-
1 HE, HIM
(personal 3rd sg. pronoun): As a pronominal suffix, the entire 3rd person singular “he, she, it” is expressed by the ending -s, e.g. caris *“(s)he/it does” (VT49:16, 48). Sometimes a verb with no pronominal ending whatsoever implies a subject “he, she, it”, e.g. nornë “he ran” (PE17:58), fírië “she has breathed forth” (MR:250), tinë “it glints” (TIN). A distinctly masculine ending -ro does occur in early material (antaváro “he will give”, LR:63), but was apparently abandoned by Tolkien. The ending -s may also appear in the “rare” longer form -së (VT49:51, descended from older -sse, VT49:20), perhaps distinctly personal (cf. násë “he [or she] is” vs. nás “it is”, VT49:27, 30). The ending -s is also attested in object position, e.g. melinyes “I love him” (VT49:21; this could also mean *”I love her” or *”I love it”). “He/she” (or even “it”, when some living thing is concerned) does have a distinct form when it appears as an independent pronoun: se (VT49:37), also with a long vowel (sé, VT49:51) when stressed. (Contrast the use of sa for “it” with reference to non-living things.) The independent form may also appear in object position: melin sé, “I love him [/her]” (VT49:21). Case endings may be added, e.g. allative sena or senna “at him [/her]”, “to him/her” (VT49:14, 45-46); se also appears suffixed to a preposition in the word ósë *”with him/her” (VT43:29). A distinct pronoun hé can be used for “he/she” = “the other”, as in a sentence like “I love him (sé) but not him (hé).” Genitive HIS/HER (or ITS, of a living thing) would normally appear as the ending -rya, e.g. coarya “his house” (WJ:369), máryat “her hands” (Nam), the latter with a dual ending following -rya. “His/her” as an independent word could be *senya (compare ninya “my” vs. ni “I”, nin “for me”). – Reflexive pronoun, see HIMSELF. –VT49:16, 51, VT43:29, VT49:15, LotR:1008 -
2 IT
(impersonal 3rd sg. pronoun – notice that “personal” forms are used of all living things including plants; see HE): As a pronominal suffix, the entire 3rd person singular “he, she it” is expressed by the ending -s, e.g. caris *“(s)he/it does” (VT49:16). The ending -s is also attested in object position, e.g. utúvienyes, "I have found [utúvienye-] it [-s]"). “It”, with reference to non-living or abstract things, does have a distinct form when appearing as an independent pronoun: sa (VT49:37), with long vowel (sá, VT49:51) when stressed. It is attested in object position: carë sa, “to do it” (VT49:34). Another word for “it” or “that” is ta (though in some sources, Tolkien used ta for plural impersonal “they, them” instead). Case endings may probably be added to sa, e.g. dative *san “for it” (cf. nin “for me”); sa also appears suffixed to a preposition in the word ósa *”with it” (VT43:29). Genitive ITS would normally appear as the ending -rya (only attested with personal meanings “his, her” – see HIS). “Its” as an independent word may be *sanya, formed from *san as the dative form of sa “it” (compare ninya “my” vs. ni “I”, dative nin “for me”). –VT49:16, 51, VT43:29, LotR:1008, TA -
3 ACCOMODATE
camta- (sic; the cluster mt seems unusual for Quenya, and while the source does not explicitly say that this word is Quenya, it is difficult to understand what other language could be intended) (to [make] fit, suit, adapt) –VT44:14 -
4 ADAPT
camta- (sic; the cluster mt seems unusual for Quenya; while the source does not explicitly say that this word is Quenya, it is difficult to understand what other language could be intended) (to [make] fit, suit, accomodate) –VT44:14 -
5 BETWEEN
1) imbi (dual imbë). This is "between" referring to a gap, space, barrier, or anything intervening between two other things, like or unlike one another. The pluralized form imbi implies "among" of several things (ancalima imbi eleni "brightest among stars"); "in the sense 'among' before plurals [imbë] is usually pluralized > imbi even when a plural noun follows". As pointed out by Patrick Wynne, imbi may also be used in the sense of "between" before two singular nouns connected by "and" (as in the example imbi Menel Cemenyë "between heaven and earth"), whereas imbë is used before dual forms, as in the examples imbë siryat "between two rivers", imbë met "between us". Elided imb' is attested in the phrase imb' illi "among all". The form imbit is said to be a "dualized form" expressing "between two things" when "these are not named" (VT47:30), apparently implying that imbit by itself means *"between the two", with no noun following. 2) enel (used for "between" = "at the central position in a row, list, series, etc. but also applied to the case of three persons" [VT47:11]. This preposition refers to the position of a thing between others of the same kind). 3) mitta- (does the final hyphen suggest that the latter form is used as prefix, somewhat like *"inter-"?) –Nam/RGEO:67, VT47:11, 30; VT43:30 -
