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1 STAR
elen (normal pl eleni, but occasionally †eldi in verse; allative elenna and pl ablative elenillor are attested), †él (pl. éli is mentioned), tinwë (properly = sparkle), ílë. (Note: in Etym elen is said to be poetic, but Tolkien later concluded that elen was "the normal word for a star on the actual firmanent", the poetic word being él instead. According to MR:388, a tinwë was one of the "apparent stars" on Varda's simulacrum covering Valinor, also called nillë or "silver glint". Etym mentions the words ellen and elena without glossing them, but according to Silm:431 elena is an adjective meaning "of the stars".) TWINKLING STAR tingilya, tingilindë, HAVING MANY STARS lintitinwë; STARLIKE elvëa (pl. elvië is attested); STARWARDS elenna (Elenna or Elennanórë, "the land named Starwards", a name of Númenor); STARLIGHT silmë (light of Silpion); STARCROWNED, CROWNED WITH STARS (a name of Taniquetil) Elerrína (so in Silm:42; Etym has Elerína); STAR-QUEEN (=Varda), STARLIT DUSK, STARRY TWILIGHT tindómë; FLASHING OR [?STARRY] LIGHT élë See also *STELLAR. The word Tintánië is glossed STARMAKER as another title of Varda, but it is also interpreted as an abstract STARMAKING. –EL, Silm:313, MC:222 cf. 215, TIN, WJ:362, UT:317, LotR:1157, LT1:269, MC:223, Silm:42, DOMO, Silm:438, VT45:12, TAN/VT46:17 -
2 THEY, THEM
(3rd person pl. and dual forms): As the pronominal ending for “they”, Tolkien hesitated between -ltë and -ntë. For instance, a verb like “they do” is attested both as cariltë and carintë (VT49:16, 17). In one text, the ending -ltë is marked as archaic or poetic (VT49:17), but in other paradigms no such qualification occurs (VT49:51). The alternative form -nte- occurs in UT:317, with a second pronominal marker (-s “it”, denoting the object) following: Tiruvantes "they will keep it". General considerations of euphony may favour -ltë rather than -ntë (e.g. *quenteltë rather than *quententë for “they spoke” – in the past tense, many verbs end in -ntë even before any pronominal endings are supplied, like quentë “spoke” in this example). The ending -ltë (unlike -ntë) would also conform with the general system that the plural pronominal endings include the plural marker l (VT48:11). – In Tolkien’s early material, the ending -ltë appears as -lto instead (e.g. tulielto “they have come”, LT1:270). – A simple plural verb (with ending -r) can have “they” as its implied subject, as in the example quetir en “they still say” (PE17:167). – In the independent pronouns, distinct forms of may be used depending on whether “they, them” refers to living beings (persons, animals or even plants) or to non-living things or abstracts. The “personal” independent pronoun is te, which may have a long vowel when stressed (té, VT49:51). It is also attested in object position (laita te “bless them”, LotR:989 cf. Letters:308, VT43:20). It can receive case endings, e.g. dative ten (VT49:14; variant forms téna and tien, VT49:14, VT43:12, 21). As the “impersonal” they, them referring to non-living things, Tolkien in some sources used ta (VT43:20; 8, 9), but this apparently caused dissatisfaction because he also wanted ta to be the singular pronoun “that, it”. According to VT49:32, the form tai was introduced as the word for impersonal or inanimate “they, them” (in some places changed to te, apparently suggesting that Tolkien considered using te for both personal and impersonal “they/them”, abandoning the distinction). Another source (VT49:51) lists sa as the pl. impersonal form, but all other published sources use this pronoun for singular impersonal “it”, not pl. “they”. – The object “them” can also be expressed by the ending -t following another pronominal suffix (laituvalmet, “we shall bless [or praise] them", LotR:989 cf Letters:308). Presumably this ending -t makes no distinction between personal and impersonal forms. – Quenya also possesses special dual forms of “they, them”, used where only two persons or things are referred to (none of these pronouns distinguish between personal and impersonal forms). In VT49:16, the old ending for dual “they” is given as -stë (marked as archaic or poetic), but this would clash with the corresponding 2nd person ending. According to VT49:51, this ending was changed (also within the imaginary world) from -stë to -ttë, which seems the better alternative (*carittë, “the two of them do”). The independent dual pronoun is given as tú (ibid.) However, it may also be permissible to use te for “they, them” even where only two persons are involved (te is seemingly used with reference to Frodo and Sam in one of the examples above, laita te “bless them”). – Genitive forms, see THEIR; reflexive pronoun, see THEMSELVES. -
3 FIRE
