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1 film
m (G filmu) 1. (w kinie) film, movie US- filmy dla dzieci children’s films- film tylko dla dorosłych an adult a. adults only film- film o ptakach a film about birds- oglądać film w telewizji to watch a film on TV- nakręcić film to shoot a. make a film- występować w filmie to appear in a film- jako dziecko często występowała w filmach she was a child actress- jego ostatni film właśnie wchodzi na ekrany his latest film has just been released- prawie we wszystkich kinach grają teraz filmy sensacyjne thrillers are playing in almost every cinema at the moment- pójść do kina na film to go to (see) a film- zaprosić kogoś na film to invite sb to the cinema2. sgt (kinematografia) the cinema, the movies US, film U- francuska szkoła filmu French cinema- interesować się filmem to be interested in film a. (the) cinema3. (klisza) film U- włożyć nowy film do aparatu to put a new roll of film in(to) one’s camera- rolka filmu a roll of film- oddać film do wywołania to have some film developed- film barwny colour film- film negatywowy (photographic) film4. (taśma filmowa) film- film się zerwał w połowie pokazu the film broke in the middle of the screening5. (warstwa ochrona) film- ścianki rury pokryte są cienkim filmem the pipe is coated inside with a thin film- □ film akcji Kino action film- film autorski Kino auteur(ist) film- film dokumentalny Kino documentary- film drogi Kino road film- film edukacyjny Kino educational film- film epicki Kino epic (film)- film fabularny feature (film)- film grozy Kino horror (film)- film historyczny Kino historical film- film kostiumowy Kino costume drama- film krótkometrażowy Kino short (subject)- film kryminalny Kino detective a. gangster film- film muzyczny Kino musical film- film niemy Kino silent (film)- film nowelowy Kino episodic film- film obyczajowy Kino drama- film paradokumentalny Kino semidocumentary (film)- film płaszcza i szpady Kino costume adventure (film)- film przygodowy Kino adventure film- film przyrodniczy Kino documentary a. nature film- film rodzinny Kino family film- film stereoskopowy Fot. stereoscopic film- film telewizyjny Kino film made for television- film średniometrażowy Kino medium-length film■ film mu/mi się urwał pot. he/I got completely a. totally blotto* * *film; ( fabularny) (feature) film; ( dokumentalny) documentary (film); ( kinematografia) film (BRIT) lub movie (US) industryfilm animowany lub rysunkowy — (animated) cartoon
* * *mi1. ( utwór kinematograficzny) movie, film, motion picture; film fabularny feature film; film dźwiękowy movie with sound; film niemy silent film; film pełnometrażowy (full-length) feature film; film krótkometrażowy short film; film kostiumowy costume drama; film dokumentalny documentary (film); film reklamowy promotional film, infomercial; film rysunkowy (animated) cartoon, animated film; film panoramiczny wide-screen film; film animowany animated film; nakręcić film make l. shoot a film; (= kinematografia) film, cinematography; pot. the movies; szkoła filmu film school.2. fot. (= taśma, błona) film; film barwny/kolorowy color film; film czarno-biały black and white film; prześwietlić film expose film; film się komuś urwał pot. sb blacked out.The New English-Polish, Polish-English Kościuszko foundation dictionary > film
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2 üçboyutlu film
stereoscopic film -
3 стереоскопический фильм
Русско-английский политехнический словарь > стереоскопический фильм
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4 стереофильм
1) Engineering: stereofilm, stereoscopic film (кино), stereoscopic picture2) Cinema: deepie, three-dimensional film3) Advertising: natural vision film4) Makarov: 3 D film (three-dimensional film) -
5 стереокино
с. нескл.1) ( киноплёнка) stereoscopic film2) ( кинотеатр) stereoscopic cinema брит.; stereoscopic movie theater амер. -
6 стереоскопический фильм
Универсальный русско-английский словарь > стереоскопический фильм
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7 стереоскопический кинофильм
1) General subject: three-dimensional film, three-dimensional movie2) Engineering: stereoscopic filmУниверсальный русско-английский словарь > стереоскопический кинофильм
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8 стереоскопический
stereoscopicстереоскопический фильм — stereoscopic / three-dimensional film
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9 стереоскопический
стереоскопи́ческий фильм — stereoscopic / three-dimensional film
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10 England, William
SUBJECT AREA: Photography, film and optics[br]b. early 19th centuryd. 1896 London, England[br]English photographer, inventor of an early focal-plane shutter.[br]England began his distinguished photographic career taking daguerreotype portraits in London in the 1840s. In 1854 he joined the London Stereoscopic Company and became its chief photographer, taking thousands of stereoscopic views all over the world. In 1859 he travelled to America to take views of the Niagara Falls. On returning to Britain he became a freelance photographer, adding to his considerable reputation with a long series of stereoscopic alpine views. He also became interested in panoramic photography and, later, photolithography. England's most important technical innovation was a drop shutter with a horizontal slit sited immediately in front of the plate. Proposed in 1861, this was a crude device, but is usually recognized as the precursor of the modern focal-plane shutter.[br]Further ReadingMichael Aver, 1985, Photographers Encyclopedia International, Vol. I (A-K), Hermance, Switzerland.H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London.JW -
