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121 blow up
I phrvi infml1)2)I'm sorry I blew up at you, you'd blow up too if you'd had a day like mine — Простите, что я сегодня утром наорал на вас. Вы бы тоже не сдержались, если бы у вас был такой денек
Her father blew up when she arrived home in the morning — Ее отец пришел в ярость, когда она заявилась домой только утром
II phrvtI just knew you'd blow up — Я так и знал, что ты взорвешься
1) infmlAdvertisers were blowing up their products — Рекламодатели расхваливали свою продукцию сверх всякой меры
It didn't really happen like that. The incident's been blown up out of all proportions — В действительности это произошло совсем не так. Они просто раздули этот случай сверх всякой меры
His abilities as an actor have been greatly blown up by the weekend press — Его способности как актера были сильно преувеличены воскресными газетами
2) infmlThe new teacher blew me up for not raising my cap to him in the street — Новый учитель учинил мне разнос за то, что я не поздоровался с ним на улице
3) AmE slShe almost blew herself up toking — Она чуть не сыграла в ящик, куря кокаин
4) AmE taboo sl -
122 перегорать
несовер. - перегорать;
совер. - перегореть без доп.
1) burn out, fuse;
burn through;
blow out
2) (гнить) rot throughБольшой англо-русский и русско-английский словарь > перегорать
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123 tile
1. noun1) (on roof) Ziegel, der; (on floor, wall) Fliese, die; (on stove; also esp. designer tile) Kachel, diespend the night on the tiles — (fig. sl.) die ganze Nacht durchsumpfen (salopp)
2) (Games) Spielstein, der2. transitive verb[mit Ziegeln] decken [Dach]; fliesen [Wand, Fußboden]; kacheln [Wand]tiled roof — Ziegeldach, das
tiled floor — Fliesenboden, der
* * *1. noun1) (a piece of baked clay used in covering roofs, walls, floors etc: Some of the tiles were blown off the roof during the storm.) der Ziegel2) (a similar piece of plastic material used for covering floors etc.) die Fliese2. verb(to cover with tiles: We had to have the roof tiled.) gedeckt, gefliest- academic.ru/92721/tiled">tiled* * *[taɪl]roof \tile Dachziegel mII. vt▪ to \tile sth etw fliesen [o SCHWEIZ fam plätteln]; COMPUT windows on screen etw nebeneinander anordnen* * *[taɪl]1. n(on roof) (Dach)ziegel m; (= ceramic tile) Fliese f; (on wall) Kachel f, Fliese f; (= lino tile, cork tile, polystyrene tile etc) Platte f, Fliese f; (= carpet tile) (Teppich)fliese f2. vt1) roof (mit Ziegeln) decken; floor mit Fliesen/Platten auslegen; wall kacheln, mit Platten bedecken; bathroom kacheln, Fliesen anbringen in (+dat)tile vertically — untereinander or übereinander
* * *tile [taıl]A she has a tile loose sl bei ihm ist eine Schraube locker;a night (out) on the tiles Br umg eine durchgesumpfte Nacht;be (out) on the tiles Br umg herumsumpfen3. kolla) Ziegel plb) Fliesen(fußboden) pl(m), Kacheln pl4. ARCH Hohlstein m5. TECH Tonrohr n6. besonders Br umg obsa) Angströhre f (Zylinder)b) Deckel m, Koks m (steifer Hut)B v/t1. (mit Ziegeln) decken2. mit Fliesen oder Platten auslegen, kacheln:tiled floor Fliesenfußboden mtile horizontally (Menübefehl) nebeneinander (anordnen);* * *1. noun1) (on roof) Ziegel, der; (on floor, wall) Fliese, die; (on stove; also esp. designer tile) Kachel, diespend the night on the tiles — (fig. sl.) die ganze Nacht durchsumpfen (salopp)
2) (Games) Spielstein, der2. transitive verb[mit Ziegeln] decken [Dach]; fliesen [Wand, Fußboden]; kacheln [Wand]tiled roof — Ziegeldach, das
tiled floor — Fliesenboden, der
* * *(glazed) n.Fliese -n f. n.Kachel -n f.Ziegel - m. -
124 shot
1. n выстрел2. n попытка3. n удар, бросок4. n удар, выпад, колкостьto exchange shots — переругиваться, обмениваться колкостями
he shot 78 on the first 12 holes — на первых 12 лунках он набрал 78 очков, он загнал мяч в первые 12 лунок 78-ю ударами
5. n удар по воротам; удар по калитке; бросок по воротам; бросок в корзинуwinning shot — удар, решающий исход игры
pot shot — неприцельный выстрел; выстрел в упор
6. n стрелок7. n спорт. игрок8. n дальность выстрела9. n дробь10. n воен. сплошной или массивный снаряд11. n шрапнель, картечь12. n воен. косм. пуск; полёт; запуск13. n спорт. ядро14. n ист. пушечное ядро15. n кино16. n кадрlong shot — кадр, снятый дальним планом
