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sullivan,+louis

  • 1 Sullivan, Louis Henry

    [br]
    b. 3 September 1856 Boston, Massachusetts, USA
    d. 14 April 1924 Chicago, Illinois, USA
    [br]
    American architect whose work came to be known as the "Chicago School of Architecture" and who created a new style of architecture suited specifically to steel-frame, high-rise structures.
    [br]
    Sullivan, a Bostonian, studied at the Massachusetts Institute of Technology. Soon he joined his parents, who had moved to Chicago, and worked for a while in the office of William Le Baron Jenney, the pioneer of steel-frame construction. After spending some time studying at the Ecole des Beaux Arts in Paris, in 1875 Sullivan returned to Chicago, where he later met and worked for the Danish architect Dankmar Adler, who was practising there. In 1881 the two architects became partners, and during the succeeding fifteen years they produced their finest work and the buildings for which Sullivan is especially known.
    During the early 1880s in Chicago, load-bearing, metal-framework structures that made lofty skyscrapers possible had been developed (see Jenney and Holabird). Louis H.Sullivan initiated building design to stress and complement the metal structure rather than hide it. Moving onwards from H.H.Richardson's treatment of his Marshall Field Wholesale Store in Chicago, Sullivan took the concept several stages further. His first outstanding work, built with Adler in 1886–9, was the Auditorium Building in Chicago. The exterior, in particular, was derived largely from Richardson's Field Store, and the building—now restored—is of bold but simple design, massively built in granite and stone, its form stressing the structure beneath. The architects' reputation was established with this building.
    The firm of Sullivan \& Adler established itself during the early 1890s, when they built their most famous skyscrapers. Adler was largely responsible for the structure, the acoustics and function, while Sullivan was responsible for the architectural design, concerning himself particularly with the limitation and careful handling of ornament. In 1892 he published his ideas in Ornament in Architecture, where he preached restraint in its quality and disposition. He established himself as a master of design in the building itself, producing a rhythmic simplicity of form, closely related to the structural shape beneath. The two great examples of this successful approach were the Wainwright Building in St Louis, Missouri (1890–1) and the Guaranty Building in Buffalo, New York (1894–5). The Wainwright Building was a ten-storeyed structure built in stone and brick and decorated with terracotta. The vertical line was stressed throughout but especially at the corners, where pilasters were wider. These rose unbroken to an Art Nouveau type of decorative frieze and a deeply projecting cornice above. The thirteen-storeyed Guaranty Building is Sullivan's masterpiece, a simple, bold, finely proportioned and essentially modern structure. The pilaster verticals are even more boldly stressed and decoration is at a minimum. In the twentieth century the almost free-standing supporting pillars on the ground floor have come to be called pilotis. As late as the 1920s, particularly in New York, the architectural style and decoration of skyscrapers remained traditionally eclectic, based chiefly upon Gothic or classical forms; in view of this, Sullivan's Guaranty Building was far ahead of its time.
    [br]
    Bibliography
    Article by Louis H.Sullivan. Address delivered to architectural students June 1899, published in Canadian Architecture Vol. 18(7):52–3.
    Further Reading
    Hugh Morrison, 1962, Louis Sullivan: Prophet of Modern Architecture.
    Willard Connely, 1961, Louis Sullivan as He Lived, New York: Horizon Press.
    DY

    Biographical history of technology > Sullivan, Louis Henry

  • 2 Sullivan, Louis Henry

    (1856-1924) Салливан, Луис Генри
    Архитектор. В 1881 принял участие в создании театра "Аудиториум" [Auditorium Theater] в Чикаго. В этот период одним из его учеников был Фрэнк Л. Райт [ Wright, Frank Lloyd]. В 1890 создал здание Уэйнрайт-билдинг [Wainwright Building] в Сент-Луисе, фактически первый небоскреб [ skyscraper], и ряд других зданий. Основатель Чикагской школы в архитектуре, провозгласил принцип "форма вытекает из функции" [form follows function]

    English-Russian dictionary of regional studies > Sullivan, Louis Henry

  • 3 Sullivan, Louis Henry

    Салливан, Луис Генри (18561924), архитектор. Работал в Чикаго, автор проектов небоскрёбов, среди которых Уэйнрайт-билдинг [Wainwright Building]

    США. Лингвострановедческий англо-русский словарь > Sullivan, Louis Henry

  • 4 Louis Sullivan

    m.
    Louis Sullivan, Louis Henri Sullivan.

