-ना) 1 an unchaste woman.

-2 an epithet of Durgā.

-लोहकम् the three metals:-- gold, silver, and copper.

-वर्गः 1 the three objects of wordly existence, i. e. धर्म, अर्थ, and काम; अनेन धर्मः सविशेषमद्य मे त्रिवर्गसारः प्रतिभाति भाविनि Ku.5.38; अन्योन्यानुबन्धम् (त्रिवर्गम्) Kau. A.1.7; प्राप त्रिवर्गं बुबुधे$त्रिवर्गम् (मोक्षम्) Bu. Ch.2.41.

-2 the three states of loss, stability, and increase; क्षयः स्थानं च वृद्धिश्च त्रिवर्गो नीतिवेदिनाम् Ak.

-3 the three qualities of nature, i. e. सत्त्व, रजस्, and तमस्.

-4 the three higher castes.

-5 the three myrobalans.

-6 propriety, decorum.

-वर्णकम् the first three of the four castes of Hindus taken collectively.

-वर्ष a. three years old; Ms.5.7.

-वलिः, -ली f. (in comp.) three folds over a woman's navel (regarded as a mark of beauty)

-वली the anus.

-वारम् ind. three times, thrice.

-विक्रमः Viṣṇu in his fifth or dwarf incarnation. ˚रसः a patent medicine in Āyurveda.

-विद्यः a Brāhmaṇa versed in the three Vedas.

-विध a. of three kinds, three-fold.

-विष्टपम्, -पिष्टपम् 1 the world of Indra, heaven; त्रिविष्टपस्येव पतिं जयन्तः R.6.78.

-2 the three worlds. ˚सद् m. a god.

-वृत् a.

1 threefold; मौञ्जी त्रिवृत्समा श्लक्ष्णा कार्या विप्रस्य मेखला Ms.2.42.

-2 consisting of three parts (as three गुणs, विद्याs); Bhāg.3.24.33;1.23.39; (consisting of three letters- ओङ्कार); हिरण्यगर्भो वेदानां मन्त्राणां प्रणवस्त्रिवृत् Bhāg.11.16.12. (-m.)

1 a sacrifice.

-2 a girdle of three strings; Mb.12.47.44.

-3 an amulet of three strings. (-f.) a plant possessing valuable purgative properties. ˚करण combining three things, i. e. earth, water, and fire.

-वृत्तिः livelihood through 3 things (sacrifice, study and alms).

-वेणिः, -णी f. the place near Prayāga where the Ganges joins the Yamunā and receives under ground the Sarasvatī; the place called दक्षिणप्रयाग where the three sacred rivers separate.

-वेणुः 1 The staff (त्रिदण्ड) of a Saṁnyāsin; केचित् त्रिवेणुं जगृहुरेके पात्रं कमण्डलुम् Bhāg.11.23.34.

-2 The pole of a chariot; अथ त्रिवेणुसंपन्नं...... बभञ्ज च महारथम् Rām.3. 51.16; Mb.7.156.83; a three bannered (chariot); Bhāg.4.26.1.

-वेदः a Brāhmaṇa versed in the three Vedas.

-शक्तिः a deity (त्रिकला), Māyā; Bhāg.2.6.31.

-शङ्कुः 1 N. of a celebrated king of the Solar race, king of Ayodhyā and father of Hariśchandra. [He was a wise, pious, and just king, but his chief fault was that he loved his person to an inordinate degree. Desiring to celebrate a sacrifice by virtue of which he could go up to heaven in his mortal body, he requested his family-priest Vasiṣṭha to officiate for him; but being refused he next requested his hundred sons who also rejected his absurd proposal. He, therefore, called them cowardly and impotent, and was, in return for these insults, cursed and degraded by them to be a Chāṇḍāla. While he was in this wretched condition, Viśvāmitra, whose family Triśaṅku had in times of famine laid under deep obligations, undertook to celebrate the sacrifice, and invited all the gods to be present. They, however, declined; whereupon the enraged Viśvāmitra. by his own power lifted up Triśaṅku to the skies with his cherished mortal body. He began to soar higher and higher till his head struck against the vault of the heaven, when he was hurled down head-foremost by Indra and the other gods. The mighty Viśvāmitra, however, arrested him in his downward course, saying 'Stay Triśaṅku', and the unfortunate monarch remained suspended with his head towards the earth as a constellation in the southern hemisphere. Hence the wellknown proverb:-- त्रिशङ्कुरिवान्तरा तिष्ठ Ś.2.]

