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1 Parallelkinematik
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2 взаимно параллельные
Geometry: parallel with each otherУниверсальный русско-английский словарь > взаимно параллельные
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3 параллельные друг другу
Geometry: parallel with each otherУниверсальный русско-английский словарь > параллельные друг другу
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4 सम _sama
सम a.1 Same, identical.-2 Equal, as in समलोष्ट- काञ्चनः R.8.21; Pt.2.7; सुखदुःखे समे कृत्वा लाभालाभौ जयाजयौ Bg.2.38; समः शत्रौ च मित्रे च तथा मानापमानयोः । शीतोष्णसुख- दुःखेषु समः संगविवर्जितः ॥ 12.18.-3 Like, similar, resem- bling; with instr. or gen. or in comp. गुणयुक्तो दरिद्रो$पि नेश्वरैरगुणैः समः Subhāṣ.; Ku.3.13.-4 Even, level, plain; समवेशवर्तिनस्ते न दुरासदो भविष्यति Ś.1.-5 Even (as number).-6 Impartial, fair; शुनि चैव श्वपाके च पण्डिताः समदर्शिनः Bg.5.18.-7 Just, honest, upright.-8 Good, virtuous.-9 Ordinary, common.-1 Mean, middling.-11 Straight.-12 Suitable, convenient.-13 Indiffer- ent, unmoved, unaffected by passion.-14 All, every one.-15 All, whole, entire, complete.-16 Being a pair.-17 Regular, normal.-18 Middling.-19 Easy, conveni- ent.-मः 1 N. of certain zodiacal signs (वृष, कर्कट, कन्या, वृश्चिक, मकर, and मीन).-2 A mode of measuring time in music.-3 The point of intersection of the horizon and the meridian line.-4 A kind of straight line placed over a numerical figure to mark the process of extracting the square root.-मम् 1 A level plain, flat country; संनिपत्य शनकैरिव निम्नादन्धकारमुदवाप समानि Ki.9. 11.-2 (In rhet.) N. of a figure of speech.-3 (In geometry) A mean proportional segment.-4 Equa- nimity.-5 Similarity.-6 Settlement; compensation; कर्मणापि समं कुर्याद्धनिकायाधमर्णिकः Ms.8.177.-7 Good circumstances; Mk.-सम् ind.1 With, together with, in company with, accompanied by; (with instr.); आहां निवत्स्यति समं हरिणाङ्गनाभिः Ś.1.26; R.2.25;8.63; 16.72.-2 Equally; समं सर्वेषु भूतेषु Bg.13.27.28; यथा सर्वाणि भूतानि धरा धारयते समम् Ms.9.311.-3 Like, simi- larly, in the same manner; यत्र स्वामी निर्विशेषं समं मृत्येषु वर्तते Pt.1.78.-4 Entirely.-5 Simultaneously, all at once, at the same time, together; नवं पयो यत्र धनैर्मया च त्वद्विप्रयोगाश्रु समं विसृष्टम् R.13.26;4.4;1.59;14.1.-6 Honestly, fairly.-Comp. -अंशः an equal share. ˚हारिन् m. a co-heir.-अङ्घ्रिक a. standing evenly on feet.-अन्तः a borderer, neighbour.-अन्तर a. parallel.-अर्थिन् a.1 desiring equality.-2 Seeking peace with.-आकार a. similar, like.-आचारः 1 equal or similar conduct.-2 Proper practice.-आत्मक a. possessing equanimity.-उदकम् a mixture of half butter-milk and half water.-उपमा a kind of Upamā or simile.-कक्ष a. having equal weight. (-क्षा) equilibrium.-कन्या a fit or suitable girl (fit to be married).-कर्णः an equi-diagonal tetragon.-कालः the same time or moment. (-लम्) ind. at the same time, simultaneously.-कालीन a. contemporary, coeval.-कोलः a serpent, snake.-कोटिक a. of regular size (said of diamonds); Kau. A.2.11.