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61 joyau
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62 Caxton, William
SUBJECT AREA: Paper and printing[br]b. c.1422 Kent, Englandd. 1491 Westminster, England[br]English printer who produced the first book to be printed in English.[br]According to his own account, Caxton was born in Kent and received a schooling before entering the Mercers' Company, one of the most influential of the London guilds and engaged in the wholesale export trade in woollen goods and other wares, principally with the Low Countries. Around 1445, Caxton moved to Bruges, where he engaged in trade with such success that in 1462 he was appointed Governor of the English Nation in Bruges. He was entrusted with diplomatic missions, and his dealings with the court of Burgundy brought him into contact with the Duchess, Margaret of York, sister of the English King Edward IV. Caxton embarked on the production of fine manuscripts, making his own translations from the French for the Duchess and other noble patrons with a taste for this kind of literature. This trend became more marked after 1470–1 when Caxton lost his post in Bruges, probably due to the temporary overthrow of King Edward. Perhaps to satisfy an increasing demand for his texts, Caxton travelled to Cologne in 1471 to learn the art of printing. He set up a printing business in Bruges, in partnership with the copyist and bookseller Colard Mansion. There, late in 1474 or early the following year, Caxton produced the first book to be printed in English, and the first by an English printer, The Recuyell of the Histories of Troy, which he had translated from the French.In 1476 Caxton returned to England and set up his printing and publishing business "at the sign of the Red Pale" within the precincts of Westminster Abbey. This was more conveniently placed than the City of London for the likely customers among the court and Members of Parliament for the courtly romances and devotional works he aimed to produce. Other printers followed but survived only a few years, whereas Caxton remained successful for fifteen years and then bequeathed a flourishing concern to his assistant Wynkyn de Worde. During that time, 107 printed works, including seventy-four books, issued from Caxton's press. Of these, some twenty were his own translations. As printer and publisher, he did much to promote English literature, above all by producing the first editions of the literary masterpieces of the Middle Ages, such as the works of Chaucer, Gower and Lydgate and Malory's Morte d'Arthur. Among the various dialects of spoken English in use at the time, Caxton adopted the language of London and the court and so did much to fix a permanent standard for written English.[br]Further ReadingW.Blades, 1877, The Biography and Typography of William Caxton, England's First Printer, London; reprinted 1971 (the classic life of Caxton, superseded in detail by modern scholarship but still indispensable).G.D.Painter, 1976, William Caxton: A Quincentenary Biography of England's FirstPrinter, London: Chatto \& Windus (the most thorough recent biography, describing every known Caxton document and edition, with corrected and new interpretations based on the latest scholarship).N.F.Blake, 1969, Caxton and His World, London (a reliable account, set against the background of English late-medieval life).See also: Gutenberg, Johann Gensfleisch zumLRD -
63 joyau
nm.1. qimmatbaho ziynat buyumi2. fig. durdona, xazina; un des joyaux de l'art médiéval O‘rta asr san'atining durdonalaridan biri. -
64 music
