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1 гипсометрическая шкала цветов
1) Geology: layer system of colours2) Naval: gradient tints, hypsometric tints3) Cartography: graduation of tints, layer colours, subdued coloursУниверсальный русско-английский словарь > гипсометрическая шкала цветов
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2 abstufen
v/t (trennb., hat -ge-)2. fig. (Löhne, Steuern etc.) grade, scale; (staffeln) auch graduate; (Farben) shade, tone, tint; (Klangfarbe) shade* * *to grade* * *ạb|stu|fen sep1. vtGelände to terrace; Haare to layer; Farben to shade; Gehälter, Steuern, Preise to grade2. vrto be terracedder Weinberg stuft sich zum Fluss hin ab — the vineyard goes down in terraces to the river
* * *(to mark out with regular divisions: A thermometer is graduated in degrees.) graduate* * *ab|stu·fenI. vt▪ etw \abstufen▪ abgestuft shaded, gradedeine fein abgestufte Farbpalette a finely shaded [or graded] range of colours [or AM -ors2. (terrassieren) to terrace sth3. (nach der Höhe staffeln) to grade sthII. vrdie Hänge stufen sich zum Tal hin ab the slopes go down in terraces into the valley* * *transitives Verb1) (staffeln) grade2) (nuancieren) differentiate* * *abstufen v/t (trennb, hat -ge-)2. fig (Löhne, Steuern etc) grade, scale; (staffeln) auch graduate; (Farben) shade, tone, tint; (Klangfarbe) shade* * *transitives Verb1) (staffeln) grade2) (nuancieren) differentiate* * *v.to gradate v.to graduate v. -
3 гипсометрическое изображение рельефа
1) Naval: graded colours2) Military: altitude tinting, hypsometric colouring3) Cartography: graded colouring, hill-toning, layer system, layer tinting, layered style, process-colour relief presentation, tonal printing4) Makarov: colour-relief presentation, graded coloringУниверсальный русско-английский словарь > гипсометрическое изображение рельефа
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4 desterrar
v.1 to banish, to exile (person).2 to dismiss (idea).3 to expatriate, to cast out, to banish, to deport.* * *1 to exile, banish2 figurado to banish* * *VT1) (=exiliar) to exile, banish2) (=desechar) to dismissdesterrar el uso de las armas de fuego — to banish firearms, prohibit the use of firearms
3) (Agr, Min) to remove the soil from* * *verbo transitivoa) ( expulsar) to exile, banish (liter)b) (liter) <temor/duda> to banish; <costumbre/creencia> to stamp out, eradicate* * *= banish, exile.Ex. Many types and colours of shelving are now available, and forbidding dark wooden bookcases have been banished from most libraries.Ex. He was unjustly court-martialed in 1894 for high treason and exiled to a penal colony on the coast of South America.* * *verbo transitivoa) ( expulsar) to exile, banish (liter)b) (liter) <temor/duda> to banish; <costumbre/creencia> to stamp out, eradicate* * *= banish, exile.Ex: Many types and colours of shelving are now available, and forbidding dark wooden bookcases have been banished from most libraries.
Ex: He was unjustly court-martialed in 1894 for high treason and exiled to a penal colony on the coast of South America.* * *desterrar [A5 ]vtA1 (expulsar) to exile, banish ( liter)2 ( liter); ‹temor/duda› to banish; ‹costumbre/creencia› to stamp out, eradicateacuerdos para desterrar el uso de sustancias nocivas para la capa de ozono agreements to withdraw from use substances which are harmful to the ozone layerB ‹río› dredge* * *
desterrar ( conjugate desterrar) verbo transitivo ‹ persona› to exile, banish (liter)
desterrar verbo transitivo
1 (a una persona) to exile
2 (descartar un pensamiento, una idea) to dismiss
' desterrar' also found in these entries:
Spanish:
desnaturalizar
- olvidar
English:
banish
- exile
* * *desterrar vt1. [persona] to banish, to exile2. [idea] to dismiss;[dudas, recelos] to banish3. [costumbre, hábito] to do away with;[prejuicios] to root out* * *v/t exile* * *desterrar {55} vt1) exiliar: to banish, to exile2) erradicar: to eradicate, to do away with -
5 Ducos du Hauron, Arthur-Louis
SUBJECT AREA: Photography, film and optics[br]b. 1837 Langon, Bordeaux, Franced. 19 August 1920 Agen, France[br]French scientist and pioneer of colour photography.[br]The son of a tax collector, Ducos du Hauron began researches into colour photography soon after the publication of Clerk Maxwell's experiment in 1861. In a communication sent in 1862 for presentation at the Académie des Sciences, but which was never read, he outlined a number of methods for photography of colours. Subsequently, in his book Les Couleurs en photographie, published in 1869, he outlined most of the principles of additive and subtractive colour photography that were later actually used. He covered additive processes, developed from Clerk Maxwell's demonstrations, and subtractive processes which could yield prints. At the time, the photographic materials available prevented the processes from being employed effectively. The design of his Chromoscope, in which transparent reflectors could be used to superimpose three additive images, was sound, however, and formed the basis of a number of later devices. He also proposed an additive system based on the use of a screen of fine red, yellow and blue lines, through which the photograph was taken and viewed. The lines blended additively when seen from a certain distance. Many years later, in 1907, Ducos du Hauron was to use this principle in an early commercial screen-plate process, Omnicolore. With his brother Alcide, he published a further work in 1878, Photographie des Couleurs, which described some more-practical subtractive processes. A few prints made at this time still survive and they are remarkably good for the period. In a French patent of 1895 he described yet another method for colour photography. His "polyfolium chromodialytique" involved a multiple-layer package of separate red-, green-and blue-sensitive materials and filters, which with a single exposure would analyse the scene in terms of the three primary colours. The individual layers would be separated for subsequent processing and printing. In a refined form, this is the principle behind modern colour films. In 1891 he patented and demonstrated the anaglyph method of stereoscopy, using superimposed red and green left and right eye images viewed through green and red filters. Ducos du Hauron's remarkable achievement was to propose theories of virtually all the basic methods of colour photography at a time when photographic materials were not adequate for the purpose of proving them correct. For his work on colour photography he was awarded the Progress Medal of the Royal Photographic Society in 1900, but despite his major contributions to colour photography he remained in poverty for much of his later life.[br]Further ReadingB.Coe, 1978, Colour Photography: The First Hundred Years, London. J.S.Friedman, 1944, History of Colour Photography, Boston. E.J.Wall, 1925, The History of Three-Colour Photography, Boston. See also Cros, Charles.BCBiographical history of technology > Ducos du Hauron, Arthur-Louis
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6 dégradé
dégradé [degʀade]masculine noun* * *
1.
dégradée degʀade adjectif
2.
nom masculin1) ( de couleurs) gradation2) ( en coiffure) layered cut* * *deɡʀade dégradé, -e1. adj2) (cheveux) layered2. nm1) ART gradation2) (coupe de cheveux) layered cut* * *A pp ⇒ dégrader.C nm2 ( en coiffure) layered cut.[degrade] nom masculin1. [technique] shading off[résultat] gradation2. [d'une coiffure] layered style————————en dégradé locution adjectivale -
7 Namad Carpets
Felted carpets of Persia and India. Produced in single colours or ornamented with inlaid work with coloured felt in floral or geometric design. Those made at Tabriz are ornamented with coloured wools felted into them in regular arabesque designs. The wool is spread out evenly on a Kamrii and then moistened with gum and rolled backwards and forwards -with a wooden roller until the layer of wool is thoroughly felted.
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