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indigo+blue

  • 81 sky-blue

    a лазурный
    Синонимический ряд:
    blueness (noun) azure; blue; blueness; cerulean; indigo; sapphire; turquoise

    English-Russian base dictionary > sky-blue

  • 82 Indian blue

    [ˌɪndɪən'bluː]
    = indigo 2) б)

    Англо-русский современный словарь > Indian blue

  • 83 indigoblue


    indigo-blue
    1> цвет индиго; сине-фиолетовый цвет
    2> индиго (краска)
    3> цвета индиго

    НБАРС > indigoblue

  • 84 China Checks

    A plain weave cotton cloth for the China market, woven with indigo blue threads in warp and weft. The cloth is piece-bleached and back filled. Made 28-in. grey, 27-in. finished, 68 X 64 per inch, 36's T./32's W., 30's colour. The designs are small and generally made square as follows: - 2 blue, 8 grey, or 2 blue, 16 grey, in both warp and weft

    Dictionary of the English textile terms > China Checks

  • 85 Banda Stripes

    This is a waste weft cloth made in the Rawtenstall and Rochdale districts. Widths about 50-in. to 54-in. finished. Lengths 10 and 6 yards. Designs all blue and grey stripes. Finished with a stiff finish to weigh about 31/2-lb. for 53-in. 10 yards (56-in. soft). A popular cloth is 56-in., 100 yards (soft), 48 X 40 per inch, 30's/8's condenser. The twist is heavily sized. Ends per inch vary from 48 to 56, and picks from 36 to 44. Twist nearly always 30's and weft 7's, 8's, or 9's. The colour is indigo blue.

    Dictionary of the English textile terms > Banda Stripes

  • 86 Fayence Prints

    A cotton fabric printed with indigo blue paste. The colour is mixed with other material into a paste and the cloth printed with the mixture. The fabric is then treated in some alkaline solution which fixes the blue colour. The cloth is made about 72 ends and 76 picks per inch, 32's T., 36's W.

    Dictionary of the English textile terms > Fayence Prints

  • 87 Pilot Cloth

    A woollen goods term given to the indigo-blue dyed heavy overcoating cloth, used for seamen's coats, etc. Usually made with 4-shaft twill weave, 54-in. finished and dyed, principally dark blue, but brown, black and green are done. These cloths have a thick nap on the face. A typical cloth is made from 250 yard/oz. woollen crossband and 130 yard/oz. woollen crossband weft and weighs 36 oz. per yard.

    Dictionary of the English textile terms > Pilot Cloth

  • 88 Copper-Plate Cloth

    An obsolete term, once used for cotton cloth in indigo blue printed designs.

    Dictionary of the English textile terms > Copper-Plate Cloth

  • 89 Kanikis (Africa)

    A plain woven cotton cloth made 64 to 72 ends and picks per inch, 30's warp and weft, with three or four grey cords down each selvedge of 2/14's yarn. The cloth is dyed indigo blue. Yarns are of a low grade.

    Dictionary of the English textile terms > Kanikis (Africa)

  • 90 Navy Serge

    A very strong and fine serge, made of fine worsted yarns, dyed indigo blue in the wool and used by the U.S. Navy for uniforms.

    Dictionary of the English textile terms > Navy Serge

  • 91 Sabattus Rug

    A modern American handmade knotted rug made in Maine. It is all wool, the pile being tied in a special knot. The design is taken from Indian pottery in colours of vegetable indigo blue and green.

