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21 Blending Wool (Modern System)
A method of blending which is now greatly favoured, is performed by the introduction of air trunk conveyers. The improvement in method consists not only in the ease with which the blending is made, but in the better mixing and opening of the several elements of the blend, due to the action of the fans and air currents. Each element is fed separately through an opener, from which it is drawn by a fan and blown through an air trunk, provided with one or more openings over the mixing floor. Falling from the trunk the material is spread layer by layer as described above. This blending is then broken down and put through a combined hopper-fed willey and teazer, by which the blending is conveyed by an air trunk conveyer to bags, or is again spread on the mixing floor if it is- necessary to introduce a third element and make a more complicated blend.Dictionary of the English textile terms > Blending Wool (Modern System)
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22 метод послойного определения качества диффузионного слоя
метод послойного определения качества диффузионного слоя
послойный анализ
Метод исследования диффузионного слоя, состоящий в последовательном (от поверхности к сердцевине) определении на поперечном шлифе характеристик участков относительно малой толщины, или в снятии и анализе соответствующих объемов материала и (или) изучении вновь образующихся поверхностей.
1, 2, 3,... (n—1), n - номера участков диффузионного слоя, последовательно удаляемых и исследуемых по составу;
1', 2', 3'... (n—1)', n' - номера поверхностей участков диффузионного слоя, последовательно исследуемых по структуре и свойствам.
[ ГОСТ 20495-75]Тематики
Синонимы
EN
DE
Русско-английский словарь нормативно-технической терминологии > метод послойного определения качества диффузионного слоя
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23 распределенное тестирование на одном уровне
распределенное тестирование на одном уровне
Абстрактный метод тестирования, при котором верхний тестер располагается в тестируемой системе, а точка наблюдения и контроля (PCO) находится на верхней границе сервиса (IUT) для тестирования на одном из уровней протокола. Тестовые события описываются в терминах абстрактных примитивов сервиса (ASP) на верхнем уровне над IUT и ASP и/или PDU для нижнего тестера PCO.
[ http://www.lexikon.ru/dict/net/index.html]Тематики
EN
Русско-английский словарь нормативно-технической терминологии > распределенное тестирование на одном уровне
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24 Heaviside, Oliver
[br]b. 18 May 1850 London, Englandd. 2 February 1925 Torquay, Devon, England[br]English physicist who correctly predicted the existence of the ionosphere and its ability to reflect radio waves.[br]Brought up in poor, almost Dickensian, circumstances, at the age of 13 years Heaviside, a nephew by marriage of Sir Charles Wheatstone, went to Camden House Grammar School. There he won a medal for science, but he was forced to leave because his parents could not afford the fees. After a year of private study, he began his working life in Newcastle in 1870 as a telegraph operator for an Anglo-Dutch cable company, but he had to give up after only four years because of increasing deafness. He therefore proceeded to spend his time studying theoretical aspects of electrical transmission and communication, and moved to Devon with his parents in 1889. Because the operation of many electrical circuits involves transient phenomena, he found it necessary to develop what he called operational calculus (which was essentially a form of the Laplace transform calculus) in order to determine the response to sudden voltage and current changes. In 1893 he suggested that the distortion that occurred on long-distance telephone lines could be reduced by adding loading coils at regular intervals, thus creating a matched-transmission line. Between 1893 and 1912 he produced a series of writings on electromagnetic theory, in one of which, anticipating a conclusion of Einstein's special theory of relativity, he put forward the idea that the mass of an electric charge increases with its velocity. When it was found that despite the curvature of the earth it was possible to communicate over very great distances using radio signals in the so-called "short" wavebands, Heaviside suggested the presence of a conducting layer in the ionosphere that reflected the waves back to earth. Since a similar suggestion had been made almost at the same time by Arthur Kennelly of Harvard, this layer became known as the Kennelly-Heaviside layer.[br]Principal Honours and DistinctionsFRS 1891. Institution of Electrical Engineers Faraday Medal 1924. Honorary PhD Gottingen. Honorary Member of the American Association for the Advancement of Science.Bibliography1872. "A method for comparing electro-motive forces", English Mechanic (July).1873. Philosophical Magazine (February) (a paper on the use of the Wheatstone Bridge). 1889, Electromagnetic Waves.1892, Electrical Papers.1893–1912, Electromagnetic Theory.Further ReadingI.Catt (ed.), 1987, Oliver Heaviside, The Man, St Albans: CAM Publishing.P.J.Nahin, 1988, Oliver Heaviside, Sage in Solitude: The Life and Works of an Electrical Genius of the Victorian Age, Institute of Electrical and Electronics Engineers, New York.J.B.Hunt, The Maxwellians, Ithaca: Cornell University Press.See also: Appleton, Sir Edward VictorKF -