музыка, музыкальный;1) absolute music — абсолютная музыка ( не предполагающая внемузыкальных ассоциаций); 2) background music — фоновая музыка; 3) classical music — классическая музыка; 4) early music — старинная музыка; 5) incidental music — музыка на случай (часто = музыка к театральной пьесе); 6) literature of music — музыкальная литература; 7) medieval music — средневековая музыка; 8) modern music — современная музыка; 9) post-tonal music — пост-тональная музыка (о нетональной музыке, начиная с Первого авангарда 20 в.); 10) printed music — нотные публикации; 11) sacred music — духовная музыка, ( часто) церковная музыка; 12) secular music — светская музыка; 13) sheet music ноты 14) music conservatory — консерватория; 15) music director — музыкальный руководитель ( или художественный руководитель); 16) music examples — музыкальные примеры (часто = нотные примеры); 17) music historian — историк музыки; 18) music journalist — журналист по музыкальной тематике, музыкальный критик; 19) music lover — любитель музыки, меломан; 20) music theorist — музыкальный теоретик; 21) engraving of music — нотный набор; 22) music spacing — ранжир, ранжирование музыки; 23) music stand — пюпитр, пульт; 24) music therapy major — специалист в области музыкальной терапии; 25) treatise on music — трактат о музыке, музыкальный трактат; 26) elements of music — основы музыки; 27) elemental theory of music — элементарная теория музыки; 28) music notation software — нотатор ( тип компьютерной программы)a) Music is a time-based art — Музыка это временное искусство -
65 δύο
δύο gen. and acc. δύο, dat. δυσί (as early as Thu. 8, 101, 1 codd., then Aristot.+; Polyaenus 2, 3, 8; 3, 9, 47; TestJob 38:8; pap in Mayser I2/2, 73; ins e.g. IPriene s. index; B-D-F §63, 1; Mlt-H. 170), dual gen. δυοῖν (Demetr.: 722 Fgm. 1, 8 Jac.) (Hom.+; loanw. in rabb.) ‘two’.ⓐ as simple adj. or subst. twoα. nom.א. used w. subst.: δ. δαιμονιζόμενοι two possessed pers. Mt 8:28; δ. τυφλοί 9:27; 20:30; cp. 26:60; 27:38 and oft.ג. δ. ἢ τρεῖς two or three used approximately for a small number (Ananius Lyr. [VI B.C.] Fgm. 2 [AnthLG3] in Athen. 3, 78f δύʼ ἢ τρεῖς ἀνθρώπους; X., An. 4, 7, 5; Jos., C. Ap. 2, 232) Mt 18:20; J 2:6; 1 Cor 14:29. In the same sense δ. καὶ τρεῖς (Ael. Aristid. 45 p. 4 D.; 11 D.; Polyaenus 6, 1, 2) 2 Cor 13:1.ד. w. the art. (PGiss 2 II, 5; 14; TestJob 35:3; 39:4) Mt 19:5; Mk 10:8; 1 Cor 6:16; Eph 5:31 (Gen 2:24).β. gen. Mt 18:16 (Dt 19:15); Lk 12:6; J 8:17; Ac 12:6 al.γ. dat. Mt 6:24; Mk 16:12; Lk 16:13; Ac 12:6; 21:33; Hb 10:28 (Dt 17:6).δ. acc. Mt 4:18, 21; 10:10, 29; 14:17; 18:8 and oft.ⓑ in idiomatic phrases: w. prep. εἰς δ. in two (Lucian, Tox. 54; PGM 13, 262; TestJud 2:6) Mt 27:51a; Mk 15:38; ἀνὰ δ. two apiece Lk 9:3; ἀνὰ δύο δύο two by two Lk 10:1; cp. J 2:6; κατὰ δ. two at a time 1 Cor 14:27. Also δύο δύο two by two Mk 6:7 (this way of expressing a distributive number is found also in LXX, Gen 7:3, 9, 15 and is widely regarded as a Semitism [Wlh., Einl.2 1911, 24; JWackernagel, TLZ 34, 1909, 227]. Nevertheless it occurs as early as Aeschyl., Pers. 981 [but s. Mussies 218: perh. not distributive but w. emotional value]; Soph., Fgm. 191 Nauck2; POxy 121, 9 [III A.D.] τρία τρία; cp. the mixed expr. κατὰ δύο δύο in the magical pap POxy 886, 19 [III A.D.], in Medieval Gk. [KDieterich, Unters. z. Gesch. d. griech. Sprache 1898, 188], and in Mod. Gk. [JPsichari, Essai sur le Grec de la Septante: Rev. des Ét. juives 55, 1908, 161–208, esp. 183ff]. Cp. Dssm., LO 98f [LAE 122f]; Mlt. 21 n. 3; 97; Mlt-H. 270; 439f; Thumb 128; B-D-F §248, 1; Rdm.2 72; s. also HThesleff, Studies on Intensification in Early and Classical Greek ’54). On Mk 6:7 see JJeremias, NT Essays: Studies in Memory of TWManson ’59, 136–43.—In Rv 9:12 it can be understood as a translation of the Heb. dual double, twofold (cp. TestJob 53:2 διπλῶς τὸ οὐαί).—JGonda, Reflections on the Numerals ‘One’ and ‘Two’ in Ancient IE Languages ’53. S. also entry δισμυριάς. DELG.—M-M.
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