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  • 21 Clark, Edward

    [br]
    fl. 1850s New York State, USA
    [br]
    American co-developer of mass-production techniques at the Singer sewing machine factory.
    [br]
    Born in upstate New York, where his father was a small manufacturer, Edward Clark attended college at Williams and graduated in 1831. He became a lawyer in New York City and from then on lived either in the city or on his rural estate near Cooperstown in upstate New York. After a series of share manipulations, Clark acquired a one-third interest in Isaac M. Singer's company. They soon bought out one of Singer's earlier partners, G.B.Zeiber, and in 1851, under the name of I.M.Singer \& Co., they set up a permanent sewing machine business with headquarters in New York.
    The success of their firm initially rested on marketing. Clark introduced door-to-door sales-people and hire-purchase for their sewing machines in 1856 ($50 cash down, or $100 with a cash payment of $5 and $3 a month thereafter). He also trained women to demonstrate to potential customers the capabilities of the Singer sewing machine. At first their sewing machines continued to be made in the traditional way, with the parts fitted together by skilled workers through hand filing and shaping so that the parts would fit only onto one machine. This resembled European practice rather than the American system of manufacture that had been pioneered in the armouries in that country. In 1856 Singer brought out their first machine intended exclusively for home use, and at the same time manufacturing capacity was improved. Through increased sales, a new factory was built in 1858–9 on Mott Street, New York, but it soon became inadequate to meet demand.
    In 1863 the Singer company was incorporated as the Singer Manufacturing Co. and began to modernize its production methods with special jigs and fixtures to help ensure uniformity. More and more specialized machinery was built for making the parts. By 1880 the factory, then at Elizabethport, New Jersey, was jammed with automatic and semi-automatic machine tools. In 1882 the factory was producing sewing machines with fully interchangeable parts that did not require hand fitting in assembly. Production rose from 810 machines in 1853 to half a million in 1880. A new family model was introduced in 1881. Clark had succeeded Singer, who died in 1875, as President of the company, but he retired in 1882 after he had seen through the change to mass production.
    [br]
    Further Reading
    National Cyclopaedia of American Biography.
    D.A.Hounshell, 1984, From the American System to Mass Production, 1800–1932. The Development of Manufacturing Technology in the United States, Baltimore (a thorough account of Clark's role in the development of Singer's factories).
    F.B.Jewell, 1975, Veteran Sewing Machines. A Collector's Guide, Newton Abbot.
    RLH

    Biographical history of technology > Clark, Edward

  • 22 Diggle, Squire

    SUBJECT AREA: Textiles
    [br]
    fl. c.1845 England
    [br]
    English inventor of a mechanized drop box for shuttles on power looms.
    [br]
    Robert Kay improved his father John's flying shuttle by inventing the drop box, in which up to four shuttles could be stored one below the other. The weaver's left hand controlled levers and catches to raise or lower the drop box in order to bring the appropriate shuttle into line with the shuttle race on the slay. The shuttle could then be driven across the loom, leaving its particular type or colour of weft. On the earliest power looms of Edmund Cartwright in 1785, and for many years later, it was possible to use only one shuttle. In 1845 Squire Diggle of Bury, Lancashire, took out a patent for mechanizing the drop box so that different types or colours of weft could be woven without the weaver attending to the shuttles. He used an endless chain on which plates of different heights could be fixed to raise the boxes to the required height; later this would be operated by either the dobby or Jacquard pattern-selecting mechanisms. He took out further patents for improvements to looms. One, in 1854, was for taking up the cloth with a positive motion. Two more, in 1858, improved his drop box mechanism: the first was for actually operating the drop box, while the second was for tappet chains which operated the timing for raising the boxes.
    [br]
    Bibliography
    1845, British patent no. 10,462 (mechanized drop box). 1854, British patent no. 1,100 (positive uptake of cloth) 1858, British patent no. 2,297 (improved drop-box operation). 1858, British patent no. 2,704 (tappet chains).
    Further Reading
    A.Barlow, 1878, The History and Principles of Weaving by Hand and by Power, London (provides drawings of Diggle's invention).
    C.Singer (ed.), 1958, A History of Technology, Vol. IV, Oxford: Clarendon Press.
    See also: Kay, John
    RLH

    Biographical history of technology > Diggle, Squire

  • 23 Judson, Whitcomb L.