25 Godowsky, Leopold Jr
SUBJECT AREA: Photography, film and optics[br]b. 27 May 1900 Chicago, Illinois, USA d. 1983[br]American musician and photographic experimenter whose researches, with those of his colleague Mannes, led to the introduction of the first commercial tripack colour film, Kodachrome.[br]Both from distinguished musical families, Godowsky and Leopold Damrosch Mannes met at Riverdale School in New York in 1916, and shared an interest in photography. They began experiments in methods of additive colour photography, gaining a patent for a three-colour projector. Godowsky went to the University of California to study chemistry, physics and mathematics, while working as a professional violinist; Mannes, a pianist, went to Harvard to study music and physics. They kept in touch, and after graduating they joined up in New York, working as musicians and experimenting in colour photography in their spare time.Initially working in kitchens and bathrooms, they succeeded in creating a two-layer colour photographic plate, with emulsions separately sensitized to parts of the spectrum, and patented the process. This achievement was all the greater since they were unable to make the emulsions themselves and had to resort to buying commercial photographic plates so that they could scrape off the emulsions, remelt them and coat their experimental materials. In 1922 their work came to the attention of C.E.K. Mees, the leading photographic scientist and Director of the Eastman Kodak Research Laboratory in Rochester, New York. Mees arranged for plates to be coated to their specifications. With a grant from Kuhn, Loeb \& Co. they were able to rent laboratory space. Learning of Rudolf Fischer's early work on dye couplers, they worked to develop a new process incorporating them. Mees saw that their work, however promising, would not develop in an amateur laboratory, and in 1930 he invited them to join the Kodak Research Laboratory, where they arrived on 15 June 1931. Their new colleagues worked on ways of coating multi-layer film, while Mannes and Godowsky worked out a method of separately processing the individual layers in the exposed film. The result was Kodachrome film, the first of the modern integral tripack films, launched on 15 April 1935.They remained with Eastman Kodak until December 1939; their work contributed to the later appearance of Ektachrome colour-reversal film and the Kodacolor and Eastman Color negative-positive colour processes. Mannes became the Director of his father's Music Academy in New York, remaining as such until his death in 1964. Godowsky returned to Westport, Connecticut, and continued to study mathematics at Columbia University. He carried out photographic research un his private laboratory up until the time of his death in 1983.[br]Further ReadingC.E.K.Mees, 1961, From Dry Plates to Ektachrome Film, New York.BC -
26 пол плавающий
пол плавающий
Пол, отделённый от основания и стен амортизирующими прослойками или изолирующими устройствами для повышения звукоизоляции смежных помещений
[Терминологический словарь по строительству на 12 языках (ВНИИИС Госстроя СССР)]EN
floating floor
The upper layer of floor construction supported on battens, mountings or a resilient sheet membrane of damping material such as expanded polystyrene or mineral wool to provide acoustic isolation.
floating floor
A floating floor is a floor that does not need to be nailed or glued to the subfloor. The term floating floor refers to the installation method, but is often used synonymously with laminate flooring in a domestic context.
A sprung floor is a special type of floating floor designed to enhance sports or dance performance. In general though the term refers to a floor used to reduce noise or vibration.
A domestic floating floor might be constructed over a subfloor or even over an existing floor. It can consist of a glass fibre, felt or cork layer for sound insulation with neoprene pads holding up a laminate floor. There is a gap between the floating floor and the walls to decouple them and allow for expansion; this gap is covered with skirting boards or mouldings.
Floating floors as used in sound studios can be either just larger versions of the domestic variety, or much larger constructions with slabs of concrete to keep the resonance frequency down. The manufacture of integrated circuits uses massive floating floors with hundreds of tons in weight of concrete to avoid vibration affecting mask alignment.
Floating floors are one of the requirements for the THX high-fidelity sound reproduction standard for movie theaters, screening rooms, home theaters, computer speakers, gaming consoles, and car audio systems.