-2 the Chātaka bird.

-3 a cat.

-4 a grass-hopper.

-5 a fire- fly. ˚जः an epithet of Hariśchandra. ˚याजिन् m. an epithet of Viśvāmitra.

-शत a. three hundred.

(-तम्) 1 one hundred and three.

-2 three hundred.

-शरणः a Buddha.

-शर्करा three kinds of sugar (गुडोत्पन्ना, हिमोत्था, and मधुरा).

-शाख a. three-wrinkled; भ्रुकुट्या भीषणमुखः प्रकृत्यैव त्रिशाखया Ks.12.72.

-शालम् a house with three halls or chambers.

-शिखम् 1 a trident; तदापतद्वै त्रिशिखं गरुत्मते Bhāg.1.59.9.

-2 a crown or crest (with three points).

-शिरस् m.

1 N. of a demon killed by Rāma.

-2 an epithet of Kubera.

-3 fever. त्रिशिरस्ते प्रसन्नो$स्मि व्येतु ते मज्ज्वराद्भयम् Bhāg.1.63.29.

-शीर्षः Śiva.

-शीर्षकम्, -शूलम् a trident. ˚अङ्कः, ˚धारिन् m. an epithet of Śiva.

-शुक्लम् the holy combination of 'three days' viz. Uttarāyaṇa (day of the gods), the bright half of the moon (day of the manes) and day- time; त्रिशुक्ले मरणं यस्य, L. D. B.

-शूलिन् m. an epithet of Śiva.

-शृङ्गः 1 the Trikūṭa mountain.

-2 a triangle.

-शोकः the soul.

-षष्टिः f. sixty-three.

-ष्टुभ् f. a metre of 4 x 11 syllables.

-संध्यम्, -संध्यी the three periods of the day, i. e. dawn, noon, and sunset; also

-त्रिसवनम् (

-षवणम्); Ms.11.216.

-संध्यम् ind. at the time of the three Sandhyas; सान्निध्यं पुष्करे येषां त्रिसन्ध्यं कुरुनन्दन Mb.

-सप्तत a. seventy-third.

-सप्ततिः f. seventy-three.

-सप्तन्, -सप्त a. (pl.) three times 7, i. e. 21.

-सम a. (in geom.) having three equal sides, equilateral.

-सरः milk, sesamum and rice boiled together.

-सरकम् drinking wine thrice ('सरकं शीधुपात्रे स्यात् शीधुपाने च शीधुनि' इति विश्वः); प्रातिभं त्रिसरकेण गतानाम् Śi.1.12.

-सर्गः the creation of the 3 Guṇas; Bhāg.1.1.1.

-साधन a. having a threefold causality; R.3.13.

-सामन् a. singing 3 Sāmans (an उद्गातृ); उद्गाता तत्र संग्रामे त्रिसामा दुन्दुभिर्नृप Mb.12.98.27.

-साम्यम् an equilibrium of the three (qualities); Bhāg.2.7.4.

-सुपर्णः, -र्णम् 1 N. of the three Ṛigvedic verses (Rv.1.114.3-5).

-2 N. of T. Ār.1.48-5; -a. familiar with or reciting these verses; Ms.3.185.

-स्थली the three sacred places: काशी, प्रयाग, and गया.

-स्थानम् the head, neck and chest to- gether; तन्त्रीलयसमायुक्तं त्रिस्थानकरणान्वितम् Rām.7.71.15. -a.

1 having 3 dwelling places.

-2 extending through the 3 worlds.

-स्रोतस् f. an epithet of the Ganges; त्रिस्रोतसं वहति यो गगनप्रतिष्ठाम् Ś.7.6; R.1.63; Ku.7.15.

-सीत्य, -हल्य a. ploughed thrice (as a field).

