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61 Smeaton, John
SUBJECT AREA: Civil engineering, Mechanical, pneumatic and hydraulic engineering, Steam and internal combustion engines[br]b. 8 June 1724 Austhorpe, near Leeds, Yorkshire, Englandd. 28 October 1792 Austhorpe, near Leeds, Yorkshire, England[br]English mechanical and civil engineer.[br]As a boy, Smeaton showed mechanical ability, making for himself a number of tools and models. This practical skill was backed by a sound education, probably at Leeds Grammar School. At the age of 16 he entered his father's office; he seemed set to follow his father's profession in the law. In 1742 he went to London to continue his legal studies, but he preferred instead, with his father's reluctant permission, to set up as a scientific instrument maker and dealer and opened a shop of his own in 1748. About this time he began attending meetings of the Royal Society and presented several papers on instruments and mechanical subjects, being elected a Fellow in 1753. His interests were turning towards engineering but were informed by scientific principles grounded in careful and accurate observation.In 1755 the second Eddystone lighthouse, on a reef some 14 miles (23 km) off the English coast at Plymouth, was destroyed by fire. The President of the Royal Society was consulted as to a suitable engineer to undertake the task of constructing a new one, and he unhesitatingly suggested Smeaton. Work began in 1756 and was completed in three years to produce the first great wave-swept stone lighthouse. It was constructed of Portland stone blocks, shaped and pegged both together and to the base rock, and bonded by hydraulic cement, scientifically developed by Smeaton. It withstood the storms of the English Channel for over a century, but by 1876 erosion of the rock had weakened the structure and a replacement had to be built. The upper portion of Smeaton's lighthouse was re-erected on a suitable base on Plymouth Hoe, leaving the original base portion on the reef as a memorial to the engineer.The Eddystone lighthouse made Smeaton's reputation and from then on he was constantly in demand as a consultant in all kinds of engineering projects. He carried out a number himself, notably the 38 mile (61 km) long Forth and Clyde canal with thirty-nine locks, begun in 1768 but for financial reasons not completed until 1790. In 1774 he took charge of the Ramsgate Harbour works.On the mechanical side, Smeaton undertook a systematic study of water-and windmills, to determine the design and construction to achieve the greatest power output. This work issued forth as the paper "An experimental enquiry concerning the natural powers of water and wind to turn mills" and exerted a considerable influence on mill design during the early part of the Industrial Revolution. Between 1753 and 1790 Smeaton constructed no fewer than forty-four mills.Meanwhile, in 1756 he had returned to Austhorpe, which continued to be his home base for the rest of his life. In 1767, as a result of the disappointing performance of an engine he had been involved with at New River Head, Islington, London, Smeaton began his important study of the steam-engine. Smeaton was the first to apply scientific principles to the steam-engine and achieved the most notable improvements in its efficiency since its invention by Newcomen, until its radical overhaul by James Watt. To compare the performance of engines quantitatively, he introduced the concept of "duty", i.e. the weight of water that could be raised 1 ft (30 cm) while burning one bushel (84 lb or 38 kg) of coal. The first engine to embody his improvements was erected at Long Benton colliery in Northumberland in 1772, with a duty of 9.45 million pounds, compared to the best figure obtained previously of 7.44 million pounds. One source of heat loss he attributed to inaccurate boring of the cylinder, which he was able to improve through his close association with Carron Ironworks near Falkirk, Scotland.[br]Principal Honours and DistinctionsFRS 1753.Bibliography1759, "An experimental enquiry concerning the natural powers of water and wind to turn mills", Philosophical Transactions of the Royal Society.Towards the end of his life, Smeaton intended to write accounts of his many works but only completed A Narrative of the Eddystone Lighthouse, 1791, London.Further ReadingS.Smiles, 1874, Lives of the Engineers: Smeaton and Rennie, London. A.W.Skempton, (ed.), 1981, John Smeaton FRS, London: Thomas Telford. L.T.C.Rolt and J.S.Allen, 1977, The Steam Engine of Thomas Newcomen, 2nd edn, Hartington: Moorland Publishing, esp. pp. 108–18 (gives a good description of his work on the steam-engine).LRD -
62 рок-н-ролл
1) General subject: rock and roll, rock'n'roll (стиль музыки и танца), rock-and-roll (стиль музыки и танца)2) Microsoft: Rock & Roll -
63 hacer mella
v.to have an effect, to have consequence, to have consequences, to affect.* * *(v.) = take + Posesivo + toll (on), leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impression, hit + homeEx. The pressures which modern society puts on all its members are great and those pressures take their toll.Ex. The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex. Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex. Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex. Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex. Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex. The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers.Ex. With our students, with our employees, the stress of the pulp and paper mill's shutdown is starting to hit home.* * *(v.) = take + Posesivo + toll (on), leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impression, hit + homeEx: The pressures which modern society puts on all its members are great and those pressures take their toll.