While floating floors add to the appeal of a home, they are not recommended for areas that may get wet, i.e. bathrooms and near exterior doors.
[http://en.wikipedia.org/wiki/Floating_floor]Тематики
EN
DE
FR
Русско-английский словарь нормативно-технической терминологии > пол плавающий
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27 Book-Fold
BOOK-FOLD (American, official)A form and a method of putting up and packing in convenient form, used for the shipping and storing of fabrics of a wide width. This is in contrast to the form and method of rolling fabrics of broad width, either on to paper tubes or on to heavy cardboards like a bolt. The goods may or may not be doubled in the centre to one-half their width, and are thus folded in successive layers of an equal length, usually of 11/4 yard to each layer, until the entire piece is " done (put) up " in folds with the respective mill-ends being lapped inside the first or last fold. Hence the piece is placed on to a white tissue paper which is wider in width than the folds. The tissue is in turn protected by a medium stiff " buff and white " wrapper that tallies in width with the width of the folds. The piece is next put (packed) into book-fold by tucking both ends of the folds in with the respective tissue paper and the buff and white wrapper, while in the width overlapping stubs of tissue paper are tucked under the buff and white wrapper. ———————— A finisher's term to indicate that the cloth has to be in such a way as to open like a book from the centre, with the folds resembling the leaves of a book. -
28 Ducos du Hauron, Arthur-Louis
SUBJECT AREA: Photography, film and optics[br]b. 1837 Langon, Bordeaux, Franced. 19 August 1920 Agen, France[br]French scientist and pioneer of colour photography.[br]The son of a tax collector, Ducos du Hauron began researches into colour photography soon after the publication of Clerk Maxwell's experiment in 1861. In a communication sent in 1862 for presentation at the Académie des Sciences, but which was never read, he outlined a number of methods for photography of colours. Subsequently, in his book Les Couleurs en photographie, published in 1869, he outlined most of the principles of additive and subtractive colour photography that were later actually used. He covered additive processes, developed from Clerk Maxwell's demonstrations, and subtractive processes which could yield prints. At the time, the photographic materials available prevented the processes from being employed effectively. The design of his Chromoscope, in which transparent reflectors could be used to superimpose three additive images, was sound, however, and formed the basis of a number of later devices. He also proposed an additive system based on the use of a screen of fine red, yellow and blue lines, through which the photograph was taken and viewed. The lines blended additively when seen from a certain distance. Many years later, in 1907, Ducos du Hauron was to use this principle in an early commercial screen-plate process, Omnicolore. With his brother Alcide, he published a further work in 1878, Photographie des Couleurs, which described some more-practical subtractive processes. A few prints made at this time still survive and they are remarkably good for the period. In a French patent of 1895 he described yet another method for colour photography. His "polyfolium chromodialytique" involved a multiple-layer package of separate red-, green-and blue-sensitive materials and filters, which with a single exposure would analyse the scene in terms of the three primary colours. The individual layers would be separated for subsequent processing and printing. In a refined form, this is the principle behind modern colour films. In 1891 he patented and demonstrated the anaglyph method of stereoscopy, using superimposed red and green left and right eye images viewed through green and red filters. Ducos du Hauron's remarkable achievement was to propose theories of virtually all the basic methods of colour photography at a time when photographic materials were not adequate for the purpose of proving them correct. For his work on colour photography he was awarded the Progress Medal of the Royal Photographic Society in 1900, but despite his major contributions to colour photography he remained in poverty for much of his later life.[br]Further ReadingB.Coe, 1978, Colour Photography: The First Hundred Years, London. J.S.Friedman, 1944, History of Colour Photography, Boston. E.J.Wall, 1925, The History of Three-Colour Photography, Boston. See also Cros, Charles.BCBiographical history of technology > Ducos du Hauron, Arthur-Louis
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29 цель
. в этих целях; для достижения этой цели; для наших целей; достигать цели; использовать для разных целей; преследовать цель; с этой целью•The main objective is to determine...
•The intent of his method was...
•In laser fusion the object (or aim, or purpose) is to compress fuels to extreme densities.
•The accurate prediction of... is primary goal of boundary-layer theory.
