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1 roll film camera
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2 roll film camera
Англо-русский словарь промышленной и научной лексики > roll film camera
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3 film
m (G filmu) 1. (w kinie) film, movie US- filmy dla dzieci children’s films- film tylko dla dorosłych an adult a. adults only film- film o ptakach a film about birds- oglądać film w telewizji to watch a film on TV- nakręcić film to shoot a. make a film- występować w filmie to appear in a film- jako dziecko często występowała w filmach she was a child actress- jego ostatni film właśnie wchodzi na ekrany his latest film has just been released- prawie we wszystkich kinach grają teraz filmy sensacyjne thrillers are playing in almost every cinema at the moment- pójść do kina na film to go to (see) a film- zaprosić kogoś na film to invite sb to the cinema2. sgt (kinematografia) the cinema, the movies US, film U- francuska szkoła filmu French cinema- interesować się filmem to be interested in film a. (the) cinema3. (klisza) film U- włożyć nowy film do aparatu to put a new roll of film in(to) one’s camera- rolka filmu a roll of film- oddać film do wywołania to have some film developed- film barwny colour film- film negatywowy (photographic) film4. (taśma filmowa) film- film się zerwał w połowie pokazu the film broke in the middle of the screening5. (warstwa ochrona) film- ścianki rury pokryte są cienkim filmem the pipe is coated inside with a thin film- □ film akcji Kino action film- film autorski Kino auteur(ist) film- film dokumentalny Kino documentary- film drogi Kino road film- film edukacyjny Kino educational film- film epicki Kino epic (film)- film fabularny feature (film)- film grozy Kino horror (film)- film historyczny Kino historical film- film kostiumowy Kino costume drama- film krótkometrażowy Kino short (subject)- film kryminalny Kino detective a. gangster film- film muzyczny Kino musical film- film niemy Kino silent (film)- film nowelowy Kino episodic film- film obyczajowy Kino drama- film paradokumentalny Kino semidocumentary (film)- film płaszcza i szpady Kino costume adventure (film)- film przygodowy Kino adventure film- film przyrodniczy Kino documentary a. nature film- film rodzinny Kino family film- film stereoskopowy Fot. stereoscopic film- film telewizyjny Kino film made for television- film średniometrażowy Kino medium-length film■ film mu/mi się urwał pot. he/I got completely a. totally blotto* * *film; ( fabularny) (feature) film; ( dokumentalny) documentary (film); ( kinematografia) film (BRIT) lub movie (US) industryfilm animowany lub rysunkowy — (animated) cartoon
* * *mi1. ( utwór kinematograficzny) movie, film, motion picture; film fabularny feature film; film dźwiękowy movie with sound; film niemy silent film; film pełnometrażowy (full-length) feature film; film krótkometrażowy short film; film kostiumowy costume drama; film dokumentalny documentary (film); film reklamowy promotional film, infomercial; film rysunkowy (animated) cartoon, animated film; film panoramiczny wide-screen film; film animowany animated film; nakręcić film make l. shoot a film; (= kinematografia) film, cinematography; pot. the movies; szkoła filmu film school.2. fot. (= taśma, błona) film; film barwny/kolorowy color film; film czarno-biały black and white film; prześwietlić film expose film; film się komuś urwał pot. sb blacked out.The New English-Polish, Polish-English Kościuszko foundation dictionary > film
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4 широкопленочный фотоаппарат
Русско-английский технический словарь > широкопленочный фотоаппарат
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5 широкопленочный фотоаппарат
Русско-английский политехнический словарь > широкопленочный фотоаппарат
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6 широкопленочный фотоаппарат
Русско-английский научно-технический словарь Масловского > широкопленочный фотоаппарат
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7 фотоаппарат
* * *фотоаппара́т м.
(photographic) cameraзаряжа́ть или разряжа́ть фотоаппара́т, напр. при дневно́м све́те — load or unload the camera, e. g., in daylightзерка́льный фотоаппара́т — reflex cameraзерка́льный, однообъекти́вный фотоаппара́т — single-lens reftex cameraкрупноформа́тный фотоаппара́т — large size process cameraмалоформа́тный фотоаппара́т — miniature cameraмикроформа́тный фотоаппара́т — sub-miniature cameraминиатю́рный фотоаппара́т — sub-miniature cameraпласти́ночный фотоаппара́т — plate cameraплё́ночный фотоаппара́т — film cameraподво́дный фотоаппара́т — underwater cameraрепродукцио́нный фотоаппара́т — reproduction [copying, process] (still) cameraрепродукцио́нный, вертика́льный фотоаппара́т — vertical process cameraрепродукцио́нный, горизонта́льный фотоаппара́т — floor-type [overhead] process cameraрепродукцио́нный, двухко́мнатный фотоаппара́т полигр. — darkroom process cameraрепродукцио́нный, подвесно́й фотоаппара́т полигр. — suspension-type process cameraскладно́й фотоаппара́т — folding cameraстереоскопи́ческий фотоаппара́т — stereo(scopic) cameraширокоплё́ночный фотоаппара́т — roll-film camera -
8 фотоаппарат под роликовую фотопленку
фотоаппарат под роликовую фотопленку
Фотоаппарат для съемки на роликовую фотопленку.
