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  • 1 серебряное фотографическое изображение

    Универсальный русско-английский словарь > серебряное фотографическое изображение

  • 2 фотография

    1) General subject: likeness, mug (подозреваемого преступника), photog (сокр. от photograph), photograph, photographers, photography, picture, snapshot, image
    2) Naval: sunprint
    3) Colloquial: photo, smudge
    4) American: (сокр. от photograph) photog
    5) Obsolete: photogene
    6) Engineering: photo (фотоснимок), photograph (фотоснимок), photographic art, photography (область науки и техники)
    8) Polygraphy: vignette
    9) Jargon: hot short, shot, fotog
    10) Police term: mugshot (Фотография, на которой арестованный или задержанный человек, правонарушитель или преступник, сфотографирован держа в руках табличку с регистрационным номером.)
    11) Advertising: still, still picture
    12) Makarov: photograph (снимок), photographic printing, photographic studio (фотоателье), photography (съёмка), silver print, still photograph (фотоснимок), still photography, still picture (фотоснимок)
    13) Security: photographic image

    Универсальный русско-английский словарь > фотография

  • 3 Niepce, Joseph Nicéphore

    [br]
    b. 1765 France
    d. 5 July 1833 Chalon, France
    [br]
    French inventor who was the first to produce permanent photographic images with the aid of a camera.
    [br]
    Coming from a prosperous family, Niepce was educated in a Catholic seminary and destined for the priesthood. The French Revolution intervened and Niepce became an officer in an infantry regiment. An attack of typhoid fever in Italy ended his military career, and he returned to France and was married. Returning to his paternal home in Chalon in 1801, he joined with his brother Claude to construct an ingenious engine called the pyréolophore, which they patented in 1807. The French Government also encouraged the brothers in their attempts to produce large quantities of indigo-blue dye from wood, a venture that was ultimately unsuccessful.
    Nicéphore began to experiment with lithography, which led him to take an interest in the properties of light-sensitive materials. He pursued this interest after Claude moved to Paris in 1816 and is reported to have made negative images in a camera obscura using paper soaked in silver chloride. Niepce went on to experiment with bitumen of judea, a substance that hardened on exposure to light. In 1822, using bitumen of judea on glass, he produced a heliograph from an engraving. The first images from nature may have been made as early as 1824, but the world's earliest surviving photographic image was made in 1826. A view of the courtyard of Niepce's home in Chalon was captured on a pewter plate coated with bitumen of judea; an exposure of several hours was required, the softer parts of the bitumen being dissolved away by a solvent to reveal the image.
    In 1827 he took examples of his work to London where he met Francis Bauer, Secretary of the Royal Society. Nothing came of this meeting, but on returning to France Niepce continued his work and in 1829 entered into a formal partnership with L.J.M. Daguerre with a view to developing their mutual interest in capturing images formed by the camera obscura. However, the partnership made only limited progress and was terminated by Niepce's death in 1833. It was another six years before the announcement of the first practicable photographic processes was made.
    [br]
    Bibliography
    1973. Joseph Nicéphore Niepce lettres 1816–7, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.
    1974, Joseph Nicéphore Niepce correspondences 1825–1829, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.
    Further Reading
    J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides a full account of Niepce's life and work).
    H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London (provides a full account of Niepce's life and work).
    JW

