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1 German American Meeting Point
American: GAMPУниверсальный русско-английский словарь > German American Meeting Point
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2 German American Partnership Program
American: GAPPУниверсальный русско-английский словарь > German American Partnership Program
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3 German-American community relations program
Military: GACRPУниверсальный русско-английский словарь > German-American community relations program
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4 German Marshall Fund
Abbreviation: GMF (non-partisan American public policy and grantmaking institution dedicated to promoting greater cooperation and understanding between the United States and Europe.)Универсальный русско-английский словарь > German Marshall Fund
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5 American Association of Teachers of German
Abbreviation: AATG (Американская ассоциация преподавателей немецкого языка (в средней и высшей школе))Универсальный русско-английский словарь > American Association of Teachers of German
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6 deutschamerikanisch
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7 Deutschamerikaner
* * *Deutsch|ame|ri|ka|ner(in)m(f)German American* * *der German-American* * ** * *der German-American -
8 американец немецкого происхождения
1) General subject: German-American hyphenate, an American of German extraction2) Makarov: American of German extractionУниверсальный русско-английский словарь > американец немецкого происхождения
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9 deutschamerikanisch
Adj. German-American* * *deutsch|ame|ri|ka|nischadjGerman-American* * *deutschamerikanisch adj German-American -
10 Deutschamerikanerin
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11 deutsch-amerikanisch
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12 американец иностранного происхождения
2) American: hyphenate (напр., Irish-American американец из ирландцев, German-American американец немецкого происхождения)3) Deprecatingly: hyphenated American (напр.: Irish-American американец ирландского происхождения и т. п.)Универсальный русско-английский словарь > американец иностранного происхождения
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13 Roebling, John Augustus
SUBJECT AREA: Civil engineering[br]b. 12 July 1806 Muhlhausen, Prussiad. 22 July 1869 Brooklyn, New York, USA[br]German/American bridge engineer and builder.[br]The son of Polycarp Roebling, a tobacconist, he studied mathematics at Dr Unger's Pedagogium in Erfurt and went on to the Royal Polytechnic Institute in Berlin, from which he graduated in 1826 with honours in civil engineering. He spent the next three years working for the Prussian government on the construction of roads and bridges. With his brother and a group of friends, he emigrated to the United States, sailing from Bremen on 23 May 1831 and docking in Philadelphia eleven weeks later. They bought 7,000 acres (2,800 hectares) in Butler County, western Pennsylvania, and established a village, at first called Germania but later known as Saxonburg. Roebling gave up trying to establish himself as a farmer and found work for the state of Pennsylvania as Assistant Engineer on the Beaver River canal and others, then surveying a railroad route across the Allegheny Mountains. During his canal work, he noted the failings of the hemp ropes that were in use at that time, and recalled having read of wire ropes in a German journal; he built a rope-walk at his Saxonburg farm, bought a supply of iron wire and trained local labour in the method of wire twisting.At this time, many canals crossed rivers by means of aqueducts. In 1844, the Pennsylvania Canal aqueduct across the Allegheny River was due to be renewed, having become unsafe. Roebling made proposals which were accepted by the canal company: seven wooden spans of 162 ft (49 m) each were supported on either side by a 7 in. (18 cm) diameter cable, Roebling himself having to devise all the machinery required for the erection. He subsequently built four more suspension aqueducts, one of which was converted to a toll bridge and was still in use a century later.In 1849 he moved to Trenton, New Jersey, where he