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101 blade wheel
1. лопастное колесо2. шкив ленточной пилы -
102 exposure
1. экспонирование2. экспозицияcontact exposure — контактное экспонирование; контактное копирование; контактная фотопечать
3. съёмка оригинала4. копирование5. экспозиция при копировании6. двукратная экспозиция7. кадр, снятый с двукратной экспозициейflash exposure — вспомогательное экспонирование, экспонирование на белую бумагу
flashing exposure — короткое экспонирование, засветка
8. прерывистая экспозиция9. прерывистое экспонированиеflood exposure — экспонирование по всему полю п/п пластины
10. время экспонирования, выдержкаexposure length — выдержка, продолжительность экспонирования
exposure period — выдержка; период экспозиции
11. фотографическая экспозицияprevious exposure — предварительное экспонирование, экспонирование на белую бумагу; засветка
12. экспонирование через растр13. копирование растраshadow exposure — экспонирование с «теневой» диафрагмой, экспонирование на белую бумагу
14. однократная экспозиция15. кадр, снятый с одной экспозициейslit exposure — щелевое экспонирование; экспонирование сквозь щель
split exposure — поэтапное экспонирование; ступенчатое экспонирование
16. пробное экспонирование17. пробная выдержка -
103 frame
1. станина2. рама3. наборный стол; касса-реал4. рамкаcharacter frame — рамка знака; рамка символа
case frame — падежная рамка; падежный фрейм
5. одна строка кодов; кадр6. кадр; устанавливать кадр «в рамку»chase frame — заключная рама, рама для заключки
composing frame — наборный стол; касса-реал
contact printing frame — контактно-копировальный станок; копировальная рама
inker frame — рама красочных валиков и цилиндров; каретка накатных красочных валиков
page frame — макет страницы, приготовленной к вклеиванию иллюстрации
7. кадрирующая рамка, рамка кадра8. рама для оригинала9. рама для закрепления печатной формыscreen frame carriage — каретка, несущая трафаретную раму
10. рама для закрепления формной пластины11. копировальная рама, контактно-копировальный станок12. светокопировальный аппарат13. держатель растра14. трафаретная рамаslide frame — рамка для слайдов, рамка для малоформатных фотодиапозитивов
15. пневматическая копировальная рама16. пневматический оригиналодержатель -
104 lens
1. линза; лупа; объектив2. чечевицеобразный сгустокcolor-corrected lens — объектив, исправленный на хроматическую аберрацию
condenser lens — конденсорная линза, конденсор
corrected lens — объектив, исправленный на аберрацию, корригированный объектив
magnifying lens — лупа, увеличительное стекло
pancratic lens — объектив с переменным фокусным расстоянием, панкратический объектив
projecting lens — проекционный объектив, объектив проекционного аппарата
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105 v-belt pulley wheel
English-Russian big polytechnic dictionary > v-belt pulley wheel
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106 flying
полет (ы), см. тж. flight; лётное дело; пилотирование; летящий"head down" instrument flying — пилотирование по приборам на доске лётчика (в отличие от пилотирования с использованием индикации на лобовом стекле)
flying into the wake — попадание в след [спутную струю]
full pressure suit flying — полёты в высотном скафандре; пилотирование (ЛА) в высотном скафандре
keep sharp on the instrument flying — сохранять [поддерживать] высокое мастерство полёта по приборам
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107 surface
поверхность; площадь; покрытие; поверхностныйILS obstruction clearance surface — поверхность, свободная от препятствий, в зоне захода на посадку по системе ИЛС
liquid nitrogen cooled surface — поверхность, охлаждаемая жидким азотом
obstacle clearance surface — поверхность, свободная от препятствий или с заданным превышением над препятствиями
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108 Paul, Robert William
[br]b. 3 October 1869 Highbury, London, Englandd. 28 March 1943 London, England[br]English scientific instrument maker, inventor of the Unipivot electrical measuring instrument, and pioneer of cinematography.[br]Paul was educated at the City of London School and Finsbury Technical College. He worked first for a short time in the Bell Telephone Works in Antwerp, Belgium, and then in the electrical instrument shop of Elliott Brothers in the Strand until 1891, when he opened an instrument-making business at 44 Hatton Garden, London. He specialized in the design and manufacture of electrical instruments, including the Ayrton Mather galvanometer. In 1902, with a purpose-built factory, he began large batch production of his instruments. He also opened a factory in New York, where uncalibrated instruments from England were calibrated for American customers. In 1903 Paul introduced the Unipivot galvanometer, in which the coil was supported at the centre of gravity of the moving system on a single pivot. The pivotal friction was less than in a conventional instrument and could be used without accurate levelling, the sensitivity being far beyond that of any pivoted galvanometer then in existence.In 1894 Paul was asked by two entrepreneurs to make copies of Edison's kinetoscope, the pioneering peep-show moving-picture viewer, which had just arrived in London. Discovering