-हायण a. three years old.

SUBJECT AREA: Electronics and information technology, Recording

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Of English descent, Smith embarked on an education in mechanical engineering, graduating from West Jersey Academy, Bridgeton, New Jersey, in 1859. In 1863 he established a machine shop in Bridgeton, New Jersey, that became the Ferracute Machine Company in 1877, eventually specializing in the manufacture of presses for metalworking. He seems to have subscribed to design principles considered modern even in the 1990s, "always giving attention to the development of artistic form in combination with simplicity, and with massive strength where required" (bibliographic reference below). He was successful in his business, and developed and patented a large number of mechanical constructions.

Inspired by the advent of the phonograph of Edison, in 1878 Smith obtained the tin-foil mechanical phonograph, analysed its shortcomings and performed some experiments in magnetic recording. He filed a caveat in the US Patent Office in order to be protected while he "reduced the invention to practice". However, he did not follow this trail. When there was renewed interest in practical sound recording and reproduction in 1888 (the constructions of Berliner and Bell \& Tainter), Smith published an account of his experiments in the journal Electrical World. In a corrective letter three weeks later it is clear that he was aware of the physical requirements for the interaction between magnetic coil and magnetic medium, but his publications also indicate that he did not as such obtain reproduction of recorded sound.

Smith did not try to develop magnetic recording, but he felt it imperative that he be given credit for conceiving the idea of it. When accounts of Valdemar Poulsen's work were published in 1900, Smith attempted to prove some rights in the invention in the US Patent Office, but to no avail.

He was a highly respected member of both his community and engineering societies, and in later life became interested in the anti-slavery cause that had also been close to the heart of his parents, as well as in the YMCA movement and in women's suffrage.

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1. ( наружный покров тела) skin

2. (из цельного полуфабриката, не подвергнутого распиловке) hide; ( выделанная) leather