[ ГОСТ 25205-82]Тематики
- фотоаппараты, объективы, затворы
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DE
FR
Русско-английский словарь нормативно-технической терминологии > фотоаппарат под роликовую фотопленку
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9 фотоапарат за ролфилм
roll-film cameraroll-film camerasБългарски-Angleščina политехнически речник > фотоапарат за ролфилм
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10 Marey, Etienne-Jules
[br]b. 5 March 1830 Beaune, Franced. 15 May 1904 Paris, France[br]French physiologist and pioneer of chronophotography.[br]At the age of 19 Marey went to Paris to study medicine, becoming particularly interested in the problems of the circulation of the blood. In an early communication to the Académie des Sciences he described a much improved device for recording the pulse, the sphygmograph, in which the beats were recorded on a smoked plate. Most of his subsequent work was concerned with methods of recording movement: to study the movement of the horse, he used pneumatic sensors on each hoof to record traces on a smoked drum; this device became known as the Marey recording tambour. His attempts to study the wing movements of a bird in flight in the same way met with limited success since the recording system interfered with free movement. Reading in 1878 of Muybridge's work in America using sequence photography to study animal movement, Marey considered the use of photography himself. In 1882 he developed an idea first used by the astronomer Janssen: a camera in which a series of exposures could be made on a circular photographic plate. Marey's "photographic gun" was rifle shaped and could expose twelve pictures in approximately one second on a circular plate. With this device he was able to study wing movements of birds in free flight. The camera was limited in that it could record only a small number of images, and in the summer of 1882 he developed a new camera, when the French government gave him a grant to set up a physiological research station on land provided by the Parisian authorities near the Porte d'Auteuil. The new design used a fixed plate, on which a series of images were recorded through a rotating shutter. Looking rather like the results provided by a modern stroboscope flash device, the images were partially superimposed if the subject was slow moving, or separated if it was fast. His human subjects were dressed all in white and moved against a black background. An alternative was to dress the subject in black, with highly reflective strips and points along limbs and at joints, to produce a graphic record of the relationships of the parts of the body during action. A one-second-sweep timing clock was included in the scene to enable the precise interval between exposures to be assessed. The fixed-plate cameras were used with considerable success, but the number of individual records on each plate was still limited. With the appearance of Eastman's Kodak roll-film camera in France in September 1888, Marey designed a new camera to use the long rolls of paper film. He described the new apparatus to the Académie des Sciences on 8 October 1888, and three weeks later showed a band of images taken with it at the rate of 20 per second. This camera and its subsequent improvements were the first true cinematographic cameras. The arrival of Eastman's celluloid film late in 1889 made Marey's camera even more practical, and for over a decade the Physiological Research Station made hundreds of sequence studies of animals and humans in motion, at rates of up to 100 pictures per second. Marey pioneered the scientific study of movement using film cameras, introducing techniques of time-lapse, frame-by-frame and slow-motion analysis, macro-and micro-cinematography, superimposed timing clocks, studies of airflow using smoke streams, and other methods still in use in the 1990s. Appointed Professor of Natural History at the Collège de France in 1870, he headed the Institut Marey founded in 1898 to continue these studies. After Marey's death in 1904, the research continued under the direction of his associate Lucien Bull, who developed many new techniques, notably ultra-high-speed cinematography.[br]Principal Honours and DistinctionsForeign member of the Royal Society 1898. President, Académie des Sciences 1895.Bibliography1860–1904, Comptes rendus de l'Académie des Sciences de Paris.1873, La Machine animale, Paris 1874, Animal Mechanism, London.1893, Die Chronophotographie, Berlin. 1894, Le Mouvement, Paris.1895, Movement, London.1899, La Chronophotographie, Paris.Further Reading1905, Travaux de l'Association de l'Institut Marey, Paris. Brian Coe, 1981, History of Movie Photography, London.——1992, Muybridge and the Chronophotographers, London. Jacques Deslandes, 1966, Histoire comparée du cinéma, Vol. I, Paris.See also: Demenÿ, GeorgesBC / MG -
11 аппарат для скоростной съемки
Русско-английский научный словарь > аппарат для скоростной съемки
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12 плёночный фотоаппарат
Engineering: film camera, roll-film cameraУниверсальный русско-английский словарь > плёночный фотоаппарат
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13 аппарат для микрофильмирования на рулонную фотоплёнку
Polygraphy: roll-film cameraУниверсальный русско-английский словарь > аппарат для микрофильмирования на рулонную фотоплёнку
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14 фотоаппарат для съёмки на рулонную фотоплёнку
Polygraphy: roll film cameraУниверсальный русско-английский словарь > фотоаппарат для съёмки на рулонную фотоплёнку
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15 фотоаппарат под роликовую (катушечную) плёнку
