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processing+stream

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21 Datensicherheit

Datensicherheit f COMP computer security, (BE) data privacy, (AE) data security
* * *

f < Comp> computer security, data privacy (BE), data security (AE)

* * *
Datensicherheit
data security;
• Datensicherung data backup;
• Datensichtgerät display screen;
• Datenspeicher memory unit;
• riesiger Datenspeicher data warehouse;
• Datenspeicherung data storage;
• Datenspeicherverfahren data-gathering process;
• Datenspiegelung data mirroring;
• Datensteuerung computer control;
• ausgedruckter Datenstreifen (Computer) print[ing]-out;
• Datenstrom stream of data, data stream;
• Datensuchdienstgebühr (Internet) browsing fee;
• Datenträger [recording] medium;
• elektronischer Datentransfer electronic data transfer;
• Datentransferzeit (Computer) swap time;
• Datentypistin programmer’s assistant;
• Datenübermittler data transmitter;
• Datenübertragung data transmission (transmittal), transcription;
• schnurlose Datenübertragung wireless data transmission;
• Datenübertragungskanal information channel;
• Datenübertragungssystem data transmission system;
• Datenunverfälschtheit data authenticity;
• Datenverarbeiter data-processing machine, data processor;
• Datenverarbeitung data processing (handling);
• dezentrale Datenverarbeitung distributed computing;
• auf Datenverarbeitung umstellen to computerize.

Business german-english dictionary > Datensicherheit
22 поточная линия

1) General subject: line, flow line

2) Engineering: in-line system (технологическая)

3) Railway term: stream line

4) Economy: belt line

5) Oil: production line

6) Business: product line

7) Polymers: complete processing line (с полным циклом), processing line, straight-line system

8) Automation: sequential production line

9) Chemical weapons: process line

10) Makarov: assembly line, continuous flow line, continuous production line, in-line, line system, working line

Универсальный русско-английский словарь > поточная линия
23 смесь ШФЛУ

Gas processing plants: Y-grade (mixed NGL stream separated from natural gas at the processing plant)

Универсальный русско-английский словарь > смесь ШФЛУ
24 tietovirta

automatic data processing

• data stream

automatic data processing

• data flow

Suomi-Englanti sanakirja > tietovirta
25 ПО для извлечения или выделения частей потока или контейнера (например , контейнера видео)

Software: demuxer (software that extracts or otherwise makes available for separate processing the components of such a stream or container)

Универсальный русско-английский словарь > ПО для извлечения или выделения частей потока или контейнера (например , контейнера видео)
26 многопотоковая обработка

Foreign Ministry: multi-data stream processing

Универсальный русско-английский словарь > многопотоковая обработка
27 обработка потоков

Programming: stream processing

Универсальный русско-английский словарь > обработка потоков
28 один поток команд-много потоков данных

General subject: SIMD ((Single Instruction) Multiple Data stream processing; ОКМД; название архитектуры параллельной компьютерной системы, подразумевающей исполнение одной текущей команды несколькими процессорами (число процессо)

Универсальный русско-английский словарь > один поток команд-много потоков данных
29 потоковая обработка

1) Information technology: data-flow computing

2) Programming: stream-oriented processing (данных)

Универсальный русско-английский словарь > потоковая обработка
30 ПО для извлечения или выделения частей потока или контейнера

Software: (например, контейнера видео) demuxer (software that extracts or otherwise makes available for separate processing the components of such a stream or container)

Универсальный русско-английский словарь > ПО для извлечения или выделения частей потока или контейнера
31 filière

filière [filjεʀ]

feminine noun

   a. ( = succession d'étapes) [de carrière] path ; [d'administration] channels

• il a suivi la filière classique pour devenir professeur he followed the classic route into teaching

   b. ( = domaine d'études spécifique) course

• filières scientifiques/artistiques science/arts courses

• nouvelles filières new subjects

   c. ( = réseau) network

   d. ( = secteur d'activité) industry

• filière agroalimentaire food-processing industry

* * *
filjɛʀ
nom féminin

1) Université ( domaine d'études) course of study

suivre une filière scientifique/littéraire — to study science/arts

2) Économie ( domaine d'activité) field

3) ( étapes de carrière)

la filière habituelle — the usual career ladder

4) ( suite de formalités) official channels (pl)

5) ( de la drogue)

filière (clandestine) — ring

6) Informatique card throat

* * *
filjɛʀ nf
1) ÉCONOMIE (= activités de production) industry

la filière bovine — the beef industry

la filière bois — the timber industry

2) ÉDUCATION stream Grande-Bretagne track USA

3) (= réseau) network

4) (succession d'étapes) procedure

* * *

filière nf

1 Scol, Univ ( domaine d'études) course of study; choisir une filière prestigieuse to choose a highly regarded course of study; filières générales/techniques general/technical courses of study; nouvelles filières new fields; suivre une filière scientifique/littéraire to study science/arts;

2 Écon, Entr, Ind ( domaine d'activité) field; ( système de production) chain; la filière électronique the electronics field; créer de nouvelles filières to create new fields of activity;