аппрети́ровать ко́жу — top-finish the leather, give the leather a top-finish

двои́ть ко́жу — split the leather

дуби́ть ко́жу — tan the leather

крыть ко́жей — leather

лощи́ть ко́жу — glaze the leather

мять ко́жу ( в барабане) — tumble the leather

отвола́живать ко́жу — sam(m) the leather

отде́лывать ко́жу — curry [dress] the leather

подвя́ливать ко́жу — sam(m) the leather

подме́здривать ко́жу — reflesh the leather

строга́ть ко́жу — shave the leather

тисни́ть ко́жу — emboss [print] the leather

ко́жа алюми́ниевого дубле́ния — alum(ed) [alum-tanned] leather

ко́жа анили́новой отде́лки — aniline-dyed [aniline-stained] leather

бланширо́ванная ко́жа — buff leather

боруши́стая ко́жа — wrinkled leather

ва́личная ко́жа — roller leather

водонепроница́емая ко́жа — water-proof [water-repellent] leather

галантере́йная ко́жа — fancy leather

ко́жа для ве́рха о́буви — (shoe) upper leather

ко́жа для ни́за о́буви — bottom leather

ко́жа для ра́нтов — welt(ing) leather

жестеобра́зная ко́жа — papery leather

жиродублё́ная ко́жа — oil [wash] leather

жироусто́йчивая ко́жа — oil-resistant leather

запо́листая ко́жа — spready leather

иску́сственная ко́жа — artificial leather

ко́жа квасцо́вого дубле́ния — alum(ed) [alum-tanned] leather

«клеё́ная» ко́жа — pasted skin

ко́жа комбини́рованного дубле́ния — combination tanned leather

ла́ковая ко́жа — enamelled [patent, japanned] leather

лицева́я ко́жа — (full-)gram leather

ко́жа минера́льного дубле́ния — mineral-tanned leather

недоду́бленная ко́жа — hungry tanned [undertanned] leather

недозолё́нная ко́жа — underlimed leather

недублё́ная ко́жа — untanned leather

неотде́ланная ко́жа — undressed leather

несортова́я ко́жа — offal [broken] leather

обувна́я ко́жа — shoe leather

одё́жно-галантере́йная ко́жа — garment-and-fancy leather

оле́нья ко́жа — deer leather

опо́йковая ко́жа — calf leather

оскли́злая ко́жа — pitted [pricked] leather

пережиро́ванная ко́жа — overstuffed leather

перезолё́нная ко́жа — overlimed leather

переплё́тная ко́жа — book(-binding) leather

перча́точная ко́жа — gloving leather

пло́ская ко́жа — flat leather

пло́тная ко́жа — compact leather

подкла́дочная ко́жа — facing [lining] leather

подо́швенная ко́жа — sole leather

прокла́дочная ко́жа — gasket leather

ко́жа расти́тельно-хро́мового дубле́ния — reverse retan leather

ремнева́я ко́жа — band leather

ры́хлая ко́жа — loose leather

свина́я ко́жа — hog-leather, pigskin (leather)

свищева́тая ко́жа — warbled leather

синтети́ческая ко́жа — synthetic leather

ко́жа с иску́сственным лицо́м — artificial-grain leather

ко́жа с наре́зкой — printed leather

ко́жа соба́ки — dogskin

ко́жа с облагоро́женным лицо́м — buffed [snuffed (grain)] leather

ко́жа со стя́нутым лицо́м — wrinkled leather, leather with wrinkled grain

ко́жа с сохранё́нным приро́дным лицо́м — (full-)grain leather

сыромя́тная ко́жа — rawhide

техни́ческая ко́жа — industrial leather

то́щая ко́жа — empty leather

утяжелё́нная ко́жа — weighting leather

ко́жа хро́мового дубле́ния — chrome-tanned leather

чё́ртова ко́жа — moleskin

шагре́невая ко́жа — shagreen (leather)

шо́рно-седе́льная ко́жа — harness [saddle] leather

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adj <Geschäft, Ind> industrial ■ industrieller Anwendung unterliegend < Patent> subject to industrial application, susceptible to industrial application

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SUBJECT AREA: Textiles

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Jacquard was apprenticed at the age of 12 to bookbinding, and later to type-founding and cutlery. His parents, who had some connection with weaving, left him a small property upon their death. He made some experiments with pattern weaving, but lost all his inheritance; after marrying, he returned to type-founding and cutlery. In 1790 he formed the idea for his machine, but it was forgotten amidst the excitement of the French Revolution, in which he fought for the Revolutionists at the defence of Lyons. The machine he completed in 1801 combined earlier inventions and was for weaving net. He was sent to Paris to demonstrate it at the National Exposition and received a bronze medal. In 1804 Napoleon granted him a patent, a pension of 1,500 francs and a premium on each machine sold. This enabled him to study and work at the Conservatoire des Arts et Métiers to perfect his mechanism for pattern weaving. A method of selecting any combination of leashes at each shoot of the weft had to be developed, and Jacquard's mechanism was the outcome of various previous inventions. By taking the cards invented by Falcon in 1728 that were punched with holes like the paper of Bouchon in 1725, to select the needles for each pick, and by placing the apparatus above the loom where Vaucanson had put his mechanism, Jacquard combined the best features of earlier inventions. He was not entirely successful because his invention failed in the way it pressed the card against the needles; later modifications by Breton in 1815 and Skola in 1819 were needed before it functioned reliably. However, the advantage of Jacquard's machine was that each pick could be selected much more quickly than on the earlier draw looms, which meant that John Kay's flying shuttle could be introduced on fine pattern looms because the weaver no longer had to wait for the drawboy to sort out the leashes for the next pick. Robert Kay's drop box could also be used with different coloured wefts. The drawboy could be dispensed with because the foot-pedal operating the Jacquard mechanism could be worked by the weaver. Patterns could be changed quickly by replacing one set of cards with another, but the scope of the pattern was more limited than with the draw loom. Some machines that were brought into use aroused bitter hostility. Jacquard suffered physical violence, barely escaping with his life, and his machines were burnt by weavers at Lyons. However, by 1812 his mechanism began to be generally accepted and had been applied to 11,000 draw-looms in France. In 1819 Jacquard received a gold medal and a Cross of Honour for his invention. His machines reached England c.1816 and still remain the basic way of weaving complicated patterns.

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