ruinë (“a [concrete] fire, a blaze”), also úr (the stem from which this word is derived was struck out in Etym. However, several words that must be derived from this stem occur in LotR, indicating that Tolkien restored it). A more general word for "fire" (as an element, PE17:183) is nár, nárë, which appear (with the masculine ending -o) in the following names:) SPIRIT OF FIRE Fëanáro (Fëanor), FELL FIRE Aicanáro (Sharp Flame, Aegnor) (so in Silm:435; MR:323 has Aicanár). LT1:265 has sá "fire", poetic form sai, also sairin "fiery"; cf. also Sáya "the fire-fay" in GL:66. LT:271 has the following "fire"-words: FIRE uru, FIERY uruvoitë, ON FIRE urwa, LIKE FIRE urúva. Cf. also FIREWOOD turu (but the word was also used of wood in general). BOWL OF FIRE tanyasalpë (evindently \#tanya "fire" + \#salpë "bowl") –PE17:183, UR/VT46:20, Silm:397, MR:217, LT1:265, 270, 271, 292 -
4 GOLD
(the metal) malta (so in LotR – Etym has malda [stem SMAL], but cf. the archaic form smalta mentioned under LAWAR); GOLD laurë (= "not the metal but the colour, what we should call golden light", Letters:308, "of light and colour, not of the metal", Silm:433, "not a metallic word. It was applied to those things which we often call 'golden' though they do not much resemble metallic gold: golden light, especially sunlight", RGEO:70, “golden light”, VT49:47, "a word for golden light or colour, never used for the metal", PM:353, "light of the golden Tree Laurelin", LR:368; a "mystic name" of gold, LT1:255 [possibly a notion Tolkien later abandoned]; in LT1:258 and LT2:341 the gloss is simply "gold".) RED GOLD †cullo (obsoleting culu in LT2:341? In LT1:255 culu is said to be a poetic word for "gold", but also used mythically as a name of all red and yellow metals), GOLDEN laurëa (pl laurië is attested; LT1:258 has laurina), GOLDEN-RED culda, culina (flame-coloured); (cf. Silm. Appendix: "cul- 'golden-red' in Culúrien") –LotR:1157/SMAL, Letters:308/RGEO:70/LAWAR, KUL, RGEO:70/Nam, Silm:429 -
5 LORE
nólë (long study, wisdom, knowledge), †ingolë (deep lore, magic [in WJ:382, the gloss is simply "lore", and the word is not stated to be poetic]), issë; SECRET LORE nolwë (wisdom). (These forms may obsolete nólemë in LT1:263. In some sources, nólë and nolwë are spelt with initial ñ, that is, ng. Initial ng had become n in Third Age Quenya, and I follow the system of LotR and transcribe it accordingly. Cf. also the spelling of the related word nólë in Silm:432. But if these words are written in Tengwar, the initial n should be transcribed with the letter noldo, not númen.) LOREMASTER ingolmo (In Lambengolmor "Loremasters of Tongues" the initial i of ingolmo [pl ingolmor] has disappeared; perhaps \#ngolmo is the form used in compounds when the first part of the compound ends in a vowel.) –ÑGOL, LT2:339, WJ:382, WJ:383/396 -
6 MAN
nér (ner-; pl. neri given) (\#ner as the final element in compounds, as in vëaner and úner, see below), †vëo (-wë as final element in compounds); hanu (male); (ADULT) MAN vëaner; MANLY vëa (adult, vigorous); LARGE/STRONG MAN nerdo, SMALL MAN nercë (perhaps with stem nerci-) MANHOOD vië (vigour); MAN-SPEARHEAD (a wedge-formation of soldiers) nernehta, NOMAN úner (All these words can apparently be used of adult males of any sentient race. For "Men" in the sence "humans", see MORTALS, FOLLOWERS.) –DER, WEG (cf. VT46:21 indicating that †vëo should be marked as an archaic/poetic word), VT47:33, VT45:16, UT:282, UT:211 -
7 NIGHTINGALE
lómelindë (pl lómelindi is attested; Etym also has morilindë), tindómerel ("daughter of twilight", a kenning of or a poetic name for the nightingale; the Sindarin equivalent is tinúviel. Tolkien changed the meaning of the final element from "daughter" to "child", see SEL-D-.) –DO3, Silm:64, MOR, TIN/Silm:422, 438 -
8 NO
ui, possibly with uito as an emphatic variant (VT49:28-29), lá (also meaning "not)". Ui (uito) and lá are probably used to deny facts, or what others present as facts. In a context of refusal, the interjection vá is to be preferred. It is derived from a stem that "expressed refusal to do what others might wish or urge, or prohibition of some action by others”. Cf also lala, lau, laumë "no, no indeed not, on the contrary; also used for asking incredulous questions". Prefixes "no-, un-": ú-, il-. SAY NO váquet- (forbid, refuse) (1st pers. sg aorist and past váquetin, váquenten are given), ava- (refuse) (pa.t. avanë is given; this verb was "little used in ordinary language". Other forms occur in VT49:13, all with the ending -n “I”: Aorist avan, present ávan or ávëan, future avuvan > auvan, past avanen or aunen, perfect avávien. In one version, the forms ávëan and avanen are marked as poetic or archaic.) –LA, WJ:371 cf. 370, GŪ/UGU/VT46:20, WJ:370, KWET -
9 REFUSE