set up a new wire rope plant. In 1851 he started the construction (completed in 1855) of an 821 ft (250 m) long suspension railroad bridge across the Niagara River, 245 ft (75 m) above the rapids; each cable consisted of 3,640 wrought iron wires. A lower deck carried road traffic. He also constructed a bridge across the Ohio River between Cincinnati and Covington, a task which was much protracted due to the Civil War; this bridge was finally completed in 1866.Roebling's crowning achievement was to have been the design and construction of the bridge over the Hudson River between Brooklyn and Staten Island, New York, but he did not live to see its completion. It had a span of 1,595 ft (486 m), designed to bear a load of 18,700 tons (19,000 tonnes) with a headroom of 135 ft (41 m). The work of building had barely started when, at the Brooklyn wharf, a boat crushed Roebling's foot against the timbering and he died of tetanus three weeks later. His son, Washington Augustus Roebling, then took charge of this great work.[br]Further ReadingD.B.Steinman and S.R.Watson, 1941, Bridges and their Builders, New York: Dover Books.D.McCullough, 1982, The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge, New York: Simon \& Schuster.IMcNBiographical history of technology > Roebling, John Augustus
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14 Stumpf, Johann
SUBJECT AREA: Steam and internal combustion engines[br]fl. c. 1900 Germany[br]German inventor of a successful design of uniflow steam engine.[br]In 1869 Stumpf was commissioned by the Pope Manufacturing Company of Hertford, Connecticut, to set up two triple-expansion, vertical, Corliss pumping engines. He tried to simplify this complicated system and started research with the internal combustion engine and the steam turbine particularly as his models. The construction of steam turbines in several stages where the steam passed through in a unidirectional flow was being pursued at that time, and Stumpf wondered whether it would be possible to raise the efficiency of a reciprocating steam engine to the same thermal level as the turbine by the use of the uniflow principle.Stumpf began to investigate these principles without studying the work of earlier pioneers like L.J. Todd, which he later thought would have led him astray. It was not until 1908, when he was Professor at the Institute of Technology in Berlin- Charlottenburg, that he patented his successful "una-flow" steam engine. In that year he took out six British patents for improvements in details on his original one Stumpf fully realized the thermal advantages of compressing the residual steam and was able to evolve systems of coping with excessive compression when starting. He also placed steam-jackets around the ends of the cylinder. Stumpf's first engine was built in 1908 by the Erste B runner Maschinenfabrik-Gesellschaft, and licences were taken out by many other manufacturers, including those in Britain and the USA. His engine was developed into the most economical type of reciprocating steam engine.[br]Bibliography1912, The Una-Flow Steam Engine, Munich: R. Oldenbourg (his own account of the una-flow engine).Further ReadingH.W.Dickinson, 1938, A Short History of the Steam Engine, Cambridge University Press; R.L.Hills, 1989, Power from Steam. A History of the Stationary Steam Engine, Cambridge University Press (both discuss Stumpf's engine).H.J.Braun, "The National Association of German-American Technologists and technology transfer between Germany and the United States, 1844–1930", History of Technology 8 (provides details of Stumpf's earlier work).RLH -
15 программа обеспечения связей между гражданскими организациями и населением ФРГ и американскими войсками
Универсальный русско-английский словарь > программа обеспечения связей между гражданскими организациями и населением ФРГ и американскими войсками
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16 Bild