17. n съёмка, киносъёмка18. n план съёмки, кинематографический план19. n разг. доза20. n разг. укол, впрыскивание21. n разг. глоток спиртного22. n разг. догадка, предположение23. n разг. человек, личность24. n горн. взрыв25. n горн. заряд взрывчатого вещества26. n горн. шпур27. n горн. рыб. забрасывание сети28. n горн. редк. быстрое, стремительное движение, передвижениеshoot shot — подниматься; быстро повышаться
29. n горн. редк. побег, росток30. v заряжать31. v подвешивать дробинки32. a выбросивший метёлку33. a давший росток34. n переливчатая ткань, ткань с отливом; шёлк «шанжан»35. a переливчатыйshot silk — переливчатый шёлк; шёлк «шанжан»
36. a текст. с уточной прокидкой37. a испещрённый, пересыпанный38. a отнерестившийся39. a разг. изношенный; потрёпанныйhis nerves were shot — его нервы никуда не годились, нервы у него были истрёпаны
40. a разг. обречённый на провал41. a сл. пьяный42. n сл. счёт43. n сл. доля, взносСинонимический ряд:1. injured by gunfire (adj.) bleeding; dead; dying from a bullet wound; injured by gunfire; killed with a gun; struck by a bullet2. worn out (adj.) beyond repair; broken; broken-down; kaput; ruined; screwed up; shoddy; trashed; worn out3. attempt (noun) attempt; distance; endeavor; endeavour; line of fire; range; reach; turn4. dram (noun) dollop; dram; drop; jolt; nip; sip; slug; snifter; snort; snorter; spot; toothful; tot5. fling (noun) crack; fling; go; pop; slap; stab; try; whack; whirl6. opportunity (noun) break; chance; look-in; occasion; opening; opportunity; show; squeak; time7. photograph (noun) camera angle; footage; image on film; perspective; photo; photograph; picture; snapshot8. shooting a gun (noun) a bullet fired; discharge of a firearm; firing; gunfire; loosing a round; pulling the trigger; sharpshooter; shooting a gun9. destroyed (verb) annihilated; atomized; decapitated; decimated; demolished; destroyed; destructed; dismantled; dissolved; dynamited; pulled down; pulverized; quenched; razed; rubbed out; ruined; shattered; smashed; tore down/torn down; undid/undone; unmade; wracked; wrecked10. discredited (verb) blew up/blown up; discredited; disproved; exploded; punctured11. fired (verb) discharged; fired; hurtled; loosed; projected; propelled; shot12. gunned (verb) gunned; pick off; shot13. photographed (verb) photographed14. ran (verb) boiled; bolted; bustled; charged; chased; darted; dashed; flew; flew/flown; flitted; floated; flung; hastened; hurried; lashed; pelted; raced; ran; rocketed; rushed; sailed; scooted; scudded; scurried; skimmed; sprinted; tore/torn15. shot up (verb) shot up16. vomited (verb) brought up; disgorged; sicked up; spewed; spit up or spat up; threw up/thrown up; vomited -
125 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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126 drift
drift
1. noun1) (a heap of something driven together, especially snow: His car stuck in a snowdrift.) montón2) (the direction in which something is going; the general meaning: I couldn't hear you clearly, but I did catch the drift of what you said.) sentido
2. verb1) (to (cause to) float or be blown along: Sand drifted across the road; The boat drifted down the river.) dejarse llevar, moverse empujado2) ((of people) to wander or live aimlessly: She drifted from job to job.) vagar, ir sin rumbo, ir a la deriva•- drifter- driftwood
drift vb flotar / ir con la corrientethey didn't tie the boat up and it drifted away no amarraron el barco, y se lo llevó la corrientetr[drɪft]■ the drift of people from the country to cities el desplazamiento de la gente del campo a las ciudades4 (meaning, gist) significado, sentido, idea■ do you get my drift? ¿me entiendes?, ¿entiendes lo que quiero decir?5 SMALLGEOLOGY/SMALL (deposits of earth, gravel, rock, etc) terreno de acarreo1 (float on water) dejarse llevar por la corriente; (be or go adrift) ir a la deriva, derivar; (float in air) moverse empujado,-a por el viento2 (pile up - of snow, sand, leaves, etc) amontonarse■ the conversation drifted from one subject to another la conversación iba derivando de un tema a otro1 (snow, sand, etc) amontonar\SMALLIDIOMATIC EXPRESSION/SMALLto drift apart distanciarseto drift off to sleep quedarse dormido,-adrift ['drɪft] vi1) : dejarse llevar por la corriente, ir a la deriva (dícese de un bote), ir sin rumbo (dícese de una persona)2) accumulate: amontonarse, acumularse, apilarsedrift n1) drifting: deriva f2) heap, mass: montón m (de arena, etc.), ventisquero m (de nieve)3) meaning: sentido mn.• cosa llevada por la corriente s.f.• deriva s.f.• impulso s.m.• rumbo s.m.• tendencia s.f.v.• derivar v.• destorcer v.• ventiscar v.