Ex: The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex: Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex: Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex: Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex: Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex: The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers.Ex: With our students, with our employees, the stress of the pulp and paper mill's shutdown is starting to hit home. -
64 dejar huella
v.to make an impression, to leave an imprint, to leave a marking, to make an imprint.* * *to leave one's mark (en, on)* * *(v.) = leave + Posesivo + mark, cut + a swath(e), leave + a trace, touch + Posesivo + life, leave + an impression, leave + an imprint, make + an impressionEx. Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex. Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex. We're all puzzled by the mystery of the Bermuda Triangle where hundreds of boats and planes have disappeared into the blue leaving no trace at all.Ex. Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex. The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex. Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex. The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers.* * *(v.) = leave + Posesivo + mark, cut + a swath(e), leave + a trace, touch + Posesivo + life, leave + an impression, leave + an imprint, make + an impressionEx: Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.
Ex: Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex: We're all puzzled by the mystery of the Bermuda Triangle where hundreds of boats and planes have disappeared into the blue leaving no trace at all.Ex: Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex: The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex: Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex: The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers. -
65 меж двух огней
1) General subject: between Scylla and Charybdis2) Literal: between two fires4) Set phrase: between a rock and a hard place (напр, they often find themselves caught between a rock and a hard place)5) American English: Catch-22, Hobson's choice, between the hammer and the anvil, cornered, in a dilemma, in a pickle, in a predicament, in the middle, no choice, sitting on a powder keg6) Current usage: between the devil and the deep blue sea -
66 dejar mella
(v.) = leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impressionEx. The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex. Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex. Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex. Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex. Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex. The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers.* * *(v.) = leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impressionEx: The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.
Ex: Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex: Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex: Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex: Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex: The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers. -
67 hacer huella
(v.) = leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impressionEx. The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.Ex. Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex. Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex. Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex. Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex. The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers.* * *(v.) = leave + an impression, touch + Posesivo + life, leave + Posesivo + mark, cut + a swath(e), leave + an imprint, make + an impressionEx: The impression left by the two early attempts to create universal bibliographic control was that the creation of one universal source of reference was beyond human resources and resourcefulness.
Ex: Despite his faults, he still manages to change and touch many people's lives through his infectious laughter.Ex: Unfortunately, age and lack of proper care have left their marks on many valuable publications, some of which can no longer be used today.Ex: Nilsson's adamantine voice cut a swathe through 20th-century operatic history.Ex: Their music redefined rock and roll for an entire generation, leaving an imprint that endures to this day.Ex: The reference librarians, by being uninformed, will undoubtedly not make as good an impression on the important city managers. -
68 между молотом и наковальней
книжн.between < the> hammer and < the> anvil; cf. between a rock and a hard spot; between the upper and nether millstones; between the devil and the blue (the deep) seaРазночинец был слишком занят своей личной судьбой, поисками своей роли в драме жизни. Разночинец жил "между молотом и наковальней", молот - самодержавие, наковальня - народ. (М. Горький, О том, как я учился писать) — The raznochinets was too much concerned with his own fate and with finding his own place in the drama of life; he found himself between the hammer of the autocracy and the anvil of the people.
"Попали между молотом и наковальней. Какой-нибудь умник скажет: раньше думать надо было. Будь у нас возможность выбора, уж сообразили бы..." (В. Черняк, Час пробил) — 'And now we're caught between a rock and a hard spot. Some smart ass would say we should have done our thinking sooner. If we'd had a choice, maybe we would have done things differently...'
Русско-английский фразеологический словарь > между молотом и наковальней
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69 campanilleo
m.1 tinkle, tinkling sound.2 pealing, chiming, tinkling.pres.indicat.1st person singular (yo) present indicative of spanish verb: campanillear.* * *1 ringing* * *SM ringing, tinkling* * *= tinkle, jingle.Ex. When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.Ex. She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *= tinkle, jingle.Ex: When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.
Ex: She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *
campanilleo sustantivo masculino ringing
* * *campanilleo nmtinkle, tinkling sound -
70 cascabeleo
m.1 tinkle, jingle.2 jingling, jingle, tinkling.pres.indicat.1st person singular (yo) present indicative of spanish verb: cascabelear.* * *1 rattle* * *SM jingling, tinkling* * *masculino ( sonido - de cascabeles) jingle, jingling; (- de motor, piezas) (AmL) rattle* * *= tinkle, jingle.Ex. When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.Ex. She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *masculino ( sonido - de cascabeles) jingle, jingling; (- de motor, piezas) (AmL) rattle* * *= tinkle, jingle.Ex: When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.