that Edison had omitted to patent the machine in England, and observing that there was considerable demand for the machine from show-people, he began production, making six before the end of the year. Altogether, he made about sixty-six units, some of which were exported. Although Edison's machine was not patented, his films were certainly copyrighted, so Paul now needed a cinematographic camera to make new subjects for his customers. Early in 1895 he came into contact with Birt Acres, who was also working on the design of a movie camera. Acres's design was somewhat impractical, but Paul constructed a working model with which Acres filmed the Oxford and Cambridge Boat Race on 30 March, and the Derby at Epsom on 29 May. Paul was unhappy with the inefficient design, and developed a new intermittent mechanism based on the principle of the Maltese cross. Despite having signed a ten-year agreement with Paul, Acres split with him on 12 July 1895, after having unilaterally patented their original camera design on 27 May. By the early weeks of 1896, Paul had developed a projector mechanism that also used the Maltese cross and which he demonstrated at the Finsbury Technical College on 20 February 1896. His Theatrograph was intended for sale, and was shown in a number of venues in London during March, notably at the Alhambra Theatre in Leicester Square. There the renamed Animatographe was used to show, among other subjects, the Derby of 1896, which was won by the Prince of Wales's horse "Persimmon" and the film of which was shown the next day to enthusiastic crowds. The production of films turned out to be quite profitable: in the first year of the business, from March 1896, Paul made a net profit of £12,838 on a capital outlay of about £1,000. By the end of the year there were at least five shows running in London that were using Paul's projectors and screening films made by him or his staff.Paul played a major part in establishing the film business in England through his readiness to sell apparatus at a time when most of his rivals reserved their equipment for sole exploitation. He went on to become a leading producer of films, specializing in trick effects, many of which he pioneered. He was affectionately known in the trade as "Daddy Paul", truly considered to be the "father" of the British film industry. He continued to appreciate fully the possibilities of cinematography for scientific work, and in collaboration with Professor Silvanus P.Thompson films were made to illustrate various phenomena to students.Paul ended his involvement with film making in 1910 to concentrate on his instrument business; on his retirement in 1920, this was amalgamated with the Cambridge Instrument Company. In his will he left shares valued at over £100,000 to form the R.W.Paul Instrument Fund, to be administered by the Institution of Electrical Engineers, of which he had been a member since 1887. The fund was to provide instruments of an unusual nature to assist physical research.[br]Principal Honours and DistinctionsFellow of the Physical Society 1920. Institution of Electrical Engineers Duddell Medal 1938.Bibliography17 March 1903, British patent no. 6,113 (the Unipivot instrument).1931, "Some electrical instruments at the Faraday Centenary Exhibition 1931", Journal of Scientific Instruments 8:337–48.Further ReadingObituary, 1943, Journal of the Institution of Electrical Engineers 90(1):540–1. P.Dunsheath, 1962, A History of Electrical Engineering, London: Faber \& Faber, pp.308–9 (for a brief account of the Unipivot instrument).John Barnes, 1976, The Beginnings of Cinema in Britain, London. Brian Coe, 1981, The History of Movie Photography, London.BC / GW -
109 blasting
взрывание, взрывные работы, взрывная отбойка; взрывание шпура; взрывной•
- air blasting
- bank blasting
- blockhole blasting
- buffer blasting
- bulk blasing
- bunch blasting
- cap-and-fuse blasting
- cast blasting
- chamber blasting
- churn-drill blasting
- column blasting
- commercial blasting
- companion blasting
- contact blasting
- coyote blasting
- cushioned blasting
- delay-action blasting
- dobie blasting
- electric blasting
- first blasting
- footwall blasting
- full-fase blasting
- fuse blasting
- gopher hole blasting
- heavy blasting
- light blasting
- longhole blasting
- millisecond blasting
- millisecond delay blasting
- minor blasting
- multiple blasting
- multiple-hole blasting
- multiple-row blasting
- multiple-shot basting
- no-cut-hole blasting
- nonflame blasting
- one-row blasting
- original blasting
- parallel-hole blasting
- pin-point blasting
- post-blasting
- primary blasting
- prop blasting
- powder blasting
- pulsed-infusion blasting
- retreat blasting of pillars
- rock blasting
- sand blasting
- secondary blasting
- secondary hole blasting
- sequence blasting
- shock blasting
- shot blasting
- short-delay blasting
- simultaneous blasting
- single blasting
- single-row blasting
- single-shot blasting
- smooth blasting
- smooth-surface blasting
- split-second blasting
- stump blasting
- tight-face blasting
- trial blasting
- tunnel blasting
- underwater blasting
- water blasting
- water infusion blasting
- wellhole blasting -
110 counting plug
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