-
1 Engineering Geniuses, International
Trademark term: EGIУниверсальный русско-английский словарь > Engineering Geniuses, International
-
2 гении
-
3 géniové
-
4 autentičnost akreditiva
• geniuses of letter of credit -
5 genio
f. & m.1 genius, person with extraordinary talents.2 genius, great talent.3 temper, nature, temperament.4 genius.5 genie, goblin, djinn, jinn.m.1 genius (talento).un genio del arte moderno one of the geniuses of modern art2 genie.3 temper (personalidad fuerte).tener mucho genio to be quick-temperedtener mal genio to be bad-tempered4 nature, disposition.* * *1 (carácter) temper, disposition2 (facultad) genius3 (espíritu) spirit4 (ser fantástico) genie\estar de mal genio to be in a bad moodtener mal genio to have a bad temper* * *noun m.1) genius2) temper* * *SM1) (=temperamento) temper¡menudo genio tiene! — he's got such a temper!
genio vivo — quick temper, hot temper
2) (=carácter) nature, dispositiontener buen genio — to be good natured, be even tempered
corto de genio — timid, spiritless
3) (=estado de ánimo)estar de mal genio — to be in a bad temper, be in a bad mood
4) (=talento) genius¡eres un genio! — you're a genius!
5) (=peculiaridad) genius, peculiarities plel genio andaluz — the Andalusian spirit, the spirit of Andalucía
6) (=ser fantástico) genie7) (=divinidad) spirit* * *a) ( carácter) tempertener buen/mal genio — to be even-tempered/bad-tempered
estar con or tener el genio atravesado — (fam) to be in a bad mood o in a temper
tener el genio pronto or vivo — to be quick-tempered
b) ( talento) geniusc) ( lumbrera) geniusd) ( ser fantástico) genie* * *= genius, temper, genie [genies/genii, -pl.], savant, temperament.Ex. The mass-market novelist who would probably be happier to be described as a good 'craftsman' or 'craftswoman' than as a literary ' genius'.Ex. A society without a literature has that much less chance of embodying within its temper and so within its organizations something of the fullness of human experience.Ex. The article 'The genie is out of the bottle' considers the growth of local on-line information retrieval in parallel with conventional methods.Ex. The subsequent debate, which engaged astrologers, doctors, theologians, & savants, reveals the tensions in French culture at the dawn of the Enlightenment.Ex. The temperaments of the two founders were such that lasting success was unlikely.----* de mal genio = bad-tempered, curmudgeonly, crusty [crustier -comp., crustiest -sup.], irascible, shrewish, short-tempered, ill-natured.* genio en ciernes = budding genius.* idiota genio = idiot savant.* mal genio = bile, short temper.* necesitar ser un genio = call for + nothing less than genius.* tonto genio = idiot savant.* * *a) ( carácter) tempertener buen/mal genio — to be even-tempered/bad-tempered
estar con or tener el genio atravesado — (fam) to be in a bad mood o in a temper
tener el genio pronto or vivo — to be quick-tempered
b) ( talento) geniusc) ( lumbrera) geniusd) ( ser fantástico) genie* * *= genius, temper, genie [genies/genii, -pl.], savant, temperament.Ex: The mass-market novelist who would probably be happier to be described as a good 'craftsman' or 'craftswoman' than as a literary ' genius'.
Ex: A society without a literature has that much less chance of embodying within its temper and so within its organizations something of the fullness of human experience.Ex: The article 'The genie is out of the bottle' considers the growth of local on-line information retrieval in parallel with conventional methods.Ex: The subsequent debate, which engaged astrologers, doctors, theologians, & savants, reveals the tensions in French culture at the dawn of the Enlightenment.Ex: The temperaments of the two founders were such that lasting success was unlikely.* de mal genio = bad-tempered, curmudgeonly, crusty [crustier -comp., crustiest -sup.], irascible, shrewish, short-tempered, ill-natured.* genio en ciernes = budding genius.* idiota genio = idiot savant.* mal genio = bile, short temper.* necesitar ser un genio = call for + nothing less than genius.* tonto genio = idiot savant.* * *1 (carácter) tempertener buen/mal genio to be even-tempered/bad-tempered¡qué genio tiene este niño! this child has such a temper o has a terrible temper!estar con or tener el genio atravesado ( fam); to be in a bad mood o in a tempergenio y figura hasta la sepultura a leopard never changes its spotstener el genio pronto or vivo to be quick-tempered2 (talento) geniusun pintor con mucho genio a very talented painter, a painter of genius3 (lumbrera) geniuses un genio con el pincel she's a brilliant painter, she's a genius with the paint brush* * *
genio sustantivo masculino
◊ tener buen/mal genio to be even-tempered/bad-tempered
genio sustantivo masculino
1 (talante, temperamento) temperament
(mal carácter) temper: está de mal genio, he's in a bad mood
tengo mal genio, I have a bad temper
2 (talento, capacidad) genius: es un genio, he's brilliant
3 (ente fantástico) genie: al frotar la lámpara apareció el genio, when he rubbed the lamp the genie appeared
' genio' also found in these entries:
Spanish:
botón
- carácter
- considerar
- excitable
- fenómena
- fenómeno
- fiera
- heredar
- inspiración
- lado
- monstruo
- rey
- sombra
- uva
- endemoniado
- endiablado
- gastar
English:
bad-tempered
- bile
- bound
- disposition
- flare up
- genie
- genius
- hot
- quick
- quicktempered
- short
- short-tempered
- surliness
- temper
- whiz
- whiz kid
- whizz
- wish
- wizard
- bad
- petulant
- violent
