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1 Francesco
FrancescoБольшой англо-русский и русско-английский словарь > Francesco
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2 Francesco
• Francesco -
3 Francesco Petrarca
s.Francisco Petrarca, Petrarca. -
4 San Francesco (Franciscan monastery and church in Assisi, Italy, begun after the canonization in 1228 of St. Francis of Assisi and completed in 1253)
Религия: Сан ФранческоУниверсальный англо-русский словарь > San Francesco (Franciscan monastery and church in Assisi, Italy, begun after the canonization in 1228 of St. Francis of Assisi and completed in 1253)
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5 San Francesco
Религия: (Franciscan monastery and church in Assisi, Italy, begun after the canonization in 1228 of St. Francis of Assisi and completed in 1253) Сан Франческо -
6 COCO Francesco /ITA, защитник/
Страна: Italy Номер: 4 День рождения: 08.01.1977 Рост: 181 см. Вес: 78 кг. Позиция: защитник Текущий клуб: FC Barcelona (ESP) Голы за сборную: 0 (27 Мая 2002) Провел матчей за сборную: 13 (27 Мая 2002) 1-ый матч за сборную: Romania (нет данных)English-Russian FIFA World Cup 2002 dictionary > COCO Francesco /ITA, защитник/
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7 TOLDO Francesco /ITA, вратарь/
Страна: Italy Номер: 22 День рождения: 02.12.1971 Рост: 196 см. Вес: 90 кг. Позиция: вратарь Текущий клуб: Internazionale (ITA) Голы за сборную: 0 (27 Мая 2002) Провел матчей за сборную: 22 (27 Мая 2002) 1-ый матч за сборную: Croatia (нет данных)English-Russian FIFA World Cup 2002 dictionary > TOLDO Francesco /ITA, вратарь/
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8 TOTTI Francesco /ITA, нападающий/
Страна: Italy Номер: 10 День рождения: 27.09.1976 Рост: 180 см. Вес: 78 кг. Позиция: нападающий Текущий клуб: AS Rome (ITA) Голы за сборную: 5 (27 Мая 2002) Провел матчей за сборную: 29 (27 Мая 2002) 1-ый матч за сборную: Switzerland (10.10.1998)English-Russian FIFA World Cup 2002 dictionary > TOTTI Francesco /ITA, нападающий/
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9 Francis
['frɑːnsɪs] [AE 'fræn-]nome proprio Francesco* * *Francis /ˈfrɑ:nsɪs/n.Francesco.(First names) Francis /ˈfrɑ:nsɪs, USA ˈfræn-/m.* * *['frɑːnsɪs] [AE 'fræn-]nome proprio Francesco -
10 Italy
(ITA) Конфедерация (зона): UEFA Участие в чемпионатах мира ФИФА: 16 (1934, 1938, 1950, 1954, 1958, 1962, 1966, 1970, 1974, 1978, 1982, 1986, 1990, 1994, 1998, 2002) Чемпионы мира: 1934, 1938, 1982 Столица: Rome Население: 57679825 (2001) Рейтинг по населению: 11 * Территория: 301268 Рейтинг по территории: 19 * Валовый внутренний продукт (ВВП) на душу населения: 22100 Рейтинг по ВВП: 9 * Официальный(ые) язык(и): Italian Валюта: Euro Основные города: Milan, Naples, Turin, Palermo Национальный(ые) прадник(и): Republic Day, 2 June (1946) Глава государства: Silvio Berlusconi (Prime Minister) Низшая точка: Mediterranean Sea (0 m) Высшая точка: Mont Bianco (4,807 m) Место в рейтинге ФИФА (15 мая 2002 года): Примечание: Mt. Etna in Sicily is the highest active volcano in Europe, last erupting in Spring 1992. Состав команды Тренер: TRAPATTONI Giovanni /ITA, тренер/ Игроки: ABBIATI Christian /ITA, вратарь/, BUFFON Gianluigi /ITA, вратарь/, CANNAVARO Fabio /ITA, защитник/, COCO Francesco /ITA, защитник/, DEL PIERO Alessandro /ITA, нападающий/, DELVECCHIO Marco /ITA, нападающий/, DI BIAGIO Luigi /ITA, полузащитник/, DI LIVIO Angelo /ITA, полузащитник/, DONI Cristiano /ITA, полузащитник/, GATTUSO Gennaro /ITA, полузащитник/, INZAGHI Filippo /ITA, нападающий/, IULIANO Mark /ITA, защитник/, MALDINI Paolo /ITA, защитник/, MATERAZZI Marco /ITA, защитник/, MONTELLA Vincenzo /ITA, нападающий/, NESTA Alessandro /ITA, защитник/, PANUCCI Christian /ITA, защитник/, TOLDO Francesco /ITA, вратарь/, TOMMASI Damiano /ITA, полузащитник/, TOTTI Francesco /ITA, нападающий/, VIERI Christian /ITA, нападающий/, ZAMBROTTA Gianluca /ITA, полузащитник/, ZANETTI Cristiano /ITA, полузащитник/ * Рейтинг среди 32-х команд-участниц "2002 FIFA World Cup" -