11 Land, Edwin Herbert
SUBJECT AREA: Photography, film and optics[br]b. 7 May 1909 Bridgeport, Connecticut, USAd. 1 March 1991 Cambridge, Massachusetts, USA[br]American scientist and inventor of the Polaroid instant-picture process.[br]Edwin Land's career began when, as a Harvard undergraduate in the late 1920s, he became interested in the possibility of developing a polarizing filter in the form of a thin sheet, to replace the crystal and stacked-glass devices then in use, which were expensive, cumbersome and limited in size. He succeeded in creating a material in which minute anisotropic iodine crystals were oriented in line, producing an efficient polarizer that was patented in 1929. After presenting the result of his researches in a Physics Department colloquium at Harvard, he left to form a partnership with George Wheelwright to manufacture the new material, which was seen to have applications as diverse as anti-glare car headlights, sunglasses, and viewing filters for stereoscopic photographs and films. In 1937 he founded the Polaroid Corporation and developed the Vectograph process, in which self-polarized photographic images could be printed, giving a stereoscopic image when viewed through polarizing viewers. Land's most significant invention, the instant picture, was stimulated by his three-year-old daughter. As he took a snapshot of her, she asked why she could not see the picture at once. He began to research the possibility, and on 21 February 1947 he demonstrated a system of one-step photography at a meeting of the Optical Society of America. Using the principle of diffusion transfer of the image, it produced a photograph in one minute. The Polaroid Land camera was launched on 26 November 1948. The original sepia-coloured images were soon replaced by black and white and, in 1963, by Polacolor instant colour film. The original peel-apart "wet" process was superseded in 1972 with the introduction of the SX-70 camera with dry picture units which developed in the light. The instant colour movie system Polavision, introduced in 1978, was less successful and was one of his few commercial failures.Land died in March 1991, after a career in which he had been honoured by countless scien-tific and academic bodies and had received the Medal of Freedom, the highest civilian honour in America.[br]Principal Honours and DistinctionsMedal of Freedom.BC -
12 диапозитив
diapositive, slide, printer, film transparency, transparency* * *диапозити́в м.
slide, transparencyустана́вливать диапозити́в в ра́мку — mount a transparency, set up a transparency in a mountстереоскопи́ческий диапозити́в — 3-D [stereoscopic] slide, 3-D [stereoscopic] transparencyцветно́й диапозити́в — colour transparency* * * -
13 Stereoeffekt
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14 стереофильм
м.stereoscopic / stereo film -
15 Brewster, Sir David
SUBJECT AREA: Photography, film and optics[br]b. 11 December 1781 Jedburgh, Roxburghshire, Scotlandd. 10 February 1868 Allerly, Scotland[br]Scottish scientist and popularizer of science, inventor of the kaleidoscope and lenticular stereoscope.[br]Originally destined to follow his father into the Church, Brewster studied divinity at Edinburgh University, where he met many distinguished men of science. He began to take a special interest in optics, and eventually abandoned the clerical profession. In 1813 he presented his first paper to the Royal Society on the properties of light, and within months invented the principle of the kaleidoscope. In 1844 Brewster described a binocular form of Wheatstone's reflecting stereoscope where the mirrors were replaced with lenses or prisms. The idea aroused little interest at the time, but in 1850 a model taken to Paris was brought to the notice of L.J. Duboscq, who immediately began to manufacture Brewster's stereoscope on a large scale; shown at the Great Exhibition of 1851, it attracted the attention of Queen Victoria. Stereoscopic photography rapidly became one of the fashionable preoccupations of the day arid did much to popularize photography. Although originally marketed as a scientific toy and drawing-room pastime, stereoscopy later found scientific application in such fields as microscopy, photogrammetry and radiography. Brewster was a prolific scientific author throughout his life. His income was derived mainly from his writing and he was one of the nineteenth century's most distinguished popularizers of science.[br]Principal Honours and DistinctionsKnighted 1832. FRS 1815.Further ReadingDictionary of National Biography, 1973, Vol. II, Oxford, pp. 1,207–11.A.D.Morrison-Low and J.R.R.Christie (eds), 1984, Martyr of Science, Edinburgh (proceedings of a Bicentenary Symposium).JW -
16 Claudet, Antoine François Jean