    Dictionary of the English textile terms > Sabattus Rug

  • 92 Niepce, Joseph Nicéphore

    [br]
    b. 1765 France
    d. 5 July 1833 Chalon, France
    [br]
    French inventor who was the first to produce permanent photographic images with the aid of a camera.
    [br]
    Coming from a prosperous family, Niepce was educated in a Catholic seminary and destined for the priesthood. The French Revolution intervened and Niepce became an officer in an infantry regiment. An attack of typhoid fever in Italy ended his military career, and he returned to France and was married. Returning to his paternal home in Chalon in 1801, he joined with his brother Claude to construct an ingenious engine called the pyréolophore, which they patented in 1807. The French Government also encouraged the brothers in their attempts to produce large quantities of indigo-blue dye from wood, a venture that was ultimately unsuccessful.
    Nicéphore began to experiment with lithography, which led him to take an interest in the properties of light-sensitive materials. He pursued this interest after Claude moved to Paris in 1816 and is reported to have made negative images in a camera obscura using paper soaked in silver chloride. Niepce went on to experiment with bitumen of judea, a substance that hardened on exposure to light. In 1822, using bitumen of judea on glass, he produced a heliograph from an engraving. The first images from nature may have been made as early as 1824, but the world's earliest surviving photographic image was made in 1826. A view of the courtyard of Niepce's home in Chalon was captured on a pewter plate coated with bitumen of judea; an exposure of several hours was required, the softer parts of the bitumen being dissolved away by a solvent to reveal the image.
    In 1827 he took examples of his work to London where he met Francis Bauer, Secretary of the Royal Society. Nothing came of this meeting, but on returning to France Niepce continued his work and in 1829 entered into a formal partnership with L.J.M. Daguerre with a view to developing their mutual interest in capturing images formed by the camera obscura. However, the partnership made only limited progress and was terminated by Niepce's death in 1833. It was another six years before the announcement of the first practicable photographic processes was made.
    [br]
    Bibliography
    1973. Joseph Nicéphore Niepce lettres 1816–7, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.
    1974, Joseph Nicéphore Niepce correspondences 1825–1829, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.
    Further Reading
    J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides a full account of Niepce's life and work).
    H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London (provides a full account of Niepce's life and work).
    JW

    Biographical history of technology > Niepce, Joseph Nicéphore

  • 93 Batik

    The real batiks are hand-produced by natives of Java. They outline a design on both sides of a piece of cloth and this is followed in melted wax, then the cloth is dyed indigo, the wax cracks in the dye bath, and the colour penetrates through to the cloth, thus producing the fine veins, so characteristic of these prints. The cloth is washed in hot water to remove the wax. If two colours are required, the first process is to paint in wax the part required for the second colour, and after the indigo dyeing, the cloth is cleaned of wax, and the white part is treated with the second colour, and wax as above. The part to be blue or white is first painted in wax. The colours used are blue, brown, black and yellow.

    Dictionary of the English textile terms > Batik

  • 94 Cranky Checks

    This is one of the oldest cloths made for West Africa, and still finds a sale. It is a blue and white check, with designs about 2-in. square, coarse yarns all through. The style of checking is draughtboard type with the squares filled with blue and white lines on the hairline principle. The fabric is usually 36-in. finished, 20 yards, and headed at each end with a three green, one red, heading. The finish is the usual stiff finish, and a good quality is 37-in. soft, 20 yards, 89/3 of 16's grey and 16's indigo twist, with 24 picks per inch of 16's indigo and 18's cop weft. Made in Radcliffe-and Rochdale. When woven with double ends and picks it is termed a Zanzibar shirting.

    Dictionary of the English textile terms > Cranky Checks

  • 95 azure

    1. n лазурь, синева
    2. n поэт. небесная лазурь, небосвод
    3. a голубой, лазурный
    Синонимический ряд:
    1. color (adj.) blue; bluish; cerulean; color; pale blue; sky blue
    2. blueness (noun) blue; blueness; cerulean; indigo; sapphire; turquoise

    English-Russian base dictionary > azure

  • 96 Caro, Heinrich

    [br]
    b. 13 February 1834 Poznan, Poland
    d. 11 October 1911 Dresden, Germany
    [br]
    German dyestuffi chemist.
    [br]
    Caro received vocational training as a dyer at the Gewerbeinstitut in Berlin from 1852, at the same time attending chemistry lectures at the university there. In 1855 he was hired as a colourist by a firm of calico printers in Mulheim an der Ruhr, where he was able to demonstrate the value of scientific training in solving practical problems. Two years later, the year after Perkin's discovery of aniline dyes, he was sent to England in order to learn the latest dyeing techniques. He took up a post an analytical chemist with the chemical firm Roberts, Dale \& Co. in Manchester; after finding a better way of synthesizing Perkin's mauve, he became a partner in the business. Caro was able to enlarge both his engineering experience and his chemical knowledge there, particularly by studying Hofmann's researches on the aniline dyes. He made several discoveries, including induline, Bismark brown and Martius yellow.
    Like other German chemists, however, he found greater opportunities opening up in Germany, and in 1866 he returned to take up a post in Bunsen's laboratory in Heidelberg. In 1868 Caro obtained the important directorship of Badische Anilin-Soda- Fabrik (BASF), the first true industrial research organization and leading centre of dyestuffs research. A steady stream of commercial successes followed. In 1869, after Graebe and Liebermann had showed him their laboratory synthesis of the red dye alizarin, Caro went on to develop a cheaper and commercially viable method. During the 1870s he collaborated with Adolf von Baeyer to make methylene blue and related dyes, and then went on to the azo dyes. His work on indigo was important, but was not crowned with commercial success; that came in 1897 when his successor at BASF discovered a suitable process for producing indigo on a commercial scale. Caro had resigned his post in 1889, by which time he had made notable contributions to German supremacy in the fast-developing dyestuffs industry.
    [br]
    Further Reading
    A.Bernthsen, 1912, obituary, Berichte derDeut
    schen Chemischen Gesellschaft, 45; 1,987–2,042 (a substantial obituary).
    LRD