    Spanish-English dictionary > Louis Sullivan

  • 5 Sullivan

    m.
    1 Sullivan, Arthur Seymour Sullivan.
    2 Sullivan, Anne Mansfield Sullivan.
    3 Sullivan, Edward Vincent Sullivan.
    4 Sullivan, Harry Stack Sullivan.
    5 Sullivan, Louis Henri Sullivan.

    Spanish-English dictionary > Sullivan

  • 6 King, Louis

    1898-1962
       Hermano menor de Henry King y, a la larga, mucho menos relevante que el, nacio tambien en Chris tianburg. Empieza a dirigir en 1921. A comienzos del sonoro se ocupa de las versiones espanolas de peliculas de la Fox, con un tal Luis Alonso, que despues seria famoso con el nombre de Gilbert Roland. De los 38 westerns que se le acreditan, 21 son mudos. En la actualidad, los filmes de Louis King, que ceso en su actividad de cineasta en 1959 despues de algunas realizaciones para television, apenas se ven, ni en la pantalla grande ni en la pequena.
        The Lone Rider (Trabajando por su cuenta). 1930. 61 minutos. Blanco y Negro. Beverly Productions (Columbia). Buck Jones, Vera Reynolds
        Shadow Ranch (El rancho sombrio). 1930. 64 minutos. Blanco y Negro. Beverly Productions (Columbia). Buck Jones, Marguerite De La Motte.
        Men without Law. 1930. 65 minutos. Blanco y Negro. Beverly Productions (Columbia). Buck Jones, Carmelita Geraghty, Lydia Knott.
        Desert Vengeance (La venganza del desierto). 1931. 59 minutos. Blanco y Negro. Beverly Productions/Columbia. Buck Jones, Barbara Bedford.
        The Fighting Sheriff. 1931. 67 minutos. Blanco y Negro. Beverly Pro duc - tions/Columbia. Buck Jones, Loretta Sayers.
        Border Law. 1931. 63 min. B y N. Columbia. Buck Jones, Lupita Tovar.
        Arm of the Law (Reporter criminalista). 1932. 60 minutos. Blanco y Negro. Monogram. Rex Bell, Lina Basquette, Marceline Day.
        Robbers’ Roost (La cueva de los bandidos) (co-d.: David Howard). 1933. 64 minutos. Blanco y Negro. Fox. George O’Brien, Maureen O’Sullivan.
        Life in the Raw (Vida azarosa). 1933. 62 minutos. Blanco y Negro. Fox. George O’Brien, Claire Trevor.
        Song of the Saddle (El destino vengador). 1936. 58 minutos. Blanco y Negro. WB. Dick Foran, Alma Lloyd.
        Green Grass of Wyoming. 1948. 89 minutos. Technicolor. Fox. Peggy Cummings, Charles Coburn.
        Sand. 1949. 78 minutos. Technicolor. Fox. Mark Stevens, Coleen Gray, Rory Calhoun.
        Frenchie. 1950. 81 minutos. Technicolor. Universal. Joel McCrea, Shelley Winters, Paul Kelly.
        Mrs. Mike. 1949. 99 minutos. Blanco y Negro. UA. Dick Powell, Evelyn Keyes, Angela Clarke.
        The Lion and the Horse. 1952. 83 minutos. Warnercolor. WB. Steve Cochran, Ray Teal, Bob Steele.
        Powder River. 1953. 78 minutos. Technicolor. Fox. Rory Calhoun, Corinne Calvet, Cameron Mitchell.
        Massacre (La carga de los rurales). 1956. 76 minutos. Anscocolor. Lip - pert/Fox. Dane Clark, James Craig, Martha Roth.

