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121 occupation
occupation [ɔkypasjɔ̃]feminine nouna. occupation• occupation: boulanger occupation: bakerb. [de logement] occupancy* * *ɔkypasjɔ̃1) (passe-temps, tâche) occupation; ( emploi) occupation, job2) ( fait d'habiter un lieu) occupancy, occupation3) ( pour protester) occupation4) Armée occupationl'Occupation — Histoire the Occupation
* * *ɔkypasjɔ̃ nf* * *occupation nf1 (passe-temps, tâche) occupation; ( emploi) occupation, job; trouve-toi une occupation find yourself an occupation; avoir de multiples occupations to have numerous occupations; mes occupations professionnelles my professional activities;2 ( fait d'habiter un lieu) occupancy, occupation; le taux d'occupation des lits d'hôpital the occupancy rate of hospital beds;3 ( pour protester) occupation; décider l'occupation des locaux to decide to stage a sit-in;4 Mil occupation (de of; par by); l'armée d'occupation the army of occupation; l'Occupation Hist the Occupation; pendant or sous l'Occupation during ou under the Occupation.[ɔkypasjɔ̃] nom féminin[de loisirs] occupation2. [d'un endroit]5. HISTOIREThe military occupation of part of France after the French-German armistice on 22nd June 1940, which spread throughout to the whole country in 1942. Under the terms of the armistice, France had to contribute financially to the upkeep of German troops in France and provide labour for German factories. Thousands of French Jews were deported during this period by the Vichy government. -
122 put
[put]present participle - putting; verb1) (to place in a certain position or situation: He put the plate in the cupboard; Did you put any sugar in my coffee?; He put his arm round her; I'm putting a new lock on the door; You're putting too much strain on that rope; When did the Russians first put a man into space?; You've put me in a bad temper; Can you put (=translate) this sentence into French?) postaviti2) (to submit or present (a proposal, question etc): I put several questions to him; She put her ideas before the committee.) zastaviti3) (to express in words: He put his refusal very politely; Children sometimes have such a funny way of putting things!) izraziti4) (to write down: I'm trying to write a letter to her, but I don't know what to put.) zapisati5) (to sail in a particular direction: We put out to sea; The ship put into harbour for repairs.) zapluti•- put-on- a put-up job
- put about
- put across/over
- put aside
- put away
- put back
- put by
- put down
- put down for
- put one's feet up
- put forth
- put in
- put in for
- put off
- put on
- put out
- put through
- put together
- put up
- put up to
- put up with* * *I [put]nounmet kamna z rame; (borza) premijski posliII [put]1.transitive verbpoložiti, postaviti, dati kam, vtakniti ( in one's pocket v žep; in prison v ječo); spraviti (koga v posteljo, v neprijeten položaj, v red, v tek); izpostaviti, podvreči čemu ( to put to death usmrtiti koga); posaditi (into, under s čim; the land was put under potatoes); poslati, dati, siliti, naganjati (to v, k; to put to school poslati v šolo, to put to trade dati koga v uk, to put the horse to the fence nagnati konja v skok čez ograjo); napeljati, zvabiti (on, to k); napisati ( to put one's signature to a document); prestaviti, prevesti ( into French v francoščino); izraziti, formulirati ( I cannot put it into words ne znam tega z besedami izraziti; how shall I put it kako naj to formuliram?); oceniti, preceniti (at; I put his income at £ 1000 a year po mojem zasluži 1000 funtov na leto); uporabiti (to; to put s.th. to a good use dobro kaj uporabiti); zastaviti, postaviti (vprašanje, predlog; I put it to you apeliram na vas, obračam se na vas); staviti (on; denar na kaj); vložiti, investirati ( into v); naložiti (npr. davek, to put a taɔ on obdavčiti kaj); naprtiti, pripisati komu kaj (on; they put the blame on him krivdo valijo na njega); sport metati, vreči (kroglo); poriniti (bodalo), streljati (in, into);2.intransitive verbpodati se, napotiti se, iti, hiteti ( for kam; to put to land podati se na kopno; to put to sea odplutito put for home — napotiti se domov); nautical jadrati, krmariti, pluti; American izlivati se ( into v)to put s.o. above s.o. else — postaviti koga pred drugegato put one's brain to it — koncentrirati se na kaj, lotiti se česato put a bullet through — ustreliti, preluknjati kogato put in black and white, to put in writing — napisatito be hard put to it — biti v zagati, v škripcih, biti prisiljen k čemuput the case that — recimo, dato put o.s. in (under) the care of s.o. — postaviti se pod zaščito kogato put s.o. out of countenance — spraviti koga iz ravnotežjato put down the drain — vreči v vodo, neumno zapravitito put an end ( —ali stop, period) to — napraviti konec s čim, končatito put one's foot in it — narediti napako, osramotiti se, blamirati seto put s.o. on his feet — spraviti koga na nogeto put the finger on — pokazati s prstom na, identificirati koga (kaj)to put s.o. on guard — opozoriti koga na previdnostto put one's hands to — lotiti se; pomagatito put into the hands of s.o. — prepustiti komu, dati komu v roketo put out of one's head — izbiti si iz glave, pozabitito put s.o. in a hole — spraviti koga v neugodon položajto put it to s.o. — apelirati na koga, dati komu na voljoslang to put the lid on — presegati vse meje, biti višek česato put s.o.'s nose out of joint — spodriniti kogato put s.o. on his oath — zapriseči kogato put o.s. in s.o.'s place — vživeti se v položaj koga drugegato put s.o. right — popraviti kogato put in shape — spraviti v dobro kondicijo, oblikovatito put a spoke in s.o.'s wheel — metati komu polena pod nogefiguratively to put teeth into — zagristi se v kajto put s.o. through it — dajati koga na sito in rešetoto put into words — izraziti z besedami, točno opisatito put s.o. in the wrong — postaviti koga na laž, dokazati, da nima pravto put s.o. out of the way — spraviti koga s potislang to put s.o. wise — odpreti komu očislang to put the wind up s.o. — prestrašiti koga, dati mu vetraIII [pʌt]nounarchaic tepec, čudak, kmetIV [pʌt]noun& verb see putt -