váquet- (forbid, say no) (1st pers. sg aorist and past váquetin, váquenten are given) avaquet- (forbid) (pa.t. is no doubt *avaquentë; cf. quet- under SAY), ava- (say no). (Pa.t. avanë is given; this verb was "little used in ordinary language". Other forms occur in VT49:13, all with the ending -n “I”: Aorist avan, present ávan or ávëan, future avuvan > auvan, past avanen or aunen, perfect avávien. In one version, the forms ávëan and avanen are marked as poetic or archaic.) –WJ:370, KWET, VT49:13 -
10 SAY
quet- (pa.t. quentë) (speak, talk), equë (the latter word "has no tense forms...being mostly used only before either a proper name...or a full independent pronoun, in the senses say / says or said. A quotation then follows, either direct, or less usually indirect after a 'that'-construction (...) Affixes appear in equen 'said I', eques 'said he / she'." (WJ:392, 415) Attested forms include the aorist quetë and its pl. form quetir (VT41:11, 49:11). Cf. also SAY NO váquet- (forbid, refuse) (1st pers. sg aorist and past váquetin, váquenten are given), ava- (refuse) (pa.t. avanë is given; this verb was "little used in ordinary language". Other forms occur in VT49:13, all with the ending -n “I”: Aorist avan, present ávan or ávëan, future avuvan > auvan, past avanen or aunen, perfect avávien. In one version, the forms ávëan and avanen are marked as poetic or archaic.) NOT TO BE SAID, THAT MUST NOT BE SAID avaquétima. SAYING eques (pl. equessi) (dictum, proverbial dictum, quotation) –Silm:436, WJ:370, LT2:348, WJ:392 -
11 WOMAN
nís (so in MR:213, Etym gives nis, but both sources agree that the pl is nissi (the alternative pl. form nísi in VT43:31 seems abnormal, since this would be expected to become *nízi > *níri). A longer form of nís/nis is nissë, clashing with *nissë "in me". For clarity writers should probably use the short sg nís, as Tolkien himself does in MR:213, with the stem niss- before endings, as in the pl. nissi). At the end of compounds the form –nis may occur, as in Artanis (see NOBLE WOMAN). A poetic word for "woman" is †ní (female). The form \#nína (gen. pl. nínaron attested, VT43:31) may have been but an ephemeral word for "woman" in Tolkien's conception. LARGE WOMAN nisto –NDIS/NĪ/NIS, MR:213, VT43:31, NĪ, INI, VT47:33
См. также в других словарях:
poetic — POÉTIC, Ă, poetici, ce, adj., s.f. 1. adj. Care aparţine poeziei, privitor la poezie. ♦ De poet. 2. adj. fig. Care poate inspira pe poeţi, demn de a fi motiv de inspiraţie; p. ext. impresionant, fermecător. 3. s.f. (Şi adjectival, în sintagma… … Dicționar Român
poetic — poetic, poetical In general, poetic is the more common word, but choice is often dependent on personal preference or on sentence rhythm. There are, however, a few fixed expressions, e.g. the poetical works of, poetic justice, poetic licence … Modern English usage
Poetic — Po*et ic, Poetical Po*et ic*al, a. [L. po[ e]ticus, Gr. ?: cf. F. po[ e]tiquee.] 1. Of or pertaining to poetry; suitable for poetry, or for writing poetry; as, poetic talent, theme, work, sentiments. Shak. [1913 Webster] 2. Expressed in metrical… … The Collaborative International Dictionary of English
poetic — (adj.) 1520s, from M.Fr. poetique, from L. poeticus, from Gk. poietikos pertaining to poetry, lit. creative, productive, from poietos made, verbal adjective of poiein to make (see POET (Cf. poet)). Earlier adjective was poetical (late 14c.); also … Etymology dictionary
poetic — UK [pəʊˈetɪk] / US [poʊˈetɪk] or poetical UK [pəʊˈetɪk(ə)l] / US [poʊˈetɪk(ə)l] adjective * 1) expressing ideas in a very sensitive way and with great beauty or imagination Critics are raving about Sokurov s poetic new film. 2) connected with… … English dictionary
Poetic — may refer to:* Poems, or a relation thereof. * Too Poetic, a deceased rapper and hip hop producer … Wikipedia
poetic — [adj] with rhythm and beauty; related to poetic composition anapestic, dactylic, dramatic, elegiac, epic, epical, epodic, iambic, idyllic, imaginative, lyric, lyrical, melodious, metrical, odic, rhythmical, romantic, songlike, tuneful; concept… … New thesaurus
poetic — index original (creative) Burton s Legal Thesaurus. William C. Burton. 2006 … Law dictionary
poetic — (also poetical) ► ADJECTIVE ▪ relating to or of the nature of poetry. DERIVATIVES poetically adverb … English terms dictionary
poetic — [pō et′ik] adj. [MFr poétique < L poeticus < Gr poiētikos] 1. of, characteristic of, like, or fit for a poet or poetry 2. skilled in or fond of poetry 3. written in verse 4. displaying the beauty, imaginative qualities, etc. found in good… … English World dictionary
poetic — poetically, adv. /poh et ik/, adj. Also, poetical. 1. possessing the qualities or charm of poetry: poetic descriptions of nature. 2. of or pertaining to a poet or poets. 3. characteristic of or befitting a poet: poetic feeling; poetic insight. 4 … Universalium