* * *genio nm1. [talento] genius;genio y figura (hasta la sepultura) a true genius2. [persona] genius;un genio del arte moderno one of the geniuses of modern art3. [carácter] nature, disposition;corto de genio timid4. [personalidad fuerte] spirit;tiene mucho genio she's very feisty5. [mal carácter] bad temper;estar de mal genio to be in a mood;6. [ser fantástico] genie7. Mitol genie* * *m2 ( carácter) temper;tener mal genio be bad-tempered;estar de buen/mal genio be in a good/bad mood* * *genio nm1) : genius2) : temper, dispositionde mal genio: bad-tempered3) : genie* * *genio n1. (carácter) temper3. (ser imaginario) genie -
6 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
-
7 Г-164
КАК ГОВОРИТСЯ ( Invar sent adv (parenth) fixed WOas it has become accepted to sayas (like) they sayas the saying (the expression) goes to borrow a phrase.«Так что до сегодняшнего дня мне было, как говорится, до фени, живёт ли где-то подобный Шевчук или нет» (Войнович 4). "So, up until today, I couldn't have, as they say, given a good goddamn whether there was any such Shevchuk alive anywhere's (4a).Нам, как говорится, не то обидно, что этот безумный мир многих гениальных людей принимает за сумасшедших (Искандер 5). It doesn't bother us, as the saying goes, that this mad world takes many geniuses for madmen (5a). -
8 Т-99
ВЫХОДИТЬ/ВЫЙТИ В ТИРАЖ VP subj: human1. to become unfit for sth., cease working or functioning productively in one's capacityX вышел в тираж — X was (ready to be) put out to pastureX was (became) a back number X lost his usefulness X became dead wood.«Хелло, Арси, - бормотал в трубке старый развратник, -похоже на то, что мы с тобой ещё не вышли в тираж». -«Поздравляю, - сухо сказал Арсений Николаевич. - На меня твои успехи совершенно не распространяются» (Аксёнов 7). "Hello, Arsy," came the voice of the old reprobate through the receiver. "Looks like we don't have to be put out to pasture yet, the two of us." "Congratulations," said Arseny Nikolaevich curtly, "but your prowess has nothing to do with me" (7a).Радуясь за неё (дочь), он в глубине души ревновал её к Николаю, постепенно заместившему отца в сердце дочери: «В тираж выходишь, Лашков, скоро совсем никому не будешь нужен» (Максимов 3). Не was glad for her (his daughter), but deep down he felt jealous of Nikolai, who had gradually replaced her father in his daughter's heart. "You're a back number, Lashkov. Soon nobody will want you" (3a).Лучников обнимал за зябкие плечики Лору Лерову, одну из тех увядающих «букетиков», что украшали недавний праздник «Курьера». Десяток лет назад - звезда Москвы, манекенщица Министерства лёгкой промышленности, поочерёдная любовница дюжины гениев, сейчас явно выходила в тираж (Аксёнов 7). ( context transl) Luchnikov had his arm around the unprotected shoulders of Lora Lerova, one of the fading nosegays who had adorned the Courier brunch. Ten or twelve years ago-the toast of Moscow, star model for the Ministry of Light Industry, mistress of a dozen geniuses, now-Miss Passee (7a).2. obsusu. pfv) to dieX вышел в тираж = X left this worldX passed away (on). -
9 как говорится
[Invar; sent adv (parenth); fixed WO]=====⇒ as it has become accepted to say:- to borrow a phrase.♦ "Так что до сегодняшнего дня мне было, как говорится, до фени, живёт ли где-то подобный Шевчук или нет" (Войнович 4). "So, up until today, I couldn't have, as they say, given a good goddamn whether there was any such Shevchuk alive anywhere. (4a).♦ Нам, как говорится, не то обидно, что этот безумный мир многих гениальных людей принимает за сумасшедших (Искандер 5). It doesn't bother us, as the saying goes, that this mad world takes many geniuses for madmen (5a).Большой русско-английский фразеологический словарь > как говорится
-
10 выйти в тираж
• ВЫХОДИТЬ/ВЫЙТИ В ТИРАЖ[VP; subj: human]=====1. to become unfit for sth., cease working or functioning productively in one's capacity:- X was < became> a back number;- X became dead wood.♦ "Хелло, Арси, - бормотал в трубке старый развратник, - похоже на то, что мы с тобой ещё не вышли в тираж". - "Поздравляю, - сухо сказал Арсений Николаевич. - На меня твои успехи совершенно не распространяются" (Аксёнов 7). "Hello, Arsy," came the voice of the old reprobate through the receiver. "Looks like we don't have to be put out to pasture yet, the two of us." "Congratulations," said Arseny Nikolaevich curtly, "but your prowess has nothing to do with me" (7a).♦ Радуясь за неё [ дочь], он в глубине души ревновал её к Николаю, постепенно заместившему отца в сердце дочери: "В тираж выходишь, Лашков, скоро совсем никому не будешь нужен" (Максимов 3). He was glad for her [his daughter], but deep down he felt jealous of Nikolai, who had gradually replaced her father in his daughter's heart. "You're a back number, Lashkov. Soon nobody will want you" (3a).♦ Лучников обнимал за зябкие плечики Лору Лерову, одну из тех увядающих "букетиков", что украшали недавний праздник "Курьера". Десяток лет назад - звезда Москвы, манекенщица Министерства лёгкой промышленности, поочерёдная любовница дюжины гениев, сейчас явно выходила в тираж (Аксёнов 7). [context transl] Luchnikov had his arm around the unprotected shoulders of Lora Lerova, one of the fading nosegays who had adorned the Courier brunch. Ten or twelve years ago-the toast of Moscow, star model for the Ministry of Light Industry, mistress of a dozen geniuses; now-Miss Passee (7a).2. obs [usu. pfv]⇒ to die:- X passed away <on>.Большой русско-английский фразеологический словарь > выйти в тираж
-
11 выходить в тираж