    English-Spanish dictionary of western films > King, Louis

  • 7 Adler, Dankmar

    (1844-1900) Адлер, Данкмар
    Архитектор и инженер. Вместе с Л. Салливаном [ Sullivan, Louis Henry] создатель ряда зданий в Чикаго и других городах: известного своей акустикой Центрального концертного зала [Central Music Hall], театра "Аудиториум" [Auditorium Theater], павильона транспорта [Transportation Building] на Всемирной Колумбовой выставке [ World's Columbian Exposition] 1893, здания Гейджа [Gage Building] в Чикаго; первого в мире небоскреба [ skyscraper] "Уэйнрайт билдинг" [Wainwright Building] в Сент-Луисе (1890) и других. Пионер применения стальных несущих конструкций высотного здания

    English-Russian dictionary of regional studies > Adler, Dankmar

  • 8 Auditorium Theatre

    Театр «Аудитория» (в Чикаго, штат Иллинойс). Здание построено по проекту знаменитого архитектора Луиса Салливана [Sullivan, Louis]

    США. Лингвострановедческий англо-русский словарь > Auditorium Theatre

  • 9 Architecture and building

    Biographical history of technology > Architecture and building

  • 10 Loos, Adolf

    [br]
    b. 10 December 1870 Brno, Moravia (now in the Czech Republic)
    d. 23 August 1933 Vienna, Austria
    [br]
    Austrian architect who was one of the earliest pioneers of the modern school in Europe.
    [br]
    Loos was the son of a sculptor and trained as a mason before studying architecture at Dresden College of Technology between 1890 and 1893. He then spent three years in America in such diverse areas as New York, Chicago, Philadelphia and St Louis. He became a devotee of America and of building there, and he was particularly impressed by the work of Louis Sullivan. He returned to Austria in 1896 and set up practice in Vienna. His early work there was in line with the current Sezessionist mode, but he quickly came to disassociate himself from this trend and increasingly insisted upon very plain and functionalist designs: by 1908 he is quoted as saying that "the evolution of culture marches with the elimination of ornament from useful objects". By this time Loos had become the pace-setter for modern ideas and was designing houses constructed from modern materials in as severe and cubic a style as Le Corbusier (Charles-Edouard Jeanneret) was soon to do. Adolf Loos made many designs, but only a small proportion were translated into building. Of his notable interiors the Kartner Bau (1907) in Vienna had pride of place, while his Steiner Haus (1910) there is regarded as the earliest truly modern house in Europe. Cubic in form and with simplified fenestration, this was the forerunner of inter-war architecture. In 1920 Loos was appointed Chief Housing Architect for Vienna, but he resigned two years later. He spent some time in Paris mixing with avant-garde artists and architects and lectured for a time at the Sorbonne. His last commissions, after he had returned to Vienna in 1928, included some of his best work, notably the Muller House (1930) in Prague.
    [br]
    Further Reading
    Benedetto Gravagnuolo, 1982, Adolf Loos: Theory and Works, Milan: Idea Books.
    ——1986, The Architecture of Adolf Loos, Arts Council Exhibition Book (with a Foreword by Sir John Summerson).
    L.Munz and G.Kunstet, 1964, Der Architekt Adolf Loos, Vienna and Munich: Anton Schroll.
    DY