Ex: She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *( AmL)rattleel motor tiene un cascabeleo there's a rattle in the engine* * *cascabeleo nmtinkle, jingle -
71 retintín
m.1 tinkle, jingle, clink, rhythmic tapping.2 undertone.* * *1 (sonido) tinkling, ringing2 figurado innuendo, sarcastic tone* * *SM1) (=tono sarcástico) sarcastic tone2) (=tilín) tinkle, tinkling; [de llaves] jingle, jangle; [en el oído] ringing* * *a) (fam) ( tonillo sarcástico) sarcastic tone of voiceb) ( sonido) ( de cascabeles) tinkling; ( de pulseras) jingling, jangling* * *= tinkle, jingle.Ex. When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.Ex. She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *a) (fam) ( tonillo sarcástico) sarcastic tone of voiceb) ( sonido) ( de cascabeles) tinkling; ( de pulseras) jingling, jangling* * *= tinkle, jingle.Ex: When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.
Ex: She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *1 ( fam) (tonillo sarcástico) sarcastic tone of voicelo dijo con cierto retintín he said it somewhat sarcastically, he said it in a rather snide way2(sonido): el retintín de los cascabeles the tinkling of (little) bellsel retintín de las pulseras que llevaba the jingling o jangling of the bracelets she was wearingme quedó un retintín en los oídos I had a ringing in my ears* * *
retintín sustantivo masculino (fam) ( tonillo sarcástico) sarcastic tone of voice;
retintín m fam
1 (al hablar) sarcasm
con retintín, sarcastically
2 (de una campana, pulseras, etc) tinkling, jingling
* * *retintín nm1. [ironía] sarcastic tone;con retintín sarcastically2. [tintineo] ringing;aún tengo el retintín de las campanas en el oído I can still hear the bells ringing in my ears* * *m:con retintín fam sarcastically* * *1) : jingle, jangle2)con retintín : sarcastically -
72 tintineo
m.1 tinkle, tinkling.2 jingle, tinkle, chinking sound, clink.3 ringing in the ears, tinnitus, entotic sounds.pres.indicat.1st person singular (yo) present indicative of spanish verb: tintinear.* * *1 (de vidrio) clink, clinking, chink2 (de campanillas) jingling, ting-a-ling* * *noun m.jingle, tinkle* * *SM = tintín* * *= tinkle, jingle.Ex. When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.Ex. She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.----* tintineo, tilín, retintín = tinkle.* * *= tinkle, jingle.Ex: When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.
Ex: She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* tintineo, tilín, retintín = tinkle.* * ** * *
tintineo sustantivo masculino
1 clinking
2 tinkling
' tintineo' also found in these entries:
Spanish:
telefonear
English:
chink
- clink
- jingle
* * *tintineo nmtinkle, tinkling* * *tintineo nm: clink, jingle, tinkle -
73 tintín
m.clink, ding-a-ling.* * *1 (de campanilla) jingle, tinkle, ting-a-ling2 (de copas) clink, clinking* * *SM [de campanilla] tinkle, tinkling; [de cadena, llaves] jingle; [de copas, tazas] clink, chink* * ** * *= tinkle, jingle.Ex. When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.Ex. She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * ** * *= tinkle, jingle.Ex: When we stopped half-way up for tea I put my rucksack down on a rock and heard a tinkle of breaking glass -- my thermos was at the bottom.