    Biographical history of technology > Niepce, Joseph Nicéphore

  • 4 изображение

    display, icon, image, ( на экране индикатора) paint, pattern, picture, representation, record кфт.
    * * *
    изображе́ние с.
    1. опт. image
    изображе́ние ви́дно несовмещё́нным ( в дальномере) — the images are seen [appear] unmatched (in a range finder)
    восстана́вливать изображе́ние ( в голографии) — reconstruct the image (in holography)
    дава́ть перевё́рнутое изображе́ние — form an inverted image
    дава́ть прямо́е изображе́ние — form an erect image
    искажа́ть изображе́ние — distort the image
    (ме́тод) получе́ния изображе́ния — imagery
    наблюда́ть изображе́ние — view the image
    накла́дывать одно́ изображе́ние на друго́е — superimpose two images [one image onto another]
    получа́ть изображе́ние чего-л. с по́мощью электро́нного луча́ — image smth. by [with] an electron beam
    проеци́ровать изображе́ние на экра́не — project [throw] the image on the screen
    развё́ртывать изображе́ние — scan the image [picture]
    изображе́ния слива́ются — (two) images fuse together
    слия́ние изображе́ний — the fusion of (two) images
    «сма́зать» изображе́ние ( в фотографии) — blur the picture [image]
    совмеща́ть (полови́нки или два) изображе́ния ( в дальномере) — match the images
    увели́чивать изображе́ние — blow up [enlarge, magnify] the image
    уменьша́ть изображе́ние — reduce [scale down] the image
    уменьша́ть изображе́ние (напр. в приборах электронного зондирования) — demagnify the image
    чё́тко фокуси́ровать изображе́ние — bring the image into a sharp focus
    2. тлв. image, picture
    изображе́ние сжа́то, напр. све́рху, сни́зу — the picture is cramped at, e. g., top, bottom
    3. рлк., осцил. representation, display, pattern
    смеща́ть [перемеща́ть] изображе́ние — shift the display [pattern]
    4. мат. representation; transform
    аксонометри́ческое изображе́ние — axonometric drawing
    ви́димое изображе́ние — visible image
    внеосево́е изображе́ние — off-axis image
    изображе́ние в рентге́новских луча́х — X-ray image
    голографи́ческое изображе́ние — holographic image
    графи́ческое изображе́ние — graphic representation
    двойно́е изображе́ние — double image
    действи́тельное изображе́ние — real image
    дифракцио́нное изображе́ние — diffraction image
    зерка́льное изображе́ние — mirror image
    зерка́льное изображе́ние анте́нны — image antenna
    искажё́нное изображе́ние — distorted image
    изображе́ние исто́чника — source image
    изображе́ние исто́чника, зерка́льное — image source
    картографи́ческое изображе́ние — cartographic(al) representation
    кванто́ванное изображе́ние по вре́мени — sampled picture
    изображе́ние ко́да — code pattern
    конгруэ́нтное изображе́ние — true-sided image
    контра́стное изображе́ние — contrast [hard] image
    лапла́сово изображе́ние — Laplace transform
    находи́ть лапла́сово изображе́ние фу́нкции — apply the Laplace transform to a function
    находи́ть оригина́л по лапла́сову изображе́нию — recover the original function from its Laplace transform
    оты́скивать лапла́сово изображе́ние фу́нкции — find the Laplace transform of a function
    лате́нтное изображе́ние — latent image
    мни́мое изображе́ние — virtual image
    негати́вное изображе́ние — negative image
    неконтра́стное изображе́ние — soft image
    неподви́жное изображе́ние
    1. тлв. static image
    2. рлк. stationary pattern
    нечё́ткое изображе́ние — blind image
    обра́тное изображе́ние — reversed [inverted] image
    объё́мное изображе́ние — stereoscopic picture, three-dimensional presentation, 3-d image
    опти́ческое изображе́ние — optical image