    Biographical history of technology > Loos, Adolf

  • 11 Howard, David

    1896-1941
       La verdadera carrera profesional de David Howard empieza con El valle de las sorpresas, primera de sus colaboraciones con el actor George O’Brien, de cuya filmografia se responsabilizara casi en su totalidad, en la Fox y luego en RKO. Llega a la direccion desde el escalon inferior de ayudante de direccion. Dirige, sobre todo, westerns, sin desviarse de los criterios imperantes en el genero en los anos treinta: peliculas de una hora de duracion, aproximadamente, interpretadas por alguna de las estrellas del western de serie B. En este caso, el privilegiado, como se ha dicho, es George O’Brien.
        El ultimo de los Vargas. 1930. 61 minutos. Blanco y negro. Fox. George J. Lewis, Luana Alcaniz.
        La gran jornada. Version en espanol de The Big Trail, pelicula dirigida por Raoul Walsh. Interpretada por George J. Lewis y Carmen Guerrero.
        The Rainbow Trail (El valle de las sorpresas). 1932. 60 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.
        Mystery Ranch (La hacienda misteriosa). 1932. 56 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.
        The Golden West (El dorado Oeste). 1932. 74 minutos. Blanco y Negro. Fox. George O’Brien, Janet Chandler.
        Robbers’ Roost (La cueva de los bandidos) (co-d.: Louis King). 1933. 64 minutos. Blanco y Negro. Fox. George O’Brien, Maureen O’Sullivan.
        Smoke Lightning (Justa retribucion). 1933. 63 minutos. Blanco y Negro. Fox. George O’Brien, Nell O’Day.
        In Old Santa Fe (En un rancho de Santa Fe). 1934. 64 minutos. Blanco y Negro. Mascot. Ken Maynard, Evalyn Knapp, George Hayes, Gene Autry, Smiley Burnette.
        Whispering Smith Speaks. 1935. 65 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.
        Thunder Mountain (El monte atronador). 1935. 1968 minutos. Blanco y Negro. Fox. George O’Brien, Barbara Fritchie.
        O’Malley of the Mounted. 1936. 59 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.
        The Mine with the Iron Door. 1936. 66 minutos. Blanco y Negro. Columbia. Richard Arlen, Cecilia Parker.
        The Border Patrolman. 1936. 60 minutos. Blanco y Negro. Fox. George O’Brien, Polly Ann Young.
        Daniel Boone. 1936. 77 minutos. Blanco y Negro. RKO. George O’Brien, Heather Angel.
        Park Avenue Logger. 1937. 67 minutos. Blanco y Negro. RKO. George O’Brien, Beatrice Roberts, Ward Bond.
        Gun Law. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Oehmen.
        Border G-Man. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.
        The Painted Desert. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day, Fred Kohler.
        The Renegade Ranger. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Hayworth, Tim Holt.
        Lawless Valley. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Kay Sutton, Fred Kohler.
        Arizona Legion. 1939. 58 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.
        Trouble in Sundown. 1939. 60 minutos. Blanco y Negro. RKO. George O’Brien, Cy Kendall, Rosalind Keith, Ward Bond.
        Timber Stampede. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Marjorie Reynolds, Chill Wills.
        The Marshal of Mesa City. 1939. 63 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.
        The Fighting Gringo. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Lupita Tovar.
        Legion of the Lawless. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.
        Bullet Code. 1940. 58 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.
        Prairie Law. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.
        Triple Justice. 1940. 66 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.
        Six-Gun Gold. 1941. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ray Whitley, Jan Clayton, Lee “Lasses” White.
        Dude Cowboy. 1941. 59 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Reynolds, Ray Whitley, Lee “Lasses” White.

    English-Spanish dictionary of western films > Howard, David

  • 12 Mayer, Gerald

    1919-2001
       Sobrino del magnate de Metro-Goldwyn-Mayer Louis B. Mayer, es, sobre todo, director de series y telefilmes para la pequena pantalla, como Nero Wolfe, Mision: Impossible, o Lou Grant. Junto a ellos, unos pocos largometrajes, de calidad media.
        Inside Straight. 1951. 87 minutos. Blanco y Negro. MGM. Arlene Dahl, Barry Sullivan, David Brian, Mercedes McCambridge.
        The Marauders. 1955. 80 minutos. Eastmancolor. MGM. Dan Duryea, Jeff Richards, Jarma Lewis.

    English-Spanish dictionary of western films > Mayer, Gerald

  • 13 Gilbert, Cass

    [br]
    b. 24 November 1859 Zanesville, Ohio, USA
    d. 17 May 1934 Brockenhurst, Hampshire, England
    [br]
    American architect who designed a variety of high-quality, large-scale public buildings in eclectic mode.
    [br]
    Gilbert travelled widely in Europe before returning to the USA to join the well-known firm of McKim, Mead \& White, for whom he designed the Minnesota State Capitol at Saint Paul (1896–1903). This building, like the majority of Gilbert's work, was in classical form, the great dome modelled on that of Saint Peter's Basilica in Rome. Other designs, on similar classical themes, included his large US Customs House in New York (1907). The structure for which Gilbert is best known, however, was an adaptation of French Gothic style to a sixty-storeyed skyscraper. This was the Woolworth Building, an office tower of romantic silhouette in downtown New York (1913). In contra-distinction to the high-rise designs of Louis Sullivan, who broke new ground in relating the design of the building to the verticality of the structure, Gilbert continued the skyscraper pattern of earlier years by clothing the steel structure in eclectic manner unrelated to the form beneath. The result, if backward-looking, is an elegant, attractive and familiar part of the New York skyline.
    [br]
    Further Reading
    W.H.Jordy, 1976, American Buildings and their Architects, Vol. 3, Garden City, New York: Anchor.
    W.Weisman, 1970, The Rise of American Architecture, New York: Praeger.
    DY