Ex: She heard a jingle of keys and turned to find that a man standing next to her had removed keys and some cash from her purse.* * *(de una campanilla) tinkling, jingling; (de una copa) clinking* * *
tintín sustantivo masculino ( de campanilla) tinkling, jingling;
( de copa) clinking
* * *tintín nm1. [de vasos] clink, clinking2. [de campanilla] tinkle, tinkling -
74 incudine
f anvil* * *incudine s.f.1 anvil // essere tra l'incudine e il martello, (fig.) to be between the devil and the deep blue sea2 (anat.) incus*.* * *[in'kudine]sostantivo femminile anvil••essere tra l'incudine e il martello — to be caught between the devil and the deep blue sea, to be caught between a rock and a hard place
* * *incudine/in'kudine/sostantivo f.anvil\essere tra l'incudine e il martello to be caught between the devil and the deep blue sea, to be caught between a rock and a hard place. -
75 martello
"hammer;Fallhammer;martelo de queda"* * *m hammermartello pneumatico pneumatic drill* * *martello s.m.1 hammer: martello ad aria compressa, pneumatic hammer; martello da aggiustatore, fitter's hammer; martello da bugnatura, stonemason's hammer; martello da calderaio, boilermaker's hammer; martello da falegname, claw hammer; martello da geologo, pick hammer; martello da tagliapietre, stonemason's hammer; martello da vetraio, glazier's hammer; (miner.) martello perforatore, pneumatico, hammer drill (o spec. amer. jackhammer); bocca del martello, face of the hammer; colpo di martello, hammer blow; piantare un chiodo a colpi di martello, to hammer in a nail // (med.) dito a martello, hammer-toe // essere tra l'incudine e il martello, (fig.) to be between the devil and the deep blue sea // suonare a martello, to sound the alarm2 (di orologio) striker; (di battente) knocker3 (anat.) (dell'orecchio interno) malleus*, hammer4 ( sport) hammer: lancio del martello, (throwing) the hammer5 (zool.) pesce martello, hammer-fish, hammer-head (shark)6 (st. mil.): martello d'arme, ferrato, martel; torre martello, martello tower.* * *[mar'tɛllo]sm(gen) Sport, Anat hammerbattere col martello — to hit with a hammer, hammer
lancio del martello Sport — hammer throw
suonare a martello — (fig : campane) to sound the tocsin
* * *[mar'tɛllo]sostantivo maschile1) (di falegname) hammer; (di banditore, giudice, presidente) gavel2) sport hammer3) anat. hammer4) (allarme)•martello pneumatico — hammer o pneumatic drill, jackhammer
••essere tra l'incudine e il martello — to be caught between the devil and the deep blue sea o between a rock and a hard place
* * *martello/mar'tεllo/sostantivo m.1 (di falegname) hammer; (di banditore, giudice, presidente) gavel2 sport hammer; lanciare il martello to throw the hammer3 anat. hammer4 (allarme) suonare a martello to ring the tocsinessere tra l'incudine e il martello to be caught between the devil and the deep blue sea o between a rock and a hard place\martello pneumatico hammer o pneumatic drill, jackhammer. -
76 roquero
• rochet• rock and roll• rock and roll player• rock bottom -
77 О-54
МЕЖДУ (МЕЖ) ДВУХ ОГНЕЙ coll PrepP these forms only usu. adv or subj-compl with copula (subj: human, collect, or, rare, abstr) fixed WO(to be, find o.s.) in a difficult situation, when danger or trouble threatens from both sidesbetween two firesbetween a rock and a hard place between the devil and the deep blue sea caught in the cross fire.«Жена совершенно права. И без вас не сладко. Собачья жизнь, сумасшедший дом. Все время меж двух огней...» (Пастернак 1). "My wife is quite right. Things are bad enough without you. It's a dogs life, a madhouse. I am caught between two fires" (1a).«Он (Андрей) оказался меж двух огней. Подозрение сверху и подозрение снизу...» (Аксёнов 12). "He's (Andrei is) caught between a rock and a hard place. Suspicion from above and suspicion from below..." (12a). -
78 меж двух огней
• МЕЖДУ < МЕЖ> ДВУХ ОГНЕЙ coll[PrepP; these forms only; usu. adv or subj-compl with copula (subj: human, collect, or, rare, abstr); fixed WO]=====⇒ (to be, find o.s.) in a difficult situation, when danger or trouble threatens from both sides:- caught in the cross fire.♦ "Жена совершенно права. И без вас не сладко. Собачья жизнь, сумасшедший дом. Все время меж двух огней..." (Пастернак 1). "Му wife is quite right. Things are bad enough without you. It's a dogs life, a madhouse. I am caught between two fires" (1a).♦ "Он [Андрей] оказался меж двух огней. Подозрение сверху и подозрение снизу..." (Аксёнов 12). "He's [Andrei is] caught between a rock and a hard place. Suspicion from above and suspicion from below..." (12a).Большой русско-английский фразеологический словарь > меж двух огней
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79 между двух огней
• МЕЖДУ < МЕЖ> ДВУХ ОГНЕЙ coll[PrepP; these forms only; usu. adv or subj-compl with copula (subj: human, collect, or, rare, abstr); fixed WO]=====⇒ (to be, find o.s.) in a difficult situation, when danger or trouble threatens from both sides:- caught in the cross fire.♦ "Жена совершенно права. И без вас не сладко. Собачья жизнь, сумасшедший дом. Все время меж двух огней..." (Пастернак 1). "Му wife is quite right. Things are bad enough without you. It's a dogs life, a madhouse. I am caught between two fires" (1a).♦ "Он [Андрей] оказался меж двух огней. Подозрение сверху и подозрение снизу..." (Аксёнов 12). "He's [Andrei is] caught between a rock and a hard place. Suspicion from above and suspicion from below..." (12a).Большой русско-английский фразеологический словарь > между двух огней
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80 bailar el swing
См. также в других словарях:
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