n; -(e)s, -er1.a) auch TV und fig. picture;c) (Foto) photo, picture; (Schnappschuss) snap(shot); ein Bild aufnehmen oder umg. knipsen take a picture ( oder photo); hier sind Bilder von unseren Ferien here are our holiday (Am. vacation) snaps;d) in Büchern: illustration, picture2.b) (Nachbildung) effigy3. (Bühnenbild) scene; im Filmvorspann: camera; ein Trauerspiel in fünf Bildern a tragedy in five scenes; lebende Bilder Theater: tableaux (vivants), living pictures4. (Anblick) picture, sight; (Szene) scene; Bild der Zerstörung / des Grauens scene of destruction / horror; ein Bild des Jammers a picture of misery; die Stadt bot ein verändertes Bild the city’s appearance had altered considerably; ein Bild für ( die) Götter! umg., hum. that’s a sight worth seeing!5. (Vorstellung) idea, picture; eines Landes, eines Dichters etc.: image; (Schilderung) picture, description, portrait; sich (Dat) ein Bild machen von jemandem/etw. (sich vorstellen) auch visualize s.o./s.th.; von etw. (selber ansehen) see s.th. for o.s.; sich ein falsches / zu optimistisches etc. Bild machen von jemandem / etw. see s.o. / s.th. in the wrong light / too optimistically etc.; ein falsches Bild bekommen get the wrong idea ( oder impression, picture); sich ein wahres oder rechtes Bild von etw. machen oder verschaffen form a true notion of s.th.; du machst dir kein Bild ( davon) you have no idea (of it); sich ein Bild machen form an impression (in one’s mind) ( von of)6. rhetorisch: image, metaphor; (Gleichnis) simile; in Bildern sprechen oder reden use a metaphor, speak metaphorically7. fig. picture; im Bilde sein be in the picture; jetzt bin ich im Bilde now I get the picture, now I get it, I’m with you now umg.; jemanden ins Bild setzen put s.o. in the picture ( über + Akk about); kann ich dich darüber mal ins Bild setzen? auch can I fill you in on this one?* * *das Bild(Abbildung) picture; image;(Ansicht) sight; view;(Darstellung) representation;(Foto) photo;(Gemälde) painting;(Gleichnis) simile;(Metapher) metaphor* * *Bịld [bɪlt]nt -(e)s, -er['bɪldɐ]1) (lit, fig) picture; (= Fotografie) photo, picture; (FILM) frame; (ART) (= Zeichnung) drawing; (= Gemälde) painting; (CARDS) court or face (US) card, picture card (inf)ein Bild machen — to take a photo or picture
etw im Bild festhalten — to photograph/paint/draw sth as a permanent record
See:→ schwach2) (= Abbild) image; (= Spiegelbild auch) reflectionGott schuf den Menschen ihm zum Bilde (Bibl) — God created man in His own image
das äußere Bild der Stadt — the appearance of the town
5) (THEAT = Szene) sceneSee:→ lebend6) (= Metapher) metaphor, imageum mit einem or im Bild zu sprechen... — to use a metaphor...
etw mit einem Bild sagen — to say or express sth metaphorically
im Bild bleiben — to use the same metaphor
7) (= Erscheinungsbild) charactersie gehören zum Bild dieser Stadt — they are part of the scene in this town
8) (fig = Vorstellung) image, pictureüber +acc about)im Bilde sein — to be in the picture (
über +acc about)jdn ins Bild setzen — to put sb in the picture (
von jdm/etw ein Bild machen — to get an idea of sb/sth
du machst dir kein Bild davon, wie schwer das war — you've no idea or conception how hard it was
das Bild des Deutschen/Amerikaners — the image of the German/American
* * *das1) (reflection: She looked at her image in the mirror.) image2) (a painting or drawing: This is a picture of my mother.) picture3) (a photograph: I took a lot of pictures when I was on holiday.) picture* * *<-[e]s, -er>[bɪlt, pl ˈbɪldɐ]ntein \Bild malen/zeichnen to paint/draw a picture2. FOTO picture, photo[graph]ich habe noch acht \Bilder auf dem Film I've got eight photos [or exposures] left on the filmetw im \Bild festhalten to photograph sth as a record3. FILM, TV pictureetw im \Bild festhalten to capture sth on film [or canvas4. (im Spiegel) reflectiondas \Bild der Erde hat sich sehr verändert the appearance of the earth has changed greatlyvom Aussichtsturm bot sich ein herrliches \Bild there was an excellent view from the observation towerdiese riesigen Hochhäuser wären sicher keine Bereicherung für das \Bild der Stadt these skyscrapers would hardly improve the townscapedie hungernden Kinder boten ein \Bild des Elends the starving children were a pathetic [or wretched] sightuns bot sich ein \Bild der Verwüstung we were confronted with a scene of devastationin \Bildern sprechen to speak in imagesdas in dem Werk gezeichnete \Bild der Amerikaner ist sehr negativ the image of Americans in this work is very negativevon seiner zukünftigen Frau hat er schon ein genaues \Bild he already has a very good idea of what his future wife should be likeein falsches \Bild von jdm/etw bekommen to get the wrong idea [or impression] of sb/sthdu machst dir kein \Bild davon, wie schwer das war! you have [absolutely] no idea [of] how difficult it was!mit diesem Artikel rückte er sich ins \Bild he announced his arrival on the scene with this article9. KARTEN picture10.