6 BLESS
manya- (“sc. either to afford grace or help or to wish it”, VT49:41), laita- (praise) (Imperative a laita and future \#laituva are attested, the latter with pronominal endings: laituvalmet, "we shall praise [or bless] them".) The continuative form mánata (*”is blessing”) does according to Carl F. Hostetter imply an aorist stem *manta (VT49:52). The passive participle aistana "blessed" (see below) argues the existence of a verbal stem \#aista- "to bless", but this verb seems etymologically connected to airë "holy" and should probably only be used with reference to more or less "divine" persons (aistana refers to the Virgin Mary in the source), who are "blessed" in the sense of having their holiness recognized and respected. -
7 DAUGHTER
selyë; also yendë, yen, –iel (suffix, e.g. Uinéniel "daughter of Uinen" [UT:182]; this suffix may obsolete the earlier [TLT] ending -wen, mentioned in LT1:271). The stem YEL, from which –iel must be derived, was removed from Etym. However, the UT example just mentioned is from a later text, indicating that Tolkien restored –iel. Perhaps yeldë was restored as the independent word for "daughter" at the same time and is to be preferred to yendë, yen. Distinguish -riel in Altáriel (Galadriel), which does not mean "daughter" and becomes -riell- before an ending. –VT47:10, YŌ, YEL, 182/469 -
8 FIT
(adj.) mára (useful, good); TO (MAKE) FIT camta- (sic; the cluster mt seems unusual for Quenya, but while the source does not explicitly say that this word is Quenya, it is difficult to understand what other language could be intended) (suit, accomodate, adapt) –MAG, VT44:14 -
9 FREE
(adj.) léra, aranya (not to be confused with aranya *"my king"; the shorter form ranya also cited must not be confused with the verb "stray, wander"), mirima (but a very similar word, mírima, is rather assigned the meaning “very valuable” in Tolkien’s later Quenya). The previous words are apparently used to describe “free” persons, whereas the following refer to inanimates: latin, latina (open, cleared [of land]), lerina ("free" of things in the sense of "not guarded, reserved, made fast, or 'owned'", VT41:5). Lehta “free, released” (perhaps applicable to persons, but cf. the following:) FREE ELEMENT (a term for "vowel") \#lehta tengwë (only pl. lehta tengwi is attested; we would rather expect *lehtë tengwi). (A word fairë "free" is mentioned in LT1:250, but may be obsolete: several other meanings are attributed to this word in later writings [see DEATH, PHANTOM, RADIANCE]. Fairië "freedom" does not clash with later words, but must probably be considered conceptually obsolete if fairë is so regarded.) FREE FROM EVIL aman (see BLESSED) –VT41:5, VT46:10, MIS, LAT, VT39:17, WJ:399 (verb) rúna- (see DELIVER); SET FREE lerya- (release, let go), sen- (let go, let loose) –VT43:23, VT41:5, 6, VT43:18 -
10 IDEA
intya (guess, supposition), inca (cited with a final hyphen in the source, but it does not seem to be a verbal stem); *selma (Þ) ("a fixed idea, will". In WJ:319, the word is given as Þelma, but Þ (th) would become s in the Noldorin Quenya. Cf. Þindë, sindë in WJ:384; see GREY) –INK, VT45:18, WJ:319 -
11 JUDGEMENT
námië – defined as "a (single) judgement" or "a (single) desire". A JUDGEMENT náma (desire). JUDGEMENT (of what is) Námo (but this is elsewhere glossed "Ordainer", and the ending -o normally does indicate something animate/masculine rather than something abstract). –VT41:13, MR:150 -
12 LUCK
valto (LT2:348 gives mart "a piece of luck", but word-final rt does not occur in LotR-style Quenya. Read *martë or something similar?) –LT1:272, LT2:348 -
13 MAKE
\#car- (1st pers. aorist carin "I make, build". The same verb is translated "form" in WJ:391: i carir quettar, "those who form words". According to Etym the past tense is carnë, though FS and SD:246 have cárë. Past participle \#carna *"made" is attested in Vincarna *"newly-made" in MR:305; the longer participial form carina occurs in VT43:15, read probably *cárina with a long vowel to go with such late participial forms like rácina "broken"). MAKING carmë (glossed "art" in UT:396 and is also translated "production", but cf. the following:) NAME-MAKING Essecarmë (an Eldarin seremony in which the father of a child announces its name.) MAKE FAST avalerya- (bind, restrain, deprive of liberty). TO (MAKE) FIT camta- (sic; the cluster mt seems unusual for Quenya, and while the source does not explicitly say that this word is Quenya, it is difficult to understand what other language could be intended) (suit, accomodate, adapt). MAKE FOR IT mína- (desire to go in some direction, to wish to go to a place, have some end in view). –KAR, WJ:391, MR:214, VT41:5, 6, VT44:14, VT39:11 -
14 ORC