-क्षेत्रम् (in astr.) an epithet of a par- ticular arrangement of the Nakṣatras.-खातः an equal excavation, a parallelopipedon.-गतिः wind; मृत्युश्चापरिहारवान् समगतिः कालेन विच्छेदिना Mb.12.298.45.-गन्धकः incense.-गन्धिकम् the fragrant root of the Uśīra.-चक्रवालम् a circle.-चतुरस्र a. square. (-स्रम्) an equilateral tetragon.-चतुर्भुजः, -जम् a rhom- bus.-चित्त a.1 even-minded, equable, equani- mous.-2 indifferent.-छेद, -छेदन a. having the same denominator.-जाति a. homogeneous.-ज्ञा fame; तिर्य- ञ्चमप्यञ्च मृषानभिज्ञरसज्ञतोपज्ञसमज्ञमज्ञम् N.3.64.-त्रिभुजः, -जम् an equilateral triangle.-दर्शन, -दर्शिन् a. viewing equally, impartial; विद्याविनयसंपन्ने ब्राह्मणे गवि हस्तनि । शुनि चैव श्वपाके च पण्डिताः समदर्शिनः ॥ Bg.5.18.-दुःख a. feeling for another's woe, sympathising (with another); a fel- low-sufferer; Ku.4.4. ˚सुख a. a companion or part- ner in joy and sorrow; पृष्टा जनेन समदुःखसुखेन बाला Ś.3.1.-दृश्, -दृष्टि a. impartial.-द्वादशास्रः, -स्रम् an equila- teral dodecagon.-द्विभुजः a rhomboid.-धर्म a. of equal nature, resembling.-धृत a. equal to.-पदम् 1 an attitude in shooting.-2 a particular posture in sexual union.-प्रभ a. having equal splendour; तदण्डमभवद्धैमं सह- स्रांशुसमप्रभम् Ms.1.9.-बुद्धि a.1 impartial.-2 indiffe- rent, stoical.-भाव a. having the same nature or pro- perty. (-वः) sameness, equability.-मण्डलम् (in astr.) the prime vertical line.-मय a. of like origin.-मात्र a. of the same size or measure.-मितिः mean measure.-रञ्जित a. tinged.-रतः, -रभः a particular mode of sexual enjoyment.-रेख a. straight; प्रकृत्या यद्वक्रं तदपि समरेखं नयनयोः Ś.1.9.-लम्बः, -म्बम् a trapezoid.-लेपनी a bricklayer's instrument for levelling a plane (Mar. करणी).-वर्ण a. being of equal caste; समवर्णे द्विजातीनां द्वादशैव व्यतिक्रम Ms.8.269.-वर्णः community of caste.-वर्तिन् a.1 equal-minded, impartial.-2 being equidis- tant. (-m.) Yāma, the god of death; शासितारं च पापानां पितॄणां समवर्तिनम् Mb.12.27.35.-विभक्त a. divided equ- ally; symmetrical.-विषमम् (pl.) level and uneven- ground.-वृत्तम् 1 an even metre, i. e. a stanza the lines of which have all the same number of feet.-2 see सममण्डल.-वृत्ति a. equable, fair. (-त्तिः) equanimity.-वेधः mean depth.-वैषम्यतः ind. owing to partial similarity and partial dissimilarity; अर्थे समवैषम्यतो द्रव्य- कर्मणाम् MS.4.1.21.-शोधनम् equal subtraction, i. e. subtraction of the same quantity on both sides of an equation.-श्रुति a. (in music) having equal intervals.-श्रेणिः a straight line.-संधिः peace on equal terms.-सुप्तिः f. universal sleep (as at the end of a Kalpa).-सूत्र, -सूत्रस्य a. situated on the same diameter.-स्थ a.1 equal, uniform.-2 level.-3 like.-4 being in flourishing circumstances; गतिः पतिः समस्थाया विषमे च पिता गतिः Mb.5.176.8.-स्थलम् an even ground.-स्थली the level plain, the Doab or country between the Ganges and Yamunā (अन्तर्वेदि).-स्थानम् a parti- cular posture in Yoga (In which the legs are closely contracted). -
5 крыло