    SUBJECT AREA: Textiles
    [br]
    fl. 1891–1905 USA
    [br]
    American inventor of the zip fastener.
    [br]
    Whitcomb Judson was a mechanical engineer by profession. He filed his first patent application for a zip fastener in 1891 and took out a fifth in 1905. His invention was originally designed for shoes and consisted of separate fasteners with two interlocking parts which could be fastened either by hand or by a movable guide. In his last patent, he clamped the fastening elements to the edge of a fabric tape and patented a machine for manufacturing this. Through an earlier exploit, the Judson Pneumatic Street Railway Company, Judson knew Colonel Lewis Walker, who helped him to organize the Universal Fastener Company of Chicago to manufacture these fasteners, which at first were made by hand. One machine invented by Judson proved to be too complicated, but Judson's later fasteners were easier to adapt to machine production. The original company was reorganized as the Automatic Hook and Eye Company of Hoboken, New Jersey, and the new fasteners were sold under the name "C-curity". However, the garment manufacturers would not use them at first because the fasteners had defects, such as springing open at unexpected moments. The Automatic Hook and Eye Company brought in Gideon Sundback, who improved Judson's work and made the zip fastener successful.
    [br]
    Further Reading
    J.Jewkes, D.Sawyers and R.Stillerman, 1969, The Sources of Invention, 2nd edn, London (for an account of the invention).
    I.McNeil (ed.), 1990, An Encyclopaedia of the History of Technology, London: Routledge, pp. 852–3 (provides a brief account of fastenings).
    RLH

    Biographical history of technology > Judson, Whitcomb L.

  • 24 Kay (of Bury), John

    SUBJECT AREA: Textiles
    [br]
    b. 16 July 1704 Walmersley, near Bury, Lancashire, England
    d. 1779 France
    [br]
    English inventor of the flying shuttle.
    [br]
    John Kay was the youngest of five sons of a yeoman farmer of Walmersley, near Bury, Lancashire, who died before his birth. John was apprenticed to a reedmaker, and just before he was 21 he married a daughter of John Hall of Bury and carried on his trade in that town until 1733. It is possible that his first patent, taken out in 1730, was connected with this business because it was for an engine that made mohair thread for tailors and twisted and dressed thread; such thread could have been used to bind up the reeds used in looms. He also improved the reeds by making them from metal instead of cane strips so they lasted much longer and could be made to be much finer. His next patent in 1733, was a double one. One part of it was for a batting machine to remove dust from wool by beating it with sticks, but the patent is better known for its description of the flying shuttle. Kay placed boxes to receive the shuttle at either end of the reed or sley. Across the open top of these boxes was a metal rod along which a picking peg could slide and drive the shuttle out across the loom. The pegs at each end were connected by strings to a stick that was held in the right hand of the weaver and which jerked the shuttle out of the box. The shuttle had wheels to make it "fly" across the warp more easily, and ran on a shuttle race to support and guide it. Not only was weaving speeded up, but the weaver could produce broader cloth without any aid from a second person. This invention was later adapted for the power loom. Kay moved to Colchester and entered into partnership with a baymaker named Solomon Smith and a year later was joined by William Carter of Ballingdon, Essex. His shuttle was received with considerable hostility in both Lancashire and Essex, but it was probably more his charge of 15 shillings a year for its use that roused the antagonism. From 1737 he was much involved with lawsuits to try and protect his patent, particularly the part that specified the method of winding the thread onto a fixed bobbin in the shuttle. In 1738 Kay patented a windmill for working pumps and an improved chain pump, but neither of these seems to have been successful. In 1745, with Joseph Stell of Keighley, he patented a narrow fabric loom that could be worked by power; this type may have been employed by Gartside in Manchester soon afterwards. It was probably through failure to protect his patent rights that Kay moved to France, where he arrived penniless in 1747. He went to the Dutch firm of Daniel Scalongne, woollen manufacturers, in Abbeville. The company helped him to apply for a French patent for his shuttle, but Kay wanted the exorbitant sum of £10,000. There was much discussion and eventually Kay set up a workshop in Paris, where he received a pension of 2,500 livres. However, he was to face the same problems as in England with weavers copying his shuttle without permission. In 1754 he produced two machines for making card clothing: one pierced holes in the leather, while the other cut and sharpened the wires. These were later improved by his son, Robert Kay. Kay returned to England briefly, but was back in France in 1758. He was involved with machines to card both cotton and wool and tried again to obtain support from the French Government. He was still involved with developing textile machines in 1779, when he was 75, but he must have died soon afterwards. As an inventor Kay was a genius of the first rank, but he was vain, obstinate and suspicious and was destitute of business qualities.
    [br]
    Bibliography
    1730, British patent no. 515 (machine for making mohair thread). 1733, British patent no. 542 (batting machine and flying shuttle). 1738, British patent no. 561 (pump windmill and chain pump). 1745, with Joseph Stell, British patent no. 612 (power loom).
    Further Reading
    B.Woodcroft, 1863, Brief Biographies of Inventors or Machines for the Manufacture of Textile Fabrics, London.
    J.Lord, 1903, Memoir of John Kay, (a more accurate account).
    Descriptions of his inventions may be found in A.Barlow, 1878, The History and Principles of Weaving by Hand and by Power, London; R.L. Hills, 1970, Power in the
    Industrial Revolution, Manchester; and C.Singer (ed.), 1957, A History of
    Technology, Vol. III, Oxford: Clarendon Press. The most important record, however, is in A.P.Wadsworth and J. de L. Mann, 1931, The Cotton Trade and Industrial
    Lancashire, Manchester.
    RLH