    Biographical history of technology > Gilbert, Cass

  • 14 Jenney, William Le Baron

    [br]
    b. 25 September 1832 Fairhaven, Massachusetts, USA
    d. 15 June 1907 Los Angeles, California, USA
    [br]
    American architect and engineer who pioneered a method of steel-framed construction that made the skyscraper possible.
    [br]
    Jenney's Home Insurance Building in Chicago was completed in 1885 but demolished in 1931. It was the first building to rise above ten to twelve storeys and was possible because it did not require immensely thick walls on the lower storeys to carry the weight above. Using square-sectioned cast-iron wall piers, hollow cylindrical cast-iron columns on the interior and, across these, steel and cast-iron beams and girders, Jenney produced a load-bearing metal framework independent of the curtain walling. Beams and girders were united by ties as well as being bolted to the vertical members, so providing a strong framework to take the building load. Jenney went on to build in Chicago the Second Leiter Building (1889–91) and, in 1891, the Manhattan Building. He played a considerable part in the planning of the 1893 Chicago World's Fair. Jenney is accepted as having been the founder of the Chicago school of architecture, and he trained many of the later noted architects and builders of the city, such as William Holabird, Martin Roche and Louis Sullivan.
    [br]
    Further Reading
    A.Woltersdorf, 1924, "The father of the skeleton frame building", Western Architecture 33.
    F.A.Randall, 1949, History of the Development of Building Construction in Chicago, Urbana: University of Illinois Press.
    C.Condit, 1964, The Chicago School of Architecture: A History of Commercial and Public Building in the Chicago Area 1875–1925, Chicago: University of Chicago Press.
    DY

    Biographical history of technology > Jenney, William Le Baron

  • 15 Johnston, William J.

    [br]
    fl. mid-nineteenth century Philadelphia, Pennsylvania, USA
    [br]
    American architect who was one of the pioneers during the mid-nineteenth century of metal framing for commercial building structures.
    [br]
    The Jayne Building, erected in Philadelphia in 1849–50, was begun by Johnston and completed by Thomas U. Walter, architect of the iron dome of the Washington Capitol. The seven-storey Philadelphia Building was iron-framed and clad in granite, and Johnston introduced a vertical type of architectural design reflecting the metal structural form beneath—a format later taken up for taller, skyscraper buildings by Louis Sullivan —but here the upper storey was eclectic, using Gothic tracery. The building was later demolished.
    [br]
    Further Reading
    H.Russell-Hitchcock, 1958, Architecture: 19th and 20th Centuries, London: Penguin, Pelican History of Art series, 333.
    N.Pevsner, 1975, Pioneers of Modern Design, London: Penguin, 24–25.
    Society of Architectural Historians of Great Britain: Vol. 9, Ante-Bellum Skyscraper, and Vol. 10, The Jayne Building Again.
    DY

    Biographical history of technology > Johnston, William J.