• ВЫХОДИТЬ/ВЫЙТИ В ТИРАЖ[VP; subj: human]=====1. to become unfit for sth., cease working or functioning productively in one's capacity:- X was < became> a back number;- X became dead wood.♦ "Хелло, Арси, - бормотал в трубке старый развратник, - похоже на то, что мы с тобой ещё не вышли в тираж". - "Поздравляю, - сухо сказал Арсений Николаевич. - На меня твои успехи совершенно не распространяются" (Аксёнов 7). "Hello, Arsy," came the voice of the old reprobate through the receiver. "Looks like we don't have to be put out to pasture yet, the two of us." "Congratulations," said Arseny Nikolaevich curtly, "but your prowess has nothing to do with me" (7a).♦ Радуясь за неё [ дочь], он в глубине души ревновал её к Николаю, постепенно заместившему отца в сердце дочери: "В тираж выходишь, Лашков, скоро совсем никому не будешь нужен" (Максимов 3). He was glad for her [his daughter], but deep down he felt jealous of Nikolai, who had gradually replaced her father in his daughter's heart. "You're a back number, Lashkov. Soon nobody will want you" (3a).♦ Лучников обнимал за зябкие плечики Лору Лерову, одну из тех увядающих "букетиков", что украшали недавний праздник "Курьера". Десяток лет назад - звезда Москвы, манекенщица Министерства лёгкой промышленности, поочерёдная любовница дюжины гениев, сейчас явно выходила в тираж (Аксёнов 7). [context transl] Luchnikov had his arm around the unprotected shoulders of Lora Lerova, one of the fading nosegays who had adorned the Courier brunch. Ten or twelve years ago-the toast of Moscow, star model for the Ministry of Light Industry, mistress of a dozen geniuses; now-Miss Passee (7a).2. obs [usu. pfv]⇒ to die:- X passed away <on>.Большой русско-английский фразеологический словарь > выходить в тираж
-
12 afiriti
------------------------------------------------------------[Swahili Word] afiriti[Swahili Plural] afiriti[English Word] evil genius[English Plural] evil geniuses[Part of Speech] noun[Class] 9/10an[Derived Word] Arabic[Swahili Example] basi tokeni wewe na huyo afiriti mwenzako [Moh][English Example] then leave, you and your evil genius companion------------------------------------------------------------[Swahili Word] afiriti[Swahili Plural] afiriti[English Word] wicked person[English Plural] wicked people[Part of Speech] noun[Class] 9/10an[Derived Word] Arabic[Swahili Example] basi tokeni wewe na huyo afiriti mwenzako [Moh][English Example] then leave, you and your wicked partner------------------------------------------------------------ -
13 afriti
------------------------------------------------------------[Swahili Word] afriti[Swahili Plural] afriti[English Word] devil[English Plural] devils[Part of Speech] noun[Class] 9/10an------------------------------------------------------------[Swahili Word] afriti[Swahili Plural] afriti[English Word] evil genius[English Plural] evil geniuses[Part of Speech] noun[Class] 9/10an[Derived Word] Arabic------------------------------------------------------------[Swahili Word] afriti[Swahili Plural] afriti[English Word] malicious person[English Plural] malicious people[Part of Speech] noun[Class] 9/10an------------------------------------------------------------[Swahili Word] afriti[Swahili Plural] afriti[English Word] evil spirit[English Plural] evil spirits[Part of Speech] noun[Class] 9/10an------------------------------------------------------------[Swahili Word] afriti[Swahili Plural] afriti[English Word] wicked person[English Plural] wicked people[Part of Speech] noun[Class] 9/10an------------------------------------------------------------ -
14 geni
sg - geníet, pl - geníerтала́нт м, ге́ний м* * *ace, genius* * *(et -er) genius (pl geniuses). -
15 creador
adj.creative, originative.m.1 creator, developer, maker, originator.2 Creator, God, Maker.* * *► adjetivo1 creative► nombre masculino,nombre femenino1 creator, maker* * *(f. - creadora)noun* * *creador, -a1.ADJ creative2. SM / F1) [de movimiento, organización, personaje] creator2) (=artista) artist; (=diseñador) designer3.SMel Creador — (Rel) the Creator
* * *I- dora adjetivo creativeII- dora masculino, femenino1) creator2) (Relig) el Creador the Creator* * *= creator, framer, maker, originator, Maker, begetter, builder, originating.Ex. An important feature of the scheme in its creator's eyes was the relative index.Ex. It is the great expense and difficulty involved in changing a record which has proven an anathema to the framers of cataloging codes, and created a schism of interests between technical and public service librarians.Ex. The first decision in establishing headings for the works of corporate bodies is the one over which code makers have wavered.Ex. Clearly, the originators of the major schemes cannot be criticised for be ignorant of these principles.Ex. He went back into the house, addressing his Maker in low agonized tones, changed, and started out again.Ex. Citing authors' names in references can cause great difficulties, as ghosts, subterfuges, and collaborative teamwork may often obscure the true begetters of published works.Ex. No significant differences were observed between tool users and tool builders in terms of any key constructs examined in the study.Ex. Refinements allow the user to search for: the originating agency; the date of exposure; the image format; the cloud cover; satellite; etc..----* creador de bases de datos = database producer.* creador de contenido = content creator.* creador de imagen = image maker.* creador de leyes = rule-maker [rulemaker].* programa creador de informes = report writer.* * *I- dora adjetivo creativeII- dora masculino, femenino1) creator2) (Relig) el Creador the Creator* * *= creator, framer, maker, originator, Maker, begetter, builder, originating.Ex: An important feature of the scheme in its creator's eyes was the relative index.