11 Leonardo da Vinci
[br]b. 15 April 1452 Vinci, near Florence, Italy,d. 2 May 1519 St Cloux, near Amboise, France.[br]Italian scientist, engineer, inventor and artist.[br]Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.[br]Principal Honours and Distinctions"Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.Further ReadingE.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.LRD / IMcN -
12 Bacon
['beɪkən]nome bacon m., pancetta f.••to bring home the bacon — colloq. portare a casa la pagnotta
to save sb.'s bacon — colloq. salvare la pelle
* * *['beikən](the flesh of the back and sides of a pig, salted and dried, used as food.) pancetta affumicata* * *Bacon /ˈbeɪkən/n. (stor. filos.)BaconianA a.1 (filos.) baconiano2 (letter.) relativo alla teoria baconiana (che vuole F. Bacone autore dei drammi shakespeariani)B n.1 (filos.) seguace di F. Bacone2 (letter.) sostenitore della teoria baconiana.* * *['beɪkən]nome bacon m., pancetta f.••to bring home the bacon — colloq. portare a casa la pagnotta
to save sb.'s bacon — colloq. salvare la pelle
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13 Frances
['frɑːnsɪs] [AE 'fræn-]nome proprio Francesca* * *Frances /ˈfrɑ:nsɪs/n.Francesca.(First names) Frances /ˈfrɑ:nsɪs, USA ˈfræn-/m.e f.Francesco, Francesca* * *['frɑːnsɪs] [AE 'fræn-]nome proprio Francesca -
14 Francisco
(First names) Francisco /frænˈsɪskəʊ/m. Francesco -
15 shank
[ʃæŋk]1) zool. zampa f.; gastr. stinco m.2) (of knife) codolo m.; (of golf club) canna f.; (of drill-bit, screw) gambo m.* * *[ʃæŋk]1) (the leg, especially the part between the knee and foot.) gamba2) (the long straight part of eg a nail or screw.) gambo, fusto, asta* * *shank /ʃæŋk/n.1 (anat., antiq.) stinco; gamba; tibia2 (bot.) gambo; stelo; peduncolo● (mecc.) shank cutter, fresa frontale a codolo □ (scherz.) to go on Shanks' mare (o pony), andare sul cavallo di San Francesco; andare a piedi.(to) shank /ʃæŋk/A v. i.B v. t.* * *[ʃæŋk]1) zool. zampa f.; gastr. stinco m.2) (of knife) codolo m.; (of golf club) canna f.; (of drill-bit, screw) gambo m. -
16 stigma
['stɪgmə]1) bot. stigma m.2) (disgrace) marchio m. (d'infamia)* * *stigma (1) /ˈstɪgmə/1 (bot., zool.) stigmastigma (2) /ˈstɪgmə/n. (pl. stigmata)1 (med.) stigma2 (pl.) (relig.) stimmate, stigmate: St. Francis' stigmata, le stigmate di San Francesco.* * *['stɪgmə]1) bot. stigma m.2) (disgrace) marchio m. (d'infamia) -
17 Zonca, Vittorio
[br]b. c. 1568 Italyd. 1603 Italy[br]Italian architect who wrote a book on machines.[br]All that is known of Zonca is included on the frontispiece of the book that is his only claim to fame. He is there described as architect to the "Magnificent Community of Padua". He compiled a book on machines entitled Novo teatro de machine ed edificii (New Display of Machines and Edifices), illustrated with numerous fine engravings. It was printed in Padua in 1607, four years after his death, by Francesco Bertelli, who said of the book that it "came into my hands", as though he knew nothing of the author.During the sixteenth and early seventeenth centuries, a number of illustrated books on technical subjects appeared, compiled by knowledgeable and educated authors. These