    оста́точное изображе́ние ( на ЭЛТ) — after-image, retained image, image retention
    параксиа́льное изображе́ние — paraxial image
    перевё́рнутое изображе́ние — reversed [inverted] image
    перспекти́вное изображе́ние — perspective, panorama [panoramic] sketch
    побо́чное изображе́ние — false [ghost] image
    позити́вное изображе́ние — positive image
    по́лное изображе́ние — composite picture
    полутенево́е изображе́ние — scale-of-gray [gray-scale] image
    полуто́новое изображе́ние — half-tone image, half-tone picture
    изображе́ние, полу́ченное шли́рен-ме́тодом — schlieren image
    простра́нственное изображе́ние — stereoscopic picture, three-dimensional presentation, 3-d image
    прямо́е изображе́ние
    1. опт. erect image
    2. полигр. direct copy
    радиолокацио́нное изображе́ние — radar display
    ориенти́ровать радиолокацио́нное изображе́ние — orient [stabilize] the radar display
    радиолокацио́нное изображе́ние, ориенти́рованное относи́тельно и́стинного се́вера (меридиа́на) — north-(upwards-)stabilized [north-oriented, azimuth-stabilized] display
    радиолокацио́нное изображе́ние с ориента́цией по ку́рсу — heading-stabilized [vessel-oriented, relative] display
    радиолокацио́нное изображе́ние с ориента́цией по се́веру — north-(upwards-)stabilized [north-oriented, azimuth-stabilized] display
    раздво́енное изображе́ние тлв.split picture
    размы́тое изображе́ние — diffuse image
    расплы́вчатое изображе́ние — blurred image
    ра́стровое изображе́ние
    1. полигр. half-tone (photography), screening, half-tone reproduction
    2. свз. half-tone image
    расфокуси́рованное изображе́ние — out-of-focus [defocused] image
    ре́зкое изображе́ние — sharp [crisp] image
    изображе́ние релье́фа — relief representation
    изображе́ние релье́фа, гипсометри́ческое — colour-relief presentation, graded coloring, tonal printing
    изображе́ние релье́фа, стереоскопи́ческое — stereoscopic relief presentation
    изображе́ние релье́фа, фотографи́ческое — gelatin relief image
    светлопо́льное изображе́ние ( микроскопа) — bright-field image
    сере́бряное изображе́ние ( в фотографии) — silver image
    скры́тое изображе́ние — latent image
    сма́занное изображе́ние — smeared picture
    изображе́ние с рва́ными края́ми — ragged picture
    стереоскопи́ческое изображе́ние — stereoscopic picture, three-dimensional presentation, 3-d image
    стигмати́ческое изображе́ние — stigmatic [punctual] image
    стробоскопи́ческое изображе́ние — stroboscopic [frozen] image
    сфери́ческое изображе́ние — spherical representation
    сфокуси́рованное изображе́ние — in focus image
    схемати́ческое изображе́ние — diagrammatic representation, sketch
    темнопо́льное изображе́ние ( микроскопа) — dark-field image
    тенево́е изображе́ние — shadowgraph, direct-shadow image, skiagraph
    топографи́ческое изображе́ние — topographic(al) expression, representation of ground, terrain representation
    то́чечное изображе́ние — point image
    трёхме́рное изображе́ние — stereoscopic picture, three-dimensional presentation, 3-d image
    изображе́ние усло́вными зна́ками — symbolization
    фотографи́ческое изображе́ние — photographic image
    фотоэлектростати́ческое изображе́ние — photoelectrostatic image
    изображе́ние фу́нкции по Лапла́су — Laplace transform of a function
    цветно́е изображе́ние — colour image
    чё́рно-бе́лое изображе́ние — black-and-white picture
    чё́ткое изображе́ние — sharp [crisp] image
    чрезме́рно контра́стное изображе́ние — hard [harsh] image
    штрихово́е изображе́ние — line image
    электри́ческое изображе́ние — electrical image
    электро́нное изображе́ние — electronic image