( семафора) arm, ( здания) extension, ( автомобиля) fender, hand, leaf, mainplane, ( легкового автомобиля) side panel, plane, wing* * *крыло́ с.1. wingпока́чивать кры́льями ав. — rock the wings2. геол. limbкрыло́ автомоби́ля — брит. wing; амер. fenderкрыло́ автомоби́ля, разъё́мное — divided wingкрыло́ зда́ния — aisleкрыло́ лета́тельного аппара́та [ЛА] — ( теоретическое) aerofoil; ( практическое) wingкрыло́ ЛА поднима́ется вверх или вниз — the wing goes up or downкрыло́ ЛА высокорасполо́женное — high(-mounted) [high-set] wing, shoulder(-heignt) wingкрыло́ ЛА изменя́емой геоме́трии — variable-geometry wingкрыло́ ЛА изменя́емой стрелови́дности — variable-sweep wingкрыло́ ЛА, кессо́нное — torsion-box [cell] type wingкрыло́ ЛА, консо́льное — (full-)cantilever wingкрыло́ ЛА, ма́шущее — flapping wingкрыло́ ЛА, монобло́чное — monocoque wingкрыло́ ЛА, низкорасполо́женное — low(-mounted) wingкрыло́ ЛА, обра́тной стрелови́дности — swept-forward wingкрыло́ ЛА, отъё́мное — detachable wingкрыло́ ЛА, переставно́е — adjustable wingкрыло́ ЛА, пло́ское — planar wingкрыло́ ЛА, поворо́тное — all-moving wingкрыло́ ЛА, подви́жное — movable wingкрыло́ ЛА, прямо́е — straight [upswept] wingкрыло́ ЛА, прямоуго́льное — parallel [untapered, rectangular] wingкрыло́ ЛА, скла́дывающееся — folding wingкрыло́ ЛА с кру́ткой — warped wingкрыло́ ЛА с механиза́цией — high-lift wingкрыло́ ЛА с обра́тным попере́чным — V negative dihedral wingкрыло́ ЛА с попере́чным — V dihedral wingкрыло́ ЛА, стрелови́дное — swept(-back) wingкрыло́ ЛА, трапециеви́дное — tapered wingкрыло́ ЛА, треуго́льное — triangular [triangle] wingкрыло́ ЛА, це́льное — one-piece wingкрыло́ ЛА, цельноповоро́тное — all-moving wingкрыло́ ЛА, эвольве́нтное — ogival wingкрыло́ мо́стика ( судна) — bridge wingкрыло́ отва́ла с.-х. — mouldboard wingподво́дное крыло́ — hydrofoilподво́дное, вентили́руемое крыло́ — vented hydrofoilподво́дное, кавити́рующее крыло́ — cavitating hydrofoilподво́дное, некавити́рующее крыло́ — subcavitating hydrofoilподво́дное, пересека́ющее пове́рхность воды́ крыло́ — surface-piercing hydrofoilподво́дное, по́лностью погружё́нное крыло́ — fully-submerged hydrofoilподво́дное, суперкавити́рующее крыло́ — supercavitating hydrofoilкрыло́ разводно́го моста́ — bascule leafкрыло́ семафо́ра — semaphore arm, semaphore bladeкрыло́ семафо́ра, пригласи́тельное — calling-on arm -
6 Wren, Sir Christopher
SUBJECT AREA: Architecture and building[br]b. 20 October 1632 East Knoyle, Wiltshire, Englandd. 25 February 1723 London, England[br]English architect whose background in scientific research and achievement enhanced his handling of many near-intractable architectural problems.[br]Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.[br]Principal Honours and DistinctionsKnighted 1673. President, Royal Society 1681–3. Member of Parliament 1685–7 and 1701–2. Surveyor, Greenwich Hospital 1696. Surveyor, Westminster Abbey 1699.Surveyor-General 1669–1712.Further ReadingR.Dutton, 1951, The Age of Wren, Batsford.M.Briggs, 1953, Wren the Incomparable, Allen \& Unwin. M.Whinney, 1971, Wren, Thames \& Hudson.K.Downes, 1971, Christopher Wren, Allen Lane.G.Beard, 1982, The Work of Sir Christopher Wren, Bartholomew.DY
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