Ex: It is the great expense and difficulty involved in changing a record which has proven an anathema to the framers of cataloging codes, and created a schism of interests between technical and public service librarians.Ex: The first decision in establishing headings for the works of corporate bodies is the one over which code makers have wavered.Ex: Clearly, the originators of the major schemes cannot be criticised for be ignorant of these principles.Ex: He went back into the house, addressing his Maker in low agonized tones, changed, and started out again.Ex: Citing authors' names in references can cause great difficulties, as ghosts, subterfuges, and collaborative teamwork may often obscure the true begetters of published works.Ex: No significant differences were observed between tool users and tool builders in terms of any key constructs examined in the study.Ex: Refinements allow the user to search for: the originating agency; the date of exposure; the image format; the cloud cover; satellite; etc..* creador de bases de datos = database producer.* creador de contenido = content creator.* creador de imagen = image maker.* creador de leyes = rule-maker [rulemaker].* programa creador de informes = report writer.* * *creativemasculine, feminineA creatoruno de los grandes creadores de la moda italiana one of the great Italian fashion designersB ( Relig)el Creador the Creator* * *
creador◊ - dora adjetivo
creative
■ sustantivo masculino, femenino
b) (Relig)
creador,-ora sustantivo masculino y femenino creator
' creador' also found in these entries:
Spanish:
creadora
- padre
English:
creator
- maker
- turn against
- originator
* * *creador, -ora♦ adjcreative♦ nm,fcreator;fue uno de los grandes creadores de este siglo he was one of the great creative geniuses of this centurycreador gráfico creator [of cartoon etc]; Bolsa creador de mercado market maker;creador de moda fashion designer♦ nmRelel Creador the Creator* * *I adj creativeII m, creadora f creator* * *: creative, creating: creator -
16 гений
м. (в разн. знач.)genius (pl. geniuses; миф. pl. genii) -
17 геній
-
18 le
le [lə]━━━━━━━━━1. article2. pronoun━━━━━━━━━, la [la]━━━━━━━━━1. article2. pronoun━━━━━━━━━1. <━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━a. theb. ( = par) a• 50 € le mètre 50 euros a metre• 50 € le litre 50 euros a litrec. (fraction) ad. (dans les généralisations, avec les noms non comptables)━━━━━━━━━━━━━━━━━► L'article défini français n'est pas traduit en anglais dans les généralisations, avec les noms non comptables et dans certaines expressions de temps.━━━━━━━━━━━━━━━━━e. (possession)━━━━━━━━━━━━━━━━━► Lorsque l'article se réfère à une partie du corps d'une personne définie, il se traduit généralement par le possessif, sauf après to have.━━━━━━━━━━━━━━━━━2. <━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━a. (objet direct) ( = chose, animal dont on ignore le sexe) it ; ( = homme, enfant ou animal mâle) him ; ( = femme, enfant ou animal femelle) her• une araignée ! tue-la ! a spider! kill it!• je te prête cette robe, mets-la pour aller à la fête I'll lend you this dress, you can wear it to the party• voilà Jean, regarde-le, il est en pyjama there's Jean, look at him, he's in his pyjamasb. ( = cela) it• il était ministre, il ne l'est plus he used to be a minister but he isn't any longer• appelle-les ! call them!* * *
1.
1) ( avec complément de nom)la jupe/fille de ma sœur — my sister's skirt/daughter
3) ( avec un nom d'espèce)l'homme préhistorique/de Cro-Magnon — prehistoric/Cro-Magnon man
4) ( avec un nom propre)la Saint-Michel — St. Michael's day
5) ( avec un adjectif)7) (pour donner un prix, une fréquence etc) a, an8) ( dans les exclamations)
2.
pronom personnelje ne le/la/les comprends pas — I don't understand him/her/them
3.
pronom neutre1) ( complément)je le savais — ( j'étais au courant) I knew; ( j'aurais dû m'en douter) I knew it
si je ne le fais pas, qui le fera? — if I don't do it, who will?
je le croyais aussi, mais... — I thought so too, but...
si c'est lui qui le dit... — if he says so...
