-
1 yield analysis pattern
YAOP, yield analysis patternEnglish-Russian dictionary of planing, cross-planing and slotting machines > yield analysis pattern
-
2 yield analysis pattern
1) Военный термин: схема анализа выпуска продукции2) Техника: реализация изображения на выходеУниверсальный англо-русский словарь > yield analysis pattern
-
3 YAP
yield analysis pattern - реализация изображения на выходе -
4 YAOP
Военный термин: yield analysis pattern -
5 YAP
1) Американизм: Yet Another Pile, Yield Analysis Pattern2) Военный термин: yaw and pitch3) Сокращение: Yap, Yeast Aspartyl Protease4) Образование: Young Autism Program, Youth Apprenticeship Program5) Аэропорты: Yap, Caroline Islands, Pacific Ocean -
6 Yap
1) Американизм: Yet Another Pile, Yield Analysis Pattern2) Военный термин: yaw and pitch3) Сокращение: Yap, Yeast Aspartyl Protease4) Образование: Young Autism Program, Youth Apprenticeship Program5) Аэропорты: Yap, Caroline Islands, Pacific Ocean -
7 yap
1) Американизм: Yet Another Pile, Yield Analysis Pattern2) Военный термин: yaw and pitch3) Сокращение: Yap, Yeast Aspartyl Protease4) Образование: Young Autism Program, Youth Apprenticeship Program5) Аэропорты: Yap, Caroline Islands, Pacific Ocean -
8 YAOP
YAOP, yield analysis patternEnglish-Russian dictionary of planing, cross-planing and slotting machines > YAOP
-
9 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
-
10 factor
1) фактор
2) сомножитель
3) факториальный
4) факторный
5) воздействие
6) коэффициент
7) соображение
8) показатель
9) условие
10) особенность
11) разлагаться на множители
12) факторизовать
13) агент
14) умножитель
– absorption factor
– aha factor
– amplification factor
– amplitude factor
– anamorphosing factor
– assymmetry factor
– audibility factor
– availability factor
– barrier factor
– blasting factor
– blocking factor
– bulk factor
– capacity factor
– circulating factor
– common factor
– compressibility factor
– constant factor
– control factor
– conversion factor
– correction factor
– coupling factor
– crest factor
– damping factor
– daylight factor
– deflection factor
– degeneration factor
– demagnetizing factor
– demand factor
– depolarizing factor
– determining factor
– dimensionless factor
– direct factor
– dissipation factor
– distortion factor
– divergence factor
– diversity factor
– dryness factor
– duty factor
– efficiency factor
– emissitivity factor
– engagement factor
– expansion factor
– exponential factor
– factor analysis
– factor group
– factor matrix
– factor module
– factor of a model
– factor of merit
– factor of subdivision
– factor out
– factor set
– factor space
– feedback factor
– field-form factor
– filter factor
– flare factor
– flicker factor
– force factor
– form factor
– fouling factor
– gage factor
– gas amplification factor
– gas factor
– gas yield factor
– general factor
– gradation factor
– gust factor
– human factor
– integrating factor
– interaction factor
– interlace factor
– klirr factor
– lamination factor
– literal factor
– load factor
– loading factor
– loss factor
– luminance factor
– mismatching factor
– modulation factor
– multiplication factor
– multiplicity factor
– multiplying factor
– noise factor
– noise factor
– normalization factor
– numerical factor
– overcorrection factor
– packing factor
– pattern-propagation factor
– penetration factor
– phase factor
– pitch factor
– power factor
– prime factor
– propagation factor
– proportionality factor
– pumping factor
– R factor
– reactance factor
– readiness factor
– rectification factor
– reduction factor
– reheat factor
– relaxation factor
– replication factor
– ripple factor
– roughness factor
– safety factor
– scale factor
– selectivity factor
– shadow factor
– shape factor
– shrinkage factor
– silt factor
– skew factor
– space factor
– stabilization factor
– stacking factor
– stadia factor
– steric factor
– strength factor
– symmetry factor
– synchronization factor
– to factor
– transition factor
– transmission factor
– transport factor
– travelling-wave factor
– turbidity factor
– twist factor
– use factor
– utilization factor
– variable factor
– variation factor
– visibility factor
– void factor
– weighting factor
– wobble factor
acoustic reduction factor — <acoust.> коэффициент звукоизоляции
base transport factor — <phys.> коэффициент переноса