SUBJECT AREA: Photography, film and optics[br]b. 12 August 1797 Franced. 27 December 1867 London, England[br]French pioneer photographer and photographic inventor in England.[br]He began his working life in banking but soon went into glassmaking and in 1829 he moved to London to open a glass warehouse. On hearing of the first practicable photographic processes in 1834, Claudet visited Paris, where he received instruction in the daguerreotype process from the inventor Daguerre, and purchased a licence to operate in England. On returning to London he began to sell daguerreotype views of Paris and Rome, but was soon taking and selling his own views of London. At this time exposures could take as long as thirty minutes and portraiture from life was impracticable. Claudet was fascinated by the possibilities of the daguerreotype and embarked on experiments to improve the process. In 1841 he published details of an accelerated process and took out a patent proposing the use of flat painted backgrounds and a red light in dark-rooms. In June of that year Claudet opened the second daguerreotype portrait studio in London, just three months after his rival, Richard Beard. He took stereoscopic photographs for Wheatstone as early as 1842, although it was not until the 1850s that stereoscopy became a major interest. He suggested and patented several improvements to viewers derived from Brewster's pattern.Claudet was also one of the first photographers to practise professionally Talbot's calotype process. He became a personal friend of Talbot, one of the few from whom the inventor was prepared to accept advice. Claudet died suddenly in London following an accident that occurred when he was alighting from an omnibus. A memoir produced shortly after his death lists over forty scientific papers relating to his researches into photography.[br]Principal Honours and DistinctionsFRS 1853.Further Reading"The late M.Claudet", 1868, Photographic News 12:3 (obituary)."A.Claudet, FRS, a memoir", 1968, (reprinted from The Scientific Review), London: British Association (a fulsome but valuable Victorian view of Claudet).H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London (a comprehensive account of Claudet's daguerreotype work).H.J.P.Arnold, 1977, William Henry Fox Talbot, London (provides details of Claudet's relationship with Talbot).JWBiographical history of technology > Claudet, Antoine François Jean
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17 Dancer, John Benjamin
SUBJECT AREA: Photography, film and optics[br]b. 1812 Englandd. 1887 England[br]English instrument maker and photographer, pioneer of microphotography.[br]The son of a scientific instrument maker, Dancer was educated privately in Liverpool, where from 1817 his father practised his trade. John Benjamin became a skilled instrument maker in his own right, assisting in the family business until his father's death in 1835. He set up on his own in Liverpool in 1840 and in Manchester in 1841. In the course of his career Dancer made instruments for several of the leading scientists of the day, his clients including Brewster, Dalton and Joule.Dancer became interested in photography as soon as the new art was announced in 1839 and practised the processes of both Talbot and Daguerre. It was later claimed that as early as 1839 he used an achromatic lens combination to produce a minute image on a daguerreotype plate, arguably the world's first microphotograph and the precursor of modern microfilm. It was not until the introduction of Archer's wet-collodion process in 1851 that Dancer was able to perfect the technique however. He went on to market a long series of microphotographs which proved extremely popular with both the public and contemporary photographers. It was examples of Dancer's microphotographs that prompted the French photographer Dagron to begin his work in the same field. In 1853 Dancer constructed a binocular stereoscopic camera, the first practicable instrument of its type. In an improved form it was patented and marketed in 1856.Dancer also made important contributions to the magic lantern. He was the first to suggest the use of limelight as an illuminant, pioneered the use of photographic lantern slides and devised an ingenious means of switching gas from one lantern illuminant to another to produce what were known as dissolving views. He was a resourceful innovator in other fields of instrumentation and suggested several other minor improvements to scientific apparatus before his working life was sadly terminated by the loss of his sight.[br]Further ReadingAnon., 1973, "John Benjamin Dancer, originator of microphotography", British Journal of Photography (16 February): 139–41.H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London.JW -
18 Eisler, Paul