    Русско-английский политехнический словарь > изображение

  • 5 растровое изображение

    1. полигр. half-tone, screening, half-tone reproduction
    2. свз. half-tone image

    Русско-английский большой базовый словарь > растровое изображение

  • 6 Talbot, William Henry Fox

    [br]
    b. 11 February 1800 Melbury, England
    d. 17 September 1877 Lacock, Wiltshire, England
    [br]
    English scientist, inventor of negative—positive photography and practicable photo engraving.
    [br]
    Educated at Harrow, where he first showed an interest in science, and at Cambridge, Talbot was an outstanding scholar and a formidable mathematician. He published over fifty scientific papers and took out twelve English patents. His interests outside the field of science were also wide and included Assyriology, etymology and the classics. He was briefly a Member of Parliament, but did not pursue a parliamentary career.
    Talbot's invention of photography arose out of his frustrating attempts to produce acceptable pencil sketches using popular artist's aids, the camera discura and camera lucida. From his experiments with the former he conceived the idea of placing on the screen a paper coated with silver salts so that the image would be captured chemically. During the spring of 1834 he made outline images of subjects such as leaves and flowers by placing them on sheets of sensitized paper and exposing them to sunlight. No camera was involved and the first images produced using an optical system were made with a solar microscope. It was only when he had devised a more sensitive paper that Talbot was able to make camera pictures; the earliest surviving camera negative dates from August 1835. From the beginning, Talbot noticed that the lights and shades of his images were reversed. During 1834 or 1835 he discovered that by placing this reversed image on another sheet of sensitized paper and again exposing it to sunlight, a picture was produced with lights and shades in the correct disposition. Talbot had discovered the basis of modern photography, the photographic negative, from which could be produced an unlimited number of positives. He did little further work until the announcement of Daguerre's process in 1839 prompted him to publish an account of his negative-positive process. Aware that his photogenic drawing process had many imperfections, Talbot plunged into further experiments and in September 1840, using a mixture incorporating a solution of gallic acid, discovered an invisible latent image that could be made visible by development. This improved calotype process dramatically shortened exposure times and allowed Talbot to take portraits. In 1841 he patented the process, an exercise that was later to cause controversy, and between 1844 and 1846 produced The Pencil of Nature, the world's first commercial photographically illustrated book.
    Concerned that some of his photographs were prone to fading, Talbot later began experiments to combine photography with printing and engraving. Using bichromated gelatine, he devised the first practicable method of photo engraving, which was patented as Photoglyphic engraving in October 1852. He later went on to use screens of gauze, muslin and finely powdered gum to break up the image into lines and dots, thus anticipating modern photomechanical processes.
    Talbot was described by contemporaries as the "Father of Photography" primarily in recognition of his discovery of the negative-positive process, but he also produced the first photomicrographs, took the first high-speed photographs with the aid of a spark from a Leyden jar, and is credited with proposing infra-red photography. He was a shy man and his misguided attempts to enforce his calotype patent made him many enemies. It was perhaps for this reason that he never received the formal recognition from the British nation that his family felt he deserved.
    [br]
    Principal Honours and Distinctions
    FRS March 1831. Royal Society Rumford Medal 1842. Grand Médaille d'Honneur, L'Exposition Universelle, Paris, 1855. Honorary Doctorate of Laws, Edinburgh University, 1863.
    Bibliography
    1839, "Some account of the art of photographic drawing", Royal Society Proceedings 4:120–1; Phil. Mag., XIV, 1839, pp. 19–21.
    8 February 1841, British patent no. 8842 (calotype process).
    1844–6, The Pencil of Nature, 6 parts, London (Talbot'a account of his invention can be found in the introduction; there is a facsimile edn, with an intro. by Beamont Newhall, New York, 1968.
    Further Reading
    H.J.P.Arnold, 1977, William Henry Fox Talbot, London.
    D.B.Thomas, 1964, The First Negatives, London (a lucid concise account of Talbot's photograph work).
    J.Ward and S.Stevenson, 1986, Printed Light, Edinburgh (an essay on Talbot's invention and its reception).
    H.Gernsheim and A.Gernsheim, 1977, The History of Photography, London (a wider picture of Talbot, based primarily on secondary sources).
    JW