    Biographical history of technology > Kay (of Bury), John

  • 25 Knowledge

       It is indeed an opinion strangely prevailing amongst men, that houses, mountains, rivers, and, in a word, all sensible objects, have an existence, natural or real, distinct from their being perceived by the understanding. But, with how great an assurance and acquiescence soever this principle may be entertained in the world, yet whoever shall find in his heart to call it into question may, if I mistake not, perceive it to involve a manifest contradiction. For, what are the forementioned objects but things we perceive by sense? and what do we perceive besides our own ideas or sensations? and is it not plainly repugnant that any one of these, or any combination of them, should exist unperceived? (Berkeley, 1996, Pt. I, No. 4, p. 25)
       It seems to me that the only objects of the abstract sciences or of demonstration are quantity and number, and that all attempts to extend this more perfect species of knowledge beyond these bounds are mere sophistry and illusion. As the component parts of quantity and number are entirely similar, their relations become intricate and involved; and nothing can be more curious, as well as useful, than to trace, by a variety of mediums, their equality or inequality, through their different appearances.
       But as all other ideas are clearly distinct and different from each other, we can never advance farther, by our utmost scrutiny, than to observe this diversity, and, by an obvious reflection, pronounce one thing not to be another. Or if there be any difficulty in these decisions, it proceeds entirely from the undeterminate meaning of words, which is corrected by juster definitions. That the square of the hypotenuse is equal to the squares of the other two sides cannot be known, let the terms be ever so exactly defined, without a train of reasoning and enquiry. But to convince us of this proposition, that where there is no property, there can be no injustice, it is only necessary to define the terms, and explain injustice to be a violation of property. This proposition is, indeed, nothing but a more imperfect definition. It is the same case with all those pretended syllogistical reasonings, which may be found in every other branch of learning, except the sciences of quantity and number; and these may safely, I think, be pronounced the only proper objects of knowledge and demonstration. (Hume, 1975, Sec. 12, Pt. 3, pp. 163-165)
       Our knowledge springs from two fundamental sources of the mind; the first is the capacity of receiving representations (the ability to receive impressions), the second is the power to know an object through these representations (spontaneity in the production of concepts).
       Through the first, an object is given to us; through the second, the object is thought in relation to that representation.... Intuition and concepts constitute, therefore, the elements of all our knowledge, so that neither concepts without intuition in some way corresponding to them, nor intuition without concepts, can yield knowledge. Both may be either pure or empirical.... Pure intuitions or pure concepts are possible only a priori; empirical intuitions and empirical concepts only a posteriori. If the receptivity of our mind, its power of receiving representations in so far as it is in any way affected, is to be called "sensibility," then the mind's power of producing representations from itself, the spontaneity of knowledge, should be called "understanding." Our nature is so constituted that our intuitions can never be other than sensible; that is, it contains only the mode in which we are affected by objects. The faculty, on the other hand, which enables us to think the object of sensible intuition is the understanding.... Without sensibility, no object would be given to us; without understanding, no object would be thought. Thoughts without content are empty; intuitions without concepts are blind. It is therefore just as necessary to make our concepts sensible, that is, to add the object to them in intuition, as to make our intuitions intelligible, that is to bring them under concepts. These two powers or capacities cannot exchange their functions. The understanding can intuit nothing, the senses can think nothing. Only through their union can knowledge arise. (Kant, 1933, Sec. 1, Pt. 2, B74-75 [p. 92])
       Metaphysics, as a natural disposition of Reason is real, but it is also, in itself, dialectical and deceptive.... Hence to attempt to draw our principles from it, and in their employment to follow this natural but none the less fallacious illusion can never produce science, but only an empty dialectical art, in which one school may indeed outdo the other, but none can ever attain a justifiable and lasting success. In order that, as a science, it may lay claim not merely to deceptive persuasion, but to insight and conviction, a Critique of Reason must exhibit in a complete system the whole stock of conceptions a priori, arranged according to their different sources-the Sensibility, the understanding, and the Reason; it must present a complete table of these conceptions, together with their analysis and all that can be deduced from them, but more especially the possibility of synthetic knowledge a priori by means of their deduction, the principles of its use, and finally, its boundaries....
