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21 absolute
absolute [ˈæbsəlu:t]1. adjectivea. absolu2. nounabsolu m3. compounds* * *['æbsəluːt] 1.2.the absolute — l'absolu m
1) ( complete) [monarch, minimum, majority] also Mathematics, Philosophy absolu2) ( emphatic) [chaos, idiot] véritable (before n)3) Physics, Chemistry [humidity, scale] maximum; [zero] absolu4) Lawdecree absolute — décret m irrévocable
5) Linguistics [ablative] absolu -
22 needs must
(needs must (тж. must needs))необходимо, по необходимости, непременно, обязательно; см. тж. he must needs go whom the devil drivesI... would have no more of these follies than needs must. (W. Scott, ‘Kenilworth’, ch. XVI) — Если уж совсем нельзя без глупостей, я... согласен их терпеть только в крайнем случае.
It was an occasion when everyone needs must act, however trivially disproportionate his action may be to the danger. (H. G. Wells, ‘The Passionate Friends’, ch. XI) — В этой обстановке каждому непременно нужно было действовать, сколь бы незначительны ни были его действия перед лицом грозящей опасности.
Mountain etiquette is very strict, and Lan, being without weapons, must needs obey the rules. (E. Seton-Thompson, ‘Lobo: the King of Currumpaw and Other Stories’, ‘Monarch, the Big Bear of Tallac’) — Горцы строго соблюдают этикет, и безоружному Лэну не оставалось ничего другого, как подчиниться.
...if Cowperwood were convicted, Stener must needs be also. (Th. Dreiser, ‘The Financier’, ch. XLIII) —...если Каупервуд будет осужден, то и Стенеру наверняка несдобровать.
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23 Bomtempo, João Domingos
(1775-1842)Portuguese composer who began his musical studies under his father, Francisco Saveiro Bomtempo, the oboist in the royal court of King José I (1750-77). At the age of 14, he became a singer in the Royal Chapel of Bemposta and, after his father's death, took his place as court oboist at age 20. In 1801, he decided to go to France to continue his musical studies instead of Italy, which was the custom in his day. In Paris, he associated with a group of exiled Portuguese liberals from whom he absorbed liberal ideas and became a committed constitutional monarchist. During his time in Paris, he began his career as a virtuoso pianist and, inspired by Clementi, Cramer, and Dussek, wrote his first compositions: the Grande Sonata para Piano, Primeiro Concerto em Mi bemol para Piano e Orquestra, and the Secundo Concerto para Piano.After Napoleon's armies were defeated by a combined Portuguese-British army commanded by General Arthur Wellesley (later the Duke of Wellington), Bomtempo's prospects in France deteriorated and he left for London in 1810, where he was well received and became a well-regarded professor of piano. During this period, he published many compositions, such as the Terceiro Concerto para Piano, and Capricho e Variações Sobre " GodSave the King." Bom-tempo became active in the Masons at this time. In 1813, to celebrate the final defeat of the French, Bomtempo composed a cantata titled Hino Lusitano, with verses by the liberal poet Vicente Pedro Nolasco da Cunha. He also composed the Primeira Grande Sinfonia and the Quarto Concerto para Piano during this period.In 1815, Bomtempo returned to Portugal, where he founded a philharmonic society in order to fill a serious lacuna in the musical culture of Portugal. With the return of the royal court from Brazil and the increasing repression of Portuguese Masons, the situation in Lisbon became untenable for liberals. Bomtempo, who favored a constitutional monarch, returned to London, where he dedicated his work to the "Portuguese nation." He returned to Portugal in 1818, where he composed his best-known work: O Requiem: A Memória de Camões. In 1820, he composed a second requiem in memory of General Gomes Freire, the grand master of Portuguese masonry, who was hanged in 1817. In 1822, his philharmonic society began periodic concerts, but these were forbidden by the absolutist King Miguel I (1802-66) in 1828, and Bomtempo took refuge in the Russian consulate in Lisbon, where he lived for five years until a constitutional monarchy was established by King Pedro IV (1798-1834) in 1834.With the establishment of constitutionalism, Bomtempo returned to his artistic activities. In 1835, he composed the Segunda Sinfonia e um Libera Me, dedicated to the memory of King Pedro IV who, exhausted from his struggle against his brother during the " War of the Brothers," died soon after returning to the throne. In 1836, Bon-tempo was made music director of the Court Orchestra and professor of piano in the royal music school, where he introduced the musical pedagogy of Clementi. He continued to compose and direct until his death on 18 August 1842. -