‘ils auront fini demain’ - ‘espérons-le!’ — ‘they'll have finished tomorrow’ - ‘let's hope so!’
2) ( attribut)‘est-elle satisfaite?’ - ‘je ne crois pas qu'elle le soit’ — ‘is she satisfied?’ - ‘I don't think so’
••
le, la, les article défini se traduit par the (invariable) quand le nom qu'il précède est déterminé par un contexte supposé connu de l'interlocuteur: passe-moi le sel = pass me the salt; le déjeuner d'anniversaire = the birthday lunch; le courage de faire = the courage to doIl ne se traduit pas quand ce nom exprime une généralité ou que son contexte est indéterminé: le sel de mer = sea salt; pendant le déjeuner = during lunch; le courage seul ne suffit pas = courage alone isn't enough- the se prononce ðə devant consonne et h aspiré, ðɪ devant voyelle et h muet (hour, honest, honour [BrE], heir), et ði: quand il est employé de manière emphatique pour indiquer l'excellence (comme le en français dans c'est le poète de la liberté)- Sont traités ci-dessous les cas où l'article se traduit différemment de the, ou ne se traduit pas, ou se rend par une structure particulière, à l'exclusion de ceux qui sont développés dans les notes d'usage répertoriées, notamment celles concernant les jours de la semaine, maladies, jeux, nationalités, langues, pays, nombres, titres etc- Dans la composition du superlatif, l'anglais ne répète pas l'article: l'homme le plus riche/intelligent du monde = the richest/most intelligent man in the world- Les noms de plat sur un menu ne prennent pas d'article: le steak au poivre vert = steak with green peppercorns- Il n'y a pas d'article après whose: les enfants dont la mère... = the children whose mother...- L'article se traduit avec les noms d'inventions: la charrue = the plough GB ou plow US; l'ordinateur = the computer, voir également la note- Noter: la Terre est ronde = the earth is round mais sur la planète Terre = on planet Earth et au contraire de la Terre, Mars... = unlike Earth, Mars...Le pronom personnel se traduit selon le genre et le nombre de l'antécédent en anglais: him pour représenter une personne de sexe masculin, un animal familier mâle; her pour une personne de sexe féminin, un animal familier femelle, un bateau, un véhicule qu'on aime bien ou dont on parle avec ironie; it pour une chose, un concept, un pays, une institution, un animal; them pour un antécédent pluriel* * *l la (la) l' (devant un nom commençant par une voyelle ou un h muet) les pl1. art déf1) theJe déteste la violence. — I hate violence.
Évitez de vous laver le visage avec du savon. — Avoid washing your face with soap.
4) (moment, date)le jeudi (d'habitude) — on Thursdays, (= ce jeudi-là) on Thursday
Nous venons le 3 décembre. — We're coming on 3 December.
Il est arrivé le douze mai. — He arrived on 12 May.
5)6) (fraction)2. pronJe le vois. — I can see him.
Je la vois. — I can see her.
Je les vois. — I can see them.
Daniel est un vieil ami: je le connais depuis plus de vingt ans. — Daniel is an old friend: I've known him for over 20 years.
C'est une femme intelligente: je l'admire beaucoup. — She's an intelligent woman: I admire her very much.
La chatte miaule, je vais la nourrir. — The cat's miaowing, I'll go and feed her.
Je les envie. — I envy them.
2) (chose, abstraction, animal dont on ignore le sexe) (singulier) it, (pluriel) themC'est une bonne émission: je la regarde toutes les semaines. — It's a good programme: I watch it every week.
Où est mon stylo? Je ne le trouve plus. — Where's my pen? I can't find it.
"Où est le fromage?" - - "Je l'ai mis au frigo." — "Where's the cheese?" - - "I've put it in the fridge."
Un lézard! Je vais le prendre en photo. — A lizard! I'll take a photo of it.
Tes lunettes? Je les vois. — Your glasses? I can see them.
Je ne le savais pas. — I didn't know.
Il était riche et ne l'est plus. — He was once rich but no longer is.