I drɪft1)b) ( be adrift) \<\<boat/person\>\> ir* a la derivac) ( in air) \<\<balloon\>\> moverse empujado por el viento2) ( proceed aimlessly)to drift apart — \<\<couple/friends\>\> distanciarse
3) ( pile up) \<\<sand/snow\>\> amontonarse
II
2) ( meaning) (no pl) sentido mI didn't quite catch your drift — no entendí or capté muy bien lo que querías decir
3) ( movement)[drɪft]1. N1) (=deviation from course) deriva f ; (=movement) movimiento m ; (=change of direction) cambio m (de dirección)the drift from the land — el éxodo rural, la despoblación del campo
2) * (=meaning) [of questions] significado mto catch sb's drift — seguir or entender a algn
3) (=mass) [of snow] ventisquero m ; [of sand] montón m ; [of clouds, leaves] banco m ; (Geol) morrena fcontinental drift — deriva f continental
2. VI1) (in wind, current) dejarse llevar, ir a la deriva; (=be off course) [boat] ir a la deriva; [person] vagar, ir a la deriva2) [snow, sand] amontonarse3.VT (=carry) impeler, llevar; (=pile up) amontonar4.CPD* * *
I [drɪft]1)b) ( be adrift) \<\<boat/person\>\> ir* a la derivac) ( in air) \<\<balloon\>\> moverse empujado por el viento2) ( proceed aimlessly)to drift apart — \<\<couple/friends\>\> distanciarse
3) ( pile up) \<\<sand/snow\>\> amontonarse
II
2) ( meaning) (no pl) sentido mI didn't quite catch your drift — no entendí or capté muy bien lo que querías decir
3) ( movement) -
127 burst
1. n взрыв; разрыв2. n воен. шквал огня; огневой налёт3. n очередь огня4. n взрыв, вспышкаgamma-ray burst — вспышка, всплеск гамма-излучения
5. n прорыв6. n спорт. бросок в беге, рывок7. n спорт. спурт8. n разг. попойка, пьянка; пьяный разгулto go on the burst — загулять, закутить
9. n книжн. внезапное возникновение10. n астр. всплеск или вспышка излучения11. n вчт. пакетburst mode — монопольный режим, пакетный режим
12. v взрываться, разрываться13. v взрывать14. v лопаться, прорыватьсяif you eat much more you will burst — если ты ещё будешь есть, ты лопнешь
burst forth — прорываться, вырываться
15. v надорваться16. v разрывать; прорывать17. v прорываться, пробиваться18. v врываться19. v внезапно вспыхнуть, разразитьсяto burst into sobs — разразиться рыданиями, разрыдаться
20. v быть переполненным21. v переполнять22. v разг. сорвать, провалить23. v разг. потерпеть крах, провалиться24. v разг. разориться25. v разг. книжн. внезапно появитьсяthe sea burst upon our view, the view of the sea burst suddenly upon our sight — внезапно нашим взорам открылось море
26. v разг. неожиданно сломаться; треснуть, надломиться27. v разг. неожиданно сломать; надломитьСинонимический ряд:1. bang (noun) bang; blast; boom; clap; crack; crash; roar; slam; smash; thunder; wham2. barrage (noun) barrage; bombardment; broadside; cannonade; discharge; drumfire; fusillade; hail; round; salvo; shower; storm; volley3. fit (noun) access; blast; blowout; blow-out; blowup; blow-up; detonation; eruption; explosion; fit; flare; flare-up; gust; outbreak; outburst; outpouring; rush; sally; spurt; torrent4. abound with (verb) abound with; pullulate; teem5. break (verb) break; erupt; fissure; rend; tear6. crash (verb) crash; rupture7. exploded (verb) blew up/blown up; detonated; exploded; mushroomed; went off/gone off8. fire (verb) blast; blew; blow out; blow up; crack; detonate; explode; fire; go off; mushroom; popped; split; touch off9. pierce (verb) penetrate; perforate; pierce; prick; puncture10. plunge (verb) dive; drive; lunge; pitch; plunge11. plunged (verb) dived or dove/dived; drove/driven; lunged; pitched; plunged12. shatter (verb) fragment; rive; shatter; shiver; smash; splinter; splinterize; splitter13. shattered (verb) fragmented; rived/riven; shattered; shivered; smashed; splinteredАнтонимический ряд: -
128 set up
1. phr v помещать, ставить, класть2. phr v поднимать, ставитьset out — помещать, ставить, выставлять