  • 16 Perret, Auguste

    [br]
    b. 12 February 1874 Ixelles, near Brussels, Belgium
    d. 26 February 1954 Le Havre (?), France
    [br]
    French architect who pioneered and established building design in reinforced concrete in a style suited to the modern movement.
    [br]
    Auguste Perret belonged to the family contracting firm of A. \& G.Perret, which early specialized in the use of reinforced concrete. His eight-storey building at 25 bis Rue Franklin in Paris, built in 1902–3, was the first example of frame construction in this material and established its viability for structural design. Both ground plan and façade are uncompromisingly modern, the simplicity of the latter being relieved by unobtrusive faience decoration. The two upper floors, which are set back, and the open terrace roof garden set a pattern for future schemes. All of Perret's buildings had reinforced-concrete structures and this was clearly delineated on the façade designs. The concept was uncommon in Europe at the time, when eclecticism still largely ruled, but was derived from the late nineteenth-century skyscraper façades built by Louis Sullivan in America. In 1905–6 came Perret's Garage Ponthieu in Paris; a striking example of exposed concrete, it had a central façade window glazed in modern design in rich colours. By the 1920s ferroconcrete was in more common use, but Perret still led the field in France with his imaginative, bold use of the material. His most original structure is the Church of Notre Dame at Le Raincy on the outskirts of Paris (1922–3). The imposing exterior with its tall tower in diminishing stages is finely designed, but the interior has magnificence. It is a wide, light church, the segmented vaulted roof supported on slender columns. The whole structure is in concrete apart from the glass window panels, which extend the full height of the walls all around the church. They provide a symphony of colour culminating in deep blue behind the altar. Because of the slenderness of the columns and the richness of the glass, this church possesses a spiritual atmosphere and unimpeded sight and sound of and from the altar for everyone. It became the prototype for churches all over Europe for decades, from Moser in prewar Switzerland to Spence's postwar Coventry Cathedral.
    In a long working life Perret designed buildings for a wide range of purposes, adhering to his preference for ferroconcrete and adapting its use according to each building's needs. In the 1940s he was responsible for the railway station at Amiens, the Atomic Centre at Saclay and, one of his last important works, the redevelopment after wartime damage of the town centre of Le Havre. For the latter, he laid out large open squares enclosed by prefabricated units, which display a certain monotony, despite the imposing town hall and Church of St Joseph in the Place de L'Hôtel de Ville.
    [br]
    Principal Honours and Distinctions
    President des Réunions Internationales des Architectes. American Society of the French Legion of Honour Gold Medal 1950. Elected after the Second World War to the Institut de France. First President of the International Union of Architects on its creation in 1948. RIBA Royal Gold Medal 1948.
    Further Reading
    P.Blater, 1939, "Work of the architect A.Perret", Architektura SSSR (Moscow) 7:57 (illustrated article).
    1848 "Auguste Perret: a pioneer in reinforced concrete", Civil Engineers' Review, pp.
    296–300.
    Peter Collins, 1959, Concrete: The Vision of a New Architecture: A Study of Auguste Perret and his Precursors, Faber \& Faber.
    Marcel Zahar, 1959, D'Une Doctrine d'Architecture: Auguste Perret, Paris: Vincent Fréal.
    DY

    Biographical history of technology > Perret, Auguste

  • 17 Funktionalismus

    architekturtheoretischer Denkansatz, nach dem die Architekturgestalt allein aus der Funktion begründet wird. "Form follows function", ein fälschlich dem Architekten Louis Sullivan zugeschriebener Ausspruch, war die Devise der Funktionalisten.

    Erläuterung wichtiger Begriffe des Bauwesens mit Abbildungen > Funktionalismus

См. также в других словарях:

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  • Sullivan, Louis — ▪ American architect Introduction in full  Louis Henry Sullivan  born September 3, 1856, Boston, Massachusetts, U.S. died April 14, 1924, Chicago, Illinois  American architect, regarded as the spiritual father of modern American architecture… …   Universalium

  • SULLIVAN, Louis — (1856 1924)    One of the prominent members of the Chicago School, Louis Sullivan was instrumental in establishing what is considered the most innovative building type in the United States: the skyscraper. Sullivan was born in Boston and trained… …   Historical Dictionary of Architecture

  • Sullivan, Louis H(enry) — born Sept. 3, 1856, Boston, Mass., U.S. died April 14, 1924, Chicago, Ill. U.S. architect, the father of modern U.S. architecture. Sullivan was accepted at the École des Beaux Arts in Paris but was a restless student. After working for several… …   Universalium

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  • Sullivan, Louis Henry — ► (1856 1924) Arquitecto estadounidense. Fue uno de los primeros constructores de rascacielos. Autor del Auditorium Building de Chicago …   Enciclopedia Universal

  • Louis Henri Sullivan — Louis H. Sullivan Louis Henri Sullivan (* 3. September 1856 in Boston, Massachusetts; † 14. April 1924 in Chicago) war ein US amerikanischer Architekt. Inhaltsverzeichnis …   Deutsch Wikipedia

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  • Louis Sullivan — Louis H. Sullivan Louis Henri Sullivan (* 3. September 1856 in Boston, Massachusetts; † 14. April 1924 in Chicago, Illinois) war ein US amerikanischer Architekt. Inhaltsverzeichnis …   Deutsch Wikipedia

  • Louis Henry Sullivan — Louis Sullivan  Cet article concerne l architecte. Pour le médecin et homme politique, voir Louis Wade Sullivan. Pour les homonymes, voir Sullivan. . Louis Sullivan …   Wikipédia en Français

  • Louis Sullivan — Louis Sullivan. Louis Henry Sullivan (3 de septiembre de 1856–14 de abril de 1924) fue un arquitecto estadounidense de la Escuela de Chicago (1870 1893). Formó sociedad con Dankmar Adler y comenzó una corriente que será base de la arquitectura… …   Wikipedia Español

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