circulation multiplicity factor — <engin.> кратность циркуляции
deviation reduction factor — <comput.> коэффициент уменьшения отклонения
dielectric dissipation factor — тангенс угла диэлектрических потерь
dielectric loss factor — <electr.> коэффициент диэлектрических энергопотерь
emergency outage factor — <engin.> коэффициент аварийного простоя
field form factor — <electr.> коэффициент поля
frequency force factor — <electr.> коэффициент силовой частоты
integrated house-building factor — домостроительный комбинат
nonlinear distortion factor — <electr.> клиррфактор
phase-angle correction factor — <tech.> коэффициент поправочный угловой
plane earth factor — < radio> коэффициент плоской земли
proportional control factor — <comput.> коэффициент пропорционального регулирования
pulse duty factor — <electr.> коэффициент импульсного цикла
pump modulation factor — <phys.> коэффициент модуляции активной проводимости
safety factor for dropout — <comput.> коэффициент запаса при отпускании
safety factor for pickup — <comput.> коэффициент запаса при срабатывании
spherical earth factor — < radio> коэффициент шарообразной Земли
strain sensitivity factor — <tech.> коэффициент тензочувствительности
test compression factor — <comput.> коэффициент сжатия тестов
thermal stability factor — коэффициент температурной стабильности
transverse load factor — <engin.> перегрузка поперечная
См. также в других словарях:
analysis — /euh nal euh sis/, n., pl. analyses / seez /. 1. the separating of any material or abstract entity into its constituent elements (opposed to synthesis). 2. this process as a method of studying the nature of something or of determining its… … Universalium
Applied behavior analysis — (ABA) is the science of applying experimentally derived principles of behavior to improve socially significant behavior. ABA takes what we know about behavior and uses it to bring about positive change (Applied). Behaviors are defined in… … Wikipedia
Technical analysis — Financial markets Public market Exchange Securities Bond market Fixed income Corporate bond Government bond Municipal bond … Wikipedia
Factor analysis — is a statistical method used to describe variability among observed, correlated variables in terms of a potentially lower number of unobserved, uncorrelated variables called factors. In other words, it is possible, for example, that variations in … Wikipedia
surface analysis — ▪ chemistry Introduction in analytical chemistry (chemistry), the study of that part of a solid that is in contact with a gas or a vacuum. When two phases of matter are in contact, they form an interface. The term surface is usually… … Universalium
Principal components analysis — Principal component analysis (PCA) is a vector space transform often used to reduce multidimensional data sets to lower dimensions for analysis. Depending on the field of application, it is also named the discrete Karhunen Loève transform (KLT),… … Wikipedia
Spatial analysis — In statistics, spatial analysis or spatial statistics includes any of the formal techniques which study entities using their topological, geometric, or geographic properties. The phrase properly refers to a variety of techniques, many still in… … Wikipedia
Gene chip analysis — Introduction Microarray is a powerful tool for genome analysis. It gives the global view of the genome analysis in a single experiment. Data analysis in the Microarray is a vital part as this part influences the final result. Each microarray… … Wikipedia
Amplified Ribosomal DNA Restriction Analysis — Amplified rDNA (Ribosomal DNA) Restriction Analysis is the extension of the technique of RFLP (Restriction Fragment Length Polymorphism) to the gene encoding the small (16s) ribosomal subunit of bacteria. The technique involves an enzymatic… … Wikipedia
Musical analysis — This article is about the process or academic discipline of music analysis. For the academic journal by that name, see Music Analysis (journal). Musical analysis is the attempt to answer the question how does this music work?. The method employed … Wikipedia
Seismic analysis — is a subset of structural analysis and is the calculation of the response of a building (or nonbuilding) structure to earthquakes. It is part of the process of structural design, earthquake engineering or structural assessment and retrofit (see… … Wikipedia