▶ [über jdn/etw] im \Bilde sein to be in the picture [about sb/sth]▶ ein \Bild von einer Frau sein to be a perfect picture [or a fine specimen] of a woman▶ ein \Bild von einem Mann sein to be a fine specimen of a man▶ jdn [über jdn/etw] ins \Bild setzen to put sb in the picture [about sb/sth]* * *das; Bild[e]s, Bilder1) picture; (in einem Buch usw.) illustration; (Spielkarte) picture or court cardein Bild [von jemandem/etwas] machen — take a picture [of somebody/something]
ein Bild von einem Mann/einer Frau sein — be a fine specimen of a man/woman; be a fine-looking man/woman
2) (Aussehen) appearance; (Anblick) sightein Bild für [die] Götter — (scherzh.) a sight for sore eyes
3) (Metapher) image; metaphor4) (Abbild) image; (SpiegelBild) reflection5) (Vorstellung) imageein falsches/merkwürdiges Bild von etwas haben — have a wrong impression/curious idea of something
sich (Dat.) ein Bild von jemandem/etwas machen — form an impression of somebody/something
6) injemanden [über etwas (Akk.)] ins Bild setzen — put somebody in the picture [about something]
[über etwas (Akk.)] im Bilde sein — be in the picture [about something]
7) (Theater) scene* * *1. auch TV und fig picture; (Gemälde) painting; (Porträt) auch portrait; (Foto) photo, picture; (Schnappschuss) snap(shot);ein Bild aufnehmen oder umghier sind Bilder von unseren Ferien here are our holiday (US vacation) snaps; in Büchern: illustration, pictureein Trauerspiel in fünf Bildern a tragedy in five scenes;lebende Bilder Theater: tableaux (vivants), living picturesBild der Zerstörung/des Grauens scene of destruction/horror;ein Bild des Jammers a picture of misery;die Stadt bot ein verändertes Bild the city’s appearance had altered considerably;ein Bild für (die) Götter! umg, hum that’s a sight worth seeing!5. (Vorstellung) idea, picture; eines Landes, eines Dichters etc: image; (Schilderung) picture, description, portrait;sich (dat)ein Bild machen von jemandem/etwas (sich vorstellen) auch visualize sb/sth; von etwas (selber ansehen) see sth for o.s.;sich ein falsches/zu optimistisches etcBild machen von jemandem/etwas see sb/sth in the wrong light/too optimistically etc;ein falsches Bild bekommen get the wrong idea ( oder impression, picture);verschaffen form a true notion of sth;du machst dir kein Bild (davon) you have no idea (of it);sich ein Bild machen form an impression (in one’s mind) (von of)reden use a metaphor, speak metaphorically7. fig picture;im Bilde sein be in the picture;jetzt bin ich im Bilde now I get the picture, now I get it, I’m with you now umg;jemanden ins Bild setzen put sb in the picture (über +akk about);kann ich dich darüber mal ins Bild setzen? auch can I fill you in on this one?* * *das; Bild[e]s, Bilder1) picture; (in einem Buch usw.) illustration; (Spielkarte) picture or court cardein Bild [von jemandem/etwas] machen — take a picture [of somebody/something]
ein Bild von einem Mann/einer Frau sein — be a fine specimen of a man/woman; be a fine-looking man/woman
2) (Aussehen) appearance; (Anblick) sightein Bild für [die] Götter — (scherzh.) a sight for sore eyes
3) (Metapher) image; metaphor4) (Abbild) image; (SpiegelBild) reflection5) (Vorstellung) imageein falsches/merkwürdiges Bild von etwas haben — have a wrong impression/curious idea of something
sich (Dat.) ein Bild von jemandem/etwas machen — form an impression of somebody/something
6) injemanden [über etwas (Akk.)] ins Bild setzen — put somebody in the picture [about something]
[über etwas (Akk.)] im Bilde sein — be in the picture [about something]
7) (Theater) scene* * *-er n.figure n.image n.picture n.tableau n. -
17 Flügge-Lotz, Irmgard