* * *A art déf1 ( avec complément de nom) la jupe/fille de ma sœur my sister's skirt/daughter; les chapitres du livre the chapters of the book; la table de la cuisine the kitchen table;2 ( en parlant d'une personne) il est arrivé les mains dans les poches he came with his hands in his pockets; elle s'est cogné le bras she banged her arm; elle m'a pris par le bras she took me by the arm; elle a reçu une tomate dans l'œil a tomato hit her in the eye;3 ( avec un nom d'espèce) l'homme préhistorique/de Cro-Magnon prehistoric/Cro-Magnon man; l'araignée n'est pas un insecte spiders are not insects, the spider isn't an insect; les droits de l'enfant children's rights; elle aime les chevaux she likes horses;4 ( avec un nom propre) les Dupont the Duponts; les Newton, Einstein et autres génies the Newtons, Einsteins and other geniuses; la Marion○ ( femme) Marion; la Fleurette (vache, jument) old Fleurette; Le Caravage Caravaggio; la Caballé Caballé; la Noël Christmas; la Saint-Michel St. Michael's day; le roi Olaf King Olaf; j'ai acheté le Cézanne/la Volvo® I bought the Cézanne/the Volvo®;5 ( avec un adjectif) je prendrai la bleue/la plus foncée I'll take the blue one/the darkest one; le ridicule de cette affaire what is ridiculous about this matter; les pauvres the poor; Pierre le Grand Peter the Great;6 ( avec préposition et nombre) arriver sur or vers les 11 heures to arrive about 11 o'clock; coûter dans les 20 euros to cost about 20 euros; il doit avoir dans la cinquantaine he must be about fifty;7 (pour donner un prix, une fréquence etc) a, an; 5 euros le kilo/la douzaine 5 euros a kilo/a dozen; trois fois la semaine/l'an three times a week/a year;8 ( dans les exclamations) l'imbécile! the fool!; ah, l'imbécile! what a fool!; la pauvre! the poor thing!; la méchante! the naughty girl!; (oh) la jolie robe! what a pretty dress!B pron pers je ne le/la/les comprends pas I don't understand him/her/them.C pron neutre1 ( complément) je le savais ( je suis au courant) I knew; ( j'aurais dû m'en douter) I knew it; je ne veux pas le savoir I don't want to know (about it); si je ne le fais pas, qui le fera? if I don't do it, who will?; je le croyais aussi, mais… I thought so too, but…; si c'est lui qui le dit… if HE says so…; tu vois, je te l'avais dit! you see, I told you so!; je te l'avais bien dit qu'il avait tort I did tell you that he was wrong; ‘ils auront fini demain’-‘espérons-le!’ ‘they'll have finished tomorrow’-‘let's hope so!’; comme tu peux bien l'imaginer, le train avait du retard as you can well imagine, the train was late;2 ( attribut) ‘est-elle satisfaite?’-‘je ne crois pas qu'elle le soit’ ‘is she satisfied?’-‘I don't think she is’ ou ‘I don't think so’; le jardin n'était pas entretenu, maintenant il l'est the garden GB ou yard US wasn't tidy, now it is.[lə] (devant voyelle ou 'h' muet l' [l], féminin la [la], pluriel les [le]) déterminant (article défini)1. [avec un nom commun] the2. [dans le temps][devant une date]le 15 janvier 1991 15 January, 1991a. he came to see us on the 15th of August ou on August the 15thb. [par écrit] he came to see us on August 153. [dans les fractions] a, anle quart/tiers de a quarter/third of4. [avec un sens distributif]deux euros le kilo two euros a ou per kilole docteur reçoit le lundi et le vendredi ou les lundis et vendredis the doctor sees patients on Monday and Friday ou Mondays and Fridays5. [avec valeur d'adjectif démonstratif]6. [avec une valeur expressive] what an ou aalors, les amis, comment ça va? well, folks, how are you?7. [avec valeur d'adjectif possessif]le chapeau sur la tête her/his etc. hat on his/her etc. head8. [avec une valeur généralisante]le cheval, comme d'autres mammifères... the horse ou horses, like other mammals...9. [marquant l'approximation]vers les 4 h about ou around 4 o'clock10. [avec un nom propre] theles Bourbons, les Stuarts the Bourbons, the Stuarts————————1. [complément d'objet - homme] him ; [ - femme, nation, bateau] her ; [ - chose, animal] it ; [ - bébé, animal domestique] him, her, itce bordeaux, je l'ai déjà goûté I've already tasted this ou that Bordeauxil l'a probablement oublié, ton livre he's probably forgotten your book ou that book of yours2. [représentant une proposition]elle est partie hier soir, du moins je l'ai entendu dire she left last night, at least that's what I've heardallez, dis-le-lui go on, tell him (about it)3. [comme attribut]pour être timide, ça, il l'est! boy, is he shy!, talk about shy! -
19 lé
le [lə]━━━━━━━━━1. article2. pronoun━━━━━━━━━, la [la]━━━━━━━━━1. article2. pronoun━━━━━━━━━1. <━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━a. theb. ( = par) a• 50 € le mètre 50 euros a metre• 50 € le litre 50 euros a litrec. (fraction) ad. (dans les généralisations, avec les noms non comptables)━━━━━━━━━━━━━━━━━► L'article défini français n'est pas traduit en anglais dans les généralisations, avec les noms non comptables et dans certaines expressions de temps.━━━━━━━━━━━━━━━━━e. (possession)━━━━━━━━━━━━━━━━━► Lorsque l'article se réfère à une partie du corps d'une personne définie, il se traduit généralement par le possessif, sauf après to have.━━━━━━━━━━━━━━━━━2. <━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━a. (objet direct) ( = chose, animal dont on ignore le sexe) it ; ( = homme, enfant ou animal mâle) him ; ( = femme, enfant ou animal femelle) her• une araignée ! tue-la ! a spider! kill it!• je te prête cette robe, mets-la pour aller à la fête I'll lend you this dress, you can wear it to the party• voilà Jean, regarde-le, il est en pyjama there's Jean, look at him, he's in his pyjamasb. ( = cela) it• il était ministre, il ne l'est plus he used to be a minister but he isn't any longer• appelle-les ! call them!* * *
1.