       This much is certain: he who has once tried criticism will be sickened for ever of all the dogmatic trash he was compelled to content himself with before, because his Reason, requiring something, could find nothing better for its occupation. Criticism stands to the ordinary school metaphysics exactly in the same relation as chemistry to alchemy, or as astron omy to fortune-telling astrology. I guarantee that no one who has comprehended and thought out the conclusions of criticism, even in these Prolegomena, will ever return to the old sophistical pseudo-science. He will rather look forward with a kind of pleasure to a metaphysics, certainly now within his power, which requires no more preparatory discoveries, and which alone can procure for reason permanent satisfaction. (Kant, 1891, pp. 115-116)
       Knowledge is only real and can only be set forth fully in the form of science, in the form of system. Further, a so-called fundamental proposition or first principle of philosophy, even if it is true, it is yet none the less false, just because and in so far as it is merely a fundamental proposition, merely a first principle. It is for that reason easily refuted. The refutation consists in bringing out its defective character; and it is defective because it is merely the universal, merely a principle, the beginning. If the refutation is complete and thorough, it is derived and developed from the nature of the principle itself, and not accomplished by bringing in from elsewhere other counter-assurances and chance fancies. It would be strictly the development of the principle, and thus the completion of its deficiency, were it not that it misunderstands its own purport by taking account solely of the negative aspect of what it seeks to do, and is not conscious of the positive character of its process and result. The really positive working out of the beginning is at the same time just as much the very reverse: it is a negative attitude towards the principle we start from. Negative, that is to say, in its one-sided form, which consists in being primarily immediate, a mere purpose. It may therefore be regarded as a refutation of what constitutes the basis of the system; but more correctly it should be looked at as a demonstration that the basis or principle of the system is in point of fact merely its beginning. (Hegel, 1910, pp. 21-22)
       Knowledge, action, and evaluation are essentially connected. The primary and pervasive significance of knowledge lies in its guidance of action: knowing is for the sake of doing. And action, obviously, is rooted in evaluation. For a being which did not assign comparative values, deliberate action would be pointless; and for one which did not know, it would be impossible. Conversely, only an active being could have knowledge, and only such a being could assign values to anything beyond his own feelings. A creature which did not enter into the process of reality to alter in some part the future content of it, could apprehend a world only in the sense of intuitive or esthetic contemplation; and such contemplation would not possess the significance of knowledge but only that of enjoying and suffering. (Lewis, 1946, p. 1)
       "Evolutionary epistemology" is a branch of scholarship that applies the evolutionary perspective to an understanding of how knowledge develops. Knowledge always involves getting information. The most primitive way of acquiring it is through the sense of touch: amoebas and other simple organisms know what happens around them only if they can feel it with their "skins." The knowledge such an organism can have is strictly about what is in its immediate vicinity. After a huge jump in evolution, organisms learned to find out what was going on at a distance from them, without having to actually feel the environment. This jump involved the development of sense organs for processing information that was farther away. For a long time, the most important sources of knowledge were the nose, the eyes, and the ears. The next big advance occurred when organisms developed memory. Now information no longer needed to be present at all, and the animal could recall events and outcomes that happened in the past. Each one of these steps in the evolution of knowledge added important survival advantages to the species that was equipped to use it.
       Then, with the appearance in evolution of humans, an entirely new way of acquiring information developed. Up to this point, the processing of information was entirely intrasomatic.... But when speech appeared (and even more powerfully with the invention of writing), information processing became extrasomatic. After that point knowledge did not have to be stored in the genes, or in the memory traces of the brain; it could be passed on from one person to another through words, or it could be written down and stored on a permanent substance like stone, paper, or silicon chips-in any case, outside the fragile and impermanent nervous system. (Csikszentmihalyi, 1993, pp. 56-57)

    Historical dictionary of quotations in cognitive science > Knowledge

  • 26 Paso

    AKWET-LONGYI, or PASO (Indian term)
    Check fabrics, plain weave, hand woven (see Longyi and Paso) ————————
    KYUDAYAN LONGYI, or PASO
    Fabric with square or diamond patterns as in mat weaving, either obtained in plain weaves by using one weft of each colour when it is called Bala Kyudayan or in twill or satin weaves by predominance or warp over weft and vice versa as in counter-change patterns. ———————— A cotton cloth woven in Burma for use as a loin cloth, 40-in. to 44-in. wide and about 8 yards long. Woven in many designs and each style is given a name. The qualities are also numerous.