    Biographical history of technology > Caro, Heinrich

  • 97 blueness

    n синева
    Синонимический ряд:
    1. absoluteness (noun) absoluteness; blackness; blankness; blessedness; completeness; downrightness; grossness; perfectness; positiveness; pureness; rankness; sheerness; starkness
    2. badness (noun) badness; crestfallenness; dejectedness; disconsolateness; dispiritedness; dolefulness; downheartedness; dullness; heartsickness; lowness; woebegoneness
    3. blue (noun) azure; blue; cerulean; indigo; sapphire; sky-blue; turquoise
    4. raciness (noun) raciness; riskiness; saltiness; sexiness; shadiness; suggestiveness; wickedness

    English-Russian base dictionary > blueness

  • 98 индиго

    ср. Indian blue
    с. нескл. indigo.

    Большой англо-русский и русско-английский словарь > индиго

  • 99 ROYGBIV

    сокр. от Red, Orange, Yellow, Green, Blue, Indigo, Violet голубой, желтый, зеленый, красный, оранжевый, синий, фиолетовый

    Большой англо-русский и русско-английский словарь > ROYGBIV

  • 100 индиго

    Англо-русский словарь технических терминов > индиго

См. также в других словарях:

  • Indigo blue — Indigo In di*go, a. Having the color of, pertaining to, or derived from, indigo. [1913 Webster] {Indigo berry} (Bot.), the fruit of the West Indian shrub {Randia aculeata}, used as a blue dye. {Indigo bird} (Zo[ o]l.), a small North American… …   The Collaborative International Dictionary of English

  • Indigo Blue — Article de la série Manga Liste des mangas par titre français autre A B …   Wikipédia en Français

  • indigo blue — indigo blue, adj. 1. indigo (def. 4). 2. Also called indigo, indigotin. a dark blue, water insoluble, crystalline powder, C16H10N2O2, having a bronzelike luster, the essential coloring principle of which is contained along with other substances… …   Universalium

  • indigo blue — n. 1. INDIGOTIN 2. INDIGO (sense 3) indigo blue adj …   English World dictionary

  • Indigo blue — est un manga de type Yuri en 1 volume. Dessin et scénario : Ebine Yamaji. C est le troisième de cette mangaka. Sommaire 1 Synopsis 2 Éditeur 3 Articles connexes …   Wikipédia en Français

  • indigo blue — I. noun see indigo I, 1b II. noun see indigo I, 3 * * * indigo blue, adj. 1. indigo (def. 4). 2. Also called indigo, indigotin. a dark blue, water insoluble, crystalline powder, C16H …   Useful english dictionary

  • indigo blue B — noun or indigo blue R Usage: usually capitalized I&B : a vat dye see dye table I (under Vat Blue 35) …   Useful english dictionary

  • indigo blue R — noun see indigo blue B …   Useful english dictionary

  • Indigo Blue - Gee Gee Minar — (Ченнаи,Индия) Категория отеля: Адрес: Apartment 5C, 5th Floor, No 23 …   Каталог отелей

  • indigo blue — in′digo blue′ n. 1) indigo 4) 2) chem. Also called indigo 2) indigotin a dark blue, water insoluble, crystalline powder, C 16 H 10 N 2 O 2 , the coloring principle of the dye indigo. • Etymology: 1705–15 in′di•go blue′, adj …   From formal English to slang

  • indigo blue — /ɪndɪgoʊ ˈblu/ (say indigoh blooh) noun 1. the colour indigo. 2. the essential colouring principle (a chemical compound, C16H10N2O2), which is contained, together with other substances, in the dye indigo, and which is now prepared artificially.… …  

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