123 excuser
v. trans. Excusez-moi de vous demander pardon! This jocular and slightly tongue-incheek expression became famous in the 60s through Fernand Raynaud, one of the top French comedians of the period. Raynaud's forte was in portraying the subservient underdog in French society. -
124 Doublet
This article of apparel, though deriving its name from the French doublee (lined), is in that language more generally known by the name of pourpoint, of which it was merely a variety. The term " doblet " or " doublet," occurs in French documents of the 14th century, the period when it first appears in England. In its original state it had no sleeves, which were afterwards added for convenience, and becoming universally adopted, it superseded the tunic, and after many alterations it lost its name and became the waistcoat. -
125 Alcoforado, Sister Mariana
(1640-1723)A Portuguese nun living in the Convento de Nossa Senhora da Conceição in Beja who was the supposed author of the Letters of a Portuguese Nun, written to her lover the French officer Noel Bouton, Marquis de Cha-milly and later marshal of France. Alcoforado was the daughter of a wealthy Alentejano family. She was sent to the Convento de Nossa Senhor da Conceição to be educated. At 16, she took vows and lived the life of a nun until she purportedly met and fell in love with Noel Bouton, a French nobleman serving under the Duke of Schomberg, one of the mercenary captains fighting on the Portuguese side during the War of Restoration (1641-68). Bouton became acquainted with Mariana through her brother, also a soldier, and, taking advantage of the custom that allowed nuns to receive visitors, started an affair with her. When their affair became known, it caused a scandal, and Bouton deserted Mariana to return to France. Some literary scholars consider the letters she wrote to Bouton after he returned to France a work of fiction that was actually written by Gabriel-Joseph de La Vergne, the Comte de Guilleragues (1628-85). Nonetheless, a nun named Mariana Alcoforado did in fact live in the Convento de Nossa Senhora de Conceição during the period when the affair was suppose to have taken place.Historical dictionary of Portugal > Alcoforado, Sister Mariana
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126 Ducos du Hauron, Arthur-Louis
SUBJECT AREA: Photography, film and optics[br]b. 1837 Langon, Bordeaux, Franced. 19 August 1920 Agen, France[br]French scientist and pioneer of colour photography.[br]The son of a tax collector, Ducos du Hauron began researches into colour photography soon after the publication of Clerk Maxwell's experiment in 1861. In a communication sent in 1862 for presentation at the Académie des Sciences, but which was never read, he outlined a number of methods for photography of colours. Subsequently, in his book Les Couleurs en photographie, published in 1869, he outlined most of the principles of additive and subtractive colour photography that were later actually used. He covered additive processes, developed from Clerk Maxwell's demonstrations, and subtractive processes which could yield prints. At the time, the photographic materials available prevented the processes from being employed effectively. The design of his Chromoscope, in which transparent reflectors could be used to superimpose three additive images, was sound, however, and formed the basis of a number of later devices. He also proposed an additive system based on the use of a screen of fine red, yellow and blue lines, through which the photograph was taken and viewed. The lines blended additively when seen from a certain distance. Many years later, in 1907, Ducos du Hauron was to use this principle in an early commercial screen-plate process, Omnicolore. With his brother Alcide, he published a further work in 1878, Photographie des Couleurs, which described some more-practical subtractive processes. A few prints made at this time still survive and they are remarkably good for the period. In a French patent of 1895 he described yet another method for colour photography. His "polyfolium chromodialytique" involved a multiple-layer package of separate red-, green-and blue-sensitive materials and filters, which with a single exposure would analyse the scene in terms of the three primary colours. The individual layers would be separated for subsequent processing and printing. In a refined form, this is the principle behind modern colour films. In 1891 he patented and demonstrated the anaglyph method of stereoscopy, using superimposed red and green left and right eye images viewed through green and red filters. Ducos du Hauron's remarkable achievement was to propose theories of virtually all the basic methods of colour photography at a time when photographic materials were not adequate for the purpose of proving them correct. For his work on colour photography he was awarded the Progress Medal of the Royal Photographic Society in 1900, but despite his major contributions to colour photography he remained in poverty for much of his later life.[br]Further ReadingB.Coe, 1978, Colour Photography: The First Hundred Years, London. J.S.Friedman, 1944, History of Colour Photography, Boston. E.J.Wall, 1925, The History of Three-Colour Photography, Boston. See also Cros, Charles.BCBiographical history of technology > Ducos du Hauron, Arthur-Louis