1) ( avec complément de nom)la jupe/fille de ma sœur — my sister's skirt/daughter
3) ( avec un nom d'espèce)l'homme préhistorique/de Cro-Magnon — prehistoric/Cro-Magnon man
4) ( avec un nom propre)la Saint-Michel — St. Michael's day
5) ( avec un adjectif)7) (pour donner un prix, une fréquence etc) a, an8) ( dans les exclamations)
2.
pronom personnelje ne le/la/les comprends pas — I don't understand him/her/them
3.
pronom neutre1) ( complément)je le savais — ( j'étais au courant) I knew; ( j'aurais dû m'en douter) I knew it
si je ne le fais pas, qui le fera? — if I don't do it, who will?
je le croyais aussi, mais... — I thought so too, but...
si c'est lui qui le dit... — if he says so...
‘ils auront fini demain’ - ‘espérons-le!’ — ‘they'll have finished tomorrow’ - ‘let's hope so!’
2) ( attribut)‘est-elle satisfaite?’ - ‘je ne crois pas qu'elle le soit’ — ‘is she satisfied?’ - ‘I don't think so’
••
le, la, les article défini se traduit par the (invariable) quand le nom qu'il précède est déterminé par un contexte supposé connu de l'interlocuteur: passe-moi le sel = pass me the salt; le déjeuner d'anniversaire = the birthday lunch; le courage de faire = the courage to doIl ne se traduit pas quand ce nom exprime une généralité ou que son contexte est indéterminé: le sel de mer = sea salt; pendant le déjeuner = during lunch; le courage seul ne suffit pas = courage alone isn't enough- the se prononce ðə devant consonne et h aspiré, ðɪ devant voyelle et h muet (hour, honest, honour [BrE], heir), et ði: quand il est employé de manière emphatique pour indiquer l'excellence (comme le en français dans c'est le poète de la liberté)- Sont traités ci-dessous les cas où l'article se traduit différemment de the, ou ne se traduit pas, ou se rend par une structure particulière, à l'exclusion de ceux qui sont développés dans les notes d'usage répertoriées, notamment celles concernant les jours de la semaine, maladies, jeux, nationalités, langues, pays, nombres, titres etc- Dans la composition du superlatif, l'anglais ne répète pas l'article: l'homme le plus riche/intelligent du monde = the richest/most intelligent man in the world- Les noms de plat sur un menu ne prennent pas d'article: le steak au poivre vert = steak with green peppercorns- Il n'y a pas d'article après whose: les enfants dont la mère... = the children whose mother...- L'article se traduit avec les noms d'inventions: la charrue = the plough GB ou plow US; l'ordinateur = the computer, voir également la note- Noter: la Terre est ronde = the earth is round mais sur la planète Terre = on planet Earth et au contraire de la Terre, Mars... = unlike Earth, Mars...Le pronom personnel se traduit selon le genre et le nombre de l'antécédent en anglais: him pour représenter une personne de sexe masculin, un animal familier mâle; her pour une personne de sexe féminin, un animal familier femelle, un bateau, un véhicule qu'on aime bien ou dont on parle avec ironie; it pour une chose, un concept, un pays, une institution, un animal; them pour un antécédent pluriel* * *l la (la) l' (devant un nom commençant par une voyelle ou un h muet) les pl1. art déf1) theJe déteste la violence. — I hate violence.
Évitez de vous laver le visage avec du savon. — Avoid washing your face with soap.
4) (moment, date)le jeudi (d'habitude) — on Thursdays, (= ce jeudi-là) on Thursday
Nous venons le 3 décembre. — We're coming on 3 December.
Il est arrivé le douze mai. — He arrived on 12 May.
5)6) (fraction)2. pronJe le vois. — I can see him.
Je la vois. — I can see her.
Je les vois. — I can see them.
Daniel est un vieil ami: je le connais depuis plus de vingt ans. — Daniel is an old friend: I've known him for over 20 years.
C'est une femme intelligente: je l'admire beaucoup. — She's an intelligent woman: I admire her very much.
La chatte miaule, je vais la nourrir. — The cat's miaowing, I'll go and feed her.
Je les envie. — I envy them.
2) (chose, abstraction, animal dont on ignore le sexe) (singulier) it, (pluriel) themC'est une bonne émission: je la regarde toutes les semaines. — It's a good programme: I watch it every week.
Où est mon stylo? Je ne le trouve plus. — Where's my pen? I can't find it.
"Où est le fromage?" - - "Je l'ai mis au frigo." — "Where's the cheese?" - - "I've put it in the fridge."
Un lézard! Je vais le prendre en photo. — A lizard! I'll take a photo of it.
Tes lunettes? Je les vois. — Your glasses? I can see them.
Je ne le savais pas. — I didn't know.
Il était riche et ne l'est plus. — He was once rich but no longer is.