    Biographical history of technology > Talbot, William Henry Fox

  • 7 точка

    dot, period вчт., full point полигр., point, site, spot, ( знак препинания) full stop
    * * *
    то́чка ж.
    1. мат. point
    в то́чке — at (the) point …
    взять отме́тку то́чки геод. — take a point, determine [establish] the elevation of a point
    исходи́ть из то́чки — issue [radiate, extend, emanate] from a point
    переводи́ть то́чку из положе́ния x0 в положе́ние x1 киб.steer x0 to x1
    с вы́кинутой то́чкой — punctured (e. g., of an interval)
    4. ( затачивание) grinding, sharpening
    то́чка аэросни́мка, гла́вная — principal point of an aerial photograph
    находи́ть гла́вную то́чку аэросни́мка — locate the principal point of an aerial photograph
    ба́зисная то́чка — base mark, base point
    барометри́ческая то́чка — barometrical (levelling) point
    бесконе́чно удалё́нная то́чка — point at infinity, infinite point, infinity
    взаи́мно обра́тная то́чка — inverse point
    взаи́мно сопряжё́нная то́чка — conjugate point
    то́чка визи́рования — point of sight, aiming [bearing, sighting] point
    внеосева́я то́чка — extra-axis point
    то́чка воды́, тройна́я — triple point of water
    то́чка воспламене́ния — ignition point
    то́чка вспы́шки — flash point
    то́чка вхо́да в програ́мму или подпрогра́мму вчт.entry point to a program or a subprogram
    то́чка вы́хода на орби́ту — point of injection into orbit
    гла́вная то́чка — principal point
    диакрити́ческая то́чка ( на кривой намагничивания) — diacritical point
    то́чка зажига́ния — firing point
    то́чка заме́ра — measuring point; measuring station
    то́чка замерза́ния — freezing point
    то́чка засто́я мех.stagnation point
    то́чка затвердева́ния — solidification point
    то́чка затвердева́ния зо́лота — gold point
    то́чка затвердева́ния серебра́ — silver point
    то́чка зени́та — zenith point
    зерка́льная то́чка — mirror point
    то́чка зре́ния — point of view, standpoint
    иденти́чная то́чка топ. — conjugate [homologous image, matching] point
    то́чка изло́ма криво́й — breakpoint
    изобража́ющая то́чка — representative point
    изоли́рованная то́чка — isolated point, acnode
    то́чка испаре́ния — evaporating [vaporization] point
    исхо́дная то́чка — datum [reference] point, origin; геод., топ. main base, head-of-the-line, initial [starting] point
    кардина́льная то́чка опт.cardinal point
    то́чка каса́ния — point of tangency
    то́чка каса́ния Земли́ ( самолетом) — touch-down point
    то́чка кипе́ния — boiling point
    повыша́ть то́чку кипе́ния — elevate the boiling point (of …)
    пони́жать то́чку кипе́ния — depress the boiling point (of …)
    то́чка кипе́ния, нача́льная — initial boiling point
    то́чка конверге́нции геод., картогр.convergence point
    конденсацио́нная то́чка — condensation point
    коне́чная то́чка
    1. геод., топ. finishing [terminal] point
    2. ( титрования) end point
    то́чка конта́кта — contact point
    контро́льная то́чка — check point
    кра́тная то́чка — multiple point
    крити́ческая то́чка
    1. critical point
    2. аргд. stagnation point
    крити́ческая то́чка при охлажде́нии метал. — Ar -point
    то́чка Кюри́, магни́тная — Curie point, magnetic transition temperature
    то́чка магистра́ли, нача́льная геод.initial mark of the base (line)
    материа́льная то́чка — material point, particle
    мё́ртвая то́чка
    1. ( трубопровода) anchoring point
    мё́ртвая, ве́рхняя то́чка — top dead centre
    мё́ртвая, ни́жняя то́чка — bottom dead centre
    то́чка минима́льного подхо́да — the closest point of approach
    то́чка ми́нимума то́ка ( туннельного диода) — valley point
    то́чка наблюде́ния геод., топ. — point of observation, point of sight, point of view, aiming point