(goblin) urco (stem urcu-, pl. urqui) or orco (pl. orqui or orcor, in the former case probably with stem *orcu- throughout). LT1:264 has orc, but word-final rc does not occur in LotR-style Quenya. Here the gloss is "monster, demon". Cf. WJ:390: "In the lore of the Blessed Realm the Q urko naturally seldom occurs, except in tales of the ancient days and the March, and then is vague in meaning, referring to anything that caused fear to the Elves, any dubious shape or shadow, or prowling creature." –ÓROK, LT1:264, WJ:390 -
15 PIERCING
maica (sharp), terevë (fine, acute), laica (keen, sharp, acute). (The printed Etymologies has a final –e instead of –a, but according to VT45:25 this is a misreading. A word laike = laicë does appear in the source, but this is the noun corresponding to laica: "acuteness, keenness of perception". The conceptual validity of both laica and laicë with these meanings may however be questioned, since laica is the adjective "green" in later sources: laicë would then be expected to mean *"greenness".) FINE PIERCED HOLE terra –Silm:434, LT1:255, LT2:337, LAIK, VT46:18 -
16 SMELL
(strong smell): The form aññol- is translated "strong smell" in one source (VT45:5), but this does not look like a regular Quenya word and is perhaps an underlying "stem" (Quenya *angol-?) The element ñol- is also translated "smell" in the same source, but again it is uncertain whether this is a primitive stem or a Quenya word (in the latter case, we would see *nol- in late Exilic Quenya). See ODOUR, STINK. -
17 SNOW
lossë (spesifically "fallen snow", also adjective "snow-white"; †olos, †olossë. Etym also gives niquë, but this word is obsoleted by a statement in WJ:417: "nique does not refer to snow, but to cold". This statement may obsolete niquetil "snowcap" in LT1:266. Is niquis "snow" from the same source a valid word? GL:35 has fáwë "snow" and fauta "it snows".) LIGHT SNOW is, SNOW-WHITE lossë (which may also be the noun "snow"), SNOWDROP nieninquë (lit. "white tear") –RGEO:69, GOLÓS, NIK-W-, NEI, LT1:256, LT1:262/266 -
18 SON
yondo (male descendant), also short form yón (Yón referring to Jesus as "the Son" in the source); dative i yondon "to the Son" in VT43:36-37. Cf. also the suffix –ion, e.g. Finwion "son of Finwë". Variant yonyo "son, big boy" (a term also used for "middle finger" or "middle toe" in children's play, though Tolkien may have replaced it by hanno "brother", VT48:4). Vocative yonya *"my son", a contraction of *yondonya. (The forms vô, vondo "son" in LT2 are probably obsolete, as are the notions there recorded that yondo meant "(great) grandson" and that yô-, yond- "son" was used only in poetry. But LT2 does confirm that –ion was "very common...in patronymics".) SON OF THE DARK (= Morgoth) morion –YO, VT44:12, 17, VT43:36-37, MR:217, VT47:10, 15, LR:61, LT2:336, 344, LT1:260 cf. FS -
19 SPEAK
quet- (pa.t. quentë) (say, talk). Aorist quetë (spelt “qete”) in source. Also carpa, pa.t. carampë (talk, use tongue; the latter verb apparently does not take a direct object). –LT2:348, VT49:19 -
20 SUIT
camta- (sic; the cluster mt seems unusual for Quenya, and while the source does not explicitly say that this word is Quenya, it is difficult to understand what other language could be intended) (to [make] fit, accomodate, adapt) –VT44:14
Страницы
- 1
- 2
См. также в других словарях:
Does It Offend You, Yeah? — during the NME Awards Tour Background information Also known as DIOYY, DIOYY?, Does It Offend You? … Wikipedia
Does not compute — and variations on it, is a phrase often spoken by computers, robots and other artificial intelligences in science fiction works of the 1960s to 1980s. The phrase indicated cognitive dissonance on the part of the device, conventionally leading to … Wikipedia
Does Your Mother Know — «Does Your Mother Know» … Википедия
Does Your Mother Know — Saltar a navegación, búsqueda «Does Your Mother Know?» Sencillo de ABBA del álbum Voulez Vous Lado A «Does Your Mother Know?» Lado B «Kisses Of Fire» … Wikipedia Español
Does This Look Infected? — Studio album by Sum 41 Released November 26, 2002 … Wikipedia
Does This Look Infected? — Does This Look Infected? … Википедия
Does Anybody Miss Me — Studio album by Shirley Bassey Released 1969 … Wikipedia
Does It Offend You, Yeah? — DIOYY на NME Awards Tour … Википедия
Does Your Mother Know — Single by ABBA from the album Voulez Vous B side … Wikipedia
Does It Offend You — Does It Offend You, Yeah? Does It Offend You, Yeah? DIOYY на NME Awards Tour Основная информация … Википедия
Does a Tiger Wear a Necktie? — Written by Don Petersen Characters Bickham, Fullendorf, Conrad Does a Tiger Wear a Necktie? is a play written in 1969 by Don Petersen. It has three acts, and helped to launch the careers of actors Al Pacino and Ron Thompson. Contents … Wikipedia