3. phr v вывешивать4. phr v воздвигать, устанавливать, ставитьset on edge — устанавливать на ребро; установленный на ребро
set the limit — устанавливать предел; положить конец
set in — наступать, устанавливаться, начинаться
5. phr v возводить6. phr v основывать, учреждать7. phr v вводить, устанавливать8. phr v открывать9. phr v помочь устроитьсяthe legacy set him up in his profession — благодаря доставшемуся наследству он смог работать по выдвигать, предлагать
10. phr v излагать, формулировать11. phr v подготавливать; планировать12. phr v снабжать, обеспечивать13. phr v тренировать, физически развивать; закалять14. phr v вызывать, причинятьthe cold air set up an irritation in his throat — от холодного воздуха у него началось раздражение в горле
to set at a gaze — удивлять, вызывать удивление
set in vibration — вызывать колебания; вызванный колебания
15. phr v полигр. набирать16. phr v набивать, делать17. phr v редк. восстанавливать, подстрекать18. phr v тех. собирать, монтировать; налаживатьto set aright — исправлять; налаживать
19. phr v платить за выпивкуset idle power — выводить на режим малого газа; выведенный на режим малого газа
20. phr v угощать21. phr v карт. объявлятьСинонимический ряд:1. devise (verb) arrange; concoct; contrive; devise; digest; order; plan; prepare; ready2. elate (verb) commove; elate; excite; exhilarate; inspire; spirit up; stimulate3. elated (verb) commoved; elated; excited; exhilarated; inspired; spirited up; stimulated4. erect (verb) build up; construct; erect; hammer out; raise; rear5. erected (verb) built up; constructed; erected; hammered out; pitched; put up; raised; reared6. found (verb) constitute; create; establish; found; organize; start7. founded (verb) constituted; created; established; founded; organised; organized; started8. introduce (verb) inaugurate; initiate; institute; introduce; launch; originate; usher in9. introduced (verb) inaugurated; initiated; instituted; introduced; launched; originated; ushered in10. treat (verb) blow; stand; treat11. treated (verb) blew/blown; stood; treated
См. также в других словарях:
Blown out — FilmM overexposed video. This is the video kiss of death. If important parts of your video such as your subject’s face or the entire background are blown out, it sucks to be you. Blown out white blotches in video simply can’t be fixed in post … Audio and video glossary
blown out — mod. alcohol or drug intoxicated. □ Fred is totally blown out and will have a huge hangover tomorrow. □ Fred stood at the door and told us he was blown something that was totally obvious anyway … Dictionary of American slang and colloquial expressions
blown out — adj 1. American tired, exhausted or hung over. A high school and preppie term probably adapted from the following sense. 2. American intoxicated or euphoric after taking drugs, high. This use is still heard, but less commonly than during the… … Contemporary slang
Blown Out — VP This is a typical film term referring to the extreme overexposure of video. If your images are Blown Out they will be irreparable and the footage will be worthless … Audio and video glossary
blown out of proportion — see ↑proportion • • • Main Entry: ↑blow … Useful english dictionary
blown out — referring to a river after heavy rain, having high water levels and muddy conditions … Dictionary of ichthyology
Blown-out — amazed, usually from delight … Dictionary of Australian slang
blown-out — Australian Slang amazed, usually from delight … English dialects glossary
blown-out shot — ˈ ̷ ̷ˌ ̷ ̷ noun : a blast in which the explosive action breaks little or no coal or rock … Useful english dictionary
blown — I. /bloʊn / (say blohn) adjective 1. inflated; distended. 2. out of breath; fatigued; exhausted. 3. flyblown. 4. formed by blowing: blown glass. 5. (of a motor vehicle, or its internal combustion engine) supercharged (opposed to unblown). –phrase …
Blown for Good — Book cover … Wikipedia