books greatly helped the spread of information about the technical arts throughout Europe. There were several books on mechanical devices, notably those by Ramelli, Besson and Zonca. In some ways, Zonca's is the most interesting, for it seems closest to the mechanical practice of the time. Several of the machines he describes are referred to as being in use in Padua or Venice and he suggests ways of improving them. The range of machines is wider than in other similar works and includes pumps, cranes, powder mills, printing and bookbinding presses and textile machines. Perhaps the most interesting of these is the water-driven silk-threading machine, since some of its components resemble those in use in the twentieth century. Spinning mills were widely used in the silk industry in sixteenth-century Italy, and Zonca offers a full description of one. He also shows the first example of an oblique treadwheel, driven by oxen for the grinding of grain. Even so, despite all the practical detail, the book ends, like others of its kind, with fantasy, in a description of a perpetual-motion machine.[br]Further ReadingA.G.Keller, 1964, A Theatre of Machines, London: Chapman \& Hall (provides brief details and illustrations from the books by Ramelli, Besson and Zonca).LRD
См. также в других словарях:
Francesco — may refer to:* Francesco Sforza, (1401 1466), Italian condottiero and Duke of Milan * Francesco Berni, (1497 1536), Italian writer; * Antonio Francesco Grazzini, (1503 1584) Italian writer; * Francesco Primaticcio, 1504 1570) Italian painter,… … Wikipedia
Francesco — ist ein männlicher Vorname. Inhaltsverzeichnis 1 Herkunft und Bedeutung 2 Bekannte Namensträger 2.1 Vorname 2.2 Familienname … Deutsch Wikipedia
Francesco — Saltar a navegación, búsqueda Francesco hace referencia a: Francesco Redi, poeta italiano; Francesco Zuccarelli, pintor italiano; Obtenido de Francesco Categoría: Wikipedia:Desambiguación … Wikipedia Español
Francesco I. — Francesco I. ist der Name folgender Personen: Francesco I. Sforza (1450–1466), Gründer der Dynastie der Sforza in Mailand Francesco I. de’ Medici (1541–1587), Großherzog der Toskana Francesco I. Genaro (1777–1830), König von Neapel und Sizilien,… … Deutsch Wikipedia
Francesco — m Italian: originally a vocabulary word meaning ‘French’ or ‘Frenchman’ (Late Latin Franciscus; cf. FRANK (SEE Frank)). This was a nickname given to St Francis of Assisi (1181–1226) because of his wealthy father s business connections in France.… … First names dictionary
Francesco — (ital.), der Franke, Franzose, so v.w. Franz … Pierer's Universal-Lexikon
Francesco — (ital., spr. tschésko), soviel wie Franz; im Diminutiv Franceschino, Cecco, Cecchino … Meyers Großes Konversations-Lexikon
Francesco — (ital., spr. tschésko), Franziskus, Franz … Kleines Konversations-Lexikon
Francesco — (1549 1598) tyran débauché, assassiné à l instigation de sa fille Béatrice (1577 1599), de sa seconde femme et d un de ses fils, Giacomo, eux mêmes exécutés (1599) à la requête du pape Clément VIII … Encyclopédie Universelle
Francesco — Biographie de Liliana Cavani, avec Mickey Rourke, Helena Bonham Carter, Andrea Ferreol, Mario Adorf. Pays: Italie Date de sortie: 1989 Technique: couleurs Durée: 2 h 17 Résumé Une évocation de la vie et de l itinéraire spirituel… … Dictionnaire mondial des Films
Francesco — (as used in expressions) Francesco di Cristofano de Giudicis Girolamo Francesco Maria Mazzola Francesco Petrarca Albani Francesco Francesco Albano Roberto Francesco Romolo Bellarmino Borromini Francesco Francesco Castelli Cavalli Pier Francesco… … Universalium