Engineering: roll film cameraУниверсальный русско-английский словарь > фотоаппарат под роликовую (катушечную) плёнку
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16 широкоплёночный фотоаппарат
Engineering: roll-film cameraУниверсальный русско-английский словарь > широкоплёночный фотоаппарат
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17 фотоаппарат под роликовую плёнку
Engineering: (катушечную) roll film cameraУниверсальный русско-английский словарь > фотоаппарат под роликовую плёнку
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18 Rollfilmkamera
f < phot> ■ roll-film camera -
19 пленочный фотоаппарат
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20 Eastman, George
SUBJECT AREA: Photography, film and optics[br]b. 12 July 1854 Waterville, New York, USAd. 14 March 1932 Rochester, New York, USA[br]American industrialist and pioneer of popular photography.[br]The young Eastman was a clerk-bookkeeper in the Rochester Savings Bank when in 1877 he took up photography. Taking lessons in the wet-plate process, he became an enthusiastic amateur photographer. However, the cumbersome equipment and noxious chemicals used in the process proved an obstacle, as he said, "It seemed to be that one ought to be able to carry less than a pack-horse load." Then he came across an account of the new gelatine dry-plate process in the British Journal of Photography of March 1878. He experimented in coating glass plates with the new emulsions, and was soon so successful that he decided to go into commercial manufacture. He devised a machine to simplify the coating of the plates, and travelled to England in July 1879 to patent it. In April 1880 he prepared to begin manufacture in a rented building in Rochester, and contacted the leading American photographic supply house, E. \& H.T.Anthony, offering them an option as agents. A local whip manufacturer, Henry A.Strong, invested $1,000 in the enterprise and the Eastman Dry Plate Company was formed on 1 January 1881. Still working at the Savings Bank, he ran the business in his spare time, and demand grew for the quality product he was producing. The fledgling company survived a near disaster in 1882 when the quality of the emulsions dropped alarmingly. Eastman later discovered this was due to impurities in the gelatine used, and this led him to test all raw materials rigorously for quality. In 1884 the company became a corporation, the Eastman Dry Plate \& Film Company, and a new product was announced. Mindful of his desire to simplify photography, Eastman, with a camera maker, William H.Walker, designed a roll-holder in which the heavy glass plates were replaced by a roll of emulsion-coated paper. The holders were made in sizes suitable for most plate cameras. Eastman designed and patented a coating machine for the large-scale production of the paper film, bringing costs down dramatically, the roll-holders were acclaimed by photographers worldwide, and prizes and medals were awarded, but Eastman was still not satisfied. The next step was to incorporate the roll-holder in a smaller, hand-held camera. His first successful design was launched in June 1888: the Kodak camera. A small box camera, it held enough paper film for 100 circular exposures, and was bought ready-loaded. After the film had been exposed, the camera was returned to Eastman's factory, where the film was removed, processed and printed, and the camera reloaded. This developing and printing service was the most revolutionary part of his invention, since at that time photographers were expected to process their own photographs, which required access to a darkroom and appropriate chemicals. The Kodak camera put photography into the hands of the countless thousands who wanted photographs without complications. Eastman's marketing slogan neatly summed up the advantage: "You Press the Button, We Do the Rest." The Kodak camera was the last product in the design of which Eastman was personally involved. His company was growing rapidly, and he recruited the most talented scientists and technicians available. New products emerged regularly—notably the first commercially produced celluloid roll film for the Kodak cameras in July 1889; this material made possible the introduction of cinematography a few years later. Eastman's philosophy of simplifying photography and reducing its costs continued to influence products: for example, the introduction of the one dollar, or five shilling, Brownie camera in 1900, which put photography in the hands of almost everyone. Over the years the Eastman Kodak Company, as it now was, grew into a giant multinational corporation with manufacturing and marketing organizations throughout the world. Eastman continued to guide the company; he pursued an enlightened policy of employee welfare and profit sharing decades before this was common in industry. He made massive donations to many concerns, notably the Massachusetts Institute of Technology, and supported schemes for the education of black people, dental welfare, calendar reform, music and many other causes, he withdrew from the day-to-day control of the company in 1925, and at last had time for recreation. On 14 March 1932, suffering from a painful terminal cancer and after tidying up his affairs, he shot himself through the heart, leaving a note: "To my friends: My work is done. Why wait?" Although Eastman's technical innovations were made mostly at the beginning of his career, the organization which he founded and guided in its formative years was responsible for many of the major advances in photography over the years.[br]Further ReadingC.Ackerman, 1929, George Eastman, Cambridge, Mass.B.Coe, 1973, George Eastman and the Early Photographers, London.BC
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