* * *A art déf1 ( avec complément de nom) la jupe/fille de ma sœur my sister's skirt/daughter; les chapitres du livre the chapters of the book; la table de la cuisine the kitchen table;2 ( en parlant d'une personne) il est arrivé les mains dans les poches he came with his hands in his pockets; elle s'est cogné le bras she banged her arm; elle m'a pris par le bras she took me by the arm; elle a reçu une tomate dans l'œil a tomato hit her in the eye;3 ( avec un nom d'espèce) l'homme préhistorique/de Cro-Magnon prehistoric/Cro-Magnon man; l'araignée n'est pas un insecte spiders are not insects, the spider isn't an insect; les droits de l'enfant children's rights; elle aime les chevaux she likes horses;4 ( avec un nom propre) les Dupont the Duponts; les Newton, Einstein et autres génies the Newtons, Einsteins and other geniuses; la Marion○ ( femme) Marion; la Fleurette (vache, jument) old Fleurette; Le Caravage Caravaggio; la Caballé Caballé; la Noël Christmas; la Saint-Michel St. Michael's day; le roi Olaf King Olaf; j'ai acheté le Cézanne/la Volvo® I bought the Cézanne/the Volvo®;5 ( avec un adjectif) je prendrai la bleue/la plus foncée I'll take the blue one/the darkest one; le ridicule de cette affaire what is ridiculous about this matter; les pauvres the poor; Pierre le Grand Peter the Great;6 ( avec préposition et nombre) arriver sur or vers les 11 heures to arrive about 11 o'clock; coûter dans les 20 euros to cost about 20 euros; il doit avoir dans la cinquantaine he must be about fifty;7 (pour donner un prix, une fréquence etc) a, an; 5 euros le kilo/la douzaine 5 euros a kilo/a dozen; trois fois la semaine/l'an three times a week/a year;8 ( dans les exclamations) l'imbécile! the fool!; ah, l'imbécile! what a fool!; la pauvre! the poor thing!; la méchante! the naughty girl!; (oh) la jolie robe! what a pretty dress!B pron pers je ne le/la/les comprends pas I don't understand him/her/them.C pron neutre1 ( complément) je le savais ( je suis au courant) I knew; ( j'aurais dû m'en douter) I knew it; je ne veux pas le savoir I don't want to know (about it); si je ne le fais pas, qui le fera? if I don't do it, who will?; je le croyais aussi, mais… I thought so too, but…; si c'est lui qui le dit… if HE says so…; tu vois, je te l'avais dit! you see, I told you so!; je te l'avais bien dit qu'il avait tort I did tell you that he was wrong; ‘ils auront fini demain’-‘espérons-le!’ ‘they'll have finished tomorrow’-‘let's hope so!’; comme tu peux bien l'imaginer, le train avait du retard as you can well imagine, the train was late;2 ( attribut) ‘est-elle satisfaite?’-‘je ne crois pas qu'elle le soit’ ‘is she satisfied?’-‘I don't think she is’ ou ‘I don't think so’; le jardin n'était pas entretenu, maintenant il l'est the garden GB ou yard US wasn't tidy, now it is.[le] nom masculin1. [d'un tissu, d'un papier peint] width2. [d'une jupe] gore -
20 요정
n. decision, fairy, restaurant, fay, genie, geniuses, sprite, genii, genius
- 1
- 2
См. также в других словарях:
Geniuses — Genius Gen ius, n.; pl. E. {Geniuses}; in sense 1, L. {Genii}. [L. genius, prop., the superior or divine nature which is innate in everything, the spirit, the tutelar deity or genius of a person or place, taste, talent, genius, from genere,… … The Collaborative International Dictionary of English
geniuses — ge·ni·us || dʒɪËnɪəs n. great mental ability; one with great mental ability, very intelligent or talented person; great natural ability, talent n. guardian angel or spirit (Roman Mythology); one who has much influence over another person;… … English contemporary dictionary
Baby Geniuses — Infobox Film name = Baby Geniuses image size = caption = director = Bob Clark producer = Steven Paul writer = Steven Paul Francisca Matos Robert Grasmere narrator = starring = Kathleen Turner Peter MacNicol Kim Cattrall Christopher Lloyd Dom… … Wikipedia
Evil Geniuses — EG Страна … Википедия
Baby Geniuses — Título Unos peques geniales (España) Pequeños genios (Argentina) Ficha técnica Dirección Bob Clark … Wikipedia Español
Evil Geniuses — Kürzel EG Manager … Deutsch Wikipedia
Sports Geniuses — was an American sports themed game show that aired from May 2000 until June 2001 on cable channel Fox Sports Net. It was the network s first game show ( Ultimate Fan League was the second, and only other).Sportscaster Matt Vasgersian hosted, with … Wikipedia
the greatest inventors — geniuses that invented the most useful or indispensable things … English contemporary dictionary
Treasure Hunters (TV series) — Infobox Television show name = Treasure Hunters format = Reality Game Show runtime = 60 minutes (per episode rating = TV 14 country = USA starring = Laird Macintosh (host) network = NBC (US) Global (Canada) first aired = June 18, 2006 last aired … Wikipedia
Les Bronte — Les Brontë Anne, Emily et Charlotte Brontë, par leur frère Branwell (vers 1834). Lui même s était représenté, au milieu de ses sœurs, avant de s effacer, pour ne pas surcharger le tableau. Les Brontë sont une famille littéraire anglaise du… … Wikipédia en Français
Les Brontë — Anne, Emily et Charlotte Brontë, par leur frère Branwell (vers 1834). Lui même s était représenté, au milieu de ses sœurs, avant de s effacer, pour ne pas surcharger le tableau. Les Brontë sont une famille littéraire anglaise du XIXe siècle … Wikipédia en Français