[br]b. 1907 Vienna, Austria[br]Austrian engineer responsible for the invention of the printed circuit.[br]At the age of 23, Eisler obtained a Diploma in Engineering from the Technical University of Vienna. Because of the growing Nazi influence in Austria, he then accepted a post with the His Master's Voice (HMV) agents in Belgrade, where he worked on the problems of radio reception and sound transmission in railway trains. However, he soon returned to Vienna to found a weekly radio journal and file patents on graphical sound recording (for which he received a doctorate) and on a system of stereoscopic television based on lenticular vertical scanning.In 1936 he moved to England and sold the TV patent to Marconi for £250. Unable to find a job, he carried out experiments in his rooms in a Hampstead boarding-house; after making circuits using strip wires mounted on bakelite sheet, he filed his first printed-circuit patent that year. He then tried to find ways of printing the circuits, but without success. Obtaining a post with Odeon Theatres, he invented a sound-level control for films and devised a mirror-drum continuous-film projector, but with the outbreak of war in 1939, when the company was evacuated, he chose to stay in London and was interned for a while. Released in 1941, he began work with Henderson and Spalding, a firm of lithographic printers, to whom he unwittingly assigned all future patents for the paltry sum of £1. In due course he perfected a means of printing conducting circuits and on 3 February 1943 he filed three patents covering the process. The British Ministry of Defence rejected the idea, considering it of no use for military equipment, but after he had demonstrated the technique to American visitors it was enthusiastically taken up in the US for making proximity fuses, of which many millions were produced and used for the war effort. Subsequently the US Government ruled that all air-borne electronic circuits should be printed.In the late 1940s the Instrument Department of Henderson and Spalding was split off as Technograph Printed Circuits Ltd, with Eisler as Technical Director. In 1949 he filed a further patent covering a multilayer system; this was licensed to Pye and the Telegraph Condenser Company. A further refinement, patented in the 1950s, the use of the technique for telephone exchange equipment, but this was subsequently widely infringed and although he negotiated licences in the USA he found it difficult to license his ideas in Europe. In the UK he obtained finance from the National Research and Development Corporation, but they interfered and refused money for further development, and he eventually resigned from Technograph. Faced with litigation in the USA and open infringement in the UK, he found it difficult to establish his claims, but their validity was finally agreed by the Court of Appeal (1969) and the House of Lords (1971).As a freelance inventor he filed many other printed-circuit patents, including foil heating films and batteries. When his Patent Agents proved unwilling to fund the cost of filing and prosecuting Complete Specifications he set up his own company, Eisler Consultants Ltd, to promote food and space heating, including the use of heated cans and wallpaper! As Foil Heating Ltd he went into the production of heating films, the process subsequently being licensed to Thermal Technology Inc. in California.[br]Bibliography1953, "Printed circuits: some general principles and applications of the foil technique", Journal of the British Institution of Radio Engineers 13: 523.1959, The Technology of Printed Circuits: The Foil Technique in Electronic Production.1984–5, "Reflections of my life as an inventor", Circuit World 11:1–3 (a personal account of the development of the printed circuit).1989, My Life with the Printed Circuit, Bethlehem, Pennsylvania: Lehigh University Press.KF -
19 Niepce de St Victor, Claude Félix Abel
SUBJECT AREA: Photography, film and optics[br]b. 1805 Saint-Cyr, Franced. 1870 France[br]French soldier and photographic scientist, inventor of the first practicable glass negative process.[br]A cousin of the photographic pioneer J.N. Niepce, he attended the military school of Saumur, graduating in 1827. Niepce de St Victor had wide scientific interests, but came to photography indirectly from experiments he made on fading dyes in military uniforms. He was transferred to the Paris Municipal Guard in 1845 and was able to set up a chemical laboratory to conduct research. From photographic experiments performed in his spare time, Niepce de St Victor devised the first practicable photographic process on glass in 1847. Using albumen derived from the white of eggs as a carrier for silver iodide, he prepared finely detailed negatives which produced positive prints far sharper than those made with the paper negatives of Talbot's calotype process. Exposure times were rather long, however, and the albumen-negative process was soon displaced by the wet-collodion process introduced in 1851, although albumen positives on glass continued to be used for high-quality stereoscopic views and lantern slides. In 1851 Niepce de St Victor described a photographic colour process, and between 1853 and 1855 he developed his famous cousin's bitumen process into a practicable means of producing photographically derived printing plates. He then went on to investigate the use of uranium salts in photography. He presented twenty-six papers to the Académie des Sciences between 1847 and 1862.[br]Bibliography1847, Comptes Rendus 25(25 October):586 (describes his albumen-on-glass process).Further ReadingJ.M.Eder, 1945, History of Photography, trans. E.Epstean, New York (provides details of his contributions to photography).JWBiographical history of technology > Niepce de St Victor, Claude Félix Abel
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