24 Filipe I, king
(1527-1598)Known to history usually as Phillip II of Spain, this Spanish monarch was the first king of the Phillipine dynasty in Portugal, or Filipe I. He ruled Portugal and its empire from 1580 to 1598. The son of Carlos V (Charles V) of Spain and the Hapsburg empire and of Queen Isabel of Portugal, Filipe had a strong claim on the throne of Portugal. On the death of Portugal's King Sebastião in battle in Morocco in 1578, Filipe presented his claim and candidacy for the Portuguese throne. In the Cortes of Almeirim (1579), Filipe was officially recognized as king of Portugal by that assembly, which was dominated by the clerical and noble estates. This act, however, did not take into account the feeling of the Portuguese people. A portion of the people supported a Portuguese claimant, the Prior of Crato, and they began to organize armed resistance to the Spanish intrusion. In 1580, Filipe sent a Spanish army across the Portuguese frontier under the Duke of Alba. Both on land and at sea, Spanish forces defeated the Portuguese. At the Cortes of Tomar (1581), Filipe was proclaimed king of Portugal. Before returning to Spain in 1583, Filipe resided in Portugal.There were grave consequences for Portugal and its scattered imperial holdings following the Spanish overthrow of Portugal's hard-won independence. Just how bitter these consequences were is reflected in how Portuguese history and literature traditionally term the Spanish takeover as "The Babylonian Captivity." Portugal suffered from the growing decline, decadence, and weaknesses of its Spanish master. Beginning with the destruction of the Spanish Armada (1588), which used Lisbon as its supply and staging point, Spanish rule over Portugal was disastrous. Not only did Spain's inveterate enemies—especially England, France, and Holland—attack continental Portugal as if it were Spain, they also attacked and conquered portions of Portugal's vulnerable, far-flung empire. -
25 Legislatures
Legislative assemblies during Portugal's long history have had various names, roles, and functions. Under the precon-stitutional monarchy, various Cortes were convened by the monarch. From 1834 on, the constitutional monarchy usually featured a two-chamber legislature: a House or Chamber of Deputies and a House or Chamber of Peers (Lords). During the First Republic (1910-26), after the 1911 Constitution was drafted and ratified by the Constituent Assembly, the two-chamber legislature was composed of a Chamber of Deputies (or "Congress") and a Senate. The legislature of President Sidónio Pais's "New Republic," which met only briefly, was described as a "Congress." More consultative than law-making, the Estado Novo's legislature met from January 1935 to April 1974 and was composed of a National Assembly and a Corporative Chamber. Since the Revolution of 25 April 1974, Portugal has had a one-chamber legislature called the Assembly of the Republic. The Assembly of the Republic has 230 seats elected from 18 mainland constituencies, one each from the Azores and Madeira, one from Portuguese living in Europe, and one from among Portuguese citizens living in the rest of the world. -
26 residence
1 ( in property ad) maison f ; ( prestigious) maison f de standing ; family residence maison f or demeure f familiale ;4 Admin, Jur (in area, country) résidence f ; place of residence lieu de résidence ; to take up residence [person, animal] élire domicile ; she has taken up residence in France/Paris elle a élu domicile en France/à Paris ; to be in residence sout [monarch] être au château ; artist/writer in residence artiste/écrivain résident ; ⇒ hall of residence ;
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