3 ( étapes de carrière) suivre la filière habituelle to climb up the usual career ladder;

4 ( suite de formalités) official channels (pl); la filière administrative the official administrative channels;

5 ( de la drogue) filière (clandestine) ring; démanteler une filière to smash a ring; remonter une filière to trace the leaders of a ring;

6 Tech ( d'usinage) die; ( de tréfilage) draw die;

7 Nucl reactor system;

8 Zool (d'araignée, de chenille) spinneret;

9 Géol, Mines lode;

10 Ordinat card throat.

[filjɛr] nom féminin

1. [procédures] procedures, channels

passer par la filière administrative to go through administrative channels

2. [réseau - de trafiquants, de criminels] network, connection

remonter une filière to trace a network back to its ringleaders

3. ÉDUCATION & UNIVERSITÉ

la filière technique/scientifique technical/scientific subjects

4. MÉTALLURGIE

filière (à machine)

a. [pour étirage] draw, drawing plate

b. [pour tréfilage, filage] die

5. ENTOMOLOGIE spinneret

6. TEXTILES spinneret

7. NAUTIQUE guardrail

8. INDUSTRIE industry

Dictionnaire Français-Anglais > filière
32 вакуумирование

degassing, pumpdown, pumping, degasifying treatment

* * *
вакууми́рование с.
1. ( обработка под вакуумом) vacuum processing, vacuum treatment

2. ( откачка) evacuation

3. ( стали) degassing

вакууми́рование в ковше́ — ladle degassing

порцио́нное вакууми́рование — cycling degassing

вакууми́рование струи́ при перели́ве из ковша́ в ковш — ladle-to-ladle degassing

вакууми́рование струи́ при разли́вке — ladle-to-ingot (stream) degassing

вакууми́рование циркуляцио́нным спо́собом — circulation degassing

Русско-английский политехнический словарь > вакуумирование
33 bala

wr. bal; bil₂ "to rotate, turn over, cross; to pour out, libate, make a libation; reign, rotation, turn, term of office; to revolt; to hoist, draw (water); to transfer (boats over weirs etc. blocking a stream); to carry; to boil (meat in water); to change, transgress (the terms of an agreement); conversion (math.)" Akk. elû; nabalkutu; nakāru; naqû; palû; tabāku

wr. bala "wastage (in processing grain)"

wr. ^ĝešbalak "spindle" Akk. pilaqqu

wr. bar; ba-ra; bala; bur "outside, (other) side; behind; outer form, outer; fleece; outsider, strange; back, shoulder; liver; because of; to set aside; to cut open, slit, split" Akk. būdum; kabattu; kawûm; ahû; warkatu; qalāpu; salātu; šalāqu

Pennsylvania sumerian dictionary > bala
34 вакуумирование

1. с. vacuum processing, vacuum treatment

вакуумирование бетона — vacuum treatment of concrete

2. с. evacuation

3. с. degassing

вакуумирование в ковше — ladle degassing

порционное вакуумирование — cycling degassing

вакуумирование струи при переливе из ковша в ковш — ladle-to-ladle degassing

вакуумирование стали — steel degassing

вакуумирование в струе — stream degassing

вакуумирование в изложнице — ingot degassing

внепечное вакуумирование — loquid steel degassing

внепечное вакуумирование металла — tapped-metal degassing

Русско-английский большой базовый словарь > вакуумирование
35 обработка заданий

job processing

ввод заданий — job entry

пакет заданий — job batch

поток заданий — job stream

очередь заданий — job queue

учет заданий — job accounting

Русско-английский словарь по информационным технологиям > обработка заданий
36 Creativity

   1) All Human Complex Problem Solving Is Creativity

   Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)

   2) Artificial Intelligence Models of Creative Association

   Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the inﬂuence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)

   3) Creative Innovation and Social Independence

   There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)

   4) Ego Strength and Emotional Stability among Creative Geniuses

   he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)

   5) Its Mundane Character

   he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)

   6) Mozart's Musical Ideas Came to Him in Polished Form

   From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)

   7) Scientific Theories and Works of Art Alike Originate in Fantasy

   Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)

   8) Self- Esteem and Creative Expression

   The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)

   9) Stages in Creative Problem- Solving

   In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)

    10) The Bisociative Pattern of the Creative Synthesis

   he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)

    11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder

   Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)

    12) The Inner Life of the Creative Process

   New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)

    13) The Problem of What Impels the Creative Person

   [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....

   Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)

    14) Theories of Creative Thinking

   A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....

   Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

Historical dictionary of quotations in cognitive science > Creativity
37 отходы электронной промышленности
1. electronic scrap
отходы электронной промышленности
—
[ http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]

EN

electronic scrap
Any material from electronic devices and systems, generated as a waste stream in a processing operation or discarded after service. (Source: APD / RHW)
[http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]

Тематики
- охрана окружающей среды
EN
- electronic scrap
DE
- Elektronikschrott
FR
- ferraille électronique
Русско-английский словарь нормативно-технической терминологии > отходы электронной промышленности

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