    то́чка нади́ра — nadir point, photographic nadir
    то́чка насыще́ния — saturation point
    нейтра́льная то́чка — neutral point
    то́чка неопределё́нности мат.ambiguous point
    неосо́бая то́чка мат. — regular [nonsingular] point
    нивели́рная то́чка — point of level(ling), level(l)ing point
    нулева́я то́чка — null [zero] point
    нулева́я, иску́сственная то́чка эл.artificial earthing point
    опо́рная то́чка — (point of) control
    опо́рная, высо́тная то́чка — vertical control point
    опо́рная, пла́новая то́чка — horizontal [plan] control point
    то́чка опо́ры — point of support, point of bearing, supporting point, fulcrum
    то́чка осажде́ния — precipitation point
    осо́бая то́чка мат. — singular point, singularity
    то́чка отбо́ра электропита́ния (особ. для бытовых приборов) — convenience outlet
    отождествлё́нная то́чка — conjugate [homologous image, matching] point
    то́чка отры́ва пото́ка аргд. — separation [break-away] point
    то́чка переги́ба криво́й — inflection point, point of inflection
    то́чка пересече́ния — intersection point, cross-point, point of intersection
    то́чка перехо́да — transition point
    то́чка перехо́да в жи́дкую фа́зу — liquefaction point
    то́чка плавле́ния — melting [fusion] point
    то́чка поворо́та — turning point
    пограни́чная то́чка — boundary point
    то́чка подключе́ния ( в теории цепей) — terminal
    то́чка поко́я — stationary [rest] point, point of rest
    полигонометри́ческая то́чка — transit [traverse, polygonometric] point
    то́чка полови́нной мо́щности — half-power point
    то́чка помутне́ния — cloud point
    потенциа́льно заземлё́нная то́чка — брит. virtual earth; амер. virtual ground
    то́чка превраще́ния — transformation point
    то́чка привя́зки геод., топ. — point of reference, junction [tie] point
    то́чка приложе́ния нагру́зки — load point
    то́чка приложе́ния подъё́мной си́лы — lift centre, centre of lift
    то́чка приложе́ния си́лы — point of application, force point
    рабо́чая то́чка ( на характеристике радиолампы) — operating [quiescent, Q] point
    то́чка равнове́сия — equilibrium point
    то́чка разветвле́ний — branch point; ( на структурных схемах систем регулирования) (data) take-off point
    то́чка разветвле́ния схе́мы — junction point of a network
    то́чка размягче́ния — softening point
    то́чка разры́ва непреры́вности аргд.discontinuity (point)
    ра́стровая то́чка полигр. — screen [half-tone] dot
    то́чка ре́перная то́чка
    1. datum [reference] point
    2. ( термометра) fixed point
    то́чка росы́ — dew point
    сварна́я то́чка — spot weld, weld spot
    то́чка сво́да, вы́сшая — roof crown
    седлова́я то́чка мат.saddle point
    то́чка сма́зки — lubrication point
    то́чка с нулевы́м потенциа́лом — point at zero potential, datum point
    соотве́тственная то́чка топ. — conjugate [homologous image, matching] point
    сопряжё́нная то́чка — conjugate point
    сре́дняя то́чка — midpoint
    сре́дняя то́чка на обмо́тке (напр. трансформатора) — centre tap
    то́чка сры́ва пото́ка аргд. — separation [burble] point
    то́чка стеклова́ния — glass-transition point
    то́чка стоя́ния геод., топ. — point of observation, point of sight, point of view, aiming point
    сумми́рующая то́чка ( в операционном усилителе) — summing junction
    то́чка схо́да мат.vanishing point
    счисли́мая то́чка навиг. — dead-reckoning [D.R.] position
    то́чка та́яния — melting point
    то́чка теку́чести — flow point
    тройна́я то́чка — triple point
    узлова́я то́чка мат. — nodal point, node
    устано́вочная то́чка — work point
    то́чка шарни́ра — hinge point
    эвтекти́ческая то́чка — eutectic point
    эквивале́нтная то́чка ( в титровании) — equivalence point