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127 Edwards, Humphrey
SUBJECT AREA: Steam and internal combustion engines[br]fl. c.1808–25 London (?), Englandd. after 1825 France (?)[br]English co-developer of Woolf s compound steam engine.[br]When Arthur Woolf left the Griffin Brewery, London, in October 1808, he formed a partnership with Humphrey Edwards, described as a millwright at Mill Street, Lambeth, where they started an engine works to build Woolf's type of compound engine. A number of small engines were constructed and other ordinary engines modified with the addition of a high-pressure cylinder. Improvements were made in each succeeding engine, and by 1811 a standard form had been evolved. During this experimental period, engines were made with cylinders side by side as well as the more usual layout with one behind the other. The valve gear and other details were also improved. Steam pressure may have been around 40 psi (2.8 kg/cm2). In an advertisement of February 1811, the partners claimed that their engines had been brought to such a state of perfection that they consumed only half the quantity of coal required for engines on the plan of Messrs Boulton \& Watt. Woolf visited Cornwall, where he realized that more potential for his engines lay there than in London; in May 1811 the partnership was dissolved, with Woolf returning to his home county. Edwards struggled on alone in London for a while, but when he saw a more promising future for the engine in France he moved to Paris. On 25 May 1815 he obtained a French patent, a Brevet d'importation, for ten years. A report in 1817 shows that during the previous two years he had imported into France fifteen engines of different sizes which were at work in eight places in various parts of the country. He licensed a mining company in the north of France to make twenty-five engines for winding coal. In France there was always much more interest in rotative engines than pumping ones. Edwards may have formed a partnership with Goupil \& Cie, Dampierre, to build engines, but this is uncertain. He became a member of the firm Scipion, Perrier, Edwards \& Chappert, which took over the Chaillot Foundry of the Perrier Frères in Paris, and it seems that Edwards continued to build steam engines there for the rest of his life. In 1824 it was claimed that he had made about 100 engines in England and another 200 in France, but this is probably an exaggeration.The Woolf engine acquired its popularity in France because its compound design was more economical than the single-cylinder type. To enable it to be operated safely, Edwards first modified Woolf s cast-iron boiler in 1815 by placing two small drums over the fire, and then in 1825 replaced the cast iron with wrought iron. The modified boiler was eventually brought back to England in the 1850s as the "French" or "elephant" boiler.[br]Further ReadingMost details about Edwards are to be found in the biographies of his partner, Arthur Woolf. For example, see T.R.Harris, 1966, Arthur Woolf, 1766–1837, The Cornish Engineer, Truro: D.Bradford Barton; Rhys Jenkins, 1932–3, "A Cornish Engineer, Arthur Woolf, 1766–1837", Transactions of the Newcomen Society 13. These use information from the originally unpublished part of J.Farey, 1971, A Treatise on the Steam Engine, Vol. II, Newton Abbot: David \& Charles.RLH -
128 Fizeau, Armand Hippolyte Louis
SUBJECT AREA: Photography, film and optics[br]b. 23 September 1819 Paris, Franced. 18 September 1896 Nanteuil-le-Haudouin, France[br]French physicist who introduced early improvements to the daguerreotype process.[br]Fizeau's interest in photography was comparatively brief, but during this period he was at the forefront of French attempts to explore and exploit the potential of the recently announced daguerreotype process (see Daguerre). Fizeau is best remembered for his introduction in August 1840 of the practice of gold-toning daguerreotypes. This improvement not only helped protect the delicate surface of the plate from abrasion and tarnishing, but also enhanced the quality of the image. The technique was not patented and was immediately adopted by all daguerreotypists. Between 1839 and 1841, in association with Alfred Donné, Fizeau conducted experiments with the aim of converting daguerreotypes into printing plates. Prints from two of his plates were published in 1842, but the technique was never widely practised. In association with J.B.Léon Foucault, Fizeau discovered the reciprocity failure of daguerreotypes, and the same partnership produced what were probably the first daguerreotypes of the sun. Fizeau is best known in physics for making the first accurate determination of the speed of light, in 1849.[br]Further ReadingW.H.Thornthwaite, 1843, Photographic Manipulation, London (provides details of Fizeau's gold-toning process).H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London (a more general account of Fizeau's contributions to photography).JWBiographical history of technology > Fizeau, Armand Hippolyte Louis
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