    Dictionary of the English textile terms > Paso

  • 27 Garnett Machine

    A machine for opening hard-twisted woollen, worsted, cotton and silk wastes; also for use in succession to the rag-tearing machine in further opening the material and preparing it for the subsequent process of carding. The machines are made ' with one, two, three or more swifts, with self-contained component parts, while the back and front parts of the machine are detachable and can be moved away on rails. The material is fed to the machine either by hand or through an automatic feeder, and after passing between feed rollers is subjected to the first opening process by encountering the teeth or " Garnett " clothing on a licker-in roller. The points of this clothing pass through the material held by the feed rollers, and carry forward any loose fibres liberated from their grip. Continuing its course through the machine the material is carried on to the first large cylinder or swift, which is also covered with " Garnett " clothing, the points of which are keener than those on the licker-in roller.

    Dictionary of the English textile terms > Garnett Machine

См. также в других словарях:

  • either — [ē′thər, ī′thər] adj. [ME < OE æghwæther < a (æ), always (see AY) + gehwæther, each of two (see WHETHER): akin to, and of same formation as, OHG eogihwedar] 1. one or the other (of two) [use either hand] 2. each (of two); the one and the… …   English World dictionary

  • hand — hand1 W1S1 [hænd] n ↑finger, ↑fingernail, ↑thumb ▬▬▬▬▬▬▬ 1¦(part of body)¦ 2¦(help)¦ 3¦(control)¦ 4 get out of hand 5 on the other hand 6 hands off 7 in hand …   Dictionary of contemporary English

  • Hand evaluation — In contract bridge, various bidding systems have been devised to enable partners to describe their hands to each other so that they may reach the optimum contract. A key initial part of this process is that players evaluate their hands; this… …   Wikipedia

  • either — ei|ther [ iðər ] function word, quantifier *** Either can be used in the following ways: in the expression either...or: Students could choose either French or Spanish. You can either come by bus or take a taxi. as a determiner (followed by a… …   Usage of the words and phrases in modern English

  • either */*/*/ — UK [ˈaɪðə(r)] / US [ˈɪðər] adverb, determiner, pronoun Summary: Either can be used in the following ways: in the expression either ... or: Students could choose either French or Spanish. ♦ You can either come by bus or take a taxi. as a… …   English dictionary

  • either — /ee dheuhr, uy dheuhr/, adj. 1. one or the other of two: You may sit at either end of the table. 2. each of two; the one and the other: There are trees on either side of the river. pron. 3. one or the other: There are two roads into the town, and …   Universalium

  • either*/*/*/ — [ˈaɪðə] grammar word summary: Either can be: ■ a conjunction: Students could choose either French or Spanish. ♦ You can either come by bus or take a taxi. ■ a pronoun: You could have fish or chicken, but I don t like either. ♦ Does either of you… …   Dictionary for writing and speaking English

  • hand — handlike, adj. /hand/, n. 1. the terminal, prehensile part of the upper limb in humans and other primates, consisting of the wrist, metacarpal area, fingers, and thumb. 2. the corresponding part of the forelimb in any of the higher vertebrates. 3 …   Universalium

  • Hand-knitting — is a special case of knitting, in which the knitted fabric is produced by hand.Flat and circular knittingWeft knit fabrics can be divided into two types: those that have selvages (side edges) and those that are tubes, where the side edges have… …   Wikipedia

  • Hand washing with soap — is the act of cleansing the hands with soap for the sanitary purpose of removing soil and/or microorganisms.October 15 has been appointed to become Global Handwashing Day in accordance with year 2008 as the International Year of Sanitation by the …   Wikipedia

  • Hand — (h[a^]nd), n. [AS. hand, hond; akin to D., G., & Sw. hand, OHG. hant, Dan. haand, Icel. h[ o]nd, Goth. handus, and perh. to Goth. hin[thorn]an to seize (in comp.). Cf. {Hunt}.] 1. That part of the fore limb below the forearm or wrist in man and… …   The Collaborative International Dictionary of English

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