    Русско-английский политехнический словарь > точка

  • 8 Lippman, Gabriel

    [br]
    b. 16 August 1845 Hallerick, Luxembourg
    d. 14 July 1921 at sea, in the North Atlantic
    [br]
    French physicist who developed interference colour photography.
    [br]
    Born of French parents, Lippman's work began with a distinguished career in classics, philosophy, mathematics and physics at the Ecole Normale in Luxembourg. After further studies in physics at Heidelberg University, he returned to France and the Sorbonne, where he was in 1886 appointed Director of Physics. He was a leading pioneer in France of research into electricity, optics, heat and other branches of physics.
    In 1886 he conceived the idea of recording the existence of standing waves in light when it is reflected back on itself, by photographing the colours so produced. This required the production of a photographic emulsion that was effectively grainless: the individual silver halide crystals had to be smaller than the shortest wavelength of light to be recorded. Lippman succeeded in this and in 1891 demonstrated his process. A glass plate was coated with a grainless emulsion and held in a special plate-holder, glass towards the lens. The back of the holder was filled with mercury, which provided a perfect reflector when in contact with the emulsion. The standing waves produced during the exposure formed laminae in the emulsion, with the number of laminae being determined by the wavelength of the incoming light at each point on the image. When the processed plate was viewed under the correct lighting conditions, a theoretically exact reproduction of the colours of the original subject could be seen. However, the Lippman process remained a beautiful scientific demonstration only, since the ultra-fine-grain emulsion was very slow, requiring exposure times of over 10,000 times that of conventional negative material. Any method of increasing the speed of the emulsion also increased the grain size and destroyed the conditions required for the process to work.
    [br]
    Principal Honours and Distinctions
    Royal Photographic Society Progress Medal 1897. Nobel Prize (for his work in interference colour photography) 1908.
    Further Reading
    J.S.Friedman, 1944, History of Colour Photography, Boston.
    Brian Coe, 1978, Colour Photography: The First Hundred Years, London. Gert Koshofer, 1981, Farbfotografie, Vol. I, Munich.
    BC

    Biographical history of technology > Lippman, Gabriel

  • 9 Blanquart-Evrard, Louis-Désiré

    [br]
    b. 2 August 1802 Lille, France
    d. 28 April 1872 Lille, France
    [br]
    French photographer, photographic innovator and entrepreneur.
    [br]
    After beginning his working life in a tobacco company, Blanquart-Evrard became Laboratory Assistant to a chemist. He also became interested in painting on ivory and porcelain, foreshadowing a life-long interest in science and art. Following his marriage to the daughter of a textile merchant, Blanquart-Evrard became a partner in the family business in Lyon. During the 1840s he became interested in Talbot's calotype process and found that by applying gallic acid alone, as a developing agent after exposure, the exposure time could be shorter and the resulting image clearer. Blanquart-Evrard recognized that his process was well suited to producing positive prints in large numbers. During 1851 and 1852, in association with an artist friend, he became involved in producing quantities of prints for book illustrations. In 1849 he had announced a glass negative process similar to that devised two years earlier by Niepcc de St Victor. The carrying agent for silver salts was albumen, and more far-reaching was his albumen-coated printing-out paper announced in 1850. Albumen printing paper was widely adopted and the vast majority of photographs made in the nineteenth century were printed in this form. In 1870 Blanquart-Evrard began an association with the pioneer colour photographer Ducos du Hauron with a view to opening a three-colour printing establishment. Unfortunately plans were delayed by the Franco-Prussian War, and Blanquart-Evrard died in 1872 before the project could be brought to fruition.
    [br]
    Bibliography
    1851, Traité de photographie sur papier, Paris (provides details of his improvements to Talbot's process).
    Further Reading
    J.M.Eder, 1945, History of Photography, trans. E. Epstein, New York.
    JW

    Biographical history of technology > Blanquart-Evrard, Louis-Désiré

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