Русско-английский научно-технический словарь переводчика > цель
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30 композиционная мембрана для обратного осмоса, имеющая слой из поливинилового спирта, а также
Универсальный русско-английский словарь > композиционная мембрана для обратного осмоса, имеющая слой из поливинилового спирта, а также
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31 метод стопы слоёв
Makarov: layer-pile method -
32 метод тонкослойных элементов
Construction: thin layer element methodУниверсальный русско-английский словарь > метод тонкослойных элементов
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33 метод травления диэлектрического слоя на полупроводниковой подложке
Универсальный русско-английский словарь > метод травления диэлектрического слоя на полупроводниковой подложке
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34 распределенное тестирование на одном уровне
General subject: Distributed Single Layer Test Method (Абстрактный метод тестирования, при котором верхний тестер располагается в тестируемой системе, а точка наблюдения и контроля (PCO) находится на верхней границе сервиса)Универсальный русско-английский словарь > распределенное тестирование на одном уровне
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35 технология послойного наращивания (разновидность техно
General subject: build-up process (A manufacturing method for multilayered print substrates. Multilayer substrates are formed by repeating lamination, punching and wiring for each layer)Универсальный русско-английский словарь > технология послойного наращивания (разновидность техно
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36 технология послойного наращивания
General subject: (разновидность техно build-up process (A manufacturing method for multilayered print substrates. Multilayer substrates are formed by repeating lamination, punching and wiring for each layer)Универсальный русско-английский словарь > технология послойного наращивания
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37 lag
atmosphere, ethos, mood, method, rhythm, layer -
38 རིམ་པ་
[rim pa]layer, stratum, order, series, succession, separate order, method, degree, stage, time multiple, process, phase, category, course, respective, specification -
39 зависеть
Зависеть от (числа Рэлея)-- The natural length scale was Rayleigh number dependent. Зависеть от (мнения)-- The question of what is a stable flame is very subject to the opinion and experience of the test operator. зависеть от -- to depend on, to rely on, to rely upon; to respond to; to be dependent on, to be contingent on (upon); to be...-dependent, to be... -specific; to be a function of, to be a matter of; to be affected by, to be influenced by, to be governed by; to be subject to; to be sensitive toThe solubility of an alkali metal silicate depends on the ratio of silica to alkali metal oxide.The success of the stress-analysis method relies on stress and deformation details very near the crack tip.Tool life was found to respond to the tempering temperature.Contingent residual stresses are those stresses that are contingent on (or subject to) the coexistence of the source from which they are derived.The recommendation was contingent upon further development efforts.The abrasive wear mechanism is also temperature-dependent (... зависит от температуры).Many inferences are context-specific (Многие выводы зависят от контекста).The position of start of transition from a laminar to a turbulent boundary layer is affected by turbulence intensity.This long term wear rate is governed by engine design, ring and linear materials and, of course, lubrication.Русско-английский научно-технический словарь переводчика > зависеть
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40 Cai Lun (Tsai Lun)
SUBJECT AREA: Paper and printing[br]b. c.57 AD Chinad. c.121 AD China[br]Chinese Director of Imperial Workshops who is usually credited with the invention of paper.[br]He was a confidential secretary to the Emperor. He became Director of the Imperial Workshops and he is said to have invented, or sponsored the invention of, paper around the year 105 AD. Recent studies, however, suggest that paper was already known in China two centuries earlier. The method of making it has hardly varied in principle since that time. The raw materials, then usually old fishing nets and clothing rags, were boiled with water, to which alkali in the form of wood ash was sometimes added. The resulting pulp was then beaten in a stone mortar with a stone or a wooden mallet. The pulp was then mixed and stirred with a large amount of water, and a sieve or mould (formed on a wooden frame carrying a mat of thin reeds sewn together) was dipped into it and was shaken to help the fibres in the layer of pulp to interlock and thus form a sheet of paper. The rest of the process consisted, then as now, of getting rid of the water: the sheets of paper were dried and bleached by leaving them to lie in the sun.Some of China's many inventions were achieved independently in Western Europe, but it seems that Europe's knowledge of papermaking stems from the Chinese. It was not until the eighth century that it passed into the Islamic world and so, first by contact with the Moors in Spain in the twelfth century, into Western Europe.Cai Lun was later made a marquis. Further promotion followed when he was regarded as the god of papermaking.[br]Further ReadingJ.Needham, 1985, Science and Civilisation in China, Cambridge: Cambridge University Press, Vol. V (1): Clerks and Craftsmen in China and the West, 1970.LRD
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