SUBJECT AREA: Aerospace[br]b. 1903 Germanyd. 1974 USA[br]German/American aeronautical engineer, specializing inflight control.[br]Both her father, a mathematician, and her mother encouraged Flügge-Lotz in her desire, unusual for a woman at that time, for a technical education. Her interest in aeronautics was awakened when she was a child, by seeing zeppelins (see Zeppelin, Ferdinand, Count von) being tested. In 1923 she entered the Technische Hochschule in Hannover to study engineering, specializing in aeronautics; she was often the only woman in the class. She obtained her doctorate in 1929 and began working in aeronautics. Two years later she derived the Lotz Method for calculating the distribution in aircraft wings of different shapes, which became widely used. Later, Flügge-Lotz took up an interest in automatic flight control of aircraft, notably of the discontinuous or "on-off" type. These were simple in design, inexpensive to manufacture and reliable in operation. By 1928 she had risen to the position of head of the Department of Theoretical Aerodynamics at Göttingen University, but she and her husband, Wilhelm Flügge, an engineering academic known for his anti-Nazi views, felt themselves increasingly discriminated against by the Hitler regime. In 1948 they emigrated to the USA, where Flügge was soon offered a professorship in engineering, while his wife had at first to make do with a lectureship. But her distinguished work eventually earned her appointment as the first woman full professor in the Engineering Department at Stanford University.She later extended her work on automatic flight control to the guidance of rockets and missiles, earning herself the description "a female Werner von Braun ".[br]Principal Honours and DistinctionsSociety of Women Engineers Achievement Award 1970. Fellow, Institution of Aeronautics and Astronautics.BibliographyFlügge-Lotz was the author of two books on automatic control and over fifty scientific papers.Further ReadingA.Stanley, 1993, Mothers and Daughters of Invention, Meruchen, NJ: Scarecrow Press, pp. 899–901.LRD -
18 Mergenthaler, Ottmar
SUBJECT AREA: Paper and printing[br]b. 11 May 1854 Hachtel, Germanyd. 28 October 1899 Baltimore, Maryland, USA[br]German/American inventor of the Linotype typesetting machine.[br]Mergenthaler came from a family of teachers, but following a mechanical bent he was apprenticed to a clockmaker. Having served his time, Mergenthaler emigrated to the USA in 1872 to avoid military service. He immediately secured work in Washington, DC, in the scientific instrument shop of August Hahl, the son of his former master. He steadily acquired a reputation for skill and ingenuity, and in 1876, when Hahl transferred his business to Baltimore, Mergenthaler went too. Soon after, they were commissioned to remedy the defects in a model of a writing machine devised by James O.Clephane of Washington. It produced print by typewriting, which was then multiplied by lithography. Mergenthaler soon corrected the defects and Clephane ordered a full-size version. This was completed in 1877 but did not work satisfactorily. Nevertheless, Mergenthaler was moved to engage in the long battle to mechanize the typesetting stage of the printing process. Clephane suggested substituting stereotyping for lithography in his device, but in spite of their keen efforts Mergenthaler and Hahl were again unsuccessful and they abandoned the project. In spare moments Mergenthaler continued his search for a typesetting machine. Late in 1883 it occurred to him to stamp matrices into type bars and to cast type metal into them in the same machine. From this idea, the Linotype machine developed and was completed by July 1884. It worked well and a patent was granted on 26 August that year, and Clephane and his associates set up the National Typographic Company of West Virginia to manufacture it. The New York Tribune ordered twelve Linotypes, and on 3 July 1886 the first of these set part of that day's issue. During the previous year the company had passed into the hands of a group of newspaper owners; increasing differences with the Board led to Mergenthaler's resignation in 1888, but he nevertheless continued to improve the machine, patenting over fifty modifications. The Linotype, together with the Monotype of Tolbert Lanston, rapidly supplanted earlier typesetting methods, and by the 1920s it reigned supreme, the former being used more for newspapers, the latter for book work.[br]Principal Honours and DistinctionsFranklin Institute John Scott Medal, Elliott Cresson Medal.Bibliography1898, Ottmar Mergenthaler and the Invention of Linotype, New York.Further ReadingJ.Moran, 1964, The Composition of Reading Matter, London.LRD -
19 Deutschamerikaner
mGerman-American -
20 Deutschamerikanerin
fGerman-American (woman/girl)
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